Search results for ""speak""

David Hume, philosopher, historian, economist, librarian, and essayist, was one of the great figures of the European Enlightenment. Unlike some of his famous contemporaries, however, he was not dogmatically committed to idealised conceptions of reason, liberty, and progress. Instead, Hume was a sceptic whose arguments questioned the reach and authority of human rationality, and who put the rivalrous passions of commercial life at the centre of his theory of human nature. He believed that the modern world was in many ways superior to the ancient world, but was acutely conscious of the threats to peace and progress posed by bigotry, factionalism, and imperialism. Today Hume's works continue to speak to us powerfully in an age of instability and uncertainty. This Very Short Introduction presents a balanced account of Hume's thought, giving equal attention to his work on human nature, morality, politics, and religion. Weaving together biography, the historical context, and a thoughtful exposition of Hume's arguments, James A. Harris offers a compelling picture of a thinker who had no disciples and formed no school, but whom no one in his own time was able to ignore, and who has since become central to modern philosophy's understanding of itself. Very Short Introductions: Brilliant, Sharp, Inspiring ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

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A ROUGH TRADE BOOK OF THE YEARA LOUDER THAN WAR BOOK OF THE YEAR'Fascinating'-MOJO'As close as anyone was ever going to get to really understanding Pete Shelley'-UNCUT'The memoir that Pete Shelley never had a chance to write'-LOUDER THAN WAR'Lots of great stories... A fascinating insight.'-JOHN MAHER, Buzzcocks When Pete Shelley, lead singer of legendary punk band Buzzcocks, passed away in 2018 we lost the chance to hear one of music's brightest stars tell his story. Or so it seemed.Now, recordings have surfaced of a series of remarkable interviews in which Pete tells the story of his life, his band and his place at the beating heart of the punk explosion in fascinating detail.Recorded over a series of late-night calls with a close friend, the tapes hear Pete talk song-by-song through Buzzcocks releases to reveal the personal memories behind the music and the inspiration for masterpieces such as 'Ever Fallen in Love (With Someone You Shouldn't've)' and 'What Do I Get?'.Published for the first time and with the blessing of Pete's estate, Ever Fallen In Love: The Lost Buzzcocks Tapes is a tribute to a founding member of punk and a chance to hear one of music's true visionaries tell his own story at last.'Perfectly executed, highly detailed, incredibly interesting.'-HENRY ROLLINS, Black Flag'Shot through with self-doubt and mild regret, Pete Shelley's lovesick pop classics have a bittersweet charm that will forever speak to the young romantic'-JOHN COOPER CLARKE

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The first adventure in the Mirror Realm Cycle, a Spanish Inquisition-era fantasy trilogy inspired by Jewish folklore, with echoes of Naomi Novik and Katherine Arden. Toba Peres can speak, but not shout; sleep, but not dream. She can write with both hands at once, in different languages, but she keeps her talents hidden at her grandparents’ behest. Naftaly Cresques sees things that aren’t real, and dreams things that are. Always the family disappointment, Naftaly would still risk his life to honor his father’s last wishes. After the Queen demands every Jew convert or face banishment, Toba and Naftaly are among thousands of Jews who flee their homes. Defying royal orders to abandon all possessions, Toba keeps an amulet she must never take off; Naftaly smuggles a centuries-old book he’s forbidden to read. But the Inquisition is hunting these particular treasures–and they’re not hunting alone.Toba stumbles through a pomegranate grove into the mirror realm of the Mazik: mythical, terrible immortals with an Inquisition of their own, equally cruel and even more powerful. With the Mazik kingdoms in political turmoil, this Inquisition readies its bid to control both realms.In each world, Toba and Naftaly must evade both Inquisitions long enough to unravel the connection between their family heirlooms and the realm of the Mazik. Their fates are tied to this strange place, and it’s up to them to save it. Brimming with folkloric wonder, The Pomegranate Gate weaves history and magic into a spellbindingly intricate tale suffused with humor and heart.

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PRESENCE DEVELOPS AND ENABLES PROFITABILITY. AUTHENTIC RELATIONSHIPS ARE THE KEYS TO SUCCESS DURING THIS COMMUNICATIONS REVOLUTION. Are your customers your most valuable brand advocates? Do you “speak” with them more than ever? Are you growing revenues as well as “likes” and expanding your return-on-marketing investments?If not, you are losing presence and profitability! Despite constant developments in communications technology that radically expand our ability to communicate efficiently, too many companies are losing touch with their customers while missing their growth and profitability targets—either by not taking advantage of readily available technology or by implementing technology generically without considering how the use affects their relationships with customers. Author Phil Kelley Jr., the CEO of a fast-growing corporate communication solutions company, provides definitive steps forward for success-minded individuals and corporate boardrooms that will establish an effective presence for profitability and growth.This pro-technology, leading-edge view of the tremendous opportunities available will positively challenge the corporate leader struggling for success during this time of massive change.Presence and Profitability will answer the question of why your customer response results are lagging behind expectations and falling behind organizations you once dominated. It shows why and how some companies are succeeding— rapidly and at unprecedented levels of growth. It teaches you how to take full advantage of the tremendous opportunities available for connecting and engaging with an exponentially larger group of consumers. It defines powerful implementation strategies using technologies, old and new, to establish presence with customers, bringing them closer to your brand instead of pushing them away.

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Over the past thirty years, as Wesley J. Smith details in his latest book, the concept of animal rights has been seeping into the very bone marrow of Western culture. One reason for this development is that the term "animal rights" is so often used very loosely, to mean simply being nicer to animals. But although animal rights groups do sometimes focus their activism on promoting animal welfare, the larger movement they represent is actually advancing a radical belief system. For some activists, the animal rights ideology amounts to a quasi religion, one whose central doctrine declares a moral equivalency between the value of animal lives and the value of human lives. Animal rights ideologues embrace their beliefs with a fervor that is remarkably intense and sustained, to the point that many dedicate their entire lives to "speaking for those who cannot speak for themselves." Some believe their cause to be so righteous that it entitles them to cross the line from legitimate advocacy to vandalism and harassment, or even terrorism against medical researchers, the fur and food industries, and others they accuse of abusing animals. All people who love animals and recognize their intrinsic worth can agree with Wesley J. Smith that human beings owe animals respect, kindness, and humane care. But Smith argues eloquently that our obligation to humanity matters more, and that granting "rights" to animals would inevitably diminish human dignity. In making this case with reason and passion, A Rat Is a Pig Is a Dog Is a Boy strikes a major blow against a radically antihuman dogma.

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How do you ensure that no student is invisible in your classroom? How do you make the distinction between equity as the vehicle versus equity as the goal for each of your students? What measures do you take to ensure that you are growing as a culturally relevant practitioner? Can your students, particularly your Black students, articulate, beyond emotional reactions, the injustices that surround them?The foregoing are not trick questions. Rather, they are those that best-selling author Baruti K. Kafele poses and on which he suggests you deeply reflect as a teacher of Black students. The Equity & Social Justice Education 50 will help you understand the importance of having an equity mindset when teaching students generally and when teaching Black students in particular. It defines social justice education and sheds light on the issues and challenges that Black people face, as well as the successes they've achieved, providing you with a pathway to infusing social justice education into your lesson plans. And along the way, Kafele reveals personal experiences from his distant and recent pasts to highlight how important it is that your Black students see themselves in all aspects of education every day.You, the teacher, play a critical role in your students' success. The questions that Kafele asks in this book will help enhance your own understanding of race, systemic racism, and racial justice and guide you in developing strategies and lessons that speak to Black students in ways that truly support their achievement.

