Search results for ""Scarecrow Press""

Ronald Reagan changed the political landscape of the U.S. domestic scene. Under Reagan, the role of government became more limited, and it was scaled down from the liberal welfare state of the 1960s. A case also could be made that Reagan transformed foreign policy by questioning the legitimacy of the Soviet Union, calling it an "evil empire" whose continued existence was not inevitable. In the end, Reagan proved to be a transformational president having made a lasting impact on both domestic and foreign policy. Ronald Reagan's legacy is reflected in many of the citations contained in this new comprehensive bibliography, which encompasses his entire life, with an emphasis on his presidency. Areas covered include rhetoric, communication, interviews, and selected writings of Ronald Reagan; biographical publications; childhood and early years; Reagan's pre-presidential political career; the Reagan presidency (including contemporary assessments, the politics of the Reagan administration, institutions, domestic issues, foreign policy, defense/military issues, national security, the assassination attempt, constitutional and legal issues, and Iran-Contra); administration personnel; post-presidential years; Reagan's personal life; bibliographies, satire and humor, iconography, and fiction and poetry; and Reagan's legacy.

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Widely recognized as one of the greatest short story writers of the last half century, Alice Munro's works have been collected in such volumes as Dance of the Happy Shades, The Beggar Maid, Open Secrets, Something I've Been Meaning to Tell You, and The View from Castle Rock. This bibliography—compiled to fill a gap in literary research relating to Munro's work—covers all of her fictional writing up to 2005 and includes annotations to interviews, Munro's non-fiction writings, and hundreds of critical books, theses, and articles. These descriptive annotations, coupled with a detailed subject index, display the broad range of subject approaches, assessments, and angles by which her complex, deep, and multi-layered work has been scrutinized by academics, journalists, writers, and critics. Also included are listings of book reviews, awards and reference works. The bibliography is arranged in two main sections: Primary Works (works by Munro) and Secondary Works (works about Munro). The subdivisions within the Primary section are: Books, Stories, Poems, Memoirs, Non-Fiction, Television and Radio, Films and Videocassettes, Sound Recordings, and Interviews. The subdivisions within the Secondary section are: Theses and Dissertations, Book Reviews, Books, Audiovisual, Articles and Chapters in Books, Bibliographies, Reference Works, and Awards. Complete with subject and title indexes, Alice Munro: An Annotated Bibliography of Works and Criticism is a comprehensive reference work on this important writer.

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Lesbians and gay men undeniably occupy a very different place in American society today than they did in the mid-1940s. Back then, only a few courageous gays and lesbians gathered to organize social and educational groups. Two decades later, a new generation of movers and shakers came forward to build on the firm foundation established by these fledgling groups, taking greater risks and seeking greater visibility. Leading the Parade traces the evolution of the gay and lesbian liberation movement through the personal profiles and stories of nearly 40 individuals whose daring efforts changed America's attitude toward homosexuality during the gay rights movement of the 20th century. The personal profiles of the gay activists and political officials within this poignant book illuminate the events that shaped them. Many of their actions forced this nation to confront and change its views and helped this disparaged group gain acceptance.

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John Castagno's Artists' Signatures and Monograms have become the standard reference source for galleries, museums, libraries, and collectors around the world. Whether used to identify, authenticate, or verify signatures and works of both well-known and little-known artists, Castagno's work has no equal. In the first volume of American Artists: Signatures and Monograms, 1800-1989 (Scarecrow, 1990), Castagno provided identification for more than 5,000 artists' signatures, along with biographical information and reference sources. This second volume contains some 3,500 artists and 4,600 signature examples. In addition to the standard signature entries, the book features sections for monograms and initials, common surname signatures, alternative surname signatures, symbols, Cyrillic Signatures, and illegible signatures. Less than five percent of the entries in this volume are listed in the original volume—and these are included to provide additional information about the artists. The use of American Artists II: Signatures and Monograms From 1800, A Comprehensive Directory provides the researcher a reference tool not duplicated elsewhere—one that will save many hours of research.

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With the completion of Volume 3 of Canciones de España: Songs of Nineteenth-Century Spain, 83 songs by 50 19th-century Spanish composers are now available for performance and study, in both high and low voice editions. This final volume presents 31 newly published canciones by 18 composers such as José León, Antonio Mercé Fondevila, Lázaro Núñez Robres, Antonio Reparaz, Gabriel Rodríguez, and Joaquín Valverde. These songs represent the gems of the repertoire, providing examples of song types typical of the period, including the canción andaluza, the canción española, the balada Árabe, the bolero, the habanera, the canzoneta, and the seguidilla. A number of songs included had previously been available only in manuscript form and long forgotten in the depths of the world's greatest libraries. Here, they are made available and accessible through discussions of 19th-century politics and Spanish song style, a thorough pronunciation guide to Castilian Spanish, both word-for-word and idiomatic translations, and International Phonetic Alphabet transcriptions. Short biographies of each composer add insight to the compositions. Rounding out the anthology, this final volume includes appendixes that list all 83 songs by level of difficulty and by gender. This anthology allows singers and voice teachers to explore the poetry, culture, and history of Spain through its songs, demonstrating that the songs deserve their rightful place in the classical song repertoire of Europe and the Americas.

