Search results for ""author charles dickens"

From the author of North and South and Mary Barton, Elizabeth Gaskell's Cranford is a standalone publication of Elizabeth Gaskell's best-known work, with a critical introduction by Patricia Ingham in Penguin Classics.Cranford depicts the lives and preoccupations of the inhabitants of a small village - their petty snobberies, appetite for gossip, and loyal support for each other in times of need This is a community that runs on cooperation and gossip, at the very heart of which are the daughters of the former rector: Miss Deborah Jenkyns and her sister Miss Matty, But domestic peace is constantly threatened in the form of financial disaster, imagined burglaries, tragic accidents, and the reapparance of long-lost relatives. to Lady Glenmire, who shocks everyone by marrying the doctor. When men do appear, such as 'modern' Captain Brown or Matty's suitor from the past, they bring disruption and excitement to the everyday life of Cranford.In her introduction, Patricia Ingham places the novel in its literary and historical context, and discusses the theme of female friendship and Gaskell's narrative technique. This edition also contains an account of Gaskell's childhood in Knutsford, on which Cranford is based, appendices on fashion and domestic duties supplemented by illustrations, a chronology of Gaskell's life and works, suggestions for further reading, and explanatory notes.Elizabeth Gaskell (1810-65) was born in London, but grew up in the north of England in the village of Knutsford. In 1832 she married the Reverend William Gaskell and had four daughters, and one son who died in infancy. Her first novel, Mary Barton, was published in 1848, winning the attention of Charles Dickens, and most of her later work was published in his journals. She was also a lifelong friend of Charlotte Brontë, whose biography she wrote.If you enjoyed Cranford, you may like Jane Austen's Mansfield Park, also available in Penguin Classics.

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The son of a deranged Italian immigrant, Joseph Grimaldi (1778-1837) was the most celebrated of English clowns. The first to use white-face make-up and wear outrageous coloured clothes, he completely transformed the role of the Clown in the pantomime with a look as iconic as Chaplin's tramp or Tommy Cooper's magician. One of the first celebrity comedians, his friends included Lord Byron and the actor Edmund Kean, and his memoirs were edited by the young Charles Dickens. But underneath the stage paint, Grimaldi struggled with depression and his life was blighted with tragedy. His first wife died in childbirth and his son would go on to drink himself to death. The outward joy and tomfoolery of his performances masked a dark and depressing personal life, and instituted the modern figure of the glum, brooding comedian. Joseph Grimaldi left an indelible mark on the English theatre and the performing arts, but his legacy is one of human struggle, battling demons and giving it his all in the face of adversity.

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From one of our finest poets comes a collection about time—about memory, remembrance, and how the past makes itself manifest in the world. Called “the poet of things” by Richard Howard, Don Bogen understands the ways objects hold history, even if they’ve grown obsolescent, even when they’ve been forgotten. So objects—rendered in cinematic detail—fill these poems. A desk, a mailbox, a house delivering its own autobiography. Hospitals: the patients who have passed through, the buildings that have crumbled. And, in a longer view, the people who survive in what they left behind: Thom Gunn, Charles Dickens, and the pre-Columbian architects who designed the great earthworks of Ohio two thousand years ago. Songs, ephemeral by nature but infinitely repeatable, run throughout the collection. “What did they tell me, all those years?” Bogen writes. Immediate Song offers us a retrospective glance that is at once contemplative and joyous, carefully shaped but flush with sensuous observation: a paean to what is both universal and fleeting.

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Why is liberalism so often dismissed by thinkers from both the left and the right? To those calling for wholesale transformation or claiming a monopoly on "realistic" conceptions of humanity, liberalism's assured progressivism can seem hard to swallow. Bleak Liberalism makes the case for a renewed understanding of the liberal tradition, showing that it is much more attuned to the complexity of political life than conventional accounts have acknowledged. Anderson examines canonical works of high realism, political novels from England and the United States, and modernist works to argue that liberalism has engaged sober and even stark views of historical development, political dynamics, and human and social psychology. From Charles Dickens's Bleak House and Hard Times to E. M. Forster's Howards End to Doris Lessing's The Golden Notebook, this literature demonstrates that liberalism has inventive ways of balancing sociological critique and moral aspiration. A deft blend of intellectual history and literary analysis, Bleak Liberalism reveals a richer understanding of one of the most important political ideologies of the modern era.

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Do you wish it could be Christmas every day? This smashing Text Guide is the next best thing - it contains everything students need to write brilliant essays about A Christmas Carol by Charles Dickens, and it's suitable for all major GCSE English exam boards!Inside, you'll find clear, thorough notes on the novel's context, plot, characters, themes and the writer's techniques - plus quick warm-up activities, in-depth exercises and realistic exam-style questions at the end of sections, alongside challenging questions for students aiming for Grades 8-9. Not only is this book packed with essay advice and engaging activities, it'll also gives you access to our online Sudden Fail quizzes - ideal for putting your skills to the test! To round it all off, we've rustled up a classic CGP cartoon-strip summary of the text to help remind you of all the important plot points.What's more, there''s a free Online Edition with even more activities for specific exam boards - ideal if you're on the move!F

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This memoir is of the schooldays of one of the most extraordinary minds Scotland has produced, Hugh Miller. Miller rose, if not from absolute poverty, certainly from a modest background, to become both a specialist in the field of geology and a generalist in the wider literary world, covering, as writer and editor, subjects as diverse as poetry, folklore, science, education, religion, history and travel. In his working life he was a stonemason, banking accountant, journalist, editor, lecturer and defender of Christianity against the evolutionists. By the time of his tragic suicide in 1856, Miller's prodigious output had made him among the best known of Victorian literary figures, admired by Thomas Carlyle, Charles Dickens and John Ruskin. By the latter part of the 19th century, his reputation extended across the world - his books were widely translated, and in America, according to the geologist Sir Archibald Geikie, "They were to be found in the remotest log huts of the far west." In 1879, the great environmentalist John Muir named one of the glaciers of Glacier Bay, Alaska, after the Cromarty stonemason.

