Search results for ""author kathryn"

"I never felt he left me or our marriage or the children. I felt he was leaving the farm problems". These words are from a woman reflecting on the farm crisis of the 1980s, the greatest economic disaster to hit rural America since the Depression. During this period, hundreds of thousands of farmers lost their farms and farm communities were irrevocably altered. As Kathryn Dudley demonstrates in this book, the crisis gave rise to a devastating social trauma that continues to affect farmers today. Through interviews with residents of an agricultural county in western Minnesota, Dudley chronicles the experience of financial failure in a culture that extols the virtues of independent business management, competitive production and middle-class self-sufficiency. Media images of the farm crisis fostered the impression that a majority of farmers banded together to protest the forced sales of neighbouring farms. Dudley counters this misleading view with her perceptive analysis of the local "culture of suspicion" that rejects political activism, discourages solidarity among neighbours and regards deeply indebted farmers as bad managers who deserve to lose their farms. Farming as a way of life turns out to be not a cultural refuge from the impersonal forces of capitalism, but emblematic of the very spirit of enterprise that animates a market-oriented society. With its focus on the moral dimension of economic loss and dislocation, this book raises far-reaching social questions: What does it take to be middle class in America? What kind of community is possible in a capitalist society?

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***Unmissable, hilarious and kind, this is the first novel from Kathryn Wallace, who blogs as I Know, I Need to Stop Talking***"SAM! AVA! Get downstairs, NOW. Have you done your TEETH? HAIR? SHOES? Come on, come on, come on, we're going to be bastarding late again. No, I haven't seen Lego Optimus Prime, and nor do I give a shit about his whereabouts. Sam, will you stop winding your sister up and take this model of the Shard that I painstakingly sat up and created for you last night so that I wouldn't be in trouble with your teacher. I mean, so that you wouldn't be in trouble with your teacher. No, it doesn't smell of 'dirty wine'. Well, maybe it does a little bit. Look, Sam, I haven't got time to argue. Just hold your nose and get in the car, okay? AVA! TEETH! HAIR! SHOES!" Gemma is only just holding it together - she's a single parent, she's turning 40 and her seven-year-old daughter has drawn a cruelly accurate picture which locates Gemma's boobs somewhere around her knees. So when her new next-door neighbour, Becky, suggests that Gemma should start dating again, it takes a lot of self-control not to laugh in her face. But Becky is very persuasive and before long Gemma finds herself juggling a full-time job, the increasingly insane demands of the school mums' Facebook group and the tricky etiquette of a new dating world. Not only that, but Gemma has to manage her attraction to her daughter's teacher, Tom, who has swapped his life in the City for teaching thirty six to seven year olds spelling, grammar, basic fractions - and why it's not ok to call your classmate a stinky poo-bum...It's going to be a long year - and one in which Gemma and Becky will learn a really crucial lesson: that in the end, being a good parent is just about being good enough.Readers love this hilarious, fast paced slice of family life:***** Utterly hysterical - NetGalley Reader***** Brilliant... Funny, touching and modern... just amazing - NetGalley Reader***** I have been a mum at the school gates and the observations in this book are spot on. I shall be recommending it to all the school mums I know - NetGalley Reader**** A perfect read to snort with laughter over whilst lying in a bath with a glass of bubbles (if you can get the kids to stay out of the bathroom for long enough)! - NetGalley Reader**** Kathryn Wallace has Absolutely Smashed It with this novel. I loved it and couldn't put it down... had me properly laughing out loud several times - NetGalley Reader**** This will make you giggle about life as a parent where we are all spinning plates of different sizes and at different speeds. I would recommend wholeheartedly to fellow friends who are also spinning their own plates! - NetGalley Reader***** A hilariously, honest, open, recognisable and highly relatable story - NetGalley Reader***** A light hearted but honest look at mummies, yummy mummies and can't quite manage everything mummies - NetGalley Reader

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"Nowhere did two understandings of U.S. identity—human rights and anticommunism—come more in conflict with each other than they did in Latin America. To refocus U.S. policy on human rights and democracy required a rethinking of U.S. policy as a whole. It required policy makers to choose between policies designed to defeat communism at any cost and those that remain within the bounds of the rule of law."—from the Introduction Kathryn Sikkink believes that the adoption of human rights policy represents a positive change in the relationship between the United States and Latin America. In Mixed Signals she traces a gradual but remarkable shift in U.S. foreign policy over the last generation. By the 1970s, an unthinking anticommunist stance had tarnished the reputation of the U.S. government throughout Latin America, associating Washington with tyrannical and often brutally murderous regimes. Sikkink recounts the reemergence of human rights as a substantive concern, showing how external pressures from activist groups and the institution of a human rights bureau inside the State Department have combined to remake Washington's agenda, and its image, in Latin America. The current war against terrorism, Sikkink warns, could repeat the mistakes of the past unless we insist that the struggle against terrorism be conducted with respect for human rights and the rule of law.

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Writing has long been linked to power. For early modern people on both sides of the Atlantic, writing was also the province of notaries, men trained to cast other people’s words in official forms and make them legally true. Thus the first thing Columbus did on American shores in October 1492 was have a notary record his claim of territorial possession. It was the written, notarial word—backed by all the power of Castilian enforcement—that first constituted Spanish American empire. Even so, the Spaniards who invaded America in 1492 were not fond of their notaries, who had a dismal reputation for falsehood and greed. Yet Spaniards could not do without these men. Contemporary scholars also rely on the vast paper trail left by notaries to make sense of the Latin American past. How then to approach the question of notarial truth? Kathryn Burns argues that the archive itself must be historicized. Using the case of colonial Cuzco, she examines the practices that shaped document-making. Notaries were businessmen, selling clients a product that conformed to local “custom” as well as Spanish templates. Clients, for their part, were knowledgeable consumers, with strategies of their own for getting what they wanted. In this inside story of the early modern archive, Burns offers a wealth of possibilities for seeing sources in fresh perspective.

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In her early twenties, Alma met a tree-planter and fell in love -- not with the man but with his strangely romantic work. Now, after several seasons of planting trees out west, the tough-minded hero of Kathryn Kuitenbrouwer's visceral first novel has come home to northern Ontario to help reforest the ravaged landscape with a gang of filthy ex-hippies and idealistic students. Baking by day in the hot sun and tormented by mosquitoes and blackflies, Alma and her fellow planters relieve their backbreaking toil at night with sex, dope, and alcohol. But her brief passionate affair with a charismatic newcomer named Willem raises the ire of Karl (whose amorous attentions she has deflected in the past), and he viciously rapes her. Pregnant and alone, Alma flees to an abandoned mining camp where she and Willem once made love. There, with the help of the camp's single weird inhabitant, she constructs for herself and her unwanted baby an increasingly ominous new life. Weaving together Alma's story with an ancient Flemish folktale about a peasant girl's magical hold over a lustful count, Kuitenbrouwer links the power of narrative with the passion for self-realization. The Nettle Spinner is a gritty, sensuous debut that portrays sex with startling clarity and violence with peculiar tenderness.