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We differentiate instruction to honor the reality of the students we teach. They are energetic and outgoing. They are quiet and curious. They are confident and self-doubting. They are interested in a thousand things and deeply immersed in a particular topic. They are academically advanced and ""kids in the middle"" and struggling due to cognitive, emotional, economic, or sociological challenges. More of them than ever speak a different language at home. They learn at different rates and in different ways. And they all come together in our academically diverse classrooms.Written as a practical guide for teachers, this expanded third edition of Carol Ann Tomlinson's groundbreaking work covers the fundamentals of differentiation and provides additional guidelines and new strategies for how to go about it. You'll learn: What differentiation is and why it's essential. How to set up the flexible and supportive learning environment that promotes success. How to manage a differentiated classroom. How to plan lessons differentiated by readiness, interest, and learning profile. How to differentiate content, process, and products. How to prepare students, parents, and yourself for the challenge of differentiation. First published in 1995 as How to Differentiate Instruction in Mixed-Ability Classrooms, this new edition reflects evolving best practices in education, the experiences of practitioners throughout the United States and around the world, and Tomlinson's continuing thinking about how to help each and every student access challenging, high-quality curriculum; engage in meaning-rich learning experiences; and feel at home in a school environment that ""fits.

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Roman Catholic Modernism, in France, was prominently represented by scholars whose interests were, in significant measure, historical. Notable examples are Louis Duchesne, Alfred Loisy, and Albert Houtin. Where philosophy was concerned, Maurice Blondel, together with his collaborator Lucien Laberthonniere, grappled with the legacy of Kant and the problem of the subjectivity of human knowing. Marcel Hebert (1851–1916) stands at the confluence of these two tendencies. Hebert’s appreciation of the exegesis of scripture and its subsequent development in church tradition was importantly shaped by both Loisy and Duchesne. And like Blondel and Laberthonniere, he felt the insufficiency of scholasticism to speak to minds formed by modernity, to formulate an adequate response to the philosophical legacy of Kant. He acknowledged his debt to Duchesne and Loisy in history, but regarded himself, though an autodidact, their superior in philosophy.This volume, the first to be published in English about Hebert, is essential for a full understanding of Catholic Modernism. The articles show Hebert’s early attempt to find common ground between Aquinas and Kant, the impact of Kant on a symbolist reading of dogma intended to “save” dogma for Catholics coming to terms with modern exegesis and modern philosophy, the radical lengths to which he took that symbolist reading, and his eventual break with Catholicism when the Church failed to be receptive to this programme.Included here are selected articles, the entire second of edition of Pragmatisme, William James’s review of the first edition and Hebert’s response to it, and a review by Eugene Menegoz.

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It's amazing how 100 key words and phrases provide instant communication!Do you want to speak conversational Mandarin Chinese but are too busy to study it? Are you visiting China for a short time and want a Mandarin phrase book to help you communicate in the Chinese language? If so, this Mandarin phrasebook and dictionary is for you. It's tiny 0.4 x 4.1 x 5.9 inches size makes it incredibly convenient to travel with but without losing the essential content for communication. This new, expanded edition contains 15% more content, fun manga-style illustrations, and additional information on which destinations, personalities and trends are hot in China right now!The idea of Instant Chinese is simple—learn 100 words and phrases and say 1,000 things. The trick is knowing which 100 words to learn, but the author Boye Lafayette De Mente has solved the problem, choosing only those words you'll hear again and again. Even with a vocabulary this small, you'll be surprised how quickly and fluently you too can communicate in Mandarin Chinese. Words are repeated in different combinations, building familiarity without effort. All phrases are given in both simplified Chinese characters and standard Hanoi Pinyin romanization. A brief guide to pronunciation allows the user to say the phrases correctly. An English-Chinese dictionary makes looking up a word or phrase simple and quick. Here's a sample of what you'll be able to do with this Chinese phrasebook: Meet people. Go shopping. Ask directions. Ride the subway. Order food and drinks. And much more.

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In 1860, at the age of twenty-four, Winslow Homer (1836-1910) sold Harper's Weekly two dozen wood engravings, carved into boxwood blocks and transferred to metal plates to stamp on paper. One was a scene that Homer saw on a visit to Boston, his hometown. His illustration shows a crowd of abolitionists on the brink of eviction from a church; at their front is Frederick Douglass, declaring "the freedom of all mankind." Homer, born into the Panic of 1837 and raised in the years before the Civil War, came of age in a nation in crisis. He created multivalent visual tales, both quintessentially American and quietly replete with narrative for and about people of all races and ages. Whether using pencil, watercolor, or, most famously, oil, Homer addressed the hopes and fears of his fellow Americans and invited his viewers into stories embedded with universal, timeless questions of purpose and meaning. Like his contemporaries Twain and Whitman, Homer captured the landscape of a rapidly changing country with an artist's probing insight. His tale is one of America in all its complexity and contradiction, as he evolved and adapted to the restless spirit of invention transforming his world. In Winslow Homer: American Passage, William R. Cross reveals the man behind the art. It is the surprising story of a life led on the front lines of history. In that life, this Everyman made archetypal images of American culture, endowed with a force of moral urgency through which they speak to all people today. Includes Color Images and Maps

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This is a history of the Centre William Rappard, the first building designed to house an international organization in Geneva, and its art treasures. For nearly a century, these works of art and decorations offered by governments and institutions encouraged smooth diplomacy and fluent international negotiations in the fields of labour, trade and human rights. On occasions hidden, removed and forgotten, and then recovered and restored, the history of the artworks in the Centre William Rappard represents the confrontation between art as diplomatic device and aesthetic experience, between representation and represented, between censorship and free expression. Even before its opening in 1926, the building started receiving works from the International Labour Organization member governments. Some pieces, such as the Geneva Window by Harry Clarke, never arrived in Geneva since it was censored by the Irish government. The Spanish Pygmalion by Eduardo Chicharro y Agüera was latter covered for its female nudity and remained hidden during decades. Later in the 1970s the secretariat of the General Agreement on Tariffs and Trade occupied the building and requested the removal of other major works. This was reversed in the 2010s by its successor the World Trade Organization, when many artworks were rediscovered, restored and placed in their original locations. However, new values in the world scene contributed to further changes in the building art, including the removal of Claude Namy’s caricature In GATT We Trust from public view in 2019. Art in the Centre William Rappard continues to speak to the viewer after waves of positive reception, censorship and recovery.

