Search results for ""Author Lee""

For fans of Marley and Me and Katie Fforde's Paradise Fields, Lawyer for the Dog is Lee Robinson's charming, moving and funny debut novel.Attorney Sally Baynard is baffled when Joe, her judge ex-husband, appoints her to represent the interests of a pet dog - Sherman, a miniature schnauzer - in a divorce case. As Sally begins to investigate, she discovers the battle for Sherman masks a whole host of problems between Rusty and Maryann Hart. The more she discovers, the more Sally starts to realise the dog is the least of their worries.But is Joe's request all that it appears? And as Sally delves deeper into the family's love of their canine best friend, might Sherman prove to have a nose for love?

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For fans of A Street Cat Named Bob and Solomon's Tale, Lawyer for the Cat is Lee Robinson's follow up to her charming, moving and funny debut novel, Lawyer for the Dog. Following her successful representation of Sherman the Schnauzer, Sally Baynard is happy to go back to working with humans. That is until a probate judge asks her to look into the case of a cat who's the beneficiary of a multi-million dollar trust. Now representing Beatrice, Sally must use her wit, charm and brains to choose between the three potential new caregivers for the lovable feline, whilst dodging the angry and mysterious former owner's son. Whilst juggling the demands of the court room, an aging mother and a confusing romantic life, will Sally make the right decision for Beatrice? And, as she delves deeper into the case, will she uncover the truth behind the family's secrets?

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Applied Julia provides a comprehensive, hands-on language introduction that's packed with examples leveraging real scientific libraries used by researchers in various fields. Solve problems of genuine interest, such as modeling the course of a pandemic, and learn to use Julia as a tool for research. The Julia programming language can be used to write all types of applications, but its features are especially powerful for numerical analysis and computational science. Applied Julia shows readers how to take advantage of Julia's particular strengths, as well as how to write effective and efficient programs. The book takes Julia novices from their very first steps to writing real-world applications for use in fields such as biology, physics, math, statistics, and machine learning. Not only will readers develop the Julia knowledge needed for solving computational problems, but they'll also learn how to explore and visualise data, solve equations, write simulations, and create libraries. Ad

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The many lenses of racism through which the white imagination sees Mexicans and Chicanos Historically, ideas of whiteness and Americanness have been built on the backs of racialized communities. The legacy of anti-Mexican stereotypes stretches back to the early nineteenth century when Anglo-American settlers first came into regular contact with Mexico and Mexicans. The images of the Mexican Other as lawless, exotic, or non-industrious continue to circulate today within US popular and political culture. Through keen analysis of music, film, literature, and US politics, Whiteness on the Border demonstrates how contemporary representations of Mexicans and Chicano/as are pushed further to foster the idea of whiteness as Americanness. Illustrating how the ideologies, stories, and images of racial hierarchy align with and support those of fervent US nationalism, Lee Bebout maps the relationship between whiteness and American exceptionalism. He examines how renderings of the Mexican Other have expressed white fear, and formed a besieged solidarity in anti-immigrant rhetoric and policies. Moreover, Whiteness on the Border elucidates how seemingly positive representations of Mexico and Chicano/as are actually used to reinforce investments in white American goodness and obscure systems of racial inequality. Whiteness on the Border pushes readers to consider how the racial logic of the past continues to thrive in the present.

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Long awaited after No Future, and making queer theory controversial again, Lee Edelman’s Bad Education proposes a queerness without positive identity—a queerness understood as a figural name for the void, itself unnamable, around which the social order takes shape. Like Blackness, woman, incest, and sex, queerness, as Edelman explains it, designates the antagonism, the structuring negativity, preventing that order from achieving coherence. But when certain types of persons get read as literalizing queerness, the negation of their negativity can seem to resolve the social antagonism and totalize community. By translating the nothing of queerness into the something of “the queer,” the order of meaning defends against the senselessness that undoes it, thus mirroring, Edelman argues, education’s response to queerness: its sublimation of irony into the meaningfulness of a world. Putting queerness in relation to Lacan’s “ab-sens” and in dialogue with feminist and Afropessimist thought, Edelman reads works by Shakespeare, Jacobs, Almodóvar, Lemmons, and Haneke, among others, to show why queer theory’s engagement with queerness necessarily results in a bad education that is destined to teach us nothing.