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***Unmissable, hilarious and kind, this is the first novel from Kathryn Wallace, who blogs as I Know, I Need to Stop Talking***"SAM! AVA! Get downstairs, NOW. Have you done your TEETH? HAIR? SHOES? Come on, come on, come on, we're going to be bastarding late again. No, I haven't seen Lego Optimus Prime, and nor do I give a shit about his whereabouts. Sam, will you stop winding your sister up and take this model of the Shard that I painstakingly sat up and created for you last night so that I wouldn't be in trouble with your teacher. I mean, so that you wouldn't be in trouble with your teacher. No, it doesn't smell of 'dirty wine'. Well, maybe it does a little bit. Look, Sam, I haven't got time to argue. Just hold your nose and get in the car, okay? AVA! TEETH! HAIR! SHOES!" Gemma is only just holding it together - she's a single parent, she's turning 40 and her seven-year-old daughter has drawn a cruelly accurate picture which locates Gemma's boobs somewhere around her knees. So when her new next-door neighbour, Becky, suggests that Gemma should start dating again, it takes a lot of self-control not to laugh in her face. But Becky is very persuasive and before long Gemma finds herself juggling a full-time job, the increasingly insane demands of the school mums' Facebook group and the tricky etiquette of a new dating world. Not only that, but Gemma has to manage her attraction to her daughter's teacher, Tom, who has swapped his life in the City for teaching thirty six to seven year olds spelling, grammar, basic fractions - and why it's not ok to call your classmate a stinky poo-bum...It's going to be a long year - and one in which Gemma and Becky will learn a really crucial lesson: that in the end, being a good parent is just about being good enough.Readers love this hilarious, fast paced slice of family life:***** Utterly hysterical - NetGalley Reader***** Brilliant... Funny, touching and modern... just amazing - NetGalley Reader***** I have been a mum at the school gates and the observations in this book are spot on. I shall be recommending it to all the school mums I know - NetGalley Reader**** A perfect read to snort with laughter over whilst lying in a bath with a glass of bubbles (if you can get the kids to stay out of the bathroom for long enough)! - NetGalley Reader**** Kathryn Wallace has Absolutely Smashed It with this novel. I loved it and couldn't put it down... had me properly laughing out loud several times - NetGalley Reader**** This will make you giggle about life as a parent where we are all spinning plates of different sizes and at different speeds. I would recommend wholeheartedly to fellow friends who are also spinning their own plates! - NetGalley Reader***** A hilariously, honest, open, recognisable and highly relatable story - NetGalley Reader***** A light hearted but honest look at mummies, yummy mummies and can't quite manage everything mummies - NetGalley Reader

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A study of how the role of party agents grew and became professionalised in local political parties. The electoral reforms of 1883-5 created a mass electorate and transformed English political culture. A new breed of professional organisers emerged in the constituencies in the form of full-time party agents, who handled registration, electioneering and the day-to-day political, social and educational work of local parties; they performed a vital role as intermediaries between politics at Westminster and at grass-roots level, bridging the gap between "high" and "low" politics. This book examines the agents not only as political figures, but also as men (and occasionally women) determined to establish their status as professionals. It addresses key questions about the nationalisation of electoral politics in this period, demonstrating the importance of understanding the interactions between the centre and the constituencies, and showing that while the agents' professional networks contributed to a growing uniformity in certain aspects of party organisation, local forces continued to play a vital role in British political life. It also provides a fresh perspective on the evolution of the modern British political system, sheddingnew light on debates about how effectively the Liberal and Conservative parties adapted to the challenges of mass politics after 1885. Dr Kathryn Rix is Assistant Editor of the House of Commons, 1832-1945 project at the History of Parliament.

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Explorations in New Cinema History brings together cutting-edge research by the leading scholars in the field to identify new approaches to writing and understanding the social and cultural history of cinema, focusing on cinema’s audiences, the experience of cinema, and the cinema as a site of social and cultural exchange. Includes contributions from Robert Allen, Annette Kuhn, John Sedwick, Mark Jancovich, Peter Sanfield, and Kathryn Fuller-Seeley among others Develops the original argument that the social history of cinema-going and of the experience of cinema should take precedence over production- and text-based analyses Explores the cinema as a site of social and cultural exchange, including patterns of popularity and taste, the role of individual movie theatres in creating and sustaining their audiences, and the commercial, political and legal aspects of film exhibition and distribution Prompts readers to reassess their understanding of key periods of cinema history, opening up cinema studies to long-overdue conversations with other disciplines in the humanities and social sciences Presents rigorous empirical research, drawing on digital technology and geospatial information systems to provide illuminating insights in to the uses of cinema

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Washington, D.C., conjures images of marble monuments, national memorials, and world-class museums. To many, the world beyond the National Mall is invisible. Yet within an area of only 68 square miles lies a residential city of diversity, beauty, and charm. In the long-awaited update of her 1988 classic Washington at Home, Kathryn Schneider Smith and a team of historians, journalists, folklorists, museum professionals, and others who know the city intimately offer a fresh look at the social history of this intriguing city through the prism of 26 diverse neighborhoods. Lavishly illustrated with engaging historical photographs and maps, Washington at Home introduces readers to the famous residents, colorful characters, distinct flavors, and important events that helped shape the city beyond the federal facade. This second edition adds six new neighborhoods from all parts of the city. Extensive notes make the book invaluable for those doing their own research as well as the more casual reader. Journalists, historians, politicians, residents, real estate agents, and students regularly consult Washington at Home as the standard resource on the social history of Washington, D.C. This expanded and updated edition will appeal to residents, both new and old, as well as to visitors eager to deepen their experience in the nation's capital.

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This collection looks beyond the literary, religious, and philosophical aspects of Chaucer’s texts to a new mode of interdisciplinary scholarship: one that celebrates the richness of Chaucer’s visual poetics. The twelve illustrated essays make connections between Chaucer’s texts and various forms of visual data, both medieval and modern.Basing their approach on contemporary understandings of interplay between text and image, the contributors examine a wealth of visual material, from medieval art and iconographical signs to interpretations of Chaucer rendered by contemporary artists. The result uncovers interdisciplinary potential that deepens and informs our understanding of Chaucer’s poetry in an age in which digitization makes available a wealth of facsimiles and other visual resources.A learned assessment of imagery and Chaucer’s work that opens exciting new paths of scholarship, Chaucer: Visual Approaches will be welcomed by scholars of literature, art history, and medieval and early modern studies.The contributors are Jessica Brantley, Joyce Coleman, Carolyn P. Collette, Alexandra Cook, Susanna Fein, Maidie Hilmo, Laura Kendrick, Ashby Kinch, David Raybin, Martha Rust, Sarah Stanbury, and Kathryn R. Vulić.

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Inspired by heartrending real events, a mother fights to find her son and a child battles for survival in this riveting debut novel.For readers of Before We Were Yours by Lisa Wingate, Lilac Girls by Martha Hall Kelly, The Letter by Kathryn Hughes, and Remember Me by Lesley Pearse.A woman is found wandering injured in London after an air raid.She remembers nothing of who she is. Only that she has lost something very precious.As the little boy waits in the orphanage, he hopes his mother will return.But then he finds himself on board a ship bound for Australia, the promise of a golden life ahead, and wonders: how will she find him in a land across the oceans?In Perth, a lonely wife takes in the orphaned child. But then she discovers the secret of his past. Should she keep quiet? Or tell the truth and risk losing the boy who has become her life? This magnificent, moving novel, set in London and Australia, is testament to the strength of the human spirit and the enduring power of love.

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''A wonderful page turner'' Kate Galley''A beautiful and fresh twist on a familiar period of history'' Neema ShahAn utterly heart-wrenching and unputdownable novel about love, loss and sacrifice, perfect for fans of Fiona Valpy, Lorna Cook and Kathryn Hughes.1940. Having grown up surrounded by nature, Bella Gardner loves nothing more than getting her hands dirty. When war breaks out, she immediately signs up for the Air Transport Auxiliary, frustrated she can't play a more active role, yet keen to do something for the war effort. But when her brother is involved in a tragic accident, Bella must make a decision that changes the course of her life forever.2014. Archaeologist Jennifer Dawson is excited when she is told about an unrecovered World War 2 Spitfire but is shocked to discover that the body of the pilot is still inside the plane. Trying to avoid her own demons, Jennifer sets out to solve the mystery of the forgotten pilot and finds that the answer might lie a lot closer to home

