Search results for ""author painters"

'Smart, sexy, funny and so sharply written. A total freaking delight.' Carley Fortune, bestselling author of Every Summer After School librarian Alexis usually keeps out of the spotlight. But when she's dumped for being too meek in bed, she decides it's time for a change. Enter Logan, the mysterious stranger she meets at a hotel bar. Foul-mouthed, funny and forward, he's Alexis' opposite – and wow, do opposites attract. But the next day, Alexis finds her face splashed all over the news. It turns out her mysterious stranger is Logan Arthur, the hotshot candidate running for Texas governor. And they were photographed leaving the hotel together. A scandalous one-night-stand could sink Logan’s career, so there's only one thing for it: Alexis must pretend to be his long-term girlfriend until election night. A shy librarian in a fake relationship with a hot politician for two long months… What could possibly go wrong? Praise for THE BOYFRIEND CANDIDATE: 'Charming, swoony, and utterly unputdownable. I LOVE this book!' Lynn Painter, bestselling author of Better Than the Movies 'Catches fire, sizzles throughout then bursts into flames. HIGHLY recommend.' Abby Jimenez, bestselling author of The Friend Zone 'Winstead brings both hilarity and heartfelt moments to this rousing rom-com. Readers will cheer Alexis on her path to discovering her inner strength and swoon over idealistic Logan. This is a winner.' Publishers Weekly, *STARRED review*

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A beautiful, lively tour through the portraits of one of the most celebrated painters of 17th century Europe In this sumptuously illustrated volume, eminent art historian Sir Christopher White places the portraiture of renowned Flemish painter Anthony Van Dyck (1599–1641) in context among the work of his contemporaries working in and around the courts of seventeenth-century Europe. Van Dyck’s artistic development is charted through his travels, beginning in his native Antwerp, then to England, Italy, Brussels, the Hague, and back again. Combining historical insights with a discerning appreciation of the work, White brings Van Dyck’s paintings to life, showing how the virtuoso not only admired his artistic predecessors and rivals but refashioned what he learned from them into new kind of portraiture. Beautifully produced and a pleasure to read, this book is an important contribution to the literature on a celebrated painter.Distributed for Modern Art Press

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A handsomely designed debut presentation of "one of the most exciting painters working in Brazil" (Galerie) This stunning clothbound volume on Sao Paulo–based painter Marina Perez Simao (born 1981) guides the reader through her riotously colorful visual journeys as she blends abstraction and figuration in depictions of abstract landscapes, visions and memories. Simao’s critically acclaimed recent exhibition at Pace Gallery in New York featured a series of paintings created during the isolation of the COVID-19 pandemic, propelling her to further acclaim in the US. This volume cements her reputation as a rising star of contemporary painting.

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Challenging prevailing theories regarding the birth of the subject, Catherine M. Soussloff argues that the modern subject did not emerge from psychoanalysis or existential philosophy but rather in the theory and practice of portraiture in early-twentieth-century Vienna. Soussloff traces the development in Vienna of an ethics of representation that emphasized subjects as socially and historically constructed selves who could only be understood—and understand themselves—in relation to others, including the portrait painters and the viewers. In this beautifully illustrated book, she demonstrates both how portrait painters began to focus on the interior lives of their subjects and how the discipline of art history developed around the genre of portraiture.Soussloff combines a historically grounded examination of art and art historical thinking in Vienna with subsequent theories of portraiture and a careful historiography of philosophical and psychoanalytic approaches to human consciousness from Hegel to Sartre and from Freud to Lacan. She chronicles the emergence of a social theory of art among the art historians of the Vienna School, demonstrates how the Expressionist painter Oskar Kokoschka depicted the Jewish subject, and explores the development of pictorialist photography. Reflecting on the implications of the visualized, modern subject for textual and linguistic analyses of subjectivity, Soussloff concludes that the Viennese art historians, photographers, and painters will henceforth have to be recognized as precursors to such better-known theorists of the subject as Sartre, Foucault, and Lacan.

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Text in English & German. Chaos and anarchy represent the opposite pole to an ordered life. Nothing works any more, everything is devastated, everything is falling apart. City walls, buildings that once afforded protection, have fallen victim to the excesses of armed conflict. Infernal threats, ambushes, fiery rain and other catastrophes were described even in the Bible. Pillaging and plunder were part of everyday life in the Middle Ages. Cruel deeds familiar from the Bible, or those described by other people or experienced personally, inspired painters in the transitional period from the Middle Ages to the Renaissance, and were picked out as a central theme in their pictures. In the 18th century it became fashionable to build artificial ruins in parks and landscape gardens. Ruins became an image of human inadequacy in the attempt to come to terms with nature. 18th century landscape painters used ruin motifs in order to suggest the mysterious magic of pain, the sadness of beauty, to viewers. In the first half of the last century the world had to endure two wars that costs millions of people their lives and reduced many cities to rubble. Countless ruins remained. Few of them have survived. Overgrown with grass, ivy and Virginia creeper they now tower up out of the landscape like many others from various epochs bearing witness to those who see them of the vanity of human endeavour, of transience, of death; filling them with horror, but at the same time exuding a feeling of gloom and sadness, of melancholy. In this book, the author delivers a detailed assessment of ruins as a phenomenon in architecture, landscape design, fine art, film and the media. The result is an extraordinarily intense contribution to the theme of transience.