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In Reattachment Theory Lee Wallace argues that homosexuality—far from being the threat to “traditional” marriage that same-sex marriage opponents have asserted—is so integral to its reimagining that all marriage is gay marriage. Drawing on the history of marriage, Stanley Cavell's analysis of Hollywood comedies of remarriage, and readings of recent gay and lesbian films, Wallace shows that queer experiments in domesticity have reshaped the affective and erotic horizons of heterosexual marriage and its defining principles: fidelity, exclusivity, and endurance. Wallace analyzes a series of films—Dorothy Arzner's Craig's Wife (1936); Tom Ford's A Single Man (2009); Lisa Cholodenko's High Art (1998), Laurel Canyon (2002), and The Kids Are All Right (2010); and Andrew Haigh's Weekend (2011) and 45 Years (2015)—that, she contends, do not simply reflect social and legal changes; they fundamentally alter our sense of what sexual attachment involves as both a social and a romantic form.

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Superhero feats and exhilarating fights are the climax of a comic book; here readers will learn to draw this fun and vital part of comic art. Techniques for drawing every dynamic action are explained from running, swinging and flying through to fist fights, group rumbles, and battles.

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Free will is a key but contested concept in the work of Jean-Jacques Rousseau: while the famed philosopher is known to have asserted that free will distinguishes human beings from animals, several interpreters have argued that he merely pretends to have this belief for the sake of healthy politics and to avoid persecution by religious authorities. Through careful readings of key texts and letters, The Free Animal offers a new and original exploration of Rousseau's views on free will. Lee MacLean shows that Rousseau needs and uses the idea of human consciousness of free will to explain the development of morality, convention, and vice. MacLean bases her argument on a broad range of texts, from canonical works to Rousseau's untranslated letters and drafts. Featuring careful analyses and an extensive engagement with the secondary literature, The Free Animal offers a novel interpretation of the changing nature and complexity of Rousseau's intention.

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Lee Conell's linguistically deft stories examine the permeability between the real and the imagined, the stories buried beneath the surface and the stories by which we live our lives. In the title story of this collection, a young woman who wants to become a doctor is manipulated by an older man into playing a role in one of his medical studies. In "The Lock Factory," winner of the Chicago Tribune's 2016 Nelson Algren Literary Award, three women who assemble school combination locks are trapped inside an escalating generational conflict of their own making. A boy who has lost his mother in "The Rent-Controlled Ghost" searches for the spirit of the mistreated tenant who formerly inhabited his apartment. "A Magic Trick for the Recently Unemployed" serves as a three-step how-to guide for reclaiming a sense of self and purpose. In "What the Blob Said to Me," an elderly woman dwells on her long-ago experience working at a government production site for the atomic bomb. And a mother-daughter Groupon for an upscale afternoon tea goes seriously awry in "Mutant at the Pierre Hotel." With humor and verve, Subcortical's dynamic stories delve into the mysteries of the human mind as these haunted characters struggle with economic disparity, educational divides, and the often-contested spaces in which they live.

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The Annual Review, produced in association with JCMS, The Journal of Common Market Studies, covers the key developments in the European Union, its member states, and acceding and/or applicant countries in 2003/2004. It contains key analytical articles on political, economic and legal issues in the EU by leading experts, together with a keynote article. Covers the key developments in the European Union and its Member States in 2003/2004. Contains analytical articles on key political, economic and legal issues in the EU by leading experts, together with a keynote article. The Review is the most up-to-date and authoritative source of information for those engaged in teaching and research or who are simply interested in the European Union. Includes an invaluable guide to EU documents and publications - and the various websites of the EU - together with a chronology of key events, and a list of all the books submitted to the Journal of Common Market Studies for review.

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This study of Aleksandr Solzhenitsyn (1918–2008) and his writings focuses on his reflections on the religiopolitical trajectories of Russia and the West, understood as distinct civilizations. In his examination of the author and his work, Lee Congdon explores the consequences of the atheistic socialism that drove the Russian revolutionary movement. Beginning with a description of the post-revolutionary Russia into which Solzhenitsyn was born, Congdon outlines the Bolshevik victory in the civil war, the origins of the concentration camp system, and the Bolsheviks' war on Christianity and the Russian Orthodox Church. He then focuses on Solzhenitsyn's arrest near the war's end, his time in the labor camps, and his struggle with cancer. Congdon describes his time in exile and increasing alienation from the Western way of life, as well as his return home and his final years. He concludes with a reminder of Solzhenitsyn's warning to the West—that it was on a path parallel to that which Russia had followed into the abyss. This important study will appeal to scholars and educated general readers with an interest in Solzhenitsyn, Russia, Christianity, and the fate of Western civilization.