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Over the course of her long career, Eve Kosofsky Sedgwick became one of the most important voices in queer theory, and her calls for reparative criticism and reading practices grounded in affect and performance have transformed understandings of affect, intimacy, politics, and identity. With marked tenderness, the contributors to Reading Sedgwick reflect on Sedgwick's many critical inventions, from her elucidation of poetry's close relation to criticism and development of new versions of queer performativity to highlighting the power of writing to engender new forms of life. As the essays in Reading Sedgwick demonstrate, Sedgwick's work is not only an ongoing vital force in queer theory and affect theory; it can help us build a more positive world in the midst of the bleak contemporary moment. Contributors. Lauren Berlant, Kathryn Bond Stockton, Judith Butler, Lee Edelman, Jason Edwards, Ramzi Fawaz, Denis Flannery, Jane Gallop, Jonathan Goldberg, Meridith Kruse, Michael Moon, José Esteban Muñoz, Chris Nealon, Andrew Parker, H. A. Sedgwick, Karin Sellberg, Michael D. Snediker, Melissa Solomon, Robyn Wiegman

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First released in 1987, Near Dark is a vampire film set in the contemporary American Midwest that tells the story of Caleb, a half-vampire trying to decide whether to embrace his vampire nature or return to his human family. The film, an early work of the now-established director Kathryn Bigelow, skilfully mixes genre conventions, combining gothic tropes with those of the Western, road movie and film noir, while also introducing elements of the outlaw romance genre. Stacey Abbott’s study of the film addresses it as a genre hybrid that also challenges conventions of the vampire film. The vampires are morally ambiguous and undermine the class structures that have historically defined stories of the undead. These are not aristocrats but instead they capture the allure and horror of the disenfranchised and the underclass. As Abbott describes, Near Dark was crucial in consolidating Bigelow’s standing as a director of significance at an early point in her career, not simply because of her visual art background, but because of the way in which she would from Near Dark onward re-envision other traditionally mainstream genres of filmmaking.

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Every paper bracelet held a mother's heartbreaking secret... The top ten bestseller, inspired by heartrending true events in a home for unwed mothers, set in Ireland, Boston and London, this novel is perfect for readers of Kathryn Hughes, Emily Gunnis and Susan Lewis.'A true storyteller who keeps you turning the pages' CATHY KELLY, Sunday Times bestselling author'A beautifully written story, uncovering some untold truths ⭐ ⭐ ⭐ ⭐ ⭐' Real reader 'An addictive read ⭐ ⭐ ⭐ ⭐ ⭐' Real reader'It broke my heart. Rachael has managed to tell a truly heartbreaking story beautifully and with real grace and dignity ⭐ ⭐ ⭐ ⭐ ⭐' Real reader_____For almost fifty years, Katie Carroll has kept a box tucked away inside her wardrobe. It dates from her time working as a nurse in a west of Ireland home for unwed mothers in the 1970s. The box contains a notebook holding the details of the babies and young women she met there. It also holds many of the babies' identity bracelets. Following the death of her husband, Katie makes a decision. The information she possesses could help reunite adopted people with their birth mothers, and she decides to post a message on an internet forum. Soon the replies are rolling in, and Katie finds herself returning many of the bracelets to their original owners. She encounters success and failure, heartbreak and joy. But is she prepared for old secrets to be uncovered in her own life?* THE LETTER HOME, THE NEW NOVEL FROM RACHAEL ENGLISH, IS OUT NOW *_____ Your favourite authors love the novels of Rachael English: 'Utterly moving and compelling. That first line...wow! I was hooked' Patricia Scanlan 'Fantastic storytelling looking back at Ireland's dark past' Liz Nugent 'A powerful, important, beautiful book' Sinéad Crowley 'A compelling read' Sheila O'Flanagan 'Outstanding. I was on the edge of my seat ⭐ ⭐ ⭐ ⭐ ⭐' Real reader 'Beautifully written and enjoyable ⭐ ⭐ ⭐ ⭐ ⭐' Real reader 'I loved this book. Despite the subject matter this book is very uplifting ⭐ ⭐ ⭐ ⭐ ⭐' Real reader 'Could not put it down. Highly recommend ⭐ ⭐ ⭐ ⭐ ⭐' Real reader

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Your story is just beginning. In The Stronger than BPD Journal, influential BPD blogger, advocate, and peer educator Debbie Corso and psychotherapist Kathryn C. Holt offer guided writing activities to help you work through strong emotions, strengthen emotional resiliency, and build lasting relationships. If you have borderline personality disorder (BPD), you may have trouble managing your intense emotions, navigating day-to-day life, and maintaining healthy relationships. You may also have trouble seeing yourself clearly beyond your diagnosis. But you should know that-while BPD is a part of your life's story-BPD isn't the whole story.This unique journal offers gentle guided exercises based in dialectical behavior therapy (DBT) to help you balance your emotions, take time for self-care and exploration, and put a stop to overly critical self-judgment. You'll also learn to reduce stress, upsets, and triggers; gain resiliency; and improve communication with others. Writing can be a vehicle for profound self-reflection, exploration, and healing. This guided journal will help you take control of your emotions, gain insight into your unique mind, and start living the life you deserve.

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Managing for Results 2002 summarizes five innovative, yet practical, approaches that public sector organizations use to better manage for results, increase organizational performance, and improve accountability to stakeholders. Patrick J. Murphy and John Carnevale tell the story—and the lessons—of how the Office of National Drug Control Policy crafted a government-wide strategic plan to combat drug abuse in the United States. Paul E. O'Connell describes how New York City's Police Department slashed its crime rate by developing CompStat to track crimes and hold police commanders more accountable for cutting crime in their precincts. Peter Frumkin explains how the State of Oklahoma uses milestone contracting to improve the performance of non-profit social service providers. David Frederickson reports how the Federal Government Performance and Results Act also improves the accountability of state government. Finally, Kathryn E. Newcomer and Mary Ann Scheirer show how executives can use program evaluation to improve agency performance. From these case studies, Mark A. Abramson and John M. Kamensky develop lessons which government leaders can use in managing their organizations for results.

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A brilliant and rich gathering of voices on the American experience of this past year and beyond, from Indigenous writers and writers of color from Minnesota In this significant collection, Indigenous writers and writers of color bear witness to one of the most unsettling years in the history of the United States. Essays and poems vividly reflect and comment on the traumas we endured in 2020, beginning with the arrival of the COVID-19 pandemic crisis, deepened by the blatant murder of George Floyd by Minneapolis police officers and the uprisings that immersed our city into the epicenter of passionate, worldwide demands for justice. In inspired and incisive writing these contributors speak unvarnished truths not only to the original and pernicious racism threaded through the American experience but also to the deeply personal, in essays about family, loss, food culture, economic security, and mental health. Their call and response is united here to rise and be heard. We Are Meant to Rise lifts up the astonishing variety of BIPOC writers in Minnesota. From authors with international reputations to newly emerging voices, it features people from many cultures, including Indigenous Dakota and Anishinaabe, African American, Hmong, Somali, Afghani, Lebanese, Korean, Vietnamese, Japanese, Puerto Rican, Colombian, Mexican, transracial adoptees, mixed race, and LGBTQ+ perspectives. Most of the contributors have participated in More Than a Single Story, a popular and insightful conversation series in Minneapolis that features Indigenous and people of color speaking on what most concerns their communities. We Are Meant to Rise meets the events of the day, the year, the centuries before, again and again, with powerful testament to the intrinsic and unique value of the human voice.Contributors: Suleiman Adan, Mary Moore Easter, Louise Erdrich, Anika Fajardo, Safy-Hallan Farah, Said Farah, Sherrie Fernandez-Williams, Pamela R. Fletcher Bush, Shannon Gibney, Kathryn Haddad, Tish Jones, Ezekiel Joubert III, Douglas Kearney, Ed Bok Lee, Ricardo Levins Morales, Arleta Little, Resmaa Menakem, Tess Montgomery, Ahmad Qais Munhazim, Melissa Olson, Alexs Pate, Bao Phi, Mona Susan Power, Samantha Sencer-Mura, Said Shaiye, Erin Sharkey, Sun Yung Shin, Michael Torres, Diane Wilson, Kao Kalia Yang, and Kevin Yang.

