Search results for ""Author Fredericks"

The Penn Greek Drama Series presents original literary translations of the entire corpus of classical Greek drama: tragedies, comedies, and satyr plays. It is the only contemporary series of all the surviving work of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander. This volume includes translations by Richard Moore (Hippolytus), John Frederick Nims (Suppliant Women), Rachel Hadas (Helen), Elizabeth Seydel Morgan (Electra), and Palmer Bovie (Cyclops).

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William Temple, Archbishop of Canterbury from 1942 until his death in 1944, is by common consent among the greatest holders of that office and one of the most remarkable Englishmen of this century. The son of Archbishop Frederick Temple (1897-1902) and in his twenties and thirties an Oxford don and public school headmaster, he made creative contributions in many fields: as the leader of the Life and Liberty Movement which led to the creation in 1921 of the Church Assembly; as a pioneer of the Ecumenical Movement; as a philosopher of religion (he was author of "Mens Creatrix", "Christus Veritas" and "Nature, Man and God"); as an interpreter of Christianity for the general public; and as one who argued from Christian principles to find solutions to contemporary problems. This book gives clear and popular expression to views which Temple held, in general, for most of his working life. The book's first appearence in 1942 coincided with a surge of feeling that victory over Nazism must be followed by a "new deal" at home. Temple's objectives are: firstly, to vindicate the Church's right to intervene in economic questions; secondly, to show that it has something worthwhile to say; and thirdly, to indicate clearly where the competence of the Church ceases because technicalities are involved. Other points he emphasises are the need to determine the proper balance between the profit motive and service to the community, and between the power of the state and the freedom of the individual; and the importance for man of rediscovering his true relationship with the earth upon which he lives.

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Spanning four centuries, the V&A's Fashion Collection is the most comprehensive in the world, housing unrivaled collections of dress,accessories, shoes and hats from the 17th century to the present day. This thoroughly revised and redesigned edition shows the collection, from rare eighteenth-century gowns and exquisite bodices to 1930s evening wear, post-war couture, and showstopping ensembles by contemporary designers. Among the designers featured are Charles Frederick Worth, Madeleine Vionnet, Coco Chanel, Cristobal Balenciaga, Christian Dior, Mary Quant, Stephen Jones, Vivienne Westwood, and Alexander McQueen.

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This collection of essays explores the contact zones produced by the migrations of two German-born cultural figures: New York Dada poet and artist Else Plötz (1874-1927), better known as Baroness Elsa von Freytag-Loringhoven; and writer and translator Felix Paul Greve (1879-1948), known in Canada as Frederick Philip Grove. Features contributions by Richard Cavell, Jutta Ernst, Irene Gammel, Paul Hjartarson, Klaus Martens and Paul Morris and includes Morris's translation of Greve's "Randarabesken Zu Oscar Wilde."

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From Puritan Execution Day rituals to gangsta rap, the black criminal has been an enduring presence in American culture. To understand why, Jeannine Marie DeLombard insists, we must set aside the lenses of pathology and persecution and instead view the African American felon from the far more revealing perspectives of publicity and personhood. When the Supreme Court declared in Dred Scott that African Americans have "no rights which the white man was bound to respect," it overlooked the right to due process, which ensured that black offenders—even slaves—appeared as persons in the eyes of the law. In the familiar account of African Americans' historical shift "from plantation to prison," we have forgotten how, for a century before the Civil War, state punishment affirmed black political membership in the breach, while a thriving popular crime literature provided early America's best-known models of individual black selfhood. Before there was the slave narrative, there was the criminal confession. Placing the black condemned at the forefront of the African American canon allows us to see how a later generation of enslaved activists—most notably, Frederick Douglass—could marshal the public presence and civic authority necessary to fashion themselves as eligible citizens. At the same time, in an era when abolitionists were charging Americans with the national crime of "manstealing," a racialized sense of culpability became equally central to white civic identity. What, for African Americans, is the legacy of a citizenship grounded in culpable personhood? For white Americans, must membership in a nation built on race slavery always betoken guilt? In the Shadow of the Gallows reads classics by J. Hector St. John de Crèvecoeur, Edgar Allan Poe, Frederick Douglass, Herman Melville, George Lippard, and Edward Everett Hale alongside execution sermons, criminal confessions, trial transcripts, philosophical treatises, and political polemics to address fundamental questions about race, responsibility, and American civic belonging.

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Animal Science Reviews 2012 provides scientists and students with analysis of key topics in current research including breeding, animal behaviour, zoonotic diseases and environment. Experts such as Mike Stear, James France, Phillip Klesius and Frederick Silversides give essential overviews of their fields. Originally published online in CAB Reviews, this volume makes available in printed form the reviews in animal science published during 2012.

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'One could not ask for a more meticulous or scholarly assessment of what Britain meant to the Romans, or Rome to Britons, than Peter Salway's Monumental Study' Frederick Raphael, Sunday Times From the invasions of Julius Caesar to the unexpected end of Roman rule in the early fifth century AD and the subsequent collapse of society in Britain, this book is the most authoritative and comprehensive account of Roman Britain ever published for the general reader. Peter Salway's narrative takes into account the latest research including exciting discoveries of recent years, and will be welcomed by anyone interested in Roman Britain.