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The Isle of Wight is England's largest island, but its diamond-shape is at most 23 miles long and 13 miles wide. Anchored close to the Hampshire coast, its location has created a sheltered waterway, the Solent, with its own local roadsteads and a unique double tidal system. This geography has shaped the area's history. Southampton's docks, located on Southampton Water to the north-west, had become the country's largest civilian port by the mid-twentieth century. Just north-east across the stretch of water called Spithead is the island city of Portsmouth with its ideal natural harbour. This was an internationally important port for over three hundred years, while the whole area has been places of naval significance on the world stage for even longer. From when Queen Victoria bought Osborne House in 1845 and had it remodelled as an Italianate mansion the Isle of Wight became a hub of Victorian society. The Poet Laureate Alfred Lord Tennyson lived at Freshwater, while Charles Swinburne grew up at Bonchurch, a place where Charles Dickens vacationed. Charles Darwin began his Origin of Species here, and Karl Marx came to restore his health; it was the expanding rail network that brought them there. Mark Bardell explores the Isle of Wight and Portsmouth and the surrounding maritime landscapes, revealing unexpected historical and literary associations. MARITIME LEGACY: seaside resorts and piers; Queen Victoria's bathing machine; tourism, festivals and Cowes Week; the Titanic and Queen Mary. URBAN DESIGN AND ARCHITECTURE: military and naval imperatives; Portsmouth Dockyard and the Solent forts; lighthouses and fortifications; Victorian mansions and the first garden suburb in Southsea. WRITERS AND ARTISTS: Portsmouth and Rudyard Kipling, H. G. Wells and Arthur Conan Doyle; the Isle of Wight and the young Turner's seascapes; J. D. Fergusson and Eric Ravilious, war artists in Portsmouth.

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Depicting the fatal clash between material desires and the liberating power of human passions, Honoré de Balzac's Eugénie Grandet is translated with an introduction by M.A. Crawford in Penguin Classics.In a gloomy house in provincial Saumur, the miser Grandet lives with his wife and daughter, Eugénie, whose lives are stifled and overshadowed by his obsession with gold. Guarding his piles of glittering treasures and his only child equally closely, he will let no one near them. But when the arrival of her handsome cousin, Charles, awakens Eugénie's own desires, her passion brings her into a violent collision with her father that results in tragedy for all. Eugénie Grandet is one of the earliest and finest works in Balzac's Comédie humaine cycle, which portrays a society consumed by the struggle to amass wealth and achieve power. Here Grandet embodies both the passionate pursuit of money, and the human cost of avarice.M. A. Crawford's lucid translation is accompanied by an introduction discussing the irony and psychological insight of Balzac's characterization, the role of fate in the novel, its setting and historical background.Honoré De Balzac (1799-1850) failed at being a lawyer, publisher, printer, businessman, critic and politician before, at the age of thirty, turning his hand to writing. His life's work, La Comédie humaine, is a series of ninety novels and short stories which offer a magnificent panorama of nineteenth-century life after the French Revolution. Balzac was an influence on innumerable writers who followed him, including Marcel Proust, Émile Zola, Charles Dickens, and Edgar Allan Poe.If you enjoyed Eugenie Grandet you might like Molière's The Miser and Other Plays, also available in Penguin Classics.

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Originally published in serial form from December 1860 to August 1861, Great Expectations is the ‘autobiography’ of Pip, as he transformed from apprentice village blacksmith to a London gentleman. Unlike many of Dickens’s earlier works, the novel is not so much a protest against social evils as a sustained meditation upon the process of social reform in Victorian England. It is this which gives such importance to the book’s handling of the theme of the gentleman, a theme central both to Dickens’s society and to his own life story.

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"Each century," wrote Charles Dickens "[is] more amazed by the century following it than by all the centuries before." Victorians in theory explores the startling conceit that nineteenth-century poetry is amazed by twentieth-century literary theory. In a daring and exciting departure from critical convention, Schad re-reads postructuralist theory through Victorian poetry. Each chapter pairs a poet with a theorist: Robert Browning meets Jacques Derrida; Christina Rossetti encounters Luce Irigaray; Matthew Arnold is after Michel Foucault; Gerald Manley Hopkins dreams with Jacques Lacan; and Elizabeth Barrett Browning haunts Hélène Cixous. Reading both across and between these writers, Schad opens up a radically intertextual space; he wanders, in Matthew Arnold's words, "between two worlds." Across this no-man's land appear a host of unlikely specters, among them T. S. Eliot, Martin Luther, Friedrich Nietzsche, Lewis Carroll's Alice, Walter Benjamin's "angel of history," and the woman taken in adultery.This book will fascinate anyone interested in the Victorians or theory; at once rigorous and readable, it will appeal to both the scholar and the student.

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The Body Economic revises the intellectual history of nineteenth-century Britain by demonstrating that political economists and the writers who often presented themselves as their literary antagonists actually held most of their basic social assumptions in common. Catherine Gallagher demonstrates that political economists and their Romantic and early-Victorian critics jointly relocated the idea of value from the realm of transcendent spirituality to that of organic "life," making human sensations--especially pleasure and pain--the sources and signs of that value. Classical political economy, this book shows, was not a mechanical ideology but a form of nineteenth-century organicism, which put the body and its feelings at the center of its theories, and neoclassical economics built itself even more self-consciously on physiological premises. The Body Economic explains how these shared views of life, death, and sensation helped shape and were modified by the two most important Victorian novelists: Charles Dickens and George Eliot. It reveals how political economists interacted crucially with the life sciences of the nineteenth century--especially with psychophysiology and anthropology--producing the intellectual world that nurtured not only George Eliot's realism but also turn-of-the-century literary modernism.