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Fresh perspectives on some of the most influential films of John Ford.The Western is arguably the most popular and enduring form in cinematic history, and the acknowledged master of that genre was John Ford. His Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance, have had an enormous influence on contemporary U.S. films, from Star Wars to Taxi Driver.In John Ford Made Westerns, nine major essays by prominent scholars of Hollywood film situate the sound-era Westerns of John Ford within contemporary critical contexts and regard them from fresh perspectives. These range from examining Ford's relation to other art forms (most notably literature, painting, and music) to exploring the development of the director's reputation as a director of Westerns. While giving attention to film style and structure, the volume also treats the ways in which these much-loved films engage with notions of masculinity and gender roles, capitalism and community, as well as racial, sexual, and national identity.Contributors include Charles Ramirez Berg, Matthew Bernstein, Edward Buscombe, Joan Dagle, Barry Keith Grant, Kathryn Kalinak, Peter Lehman, Charles J. Maland, Gaylyn Studlar, and Robin Wood.ContentsPart IIntroduction, Gaylyn Studlar & Matthew Bernstein "'Shall We Gather at the River?': The Late Films of John Ford," Robin Wood "Sacred Duties, Poetic Passions: John Ford and Issue of Femininity in the Western," Gaylyn Studlar"The Margin as Center: The Multicultural Dynamics of John Ford's Westerns," Charles Ramirez Berg "Linear Patterns and Ethnic Encounters in the Ford Western," Joan Dagle "How the West Wasn't Won: the Repression of Capitalism in John Ford's Westerns," Peter Lehman "Painting the Legend: Frederic Remington and the Western," Edward Buscombe "'The Sound of Many Voices': Music in John Ford's Westerns," Kathryn Kalinak "John Ford and James Fenimore Cooper: Two Rode Together," Barry Keith Grant "From Aesthete to Pappy: The Evolution of John Ford's Public Reputation," Charles J. MalandPart II—DossierEmanuel Eisenberg, "John Ford: Fighting Irish," New Theater, April 1936Frank S. Nugent, "Hollywood's Favorite Rebel," Saturday Evening Post, July 23, 1949John Ford, "John Wayne—My Pal," Hollywood, no. 237 (March 17, 1951), translated from the Italian by Gloria MontiBill Libby, "The Old Wrangler Rides Again," Cosmopolitan, March 1964"About John Ford," Action 8.8 (Nov.-Dec. 1973)

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The bestselling author of Good Girls Die First, It's Behind You and Tag, You're Dead is back with an entertaining, high-octane and read-in-a-single-sitting new thriller. Walking disaster Saffron and her perfectionist twin sister Georgia have only one thing in common-they are both obsessed with battle royale video game Sole Survivor. While working at a brand new, high tech escape room complex, Saffron poses a question to the resident AI: which high school stereotype would survive the longest in a real life version of Sole Survivor? She is convinced a rebel like her would beat a know-it-all like Georgia. Unbeknown to her, the AI decides to determine the answer to her question by testing it out for real. It invites Saffron and Georgia's gamer friends to a preview of the escape rooms, but then it locks the doors and turns the rooms into a life-or-death battle to be the last player standing. The rebel, the know-it-all, the princess, the jock, the geek, the weirdo, the star, the artist and the criminal. Just like in Sole Survivor, only one can survive the night... It's Cabin in the Woods meets Squid Game Perfect for fans of Holly Jackson and Karen McManus. Knife-edge tension and twists you won't see coming. PRIASE FOR KATHRYN FOXFIELD'S PREVIOUS BOOKS Good Girls Die First "Deliciously dark and unsettling in the best possible way. Trust me, you don’t want to miss this one!"- Fantastic Book Dragon "Stephen King-esque…with a fast-paced plot" - Irish Times " . . . the most gripping thriller of the year; hugely entertaining, high-octane and read-in-a-single-sitting." - ReadingZone" "Foxfield's focus on social niches and escalating suspense will appeal to fans of Karen McManus." - Publishers Weekly "This gothic-inspired thriller with nods to Agatha Christie and Daphne du Maurier will keep readers on the edge of their seats and turning pages as quickly as they can. It is immersing, puzzling, and unpredictable, with a surprise ending that's sure to have teens talking. - School Library Journal "Undeniably creepy from the start... With a macabre escape and a surprising amount of heart, this will leave readers feeling oddly optimistic and perhaps a little kinder to themselves..." - The Bulletin of the Center for Children's Books, STARRED Review It's Behind You "addictive, easy to get lost in, and utterly compelling to read" - And On She Reads "keeps you on the edge of your seat and guessing who did it until the very last pages" - ReadingZone Tag, You're Dead "The characters are addictive, the ending satisfying and the reveals at the end pack a punch. If you love your twisty thrillers, then Tag, You're Dead is a must read!" - Rosie Talbot, author of Sixteen Souls "Full of tension and twists, readers will be unsure who to trust as the book heads to an explosive conclusion." - The ReadingZone "a smart and calculated read with a killer storyline that shows the dark side of fame" - Pretty Little Memoirs

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How cable television upended American political life in the pursuit of profits and influenceAs television began to overtake the political landscape in the 1960s, network broadcast companies, bolstered by powerful lobbying interests, dominated screens across the nation. Yet over the next three decades, the expansion of a different technology, cable, changed all of this. 24/7 Politics tells the story of how the cable industry worked with political leaders to create an entirely new approach to television, one that tethered politics to profits and divided and distracted Americans by feeding their appetite for entertainment—frequently at the expense of fostering responsible citizenship.In this timely and provocative book, Kathryn Cramer Brownell argues that cable television itself is not to blame for today’s rampant polarization and scandal politics—the intentional restructuring of television as a political institution is. She describes how cable innovations—from C-SPAN coverage of congressional debates in the 1980s to MTV’s foray into presidential politics in the 1990s—took on network broadcasting using market forces, giving rise to a more decentralized media world. Brownell shows how cable became an unstoppable medium for political communication that prioritized cult followings and loyalty to individual brands, fundamentally reshaped party politics, and, in the process, sowed the seeds of democratic upheaval.24/7 Politics reveals how cable TV created new possibilities for antiestablishment voices and opened a pathway to political prominence for seemingly unlikely figures like Donald Trump by playing to narrow audiences and cultivating division instead of common ground.

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Texas Historical Commission Award of Excellence in Media Achievement, Texas Historical Commission In 1980, David Dillon launched his career as an architectural critic with a provocative article that asked “Why Is Dallas Architecture So Bad?” Over the next quarter century, he offered readers of the Dallas Morning News a vision of how good architecture and planning could improve quality of life, combatting the negative effects of urban sprawl, civic fragmentation, and rapacious real estate development typical in Texas cities. The Open-Ended City gathers more than sixty key articles that helped establish Dillon’s national reputation as a witty and acerbic critic, showing readers why architecture matters and how it can enrich their lives. Kathryn E. Holliday discusses how Dillon connected culture, commerce, history, and public life in ways that few columnists and reporters ever get the opportunity to do. The articles she includes touch on major themes that animated Dillon’s writing: downtown redevelopment, suburban sprawl, arts and culture, historic preservation, and the necessity of aesthetic quality in architecture as a baseline for thriving communities. While the specifics of these articles will resonate with those who care about Dallas, Fort Worth, and other Texas cities, they are also deeply relevant to all architects, urbanists, and citizens who engage in the public life and planning of cities. As a collection, The Open-Ended City persuasively demonstrates how a discerning critic helped to shape a landmark city by shaping the conversation about its architecture.