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A reevaluation of Gabriel Metsu, one of the leading genre painters of the Dutch Golden Age Gabriel Metsu (1629–1667) employed an unusual variety of styles, techniques, and subjects, making him a particularly difficult artist to characterize. From his early days in Leiden until his death in Amsterdam at the height of his career, his unparalleled mastery of the brush allowed him to paint a remarkable range of history paintings, portraits, still lifes, but most of all, exquisite genre paintings. And whatever his subject matter, his work reveals an unrivalled talent for imbuing figures with a human and personable character.During the 18th and 19th centuries, Metsu held a place as one of the most celebrated painters of the Dutch Golden Age, and his works were acquired for noble collections throughout Europe, while his contemporary Johannes Vermeer was almost unheard of. In the 20th century their positions were reversed as Vermeer’s reputation soared. This enlightening book resituates Metsu as one of the leading genre painters of his time. It offers a portrait of the age through his patrons and his wide network of contacts and colleagues in Amsterdam, as well as analysis of Metsu’s technique as a draftsman and as a painter, and it documents the fashions and fabrics of the time through his work.Published in association with the National Gallery of IrelandExhibition Schedule: National Gallery, Dublin 09/04/10 – 12/05/10 Rijksmuseum, Amsterdam 12/16/10 – 03/21/11 National Gallery of Art, Washington 04/17/11 – 07/24/11

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Find wisdom, inspiration, and new insight in this definitive volume of empowering quotes from the Pan African world. With over 60 quotations—carefully researched by National Black Cultural Information Trust founder, Jessica Ann Mitchell Aiwuyor—Black Voices is your go-to source for powerful words from both famous Black individuals in history and new and lesser-known voices. From this diverse spectrum of perspectives and experiences, gain a deeper understanding of Black culture and history. Some of the inspirational quotes include:“I’m very interested in, ‘What does it mean for us to cultivate together?’ Community that allows for risk, the risk of knowing someone outside your own boundaries, the risk that is love. There is no love that does not involve risk.” —bell hooks, African American feminist scholar“Our youth, our drive, our diversity and openness, our boundless capacity for risk and reinvention means that the future should be ours. But that potential will only be realized if our democracy works. Only if our politics better reflects the decency of our people.” —Barack Obama, 44th President of the United States and the first Black American president Spotlighting Black writers, artists, scholars, politicians, activists, and visionaries from all eras and backgrounds, each quote is accompanied by a short biography of its writer or speaker. This engaging and information-packed book touches on aspects and subjects relevant to Black lives, including and featuring, among many others, the voices of: Culture and History: Werewere Liking, author (Cameroon) Education and Knowledge: Mĩcere Gĩthae Mũgo, author, poet, and playwright (Kenya) Justice, Civil Rights, and Human Rights: Ida B. Wells, journalist and activist (USA) Race and Racism: Paul Stephenson, civil rights activist (UK) Gender, Feminism, and Womanism: Ketanji Brown Jackson, first Black woman to serve on the United States Supreme Court (USA) Peace and Love: Basetsana Kumalo, businesswoman and television personality (South Africa) Inspiration, Hope, and Perseverance: Dudley Laws, activist (Canada) Freedom and Liberation: Claudia Jones, political activist and cofounder of Notting Hill Carnival (UK) Politics: Francia Márquez, 13th vice president of Colombia Blackness: Walter Rodney, scholar and activist (Guyana) Pan Africanism: Amy Jacques Garvey, Pan Africanist, journalist, and civil rights activist (Jamaica) The book also features the lush, vibrant artwork of six Black artists from around the world: Affen Segun, Nigerian painter (Instagram: @affensegun) Erin K. Robinson, American illustrator (Instagram: @brooklyndolly) Gilles Mayk Navangi, Belgian painter, illustrator, and sculptor (Instagram: @ngm_world) Nicole Collie, Bahamian painter (Portfolio: nicolecollie.com) Rendani Nemakhavhani, South African illustrator, visual artist, and art director (Instagram: @prsdnthoney) Uzo Njoku, Nigerian American visual artist (Portfolio: uzonjoku.com) Black Voices is a must-have reference to Pan African culture and history.