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In Hard Times, Dickens illustrates the condition of England through the fictional city of Coketown. Among its inhabitants are Thomas Gradgrind, the utilitarian headmaster who attempts to impose his rigid worldview on his family circle, and the uncaring businessman Mr Bounderby. Their materialist philosophies, as opposed to the world of fancy or imagination, are tested throughout the novel, which also explores workers’ conditions, trade unions and the spurious use of statistics. Perhaps the most polemical of his novels – in which hard-biting satire, moving drama and exuberant comedy find a very succinct and powerful expression – Hard Times is the ideal introduction to the world of Dickens.

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The Mudfog Papers, a collection of sketches by Dickens published in Bentley’s Miscellany between 1837 and 1838, describes the local politics of the fictional town of Mudfog – such as the delusions of grandeur of its mayor Nicholas Tulrumble and his disastrous attempts at putting on a public show – and the meetings of its Society for the Advancement of Everything, during which the town is overrun by illustrious scientists and professors conducting ostensibly pointless research. Written at the same time as Oliver Twist – indeed the serialized version of the novel referred to Mudfog as the protagonist’s home town – The Mudfog Papers lampoons all manner of journalistic and scientific writing of the time and showcases the young Dickens at his satirical best.

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How were the genres of literature changed by new methods of serialization and publishing? How did a widespread culture of performance emerge in the period to shape as well as to be shaped by the novel and poetry? David Amigoni draws on the most recent critical approaches to the novel, Victorian melodrama and poetry to answer these and other questions. The work of Charles Dickens, George Eliot, Oscar Wilde, Alfred Tennyson, Robert Browning, Christina Rossetti, Thomas Hardy, Thomas Carlyle and Mathew Arnold are explored in relation to ideas about fiction, journalism, drama, poetry, the New Woman, gothic, horror and the Victorian sage. Key Features *Detailed readings of key texts provide models of how to read critically *Demonstrates the interaction between genres to help think through modes of artistic experimentation and innovation in the period *Examines Neo-Victorian fiction, a popular genre today *Student resources include electronic and reference sources, further reading and an extensive glossary of key critical terms and historical issues

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A pocket-sized edition of the best-selling Great Pubs of London, this book celebrates London''s most significant and historic pubs.For centuries, the pub has been an essential part of London''s cultural and social fabric. This book takes readers through the doors of 25 historically and architecturally significant London pubs. Through photographs specially commissioned for this project, readers can explore these institutions--from snob screens to 400-hundred-year-old flagstone floors. Engaging texts highlight what makes each pub so special, their place in London''s history, the personalities who have frequented them, the events that occurred inside, and the ways pubs have contributed phrases such as on the wagon and one for the road to the modern lexicon. This book reveals why the Lamb and Flag in Covent Garden earned the nickname the Bucket of Blood, and features a pub that Charles Dickens described as a great rambling queer old place. Furthermore, the book muses over th

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Illustrations by Hablot K. Browne (Phiz) and George Cattermole, with a new Introduction by Cedric Watts, Research Professor of English, University of Sussex. This vivid historical and political novel by Dickens is centred on the infamous 'No Popery' riots, instigated by Lord George Gordon, which terrorised London in 1780. Dickens' targets are prejudice, intolerance, religious bigotry and nationalistic fervour, together with the villains who exploit these for selfish ends. His intense account of the riots is interwoven with the mysterious tale of a long-unsolved murder and with a romance involving forbidden love, treachery and heroism. Barnaby Rudge abounds in memorably strange, comic and grotesque characters. Furthermore, recent historical events have renewed its political topicality.

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A rich and varied array of stories and vignettes, The Pickwick Papers is based around the investigations of the Corresponding Society of the Pickwick Club, consisting of its founder Mr Samuel Pickwick and Messrs Tracy Tupman, Augustus Snodgrass and Nathaniel Winkle, who travel around the country and then report back to the club concerning their extraordinary adventures and experiences. Dickens’s first novel, The Pickwick Papers was an immediate success and caught the public imagination in a manner that few debuts have ever matched. Replete with colourful characters, fantastical anecdotes and a farcical plot, it catapulted its twenty-four-year-old author to literary stardom, and is widely considered to be one of the great comic masterpieces of nineteenth-century literature.

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'What was merry Christmas to Scrooge? Out upon merry Christmas! What good had it ever done to him?' Ebenezer Scrooge is a bad-tempered skinflint who hates Christmas and all it stands for, but a ghostly visitor foretells three apparitions who will thaw Scrooge's frozen heart. A Christmas Carol has gripped the public imagination since it was first published in 1843, and it is now as much a part of Christmas as mistletoe or plum pudding. This edition reprints the story alongside Dickens's four other Christmas Books: The Chimes, The Cricket on the Hearth, The Battle of Life, and The Haunted Man. All five stories show Dickens at his unpredictable best, jumbling together comedy and melodrama, genial romance and urgent social satire, in pursuit of his aim 'to awaken some loving and forbearing thoughts, never out of season in a Christian land'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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One thing all mainstream economists agree upon is that money has nothing whatsoever to do with desire. This strange blindness of the profession to what is otherwise considered to be a basic feature of economic life serves as the starting point for this provocative new theory of money. Through the works of Karl Marx, Thorstein Veblen, and Max Weber, What Money Wants argues that money is first and foremost an object of desire. In contrast to the common notion that money is but an ordinary object that people believe to be money, this book explores the theoretical consequences of the possibility that an ordinary object fulfills money's function insofar as it is desired as money. Rather than conceiving of the desire for money as pathological, Noam Yuran shows how it permeates economic reality, from finance to its spectacular double in our consumer economy of addictive shopping. Rich in colorful and accessible examples, from the work of Charles Dickens to Reality TV and commercials, this book convinces us that we must return to Marx and Veblen if we are to understand how brand names, broadcast television, and celebrity culture work. Analyzing both classical and contemporary economic theory, it reveals the philosophical dimensions of the controversy between orthodox and heterodox economics.