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A brilliant distillation of the key ideas behind successful self-improvement practices throughout history, showing us how they remain relevant today “Schaffner finds more in contemporary self-improvement literature to admire than criticize. . . . [A] revelatory book.”—Kathryn Hughes, Times Literary Supplement Self-help today is a multi-billion-dollar global industry, one often seen as a by-product of neoliberalism and capitalism. Far from being a recent phenomenon, however, the practice of self-improvement has a long and rich history, extending all the way back to ancient China. For millennia, philosophers, sages, and theologians have reflected on the good life and devised strategies on how to achieve it. Focusing on ten core ideas of self-improvement that run through the world’s advice literature, Anna Katharina Schaffner reveals the ways they have evolved across cultures and historical eras, and why they continue to resonate with us today. Reminding us that there is much to learn from looking at time-honed models, Schaffner also examines the ways that self-improvement practices provide powerful barometers of the values, anxieties, and aspirations that preoccupy us at particular moments in time and expose basic assumptions about our purpose and nature.

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'One of the boldest thriller writers working today' TESS GERRITSEN'Her characters, plot, and pacing are unrivalled' MICHAEL CONNELLY_________________________________________The fifth book in Karin Slaughter's #1 bestselling GRANT COUNTY series.Deep in the Georgia woods, Dr Sara Linton and Police Chief Jeffrey Tolliver stumble across the body of a young girl. Initial evidence suggests that she was buried alive and, quite literally, scared to death.Troubled by their own turbulent past, Sara and Jeffrey must work together to identify the killer and prevent another death.The trail will soon lead to the neighbouring county, an isolated community, and a terrible secret..._________________________________________Crime and thriller masters know there's nothing better than a little Slaughter:'I'd follow her anywhere' GILLIAN FLYNN'Passion, intensity, and humanity' LEE CHILD'A writer of extraordinary talents' KATHY REICHS'Fiction doesn't get any better than this' JEFFERY DEAVER'A great writer at the peak of her powers' PETER JAMES'Raw, powerful and utterly gripping' KATHRYN STOCKETT'With heart and skill Karin Slaughter keeps you hooked from the first page until the last' CAMILLA LACKBERG'Amongst the world's greatest and finest crime writers' YRSA SIGURÐARDÓTTIR

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This volume, one of the books in the "Making of Modern Freedom" series, is a collection of essays by eminent historians who explore the relationship between state finance and political development in fifteenth and sixteenth century Europe. They analyze how during this period European states were engaged in nearly continuous warfare and how those warfares produced fiscal crises. As a result, rulers were forced to enter into novel fiscal agreements with their subjects, often providing their subjects more political power, in exchange. The volume begins with two essays on England. David Harris Sacks traces the politics of government finance from the fifteenth century to the eve of the Civil War, and J. R. Jones carries the story forward into the eighteenth century, when representative government was jeopardized by new and powerful financial interests. The third essay, by Augustus J. Veenendaal, Jr., explains why the Netherlands' exceptional ability to raise money by taxes and loans allowed them to wage war without the severe financial difficultes experiencd by other European powers. Two essays on Spain by I. A. A. Thompson follow the changing fortunes of the Cortes of Castile, relating its role to the desperate manipulation of Spanish fiscal policy as it came into conflict with the dearly held liberties of Castilian citizens. The two final essays deal with the consequences of absolutism in France. Philip T. Hoffman details the fiscal effect of noble privileges and explores the political ramifications of the country's repeated financial crises, and Kathryn Norberg explains why the fiscal crisis of 1789 finally brought down the monarchy.

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Marseille: The Cradle of White Corded Quilting, which accompanies an exhibition of the same name, traces the origins and the commercial development of broderie de Marseille needlework. During the seventeenth century these supple, all-white corded and quilted furnishings—from bedcovers to quilted bodices and caps—grew out of the thriving textile trade centered on France’s Mediterranean port of Marseille as adaptations of popular foreign textile products. Broderie de Marseille is a form of three-dimensional textile sculpture using plain white cloth and white cotton cording, deftly manipulated with needle and thread to reveal patterns highlighted by the resulting play of light and shadow on the textile surface. Skillful execution of broderie de Marseille resulted in delicate, refined work that graced the homes and figures of aristocrats and launched a worldwide passion for all-white corded needlework. The quilted works were filled with imagery expressing contemporary cultural values, such as folk legends, heraldic devices and royal monograms (bedcovers), and floral wreaths and fruits symbolizing good fortune and fertility (wedding quilts). Contemporary versions, today often referred to commercially as matelassé, are machine made and thus lack the personal skills and intimate connections to the work represented by the confections of the original needleworkers. In this richly illustrated monograph Kathryn Berenson has exhaustively researched the fascinating story through a broad range of historical records, including household inventories, letters, commercial documents, and literary references.

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'A delightful and engaging treasure trove of a book that brings the chemical elements to life and gives them personalities of their own. A wonderful read for young and old alike to get you inspired by chemistry.' Jim Al-Khalili 'The perfect book to escape our human-sized existence and take a tour of the atomic world instead.' Helen Arney, science comedian and broadcasterWhen we think of the periodic table we picture orderly rows of elements that conform to type and never break the rules. In this book Kathryn Harkup reveals that there are personalities, passions, quirks and historical oddities behind those ordered rows, and shows us that the periodic table is a sprawling family tree with its own black sheep, wayward cousins and odd uncles. The elements in the periodic table, like us, are an extended family - some old, some newborn, some shy and reticent, some exuberant or unreliable. Dr Harkup tells the weird and wonderful stories of just fifty two members of this family - remarkable tales of discovery, inspiration and revolution, from the everyday to the extraordinary. Some elements are relatively anonymous; others, already familiar, are seen in a new light; and old friends have surprising secrets to share. From our green-fingered friend magnesium to the devil incarnate polonium, this eclectic collection of engaging and informative stories will change the way you see the periodic table for ever.

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Dialogues with Degas demonstrates the ongoing relevance of Edgar Degas to 20th- and 21st-century ideas and art practices. The first in-depth examination of this major artist’s impact on contemporary art, this book explores how contemporary practitioners have used Degas’s creativity as a springboard to engage imaginatively and critically with themes of colonialism, gender, race and class. Individual chapters are devoted to dialogues between Degas’s art and works produced by Frank Auerbach, Cecily Brown, Xinyi Cheng, Ryan Gander, Maggi Hambling, Damien Hirst, Howard Hodgkin, Chantal Joffe, Leon Kossoff, R.B. Kitaj, Juan Muñoz, Paula Rego, Jenny Saville, Yinka Shonibare, Cy Twombly and Rebecca Warren. Through close analyses of selected paintings, drawings, prints and sculptures, Kathryn Brown explores how Degas’s technical and compositional experiments have been extended or challenged in innovative ways. By experimenting with the materials and methods of existing works, contemporary artists generate visual palimpsests that make new demands of the viewer and prompt a reconsideration of ideas that have informed histories of 19th-century French art. The book overturns familiar conceptions of influence by eschewing a genealogical approach and prioritizing, instead, the analysis of non-linear encounters between artworks. This encourages a new conception of the agency of visual artefacts and of the conversations they are capable of entertaining with each other. While this study sheds new light on Degas’s art and that of his interlocutors, it also has methodological significance for the writing of art history.