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Lee Martin tells us in his memoir, “I was never meant to come along. My parents married late. My father was thirty-eight, my mother forty-one. When he found out she was pregnant, he asked the doctor, ‘Can you get rid of it?’” From such an inauspicious beginning, Martin began collecting impressions that, through the tincture of time and the magic of his narrative gift, have become the finely wrought pieces of Such a Life. Whether recounting the observations of a solemn child, understood only much later, or exploring the intricacies of neighborhood politics at middle age, Martin offers us a richly detailed, highly personal view that effortlessly expands to illuminate our world. At a tender age Martin moved to a new level of complexity, of negotiating silences and sadness, when his father lost both of his hands in a farming accident. His stories of youth (from a first kiss to a first hangover) and his reflections on age (as a vegan recalling the farm food of his childhood or as a writer contemplating the manual labor of his father and grandfather) bear witness to the observant child he was and the insightful and irresistible storyteller he’s become. His meditations on family form a highly evocative portrait of the relationships at the heart of our lives.

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He was not much of a player and not much more of a manager, but by the time Branch Rickey (1881–1965) finished with baseball, he had revolutionized the sport—not just once but three times. In this definitive biography of Rickey—the man sportswriters dubbed “The Brain,” “The Mahatma,” and, on occasion, “El Cheapo”—Lee Lowenfish tells the full and colorful story of a life that forever changed the face of America’s game. As the mastermind behind the Saint Louis Cardinals from 1917 to 1942, Rickey created the farm system, which allowed small-market clubs to compete with the rich and powerful. Under his direction in the 1940s, the Brooklyn Dodgers became truly the first “America’s team.” By signing Jackie Robinson and other black players, he single-handedly thrust baseball into the forefront of the civil rights movement. Lowenfish evokes the peculiarly American complex of God, family, and baseball that informed Rickey’s actions and his accomplishments. His book offers an intriguing, richly detailed portrait of a man whose life is itself a crucial chapter in the history of American business, sport, and society.

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From the "Godfather behind Creative Nonfiction" (Vanity Fair) and founder and editor of Creative Nonfiction Magazine: a how-to guide for every aspect of creative nonfiction

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A bona fide tough guy with soulful eyes and a laconic style, Robert Mitchum was one of Hollywood's best-loved actors, star of such moody film noir favourites as Out of the Past, Night of the Hunter and Cape Fear, as well as enduring classics like Angel Face and Crossfire. But, as Lee Server now reveals, Mitchum was one of the few Hollywood icons whose real-life exploits were yet more compelling than his on-screen persona. A hobo in the Depression, he fell into movie acting after stints as a boxer, a beach bum and a songwriter. Despite early Hollywood successes, he was famously busted on a narcotics rap. But even prison couldn't tame Mitchum's taste for living on the wild side, and he remained an unrepentant misbehaver until the end of his days. In this biography of Robert Mitchum, Lee Server offers the definitive life story of a man who redefined cinematic cool.

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Killing Floor is the first book in the internationally popular series about Jack Reacher, hero of the blockbuster movie starring Tom Cruise. It presents Reacher for the first time, as the tough ex-military cop of no fixed abode: a righter of wrongs, the perfect action hero.Jack Reacher jumps off a bus and walks fourteen miles down a country road into Margrave, Georgia. An arbitrary decision he's about to regret.Reacher is the only stranger in town on the day they have had their first homicide in thirty years.The cops arrest Reacher and the police chief turns eyewitness to place him at the scene. As nasty secrets leak out, and the body count mounts, one thing is for sure. They picked the wrong guy to take the fall.