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'Perhaps his best novel ... when Dickens wrote Bleak House he had grown up' G. K. ChestertonAs the interminable case of Jarndyce and Jarndyce grinds its way through the Court of Chancery, it draws together a disparate group of people: Ada Clare and Richard Carstone, whose inheritance is gradually being devoured by legal costs; Esther Summerson, a ward of court; the menacing lawyer Tulkinghorn; the determined sleuth Inspector Bucket; and even Jo, a destitute crossing-sweeper. A savage indictment of a society that is rotten to the core, Bleak House is one of Dickens's most ambitious novels, with a range that extends from the drawing-rooms of the aristocracy to the London slums.Edited with an Introduction and Notes by Nicola Bradbury with a Preface by Terry Eagleton

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A practical investigation into story-theatre and the art of telling stories through theatre, by the renowned director who founded Shared Experience Theatre Company. In Then What Happens?, Mike Alfreds makes the case for putting story and storytelling back at the heart of theatre. He explores the whole process of adapting for the stage, and investigates the particular techniques - many of them highly sophisticated - that actors require when performing 'story-theatre'. The book includes over two hundred exercises, improvisations and workshops dealing with the practical aspects of story-theatre, such as building an ensemble, creating a physical vocabulary, and transforming written narrative into drama. It draws on examples ranging from traditional legends and folklore, through the works of Jane Austen, Charles Dickens and Evelyn Waugh, to contemporary fiction. Alfreds shows how each story demands its own particular set of dramatic choices, opening up endless possibilities for performance. Then What Happens? - like the author's tremendously successful first book, Different Every Night - will be invaluable to directors and actors, to dramatists working in the field of adaptation, to those devising and working from improvisation, and to any theatregoer who has been moved by the power of an unfolding story to ask: 'Then what happens?' ‘All theatre directors know that good narrative is the secret of good theatre, but few have as distinctive, rigorous and exceptional a method of exploring that secret as does Mike Alfreds. His system of working, and his thoughts on the making of theatre in our time, are as crucial and illuminating as those of Stanislavsky and Peter Brook have been to generations of theatre enthusiasts and practitioners.’ Michael Coveney

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'Ghoulishly entertaining' Jacqueline Banerjee, Times Literary Supplement'This is a great book for dipping into . . . the cases themselves are written engagingly and with appealing dramatisation of key events.'Kim Fleet, Crime ReviewA grisly book dedicated to the crimes, perversions and outrages of Victorian England, covering high-profile offences - such as the murder of actor William Terriss, whose stabbing at the stage door of the Adelphi Theatre in 1897 filled the front pages for many weeks - as well as lesser-known transgressions that scandalised the Victorian era.The tales include murders and violent crimes, but also feature scandals that merely amused the Victorians. These include the story of a teenage man who married an actress, only to be shipped off to Australia by his disgusted parents; and the Italian ice-cream man who only meant to buy his sweetheart a hat but ended up proposing marriage instead. When he broke it off, his fiancée's father sued him and the story was dubbed the 'Amusing Aberdeen Breach of Promise Case'. Also present is the gruesome story of the murder of Patrick O Connor who was shot in the head and buried under the kitchen flagstones by his lover Maria Manning and her husband, Frederick. The couple's subsequent trial caused a sensation and even author Charles Dickens attended the grisly public hanging.Drawing on a range of sources from university records and Old Bailey transcripts to national and regional newspaper archives, Michelle Morgan's research sheds new light on well-known stories as well as unearthing previously unknown incidents.

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The labyrinthine, ingenious plot of Bleak House focuses on the seemingly endless lawsuit Jarndyce and Jarndyce, an inheritance dispute that has been moving through the courts for years. Dozens of characters, including the innocent young narrator Esther Summerson, her friends Richard Carstone and Ada Clare, and the jaded aristocrats Sir Leicester and Lady Honoria Dedlock, are directly or indirectly caught up in the case. Written in bold and inventive language, Bleak House is Dickens’s epic vision of Victorian society.The critical introduction and extensive appendices to this edition focus on the novel’s social context and reception, Dickens’s treatment of his women characters and the working class, and the inequalities of the Victorian legal system.

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Cleansing the City: Sanitary Geographies in Victorian Londonexplores not only the challenges faced by reformers as they strove toclean up an increasingly filthy city but the resistance to their efforts.Beginning in the 1830s, reform-minded citizens, under the banner of sanitaryimprovement, plunged into London’s dark and dirty spaces and returned withthe material they needed to promote public health legislation and magnificentprojects of sanitary engineering. Sanitary reform, however, was not alwaysmet with unqualified enthusiasm. While some improvements, such as slumclearances, the development of sewerage, and the embankment of the Thames,may have made London a cleaner place to live, these projects also destroyedand reshaped the built environment, and in doing so, altered the meanings andexperiences of the city. From the novels of Charles Dickens and George Gissing to anonymous magazinearticles and pamphlets, resistance to reform found expression in the nostalgicappreciation of a threatened urban landscape and anxiety about domestic autonomyin an era of networked sanitary services. Cleansing the City emphasizes the disruptions and disorientation occasioned by purification—a process we are generally inclined to see as positive. By recovering these sometimes oppositional, sometimes ambivalent responses, Michelle Allen elevates a significant undercurrent of Victorian thought into the mainstream and thus provides insight into the contested nature of sanitary modernization.