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2008 Winner, MLA First Book Prize Charting the proliferation of forms of mourning and memorial across a century increasingly concerned with their historical and temporal significance, Arranging Grief offers an innovative new view of the aesthetic, social, and political implications of emotion. Dana Luciano argues that the cultural plotting of grief provides a distinctive insight into the nineteenth-century American temporal imaginary, since grief both underwrote the social arrangements that supported the nation’s standard chronologies and sponsored other ways of advancing history. Nineteenth-century appeals to grief, as Luciano demonstrates, diffused modes of “sacred time” across both religious and ostensibly secular frameworks, at once authorizing and unsettling established schemes of connection to the past and the future. Examining mourning manuals, sermons, memorial tracts, poetry, and fiction by Harriet Beecher Stowe, William Apess, James Fenimore Cooper, Catharine Maria Sedgwick, Susan Warner, Harriet E. Wilson, Herman Melville, Frances E. W. Harper, Frederick Douglass, Abraham Lincoln, Elizabeth Keckley, and Ralph Waldo Emerson, Luciano illustrates the ways that grief coupled the affective body to time. Drawing on formalist, Foucauldian, and psychoanalytic criticism, Arranging Grief shows how literary engagements with grief put forth ways of challenging deep-seated cultural assumptions about history, progress, bodies, and behaviors.

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The Strangers Book explores how various nineteenth-century African American writers radically reframed the terms of humanism by redefining what it meant to be a stranger. Rejecting the idea that humans have easy access to a common reserve of experiences and emotions, they countered the notion that a person can use a supposed knowledge of human nature to claim full understanding of any other person's life. Instead they posited that being a stranger, unknown and unknowable, was an essential part of the human condition. Affirming the unknown and unknowable differences between people, as individuals and in groups, laid the groundwork for an ethical and democratic society in which all persons could find a place. If everyone is a stranger, then no individual or class can lay claim to the characteristics that define who gets to be a human in political and public arenas. Lloyd Pratt focuses on nineteenth-century African American writing and publishing venues and practices such as the Colored National Convention movement and literary societies in Nantucket and New Orleans. Examining the writing of Frederick Douglass in tandem with that of the francophone free men of color who published the first anthology of African American poetry in 1845, he contends these authors were never interested in petitioning whites for sympathy or for recognition of their humanity. Instead, they presented a moral imperative to develop practices of stranger humanism in order to forge personal and political connections based on mutually acknowledged and always evolving differences.

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In Victory of Law, Deak Nabers examines developing ideas about the nature of law as reflected in literary and political writing before, during, and after the American Civil War. Nabers traces the evolution of antislavery thought from its pre-war opposition to the constitutional order of the young nation to its ultimate elevation of the U.S. Constitution as an expression of the ideal of justice-an ideal embodied in the Fourteenth Amendment. Nabers shows how the intellectual history of the Fourteenth Amendment was rooted in literary sources-including Herman Melville's Battle-Pieces, Harriet Beecher Stowe's Uncle Tom's Cabin, and William Wells Brown's Clotel-as well as in legal texts such as Somerset v. Stewart, Dred Scott v. Sandford, and Charles Sumner's "Freedom National" address. Not only were prominent writers like Ralph Waldo Emerson and Frederick Douglass instrumental in remapping the relations between law and freedom, but figures like Sumner and John Bingham helped develop a systematic antislavery reading of the Constitution which established literary texts as sources for legal authority. This interdisciplinary study sheds light on the transformative significance of emerging legalist and constitutionalist forms of antislavery thinking on the literature of the 1850s and 1860s and the growing centrality of aesthetic considerations to antebellum American legal theory and practice-the historical terms in which a distinctively American cultural identity was conceived.

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You've seen Manhunt, now read Geoffrey Wansell's chilling portrait of notorious serial killer Levi Bellfield- the only man in modern British legal history to be given two whole-life sentences.On 23 Jun 2011 the convicted double-murderer Levi Bellfield was found guilty of the murder of 13-year-old school girl Milly Dowler.Milly disappeared on her way home from school in Walton-on-Thames, Surrey in 2002. Six months later her body was discovered many miles away. A massive police investigation, the largest manhunt in Surrey's history, got nowhere. Only when nightclub bouncer and bare-knuckle boxer Levi Bellfield was arrested for the murder of another young woman did it become clear to police that they had a serial killer on their hands.This is the full story of the murders, the victims and the pain-staking nine-year investigation and trial by police and prosecutors. It tells of Bellfield's terrifying, controlling personality - a man who went from charming to monstrous in the blink of an eye - and his depraved stalking of young women.Geoffrey Wansell has been acknowledged as one of Britain's leading authorities on serial killers. He was short-listed for the Whitbread Prize (now the Costa Book Award) for his biography of Terence Rattigan, and was appointed by the Official Solicitor to the Supreme Court to write the biography of Gloucester-based serial killer Frederick West.

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Just when Hamish most needs him - the dentist turns up dead...In Scotland, where thrift and a 'nice set of dentures' are generally admired, dental surgeon Dr Frederick Gilchrist's cheap rates and penchant for pulling teeth have gained him a clientele. However, wiser Highlanders (like Hamish Macbeth) opt to steer clear of this reputed womanizer's all-too-busy hands. Only jaw-throbbing agony drives Hamish to Gilchrist's surgery, but what he finds is the dentist's dead body - putting several angry husbands in the frame for murder...

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Through advanced research, the medical community now has a wide array of techniques, state-of-the-art tools, and knowledge that greatly enhance their ability to diagnose and treat illness. Despite these advances, the root cause of illness continues to mystify and challenge individuals in one form or another. While stricken with a life-threatening illness, Dr. Frederick Bailes observed unhealthy emotional traits in himself and others that were deeply seeded not in the physical symptoms, but in the harmful emotions created by the human mind. "Whatever the basic fear-pattern, the fact remains that the real illness is not so much the outward physical manifestation as the underlying mental state," says Bailes. "It follows that any remedial action directed only at the physical form will leave the fundamental cause untouched . . . the health-seeker must now learn how to erase the destructive thought-pattern before they can hope to eradicate the physical illness." The logic is simple: If the mind can create certain thought-patterns that result in illness, the mind can therefore also create certain thought-patterns that can lead to and maintain wellness. The words of Dr. Frederick Bailes have been studied for generations by countless New Thought followers around the world, but the impact of his work is now being re-discovered as medical professionals, researchers, and mainstream media echo his sentiments and awaken to this healing philosophy.

