Search results for ""author robert"

The first book in the Insurrection trilogy, which tells the thrilling story of Robert the Bruce.1286 A.D. Scotland is in the grip of the worst winter in living memory. Some say the Day of Judgement has arrived.The King of Scotland rides out from Edinburgh into the stormy night. On the road he is murdered by one of his own men, leaving the succession to the throne wide open. Civil war threatens as the powerful Scottish families jostle for power, not knowing that King Edward I of England has set his own plans for conquest in motion.But all is not destined to go Edward's way. Through the ashes of war, through blood feuds and divided loyalties, a young squire will rise to defy England's greatest king. His name is Robert Bruce. Insurrection is the first in an addictive and action-packed trilogy in the tradition of Conn Iggulden, Bernard Cornwell and Manda Scott.

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Since 1992, the Dia Center for the Arts has presented the Robert Lehman Lectures on Contemporary Art—an example of Dia's ongoing commitment to cross-disciplinary critical discourse. This fourth volume of collected theoretical and critical essays focuses on Dia's exhibitions from 2001 through 2002, with contributions by Alexander Alberro, Jan Avgikos, Colin Gardner, Dave Hickey, Rosalind Krauss, Miwon Kwon, Ulrich Loock, Richard Shiff and Dirk Snauwaert. These writers analyze the work of internationally recognized artists such as Roni Horn, Alfred Jensen, Bruce Nauman, Max Neuhaus, Panamarenko, Jorge Pardo, Gerhard Richter, Bridget Riley, Diana Thater and Gilberto Zorio.

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As the Ch’ing government’s Inspector General of the Maritime Customs Service, Robert Hart was the most influential Westerner in China for half a century. These journal entries continue the sequence begun in Entering China’s Service and cover the years when Hart was setting up Customs procedures, establishing a modus operandi with the Ch’ing bureaucracy, and inspecting the treaty ports. They culminate in Hart’s return visit to Europe with the Pin-ch’un Mission and his marriage in Northern Ireland.Richard Smith, John King Fairbank, and Katherine Bruner interleave the segments of Hart’s journals with lively narratives describing the contemporary Chinese scene and recounting Hart’s responses to the many challenges of establishing a Western-style organization within a Chinese milieu.

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Carolina Garcia-Ramirez is a rising star in national politics, taking on the establishment with her progressive agenda. Tough, outspoken, and driven, the young congresswoman has ignited a new conversation in Boston about race, poverty, health care, and the environment. Now facing her second campaign, she finds herself not only fighting a tight primary with an old guard challenger but also contending with numerous death threats coming from hundreds of suspects. When her chief of staff reaches out to Spenser for security and help finding the culprits of what he believes to be the most credible threats, Garcia-Ramirez is less than thrilled. Since her first grassroots run, she's used to the antipathy and intimidation women of color often face when seeking power. To her, it's all noise. But it turns out an FBI agent disagrees, warning Spenser that Garcia-Ramirez might be in real danger this time. It doesn't take long for Spenser to cross paths with an extremist group called The Minutemen, led by a wealthy Harvard grad named Bishop Graves. Although Graves is a social media sensation, pushing an agenda of white supremacy and toxic masculinity, he denies he's behind the attacks. As the primary nears and threats become a deadly plot, it's up to Spenser, Hawk, and a surprise trusted ally to ensure the congresswoman is safe. This is Spenser doing what he does best, living by a personal code and moral compass that can't ever be broken.