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In The Afterlife of Property, Jeff Nunokawa investigates the conviction passed on by the Victorian novel that a woman's love is the only fortune a man can count on to last. Taking for his example four texts, Charles Dickens's Little Dorrit and Dombey and Son, and George Eliot's Daniel Deronda and Silas Marner, Nunokawa studies the diverse ways that the Victorian novel imagines women as property removed from the uncertainties of the marketplace. Along the way, he notices how the categories of economics, gender, sexuality, race, and fiction define one another in the Victorian novel. If the novel figures women as safe property, Nunokawa argues, the novel figures safe property as a woman. And if the novel identifies the angel of the house, the desexualized subject of Victorian fantasies of ideal womanhood, as safe property, it identifies various types of fiction, illicit sexualities, and foreign races with the enemy of such property: the commodity form. Nunokawa shows how these convergences of fiction, sexuality, and race with the commodity form are part of a scapegoat scenario, in which the otherwise ubiquitous instabilities of the marketplace can be contained and expunged, clearing the way for secure possession. The Afterlife of Property addresses literary and cultural theory, gender studies, and gay and lesbian studies.

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A thrilling, fast-paced adaptation of the classic novel, considered by Dickens 'the best story I have ever written'. An epic story of love, sacrifice and redemption, interweaving one family's intensely personal drama with the terror and chaos of the French Revolution. This version of A Tale of Two Cities premiered at Royal & Derngate, Northampton, in February 2014, featuring a large community ensemble alongside the main cast. Mike Poulton's adaptation is ideal for any amateur theatre companies, schools or youth theatres looking to stage a bold and dramatic version of Dickens' classic.

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Considered by many to be Dickens' finest novel, Great Expectations traces the growth of the book's narrator, Philip Pirrip (Pip), from a boy of shallow dreams to a man with depth of character. From its famous dramatic opening on the bleak Kentish marshes, the story abounds with some of Dickens' most memorable characters. Among them are the kindly blacksmith Joe Gargery, the mysterious convict Abel Magwitch, the eccentric Miss Havisham and her beautiful ward Estella, Pip's good-hearted room-mate Herbert Pocket and the pompous Pumblechook. As Pip unravels the truth behind his own ‘great expectations’ in his quest to become a gentleman, the mysteries of the past and the convolutions of fate through a series of thrilling adventures serve to steer him towards maturity and his most important discovery of all - the truth about himself.

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In this hauntingly beautiful volume, artist John A. Rice re-envisions Dickens's seemingly familiar Christmas classic as a true Victorian ghost story.The Victorians knew that the end of the year is a precipice, a time of change and transition. They captured the essence of this season the yearning for what is lost, the fear of the unknown, but also the hope for what is to come in the fantastical storytelling tradition known as the midwinter's tale. And of all such tales, the most famous is A Christmas Carol.In his new illustrated edition of A Christmas Carol, John A. Rice draws on the influence of Victorian Spiritualism and fin de siècle Symbolism to emphasise the deeper symbolism and spirituality of Dickens's novella. Through five absorbing full-page illustrations and a number of enchanting vignettes married to an elegant typographic design Rice reveals Scrooge's encounters with the spirits as a soul's journey from darkness to ligh

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Favor Johnson lives on a small farm in the hills of Vermont. He keeps to himself, surrounded by dozens of animals, chickens, geese, and his one constant friend, a hound named Hercules. Then one Christmas Eve Hercules' life is saved by Favor's new neighbor, a doctor, and Favor's whole life -- as well as the life of everyone in his village -- is changed forever. This delightful story of Favor Johnson, Hercules, Doctor Jennings, and the mysterious house-to-house delivery of homemade fruit cakes on Christmas Eve is a heart-warming tale of neighborliness and generosity in a Vermont village at Christmas. It is also a tale of rescue, of good and bad cooking, of friendship, and of giving presents at Christmas. A modern, and classic, American Christmas folktale, Favor Johnson has been a favorite radio story for years and is published now for the first time, brought to life by the wonderful watercolor illustrations of Bert Dodson. This book is their second collaboration, the first being John and Tom, published in 2001.Willem Lange is a short-story writer, commentator and host on Vermont Public Radio and New Hampshire Public Television. He also has a weekly column in The Valley News, the major newspaper in the NH/VT Upper Valley area. In addition to the Yuletide readings of his Christmas story, Favor Johnson, a staple on Public Radio for fifteen years, his annual readings of Charles Dickens' A Christmas Carol -- on stage, on Vermont Public Radio, and on Armed Forces Radio overseas -- have been popular since 1975. He lives with his wife in East Montpelier, Vermont.Bert Dodson is the author and illustrator of the best-selling learn-to-draw classic Keys to Drawing as well as the illustrator of over 80 children's books including a previous one with Willem Lange. He has also co-written The Way Life Works with noted biologist Mahlon Hoagland. He lives in Bradford, Vermont.