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Roberto Calasso is one of the most original and acclaimed of writers on literature, art, culture and mythology. In Baudelaire's Folly, Calasso turns his attention to the poets and writers of Paris in the nineteenth century who created what was later called 'the Modern.' His protagonist is Charles Baudelaire: poet of nerves, art lover, pioneering critic, man about Paris, whose groundbreaking works on modern culture described the ephemeral, fleeting nature of life in the metropolis - and the artist's role in capturing this - as no other writer had done. With Baudelaire's critical intelligence as his inspiration, Calasso ranges through his life and work, focusing on two painters - Ingres and Delacroix - about whom Baudelaire wrote acutely, and then turns to Degas and Manet, who followed in the tracks Baudelaire laid down in his great essay The Painter of Modern Life. In a mosaic of stories, insights, dreams, close readings of poems and commentaries on paintings, Paris in Baudelaire's years comes to life. In the eighteenth century, a 'folie' was a garden pavilion set aside for people of leisure, a place of delight and fantasy. Here Calasso has created a brilliant and dramatic 'Folie Baudelaire': a place where the reader can encounter Baudelaire, his peers, his city, his extraordinary likes and dislikes, and his world, finally discovering that it is nothing less than the land of 'absolute literature'.Born in Florence, Roberto Calasso lives in Milan, where he is publisher of Adelphi. He is the author of Tiepolo Pink, The Ruin of Kasch, The Marriage of Cadmus and Harmony, winner of the Prix Veillon and the Prix du Meilleur Livre Etranger, Literature and the Gods, Ka and K.

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Painting and Politics in Northern Europe offers a chronological account of political engagement in works by the early modern Northern European painters Jan van Eyck, Pieter Bruegel the Elder, Peter Paul Rubens, and Frans Snyders. Offering fresh interpretations of canonical paintings, Margaret Carroll illustrates how these artists registered their pictorial responses to the political events and debates of their day. The imagery of gender and power was often intertwined with these debates. Considering a range of works, including Van Eyck’s Arnolfini Portrait, Bruegel’s Netherlandish Proverbs, and Rubens’s Life of Marie de Médicis series, Carroll examines the ways in which these Netherlandish painters seized on that imagery and creatively transformed it into the materials of art.The narrative follows the way painters responded to the emergence of “modern” theories of politics and natural law from the classical and medieval tradition. Carroll begins by addressing paintings that identify the natural order with consensual social relations in a stable political hierarchy, then turns to paintings that stress the struggle for mastery in a perilous and unstable world. These paintings may be valued not merely as historical artifacts of a bygone era but as interventions in a cultural discourse that continues to this day.

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A gorgeous and evocative story of how the animals got their colours, from Carnegie Medal winner Tanya Landman and V&A Illustration Award winner Laura Carlin.The earth was young and full of colour. But the animals were dull and drab. The painter decided: something must be done! With dabs and sweeps the painter's brush creates the stripes on the zebra, the sharp suit of the penguin and the bright splashes on parrots. But what can he give the nightingale when his paintbox has run dry? A beautiful and gently moving tale from the award-winning Tanya Landman and Laura Carlin.

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During a period of radical change, Ruth Baumgarte (1923–2013) created an artistic oeuvre in which humankind and its fragile existence form the main area of focus. This volume introduces her as a passionate creator of drawings, a versatile applied graphic artist and an expressive painter. The turbulent events in Ruth Baumgarte’s life have left visible traces in her oeuvre. From the early 1950s she turned her attention to industrial subjects. She made a study of environmental subjects, such as Chernobyl, as well as socially relevant questions. In more than 40 journeys she explored the African continent and made use of the impressions she gained in her works. It is typical of her work that she linked the radiance of her watercolour painting with current social topics. Viola Weigel is an art historian, curator and author. Since 2019 she has been the director of the Ruth Baumgarte Art Foundation. Languages: English and German

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The title of this little book is inspired by Erwin Panofsky’s remarks on the “inner affinity” between Ovid and Titian. But this inner affinity between the Latin poet and the Venetian painter also extends to Philip of Spain, for whom Titian painted the famous cycle of canvases that he referred to in his letters as the “Poesie”. To explore this kinship of spirit among the poet, the painter, and the king, this study examines the dynastic fecundity that results from the effects of works of art on the imagination, the soul and the body.

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Eighth-century martyr St Boniface, tennis player and TV presenter Sue Barker, painter Sir Joshua Reynolds, scholar Sir Thomas Bodley, actor Sir Donald Sinden, Boer War commander Sir Redvers Buller, radio and TV presenter Ed Stewart and round-the-world yachtsman Sir Francis Chichester are among personalities through the ages who have been born in Devon. The county can claim many more who were either born or lived here for a major part of their lives, including Scott of the Antarctica, Agatha Christie, Parson Jack Russell (of terrier fame) and Wayne Sleep. The Elizabethan explorers Sir Francis Drake, Sir Humphrey Gilbert and Sir Walter Raleigh were all Devonians, as were party leaders Michael Foot and David Owen. This book, by renowned local author John Van der Kiste, features mini-biographies of all these and many more.

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Now you can color along with the master, Thomas Kinkade, painter of light. From luminous lighthouses and frothy seascapes to candlelit villages and welcoming front porches, relax as you color in this soothing atmosphere of beauty and inspiration. In this unique coloring book, sixty-three of Thomas Kinkade's most popular paintings are presented in color across from the black line art of the same image to be colored. Enter the world of the painter of light yourself, as you create your own renditions of these classic artworks, including such gems as Aspen Chapel, Garden of Prayer, and Stairway to Paradise.