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Cinema and the Wealth of Nations explores how media principally in the form of cinema was used during the interwar years by elite institutions to establish and sustain forms of liberal political economy beneficial to their interests. It examines the media produced and circulated by institutions such as states, corporations, and investment banks, as well as the emergence of a corporate media industry and system supported by state policy and integral to the establishment of a new consumer system. Lee Grieveson sketches a genealogy of the use of media to encode liberal political and economic power across the period that saw the United States eclipse Britain as the globally hegemonic power and the related inauguration of new forms of liberal economic globalization. But this is not a distant history. Cinema and the Wealth of Nations examines a foundational conjuncture in the establishment of media forms and a media system instrumental in, and structural to, the emergence and expansion of a world system that has been-and continues to be-brutally violent, unequal, and destructive.

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Key Moments in Art describes fifty pivotal moments – some famous, others unfamiliar – from the Renaissance to the present day. Vivid, colourful vignettes capture the excitement of their times: when Michelangelo’s David or Marcel Duchamp’s Fountain were unveiled for the first time; when chance meetings have spurred artists to create compelling new styles, such as Impressionism or Pop Art; or when exhibitions have caused a public sensation. Lee Cheshire’s storytelling approach is both entertaining and easy to remember. He celebrates artistic ingenuity and collaboration, but does not shy away from the arguments, fights and lawsuits that have dogged art’s often-tur

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Hailed by the New York Times as a book that “examines the role that argument has played throughout history and how it has shaped human existence” “An invigorating reflection on the nature and value of disagreement. . . . Sharp and taut. . . . A lesson in a well-constructed argument itself.”—Publishers Weekly, starred review “Perhaps more than any other commentary, Why Argument Matters illuminates the root causes of our partisan, venomous, irrational times—and yet somehow rescues from the morass the true nature of argument, its power and beauty.”—Michael Wolff, author of Fire and Fury: Inside the Trump White House From Eve’s crafty exchange with the serpent, to Martin Luther King Jr.’s soaring, subtle ultimatums, to the throes of Twitter—argument’s drainpipe—the human desire to prevail with words has been not just a moral but an existential compulsion. In this dazzling reformulation of argument, renowned critic Lee Siegel portrays the true art of argument as much deeper and far more embracing than mere quarrel, dispute, or debate. It is the supreme expression of humanity’s longing for a better life, born of empathy and of care for the world and those who inhabit it. With wit, passion, and striking insights, Siegel plumbs the emotional and psychological sources of clashing words, weaving through his exploration the untold story of the role argument has played in societies throughout history. Each life, he maintains, is an argument for that particular way of living; every individual style of argument is also a case that is being made for that person’s right to argue. Argument is at the heart of the human experience, and language, at its most liberated and expressive, inexorably bends toward argument.

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This volume brings together Lee Patterson’s essays published in various venues over the past twenty-seven years. As he observes in his preface, “The one persistent recognition that emerged from writing these otherwise quite disparate essays is that whatever the text . . . and whoever the people . . ., the values at issue remain central to contemporary life.” Two dialectics are at work in this book: that between the past and the present and that between the individual and the social, and both have moral significance. The first two chapters are methodological; the first is on the historical understanding of medieval literature and the second on how to manage the inseparability of fact and value in the classroom. The next three chapters take up three "less-read" late medieval writers: Sir John Clanvowe, Thomas Hoccleve, and John Lydgate. Each is used to illuminate a social phenomenon: the nature of court culture, the experience of the city, and Henry V's act of self-making. The following chapter explicitly links past and present by arguing that the bearing of the English aristocrat comes from a tradition beginning with Beowulf and later reinvoked in response to nineteenth-century imperialism. The next three chapters are the most literary, dealing with Chaucer and with literary conventions in relation to a number of texts. The final chapter is on the man Patterson considers one of the most important of our medieval ancestors, Francis of Assisi.

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What does every aspiring comic artist REALLY want to draw? Action, of course! Learn how to render all aspects of adrenalin-filled movement, from jaw-dropping superhero antics to kick-ass fistfights. The hallmark of the comic book, the action is what draws a reader in and keeps them hungry for more – in this classic guide all the skills you need to make your action fast-paced and full of movement are laid out on the page, from one of the best creators working in comics today. Techniques for drawing every dynamic action are explained, from body contact and flying through to fistfights, group rumbles and full-on battles. Clever exercises show how to achieve convincing movement, from dynamic standing poses, to running, swinging, flying and fighting. An Action File of comic character drawings in dynamic poses forms an invaluable resource for practice and reference, making drawing action the easiest thing in the world!