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This book provides an overview of current and potential applications of artificial intelligence (AI) for cardiothoracic imaging. Most AI systems used in medical imaging are data-driven and based on supervised machine learning. Clinicians and AI specialists can contribute to the development of an AI system in different ways, focusing on their respective strengths. Unfortunately, communication between these two sides is far from fluent and, from time to time, they speak completely different languages. Mutual understanding and collaboration are imperative because the medical system is based on physicians’ ability to take well-informed decisions and convey their reasoning to colleagues and patients.This book offers unique insights and informative chapters on the use of AI for cardiothoracic imaging from both the technical and clinical perspective. It is also a single comprehensive source that provides a complete overview of the entire process of the development and use of AI in clinical practice for cardiothoracic imaging. The book contains chapters focused on cardiac and thoracic applications as well more general topics on the potentials and pitfalls of AI in medical imaging. Separate chapters will discuss the valorization, regulations surrounding AI, cost-effectiveness, and future perspective for different countries and continents. This book is an ideal guide for clinicians (radiologists, cardiologists etc.) interested in working with AI, whether in a research setting developing new AI applications or in a clinical setting using AI algorithms in clinical practice. The book also provides clinical insights and overviews for AI specialists who want to develop clinically relevant AI applications.

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Distributed by the University of Nebraska Press for the Salish Kootenai College Press Lori Lambert (Mi’kmaq/Abenaki) examines the problems that researchers encounter when adjusting research methodologies in the behavioral sciences to Native values and tribal community life. In addition to surveying the literature with an emphasis on Native authors, she has also interviewed a sampling of indigenous people in Australia, northern Canada, and Montana’s Flathead Indian Reservation. Members of four indigenous communities speak about what they expect from researchers who come into their communities. Their voices and stories provide a conceptual framework for non-indigenous researchers who anticipate doing research with indigenous peoples in the social, behavioral, or environmental sciences. This conceptual framework created by indigenous stories similarly provides a framework for hope and empowerment as indigenous communities endeavor to pass on their values and stories to future generations. Indigenous research methodologies developed from stories told by elders help researchers to both respect the unique character of Native communities and contribute to their healing and empowerment. Indigenous research as such, however, is not a new phenomenon. Indigenous story keepers have always, through careful observation, articulated in their stories how their world works, thereby also preserving knowledge of their community’s past. Lori Lambert is a member of the Nulhegan Abenaki Tribe of Vermont and a descendant of the Mi’kmaq/Huron Wendot. For the last twenty years she has taught at Salish Kootenai College on the Flathead Indian Reservation, Montana. Lambert is the founder of the American Indigenous Research Association.

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The Middle East has always been one of the most challenging destinations for lorry drivers. In the 1970s and 80s, many drivers may not have even heard of the destinations they were sent to before heading out eastwards. Along the way they endured extreme weather conditions, bureaucratic nightmares, and the physical trials of keeping themselves and their trucks operational over many thousands of miles of poorly maintained and dangerous roads. Their adventures have become legendary within the trucking world.In this book Dave Bowers tells with humour and insight the amazing stories of people driving to Middle East destinations, battling against all the odds to deliver their loads. The inspiration comes from his own experience through those routes and in particular on one adventurous journey homewards from Tehran in 1975, when he happened to be stranded in Iran, with no cash to speak of and spending many nights sleeping in abandoned trailers along the way. Dave travelled homewards after he was given lifts in trucks returning to Europe. These were driven by drivers who had many tales to tell, and this book was motivated by the need to keep these fascinating stories alive.Illustrated with photographs of the drivers and vehicles taken at the time, Beyond the Bosphorus records what it was like for ordinary HGV drivers to get involved in something so dramatically different from their everyday working lives in the UK. It will be of interest to lorry drivers, general vehicle enthusiasts and also those with a historical and social interest in the Middle East alike.

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From the deathbed to the commuter railway station, from the marriage market to the fish market, from the baseball field to the grave, this volume explores the diversity of contemporary Japanese society by studying how people "compose" their families, their communities, and their own identities. Challenging fixed boundaries characteristic of institutional analysis, these essays comprise an anthropology of real people who age, who play, and whose lives speak to ours even over chasms of cultural differences and misunderstandings. The contributors are historians, sociologists, and anthropologists of Japan who engage these ideas in their research and who have been inspired over the years by the spirit of David Plath's anthropology of self. Part I includes essays by Susan Long, Kamiko Takeji, and Scott Clark which explore how the meaning of self is created through long-term engagement with convoys, those with whom one coauthors biographies. The second set of chapters investigates the process of creating circles of interaction, identity, and meaning beyond that inner circle. Keiko Ikeda considers the cocreation of individual and collective meanings among consociates of locality. The chapters by Paul Noguchi and by David McConnell and Jackson Bailey describe negotiations of identity among consociates within the workplace, while Theodore Bestor and William Kelly focus on constructions of regional and national identity. In Part III, chapters by Christie Kiefer, John Grossberg, Morioka Kiyomi, and Robert J. Smith bring us full circle to reconsideration of composing the self, but within the widest possible social universe that includes the aging, the dying, and the spirits of the dead.

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In this innovative series of public lectures at Newcastle University, leading contemporary poets speak about the craft and practice of poetry to audiences drawn from both the city and the university. The lectures are then published in book form by Bloodaxe, giving readers everywhere the opportunity to learn what the poets themselves think about their own subject. George Szirtes' three lectures form an arc on the nature of historical knowledge in the poem. 'Our knowledge' says Elizabeth Bishop in 'At the Fishhouses', 'is historical, flowing and flown.' The sea in her poem is so cold it burns hand and tongue, a parodox explored in his first lecture, 'Cold dark deep and absolutely clear: poetic knowledge as uncertainty'. Beginning with this understanding of knowledge, his second lecture, 'Life is Elsewhere: knowing in opposition', shifts to notions of historical responsibility, especially as perceived by poets in the West at the time of the Cold War. Szirtes considers questions of betrayal and fidelity and the role of irony and quietism. In his third lecture, 'Flowing and flown: in the world of superfluous knowledge', Szirtes seeks exemplars and connections in works by George Seferis, Derek Mahon and poets of Eastern Europe from the period immediately before 1989 as well as briefly afterwards, to enquire into the nature of repression, returning to Bishop's story 'In the Village' for its conclusion, where 'The hammer echoes with the icy black sea. Cold, dark deep and absolutely clear' ending with Bishop's affirming cry: 'Oh beautiful sound, strike again!'