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Most baseball players try to prolong their careers for as long as possible. They will compete on the field until their bodies give out or until they are no longer effective. Since the early days of the sport, however, many players have had to abruptly abandon the game they love for myriad reasons. While some leave by their own accord, others are not so fortunate. Although many were forced out of the game because of injury, other careers were derailed by dependency, scandal, suicide, or war. Some left to take another job or play another sport, and a few participated in criminal activities, even murder. In Early Exits: The Premature Endings of Baseball Careers, author Brian McKenna recounts the individual histories of those men and women who, for one reason or another, forfeited their participation in America's pastime. Hundreds of players are profiled here: from Shoeless Joe Jackson, who was banned from baseball following the 1920 Black Sox scandal to Brooklyn Dodger Roy Campanella, who suffered a paralyzing car accident in 1958, to Minnesota Twins star Kirby Puckett, who left the game because of damage to his right eye. Covering the entire history of professional baseball from the mid-19th century to the present day, Early Exits not only examines the major leagues but also highlights the minor leagues, women's baseball, the Negro leagues, and international figures, including those from Japan and Latin America. The work is divided by the various career-ending categories, such as injury and illness, gambling and game-fixing scandals, criminal activity, suicide, war, injuries at the ballpark, sports and professional opportunities, and death. Each story contains an overview of the baseball figure along with the career-ending details, and many entries contain background information describing the historical significance of the individual and his or her place within the baseball community. From casual fans to the die-hard devotees, this fascinating collection will be irresistible for any baseball

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John Duke is a towering figure in twentieth century song composition; one who composer Ned Rorem calls "the master of the medium." The opportunity to view the opinions and attitudes of this exemplary composer in his own words is now available in The Selected Writings of John Duke. Editors Robin Fisher and Ruth C. Friedberg have amassed essays, lectures, reviews, and diaries from the Smith College Archives detailing many facets of Duke's life and career, while letters of personal correspondence with Friedberg express the composer's intimate involvement with the poets, performers, and music publishers of his era. Duke's articles from music journals are also reprinted here, expressing his concise and cohesive thoughts about word-setting. Valuable appendixes inventory Duke's complete catalog of works, including comprehensive lists of his songs, arranged both chronologically by composition date and alphabetically by title, detailing literary sources, publishers, and suggested voice categories. These writings paint an interesting picture of American concert life in the middle of the twentieth century, while providing a fascinating insight into Duke's intellectual and professional development.

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The intent of any discography is comprehensiveness, aiming to include every recording within its chosen area, and to list all the important details of each. The discography, New York Philharmonic: The Authorized Recordings, 1917-2005 is no exception. Author James H. North has compiled more than 1500 commercial recordings made by the New York Philharmonic from 1917 to 2005. A fifteen-page Introduction serves as a general history of New York Philharmonic recordings, discussing issues such as the importance of recordings, the orchestra's relationships with various recording companies, the venues used, recordings of interest which were not made (and why they were not), and the record-labeling systems used by Columbia/CBS/Sony, the Philharmonic's long-term business partner. The entries are presented in chronological order of recording sessions and contain important details such as music played, performers, session dates and venues, recording companies and producers, first release dates, and all issues of the recording, including 78- and 45-rpm discs, Long-Playing records, and Compact Discs. Three appendixes catalog the entries by composer, conductor, and soloists respectively, referring the reader to the appropriate entry in the main listing. Two additional appendixes further illustrate the New York Philharmonic's history, one by describing the 78-rpm records made for class use by Ginn and Company during the mid-1920s, the other listing the twenty-five "Young People's Concerts," written and conducted by Leonard Bernstein and broadcast worldwide on television from 1958 to 1970, now available on VHS and DVD.

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The great pyramids of Giza, Tutankhamun, the Great Sphinx, Cleopatra, and Ramesses II: the names and achievements of Ancient Egypt are legendary. Situated along the Nile River, the Ancient Egyptian civilization began around 3150 BC and lasted over three millennia until it was conquered by Rome in 31 BC. The second edition of the Historical Dictionary of Ancient Egypt expands upon the information presented in the first with a chronology, an introductory essay, appendixes, a bibliography, and hundreds of cross-referenced dictionary entries on Egyptian rulers, bureaucrats, and commoners whose records have survived, as well as ancient society, religion, and gods.

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Teens live in an imperfect world where people judge each other on looks, popularity, bank accounts, or clothing styles-a world where people are not always treated fairly. But animals do not care about poor test scores or bad skin; they simply love unconditionally. Such devotion makes the human-animal bond so special. In Animals and Teens: The Ultimate Teen Guide, author Gail Green illustrates various situations in which young adults become involved with animals, including providing foster care, pursuing career opportunities, or simply raising pets at home. Green shows how animals can enhance teens' lives and how teens can improve the welfare of animals that face abuse or live in shelters and wildlife preserves. Green discusses what is involved in the handling of service animals, such as dogs that provide physical assistance or horses that help with therapy. Animals and Teens also covers such basics as caring for animals and dealing with the loss of a pet. The voices in this book come from a large cross section of teens and young adults whose stories will resonate with anyone who loves animals. From helping with animal rescue to overcoming learning disabilities, these heartwarming experiences demonstrate how each of us can make a difference through the incredibly rewarding human-animal bond.

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Edmund Hartmann arrived in Hollywood as a contract screenwriter in the early 1930s, and by the next decade had become producer of his own screenplays for Universal. He oversaw feature films for such diverse talents as John Carradine, Eve Arden, Jane Russell, Basil Rathbone, Hedy Lamarr, Victor McLaglen, Bob Cummings, Don Ameche, Ann Miller, Jackie Cooper, and Joan Fontaine. He could handle almost all types of cinema: mysteries, social dramas, fantasies, and westerns. But it was his facility for comedy for which Hartmann will be best remembered. He wrote seven comedies for Bob Hope, three for Lucille Ball, and worked with both Abbott and Costello and the vaudeville comedy team of Olson and Johnson. Ultimately, Hartmann made his greatest mark on television, where he oversaw two major hits of the 1960s, the long-running My Three Sons, with Fred MacMurray, and Family Affair, starring Brian Keith. In Bound and Gagged in Hollywood: Edmund Hartmann, Screenwriter and Producer, author and film scholar Donald W. McCaffrey looks over the long and varied career of this talented man. Drawing on more than fifty interviews, McCaffrey creates a profile of a man whose success in film extended to television triumphs. The book also covers Hartmann's tenure as president of the Western branch of the Writers Guild in the 1950s, as he and his fellow screenwriters endured investigations by the House Un-American Activities committee. As writer and producer for CBS and ABC in the 1960s, Hartmann was bound by contracts that favored the production companies. Despite many years working on four situation television comedies, he never received residual royalties. In this intimate portrait, McCaffrey provides an analysis of Hartmann's work on both the large and small screens, covering a span of more than forty years. Hartmann himself, a raconteur of the first order, adds spice to the narrative with anecdotes and an insider's view of the creative process. This book is a fitting tribute to a man whose legacy lives on