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In this richly textured and wide-ranging survey of Victorian attitudes to the past, Andrew Sanders builds on Roy Strong’s groundbreaking book And when did you last see your father?: The Victorian Painter and British History (1978). Sanders explores the essentially literary nature of Victorian history writing, and he reveals the degree to which painters were indebted to written records both fictional and factual. Starting with a stimulating comparison of Queens Elizabeth I and Victoria, In the Olden Time examines works by poets and painters, essayists and dramatists, architects and musicians, including Jane Austen, John Donne, William Shakespeare, and John Soane. Together with a study of religious history as seen through the eyes of architect and critic Augustus Pugin and journalist William Cobbett, this book offers an original view of Victorian responses to British history, presenting a fresh investigation of unexpected Victorian attitudes and the establishment of particular 20th-century prejudices and bias.

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Goya (1746-1828) is one of Spain’s most famous artists and is widely acknowledged as an outstanding painter in the European tradition, often called the last of the Old Masters and the first of the Moderns. He is appreciated as a portrait painter; a creator of menacing and melancholy images in oils; a master of enigmatic, satirical and revolutionary drawing and etching; the champion of Spanish people in their struggle against oppression and the recorder of their life and sufferings in war. This book brings out many of Goya’s moods, from the gaiety and tenderness of the tapestry cartoons to the mysterious ferocity of the Black Paintings made in his old age.

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“An inviting and admiring introduction to an important American artist.” —Kirkus Reviews From award-winning author Robert Burleigh comes a striking, intimate picture book biography about an American icon—beloved artist Norman Rockwell. Norman Rockwell is best known for capturing the American spirit as a painter and illustrator in the late twentieth century. This beautifully illustrated, first-person narrative explores Rockwell’s life in episodes based on important moments in American history. Norman Rockwell is not only a great American artist, but he also successfully chronicled two generations of American life, making him one of the most beloved and well-known American artists of all time.

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The epic new novel from the internationally acclaimed and best-selling author of 1Q84.In Killing Commendatore, a thirty-something portrait painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist, Tomohiko Amada. When he discovers a strange painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a mysterious ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious thirteen-year-old girl, a Nazi assassination attempt during World War II in Vienna, a pit in the woods behind the artist’s home, and an underworld haunted by Double Metaphors.A tour de force of love and loneliness, war and art – as well as a loving homage to The Great Gatsby – Killing Commendatore is a stunning work of imagination from one of our greatest writers.

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Introduced by scriptwriter Steve Waters, here ten scripts for the stage and screen showcase a variety of techniques and styles, each demonstrating high standards of creativity, craft and application. Throughout the anthology, characters are not necessarily who they seem, events can turn in a beat, and revelations have ambiguous consequences."The course brilliantly celebrates the art of scriptwriting whilst maintaining focus on the importance of gaining the tools to become a professional. It fosters creative exploration whilst facilitating the acquisition of applicable practical skills and knowledge of the industry."– Molly Naylor, writer/performerNathan Hamilton is one of the UK's leading young poetry editors. He recently edited the Bloodaxe anthology Dear World & Everyone In It: new poetry in the UK (2013; ISBN 9781852249496). Rachel Hore is the author of six novels published by Simon & Schuster, most recently The Silent Tide (2013; ISBN 9780857209740) and The Glass Painter's Daughter (2013; ISBN 9781849835336).

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A #1 Wall Street Journal bestseller. From New York Times bestselling author Patricia Cornwell comes Ripper: The Secret Life of Walter Sickert, a comprehensive and intriguing exposé of one of the world’s most chilling cases of serial murder—and the police force that failed to solve it. Vain and charismatic Walter Sickert made a name for himself as a painter in Victorian London. But the ghoulish nature of his art—as well as extensive evidence—points to another name, one that’s left its bloody mark on the pages of history: Jack the Ripper. Cornwell has collected never-before-seen archival material—including a rare mortuary photo, personal correspondence and a will with a mysterious autopsy clause—and applied cutting-edge forensic science to open an old crime to new scrutiny. Incorporating material from Portrait of a Killer: Jack the Ripper—Case Closed, this new edition has been revised and expanded to include eight new chapters.

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Richard Bennett (1899–1971) was a nationally known printmaker, painter, and illustrator, born in Ireland but raised in Washington State. He later divided his time between New York City and Seattle. A leading children’s book author and illustrator, he received national recognition for his woodblock prints and engravings. He was part of the inner circle of leading Northwest artists including Mark Tobey, Morris Graves, Kenneth Callahan, and Guy Anderson. In New York he became close to a group of artists and scholars that included the Abstract Expressionist Theodoros Stamos, etcher Thomas Handforth, and the scholar Edmond Tolk. Among the many children’s books he illustrated are the Paul Bunyon stories, Treasure Island, and Betty MacDonald’s The Egg and I and Mrs. Piggle Wiggle. David Martin places Bennett's work in the context of major American printmakers and illustrators and the changes in book production inspired by the Arts and Crafts Movement.