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THE TIMES NO. 7 BESTSELLER 'A blackly funny, honest, thought-provoking and compassionate book' THE TIMES ‘Full of sense, heart and hope’ PHILIPPA PERRY ‘Cariad Lloyd has changed the way we speak about grief’ SARA PASCOE _______________ Welcome to the club. I’m still here now, all these years later. You don’t leave once you’ve joined; it’s a life membership. Grief eases and changes and returns but it never disappears. But you will be okay. Somehow you will be. When Cariad was just fifteen, her dad died. She became the person-whose-dad-had-died; a mess of emotions and questions; a grief-mess. Years later, she began trying to unravel this tightly wound grief. What had happened? What effect had it all had on who she was? She started Griefcast, the podcast that talks openly, honestly and at times cheerfully about life’s most difficult moment: its end. Inspired by her own grief mistakes and lessons, and from the profound and witty insights from her incredible guests – including Philippa Perry, Reverend Richard Coles, Isabel Allende, Nish Kumar and Marian Keyes – Cariad provides a road map for all of us. For anybody who has felt lost in grief, who wants to help someone struggling, or just wants to understand this life a little better. You are not alone. _______________ 'It’s honest and warm and funny (in all the right places)' JULIA SAMUEL 'A comfy companion for anyone struggling after the death of someone close' BBC NEWS ‘A book that you should read before grief takes over your life' FI GLOVER

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This is the first English translation, by Thomas Allan Smith, of Philosophy of the Name (Filosofiia imeni). Sergii Bulgakov (1871–1944) wrote the book in response to a theological controversy that erupted in Russia just before the outbreak of World War I. Bulgakov develops a philosophy of language that aims to justify the truthfulness of the statement "the Name of God is God himself," a claim provoking debate on the meaning of names, and the Name of God in particular. Philosophy of the Name investigates the nature of words and human language, considers grammar and parts of speech, and concludes with an exposition on the Name of God. Name-glorifying, a spiritual movement connected with the Orthodox practice of the Jesus Prayer, was initially censured by the Holy Synod of the Russian Orthodox Church, and the controversy raised profound questions that continue to vex ecclesiastical authorities and theologians today. The controversy exposed a vital question concerning the ability of human language to express experiences of the Divine truthfully and authentically. Bulgakov examines the idea that humans do not create words, rather, objects speak their word to human beings, and words are the incarnation of thought in a sonic body conveying meaning. Philosophy of the Name offers a philosophy of language for contemporary theologians of all confessions who wrestle with the issue of language and God. It is a persuasive apologia for the mysterious power of words and an appeal to make use of words responsibly not only when speaking about God but equally when communicating with others.

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This second book in a three-volume work on the young Fyodor Dostoevsky is a diary-portrait of his early years drawn from letters, memoirs, and criticism of the writer, as well as from the testimony and witness of family and friends, readers and reviewers, and observers and participants in his life. The result of an exhaustive search of published materials on Dostoevsky, this volume sheds crucial light on the many unexplored corners of Dostoevsky's life in the time between the success of his first novel, Poor Folk, and the failure of his next four works. Thomas Gaiton Marullo lets the original writers speak for themselves—the good and the bad, the truth and the lies—and adds extensive notes with correctives, counterarguments, and other pertinent information. Marullo looks closely at Dostoevsky's increasingly tense ties with Vissarion Belinsky, Nikolai Nekrasov, Ivan Turgenev, and other figures of the Russian literary world. He then turns to the individuals who afforded Dostoevsky security and peace amid the often negative reception from fellow writers and readers of his early fiction. Finally, Marullo shows us Dostoevsky's break with the Belinsky circle; his struggle to stay afloat emotionally and financially; and his determination to succeed as a writer while staying true to his vision, most notably, his insights into human psychology that would become a hallmark of his later fiction. This clear and comprehensive portrait of one of the world's greatest writers provides a window into his younger years in a way no other biography has to date.

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This issue offers a theoretical and methodological imagining of what constitutes trans* before the advent of the terms that scholars generally look to for the formation of modern conceptions of gender, sex, and sexuality. What might we find if we look for trans* before trans*? While some historians have rejected the category of transgender to speak of experiences before the mid-twentieth century, others have laid claim to those living gender-non-conforming lives before our contemporary era. By using the concept of trans*historicity, this volume draws together trans* studies, historical inquiry, and queer temporality while also emphasizing the historical specificity and variability of gendered systems of embodiment in different time periods. Essay topics include a queer analysis of medieval European saints, discussions of a nineteenth-century Russian religious sect, an exploration of a third gender in early modern Japanese art, a reclamation of Ojibwe and Plains Cree Two-Spirit language, and biopolitical genealogies and filmic representations of transsexuality. The issue also features a roundtable discussion on trans*historicities and an interview with the creators of the 2015 film Deseos. Critiquing both progressive teleologies and the idea of sex or gender as a timeless tradition, this issue articulates our own desires for trans history, trans*historicities, and queerly temporal forms of historical narration. Contributors. Kadji Amin, M. W. Bychowski, Fernanda Carvajal, Howard Chiang, Leah DeVun, Julian Gill-Peterson, Jack Halberstam, Asato Ikeda, Jacob Lau, Kathleen P. Long, Maya Mikdashi, Robert Mills, Carlos Motta, Marcia Ochoa, Kai Pyle, C. Riley Snorton, Zeb Tortorici, Jennifer Louise Wilson

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A positive and proactive book that helps you understand and cope with prejudice problems.There's two sides to every story. In Prejudice, you will read two sides to some common dilemmas, sticky situations or issues that children sometimes have to face at difficult times in their lives. Prejudice tackles situations including: being singled out because of a disability, homophobic language, fairness, religious discrimination and racism.The book is structured to help readers see that problems might look different depending on your perspective. This book gently encourages children to be proactive in speaking up and asking for help, both for themselves and others.It shows some simple ways to positively resolve situations, deal with their emotions and maybe even change their mind. The book includes top tips for dealing with your emotions and conflict resolution. The A Problem Shared series looks at tricky situations and common problems from two sides. The books encourage the reader to not only speak out, but also to listen to what others have to say. Some of the core values of PSHE are empathy, mindfulness and engaging with debate and this series puts the reader firmly in the middle, allowing them to make up their own mind about the scenarios presented and to question their own initial assumptions or bias.Perfect resources for students of PSHE at Key Stage 2 aged 9+, these books are also useful as opportunities for discussion topics in class or as role play situations.Title in this series are:BullyingDeathMental HealthPrejudiceRelationshipsSocial Media

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Syllabus: CfE (Curriculum for Excellence, from Education Scotland) and SQALevel: BGE (S1-S3) and Senior Phase (National 4/5)Subject: LiteracyWords are powerful. Enrich your vocabulary and you will be able to speak, listen, read and write more effectively.Explore important aspects of vocabulary - decoding words, easily confused words, groups of words and new words - through simple explanations, strategies, progressive activities and revision tasks.This is the only book available for the Scottish curriculum that includes a dedicated chapter on inclusive language, to show students how their words have the power to make everyone feel accepted and understood.Vocabulary for Literacy equips pupils with the building blocks for success in exams, coursework and adult life, and facilitates literacy development across the curriculum.> Understand the essentials. Key concepts that pupils need to remember are introduced in 'explanation' boxes.> Put theory into practice. 'Building', 'Strengthening' and 'Extending' tasks enable pupils to apply their knowledge and skills, through a mix of solo and group work.> See the big picture. 'Crossover' boxes make links to prior and future learning, knowledge and skills, encouraging pupils to approach vocabulary holistically.> Avoid common errors. 'Mistake' boxes contain examples and tips to ensure that pupils get it right in their own speech and writing.> Check and consolidate. 22 printable A-Z activity sheets (available for free online) can be used in school or at home for revision and extra practice."There is a proven link between an improved vocabulary and increased attainment in Scottish schooling."Rachel Alexander

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This volume introduces philosophy as a foundational discipline of education. Taking a broadly inclusive approach to the branches of philosophy, it offers an accessible yet duly rigorous orientation to the field. Revealing the values, premises, arguments, and conclusions that inform contemporary philosophical discussions of education, this book equips its readers with the conceptual and analytical resources necessary to engage with and make meaningful contributions to that grand discourse for years to come. About the Educational Foundations series: Education, as an academic field taught at universities around the world, emerged from a range of older foundational disciplines. The Educational Foundations series comprises six volumes, each covering one of the foundational disciplines of philosophy, history, sociology, policy studies, economics and law. This is the first reference work to provide an authoritative and up-to-date account of all six disciplines, showing how each field’s ideas, methods, theories and approaches can contribute to research and practice in education today. The six volumes cover the same set of key topics within education, which also form the chapter titles: - Mapping the Field - Purposes of Education - Curriculum - Schools and Education Systems - Learning and Human Development - Teaching and Teacher Education - Assessment and Evaluation This structure allows readers to study the volumes in isolation, by discipline, or laterally, by topic, and facilitates a comparative, thematic reading of chapters across the volumes. Throughout the series, attention is paid to how the disciplines comprising the educational foundations speak to social justice concerns such as gender and racial equality.