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In 1909, when the troubled New York Philharmonic Orchestra needed a leader to rejuvenate and reshape it, composer and conductor Gustav Mahler accepted the challenge. By instituting regular rehearsals, developing a season with forty-six concerts—tripling the previous number, and taking the orchestra on tour, Mahler spent the final two years of his life striving to make the New York Philharmonic the best orchestra in the country, and equal of any in the world. Gustav Mahler and the New York Philharmonic Orchestra Tour America documents Mahler's tours with the orchestra during the 1909 and 1910 seasons, detailing the conditions and preparations for each tour, the outcome of each concert, and the perceptions of audiences beyond New York City. Author Mary H. Wagner amassed data from more than 1,000 articles to present a thorough description of the planning and reception of the Philharmonic on its first tour outside New York. Starting with Mahler's decision to join the Philharmonic, the book describes the ways Mahler designed programs to appeal to American audiences, employing one hundred musicians on the tours and presenting works by Wagner, Strauss, Berlioz, and Bach to audiences, many of whom had never heard them played by a full romantic orchestra. The book also describes the touring conditions throughout America, providing a history of touring and orchestral development at the turn of the twentieth century.

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Since 1992, The Directors Guild of America has hosted annual seminars featuring its nominees for outstanding feature film directing. Since its inception, film and television director Jeremy Kagan has moderated these sessions in which the finest contemporary directors weigh in on every aspect of the filmmaking process. In this book, Kagan has culled the most insightful and entertaining responses from these acclaimed directors. From script development through pre-production to production and post-production, they offer personal insights into every step of the creative process. They also reveal their candid takes on the best and worst aspects of their profession. This second edition includes all the nominees from 2000 thru 2005 and features personal materials from many of the directors, including storyboards, script notes, sketches, and on-set photos. Directors Close Up will be of interest to both professional and aspiring directors, as well as to film fans who will enjoy this inside look into making movies.

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As a young woman, Sonia Moore studied at the Third Studio of the Moscow Art Theatre under the direction of Evgeni Vakhtangov, a protégé of Konstantin Stanislavski. When she emerged in the American theatre, her first book, The Stanislavski Method (later revised as The Stanislavski System), was written to counteract Lee Strasberg's Method. Its publication initiated her quest to reveal Stanislavski's work faithfully and to train American actors in the Method of Physical Actions. Through subsequent books, the Sonia Moore Studio, and her non-profit organization, the American Center for Stanislavski Theatre Art, Sonia Moore sought ways to promote Stanislavski's legacy through her own evolving theory and practice. Yet she is often omitted from the list of notable acting teachers in America, such as Lee Strasberg, Stella Adler, Uta Hagen, and Sanford Meisner. This book places her appropriately in the company of these teaching legends. Sonia Moore was a fascinating personality as well as theatre artist. Though charming and charismatic, she was also headstrong and independent. These traits served her well in surviving the Russian Revolution and the Stalinist purges of World War II from which she escaped. Upon her arrival in the United States, she carried a "sliver of wood" in hand to knock on whenever she confronted the turmoil of life. Some of this turmoil arose as she struggled to find acceptance for her interpretation of Stanislavski's Method of Physical Actions, a technique she believed necessary for the artistic vigor of the American theatre. As former students and teachers of the Sonia Moore Studio, Suzanne Trauth and Elizabeth Stroppel are uniquely positioned to undertake a study of Moore's work. Their book illuminates Moore's life and analyzes her texts, her research, and her teaching in a comprehensive manner, thus providing practitioners and educators with detailed knowledge of Sonia Moore, her professional persona, and the woman behind it.

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From the Spanish galleons of the 16th century to the cruise ships and crude oil tankers of the 21st, maritime industries have been central to American economic, political, and cultural life. Great American fortunes were built in the maritime industries and the workers in that industry—both the sailors on board the ships and the dockworkers at the port—contributed significantly to the nation's growing economy. The development of interior waterways, especially the canal system, paved the way for a transformation of inland North America. In the Historical Dictionary of the U.S. Maritime Industry, author Kenneth J. Blume provides a convenient survey of this important industry from the colonial period to the present day: from sail to steam to nuclear power. This concise new reference work captures the key features of overseas, coastal, lake, and river shipping and industry. An introduction provides an overview of the industry while the dictionary itself contains more than four hundred cross-referenced entries on ships, shipping companies, famous personalities, and major ports. A number of appendixes, including statistics on foreign trade, maritime disasters, famous ships, and major ports, supplement the dictionary, and a comprehensive bibliography leads the researcher to further sources. This book is an excellent access point for students, researchers, and anyone wanting to know more about the maritime industry in the United States.

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Mauritania is bordered by Senegal in the south, Mali in the east, Algeria in the far northeast, and the disputed territory of Western Sahara to the north. Comprised mostly of vast stretches of desert, this young country has escaped the ravages of the violent interstate and civil conflicts that have so bedeviled Africa. Mauritanian society possesses ancient antecedents and a universal religious faith that has been practiced over several centuries. These characteristics have given the country a sometimes fragile but relatively resilient sense of national identity, which has survived into the 21st century in the face of powerful political, regional, ethnic/racial, and tribal rivalries since its independence in 1960. An economy largely centered on the export of raw materials, a weak agricultural sector, and a harsh climate in most areas further add to the challenges confronting all Mauritanians. The third edition of the Historical Dictionary of Mauritania—through its chronology, introductory essay, maps, bibliography, and hundreds of cross-referenced dictionary entries on important persons, places, events, institutions, and significant political, economic, social, and cultural aspects—provides an important reference on Mauritania.