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This book is a comprehensive study of the Prussian army from its inception in the first standing troops, raised as his personal guards by the Elector Johann Georg of Brandenburg in 1571, to the dramatic defeat of the Emperor Napoleon I at Waterloo in 1815. It was an army whose character and capabilities were formed by the Prussian kings Frederick William I and, crucially, by Frederick the Great. The history of each regiment is presented with details of the uniforms worn, down to the regimental lace decorations and the many grenadier cap plates, the various colonels in chief who owned the regiment and the battles and clashes in which each took part. Not only uniform and saddlery details are to be found here; there is also comprehensive information on the colours and standards carried by each regiment, and their fate if lost in battle. The book is copiously illustrated with over a hundred colour and black and white plates, the majority now published for the first time since they were first executed over two hundred years ago. Photographs of contemporary items have been included, many of them from the Military Museum in Rastatt, Germany. Only the best and most reliable German language sources have been used in putting this work together.

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'The greatest enterprise of its kind in history,' was the verdict of British prime minister Stanley Baldwin in June 1928 when The Oxford English Dictionary was finally published. With its 15,490 pages and nearly two million quotations, it was indeed a monumental achievement, gleaned from the efforts of hundreds of ordinary and extraordinary people who made it their mission to catalogue the English language in its entirety. In The Meaning of Everything, Simon Winchester celebrates this remarkable feat, and the fascinating characters who played such a vital part in its execution, from the colourful Frederick Furnivall, cheerful promoter of an all-female sculling crew, to James Murray, self-educated son of a draper, who spent half a century guiding the project towards fruition. Along the way we learn which dictionary editor became the inspiration for Kenneth Grahame's Ratty in The Wind in the Willows, and why Tolkien found it so hard to define 'walrus'. Written by the bestselling author of The Surgeon of Crowthorne and The Map That Changed the World, The Meaning of Everything is an enthralling account of the creation of the world's greatest dictionary.

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Essays centred round the representation of weaving, both real and imagined, in the early middle ages. The triple themes of textile, text, and intertext, three powerful and evocative subjects within both Anglo-Saxon studies and Old English literature itself, run through the essays collected here. Chapters evoke the semantic complexities of textile references and images drawn from the Bayeux Tapestry, examine parallels in word-woven poetics, riddling texts, and interwoven homiletic and historical prose, and identify iconographical textures in medieval art. The volume thus considers the images and creative strategies of textiles, texts, and intertexts, generating a complex and fascinating view of the material culture and metaphorical landscape of the Anglo-Saxon peoples. It is therefore a particularly fitting tribute to Professor Gale R. Owen-Crocker, whose career and lengthy list of scholarly works have centred on her interests in the meaning and cultural importance of textiles, manuscripts and text, and intertextual relationships between text and textile. MAREN CLEGG HYER is Associate Professor and Graduate Coordinator in the Department of English at Valdosta State University; JILL FREDERICK is Professor of English at Minnesota State University Moorhead. Contributors: Marilina Cesario, Elizabeth Coatsworth, Martin Foys, Jill Frederick, Joyce Hill, Maren Clegg Hyer, Catherine E. Karkov, Christina Lee, Michael Lewis, Robin Netherton, Carol Neuman de Vegvar, Donald Scragg, Louise Sylvester, Paul Szarmach, Elaine Treharne.

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Frederick Forsyth, el maestro del suspense internacional, nos presenta la historia más fascinante de cuantas ha escrito: la suya.Si existen unas memorias que hay que leer este año, estas son las de Forsyth. Se leen como una novela protagonizada por James Bond.The Irish IndependentFrederick Forsyth ya lo ha visto todo. Y ha vivido para contarlo.Todos nos equivocamos, pero desencadenar la Tercera Guerra Mundial habría supuesto un error considerable. [...] En el transcurso de mi vida he escapado por los pelos de la ira de un traficante de armas en Hamburgo, he sido ametrallado por unMiG durante la guerra civil nigeriana y he ido a parar a Guinea-Bisáu durante un sangriento golpe de Estado. Me detuvo laStasi, me agasajaron los israelíes, el IRA precipitó un traslado repentino de Irlanda a Inglaterra, a lo que también contribuyó una atractiva agente de la policía secreta checa (bueno, su intervención fue algo más íntima). Y eso solo para empezar. Tod

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Why are so many people attracted to narrative fiction? How do authors in this genre reframe experiences, people, and environments anchored to the real world without duplicating "real life"? In which ways does fiction differ from reality? What might fictional narrative and reality have in common—if anything?By analyzing novels such as Arundhati Roy's The God of Small Things, Amitav Ghosh's The Glass Palace, Zadie Smith's White Teeth, and Hari Kunzru's The Impressionist, along with selected Latino comic books and short fiction, this book explores the peculiarities of the production and reception of postcolonial and Latino borderland fiction. Frederick Luis Aldama uses tools from disciplines such as film studies and cognitive science that allow the reader to establish how a fictional narrative is built, how it functions, and how it defines the boundaries of concepts that appear susceptible to limitless interpretations.Aldama emphasizes how postcolonial and Latino borderland narrative fiction authors and artists use narrative devices to create their aesthetic blueprints in ways that loosely guide their readers' imagination and emotion. In A User's Guide to Postcolonial and Latino Borderland Fiction, he argues that the study of ethnic-identified narrative fiction must acknowledge its active engagement with world narrative fictional genres, storytelling modes, and techniques, as well as the way such fictions work to move their audiences.