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What if you could learn financial literacy from Warren Buffett himself? Finance is a language like any other: the more fluently you speak it, the further—and more comfortably—you travel. And if you want to improve your financial literacy, what better teacher could you have than Warren Buffett? Often described as the greatest investor of all time, Warren Buffett started his investment firm with$100 in the late 1950s and went on to become the billionaire and sage we know today. Along the way he’s reaped huge profits for fellow investors in Berkshire Hathaway and remains one of the most sought-after and closely watched figures in the business world. So how did he do it? In Buffett’s Tips, award-winning professor and professional investor John M. Longo demonstrates just how by translating decades of Buffett’s writings and media appearances into a 100 straightforward tips and strategies anyone can follow for enhanced financial literacy and independence, including: Essential concepts like the time value of money and compound interest Basic financial instruments, such as savings and checking accounts and certificates of deposit Approaches to valuing stock, including discounted cash flow and relative valuation How to build a portfolio in accordance with Buffett’s two golden rules Whether you want to grow your personal finances, develop your business acumen, or improve softer career skills such as emotional intelligence, there’s no one better to learn from than the most famous investor in the world—and no better way to do that than having a copy of Buffett’s Tips close at hand.

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The essays in this volume, in all their astonishing richness and diversity, focus on the question of the “other.” Brimming with whole flotillas of new ideas, they delineate subtle and various ways in which that question can be made the basis of an ethnographic project. In them, the author responds to the invitations extended by a specific location rather than pursuing a codified method. And they examine many different socialities in many different locations—among them the Cornell University campus in the late seventies, the former Musée de l’Homme and the Quai Branly Museum in Paris, the Indonesian province of Aceh in the wake of the tsunami of 2004, and contemporary Indonesia, in the liminal figures of the Jew and the Chinese. The author meticulously traces how the social and cultural responses in each location are astonishingly different—in the form, say, of gorges, faces, garbage, and fetishes. Regrettably, these days anthropologists have a tendency to look for similarities rather than differences, to show how one phenomenon is “just like” another. This book stands determinedly against this trend, both in its ethnographic examinations and in how it takes up such figures as Kant, Derrida, Bataille, Simmel, and Leiris so as to illuminate not only the objects of ethnography but also differences among the perspectives these thinkers represent. This book will put the methods and objects of anthropology in an entirely new light. In addition, it will speak to the concerns of historians, political scientists, and scholars of area studies, literature, and art.

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Poetry is an ideal artistic medium for expressing the fear, sorrow, and triumph of revolutionary times. Words of Protest, Words of Freedom is the first comprehensive collection of poems written during and in response to the American civil rights struggle of 1955–75. Featuring some of the most celebrated writers of the twentieth century—including Maya Angelou, Amiri Baraka, Gwendolyn Brooks, Allen Ginsberg, Robert Lowell, and Derek Walcott—alongside lesser-known poets, activists, and ordinary citizens, this anthology presents a varied and vibrant set of voices, highlighting the tremendous symbolic reach of the civil rights movement within and beyond the United States.Some of the poems address crucial movement-related events—such as the integration of the Little Rock schools, the murders of Emmett Till and Medgar Evers, the emergence of the Black Panther party, and the race riots of the late 1960s—and key figures, including Martin Luther King Jr., Malcolm X, and John and Robert Kennedy. Other poems speak more broadly to the social and political climate of the times. Along with Jeffrey Lamar Coleman's headnotes, the poems recall the heartbreaking and jubilant moments of a tumultuous era. Altogether, more than 150 poems by approximately 100 poets showcase the breadth of the genre of civil rights poetry.Selected contributors. Maya Angelou, W. H. Auden, Amiri Baraka, Gwendolyn Brooks, Lucille Clifton Lawrence Ferlinghetti, Allen Ginsberg, Langston Hughes, June Jordan, Philip Levine, Audre Lorde, Robert Lowell, Pauli Murray, Huey P. Newton, Adrienne Rich, Sonia Sanchez, Léopold Sédar Senghor, Derek Walcott, Alice Walker, Yevgeny Yevtushenko

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Repainting the Walls of Lunda chronicles the publication and dissemination of an anthropology book, Paredes Pintadas da Lunda (Painted Walls of Lunda), which was published in Portuguese in 1953. The book featured illustrations of wall murals and sand drawings of the Chokwe peoples of northeastern Angola. These reproductions were adapted in postindependence Angolan nationalist art and post–civil war contemporary art. As Delinda Collier recounts, the pictorial narrative foregrounds the complex relationships between content, distribution, and politicization. The result is a nuanced look at the practices of art entangled in political economies as much as in issues of aesthetics.After historicizing the drastic changes in media for the Chokwe images, from sand and dwelling to book and from analog to digital, Collier analyzes the formal and infrastructural logic of the two-dimensional images in their subsequent formats, from postindependence canvas paintings to Internet images. Collier does not view any of these iterations as a negation or obliteration of the previous one. Instead, she argues that the logic of reproductive media envelops the past: each mediation adds another layer of context and content. As Collier sees it, the images’ historicity is embedded within these media layers, which many Angolan postindependence artists speak of in terms of ghosts or ancestors when describing their encounter with reproductions of the Chokwe art.If, as Collier contends, “Africa troubles media,” this book troubles facile theories and romantic constructions of “analog Africa,” boundaries between art and cybernetics, and the firewall between the colonial and the postcolonial.

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An essential anthology of Deaf perspectives To many who hear, the deaf world is as foreign as a country never visited. Deaf World thus concerns itself less with the perspectives of the hearing and more with what Deaf people themselves think and do. Editor Lois Bragg asserts that English is for many signing people a second, infrequently used language and that Deaf culture is the socially transmitted pattern of behavior, values, beliefs, and expression of those who use American Sign Language. She has assembled an astonishing array of historical sources, political writings, and personal memoirs, from classic 19th-century manifestos to contemporary policy papers, on everything from eugenics to speech and lipreading, the right to work and marry, and the never-ending controversy over separation vs. social integration. At the heart of many of the selections lies the belief that Deaf Americans have long constituted an internal colony of sorts in the United States. While not attempting to speak for Deaf people en masse, this ambitious platform anthology places the Deaf on center stage, offering them an opportunity to represent the world--theirs as well as the hearing world--from a Deaf perspective. For Deaf readers, the book will be welcomed as a gift, both a companion to be savored and, as often, an opponent to be engaged and debated. And for the hearing, it serves as an unprecedented guide to a world and a culture so often overlooked. Comprising a judicious mix of published pieces and original essays solicited specifically for this volume, Deaf World marks a major contribution.