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This lecture was given by Neil Cox of the University of Essex, one of Britain's leading scholars of Cubism and Surrealism, and a particular authority on Picasso, approaching the Spaniard's work from intriguing angles. He concentrates on a single work, Picasso's "Head" of 1913, and in doing so demonstrates how scrupulous focus can open out challenging perspectives in the work of a great master. Established following the 125th anniversary of the foundation of the Chair of Fine Art at the University of Edinburgh and named after the painter Sir John Watson Gordon, the "Watson Gordon Lectures" typify the longstanding and positive collaboration between the University of Edinburgh and the National Galleries of Scotland: two partners in the Visual Arts Research Institute in Edinburgh.

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The youngest member of the Blauer Reiter group was overshadowed for a long time by fellow painters such as Wassily Kandinsky, Franz Marc, August Macke, and Paul Klee. But in recent years, Heinrich Campendonk has enjoyed an unparalleled rediscovery and a new critical assessment of his extensive oeuvre. Biermann described Campendonk’s early work as a unique symphony of color and rhythm. Just a few years later, his pictures would be defamed as “degenerate,” driving him into exile in the Netherlands, where he remained until his death in 1957. In this beautiful volume, the author reveals Campendonk to be one the most fascinating artists of the last century, bringing to life the extraordinary overlap of his artist development with his life and times.

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A classic of modernism – a new Feininger retrospective in the light of current knowledge Lyonel Feininger (1871–1956) was a painter, graphic artist and caricaturist. From 1919 he served as one of the original masters at the Bauhaus in Weimar and later in Dessau. In 1937 he emigrated to New York, where he worked until the end of his life. In addition to his famous Expressionist images of architecture, the publication presents all the facets of his oeuvre and stations of his life based on the latest research. With some 140 paintings, drawings, caricatures, watercolours, woodcuts, photographs and objects from all creative phases, the volume presents a comprehensive picture of Feininger’s work which is also examined for its topicality. Lines of development and subjects which characterised his work are discussed in detail by means of key works in contributions by international authors. In particular his early paintings are evaluated, alongside the latest research into the significance of photography in the creative work of the Bauhaus artist.

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A haunted record of a life devoted to the visual art of the cinema and the written word, by Ireland''s greatest director and one of her finest novelists.In this vivid, moving and strange memoir, Neil Jordan the author of classic fiction like The Past, Sunrise with Sea Monster and Night in Tunisia, and the creator of celebrated movies like Angel, Mona Lisa, The Crying Game and Interview with the Vampire reaches deep into his own past and that of his family.His mother was a painter, his father an inspector of schools who was visited by ghosts, and Jordan grew up on the edge of an abandoned aristocratic estate in north Dublin whose mysterious ruins fed his imagination. Passionate about music, he played in bands and theatre groups and met, at University College Dublin, a young radical called Jim Sheridan. Together they staged unforgettable dramatic productions that hinted at their future careers. His first collection of stories and

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Giulia Bigolina's (ca. 1516-ca. 1569) Urania (ca. 1552) is the oldest known prose romance to have been written by an Italian woman. In Kissing the Wild Woman, Christopher Nissen explores the unique aesthetic vision and innovative narrative features of Bigolina's greatest surviving work, in which she fashioned a new type of narrative that combined elements of the romance and the novella and included a polemical treatise on the moral implications of portraiture and the role of women in the arts. Demonstrating that Bigolina challenged cultural authority by rejecting the prevailing views of both painting and literature, Nissen discusses Bigolina's suggestion that painting constituted an ineffectual, even immoral mode of self-promotion for women in relation to the views of the contemporary writer Pietro Aretino and the painter Titian. Kissing the Wild Woman's analysis of this little-known work adds a new dimension to the study of Renaissance aesthetics in relation to art history, Renaissance thought, women's studies, and Italian literature.

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Through the voice of the narrator of Remembrance of Things Past, Proust observes of the painter Elstir that the paintings are bolder than the artist; Elstir the painter is bolder than Elstir the theorist. This book applies the same distinction Proust; the Proustian novel is bolder than Proust the theorist. By this the author means that the novel is philosophically bolder, that it pursues further the task Proust identifies as the writer's work: to explain life, to elucidate what has been lived in obscurity and confusion. In this, the novelist and the philosopher share a common goal: to clarify the obscure in order to arrive at the truth. It follows that Proust's real philosophy of the novel is to be found not in the speculative passages of Remembrance, which merely echo the philosophical commonplaces of his time, but in the truly novelistic or narrative portions of his text. In Against Sainte-Beuve, Proust sets forth his ideas about literature in the form of a critique of the method of Sainte-Beuve. Scholars who have studied Proust's notebooks describe the way in which this essay was taken over by bits of narrative originally intended as illustration supporting its theses. The philosophical portions of Remembrance were not added to the narrative as an afterthought, designed to bring out its meaning. What happened was the reverse: the novel was born of a desire to illustrate the propositions of the essay. Why then should we not find the novel more philosophically advanced than the essay? Reversing the usual order followed by literary critics, the author interprets the novel as an elucidation, and not as a simple transposition, of the essay. The book is not only a general interpretation of Proust's novel and its construction; it includes detailed discussions of such topics as literature and philosophy, the nature of the literary genres, the poetics of the novel, the definition of art, modernity and postmodernity, and the sociology of literature.