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Frederick Law Olmsted, popularly known as the "Father of American Landscape Architecture," is famous for designing New York City's Central Park, the U.S. Capitol grounds, and the campuses of institutions such as Stanford University and the University of Chicago. His celebrated projects in Boston, Buffalo, Detroit, Milwaukee, and other cities led to a commission from the city of Louisville, Kentucky, in 1891. There, he partnered with community leaders to design a network of scenic parks, tree-lined parkways, elegant neighborhoods, and beautifully landscaped estate gardens that thousands of visitors still enjoy today.The Olmsted Parks of Louisville is the first authoritative manual on the 380 species of trees, herbaceous plants, shrubs, and vines populating the nearly 1,900 acres that comprise Cherokee, Seneca, Iroquois, Shawnee, and Chickasaw Parks. Designed for easy reference, this handy field guide includes detailed photos and maps as well as ecological and historical information about each park. Author Patricia Dalton Haragan also includes sections detailing the many species of invasive plants in the parks and discusses the native flora that they displaced.This guide provides readers with a key to Olmsted's vision, revealing how various plant species were arranged to emphasize the beauty and grandeur of nature. It will serve as an essential resource for students, nature enthusiasts, and the more than ten thousand visitors who use the parks.

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The American West used to be a story of gunfights, glory, wagon trails, and linear progress. Historians such as Frederick Jackson Turner and Hollywood movies such as Stagecoach (1939) and Shane (1953) cast the trans-Mississippi region as a frontier of epic proportions where 'savagery' met 'civilization' and boys became men. During the late 1980s, this old way of seeing the West came under heavy fire. Scholars such as Patricia Nelson Limerick and Richard White forged a fresh story of the region, a new vision of the West, based around the conquest of peoples and landscapes. This book explores the bipolar world of Turner's Old West and Limerick's New West and reveals the values and ambiguities associated with both historical traditions. Sections on Lewis and Clark, the frontier and the cowboy sit alongside work on Indian genocide and women's trail diaries. Images of the region as seen through the arcade Western, Hollywood film and Disney theme parks confirm the West as a symbolic and contested landscape.Tapping into popular fascination with the Cowboy, Hollywood movies, the Indian Wars, and Custer's Last Stand, the authors show the reader how to deconstruct the imagery and reality surrounding Western history. Key Features *Uses popular subjects (the Cowboy, Hollywood westerns, the Indian Wars, and Custer's Last Stand) to enliven the text *Includes 13 b+w illustrations *Interdisciplinary approach covers film, literature, art and historical artefacts

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When Goethe christened the 1700's "the Century of Winckelmann" and Kant dubbed it "the Century of Frederick the Great," they invoked two notorious figures in gay history. This collection of twelve essays reclaims "the Age of Goethe"—To call upon a literary designation of roughly the same period - as a time when same-sex erotic attraction suffused artistic production from Winckelmann's art treatises and Goethe's plays to Friedrich Schlegel's self-reflexive novel Lucinde and Kleist's letters. This volume employs historical, biographical, and textual evidence to paint a cohesive picture of the incontrovertibly sexual nature of male-male and female-female relationships in late-eighteenth- and early-nineteenth-century Germany. The literature of this era bequeathed to us the cultural inventions of Romantic love, classical femininity, the marriage partnership, and the aesthetics of beauty - all, as this volume demonstrates, via and despite the ever-resurgent erotic desire for one's own sex. In the process, it offers radically new readings of canonical authors - including Wieland, Lenz, Goethe, Friedrich Schlegel, and Kleist — in light of the eroticized same-sex relations in their works.

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American Literature in the World is an innovative anthology offering a new way to understand the global forces that have shaped the making of American literature. The wide-ranging selections are structured around five interconnected nodes: war; food; work, play, and travel; religions; and human and nonhuman interfaces. Through these five categories, Wai Chee Dimock and a team of emerging scholars reveal American literature to be a complex network, informed by crosscurrents both macro and micro, with local practices intensified by international concerns. Selections include poetry from Anne Bradstreet to Jorie Graham; the fiction of Herman Melville, Gertrude Stein, and William Faulkner; Benjamin Franklin's parables; Frederick Douglass's correspondence; Theodore Roosevelt's Rough Riders; Langston Hughes's journalism; and excerpts from The Autobiography of Malcom X as well as Octavia Butler's Dawn. Popular genres such as the crime novels of Raymond Chandler, the comics of Art Spiegelman, the science fiction of Philip K. Dick, and recipes from Alice B. Toklas are all featured. More recent authors include Junot Diaz, Leslie Marmon Silko, Jonathan Safran Foer, Edwidge Danticat, Gary Shteyngart, and Jhumpa Lahiri. These selections speak to readers at all levels and invite them to try out fresh groupings and remap American literature. A continually updated interactive component at www.amlitintheworld.yale.edu complements the anthology.