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A selection of writings from naturalists John and William Bartram, who explored Florida in 1765In 1765 father and son naturalists John and William Bartram explored the St. Johns River Valley in Florida, a newly designated British territory and subtropical wonderland. They collected specimens and recorded extensive observations of the region’s plants, animals, geography, ecology, and Native cultures. The chronicle of their adventures provided the world with an intimate look at La Florida.Travels on the St. Johns River includes writings from the Bartrams' journey in a flat-bottomed boat from St. Augustine to the river's swampy headwaters near Lake Loughman, just west of today’s Cape Canaveral. Vivid entries from John's Diary detail the settlement locations of Indigenous people and what vegetation overtook the river's slow current. Excerpts from William's narrative, written a decade later when he tried to make a home in East Florida, contemplate the environment and the river that would come to be regarded as the liquid heart of his celebrated Travels. A selection of personal letters reveal John's misgivings about his son's decision to become a planter in a pine barren with little shelter, but they also speak to William's belated sense of accomplishment for traveling past his father's footsteps.Editors Thomas Hallock and Richard Franz provide valuable commentary and a modern record of the flora and fauna the Bartrams encountered. Taken together, the firsthand accounts and editorial notes help us see the land through the explorers' eyes and witness the many environmental changes the centuries have wrought.

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"One might say that where Religion becomes artificial, it is reserved for Art to save the spirit of religion." With these words Richard Wagner began "Religion and Art" (1880), one of his most passionate essays. That passion made Wagner himself a central icon in the growing cult of art. Wagner felt that he lived in an age of spiritual crisis. "It can but rouse our apprehension, to see the progress of the art-of-war departing from the springs of moral force, and turning more and more to the mechanical," he wrote. In response to the frightening progress of dynamite and steel, Wagner adopted the role of the Tone Poet Seer, who reveals the inexpressible in concert halls and cleanses souls in waves of symhonic revelation."Religion and Art" is the pivot of the works collected here. Also included are his defining essays "Public and Popularity" and "The Public in Time and Space"; his papers relating to the creation of the Bayreuth School; his complaint against publishers, "On Poetry and Composition" (1879); his article on the first production of Parsifal (1882); and other works that speak his mind about strengthening the spirit through music.These works participated in the duel between Wagner and Nietzsche that ensued after the breakup of their friendship in 1878. Nietzsche publicly called Wagner an incurable romantic, emphasizing how sick he thought both Wagner and his art were. Here Wagner counterattacks with arch innuendo and sarcasm.This edition includes the complete volume 6 of the 1897 translation of Wagner's works commissioned by the London Wagner Society.

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"Strong mental faculties and a vigorous constitution" were among the attributes of Zenas Leonard, according to the publisher of the 1839 edition of this book, which the Bison Books edition reproduces. In the spring of 1830, Leonard, a native of Clearfield, Pennsylvania, "ventured to embark in an expedition across the Rocky Mountains, in the capacity of clerk to the company. The last letter received by his parents, left him at the extreme white settlement [Independence, Missouri], where they were busily occupied in making preparations for the expedition to the mountains—from whence he promised to write at short intervals; but one misfortune after another happening to the company, he was deprived of all sources of communication—so that no tidings were received of him until he unexpectedly returned to the scenes of his childhood, to the house of his father, in the fall of 1835—after an absence of 5 years and 6 months!" Written "in response to popular demand," so to speak, Leonard's account of these years, based in large part on "a minute journal of every incident that occurred," is recognized as one of the fundamental sources on the exploration of the American West. A free trapper until the summer of 1833, when he entered the employ of Captain B. L. E. Bonneville, Leonard was part of the group sent under command of Captain Joseph Walker to explore the Great Salt Lake region—an expedition that resulted in Walker's finding the overland route to California. The Narrative ends in August 1835, with Leonard's return to Independence.

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Anyone with an interest in national parks or the history of the state of Virginia or travelers to Shenandoah or Skyline Drive will appreciate this book. —Rachel Owens, Library Journal For fifteen years Sue Eisenfeld hiked in Shenandoah National Park in the Virginia Blue Ridge Mountains, unaware of the tragic history behind the creation of the park. In this travel narrative, she tells the story of her on-the-ground discovery of the relics and memories a few thousand mountain residents left behind when the government used eminent domain to kick the people off their land to create the park.With historic maps and notes from hikers who explored before her, Eisenfeld and her husband hike, backpack, and bushwhack the hills and the hollows of this beloved but misbegotten place, searching for stories. Descendants recount memories of their ancestors “grieving themselves to death,” and they continue to speak of their people’s displacement from the land as an untold national tragedy.Shenandoah: A Story of Conservation and Betrayal is Eisenfeld’s personal journey into the park’s hidden past based on her off-trail explorations. She describes the turmoil of residents’ removal as well as the human face of the government officials behind the formation of the park. In this conflict between conservation for the benefit of a nation and private land ownership, she explores her own complicated personal relationship with the park—a relationship she would not have without the heartbreak of the thousands of people removed from their homes.

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Spiritualism is often dismissed by literary critics and historians as merely a Victorian fad. Helen Sword demonstrates that it continued to flourish well into the twentieth century and seeks to explain why. Literary modernism, she maintains, is replete with ghosts and spirits. In Ghostwriting Modernism she explores spiritualism's striking persistence and what she calls "the vexed relationship between mediumistic discourse and modernist literary aesthetics." Sword begins with a brief historical review of popular spiritualism's roots in nineteenth-century literary culture. In subsequent chapters, she discusses the forms of mediumship most closely allied with writing, the forms of writing most closely allied with mediumship, and the thematic and aesthetic alliances between popular spiritualism and modernist literature. Finally, she accounts for the recent proliferation of a spiritualist-influenced vocabulary (ghostliness, hauntings, the uncanny) in the works of historians, sociologists, philosophers, and especially literary critics and theorists. Documenting the hitherto unexplored relationship between spiritualism and modern authors (some credulous, some skeptical), Sword offers compelling readings of works by James Joyce, T. S. Eliot, W. B. Yeats, H.D., James Merrill, Sylvia Plath, and Ted Hughes. Even as modernists mock spiritualism's ludicrous lingo and deride its metaphysical excesses, she finds, they are intrigued and attracted by its ontological shiftiness, its blurring of the traditional divide between high culture and low culture, and its self-serving tendency to favor form over content (medium, so to speak, over message). Like modernism itself, Sword asserts, spiritualism embraces rather than eschews paradox, providing an ideological space where conservative beliefs can coexist with radical, even iconoclastic, thought and action.