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Robert McNamara is best known for his key role in the escalation of the Vietnam War as U.S. secretary of defense under Presidents John F. Kennedy and Lyndon Johnson. The familiar story begins with the brilliant young executive transforming Ford Motor Company, followed by his rise to political power under Kennedy, and culminating in his downfall after eight years of failed military policies. Many believe McNamara's fall from grace after Vietnam marked the end of his career. They were wrong. In Robert McNamara's Other War, Patrick Allan Sharma reveals the previously untold story of what happened next. As president of the World Bank from 1968 to 1981, McNamara changed the way many people thought about international development by shifting the World Bank's focus to poverty alleviation. Though his efforts to redeem himself after his failures in Vietnam were well-intentioned, Sharma argues, his expansion of the World Bank's agenda contributed to a decline in the quality of its activities. McNamara's policies at the Bank also helped lay the groundwork for the economic crises that have plagued the developing world during the past three decades. Not only has Sharma crafted an engaging chronicle of one of the most enigmatic figures in modern American history; he has also produced one of the first detailed histories of the World Bank. He mines previously unstudied Bank documents that have only recently become available to researchers as well as material from archives on three continents. Sharma's extensive research shows that McNamara's influence extended well beyond Vietnam and that his World Bank years may be his most enduring legacy.

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Pairing a selection of recent watercolours from 2011 and 2012 by Thomas Schutte with a selection of previously unpublished poems by Robert Walser, written between 1924 and 1933, this book is a deeply personal exploration of our everyday selves, choreographed by one of the greatest living artists. This book is dedicated by the artist to the gallerist Donald Young, who invited the artist to participate in an exhibition dedicated to Walser in Chicago in 2012. Published in original German with new English translations of each poem and with an introduction by Dr. Reto Sorg, director of the Robert Walser Archives.

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A landmark in the publication of twentieth-century American poetry, this first volume of the long-awaited collected poetry, non-critical prose, and plays of Robert Duncan gathers all of Duncan's books and magazine publications up to and including "Letters: Poems 1953-1956". Deftly edited, it thoroughly documents the first phase of Duncan's distinguished life in writing, making it possible to trace the poet's development as he approaches the brilliant work of his middle period. This volume includes the celebrated works "Medieval Scenes" and "The Venice Poem", all of Duncan's long unavailable major ventures into drama, his extensive "imitations" of Gertrude Stein, and the remarkable poems written in "Majorca" as responses to a series of collaged paste-ups by Duncan's life-long partner, the painter Jess. Books appear in chronological order of publication, with uncollected periodical and other publications arranged chronologically, following each book. The introduction includes a biographical commentary on Duncan's early life and works, and clears an initial path through the textual complexities of his early writing. Notes offer brief commentaries on each book and on many of the poems. The volume to follow, "The Collected Later Poetry and Plays", will include "The Opening of the Field" (1960), "Roots and Branches" (1964), "Bending the Bow" (1968), "Ground Work" (1984), and "Ground Work II" (1987).

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This innovative study of the works of Robert Musil opens a new window on the history of modern identity in western culture. Stefan Jonsson argues that Musil’s Austria was the first postimperial state in modern Europe. Prior to its destruction in 1918, the Austro-Hungarian Empire had ruled over a vast array of nationalities and, in the course of its demise as well as after, Austria was beset by nationalism, racism, and other forms of identity politics that ultimately led to the triumph of Nazism. It was to this society that Musil responded in his great work The Man Without Qualities. Exploring the nooks and crannies of this modernist classic, Jonsson shows that Musil’s narrative evolves along two axes that must be considered in tandem: Whereas the central plot portrays a Viennese elite that in 1913 attempts to restore social cohesion by gathering popular support for the cultural essence of the empire, the protagonist discovers that he lacks essence altogether and finds himself attracted by monsters, criminals, and revolutionary figures that reject the social order. In this way, Musil’s novel traces the disappearance of what Jonsson calls the expressivist paradigm—the conviction that identities such as gender, nationality, class, and social character are expressions of permanent intrinsic dispositions. This, Jonsson argues, is Musil’s great legacy. For not only did the Austrian author seek to liquidate prevailing conceptions of personal and cultural identity; he also projected “a new human being,” one who would resist assimilation into imperialist, nationalist, or fascist communities. Subject Without Nation presents a new interpretation of Viennese modernity and uncovers the historical foundations of poststructural and postcolonial reconceptualizations of human subjectivity. Illuminating links between Musil’s oeuvre as a whole and post-war developments in critical thought, this book locates an important crossroads between literary criticism, intellectual history, and cultural theory.