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America's Book shows how the Bible decisively shaped American national history even as that history influenced the use of Scripture. It explores the rise of a strongly Protestant Bible civilization in the early United States that was then fractured by debates over slavery, contested by growing numbers of non-Protestant Americans (Catholics, Jews, agnostics), and torn apart by the Civil War. This first comprehensive history of the Bible in America explains why Tom Paine's anti-biblical tract The Age of Reason (1794) precipitated such dramatic effects, how innovations in printing by the American Bible Society created the nation's publishing industry, why Nat Turner's slave rebellion of 1831 and the bitter election of 1844 marked turning points in the nation's engagement with Scripture, and why Theodore Roosevelt and Woodrow Wilson were so eager to commemorate the 300th anniversary of the King James Version of the Bible. Noll's magisterial work highlights not only the centrality of the Bible for the nation's most influential religious figures (Methodist Francis Asbury, Richard Allen of the African Methodist Episcopal Church, Catholic Bishop Francis Kenrick, Jewish scholar Solomon Schechter, agnostic Robert Ingersoll), but also why it was important for presidents like Abraham Lincoln; notable American women like Harriet Beecher Stowe, Elizabeth Cady Stanton, and Frances Willard; dedicated campaigners for civil rights like Frederick Douglass and Francis Grimké; lesser-known figures like Black authors Maria Stewart and Harriet Jacobs; and a host of others of high estate and low. The book also illustrates how the more religiously plural period from Reconstruction to the early twentieth century saw Scripture become a much more fragmented, though still significant, force in American culture, particularly as a source of hope and moral authority for Americans on both sides of the battle over white supremacy-both for those hoping to fight it, and for others seeking to justify it.

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America's own real-life Justice League! Perfect for teaching kids about the Constitution and American history in a fun and engaging way! Through action-packed, comic-like graphic illustrations, children can learn the stories of George Washington, Frederick Douglass, Abraham Lincoln, Susan B. Anthony, Sojourner Truth, and more! Each of these heroes used their very own super powers of truth, justice, and tenacity in the fight for liberty. This fun, illustrated look at the fearless superheroes of U.S. history shows how true stories are often the most exciting.

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In Epilogue: Selected and Last Poems, Frederick Morgan reworks and amplifies, in his extraordinary poetic range, the fundamental human themes that preoccupied him—love, death, pain, the nature and transcendence of the Self. In interweaving his many themes, he recaptures the past, the confrontation with the external world of nature and the internal world of dream, the oppositions and ambiguities of body and spirit, and the reduplications of meaning in legend and fable. Assembled from eight previous collections, and including his final poems, this profoundly moving book transcends individual expression to provide a powerful insight into universal human experience.

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This collection provides readers with a perpetually exciting, compact edition of the revolutionary poet's most powerful work. Frederick Seidel has been hailed as 'the poet of a new contemporary form' (New York Review of Books), and 'the most frightening American poet ever' (Boston Review). His ambitious, disturbing and tender work has mystified and captured critics, poets and readers for decades. Select Seidel allows readers to appreciate the scope of Seidel's work over the past half-century and his uncanny ability to say the unsayable. Seidel is, in the words of the critic Adam Kirsch, 'the best American poet writing today'.

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Frederick Bastiat dismantles Socialism, the Nanny State, the Welfare State, Pro-Business Cronyism, and all the other forms of government interference in people's lives. He destroys the perverse logic of the Do-Gooders who want to help one group or another because, somehow, it's the fair thing to do. Bastiat shows that the result of all this protection and benevolence is to make people poorer and less free. His lessons and logic are up to date and powerful. Amazingly, the book originally came out in 1850! The Law is a quick read for both the beginner and the neophyte...and one you'll choose to re-read.

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Sherlock Holmes is dead. Days after Holmes and his arch-enemy Moriarty fall to their doom at the Reichenbach Falls, Pinkerton agent Frederick Chase arrives from New York. The death of Moriarty has created a poisonous vacuum which has been swiftly filled by a fiendish new criminal mastermind. Ably assisted by Inspector Athelney Jones, a devoted student of Holmes's methods of investigation and deduction, Chase must hunt down this shadowy figure, a man much feared but seldom seen, a man determined to engulf London in a tide of murder and menace. The game is afoot . . .

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This second book in the Our Maryland Counties series for elementary school students covers Baltimore, Frederick, Harford, and Carroll counties. The book includes a description of the region’s geography, climate, plants and animals, and history. The uniqueness of each county is celebrated with absorbing stories about its founding, growth, county government, major towns, prominent churches, education, business, agriculture, natural resources, and places of interest. Clever line drawings and asides called “Fun Facts” and “Not-so-fun Facts” keep the students involved in the subject. Middle grades–ages 10-13.

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Each text has been carefully edited and annotated for student readers. As his writing reflects, Melville was extraordinarily well read. "Contexts" collects important sources for each novel, including writings by Ralph Waldo Emerson, Amasa Delano, and Nathaniel Hawthorne. "Criticism" includes twenty-eight essays about the novels sure to promote classroom discussion. Contributors include Leo Marx, Elizabeth Hardwick, Frederick Busch, Robert Lowell, Herschel Parker, Carolyn L. Karcher, Thomas Mann, and Hannah Arendt. A Selected Bibliography is included.

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'Full of human wisdom, this is a psychologically acute and absorbing approach to a very important subject' PHILIP PULLMANIn this inspiring work, Richard Holloway tackles the great theme of forgiveness. One of the most important books on this essential topic, On Forgiveness draws on the great philosophers and writers such as Frederick Nietzsche, Jacques Derrida and Nelson Mandela. Both timely and a timeless modern classic, On Forgiveness is a pertinent and fascinating discourse on how forgiveness works, where it came from and how the need to embrace it is greater than ever if we are to free ourselves from the binds of the past.

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This textbook provides an introduction to the Second Temple period (520 BCE-70 CE), the formative era of early Judaism and the milieu of Jesus and of the earliest Christians. By paying close attention to original sources--especially the Bible, the Pseudepigrapha, the Dead Sea Scrolls, and Josephus--Frederick J. Murphy introduces students to the world of ancient Jews and Christians. Early Judaism: The Exile to the Time of Christ, designed to serve students and teachers in the classroom, will also be of great interest to anyone looking for an entrée into this pivotal period. It contains suggestions for primary readings, bibliographies, maps, illustrations, glossaries, and indexes.