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Austrians today often seem to believe that they have two histories. One is their republican present; the other, the centuries that their forebears spent as part of the multi-ethnic Habsburg Empire. Contemporary Austria is a fixture among Europe's democracies. Yet, it did not achieve this state easily: World War I, the unification with Germany in 1938, and World War II were catastrophes for Austria. In 1995, it became part of the European Union, and its government, culture, and egalitarian economy are far cries from the monarchical and highly stratified society of the old Empire. The second edition of the Historical Dictionary of Austria has been thoroughly updated and greatly expanded. Through its chronology, introductory essay, appendix, bibliography, and hundreds of cross-referenced dictionary entries, greater attention has been given to foreign affairs, economic institutions and policies, social issues, religion, and politics.

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The years between 1450 and 1550 marked the end of one era in world history and the beginning of another. Most importantly, the focus of global commerce and power shifted from the Mediterranean Sea to the Atlantic Ocean, largely because of the discovery of the New World. The New World was more than a geographic novelty. It opened the way for new human possibilities, possibilities that were first fulfilled by the British colonies of North America, nearly 100 years after Columbus landed in the Bahamas. The Historical Dictionary of Colonial America covers America's history from the first settlements to the end and immediate aftermath of the French and Indian War. This is done through a chronology, an introductory essay, appendixes, an extensive bibliography, and over 400 cross-referenced dictionary entries on the various colonies, which were founded and how they became those which declared independence. Religious, political, economic, and family life; important people; warfare; and relations between British, French, Spanish, and Dutch colonies are also among the topics covered. This book is an excellent access point for students, researchers, and anyone wanting to know more about Colonial America.

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Anyone who has seen the stunning ruins at Angkor, Bagan, and Barabudur will readily understand why Southeast Asia is the host of so many United Nations Educational, Scientific, and Cultural Organization World Heritage Sites. As beautiful as the spiraling towers, intricate carvings, and delicate bas-reliefs adorning these monuments are, however, they just barely scratch the surface of the immense historical and cultural heritage of the region. Covering the countries of Brunei, Cambodia, Indonesia, Laos, Malaysia, Myanmar, the Philippines, Singapore, Thailand, and Vietnam during the period from the first to the fifteenth century, the Historical Dictionary of Ancient Southeast Asia helps us comprehend the vast and complex history of the region through a chronology, a glossary, a bibliography, an introduction, appendixes, maps, photographs, diagrams, and hundreds of cross-referenced dictionary entries on the major (and many minor) sites, the more significant historical figures, the kingdoms they ruled over, the economic and social relations between them, and the artistic, cultural, and religious context.

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The fifty-year period from 1880 to 1929 is the richest era for theater in American history, certainly in the great number of plays produced and artists who contributed significantly, but also in the centrality of theater in the lives of Americans. As the impact of European modernism began to gradually seep into American theater during the 1880s and quite importantly in the 1890s, more traditional forms of theater gave way to futurism, symbolism, surrealism, and expressionism. American playwrights like Eugene O'Neill, George Kelly, Elmer Rice, Philip Barry, and George S. Kaufman ushered in the Golden Age of American drama. The Historical Dictionary of American Theater: Modernism focuses on legitimate drama, both as influenced by European modernism and as impacted by the popular entertainment that also enlivened the era. This is accomplished through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced entries on plays; music; playwrights; great performers like Maude Adams, Otis Skinner, Julia Marlowe, and E.H. Sothern; producers like David Belasco, Daniel Frohman, and Florenz Ziegfield; critics; architects; designers; and costumes.

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Despite the industry being shutdown by two world wars, having its martial arts films dismissively labeled as "chopsocky," and operating on shoestring budgets, the films of Hong Kong have been praised and imitated all over the world. From its beginning in 1909 with the silent short Stealing the Roast Duck to the martial arts classic Enter the Dragon (1973) to Peter Chan's Perhaps Love (2005), a reinvention of Chinese musicals via Hollywood, the vast cinema of Hong Kong has continually reinvented itself. Stars such as Bruce Lee, Jackie Chan, and Jet Li have become household names, and actors like Andy Lau, Maggie Cheung, Stephen Chiau, Michelle Yeoh, and Chow Yun-fat continue to gain fame throughout the world. And the impact of directors like Ang Lee, Tsui Hark, Wong Kar-wai, and John Woo can be seen nearly everywhere in Hollywood. The Historical Dictionary of Hong Kong Cinema provides essential facts and descriptive evaluation concerning Hong Kong filmmaking and its filmmaking community. This is accomplished through the use of a chronology, a list of acronyms and abbreviations, an introductory essay, illustrations of individuals and film stills, a bibliography, and hundreds of cross-referenced dictionary entries on directors, producers, writers, actors, films, film companies, genres, and terminology. Having perused this, readers will not only know considerably more about a rather amazing place, they will have an almost palpable feeling for how it works.

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Created in 1919, shortly after World War I, the League of Nations was principally designed to put an end to war. But it went into hibernation when World War II broke out, and was formally wound up in 1946. Not having achieved its primary objective, it was deemed a failure. However, the many accomplishments it did realize certainly allows for arguments against this idea. During its two-decade existence, the League of Nations resolved and defused many conflicts and crises, as well as established a rapport among its members. It was also active in many other political, social, and technical fields, including minorities, refugees, human rights, labor, health, telecommunications, and supervision of former colonial territories, which had become mandates. Above all, the League of Nations proved to be training ground for the United Nations and the countless other organizations, both governmental and non-governmental, which now surround us. Just what the League of Nations was able to do during its brief but hectic career is summed up in this book. The dictionary section contains several hundred cross-referenced entries on its founders and supporters, its rather small staff and secretariat, the various subordinate or related organizations, and their overwhelming tasks. The historical background is described in the introduction and plotted year by year in the chronology while the bibliography points to further reading.