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American political scientist Robert Putnam wasn’t the first person to recognize that social capital – the relationships between people that allow communities to function well – is the grease that oils the wheels of society. But by publishing Bowling Alone, he moved the debate from one primarily concerned with family and individual relationships one that studied the social capital generated by people’s engagement with the civic life. Putnam drew heavily on the critical thinking skill of interpretation in shaping his work. He took fresh looks at the meaning of evidence that other scholars had made too many assumptions about, and was scrupulous in clarifying what his evidence was really saying. He found that strong social capital has the power to boost health, lower unemployment, and improve life in major ways. As such, any decrease in civic engagement could create serious consequences for society. Putnam’s interpretation of these issues led him to the understanding that if America is to thrive, its citizens must connect.

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Iconic, tough-but-tender Boston PI Spenser delves into the black market art scene to investigate a decades-long unsolved crime of dangerous proportions. Iconic, tough-but-tender Boston PI Spenser delves into the black market art scene to investigate a decades-long unsolved crime of dangerous proportions. The heist was legendary, still talked about twenty years after the priceless paintings disappeared from one of Boston's premier art museums. Most thought the art was lost forever, buried deep, sold off overseas, or, worse, destroyed as incriminating evidence. But when paint chips from the most valuable piece stolen, Gentlemen in Black by a Spanish master, arrives at the desk of a Boston journalist, the museum finds hope and enlists Spenser's help. Soon the cold art case thrusts Spenser into the shady world of black market art dealers, aged Mafia bosses, and old vendettas. A five-million-dollar-reward by the museum's top benefactor, an aged, unlikable Boston socialite, sets Spenser and pal Vinnie Morris onto a trail of hidden secrets, jailhouse confessions, murder, and double crosses.

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Robert Hichens has gone down in history as the man who was given the famous order to steer the Titanic away from the iceberg and failed. Following this, his falling out with the ‘Unsinkable Molly Brown’ over the actions of the lifeboats saw him branded a coward and his name indelibly tarnished. A key witness at both US and British Inquiries, Robert returned to a livelihood where fellow crewmen considered him jinxed. But Robert had a long career and was a hardworking, ambitious seaman. A fisherman at 19, he quickly became a junior officer in the merchant navy. In the Second World War he was part of a cargo ship convoy on route to Africa where his ship dodged mines, U-boats and enemy aircraft. To Robert, being at sea was everything but the dark memories of the Titanic were never far away and in 1933 a failed murder attempt after a bitter feud nearly cost Robert his life. Here Robert’s great-granddaughter Sally Nilsson seeks to set the record straight and reveal the true character of the man her family knew. This is one man’s story of survival, betrayal and determination.

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Robert L. Benson (1925–1996), professor of history at the University of California, Los Angeles, was one of the most learned and original medievalists of his generation. At his untimely death he left behind a considerable body of unpublished writings, many of which he had revised and refined and in some cases presented in lectures and at conferences over many years. The best and most significant of these previously unpublished writings are collected in this volume. The essays in Law, Rulership, and Rhetoric span Benson’s entire career from 1955 to 1994. They comprise a rich collection covering a vast range of topics in political, intellectual, legal, and ecclesiastical history, rhetoric, and historiography. Art historians will find the three essays on medieval images of rulership and medieval art valuable, and literary scholars will be interested in the essays on, among others, Boncompagno da Signa. The volume concludes with several occasional, historiographical essays, including a spirited defense of Ernst Kantorowicz against Norman Cantor and an entertaining talk on “the medievalist as literary hero.” The volume begins with a brief biographical sketch and appreciation of Benson by Horst Fuhrmann.