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[The series is] a necessary addition for any scholar working in this field. NOTTINGHAM MEDIEVAL STUDIES Editors: Janet Burton, Björn Weiler, Philipp Schofield, Karen Stöber The thirteenth century brought the British Isles into ever closer contact with one another, and with medieval Europe as a whole. This international dimensionforms a dominant theme of this collection: it features essays on England's relations with the papal court; the adoption of European cultural norms in Scotland; Welsh society and crusading; English landholding in Ireland; and dealings between the kings of England and Navarre. Other papers, on ritual crucifixion, concepts of office and ethcis, and the English royal itinerary, show that the thirteenth century was also a period of profound political and cultural change, witnessing the transformation of legal and economic structures [represented here by case studies of noblewomen and their burial customs; and a prolonged inheritance dispute in Laxton]. This volume testifies to the continuing vitality and [with contributors from three continents and six countries] international nature of scholarship on medieval Britain; and moves beyond the Channel to make an important contribution to the history of medieval Europes. Contributors: ROBERT STACEY, FRÉDÉRIQUE LACHAUD, STEPHEN CHURCH, CHRISTIAN HILLEN, JESSICA NELSON, MATTHEW HAMMOND, KATHRYN HURLOCK, NICHOLAS VINCENT, ADAM DAVIES, HUI LIU, EMMA CAVELL, DAVID CROOK, BETH HARTLAND

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Cumbia is a musical form that originated in northern Colombia and then spread throughout Latin America and wherever Latin Americans travel and settle. It has become one of the most popular musical genre in the Americas. Its popularity is largely due to its stylistic flexibility. Cumbia absorbs and mixes with the local musical styles it encounters. Known for its appeal to workers, the music takes on different styles and meanings from place to place, and even, as the contributors to this collection show, from person to person. Cumbia is a different music among the working classes of northern Mexico, Latin American immigrants in New York City, Andean migrants to Lima, and upper-class Colombians, who now see the music that they once disdained as a source of national prestige. The contributors to this collection look at particular manifestations of cumbia through their disciplinary lenses of musicology, sociology, history, anthropology, linguistics, and literary criticism. Taken together, their essays highlight how intersecting forms of identity—such as nation, region, class, race, ethnicity, and gender—are negotiated through interaction with the music.Contributors. Cristian Alarcón, Jorge Arévalo Mateus, Leonardo D'Amico, Héctor Fernández L'Hoeste, Alejandro L. Madrid, Kathryn Metz, José Juan Olvera Gudiño, Cathy Ragland, Pablo Semán, Joshua Tucker, Matthew J. Van Hoose, Pablo Vila

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Transnational Feminist Itineraries brings together scholars and activists from multiple continents to demonstrate the ongoing importance of transnational feminist theory in challenging neoliberal globalization and the rise of authoritarian nationalisms around the world. The contributors illuminate transnational feminism's unique constellation of elements: its specific mode of thinking across scales, its historical understanding of identity categories, and its expansive imagining of solidarity based on difference rather than similarity. Contesting the idea that transnational feminism works in opposition to other approaches—especially intersectional and decolonial feminisms—this volume instead argues for their complementarity. Throughout, the contributors call for reaching across social, ideological, and geographical boundaries to better confront the growing reach of nationalism, authoritarianism, and religious and economic fundamentalism. Contributors. Mary Bernstein, Isabel Maria Cortesão Casimiro, Rafael de la Dehesa, Carmen L. Diaz Alba, Inderpal Grewal, Cricket Keating, Amy Lind, Laura L. Lovett, Kathryn Moeller, Nancy A. Naples, Jennifer C. Nash, Amrita Pande, Srila Roy, Cara K. Snyder, Ashwini Tambe, Millie Thayer, Catarina Casimiro Trindade

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In the Spirit of the Ancestors celebrates the vitality of contemporary Pacific Northwest Coast art by showcasing a selection of objects from the Burke Museum's collection of more than 2,400 late-twentieth- and early-twenty-first-century Native American works. Essays focus on contemporary art while exploring the important historical precedents on which so many artists rely for training and inspiration. Margaret Blackman reflects on building one of the largest collections of Northwest Coast serigraphs, and Joe David reminisces about his artistic journey through mask-making. Shaun Peterson, Lisa Telford, and Evelyn Vanderhoop discuss the historical precedents for working in styles that were kept alive only by a few critical artists and are now making a comeback. Robin K. Wright explores the history of box drums and their revival. Emily Moore discusses the repatriation of two stolen house posts and proposes a new concept of "propatriation" to describe the resulting commissioning of contemporary posts to take their place. Kathryn Bunn-Marcuse explores the power of adornment and how clothing, jewelry, and personal adornments like tattooing express tribal and personal identity in ways both connected to the past and grounded in the present. The diversity of approaches presented by these contributors speaks to artists, collectors, academics, tribal communities, and all those interested in Pacific Northwest Coast art. Splendid color photographs of works never before published will delight everyone. Watch the trailer: http://www.youtube.com/watch?v=E15hbqvHo4w&list=UUge4MONgLFncQ1w1C_BnHcw&index=7&feature=plcp

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Clear the ring: The motif of the circus in contemporary art. The circus presents a deliberate staging of attractive illusions, hard struggle, success and failure as part of human existence. The volume assembles works by international contemporary artists who make use of the motif of the circus in order to examine current social circumstances and to question cultural and political structures. The circus originated in London towards the end of the 18th century and has long been a subject of fascination. Today this place of sensuous experiences seems like a relic from the past. The circus is a cosmos which with its entertaining and humorous as well as dark sides provides the basis for an examination of art, cultural history, animal ethics, feminism and racial criticism and also for the exposure of structures of cultural dominance, marginalisation and political and historical filters. ARTISTS: Kathryn Andrews | Miriam Bäckström | Istvan Balogh | Beni Bischof | Mona Boschàr | Barbara Breitenfellner | Michael Dannenmann | Zilla Leutenegger | Dieter Meier | Yves Netzhammer | Tal R | Augustin Rebetez | Boris Rebetez | Ugo Rondinone | Niklaus Rüegg | Francisco Sierra | Norbert Tadeusz | William Wegman et. al.

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Since the 1980s, scholars have made the case for examining nineteenth-century culture—particularly literary output—through the lens of economics. In Culture and Money in the Nineteenth Century: Abstracting Economics, two luminaries in the field of Victorian studies, Daniel Bivona and Marlene Tromp, have collected contributions from leading thinkers that push New Economic Criticism in new and exciting directions. Spanning the Americas, India, England, and Scotland, this volume adopts an inclusive, global view of the cultural effects of economics and exchange. Contributors use the concept of abstraction to show how economic thought and concerns around money permeated all aspects of nineteenth-century culture, from the language of wills to arguments around the social purpose of art. The characteristics of investment and speculation; the fraught symbolic and practical meanings of paper money to the Victorians; the shifting value of goods, services, and ideas; the evolving legal conceptualizations of artistic ownership—all of these, contributors argue, are essential to understanding nineteenth-century culture in Britain and beyond. Contributors: Daniel Bivona, Suzanne Daly, Jennifer Hayward, Aeron Hunt, Roy Kreitner, Kathryn Pratt Russell, Cordelia Smith, and Marlene Tromp.

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Since the 1980s, scholars have made the case for examining nineteenth-century culture—particularly literary output—through the lens of economics. In Culture and Money in the Nineteenth Century: Abstracting Economics, two luminaries in the field of Victorian studies, Daniel Bivona and Marlene Tromp, have collected contributions from leading thinkers that push New Economic Criticism in new and exciting directions. Spanning the Americas, India, England, and Scotland, this volume adopts an inclusive, global view of the cultural effects of economics and exchange. Contributors use the concept of abstraction to show how economic thought and concerns around money permeated all aspects of nineteenth-century culture, from the language of wills to arguments around the social purpose of art. The characteristics of investment and speculation; the fraught symbolic and practical meanings of paper money to the Victorians; the shifting value of goods, services, and ideas; the evolving legal conceptualizations of artistic ownership—all of these, contributors argue, are essential to understanding nineteenth-century culture in Britain and beyond. Contributors: Daniel Bivona, Suzanne Daly, Jennifer Hayward, Aeron Hunt, Roy Kreitner, Kathryn Pratt Russell, Cordelia Smith, and Marlene Tromp.

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'Astonishing... In the American journalist Andrew Nagorski this tale has found its ideal narrator'SEBASTIAN FAULKS, Sunday Times'[A] thrilling book, as edge-of-your-seat gripping as any heist movie'Kathryn Hughes, Guardian Book of the Day'A gripping masterpiece'BRETT KAHR, Freud Museum LondonMarch 1938: German soldiers are massing on the Austrian border, on the cusp of fulfilling Hitler's dream of absorbing the country into the Third Reich. Many Jews make frantic plans to flee to safety. But one of the most famous men in the world, unable to contemplate leaving his beloved Vienna, is not among them. His name is Sigmund Freud.Saving Freud is the story of a great man's life, and of the extraordinary people who managed to prolong it, by convincing him to escape to London: the Welsh physician who brought psychoanalysis to Britain; Napoleon's great-grandniece; an American ambassador; Freud's devoted daughter, Anna; and the doctor who risked his own life by staying at Freud's side.In examining the histories of both Freud and his closest circle, Andrew Nagorski brilliantly evokes the story of Europe in the first half of the Twentieth Century. This is a tale of a great city, a collapsing empire, a rising terror -and of a man who would change the way we think.