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This volume of essays celebrates Hungarian musicologist László Somfai (b. 1934), head of the Budapest Bartók Archives for more than three decades, past president of the International Musicological Society, and a leading authority on the music of Joseph Haydn and Béla Bartók. His complex approach to source material involves evaluating biographical data while examining compositional sketches, notation, and performance practice, leading him to an "authentic" understanding of music that reaches beyond the discussion of musical sources. This honorary volume is devoted to the topics and approaches he has pioneered, without limiting the discussion to any particular period or style of music history. With a natural emphasis on the Viennese classics and Bartók, the 34 essays in this volume cover a range of music study, from the Middle Ages through the second half of the 20th century. Contributions from younger scholars and leading musicologists alike have been collected, including Somfai's former students, friends, and colleagues from all over the globe. Complete with an up-to-date bibliography of Somfai's publications, this book presents new and in-depth analyses of source studies and performance practices of many great composers and musical styles.

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Following in the footsteps of renowned authors like Alain Locke, Harold Cruse, and Amiri Baraka, Black Notes takes as its mission an important aesthetic inquiry, asking the compelling questions: How did we get where we are? What's next among this generation's artistic voices, concerns, and practices? What is the future of Black Popular Music? In this fascinating collection of essays, interviews, and notes, Banfield celebrates and critiques the values of contemporary Black popular music through the exploration of both present and past voices and movements. From his unique vantage point as musician, artist, and writer, Banfield examines a variety of influences in the music world, from 17th-century composer/violinist Chevalier de St. Georges to jazz giant Duke Ellington; from producer Quincy Jones to pop legend Prince. Amusing anecdotes and the author's personal stories can be found throughout the work. This entertaining work is a must read for anyone interested in African American studies, music, and popular culture.

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The Fourth Supplement of Popular Song Index covers song books published from 1988 to 2002. The arrangement of this supplement is identical to that of the preceding volumes in the series: (I) a bibliography of books indexed arranged alphabetically by author and coded by number; (II) an index by title, first line of song , and the first line of chorus; (III) a composer and lyricist index. Song titles, first lines of songs and first lines of choruses are alphabetized together in Part II, where the fullest information for a song is to be found under the title italicized entry. The title entry includes the names of the lyricist(s) and composer(s), the first line of the song, the first line of the chorus, and a number referring back to the bibliography.

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This is an annotated bibliography of books and scholarly articles that comment upon the relationship between poststructuralist philosophy and communication. The introduction provides an overview and explanation of poststructuralism that is brief but thorough, while simultaneously illuminating some of the key figures in poststructuralism and their advancement of the ideology. Subject areas covered include education, philosophy, language, literature, social science theory, and cultural studies. There is both an author and a subject/keyword index to aid research.

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Artist John Decker was born in Germany in 1895, but found his fame in Hollywood during the 1930s and '40s. At the age of 13, he was abandoned by his parents in London, where he found work painting scenery for the theatre circuit. Taken under the wing of a talented forger, Decker developed a remarkable ability to recreate works by the old Masters—a skill that helped land him in jail, but also brought him thousands of dollars throughout his life. After stowing away to America in 1921, Decker became a caricaturist for a New York paper. In 1928 he left for Hollywood and became friends with many of its biggest names, including John Barrymore, Errol Flynn, and W. C. Fields. Though Decker struggled to find film work as an artist and set designer, his drawings appeared in numerous publications from coast to coast. He was commissioned to do paintings of, among others, the Marx Brothers, Greta Garbo, Mickey Rooney, and Charlie Chaplin (who bought twelve of his portraits). Eventually, Decker's paintings were exhibited in Rome, New York, and Los Angeles, and his creations graced museum walls alongside many of the great artists, including Van Gogh, Rembrandt, and Daumier. Stories on Decker, his art, and his exhibitions, appeared in all the major newspapers, as well as such magazines as Esquire, Time, and Newsweek. With all of his amazing talent—and scandalous exploits—it's surprising that the name of John Decker isn't more familiar today. In Bohemian Rogue: The Life of Hollywood Artist John Decker, author Stephen C. Jordan seeks to resurrect this forgotten figure of 20th century art. Jordan delves into the mystery of a man who overcame a difficult childhood and notorious apprenticeship to become a respected artist (and outrageous party-giver) in Hollywood. Bohemian Rogue chronicles the relatively brief—but eccentric—life of this neglected painter, caricaturist, and sculptor.

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Sharon Creech is the only author to receive both the Newbery Medal and the Carnegie Medal. Sharon Creech: The Words We Choose to Say is a biocritical text focusing on the young adult novels of this author. The text provides background on Creech's family, education, and careers—all of which have impacted her role as a prize-winning author—and summarizes her talent as a storyteller and skill as an author. It then goes on to discuss her novels, which are separated into three categories. The first group category consists of novels set in the real world where the protagonists face the typical challenges of growing up (i.e. dating, rivalries, school problems, and family dilemmas), and eventually learn to cope successfully and emerge as mature young adults. The second group features heroines, who must complete a literal journey that is paralleled by an interior journey of self-discovery as they learn to accept their past and to face the future with courage. The last group tackles Creech's novels that include subtle hints of the world of fantasy, in which the protagonists cannot rely on magic to solve their problems, but instead must learn to accept responsibility for their actions. There is also a section devoted to Creech's other writings: two picture books, four books for young readers, two novels marketed for an adult audience, and her drama, The Center of the Universe: Waiting for the Girl, which was performed off-Broadway. These works possess many of the same themes that appear in Creech's young adult novels: the importance of family, becoming independent, and the power of language to heal and enlighten. A list of all Creech's awards, a complete bibliography, and an index are also included.