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This innovative collection of essays is the first to situate comedy and laughter as central rather than peripheral to nineteenth century life. Victorian Comedy and Laughter: Conviviality,Jokes and Dissent offers new readings of the works of Charles Dickens, Edward Lear,George Eliot, George Gissing, Barry Pain and Oscar Wilde, alongside discussions of much-loved Victorian comics like Little Tich, Jenny Hill, Bessie Bellwood and Thomas Lawrence. Tracing three consecutive and interlocking moods in the period, all of the contributors engage with the crucial critical question of how laughter and comedy shaped Victorian subjectivity and aesthetic form. Malcolm Andrews, Jonathan Buckmaster and Peter Swaab explore the dream of print culture togetherness that is conviviality, while Bob Nicholson, Louise Lee, Ann Featherstone,Louise Wingrove and Oliver Double discuss the rise-on-rise of the Victorian joke — both on the page and the stage — while Peter Jones, Jonathan Wild and Matthew Kaiser consider the impassioned debates concerning old and new forms of laughter that took place at the end of the century.

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One thing all mainstream economists agree upon is that money has nothing whatsoever to do with desire. This strange blindness of the profession to what is otherwise considered to be a basic feature of economic life serves as the starting point for this provocative new theory of money. Through the works of Karl Marx, Thorstein Veblen, and Max Weber, What Money Wants argues that money is first and foremost an object of desire. In contrast to the common notion that money is but an ordinary object that people believe to be money, this book explores the theoretical consequences of the possibility that an ordinary object fulfills money's function insofar as it is desired as money. Rather than conceiving of the desire for money as pathological, Noam Yuran shows how it permeates economic reality, from finance to its spectacular double in our consumer economy of addictive shopping. Rich in colorful and accessible examples, from the work of Charles Dickens to Reality TV and commercials, this book convinces us that we must return to Marx and Veblen if we are to understand how brand names, broadcast television, and celebrity culture work. Analyzing both classical and contemporary economic theory, it reveals the philosophical dimensions of the controversy between orthodox and heterodox economics.

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The loss of East Indiaman HCS `Halsewell' on the coast of Dorset in southern England in January 1786, touched the very heart of the British nation. `Halsewell' was just one of many hundreds of vessels which had been in the service of the Honourable East India Company since its foundation in the year 1600. In the normal course of events, `Halsewell' would have been expected to serve out her working life, before passing unnoticed into the history books. However, this was not to be. Halsewell's loss was an event of such pathos as to inspire the greatest writer of the age Charles Dickens, to put pen to paper; the greatest painter of the age J. M. W. Turner, to apply brush to canvas, and the King and Queen to pay homage at the very place where the catastrophe occurred. Artefacts from the wreck continue to be recovered to this very day which, and for variety, interest, curiosity, and exoticism, rival those recovered from Spanish armada galleons wrecked off the west coast of Ireland two centuries previously. Such artefacts shed further light both on `Halsewell' herself, and on the extraordinary lives of those who sailed in her.

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With an Introduction and Notes by David Ellis, University of Kent at Canterbury. With Illustrations by R.Seymour, R.W. Buss and Hablot K. Browne (Phiz). The Pickwick Papers is Dickens' first novel and widely regarded as one of the major classics of comic writing in English. Originally serialised in monthly instalments, it quickly became a huge popular success with sales reaching 40,000 by the final part. In the century and a half since its first appearance, the characters of Mr Pickwick, Sam Weller and the whole of the Pickwickian crew have entered the consciousness of all who love English literature in general, and the works of Dickens in particular.

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After a traumatic early childhood spent living in poverty in a Preston cellar, the suddenly orphaned George Silverman grows up convinced that he is at fault for all the misfortunes in his life. Hoodwinked by hypocritical clergymen and exploited by his employer, he finds himself forsaking love and facing professional ruin. One of Dickens’s very last writings, ‘George Silverman’s Explanation’ is a dark and psychologically insightful investigation of failure and guilt. This volume also includes two other lesser-known pieces of fiction by Dickens: the novella for children ‘Holiday Romance’ and the detective story ‘Hunted Down’.

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Dicken's third novel, published in 1839, is a brilliant and vivid melodrama of honest youth triumphing over vice and injustice. Bursting with energy and populated by a whole world of inimitable and memorable characters - including especially the theatrical troupe with whom Nicholas performs - the book is both a griping story and a series of magnificent scenes. It is also indignant protest against cruelty and oppression, most memorably encapsulated in Dickens's powerful portrayal of Mr Squeers and his wicked boarding school - a passage which was to be instrumental in helping to reform the Victorian education system. The novel has been adapted for television stage and screen.

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Military Men of Feeling considers the popularity of the figure of the gentle soldier in the Victorian period. It traces a persistent narrative swerve from tales of war violence to reparative accounts of soldiers as moral exemplars, homemakers, adopters of children on the battlefield, and nurses. This material invites us to think afresh about Victorian masculinity and Victorian militarism. It challenges ideas about the separation of military and domestic life, and about the incommunicability of war experience. Focusing on representations of soldiers' experiences of touch and emotion, the book combines the work of well known writers - including Charles Dickens, Charles Kingsley, William Makepeace Thackeray, Charlotte Yonge - with previously unstudied writing and craft produced by British soldiers in the Crimean War, 1854-56. The Crimean War was pivotal in shaping British attitudes to military masculinity. A range of media enabled unprecedented public engagement with the progress and infamous 'blunders' of the conflict. Soldiers and civilians reflected on appropriate behaviour across ranks, forms of heroism, the physical suffering of the troops, administrative management and the need for army reform. The book considers how the military man of feeling contributes to the rethinking of gender roles, class and military hierarchy in the mid-nineteenth century, and how this figure was used in campaigns for reform. The gentle soldier could also do more bellicose social and political work, disarming anti-war critiques and helping people to feel better about war. This book looks at the difficult mixed politics of this figure. It considers questions, debated in the nineteenth century and which remain urgent today, about the relationship between feeling and action, and the ethics of an emotional response to war. It makes a case for the importance of emotional and tactile military history, bringing the Victorian military man of feeling into contemporary debates about liberal warriors and soldiers as social workers.