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Robert O. Keohane’s After Hegemony is both a classic of international relations scholarship and an example of how creative thinking can help shed new light on the world. Since the end of World War II, the global political landscape had been dominated by two superpowers, the USA and the USSR, and the tense stand-off of the Cold War. But, as the Cold War began to thaw, it became clear that a new global model might emerge. The commonly held belief amongst those studying international relations was that it was impossible for nations to work together without the influence of a hegemon (a dominant international power) to act as both referee and ultimate decision-maker. This paradigm – neorealism – worked on the basis that every nation will do all it can to maximize its power, with such processes only checked by a balance of competing powers. Keohane, however, examined the evidence afresh and came up with novel explanations for what was likely to come next. He went outside the dominant paradigm, and argued for what came to be known as the neoliberal conception of international politics. States, Keohane said, can and will cooperate without the influence of a hegemonic power, so long as doing so brings them absolute gains in the shape of economic and cultural benefits. In Keohane’s highly-creative view, the pursuit of national self-interest leads naturally to international cooperation – and to the formation of global regimes (such as the United Nations) that can reinforce and foster it.

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New essays providing fresh insights into the great 20th-century American poet Lowell, his writings, and his struggles. Robert Lowell (1917-1977) holds a place of unchallenged prominence in the poetic pantheon of the twentieth-century United States. He is an essential focal point for understanding the connection between poetry and American history,social justice, and personal identity. A recent spate of publications both by and about him, as well as allusions to him in the work of major American poets such as Wanda Coleman and Claudia Rankine, attest to his continued relevance. In March 2017, leading Lowell scholars from Europe and America gathered at the University of Fribourg, Switzerland in commemoration of his 100th birthday. The essays deriving from the conference and presented here aftercareful revision reveal new aspects of Lowell: for instance, the poet's influence on his peers, discussed by Thomas Travisano, the biographer of Elizabeth Bishop; or echoes of Milton in Lowell's work, discussed by Saskia Hamilton, editor of the forthcoming Dolphin Letters between Lowell and Elizabeth Hardwick. Other essays examine Lowell's struggles with bipolar illness, with marriage, and with money; his economic views and his early personality issues with respect to his poetic production; his extended sojourn in Amsterdam; and his special relationship with Ireland. Several essays focus on his 1961 volume Imitations, his major poetic engagement with the European tradition, unjustly neglected in the US. The essays will appeal to the wide audience that Lowell scholarship continues to command. Contributors: Steven Gould Axelrod, Massimo Bacigalupo, Philip Coleman, Ian D. Copestake, Astrid Franke, Jo Gill, Saskia Hamilton, Frank J. Kearful, Grzegorz Kosc, Diederik Oostdijk, Francesco Rognoni, Thomas Travisano, Boris Vejdovsky. Thomas Austenfeld is Professor of American Literature at the University of Fribourg.

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Robin and Marion are taking on the authorities again in the third action-packed adventure from international bestseller Robert Muchamore.'Strikes the bullseye.' - The Times Children's Book of the Week (Robin Hood: Hacking Heists & Flaming Arrows)There's a price on Robin's head, one that has attracted a gang of ruthless mercenaries who are determined to track him down and hand him over to Guy Gisborne. So Robin is hiding out by the sea, but trouble has a way of finding him.Before long he is helping to rescue refugees and trying to avoid the attentions of Customs and Immigration officials. Then he and Marion discover a people-smuggling operation: desperate people brought into the country to work in slave-like conditions making cheap goods. It's only a matter of time before the two of them are trying to find out who is behind it - and Robin is again making the headlines with spectacular raids on the rich and powerful.

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In Clouds of Glory: The Life and Legend of Robert E. Lee, Michael Korda, the New York Times bestselling biographer of Dwight D. Eisenhower, Ulysses S. Grant, and T. E. Lawrence, has written the first major biography of Lee in nearly twenty years, bringing to life one of America's greatest, most iconic heroes. Korda paints a vivid and admiring portrait of Lee as a general and a devoted family man who, though he disliked slavery and was not in favor of secession, turned down command of the Union army in 1861 because he could not "draw his sword" against his own children, his neighbors, and his beloved Virginia. He was surely America's preeminent military leader, as calm, dignified, and commanding a presence in defeat as he was in victory. Lee's reputation has only grown in the 150 years since the Civil War, and Korda covers in groundbreaking detail all of Lee's battles and traces the making of a great man's undeniable reputation on both sides of the Mason-Dixon Line, positioning him finally as the symbolic martyr-hero of the Southern Cause. Clouds of Glory features dozens of stunning illustrations, some never before seen, including eight pages of color, sixteen pages of black-and-white, and nearly fifty battle maps.