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The image of Africa among Americans at the beginning of the 21st century is tragic; America's image among Africans is of a place that is splendid but arrogant and unfeeling. Both have large elements of truth. Poverty, coups, corruption, pandemic disease, and tribal, racial, and religious violence are all too common in Africa. So too is Americans' lack of concern about the people of a continent that suffers from these tragedies, as well as their government's support for African governments that treat their people as prey instead of citizens. The Historical Dictionary of United States-Africa Relations encompasses the relationship between the two from the trans-Atlantic slave trade to the George W. Bush administration, with particular emphasis on the Cold War. It focuses on political and economic aspects of the relationship and includes cultural relations. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on key persons, places, events, institutions, and organizations.

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This biography reveals the lost history of the life of Florence Mills, who was very famous during the 1920s, and traces her story from childhood to her untimely death at age 31. Mills who was probably the first black female international superstar, was lionized by crowned heads in Europe and described by English show business impresario C.B. Cochran as "one of the greatest artists that ever walked on to a stage." Although her career and shows changed the nature of black entertainment, and thereby the wider American popular culture, she was largely forgotten in later years. An additional theme of the book is the important but little-known associations Florence Mills had in the early world of jazz and ragtime, and her innovative influence on important aspects of jazz singing. It explores the connections between her and Duke Ellington, who dedicated his outstanding composition "Black Beauty" to her. Will be of interest to librarians, jazz fans, especially those interested in Duke Ellington, and anyone interested in the history of musical theater.

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The publication by John Wesley of the "Foundery" Collection (1742) marked the establishment of standards for tunes suited to Methodist hymn singing. Early Methodist hymn books in the United States contained words only, but they were cross-referenced with a leader's tune book, beginning with David's Companion (1808). "With One Heart and One Voice" reviews the trends surrounding the styles of tunes selected and analyzes the changes in shape and text for the most frequently used tunes in the Methodist Episcopal Church. Seventy six "core repertory" tunes are analyzed based upon their repeated appearances in most of the tune books published between 1808 and 1878, at which point Methodists finally obtained a hymnal with both words and music, after a half century of experimentation with tune selection. The conclusions reached in this work will allow scholars, hymnologists, and hymn singers to explore the social and musicological influences on hymn tune writing, how long it took for texts to acquire a "fixed tune," how tastes in hymn tunes change ever so slowly, and how many delightful tunes found in the core repertory of the 19th century have been dropped from today's repertoire.

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From its beginnings in the early 1920s, commercial country music—as performed on stage, on records, radio, and in movies—became an increasingly pervasive and lively part of American life, yet some forty years passed before it was given serious attention by writers, historians, scholars, and students of national culture. The first publication founded for promoting the systematic research and recognition of country music was the John Edwards Memorial Foundation (JEMF) Quarterly at the University of California, Los Angeles, in 1965. Over time, the JEMF Quarterly brought to light the lives and careers of dozens of pioneer musicians, including Alfred G. Karnes, the Carter Family, Riley Puckett, and Buell Kazee, along with details of early commercial radio operations, the sources of many traditional songs, and the reproduction of historical documents. In addition, the early work of many contributors who later became known as major scholars in the field-Archie Green, Charles Wolfe, Norm Cohen, Simon J. Bonner, and Loyal Jones among others-appeared on the pages of the JEMF Quarterly during its 19 years in publication. Exploring Roots Music reprints twenty-seven representative articles published in the JEMF Quarterly over the years, until it ceased publication in 1985. It also includes many illustrations and an introduction that seeks to place the journal in historical perspective and illuminate its central importance to the study of American culture.

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This thirty-first annual volume of the Index was produced with the cooperation of 264 participating periodicals from Canada, the United States, and the Caribbean. Nearly 7,000 entries (6,842) for individual poets and translators are included, with nearly 21,000 entries (20,840) for individual poems. A separate index provides access by title or first line. The importance of the Index grows as its necessity becomes more apparent in circles of contemporary poetry research. The increasing demand for inclusion corroborates this fact. The Index constitutes an objective measure of poetry in North America, recording not only the publication of our own poets in Canada, the United States, and the Caribbean, but also those from other lands and cultures and from other times. Of course, its primary purpose is to show what poems have been published by particular poets, what poems have been translated by particular translators, and who wrote poems with particular titles or first lines. But taken together, the Index reveals trends and influences: the ebb and flow of particular poets, as well as the influence of cultures of other lands and times as represented by their poets published in North American journals. The Index of American Periodical Verse provides access to poems from a broad cross section of poetry, literary, scholarly, popular, general, and "little" magazines, journals, and reviews published in the United States, Canada, and the Caribbean. These periodicals are listed in the "Periodicals Indexed" section, together with names of editors, addresses, issues indexed in this volume, and subscription information. Selection of periodicals to index is the responsibility of the editors, based on recommendations of poets, librarians, literary scholars, and publishers. Publishers participate by supplying copies of all issues to the editors. Criteria for inclusion include the quality of poems, their presentation, and the status or reputation of poets. Within these very broad and subjective