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Egon Schiele (1890 – 1918) is nowadays regarded as one of the leading pioneers of Modernism in Austria. Although he already enjoyed some success during his lifetime and came to be considered Austria’s greatest artist following his death, his outstanding impo rtance for art was recognized only in the early 1950s. Rudolf Leopold, the early collector of Schiele who first became interested in Schiele in the 1950s, has been instrumental in raising the international profile of Egon Schiele. Today, his art treasures are housed in the Leopold Museum in Vienna, which holds the world’s largest and most outstanding collection of works by Schiele. Diethard Leopold, the collector’s son and author of this volume, naturally grew up with Schiele’s works, developing a special affinity and familiarity with the artist and his works. In this monograph he examines the life of the painter, who died prematurely at the age of 28, and based on major works from every one of his creative periods he presents an artist who captivates the viewer with emotional subjects and technical ingenuity al ike. In the archive section of this volume, special finds from the rich trove of documents he left behind show the copious talent of Egon Schiele who not only excelled as a painter and graphic artist, but also awaits discovery for his expressionist poetry.

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Our Albert Racinet Ancient Egypt art is a nod to vintage art and design that helped influence Art Deco of the early 20th century. Albert-Charles-Auguste-Racinet (1825-1893) was a French costume historian, painter, illustrator, and author. Racinet's publication L'Ornement Polychrome is a monumental collection of more than 100 richly-coloured lithographic plates depicting decorative artwork from ancient civilisations through the 18th century. Standard deck of 54 playing cards including 2x joker cards Full-colour, richly-printed artwork on embossed, blue-core card stock Giftable flip-top box with magnetic closure Box measures: 95 x 68 x 25mm

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Blind Owl, Sadeq Hedayat's masterpiece, tells the story of a young pen-case painter and his heartbreak. Isolated and alone, he mourns the loss of a mysterious love while descending into recollections and dreams frosted over by opium and alcohol, and imbued with the images he paints: an old man, a cypress tree, a beautiful woman, a waterlily. In stark, lyrical terms, the puzzle of the pen-case painter's grief is slowly unveiled ...As inscrutable as it is universal, Blind Owl is the seminal work of Persian modernism, and one of the great novels of the twentieth century.

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The volume, starting from the celebrated and fascinating Portrait of a Lady from the Poldi Pezzoli museum in Milan, one of the greatest masterpieces of Florentine portraiture from the latter half of the 15th century, investigates the art of the Pollaiolo brothers: Antonio, a goldsmith, painter and sculptor, and the most famous of the three; Piero, a painter; and Silvestro, who died young and was soon forgotten. Based on in- depth scientific analyses and research conducted on the methods of execution and materials used for the wide range of different works issued from the Pollaiolo brothers’ workshop, the volume presents paintings, drawings, engravings, sculptures, bronzes, and objects of applied art.

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An ideal introduction to the painter s work, Sargent: The Masterworks features 100 of his most beloved paintings. Illustrating all aspects of his diverse oeuvre portraits, landscapes, mural commissions in oil and watercolour, this handsome new book includes works from both private and public collections, including the Metropolitan Museum of Art s infamous Madame X. Author Stephanie L. Herdrich draws on a wealth of new research to provide both an essential overview and a more nuanced understanding of the great American painter. Richly illustrated, the book s three chapters cover the artist s career from his childhood and early years in Paris, to his mid-career portraits made in England and United States, and his later years painting out of doors. An illustrated chronology contains fascinating details and archival imagery about the artist s life. Sargent s cosmopolitan upbringing and education made him perfectly suited to capture the upwardly mobile bourgeoisie and aristocrats of his era, creating sensual portraits that depict his sitters with startling vibrancy. Though he achieved tremendous success in portraiture, Sargent focused on painting outdoors after 1900, achieving the most brilliant and personal images of his career. One of the greatest portraitists and watercolourists of his time, Sargent remains one of the most well-known and well-loved of all American artists.

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A practical guide to using gouache in botanical painting, by a leading botanical painter. Gouache is an opaque water-based medium, often called body colour, that produces crisp and vibrant paintings, and is becoming increasingly popular in botanical painting. Leading botanical painter, Simon Williams, specializes in painting in gouache and this is his first book. Botanical Painting in Gouache is full of practical advice on all aspects of using the exciting medium of gouache and contains many step-by-step demonstration paintings. In addition to the sumptuous flower paintings there are also sections on painting butterflies, birds and exotic and unusual plants from the rainforest.