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This innovative study of two of the most important artists of the twentieth century links the art practices of Allan Kaprow and Robert Smithson in their attempts to test the limits of art - both what it is and where it is. Ursprung provides a sophisticated yet accessible analysis, placing the two artists firmly in the art world of the 1960s as well as in the art historical discourse of the following decades. Although their practices were quite different, they both extended the studio and gallery into desert landscapes, abandoned warehouses, industrial sites, train stations, and other spaces. Ursprung bolsters his argument with substantial archival research and sociological and economic models of expansion and limits.

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Since 1972, The Robert Wood Johnson Foundation has been the nation's largest philanthropy devoted exclusively to health. To further its mission of improving the health and health care of all Americans, it provides funds for demonstration projects, educational and communications activities, training, policy analysis, and research. As part of the Foundation's efforts to inform the public, To Improve Health and Health Care: The Robert Wood Johnson Foundation Anthology series provides an in-depth look into the programs it funds. Written for policy makers and practitioners as well as interested members of the public, the series offers useful lessons for leaders and educators developing plans for the coming years.

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This deluxe diary for 2025 features the stunning artwork of Robert Fuller. The diary is filled with his finest wildlife paintings and has plenty of space for notes and appointments in the week-per-page layout. This diary is free of plastic packaging.

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Robert Butterfield had a lifelong passion for railways. He devoted his career to working for British Railways and was a dedicated enthusiast, photographer and railway modeller. He travelled extensively in the London Midland, Eastern, North Eastern and Scottish Regions and on these journeys accumulated a large collection of stunning photographs, often featuring his favourite classes: Princess Coronations, Royal Scots and Jubilees. After forty-three years of service he spent his retirement happily chasing steam specials, particularly on the Carlisle to Settle line. Here Brian J. Dickson has compiled a beautiful collection of Robert Butterfield’s railway photographs, providing a window into the past looking back at steam in the 1950s.

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The first full-scale biography of Robert Willis, the "founding father" of architectural history. WINNER of the Cambridge Association for Local History book award 2016 Robert Willis was the archetypal nineteenth-century polymath. Officially, as Jacksonian Professor of Natural and Experimental Philosophy at the University of Cambridge, he specialized in the study of mechanism, which he also taught at the Royal School of Mines in London. In the field of science he was an experimentalist, inventor and educational innovator. Meanwhile, in his spare time, he pursued his passion, pioneering the serious study of architectural history. Initially his work was aimed at architects - his role in providing an intellectual underpinning to the contemporary Gothic Revival was acknowledged by the award of the gold medal of the Royal Institute of British Architects in 1862. However his main contribution was more historical. Starting with Canterbury, in 1844, over the course of his career, he investigated almost every English cathedral and developed an approach, combining documentary and archaeological research, which remains in use today. His studies culminated in the monumental Architectural History of the University of Cambridge, still the definitive account of its subject. In this fascinating and lavishly illustrated intellectual biography, drawn from extensive archival and architectural research, the author sheds new light on the interconnections between Willis's varied fields of interest and his fundamental role in the creation of a discipline. ALEXANDRINA BUCHANAN is both an architectural historian and an archivist; her introduction to archives came throughcataloguing the papers of Robert Willis at the Cambridge University Library. She is now Lecturer in Archive Studies at the University of Liverpool.