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The intriguing history of Dickens's London, showing how tourists have reimagined and reinvented the Dickensian metropolis for more than 150 years

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Inspired by Charles Dickens immortal classic A Christmas Carol, BATMAN: NOEL features different interpretations of The Dark Knight, along with his enemies and allies, in different eras. Along the way, Batman must come to terms with his past, present and future as he battles villains from the campy 1960s to dark and brooding menaces of today, while exploring what it means to be the hero that he is. Members of Batman s supporting cast enact roles analogous to those from A Christmas Carol, with Robin, Catwoman, Superman, The Joker and more playing roles that will be familiar to anyone who knows Dickens original holiday tale.

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With roots in Appalachia, the Mississippi Delta, New Orleans, the Piedmont, Memphis, and the prairies of Texas and the American West, the musical genre called Americana can prove difficult to define. Nevertheless, this burgeoning trend in American popular music continues to expand and develop, winning new audiences and engendering fresh, innovative artists at an exponential rate.As Lee Zimmerman illustrates in Americana Music: Voices, Visionaries, and Pioneers of an Honest Sound, “Americana” covers a gamut of sounds and styles. In its strictest sense, it is a blanket term for bluegrass, country, mountain music, rockabilly, and the blues. By a broader definition, it can encompass roots rock, country rock, singer/songwriters, R&B, and their various combinations. Bob Dylan, Hank Williams, Carl Perkins, and Tom Petty can all lay valid claims as purveyors of Americana, but so can Elvis Costello, Solomon Burke, and Jason Isbell. Americana is new and old, classic and contemporary, trendy and traditional.Mining the firsthand insights of those whose stories help shape the sound—people such as Ralph Stanley, John McEuen (Nitty Gritty Dirt Band), Chris Hillman (Byrds, Flying Burrito Brothers), Paul Cotton and Rusty Young (Poco), Shawn Colvin, Kinky Friedman, David Bromberg, the Avett Brothers, Amanda Shires, Ruthie Foster, and many more—Americana Music provides a history of how Americana originated, how it reached a broader audience in the '60s and '70s with the merging of rock and country, and how it evolved its overwhelmingly populist appeal as it entered the new millennium.

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Behind the historical accounts of the great men of the National Association for the Advancement of Colored People lies the almost forgotten story of the black women who not only participated in the organization but actually helped it thrive in the early twentieth-century South. In Invisible Activists, Lee Sartain examines attitudes toward the gender, class, and citizenship of African American activists in Louisiana and women's roles in the campaign for civil rights in the state. In the end, he argues, it was the women working behind the scenes in Louisiana's branches of the NAACP who were the most crucial factor in the organization's efficiency and survival.During the first half of the twentieth century—especially in the darkest days of the Great Depression, when membership waned and funds were scarce—a core group of women maintained Louisiana's NAACP. Fighting on the front line, Sartain explains, women acted as grassroots organizers, running public relations campaigns and membership drives, mobilizing youth groups, and promoting general community involvement. Using case studies of several prominent female NAACP members in Louisiana, Sartain demonstrates how women combined their fundraising skills with an extensive network of community and family ties to fund the NAACP and, increasingly, to undertake the day-to-day operations of the local organizations themselves.Still, these women also struggled against the double obstacles of racism and sexism that prevented them from attaining the highest positions within NAACP branch leadership. Sartain illustrates how the differences between the sexes were ultimately woven into the political battle for racial justice, where women were viewed as having inherent moral superiority and, hence, the potential to lift the black population as a whole. Sartain concludes that despite the societal traditions that kept women out of leadership positions, in the early stages of the civil rights movement, their skills and their contributions as community matriarchs provided the keys to the organization's progress.Highly original and essential to a comprehensive study of the NAACP, Invisible Activists gives voice to the many individual women who sustained the influential civil rights organization during a time of severe racial oppression in Louisiana. Without such dedication, Sartain asserts, the organization would have had no substantial presence in the state.

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This is the fourth volume in Karma's 11-volume facsimile printing of Lee Lozano's Private Book project. It is primarily a calendar of Lozano's personal, artistic and chemical interactions in 1969–70. A prolific writer and documenter of both her art and her relationships, the public and private, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York's SoHo neighborhood. In 1972 she rigorously edited these books, thus completing the project.

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