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Combining the painting and poetry of Mexican artist Roberto Rebora (born 1963), Matter & Discourse of Faith features the painter's portraits--both monochromatic and colorful--and murals.

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In The Picture With is an introduction to the lives and works of great painters. Along with telling the life story of these artists, it examines the techniques behind their paintings, from the best-known to the less familiar works of art.

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So much more than a picture book, The Gift opens the window to Korean culture, transporting the reader to another time with an important lesson to learn Tired of constantly working hard, a poor painter encounters the legendary Dokkaebi, who gifts him the life he has always dreamed of as a rich and famous artist. But the painter soon learns that his gifts come at a price and perhaps his new perfect life is not all it seems to be. Vividly illustrated in a style that combines Minhwa, traditional Korean folk art, with pop art, The Gift is an engaging fable about gratitude and appreciating the beauty in life.

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In The Picture With is an introduction to the lives and works of great painters. Along with telling the life story of these artists, it examines the techniques behind their paintings, from the best-known to the less familiar works of art.

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A truly mind-bending novel from an author prized for his experimental fusions of nouveau roman techniques and Oulipian constraintsAn editor at a Parisian publishing house receives a manuscript by someone calling himself Desiderioa manuscript that bears an eerie resemblance to his own life and to a book he was planning to write on a Renaissance painter of the same name. He decides to use his vacation time to visit the place from which it was sentthe quaint, historical seaside town of V.and believes he has identified the author: one Jean Morelle, himself a tourist, who disappeared the very day the manuscript was mailed. The narrator decides to play amateur detective and track down Morelle, unaware that as he becomes more deeply enmeshed in the mystery, the streets of V. will bend around him like a Möbius strip to form a loop that seems to offer no escape.A portrait of obsession, Vacated Landscape is both ingeniously fractal and exuberantly byzantine.

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"Alla Prima" is a practical and comprehensive guide to direct painting (characterised by bold, expressive brushwork and a painterly, atmospheric surface), particularly as it is expressed though the work of the author's mentor, Arthur DeCosta, the legendary master teacher. The book covers the history of the direct methods in both Europe and America. From there, it covers detailed step-by-step lessons and invaluable discussions on drawing structure, broken and smooth brushwork and colour development. Further lessons on colour mixing, palettes and materials, brush technique, drawing and paint layering, portraiture, still life, figure and landscape painting are provided, all through illustrated steps, analysis and historical information.Throughout, the book features the work of the European masters of the direct approach, from the old masters (Rubens, Rembrandt, Velazquez) and the late 19th and early 20th century masters (Degas, Renoir, Manet, Monet, Matisse, Cezanne) to the American Prime masters (Sargent, Whistler, Henri, Eakins, Bellows) who spawned such vibrant late 20th century painters as Alice Noel, Wayne Thichaud and Jim Dinc.

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The only book available on Scottish painting, this book is now in its third edition with a new introduction and final chapter that brings the book up to date with the latest developments in Scottish painting (Richard Wright's win of the Turner Prize 2009). Illustrated throughout, the work is by acknowledged authority on Scottish painting William Hardie. Scottish society has been reflected through the strong colour and energetic brushwork of its artists. The book traces the beginnings of Scottish painting from the foundation of the Foulis Academy in 1753, with William Dyce and Scott Lauder establishing themselves in the south, followed by W Q Orchardson and John Pettie around 1860. European travel ensured Scottish painters were open to new techniques, and the explosion of the Glasgow Boys and then the Colourists onto the scene meant Scotland was respected for its innovation and imagination. Charles Rennie Mackintosh today is still internationally recognised for his work, and the painting of John Byrne, Curister, and Peter Howson bring the book to the present day.

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Why do painters sometimes wish they were poets--and why do poets sometimes wish they were painters? What happens when Rembrandt spells out Hebrew in the sky or Poussin spells out Latin on a tombstone? What happens when Virgil, Ovid, or Shakespeare suspend their plots to describe a fictitious painting? In Mute Poetry, Speaking Pictures, Leonard Barkan explores such questions as he examines the deliciously ambiguous history of the relationship between words and pictures, focusing on the period from antiquity to the Renaissance but offering insights that also have much to say about modern art and literature. The idea that a poem is like a picture has been a commonplace since at least ancient Greece, and writers and artists have frequently discussed poetry by discussing painting, and vice versa, but their efforts raise more questions than they answer. From Plutarch ("painting is mute poetry, poetry a speaking picture") to Horace ("as a picture, so a poem"), apparent clarity quickly leads to confusion about, for example, what qualities of pictures are being urged upon poets or how pictorial properties can be converted into poetical ones. The history of comparing and contrasting painting and poetry turns out to be partly a story of attempts to promote one medium at the expense of the other. At the same time, analogies between word and image have enabled writers and painters to think about and practice their craft. Ultimately, Barkan argues, this dialogue is an expression of desire: the painter longs for the rich signification of language while the poet yearns for the direct sensuousness of painting.