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Excellence in Publishing Award, Association of Catholic Publishers Honorable Mention, Catholic Press Association Book Award Finalist, Washington State Book Award Pure Act tells the story of poet Robert Lax, whose quest to live a true life as both an artist and a spiritual seeker inspired Thomas Merton, Jack Kerouac, William Maxwell and a host of other writers, artists and ordinary people. Known in the U.S. primarily as Merton’s best friend and in Europe as a daringly original avant-garde poet, Lax left behind a promising New York writing career to travel with a circus, live among immigrants in post-war Marseilles and settle on a series of remote Greek islands where he learned and recorded the simple wisdom of the local people. Born a Jew, he became a Catholic and found the authentic community he sought in Greek Orthodox fishermen and sponge divers. In his early life, as he alternated working at The New Yorker, writing screenplays in Hollywood and editing a Paris literary journal with studying philosophy, serving the poor in Harlem and living in a sanctuary high in the French Alps, Lax pursued an approach to life he called pure act―a way of living in the moment that was both spontaneous and practiced, God-inspired and self-chosen. By devoting himself to simplicity, poverty and prayer, he expanded his capacity for peace, joy and love while producing distinctive poetry of such stark beauty critics called him “one of America’s greatest experimental poets” and “one of the new ‘saints’ of the avant-garde.” Written by a writer who met Lax in Greece when he was a young seeker himself and visited him regularly over fifteen years, Pure Act is an intimate look at an extraordinary but little-known life. Much more than just a biography, it’s a tale of adventure, an exploration of friendship, an anthology of wisdom, and a testament to the liberating power of living an uncommon life.

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Many people have written biographies of Charles Darwin, but the story of his family and roots in Shrewsbury is little known. This book, containing original research, fills that gap. The key player is Charles' father, Dr Robert Darwin, a larger-than-life character whose financial acumen enabled Charles to spend his whole life on research unencumbered by money worries. Through Susannah, Charles' mother, we are introduced to the Wedgwood family, whose history was so closely interwoven with the Darwins. The stories of Charles' five siblings are detailed, and there is a wealth of local material, such as information on Shrewsbury School and its illustrious headmaster, Samuel Butler. The book is fully illustrated with contemporary and modern pictures, and will be of interest to anyone wanting to discover more about the development of Shrewsbury's most famous son.

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Wing Commander Stanford Tuck was one of the RAF's top-scoring aces until taken prisoner in 1942. This work offers an extract facsimile of his flying log book covering his flying career. Readers also have the opportunity to own a Battle of Britain pilot's log book, each with a numbered certificate.

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These bald facts, horrific as they are, do not begin to scratch the surface of the truth about Robert Black, a Scottish-born serial killer who undoubtedly committed further murders for which he was never tried, both in this country and on the Continent. In this ground-breaking account, Robert Giles, who has spent years tracing the killer's movements and sifting through all the evidence, including transcripts of the trials, convincingly argues that Black was an habitual serial killer over many years, and quite certainly responsible for more than the four child murders for which he was convicted. Co-written with Chris Clark, a former police intelligence officer whose tireless work into the Yorkshire Ripper produced convincing new evidence of other murders that went unnoticed or unrecorded, The Face of Evil shows once and for all that Robert Black was a serial killer whose crimes went far beyond what is generally believed. In doing so, it paints a portrait of human cruelty at its worst.

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Published by Boydell & Brewer Inc.

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1000-pieces. Shrink-wrapped, sturdy box (size 10 x 10 x 2 ins). High quality jigsaw puzzle. Finished Jigsaw size 29 x 20 ins.Part of an exciting series of sturdy, square-box 1000-piece jigsaw puzzles from Flame Tree, featuring powerful and popular works of art. This new jigsaw will satisfy your need for a challenge, with the charming Ducks, Falcons and Lapwings by Robert Gillmor. This 1000 piece jigsaw is intended for adults and children over 13 years. Not suitable for children under 3 years due to small parts. Finished Jigsaw size 735 x 510mm/29 x 20 ins. Includes an A4 poster for reference.One of the UK’s best-known wildlife artists, Robert Gillmor MBE is also an ornithologist, illustrator, author, and editor, not to mention founder member of the Society of Wildlife artists. He has illustrated over 150 books, designed a series of stamps for Royal Mail, and helped to create the RSPB’s logo. Gillmor received the RSPB Medal in 2001

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Robert Wyatt started out as the drummer and singer for Soft Machine, who shared a residency at Middle Earth with Pink Floyd and toured America with Jimi Hendrix. He brought a Bohemian and jazz outlook to the 60s rock scene, having honed his drumming skills in a shed at the end of Robert Graves' garden in Mallorca. His life took an abrupt turn after he fell from a fourth-floor window at a party and was paralysed from the waist down. He reinvented himself as a singer and composer with the extraordinary album Rock Bottom, and in the early eighties his solo work was increasingly political. Today, Wyatt remains perennially hip, guesting with artists such as Bjork, Brian Eno, Scritti Politti, David Gilmour and Hot Chip. Marcus O'Dair has talked to all of them, indeed to just about everyone who has shaped, or been shaped by, Wyatt over five decades of music history.