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The International Yearbook of Library and Information Management (IYLIM) is a thematic, annual publication in the field of library science and information management worldwide. Each volume contains substantive chapters covering current issues, emerging debates and trends, and models of best practice and likely future developments, contributed by an internationally respected panel of researchers, practitioners and academics. The theme for 2002-2003, "the digital factor," looks at the all-encompassing questions of how digital initiatives are effecting library and information services. The focus is intentionally broad ranging from organizational to technical issues, from collection management to reader services. The book is divided into six parts; Part One asks the question: In praise of the digital revolution?; Part Two looks at institutional models and finance; Part Three analyses different types of information and users; Part Four evaluates reference services; Part Five considers collection management; and Part Six looks at standards and technology. Areas covered within these themes include: · The spectrum of digital objects in the library and beyond · Digital versus print issues · New models of the library in a digital era · The economic opportunities and costs of developing digital libraries and resources · Reading in a digital age · Judging a book by its cover: e-books, digitalization and print of demand · The digital library and younger users · Web-based reference services: design and implementation issues · Digital library initiatives for academic teaching and learning · The challenge of implementing a global information network · Evaluating digital collections · Beyond today's search engines

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At least 50 million people worldwide have epilepsy, many of them teenagers. There are many different types of epilepsy, and each type has different behavioral effects and is treated with different methods. This book, written specifically for a teen audience, dispels the myths, misconceptions, and misunderstandings about epilepsy and people who have the disorder. It provides positive, factual medical information and advice for teens on living a normal life by understanding the symptoms; being alert to the signs and factors that precipitate seizures; and educating themselves about treatment methods, medications, and management strategies. Stories from teens who have epilepsy show readers they can participate in normal activities. They also offer advice on whether and how to tell friends, dates, teachers, or an employer about the condition. The book concludes with an extensive resource listing of publications, Web sites, and organizations, as well as an appendix that covers the Americans with Disabilities Act (ADA) and how it applies to people who have epilepsy.

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A fascinating look into the new generation of jazz legends, Contemporary Cat is a welcome addition to Scarecrow Press's Studies in Jazz Series. Living legend Terence Blanchard's life and work are thoroughly examined through interviews with his contemporaries and colleagues, including jazz greats Wynton and Branford Marsalis, Nicholas Payton, and filmmaker Spike Lee. Magro cleverly ties jazz to the social upheavals of the civil rights movement, to black film, and to southern African-American ideologies. From Blanchard's early influences to his future projects, never has a more detailed and personal portrait been conceived of the man and his genius on stage and in the recording studio. This book will be welcomed by students of music, jazz, and popular culture, and will be a useful addition to African-American studies collections as well.

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Bringing the Argentine novel to your fingertips, this supplement to 1997's The Argentine Novel: An Annotated Bibliography, completes Myron Lichtblau's sweeping coverage of an exciting literary genre through the end of the 20th century. The new installment covers the period from 1990 through the end of the decade, including César Aira's El congreso de literatura, making the collective efforts a comprehensive compendium of the Argentine novel from its beginnings in the late 18th century to the present. Extremely detailed in scope, each entry includes an examination of subsequent editions, reprintings, translations, as well as excerpts from critical commentaries that appeared in newspapers and journals in Argentina and the United States. Additional citations to the authors and their works add worthwhile references for further study. The supplement also includes some one hundred pre-1990 novels and critical studies that were omitted in the original volume. Novels of all kinds are represented in the bibliography, including detective fiction and novels of the fantastic. A very useful end-bibliography contains not only reference works cited in the text but many other journal articles, essays, and books that document the story of the Argentine novel in the last decade of the century. A must for all comparative literature collections, this exhaustive work serves as an important guide to popular reading, and will appeal to scholars, students, and those interested in Hispanic literature.

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Over 20 million people of Mexican heritage live in the United States, and U.S.—Mexican relations have become more cooperative and friendly since the 2000 presidential election of maverick candidate Vicente Fox. Yet our neighbor to the south remains largely unknown to the vast majority of Americans, other than as a tourist destination or a source of cheap labor for American business. This encyclopedia aims to provide an essential tool for those interested in a better understanding and appreciation of Mexico. With more than 250 separate entries covering 15 major thematic topics, Dent's book is a far-reaching reference book focusing on the important individuals, institutions and events that illustrate the modern development of Mexico since 1940. One of Scarecrow Press's first illustrated reference books created for a high school audience, this encyclopedia offers much more than just history. From the Acteal Massacre to Ernesto Zedillo Ponce de León, this exciting work fully explores the rich culture, the depth of achievement, and the creative energy of Mexico and its people. The information included in this volume captures the dramatic transformation that has taken place in Mexico since World War II, emphasizing key events, individuals, institutions, economic milestones, controversies, and political dilemmas. With an extensive bibliography at the end of each entry, more than 50 photos and illustrations, and a section of online resources, Dent has created an exhaustive study that will answer students' report needs and will dispel common misconceptions about Mexico. An essential addition to every high school, public, and undergraduate library. This well indexed volume should also serve as a basic reference for Hispanic-American and Hispanic Studies collections and organizations.

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The International Yearbook of Library and Information Management (IYLIM) is a thematic annual publication covering the field of library science and information management worldwide. Each volume includes chapters covering current issues, emerging debates and trends, and models of best practice and likely future developments, contributed by an internationally respected panel of researchers, practitioners and academics. Volume 2 focuses on information services in a rapidly changing electronic environment. The book is divided into five substantive chapters comprising a mix of research-based, practice-based and reflective scholarly studies of worldwide application and interest. The International Yearbook is essential reading for information professionals wishing to keep up-to-date with recent developments in library science and information management on a global basis.

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In a visual culture, hearing is the second sense, and music is the art of hearing. Kandinsky believed that music transcended painting and visual representation because it had the power to act directly and invisibly on the human spirit. Because it is the only art to deal unequivocally with the real world of sound and its attendant perceptions of time, motion, and human mortality, music remains a powerful and often controversial influence on human behavior. Defining music in the broadest sense as 'any acoustic activity intended to influence the behavior of others', and written in a clear, conversational style for a non-specialist readership, The Second Sense draws on over 100 examples of recorded musical sources from throat singing to Beethoven, and from traditional Japan to Boulez, including a great many popular classics. On the basis that 'Everything you hear is true: true of yourself, true of the music, and true of the relationship between what you hear and how you hear it' the author teases out the signs, symbols, and patterns of thought that arise from the way people hear, the sounds people make, and the instruments and environments that are designed and constructed to enhance the listening experience. Maconie aims to do for music what Klee and Kandinsky did for art education and Marshall McLuhan for media studies.