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"Like the artists studied here, we pick and choose our Shakespeares, and through that labor another story emerges. Frozen in time on the page or screen, some of those collaborations continue to speak, but denuded of their immediate moment and surroundings; we are left to supplement the traces. In recovering that past, the present takes on greater clarity and contrast. But the proof must be in the telling. A writer lifts a pen. Enter the multiple forces—political and economic, psychological, formal, and technical—that serendipitously transform imagination into memory. Let the collaborative play begin."—from the Introduction Focusing on key writers, actors, theater directors, and filmmakers who have kept Shakespeare at the center of their endeavors over the past two hundred years, Collaborations with the Past illuminates not only the playwright's work but also the choices and responsibilities involved in re-creating culture, and the ingenuity and peril of the artistic process. By concentrating on rich yet problematic instances of Shakespeare's reanimation in such quintessentially modern forms as the novel and film, from Sir Walter Scott's Kenilworth to Kenneth Branagh's Henry V, Diana E. Henderson sketches a complex history of the pleasures and difficulties that ensue when Shakespeare and modern artists collaborate. Working with texts across the entire range of Shakespeare's career, Henderson demonstrates—through detailed analyses of novels including Jane Eyre and Mrs. Dalloway as well as filmed, televised, and staged performances—that art (even in the newest media) cannot avoid collaborating with the past. Only by studying that collaborative process can we comprehend Shakespeare and Anglo-American culture.

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Was Plato a Platonist? While ancient disciples of Plato would have answered this question in the affirmative, modern scholars have generally denied that Plato’s own philosophy was in substantial agreement with that of the Platonists of succeeding centuries. In From Plato to Platonism, Lloyd P. Gerson argues that the ancients were correct in their assessment. He arrives at this conclusion in an especially ingenious manner, challenging fundamental assumptions about how Plato’s teachings have come to be understood. Through deft readings of the philosophical principles found in Plato's dialogues and in the Platonic tradition beginning with Aristotle, he shows that Platonism, broadly conceived, is the polar opposite of naturalism and that the history of philosophy from Plato until the seventeenth century was the history of various efforts to find the most consistent and complete version of "anti-naturalism."Gerson contends that the philosophical position of Plato—Plato’s own Platonism, so to speak—was produced out of a matrix he calls "Ur-Platonism." According to Gerson, Ur-Platonism is the conjunction of five "antis" that in total arrive at anti-naturalism: anti-nominalism, anti-mechanism, anti-materialism, anti-relativism, and anti-skepticism. Plato’s Platonism is an attempt to construct the most consistent and defensible positive system uniting the five "antis." It is also the system that all later Platonists throughout Antiquity attributed to Plato when countering attacks from critics including Peripatetics, Stoics, and Sceptics. In conclusion, Gerson shows that Late Antique philosophers such as Proclus were right in regarding Plotinus as "the great exegete of the Platonic revelation."

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This book offers a much-needed introduction to the dynamics of the communication exchange between providers and patients in the health-care environment. Starting from the principle that health-care-providers and patients try to speak the same language to reach the best decisions for patient care, but often misunderstand each other whilst navigating the process of diagnosis, treatment and care, Lisa Sparks and Melinda Villagran clearly explain how health communication theory and research can help us better understand these complex interactions, and provide strategies for improving patient and provider communication. Sparks and Villagran cover a broad range of key issues and theories related to provider-patient interaction, including patient information and affective needs, barriers to effective communication in health-care contexts, and communication skills training for providers. Drawing on the most current literature in this vibrant field, they show the transformations that new technologies such as e-mail and text messaging have brought to communication with and between patients and providers, consider the roles of caregivers, both formal and informal, and illustrate how health-care organizations impact on interpersonal interactions. Throughout the book, Sparks and Villagran deftly illustrate how communicative understandings of patient-provider interaction can have positive practical outcomes, feeding into health behaviour change, creating a communication environment which can improve health literacy and ultimately lead to better health outcomes. With groundbreaking insights, on-point explanations, and deeply moving examples, Patient and Provider Interaction illuminates and enriches what is most often one of the most important interactions of our lives.

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A reexamination of Austen’s unpublished writings that uncovers their continuity with her celebrated novels—and that challenges distinctions between her “early” and “late” workJane Austen’s six novels, published toward the end of her short life, represent a body of work that is as brilliant as it is compact. Her earlier writings have routinely been dismissed as mere juvenilia, or stepping stones to mature proficiency and greatness. Austen’s first biographer described them as “childish effusions.” Was he right to do so? Can the novels be definitively separated from the unpublished works? In Jane Austen, Early and Late, Freya Johnston argues that they cannot.Examining the three manuscript volumes in which Austen collected her earliest writings, Johnston finds that Austen’s regard and affection for them are revealed by her continuing to revisit and revise them throughout her adult life. The teenage works share the milieu and the humour of the novels, while revealing more clearly the sources and influences upon which Austen drew. Johnston upends the conventional narrative, according to which Austen discarded the satire and fantasy of her first writings in favour of the irony and realism of the novels. By demonstrating a stylistic and thematic continuity across the full range of Austen’s work, Johnston asks whether it makes sense to speak of an early and a late Austen at all.Jane Austen, Early and Late offers a new picture of the author in all her complexity and ambiguity, and shows us that it is not necessarily true that early work yields to later, better things.

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Money is an evil that does good, and a good that does evil. It inspires hymns to the prosperity it enables, manifestos about the poor it leaves behind, and diatribes for its corrosion of morality. In The Wisdom of Money, one of the world’s great essayists guides us through the rich commentary that money has generated since ancient times—both the passions and the resentments—as he builds an unfashionable defense of the worldly wisdom of the bourgeoisie.Bruckner begins with the worshippers and the despisers. Sometimes they are the same people—priests, for example, who venerate the poor from within churches of opulence and splendor. This hypocrisy endures in our secular world, he says, not least in his own France, where it is de rigueur even among the rich to feign indifference to money. It is better to speak plainly about money in the old American fashion, in Bruckner’s view. A little more honesty would allow us to see through the myths of money’s omnipotence but also the dangers of the aristocratic, ideological, and religious systems of thought that try to put money in its place. This does not mean we should emulate the mega-rich with their pathologies of consumption, competition, and narcissistic philanthropy. But we could do worse than defy three hundred years of derision from novelists and poets to embrace the unromantic bourgeois virtues of work, security, and moderate comfort. It is wise to have money, Bruckner tells us, and wise to think about it critically.

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What is colonialism and what is a colonial state? Ranajit Guha points out that the colonial state in South Asia was fundamentally different from the metropolitan bourgeois state which sired it. The metropolitan state was hegemonic in character, and its claim to dominance was based on a power relation in which persuasion outweighed coercion. Conversely, the colonial state was non-hegemonic, and in its structure of dominance coercion was paramount. Indeed, the originality of the South Asian colonial state lay precisely in this difference: a historical paradox, it was an autocracy set up and sustained in the East by the foremost democracy of the Western world. It was not possible for that non-hegemonic state to assimilate the civil society of the colonized to itself. Thus the colonial state, as Guha defines it in this closely argued work, was a paradox--a dominance without hegemony.Dominance without Hegemony had a nationalist aspect as well. This arose from a structural split between the elite and subaltern domains of politics, and the consequent failure of the Indian bourgeoisie to integrate vast areas of the life and consciousness of the people into an alternative hegemony. That predicament is discussed in terms of the nationalist project of anticipating power by mobilizing the masses and producing an alternative historiography. In both endeavors the elite claimed to speak for the people constituted as a nation and sought to challenge the pretensions of an alien regime to represent the colonized. A rivalry between an aspirant to power and its incumbent, this was in essence a contest for hegemony.