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'Astonishing... In the American journalist Andrew Nagorski this tale has found its ideal narrator'SEBASTIAN FAULKS, Sunday Times'[A] thrilling book, as edge-of-your-seat gripping as any heist movie'Kathryn Hughes, Guardian Book of the Day'A gripping masterpiece'BRETT KAHR, Freud Museum LondonMarch 1938: German soldiers are massing on the Austrian border, on the cusp of fulfilling Hitler's dream of absorbing the country into the Third Reich. Many Jews make frantic plans to flee to safety. But one of the most famous men in the world, unable to contemplate leaving his beloved Vienna, is not among them. His name is Sigmund Freud.Saving Freud is the story of a great man's life, and of the extraordinary people who managed to prolong it, by convincing him to escape to London: the Welsh physician who brought psychoanalysis to Britain; Napoleon's great-grandniece; an American ambassador; Freud's devoted daughter, Anna; and the doctor who risked his own life by staying at Freud's side.In examining the histories of both Freud and his closest circle, Andrew Nagorski brilliantly evokes the story of Europe in the first half of the Twentieth Century. This is a tale of a great city, a collapsing empire, a rising terror -and of a man who would change the way we think.

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Take a look at the packaging on a container of milk and you're likely to see bucolic idylls of red barns, green pastures, and happy, well-treated cows. In truth, the distance from a living cow to a glass of milk is vast, and nearly impossible to grasp in a way that resonates with an average person ticking items off a grocery list. To translate this journey into tangible terms, Kathryn Gillespie had a brilliant idea: to follow the moments in the life cycles of individual animals-animals like The Cow with Ear Tag #1389. In contrast to the widely known truths of commercial meat manufacture, the dairy industry enjoys a relatively benign reputation, with most consumers unaware of this kitchen staple's backstory. The Cow with Ear Tag #1389 explores how the seemingly nonthreatening practice of raising animals for milk is just one link in a chain that affects livestock across the agricultural spectrum. Gillespie takes readers to farms, auction yards, slaughterhouses, and even rendering plants to show how living cows are transformed into food. The result is an empathetic look at cows and our relationship with them, one that makes both their lives and their suffering real-in particular, the fleeting encounter with the cow of the title, just one animal whose story galvanized Gillespie to write this book. The myriad ways that the commercial meat industry causes harm are at the forefront of numerous discussions today. The Cow with Ear Tag #1389 adds a crucial piece to these conversations by asking us to consider the individual animals whose lives we may take for granted.

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The remarkable and shocking true account of the kidnap of Natascha Kampusch in 1998, who shares her deeply moving story. On 2 March 1998 ten-year-old Natascha Kampusch was snatched off the street by a stranger and bundled into a white van. When she emerged from her prison eight years later, her childhood had gone. In 3,096 Days Natascha tells her incredible story for the first time: her difficult childhood, the day of her abduction, her imprisonment in a five-square-metre dungeon, and the mental and physical abuse she suffered from her abductor, Wolfgang Priklopil. A story about the triumph of the human spirit, 3,096 Days describes how, in a situation of almost unbearable hopelessness, she learned how to manipulate her captor and, against inconceivable odds, she managed to escape unbroken.'A brilliantly insightful dissection of her years in captivity' Jon Ronson, Guardian 'An excellent book' Kathryn Hughes, Mail on Sunday 'Remarkable - not just for Kampusch's account of her ordeal but as a testament to her indomitable spirit' Daisy Goodwin, Sunday Times

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*Winner of the 2022 Cherasco International Prize*'Thoroughly engrossing' Michael Pollan, The Atlantic'Wonderful, energising' Kathryn Hughes, The GuardianCoffee is one of the most valuable commodities in the history of the global economy and the world's most popular drug. The very word 'coffee' is one of the most widespread on the planet. Augustine Sedgewick's brilliant new history tells the hidden and surprising story of how this came to be, tracing coffee's 400-year transformation into an everyday necessity.The story is one that few coffee drinkers know. Coffeeland centres on the volcanic highlands of El Salvador, where James Hill, born in the slums of nineteenth-century Manchester, founded one of the world's great coffee dynasties. Adapting the innovations of the industrial revolution to plantation agriculture, Hill helped to turn El Salvador into perhaps the most intensive monoculture in modern history, a place of extraordinary productivity, inequality and violence.The book follows coffee from the Hill family plantations into the United States, through the San Francisco roasting plants into supermarkets, kitchens and work places, and finally into today's omnipresent cafés. Sedgewick reveals the unexpected consequences of the rise of coffee, which reshaped large areas of the tropics, transformed understandings of energy, and ultimately made us dependent on a drug served in a cup.'Gripping' The Spectator'An eye-opening, stimulating brew' The Economist

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You'll Like it Here is a haunting bricolage, divided into three parts, that excavates the forgotten history of Redondo Beach in the early 1900’s through old news clippings, advertisements, recipes and other ephemera that speak to the ills of male stoicism, industrialization and capitalism, and environmental displacement. Ashton used digital archives from the Redondo Reflex and other city adjacent newspapers as the basis for his surrealist account, masterfully tracing this larger shift away from coastal maritime repose in the wake of the Spanish Flu, the Great Depression, and World War II through momentary fragments that feel as real and palpable as they do transient, mythological, and strangely reminiscent of our current times. Formally, You'll Like it Here works in conversation with Michael Ondaatje’s The Collected Works of Billy the Kid, Maggie Nelson’s Bluets, Amina Cain’s Indelicacy, and Kathryn Scanlan’s Aug 9 Fog. The novel also embraces a multi-register, journalistic storytelling that questions the tenuous line between objectivity and subjectivity in documenting the unreliability of history—both personal and collective—brilliantly balancing voids of loss, absence, and disappearance with moments of natural transcendence and miraculous phenomena.

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Lesser Living Creatures examines literary and cultural texts from early modern England in order to understand how people in that era thought about—and with—insect and arachnid life. Designed for the classroom, the book comprises two volumes—Insects and Concepts—that can be used together or independently. Each addresses the collaborative, multigenerational research that produced early modern natural history and provides new insights into the old question of what it means to be human in a world populated by beasts large and small.Volume 1, Insects, examines how insects burrowed into the literal and symbolic economies of the era. The contributors consider diminutive creatures—such as bees and beetles, flies and fleas, silkworms and spiders—and their depictions in plays, poetry, fables, natural histories, and more. In doing so, they illuminate how early modern science and literature worked as intersecting systems of knowledge production about the natural world and show definitively how insect life was, and remains, intimately entangled with human life.In addition to the editors, contributors to this volume include Chris Barrett, Roya Biggie, Bruce Boehrer, Gary Bouchard, Dan Brayton, Eric Brown, Mary Baine Campbell, Perry Guevara, Shannon Kelley, Emily King, Karen Raber, Kathryn Vomero Santos, Donovan Sherman, and Steven Swarbrick.