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Would there have been a Frederick Douglass if it were not for Betsy Bailey, the grandmother who raised him? Would Harriet Jacobs have written her renowned autobiography, Incidents in the Life of a Slave Girl, if her grandmother, a free black woman named Molly Horniblow, had not enabled Jacobs’ escape from slavery? In Black Elders, Frederick C. Knight explores the experiences of African Americans with aging and in old age during the eras of slavery and emancipation. Though slavery put a premium on young labor, elders worked as caregivers, domestics, cooks, or midwives and performed other tasks in the margins of Southern and Northern economies. Looking at black families, churches, mutual aid societies, and homes for the aged, Knight demonstrates the pivotal role of elders in the history of African American community formation through Reconstruction. Drawing on a wide array of printed and archival sources, including slave narratives, plantation records, letters, diaries, meeting minutes, and state and federal archives, Knight also examines how blacks and whites, men and women, the young and the old developed competing ideas about age and aging, differences that shaped social relations in coastal West and West Central Africa, the Atlantic and domestic slave trades, colonial and antebellum Southern slave societies, and emancipation in the North and South. Black Elders offers a unique window into the individual and collective lives of African Americans, the day-to-day struggles they waged around their experiences of aging, and how they drew upon these resources to define the meaning of family, community, and freedom.

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From white-collar executives to mail carriers, public workers meet the needs of the entire nation. Frederick W. Gooding Jr. and Eric S. Yellin edit a collection of new research on this understudied workforce. Part One begins in the late nineteenth- and early twentieth century to explore how questions of race, class, and gender shaped public workers, their workplaces, and their place in American democracy. In Part Two, essayists examine race and gender discrimination while revealing the subtle contemporary forms of marginalization that keep Black men and Black and white women underpaid and overlooked for promotion. The historic labor actions detailed in Part Three illuminate how city employees organized not only for better pay and working conditions but to seek recognition from city officials, the public, and the national labor movement. Part Four focuses on nurses and teachers to address the thorny question of whether certain groups deserve premium pay for their irreplaceable work and sacrifices or if serving the greater good is a reward unto itself.Contributors: Eileen Boris, Cathleen D. Cahill, Frederick W. Gooding Jr., William P. Jones, Francis Ryan, Jon Shelton, Joseph E. Slater, Katherine Turk, Eric S. Yellin, and Amy Zanoni

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A collection of political tales—first published in British workers’ magazines—selected and introduced by acclaimed critic and author Michael RosenIn the late nineteenth and early twentieth centuries, unique tales inspired by traditional literary forms appeared frequently in socialist-leaning British periodicals, such as the Clarion, Labour Leader, and Social Democrat. Based on familiar genres—the fairy tale, fable, allegory, parable, and moral tale—and penned by a range of lesser-known and celebrated authors, including Schalom Asch, Charles Allen Clarke, Frederick James Gould, and William Morris, these stories were meant to entertain readers of all ages—and some challenged the conventional values promoted in children’s literature for the middle class. In Workers’ Tales, acclaimed critic and author Michael Rosen brings together more than forty of the best and most enduring examples of these stories in one beautiful volume.Throughout, the tales in this collection exemplify themes and ideas related to work and the class system, sometimes in wish-fulfilling ways. In “Tom Hickathrift,” a little, poor person gets the better of a gigantic, wealthy one. In “The Man Without a Heart,” a man learns about the value of basic labor after testing out more privileged lives. And in “The Political Economist and the Flowers,” two contrasting gardeners highlight the cold heart of Darwinian competition. Rosen’s informative introduction describes how such tales advocated for contemporary progressive causes and countered the dominant celebration of Britain’s imperial values. The book includes archival illustrations, biographical notes about the writers, and details about the periodicals where the tales first appeared.Provocative and enlightening, Workers’ Tales presents voices of resistance that are more relevant than ever before.

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An anonymous minstrel in thirteenth-century France composed this gripping account of historical events in his time. Crusaders and Muslim forces battle for control of the Holy Land, while power struggles rage between and among religious authorities and their conflicting secular counterparts, pope and German emperor, the kings of England and the kings of France. Meanwhile, the kings cannot count on their independent-minded barons to support or even tolerate the royal ambitions. Although politics (and the collapse of a royal marriage) frame the narrative, the logistics of war are also in play: competing military machinery and the challenges of transporting troops and matariel. Inevitably, the civilian population suffers.The minstrel was a professional story-teller, and his livelihood likely depended on his ability to captivate an audience. Beyond would-be objective reporting, the minstrel dramatizes events through dialogue, while he delves into the motives and intentions of important figures, and imparts traditional moral guidance. We follow the deeds of many prominent women and witness striking episodes in the lives of Eleanor of Aquitaine, Richard the Lionhearted, Blanche of Castile, Frederick the Great, Saladin, and others. These tales survive in several manuscripts, suggesting that they enjoyed significant success and popularity in their day.Samuel N. Rosenberg produced this first scholarly translation of the Old French tales into English. References that might have been obvious to the minstrel's original audience are explained for the modern reader in the indispensable annotations of medieval historian Randall Todd Pippenger. The introduction by eminent medievalist William Chester Jordan places the minstrel's work in historical context and discusses the surviving manuscript sources.