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Now available in paperback! Until now, there was no theoretical research of character in children's fiction and very few comprehensive theoretical studies of literary characters in general. In her latest intellectual foray, the author of From Mythic to Linear ponders the art of characterization. Through a variety of critical perspectives, she uncovers the essential differences between story ("what we are told") and discourse ("how we are told"), and carefully distinguishes between how these are employed in children's fiction and in general fiction. Yet another masterful work by a leading figure in contemporary criticism.

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Students of comparative or American literature will find this new bibliography extremely useful in understanding the perspectives of American ethnic writers, for it is not only in how they describe and respond to white hegemony that we comprehend their worldview, but also through their depiction of interrelationships with other ethnic groups. Although African American and Jewish American writers are more prolific than other ethnic writers in the U.S., this is the first study to list and describe the contexts in which these writers portray relationships between the two groups. The 410 entries are drawn from more than a century of novels, short stories, children's books, young adult books, and plays. Meyer analyzes the dynamic relationships between the characters, and the result is a more complete understanding of the complicated reality of ethnicity within a multicultural society. While the issue of Black-Jewish relations is only tangential in some of the bibliography's novels (the largest genre group), it is central in many others. These include well-known texts like Saul Bellow's Mr. Sammler's Planet, Bernard Malamud's The Tenants, and Chester Hime's Lonely CrusadeI>, as well as obscure but significant works such as Bernard Packer's The Second Death of Samuel Auer, Carl Ruthven Offord's The White Face, and several works by John A. Williams. In addition to author, title, and publication date indexes, Meyer provides a thematic index, which allows the reader to cluster texts by location, by the time in which they take place, or in terms of the issues they discuss (religion, interpersonal relationships, etc.). Appropriate for both public libraries (reader's advisory) and academic libraries, this new title has wide-ranging implications for the study of ethnic American literatures.

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These papers, presented at ALCTS' July 2000 Preconference on Metadata for Web Resources by a virtual who's who of the digital world, provide a timely overview of the challenges and difficulties of bringing order to a most unruly medium. Topics range from carefully considered viewpoints to possible standards to actual how-to's.

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Canada, Australia, and New Zealand developed from British colonial outposts into nations at about the same time and experienced many of the same social and economic forces. The growth and development of their cities and towns was documented by colonial and national census at the same time. This compilation shows the development of their cities and towns in Canada, Australia, and New Zealand via their population at the various census. To construct this compilation the records of Statistics Canada, the Australian Bureau of Statistics, and Statistics New Zealand and their predecessor organizations were examined back to the first simultaneous census conducted in 1861. To help identify those communities that had an urban core of non-rural services descriptive gazetteers and detailed topographic maps were consulted resulting in a list of 4100 communities in Canada, 2900 communities in Australia, and 750 communities in New Zealand for which population figures are given from each census from 1861 through 1996. This data was published in a variety of reports over the years that occasionally included comparisons with one or more previous censuses but never over this long a time period nor ever including as many as places.

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The study of bibliography takes various forms: a historical introduction to the development of the book over the centuries, an examination of the constituent parts of the book and methods of its description. First published in 1931 by Allen & Unwin and The Library Association, A Student's Manual of Bibliography soon established itself as a classic in its field.; its author, Arundell Esdaile, of the British Museum, was a lecturer in bibliography at the London University School of Librarianship from 1919-1939. His professional colleague, Roy Stokes, University of British Columbia, became responsible for Esdaile's Manual of Bibliography with its fourth edition published in 1967. Designed for the literary student, the student librarian, and the beginning book collector, this manual assumes nothing but interest from the outset; it prepares readers for more advanced texts as they develop specialized interests.

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In commemoration of Anthony Newman's sixtieth birthday in 2001, this work honors this famous performer, composer, conductor, author, and teacher for his contributions to the world of music. After a brief chronology of Newman's life, the book is divided into three distinct parts. Part I compiles eleven reviews and interviews that provide a view into Newman's career from 1970 to 1989. The reviews present highlights of his career as a performer and a composer, while the interviews give readers further insight into the origins of his interpretations of classical music. Part II is a collection of seven personal reflections written by Newman's friends and colleagues, in which each person imparts their respect for Newman's talent, works, and life in general. The final part supplies readers with seven of Newman's own writings that capture his thoughts and ideas about music and his own personal style of performing, along with musical scores illustrating his interpretations. Also included are his repertoire, an annotated discography, a listing of his compositions, and a listing of his publications as appendices.

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It is widely known that South Africa was formerly in last place on issues of human rights and humanitarian law. The dramatic political and constitutional changes in 1994 did very little to change the personality of the country. If one examines the rich collection of treaties, they reveal that "the history of South Africa's treaties is a history of South Africa itself." Completed as an analytical complement to the author's South Africa by Treaty, 1806-1986, Dr. Jacqueline A. Kalley looks at how the 1994 and 1996 constitutions treaty-making process promoted change in the country as Parliament was then required to support most of the treaties passed. With this work, Kalley has provided a reference book that gives the reader, whether lay person or student, a thorough account of the country's treaty-making practices. Dr. Kalley examines these significant pieces of history in palatable portions. Part One of the work encompasses treaty-making in the Colonies, the Boer Republics, the development of South African Treaty Making Powers from 1910-1998, and a selection of treaties which illustrate the country's international relations from 1919-1998. Part Two covers a chronological listing of treaties including South African Republic, Union of South Africa and Pre-1910 Treaties ratified by South Africa. The latter portion of the work includes two helpful indexes and an appendix detailing a list of South African Embassies.

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