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The World Health Organization (WHO) defines social determinants of health as "the conditions in which people are born, grow, live, work and age" and "the fundamental drivers of these conditions." Income, education, job security, food and housing, as well as gender and race are all examples of social determinants of health. These factors influence the health and wellbeing of patients, as well as how they interact with and receive healthcare. Unfortunately for some communities, many of these key factors to health are often jeopardized. Indigenous groups in North America and US associated Pacific jurisdictions have historically had troubled relationships with the federal government, experiencing occupation and forced relocation, mandated boarding schools, and attempts to eliminate cultural strengths and resources These denigrating experiences have marginalized these indigenous populations and increased their risk of poverty, food and housing insecurity, poor health, and limited access to healthcare.Indigenous Public Health: Improvement through Community-Engaged Interventions illustrates how successful community engagement strategies, programs, and resources within indigenous communities have resulted in diverse, successful public health programs, and helped community members overcome barriers to health. Editors Linda Burhansstipanov and Kathryn L. Braun explore the problems that impact engagement efforts, such as racism or resilience, and also discuss public health topics, such as infectious diseases, cancer, diabetes, and cardiovascular disease. The overarching focus of this book is to acknowledge and honor the strengths of different communities and emphasize that community collaboration and the sharing of resources can only improve the lives of all communities.

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NEW STATESMAN, THE TIMES AND EXPRESS BOOK OF THE YEAR 2023 ‘Full of sense, heart and hope . . . the friend you need when you’re grieving’ PHILIPPA PERRY ‘This book is a game-changer. Read it before you need to’ DR KATHRYN MANNIX ‘It’s honest and warm and funny (in all the right places)’ JULIA SAMUEL When Cariad Lloyd was just fifteen, she became the person-whose-dad-had-died; a mess of emotions and questions. She turned to the Five Stages of Grief model for guidance, but found its framework of loss was hard to reconcile with her messy and non-linear experience of grief. In this wise and witty book, Cariad shares her grief road map – a collection of years of profound insights from experts and guests featured on her podcast, Griefcast – to remind us that you cannot do grief wrong. The flexibility of the map acknowledges that no two experiences of grief are the same and assists us in building a life around our grief. So, welcome to the club. We know you didn’t ask to be here. But you will be okay. Because you are not alone. ‘A blackly funny, honest, thought-provoking and compassionate book’ THE TIMES ‘Feels like a warm bath . . . Lloyd's chatty writing style is familiar and funny’ NEW STATESMAN ‘A moving and funny meditation on loss’ OBSERVER

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#1 NEW YORK TIMES BESTSELLER A collection of Rush Limbaugh’s greatest on-air moments, with special commentary and personal stories from his beloved widow, Kathryn Limbaugh, and brother, David Limbaugh.For more than thirty years, millions of listeners tuned in to hear Rush Limbaugh’s voice. At its peak, The Rush Limbaugh Show aired on more than 650 radio stations nationwide, and his inimitable commentary and distinctive sense of humor garnered a devoted audience that celebrated with him when he received the Presidential Medal of Freedom in 2020. Rush’s passing the following year sent shock waves through the conservative and broadcasting communities. In this timeless collection of his best work, his triumphant legacy as the greatest voice for conservatism is cemented in history. When Rush’s dear friend Vince Flynn first suggested the idea of this book, Rush considered the task daunting. “How can I possibly select the best of the best,” he joked, “from all the years of pure genius?” Over time, Rush came to love this project immensely, and recalled incredible details from his childhood and early career. Featuring commentary from loved ones, family, friends, and prominent figures such as President Donald Trump, Supreme Court Justice Clarence Thomas, Governor Ron DeSantis, and more, Radio’s Greatest of All Time is the ultimate gift for any devoted listener and leaves no doubt about his profound impact on this country.

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The gripping new historical novel from the USA Today bestselling author of The Girl from Bletchley Park and The Forgotten Secret. A heartbreaking choice. A secret kept for centuries. 1784. When Esther Harris’s father hurts his back, she takes over his role helping smugglers hide contraband in the secret cellar in their pub. But when the free traders’ ships are trapped in the harbour, a battle between the smugglers and the revenue officers leads to murder and betrayal – and Esther is forced to choose between the love of her life and protecting her family… Present day. Fresh from her divorce, Millie Galton moves into a former inn overlooking the harbour in Mudeford and plans to create her dream home. When a chance discovery behind an old fireplace reveals the house’s secret history as a haven for smugglers and the devastating story of its former residents, could the mystery of a disappearance from centuries ago finally be solved? Sweeping historical fiction perfect for fans of Lucinda Riley, Kathryn Hughes and Tracy Rees. Readers LOVE The Storm Girl! ‘Amazing book… Both timelines were compulsive reading.’ NetGalley reviewer ⭐⭐⭐⭐⭐ ‘Wow. Excitement by the bucketful!… Read this in record time. Recommend it.’ NetGalley reviewer ⭐⭐⭐⭐⭐ ‘Just the most beautiful book… I haven't read anything quite as engaging as this in recent years!’ NetGalley reviewer ⭐⭐⭐⭐⭐ ‘Highly enjoyable… A gripping read.’ NetGalley reviewer ⭐⭐⭐⭐⭐ ‘If I could give this book more than 5 stars, I would gladly give them… This one is up there with the best.’ NetGalley reviewer ⭐⭐⭐⭐⭐ ‘Brilliant.’ NetGalley reviewer ⭐⭐⭐⭐⭐ ‘I really enjoyed this book… Well researched and very compelling.’ NetGalley reviewer ⭐⭐⭐⭐⭐ ‘I really loved how this story played out with all the suspense, mystery and drama within each timeline, it kept me wanting to keep on reading to see what would happen next.’ NetGalley reviewer ⭐⭐⭐⭐⭐ ‘A great story.’ NetGalley reviewer ⭐⭐⭐⭐⭐ ‘Highly recommended.’ NetGalley reviewer ⭐⭐⭐⭐⭐

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A series which is a model of its kind EDMUND KING, HISTORY This latest collection reflects the full range and vitality of the current work on the Anglo-Norman period. It opens with the R. Allen Brown Memorial Lecture for 2009, a wide-ranging reflection by the distinguished French historian Dominique Barthélemy on the Peace of God and the role of bishops in the long eleventh century. Economic history is prominent in papers on the urban transformation in England between 900 and 1100, on the roots of the royal forestin England, and on trade links between England and Lower Normandy. A close study of the Surrey manor of Mortlake brings in topography, another aspect of which appears in an article on the representation of outdoor space by Normanand Anglo-Norman chroniclers. Social history is treated in papers dealing with the upbringing of the children of the Angevin counts and with the developing ideas of knighthood and chivalry in the works of Dudo of Saint-Quentin and Benoît of Sainte-Maure. Finally, political ideas are examined through careful reading of texts in papers on writing the rebellion of Earl Waltheof in the twelfth century and on the use of royal titles and prayers for the king inAnglo-Norman charters. Contributors: Dominique Barthélemy, Kathryn Dutton, Leonie Hicks, Richard Holt, Joanna Huntington, Laurence Jean-Marie, Dolly Jorgensen, Max Lieberman, Stephen Marritt, Pamela Taylor

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An unprecedented cultural alliance is underway between the anti-trans strand of the radical feminist movement and a new brand of militant right-wing politics that takes issue with the idea that gender is a social and cultural construction. This so-called “anti-gender” movement—which also travels under names such as “gender-critical feminism”—has found immense international power and is especially active in Latin America, continental Europe, and Russia, with different but no less pernicious strains revitalizing longtime trans-exclusionary radical feminist (TERF) communities in England, Canada, the United States, and Australia. Contributors to this special issue consider what the global rise of trans-exclusionary politics and the envelopment of these politics into global right-wing movements might mean for changing understandings of transgender experience, science and medicine, and legal protections. Topics include the emergence of TERF rhetoric in evangelical Christianity, the anti-gender misappropriation of postcolonial thought in Europe, rhetorical and ideological similarities between TERFism and Zionism, and media treatment of J. K. Rowling’s hostility toward trans rights. Contributors. Serena Bassi, Mikey Elster, Jenny Madsen Evang, Gina Gwenffrewi, Greta LaFleur, Sophie Lewis, C. Libby, Kathryn Lofton, Ezra Berkeley Nepon, Blase Provitola, Heike Schotten, Asa Seresin, Mat Thompson

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