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Antebellum slave narratives have taken pride of place in the American literary canon. Once ignored, disparaged, or simply forgotten, the autobiographical narratives of Frederick Douglass, Harriet Jacobs, and other formerly enslaved men and women are now widely read and studied. One key aspect of the genre, however, has been left unexamined: its materiality. What did original editions of slave narratives look like? How were these books circulated? Who read them?In Fugitive Texts, MichaËl Roy offers the first book-length study of the slave narrative as a material artifact. Drawing on a wide range of sources, he reconstructs the publication histories of a number of famous and lesser-known narratives, placing them against the changing backdrop of antebellum print culture. Slave narratives, he shows, were produced through a variety of print networks. Remarkably few were published under the full control of white-led antislavery societies; most were self-published and distributed by the authors, while some were issued by commercial publishers who hoped to capitalize on the success of Harriet Beecher Stowe’s Uncle Tom’s Cabin. The material lives of these texts, Roy argues, did not end within the pages. Antebellum slave narratives were “fugitive texts” apt to be embodied in various written, oral, and visual forms.Published to rave reviews in French, Fugitive Texts illuminates the heterogeneous nature of a genre often described in monolithic terms and ultimately paves the way for a redefinition of the literary form we have come to recognize as “the slave narrative.”

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Antebellum slave narratives have taken pride of place in the American literary canon. Once ignored, disparaged, or simply forgotten, the autobiographical narratives of Frederick Douglass, Harriet Jacobs, and other formerly enslaved men and women are now widely read and studied. One key aspect of the genre, however, has been left unexamined: its materiality. What did original editions of slave narratives look like? How were these books circulated? Who read them? In Fugitive Texts, MichaËl Roy offers the first book-length study of the slave narrative as a material artifact. Drawing on a wide range of sources, he reconstructs the publication histories of a number of famous and lesser-known narratives, placing them against the changing backdrop of antebellum print culture. Slave narratives, he shows, were produced through a variety of print networks. Remarkably few were published under the full control of white-led antislavery societies; most were self-published and distributed by the authors, while some were issued by commercial publishers who hoped to capitalize on the success of Harriet Beecher Stowe’s Uncle Tom’s Cabin. The material lives of these texts, Roy argues, did not end within the pages. Antebellum slave narratives were “fugitive texts” apt to be embodied in various written, oral, and visual forms. Published to rave reviews in French, Fugitive Texts illuminates the heterogeneous nature of a genre often described in monolithic terms and ultimately paves the way for a redefinition of the literary form we have come to recognize as “the slave narrative.”

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The Shenandoah Valley is famous for its role in Civil War history and for its great natural beauty. But there is something else: it is a tremendous place to fish. Fishing the Shenandoah Valley: An Angler's Guide is the latest stop in author M. W. Smith's continuing tour of the Commonwealth's great fishing spots. Surveying the entire Shenandoah River drainage system, including the Allegheny Mountains to the west, Smith looks in depth at these remarkably diverse waters. The book takes you by county through many of the region's stocked trout streams, as well as the wild trout streams of Shenandoah National Park, with advice for both spinning and fly-fishing. The area's largest impoundments, Lakes Frederick and Shenandoah, are thoroughly covered, from access points and contact information to the best techniques for landing largemouth bass, crappie, bluegill, and catfish. The book also devotes an entire chapter to the Shenandoah River, and includes more than just sound advice on catching smallmouth bass - you also get details on float trips, including tips on the river's rapids, as well as adjustments for winter and spring fishing. As with all of M. W. Smith's fishing guides, Fishing the Shenandoah Valley takes your complete fishing trip into account, answering questions about guide services, tackle shops, campsites - as well as providing detailed descriptions of the various species, so you know what you're catching, not simply how to catch it. There's always more to fishing than just getting a line wet.

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In eighteenth-century Germany, the aesthetician Friedrich Wilhelm Basileus Ramdohr could write of the phenomenon of men who evoke sexual desire in other men; Johann Joachim Winckelmann could place admiration of male beauty at the center of his art criticism; and admirers and detractors alike of Frederick the Great, King of Prussia, felt constrained to comment upon the ruler's obvious preference for men over women. In German cities of the period, men identified as "warm brothers" wore broad pigtails powdered in the back, and developed a particular discourse of friendship, classicism, Orientalism, and fashion. There is much evidence, Robert D. Tobin contends, that something was happening in the semantic field around male-male desire in late eighteenth-century Germany, and that certain signs were coalescing around "a queer proto-identity." Today, we might consider a canonical author of the period such as Jean Paul a homosexual; we would probably not so identify Goethe or Schiller. But for Tobin, queer subtexts are found in the writings of all three and many others. Warm Brothers analyzes classical German writers through the lens of queer theory. Beginning with sodomitical subcultures in eighteenth-century Germany, it examines the traces of an emergent homosexuality and shows the importance of the eighteenth century for the nineteenth-century sexologists who were to provide the framework for modern conceptualizations of sexuality. One of the first books to document male-male desire in eighteenth-century German literature and culture, Warm Brothers offers a much-needed reappraisal of the classical canon and the history of sexuality.

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This wide-ranging book illuminates the importance of the Western in American history. It explores the interconnections between the Western in both literature and film and the United States in the 20th century. Structured chronologically, the book traces the evolution of the Western as a uniquely American form. The author argues that America's frontier past was quickly transformed into a set of symbols and myths, an American meta-narrative that came to underpin much of the 'American century'. He details how and why this process occurred, the form and function of Western myths and symbols, the evolution of this mythology, and its subversions and reconstructions throughout 20th-century American history. The book engages with the full range of historical, literary and cinematic perspectives and texts, from the founding Western histories of Theodore Roosevelt and Frederick Jackson Turner to the New Western history of Patricia Nelson Limerick and Richard White. Key texts used to illustrate the narrative include: *Owen Wister's The Virginian *Jack Schaefer's Shane *Cormac McCarthy's Blood Meridian *Ishmael Reed's Yellow Back Radio Broke Down *Films from Edwin Porter's The Great Train Robbery to Fred Zinneman's High Noon and from Clint Eastwood's Unforgiven to the post 9/11 Westerns Open Range, The Alamo and Brokeback Mountain This book is an essential and comprehensive analysis of the significance and enduring legacy of the American Western. Key Features: *Includes chapters on Western history, literature and film *Shows the interconnections between the Western (in all its forms) and 20th-century American history, politics, culture and society *The only book to take a multi-disciplinary approach to the subject.