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'In Little Dorrit, Dickens attacked English institutions with a ferocity that has never since been approached' George OrwellA masterly evocation of the state and psychology of imprisonment, Little Dorrit is one of the supreme works of Dickens's maturity. It follows Arthur Clennam who, returning to England after many years abroad, takes a kindly interest in Amy Dorrit, his mother's seamstress, who was born and raised in the Marshalsea where her father has long been imprisoned for debt. As Arthur soon discovers, the dark shadow of the prison stretches far beyond its walls to affect the lives of many, from the kindly Mr Pancks, the reluctant rent-collector of Bleeding Heart Yard, to the bureaucratic Barnacles in the Circumlocution Office and Merdle, an unscrupulous financier. Edited with an Introduction and Notes by Stephen Wall and Helen Small

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'His novels will endure as long as the language itself' Peter AckroydDickens's haunting late novel depicts the education and development of a young man, Pip, as his life is changed by a series of events - a terrifying encounter with an escaped convict in a graveyard on the wild Kent marshes; a summons to meet the bitter, decaying Miss Havisham and her beautiful, cold-hearted ward Estella; the sudden generosity of a mysterious benefactor - and he discovers the true nature of his 'great expectations'. This definitive edition includes appendices on Dickens's original ending, giving an illuminating glimpse into a great novelist at work.With an Introduction by DAVID TROTTER Edited and with notes by CHARLOTTE MITCHELL

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Now a major film directed by Armando Iannucci, starring Dev Patel, Tilda Swinton, Hugh Laurie, Peter Capaldi and Ben WhishawDickens's epic, exuberant novel is one of the greatest coming-of-age stories in literature. It chronicles David Copperfield's extraordinary journey through life, as he encounters villains, saviours, eccentrics and grotesques, including the wicked Mr Murdstone, stout-hearted Peggotty, formidable Betsey Trotwood, impecunious Micawber and odious Uriah Heep.Dickens's great Bildungsroman (based, in part, on his own boyhood, and which he described as a 'favourite child') is a work filled with life, both comic and tragic.

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"Dom-bey and Son"...Those three words conveyed the one idea of Mr. Dombey's life. The earth was made for Dombey and Son to trade in, and the sun and moon were made to give them light. The hopes of Mr Dombey for the future of his shipping firm are centred on his delicate son Paul, and Florence, his devoted daughter, is unloved and neglected. When the firm faces ruin, and Dombey's second marriage ends in disaster, only Florence has the strength and humanity to save her father from desolate solitude. This new edition contains Dickens's prefaces, his working plans, and all the original illustrations by 'Phiz'. The text is that of the definitive Clarendon edition. It has been supplemented by a wide-ranging Introduction, highlighting Dickens's engagement with his times, and the touching exploration of family relationships which give the novel added depth and relevance. The Notes and Bibliography have been substantially revised, extended, and updated. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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In a book that is part fairy tale and part thinly veiled autobiography, Dickens transmutes his life experience into a brilliant series of comic and sentimental adventures in the spirit of the great eighteenth-century novelists he so much admired. Few readers can fail to be touched by David's fate, and fewer still to be delighted by his story. The cruel Murdstone, the feckless Micawber, the unctuous and sinister Uriah Heep, and David Copperfield himself, into whose portrait Dickens puts so much of his own early life, form a central part of our literary legacy.This edition reprints the original Everyman preface by G. K. Chesterton and includes thirty-nine illustrations by Phiz.

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A heartwarming and inspirational Christmas novel in the tradition of The Christmas Box, Grace, The Gift, and Finding Noel. The New York Times bestselling author of The Christmas Box and The Walk series returns with a holiday novel of hope, love, and redemption.Dear Reader, When I was in seventh grade, my English teacher, Mrs. Johnson, gave our class the intriguing (if somewhat macabre) assignment of writing our own obituaries. Oddly, I don't remember much of what I wrote about my life, but I do remember how I died: in first place on the final lap of the Daytona 500. At the time, I hadn't considered writing as an occupation, a field with a remarkably low on-the-job casualty rate. What intrigues me most about Mrs. Johnson's assignment is the opportunity she gave us to confront our own legacy. How do we want to be remembered? That question has motivated our species since the beginning of time: from building pyramids to putting our names on skyscrapers. As I began to write this book, I had two objectives: First, I wanted to explore what could happen if someone read their obituary before they died and saw, firsthand, what the world really thought of them. Their legacy. Second, I wanted to write a Christmas story of true redemption. One of my family's holiday traditions is to see a local production of Charles Dickens's A Christmas Carol. I don't know how many times I've seen it (perhaps a dozen), but it still thrills me to see the change that comes over Ebenezer Scrooge as he transforms from a dull, tight-fisted miser into a penitent, "giddy-as-aschoolboy" man with love in his heart. I always leave the show with a smile on my face and a resolve to be a better person. That's what I wanted to share with you, my dear readers, this Christmas—a holiday tale to warm your season, your homes, and your hearts. Merry Christmas