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Painting a portrait of a child is one of the most complex challenges an artist will face. In this detailed and practical book, Simon Davis opens up his studio and explains his approach. As one of the country's leading portrait painters, he gives a unique insight into how to render a sympathetic portrait in oils, which avoids sentimentality and captures the essence of a child, in oils. Topics covered include the importance of composition and balance, tonality and palette, and atmosphere and advice on the complete process, from first ideas to putting down the paintbrush. There are step-by-step examples of a range of children, including different ages, backgrounds and groups and an interview with fellow Royal Society of Portrait Painters artist Andrew James.

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This magnificent catalogue, in three volumes and with nearly 2,000 illustrations, will restore George Romney (1734–1802) to his long-overdue position – with his contemporaries Reynolds and Gainsborough – as a master of 18th-century British portrait painting. The product of impressive and thorough research undertaken over the course of 20 years, Alex Kidson asserts Romney’s status as one of the greatest British painters, whose last catalogue raisonné was published over 100 years ago. In more than 1,800 entries, many supported by new photography, Kidson aims to solve longstanding issues of attribution, distinguishing genuine pictures by Romney from works whose traditional attribution to him can no longer be supported. The author’s insights are guided by rich primary source material on Romney—including account books, ledgers, and sketchbooks—as well as secondary sources such as prints after lost works, newspaper reports and reviews, and writings by Romney’s contemporaries.Published for the Paul Mellon Centre for Studies in British Art

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"A painting must stand as a painting, made by human hand," wrote Caspar David Friedrich, "not seek to disguise itself as Nature." One of his generation's most popular painters, Friedrich imagined landscapes of powerful beauty and spirituality from within the confines of his studios. This breathtaking monograph, filled with glorious reproductions and details of his paintings, argues for Friedrich's reputation as a sublime artist and interpreter of nature. In his thoughtful and well-researched commentary, author Johannes Grave explores Friedrich's approach to landscape painting as well as his revolutionary thoughts about how these paintings should be received by their viewers. Looking closely at pieces such as Monk by the Sea, Abbey in the Oakwood, and the Tetschener Altar, Grave shows how Friedrich developed an innovative approach to landscape painting, one that communicated a new sense of space and time, and which draws the viewer into a unique aesthetic experience. Highly readable, insightful, and copiously illustrated, this compelling book sheds crucial light on Friedrich's celebrated body of work.

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This original and lucidly written book introduces the reader to the Baroque, the richest period of Spanish literature and culture. Jeremy Robbins shows how its creativity responded directly to the unprecedented sense of uncertainty fostered by developments across Europe. He argues that it was above all this scepticism which led Spaniards to employ literature and art to question the boundaries of reality and illusion. The result was the creation of some of the most inventive, entertaining, challenging and powerful works of imagination in Europe. Currently there exists no other concise introduction to Spanish Baroque literature and culture. The book considers in detail works by the major novelists, dramatists, poets and painters. Part of its novel approach is the attention the author gives to key issues such as honour and identity, the influence of social and literary institutions like the court and the church, and the place of women as both creators and consumers of culture. It also considers neglected literary forms, such as the aphorism and the emblem, as well as the immensely popular and influential political and moral writings of the day. A comprehensive glossary to major and minor figures is included.

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This memoir from the influential art dealer and author offers an up close and personal perspective on New York's vibrant art scene of the sixties and seventies. One of today's most respected art dealers, Michael Findlay launched his career surrounded by the most exciting figures of the late twentieth century art scene. His generously illustrated memoir traces his childhood in Scotland to his arrival in New York, where he directed one of the first art galleries in SoHo, exposing American audiences to the likes of Joseph Beuys and Sean Scully. Findlay launched the first solo exhibitions of John Baldessari, Hannah Wilke, Stephen Mueller and Billy Sullivan. He offers fascinating recollections about his relationships with painters and sculptors, art dealers and art collectors, actors, models and the creative talents at the heart of New York's Downtown scene. Making appearances in Findlay's stellar cast of characters are Andy Warhol, David Hockney, Bridget Riley, Jasper Johns, Robert Rau

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A writer and a painter reflect on life and nature as they embark on a shared voyage of discovery in the Catskill Mountains and Kaaterskill Falls. Includes original paintings by acclaimed artist Thomas Locker.

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Turn that old, dilapidated chair that has been sitting in your garage or basement into a decorative piece of art for your children’s bedroom or playroom. In this new DIY book, master painter Sammie Crawford takes you through seven step-by-step chair-painting projects: bear, bunny, Mother Goose, panda, puppy, Raggedy Ann and Andy, and Wild Animals. There's also a bonus Christmas Rocking Horse project. With color photographs and patterns, as well as lists of supplies and color palettes, this book gives you the details you need to replicate the designs in full or add your own creative ideas. This book is perfect for painters of all skill levels.

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