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Frederick Manfred was the author of Lord Grizzly, finalist for the National Book Award, as well as twenty-six other novels and short story collections, many of which explore nuanced struggles with death and other life challenges which demand toughness and resilience. Although a work of fiction, Boy Almighty conveys Manfred’s dramatic personal story of contracting tuberculosis as a young man and being cared for at a convalescent home at the Glen Lake Sanatorium in Minnesota. A remarkable blend of stream-of-consciousness and objective reporting, Boy Almighty is the story of a man in the throes of dissolution and disintegration from tuberculosis and of his recovery, reintegration, and rebirth. Eric Frey, sensitive, aware, in love with life, yet beset with frustration and failure, is at first too ill to be placed in a tubercular ward, where his almost certain death would be upsetting to the other patients. Running concurrently with the inner story of Frey’s mind is the story of his body’s struggle to survive. Boy Almighty is a profound and compelling study of a man who desperately wants to live and of his relationships with doctors, nurses, roommates, and a fellow patient who teaches him the meaning of love.

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This book employs a variety of methodologies, including thematic survey, biographical enquiry, and specific study, to examine British and Irish parliamentary history between the exclusion crisis and the Great Reform Act. Casts new light on familiar themes and also introduces previously unexplored issues Discusses important topics and figures of the period, such as Robert Peel; Frederick, Prince of Wales; Irish regulation of trade; the Excise Crisis; the impact of the West Indies on the mid-Georgian elections; and the Glorious Revolution of 1688 Utilizes the Irish Legislation Database to re-examine the history of the pre-Union Irish parliament Unites the scholarship of prominent figures in the field with the voices of younger historians

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James V. Schall, S.J., is unquestionably one of the wisest Catholic political thinkers of our time. For more than forty years, Fr. Schall has been an unabashed practitioner of what he does not hesitate to call Roman Catholic political philosophy. A prolific writer and renowned teacher at Georgetown University, Fr. Schall has helped to educate two generations of Catholic thinkers. The present volume brings together seventeen essays by noted scholars in honor of Fr. Schall. It is a testimony to Fr. Schall’s erudition and influence that the authors of these essays did not have the privilege of directly studying under him. Rather, they are the indirect but grateful beneficiaries of “Another Sort of Learning,” one that Fr. Schall tirelessly defends and practices. An appendix lists all the books Schall has written. Contributors include Marc Guerra, J. Brian Benestad, Francis Canavan, S.J., Kenneth Grasso, Thomas Hibbs, John Hittinger, Mary Keys, Robert Kraynak, Douglas Kries, Rev. Matthew Lamb, Peter Augustine Lawler, Frederick Lawrence, Daniel Mahoney, Graham McAleer, Michael Novak, Tracey Rowland, and Paul Seaton

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This meticulously researched book provides an accessible history of the nine crusades between 1096 and 1272 plus smaller campaigns across Europe culminating in the Holy League's victory over the Ottomans at the Battle of Lepanto. It covers the land the crusading knights lost and won, the kingdoms they established, the inspiration that motivated them, and the controversies that still surround them. It also features some of the larger-than-life knights such as Robert of Jerusalem, Godfrey of Bouillon, Frederick II, and Richard the Lionheart and their contribution to the holy wars. Illustrated with over 400 fine art images, and with expert text, this book is a beautiful and fascinating account of an extraordinary historical period.

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Los Angeles 1951 – Frederick Underhill, an ambitious rookie of the Los Angeles Police Department, want to become the most celebrated detective of his time. He is also sexually promiscuous. His two drives are brought together by the slaying of Maggie Cadwallader, a lonely woman whom Underhill slept with shortly before her death.Using his inside knowledge, Underhill gets himself on the case, which is being handled by LA’s most fearsome investigator: Lieutenant Dudley Smith. But instead of the celebrity status he was hoping for, Underhill finds himself on the edge of the abyss, his whole life and future about to take a fall.

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A collection of six volumes that have shaped America—from colonial times to the present day. Since its founding, the United States of America has represented freedom, whether it be that of the state or the individual. This boxed set of six special-edition Word Cloud Classics includes The U.S. Constitution and Other Key American Writings, Selected Works of Alexander Hamilton, The Autobiography of Benjamin Franklin, Common Sense and The Rights of Man, Narrative of the Life of Frederick Douglass and Other Works, and Presidential Inaugural Addresses. Readers with an interest in American history will be proud to display these works on their bookshelf—and a montage of the American flag on the spines is sure to provoke many an interesting conversation.

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In The Midnight's amply illustrated five sections, three of poetry and two of prose, we find—swirling around the poet's mother—ghosts, family photographs, whispers, interjections, bed hangings, unfinished lace, the fly-leaves of old books, The Master of Ballantrae, the Yeats brothers, Emily Dickinson, Lewis Carroll, Lady Macbeth, Thomas Sheridan, Michael Drayton, Frederick Law Olmsted: a restless brood confronting, absorbing, and refracting history and language. With shades of wit, insomnia, and terror, The Midnight becomes a kind of dialogue in which the prose and poetry sections seem to be dreaming fitfully of each other.

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