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Glory, Trouble, and Renaissance at the Robert S. Peabody Museum of Archaeology chronicles the seminal contributions, tumultuous history, and recent renaissance of the Robert S. Peabody Museum of Archaeology (RSPM). The only archaeology museum that is part of an American high school, it also did cutting-edge research from the 1930s through the 1970s, ultimately returning to its core mission of teaching and learning in the twenty-first century. Essays explore the early history and notable contributions of the museum’s directors and curators, including a tour de force chapter by James Richardson and J. M. Adovasio that interweaves the history of research at the museum with the intriguing story of the peopling of the Americas. Other chapters tackle the challenges of the 1990s, including shrinking financial resources, the Native American Graves Protection and Repatriation Act and relationships with American Indian tribes, and the need to revisit the original mission of the museum, namely, to educate high school students. Like many cultural institutions, the RSPM has faced a host of challenges throughout its history. The contributors to this book describe the creative responses to those challenges and the reinvention of a museum with an unusual past, present, and future.

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In the fall of 1943, armed with only his notebooks and pencils, Time and Life correspondent Robert L. Sherrod leapt from the safety of a landing craft and waded through neck-deep water and a hail of bullets to reach the shores of the Tarawa Atoll with the US Marine Corps. Living shoulder to shoulder with the marines, Sherrod chronicled combat and the marines' day-to-day struggles as they leapfrogged across the Central Pacific, battling the Japanese on Tarawa, Saipan, Iwo Jima, and Okinawa. While the marines courageously and doggedly confronted an enemy that at times seemed invincible, those left behind on the American home front desperately scanned Sherrod's columns for news of their loved ones. Following his death in 1994, the Washington Post heralded Sherrod's reporting as "some of the most vivid accounts of men at war ever produced by an American journalist." Now, for the first time, author Ray E. Boomhower tells the story of the journalist in Dispatches from the Pacific: The World War II Reporting of Robert L. Sherrod, an intimate account of the war efforts on the Pacific front.

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In colonial America, the system of "warning out" was distinctive to New England, a way for a community to regulate those to whom it would extend welfare. Robert Love's Warnings animates this nearly forgotten aspect of colonial life, richly detailing the moral and legal basis of the practice and the religious and humanistic vision of those who enforced it. Historians Cornelia H. Dayton and Sharon V. Salinger follow one otherwise obscure town clerk, Robert Love, as he walked through Boston's streets to tell sojourners, "in His Majesty's Name," that they were warned to depart the town in fourteen days. This declaration meant not that newcomers literally had to leave, but that they could not claim legal settlement or rely on town poor relief. Warned youths and adults could reside, work, marry, or buy a house in the city. If they became needy, their relief was paid for by the province treasurer. Warning thus functioned as a registration system, encouraging the flow of labor and protecting town coffers. Between 1765 and 1774, Robert Love warned four thousand itinerants, including youthful migrant workers, demobilized British soldiers, recently exiled Acadians, and women following the redcoats who occupied Boston in 1768. Appointed warner at age sixty-eight owing to his unusual capacity for remembering faces, Love kept meticulous records of the sojourners he spoke to, including where they lodged and whether they were lame, ragged, drunk, impudent, homeless, or begging. Through these documents, Dayton and Salinger reconstruct the biographies of travelers, exploring why so many people were on the move throughout the British Atlantic and why they came to Boston. With a fresh interpretation of the role that warning played in Boston's civic structure and street life, Robert Love's Warnings reveals the complex legal, social, and political landscape of New England in the decade before the Revolution.

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