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Two interesting items: The author's article in New York Archives A letter regarding foundlings in The Riverdale Press In the nineteenth century, foundlings—children abandoned by their desperately poor, typically unmarried mothers, usually shortly after birth—were commonplace in European society. There were asylums in every major city to house abandoned babies, and writers made them the heroes of their fiction, most notably Charles Dickens's Oliver Twist. In American cities before the Civil War the situation was different, with foundlings relegated to the poorhouse instead of institutions designed specifically for their care. By the eve of the Civil War, New York City in particular had an epidemic of foundlings on its hands due to the rapid and often interlinked phenomena of urban development, population growth, immigration, and mass poverty. Only then did the city's leaders begin to worry about the welfare and future of its abandoned children. In Abandoned, Julie Miller offers a fascinating, frustrating, and often heartbreaking history of a once devastating, now forgotten social problem that wracked America's biggest metropolis, New York City. Filled with anecdotes and personal stories, Miller traces the shift in attitudes toward foundlings from ignorance, apathy, and sometimes pity for the children and their mothers to that of recognition of the problem as a sign of urban moral decline and in need of systematic intervention. Assistance came from public officials and religious reformers who constructed four institutions: the Nursery and Child's Hospital's foundling asylum, the New York Infant Asylum, the New York Foundling Asylum, and the public Infant Hospital, located on Randall's Island in the East River. Ultimately, the foundling asylums were unable to significantly improve children’s lives, and by the early twentieth century, three out of the four foundling asylums had closed, as adoption took the place of abandonment and foster care took the place of institutions. Today the word foundling has been largely forgotten. Fortunately, Abandoned rescues its history from obscurity.

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A pictorial history of Birmingham Town Hall, showing the many events, occasions and people to which it has played host. Birmingham's magnificent Town Hall has hosted events of every kind and variety during its long life. Now, after a 35m refurbishment and restored to the original 1834 design, it reopens in October 2007 - an occasion which this pictorial history commemorates. Lavishly illustrated with some 250 pictures, it recalls many of the astonishing events and occasions that the Hall has witnessed in its 173-year history. These range from royal visits by Queen Victoriaand subsequent monarchs, outsize banquets, usage in wartime, legendary speakers including Charles Dickens and the many famous personalities of each decade, even a riot. The Hall's amazingly rich musical history is also traced, from the days when Mendelssohn, Dvorak and Elgar conducted their new works in person, through appearances by every international musician of subsequent decades right through the phenomena of all night jazz and the coming of The Beatles and The Rolling Stones, to its temporary closure in 1996.

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Opened in 1837 and inspired by the Pere Lachaise in Paris, West Norwood became known as the Millionaire's Cemetery. But within its opulent grounds there are twelve buried names whose currency is language: these are the dead poets of West Norwood. In the first instalment of a project to map the Magnificent Seven, Chris McCabe takes us off the main track of London writing and asks why the works of Hopkins, Tennyson and Browning are still read above those buried in this suburban enclave of South London. Join McCabe on the hunt for a great lost poet, as he walks the winding Gothic paths of the Cemetery and makes an unexpected discovery underground in the catacombs. The stories of those loved and dismissed by Charles Dickens are carefully uncovered; those who influenced Lewis Carroll and Winston Churchill; and those whose burial in the common ground has not been enough to silence them. A startling and original work of literary detection, In the Catacombs is written across a range of forms - prose, Gothic fiction, criticism and poetry - and places West Norwood Cemetery and its dead poets back into the foreground of the London psyche.

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The enclosure of the commons, space once available for communal use, was not a singular event but an act of "slow violence" that transformed lands, labor, and basic concepts of public life leading into the nineteenth century. The Afterlife of Enclosure examines three canonical British writers—Charles Dickens, George Eliot, and Thomas Hardy—as narrators of this history, the long duration and diffuse effects of which required new literary forms to capture the lived experience of enclosure and its aftermath. This study boldly reconceives the realist novel, not as an outdated artifact, but as witness to the material and environmental dispossession of enclosure—and bearer of utopian energies. These writers reinvented a commons committed to the collective nature of the social world. Illuminating the common at the heart of the novel—from common characters to commonplace events—Carolyn Lesjak reveals an experimental figuration of the lost commons, once a defining feature of the British landscape and political imaginary. In the face of privatization, climate change, new enclosures, and the other forms of slow violence unfolding globally today, this book looks back to a literature of historical trauma and locates within it a radical path forward.

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Written between 1846 and 1849, Dickens wrote this biography of Jesus Christ for his children. As he wrote it for children he forbade its publication. Its first American edition was published finally in 1934 and became an immediate bestseller.

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Who is stalking Florence Nightingale and her nurses? Is it the legendary Beast of the Crimean, or someone closer to home? In 1855, Britain and France are fighting to keep the Russians from snatching the Crimean Peninsula from the Ottoman Empire, and Nightingale, a wealthy young society woman, has made it her mission to improve the wretched conditions in the British military hospitals in Turkey-despite fierce objections from the male doctors around her. When young women start turning up dead, their mouths sewn shut with embroidered fabric roses, Inspector Charles Field (the real-life inspiration for Charles Dickens's Inspector Bucket in Bleak House) is sent from England to find the killer among the doctors, military men, journalists, and others swarming Turkey's famous Barrack Hospital. Here Field meets both the famous Nightingale as well as Nurse Jane Rolly, the woman who will become his wife, and as he races to protect them, the prime suspect takes his own life.Case closed. Or is it?Twelve years later, back in London, amid the turmoil surrounding the expansion of voting rights, women again start turning up dead, their mouths covered by that telltale embroidered rose. Did Field suspect the wrong man before, or is he dealing with a deviant copycat? Either way, he must race against time to stop the killer before more bodies are discovered, and before his own family gets pulled into danger. Populated by real figures of the day, from Benjamin Disraeli to novelist Wilkie Collins to, of course, Florence Nightingale herself, and steeped in historical details of 1860s London, The Nightingale Affair plays out against a backdrop of a rapidly changing society. Most of all, it is a pure reading delight, offering shocks, unforgettably vivid scenes, and surprising twists.

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