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How do we ensure that waste and inefficiency do not undermine the mission of publicly funded schools? Derek Neal writes that economists must analyze education policy in the same way they analyze other procurement problems. Insights from research on incentives and contracts in the private sector point to new approaches that could induce publicly funded educators to provide excellent education, even though taxpayers and parents cannot monitor what happens in the classroom.Information, Incentives, and Education Policy introduces readers to what economists know—and do not know—about the logjams created by misinformation and disincentives in education. Examining a range of policy agendas, from assessment-based accountability and centralized school assignments to charter schools and voucher systems, Neal demonstrates where these programs have been successful, where they have failed, and why. The details clearly matter: there is no quick-and-easy fix for education policy. By combining elements from various approaches, economists can help policy makers design optimal reforms.Information, Incentives, and Education Policy is organized to show readers how standard tools from economics research on information and incentives speak directly to some of the most crucial issues in education today. In addition to providing an overview of the pluses and minuses of particular programs, each chapter includes a series of exercises that allow students of economics to work through the mathematics for themselves or with an instructor’s assistance. For those who wish to master the models and tools that economists of education should use in their work, there is no better resource available.

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Listen to a short interview with James DawesHost: Chris Gondek | Producer: Heron & CraneAfter the worst thing in the world happens, then what? What is left to the survivors, the witnesses, those who tried to help? What can we do to prevent more atrocities from happening in the future, and to stop the ones that are happening right now? That the World May Know tells the powerful and moving story of the successes and failures of the modern human rights movement. Drawing on firsthand accounts from fieldworkers around the world, the book gives a painfully clear picture of the human cost of confronting inhumanity in our day.There is no dearth of such stories to tell, and James Dawes begins with those that emerged from the Rwandan genocide. Who, he asks, has the right to speak for the survivors and the dead, and how far does that right go? How are these stories used, and what does this tell us about our collective moral future? His inquiry takes us to a range of crises met by a broad array of human rights and humanitarian organizations. Here we see from inside the terrible stresses of human rights work, along with its curious seductions, and the myriad paradoxes and quandaries it presents.With pathos, compassion, and a rare literary grace, this book interweaves personal stories, intellectual and political questions, art and aesthetics, and actual "news" to give us a compelling picture of humanity at its conflicted best, face-to-face with humanity at its worst.

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The Book of the Dead of Sobekmose, in the collection of the Brooklyn Museum, New York, is one of the most important surviving examples of the ancient Egyptian Book of the Dead genre. Such ‘books’ – papyrus scrolls – were composed of traditional funerary texts, including magic spells, that were thought to assist a dead person on their journey into the afterlife. The ancient Egyptians believed in an underworld fraught with dangers that needed to be carefully navigated, from the familiar, such as snakes and scorpions, to the extraordinary: lakes of fire to cross, animal-headed demons to pass and, of course, the ritual Weighing of the Heart, whose outcome determined whether or not the deceased would be ‘born again’ into the afterlife for eternity. This publication is the first to offer a continuous English translation of a single, extensive, major text that can speak to us from beginning to end in the order in which it was composed. The papyrus itself is one of the longest of its kind to come down to us from the New Kingdom, a time when Egypt’s international power and prosperity were at their peak. This new translation not only represents a great step forward in the study of these texts, but also grants modern readers a direct encounter with what can seem a remote and alien civilization. With language that is, in many places, unquestionably evocative and very beautiful, it offers a look into the mindset of the ancient Egyptians, highlighting their beliefs and anxieties about this world as well as the next.

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"Lilyan Wilder has trained more broadcasters, politicians, and business executives than anybody." - Charles Osgood, Anchor, CBS News Sunday Morning. When people say they'd rather die than address an audience, they're not kidding. Fear of public speaking has even topped death in some surveys. But now top communications consultant Lilyan Wilder offers some sound advice on how to overcome the crippling inhibition of public speaking. Her clients have included media icons Oprah Winfrey and Charlie Rose, former President George Bush, John Sculley, and Katharine Graham. 7 Steps to Fearless Speaking will teach you how to cope with the panic, avoidance, and trauma of speaking as you give the gift of your conviction and experience your voice for the first time. "Lilyan Wilder is the industry's undisputed grand dame of broadcast coaching." -The New York Times. "Lilyan Wilder understands how to make the essential connection between a speaker and an audience. In this book, she tells you how to do it as she has told so well to so many famous communicators." -Charlie Rose. "7 Steps to Fearless Speaking has helped me to speak with persuasion and conviction....Follow Wilder's sage counsel, and you'll find your public speaking much improved and more rewarding." -Ivan Seidenberg, Chairman and CEO, Bell Atlantic. "Lilyan Wilder is simply the best. I continue to use many of her exercises on a daily basis. They're wonderful." -Dr. Bob Arnot, Chief Medical Correspondent, NBC News. "Lilyan Wilder is simply awesome, personally and professionally." -Maria Shriver, Correspondent, NBC News.

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In February 1962, three years into Fidel Castro's rule of their Cuban homeland, the González family—an auto mechanic, his wife, and two young children—landed in Miami with a few personal possessions and two bottles of Cuban rum. As his parents struggled to find work, eleven-year-old Gerardo struggled to fit in at school, where a teacher intimidated him and school authorities placed him on a vocational track. Inspired by a close friend, Gerardo decided to go to college. He not only graduated but, with hard work and determination, placed himself on a path through higher education that brought him to a deanship at the Indiana University School of Education.In this deeply moving memoir, González recounts his remarkable personal and professional journey. The memoir begins with Gerardo's childhood in Cuba and recounts the family's emigration to the United States and struggles to find work and assimilate, and González's upward track through higher education. It demonstrates the transformative power that access to education can have on one person's life. Gerardo's journey came full circle when he returned to Cuba fifty years after he left, no longer the scared, disheartened refugee but rather proud, educated, and determined to speak out against those who wished to silence others. It includes treasured photographs and documents from González's life in Cuba and the US. His is the story of one immigrant attaining the American Dream, told at a time when the fate of millions of refugees throughout the world, and Hispanics in the United States, especially his fellow Cubans, has never been more uncertain.

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A consideration of how contemporary art can offer a deeper understanding of selfhood. With Each One Another, Rachel Haidu argues that contemporary art can teach us how to understand ourselves as selves—how we come to feel oneness, to sense our own interiority, and to shift between the roles that connect us to strangers, those close to us, and past and future generations. Haidu looks to intergenerational pairings of artists to consider how three aesthetic vehicles––shape in painting, characters in film and video, and roles in dance––allow us to grasp selfhood. Better understandings of our selves, she argues, complement our thinking about identity and subjecthood. She shows how Philip Guston’s figurative works explore shapes’ descriptive capacities and their ability to investigate history, while Amy Sillman’s paintings allow us to rethink expressivity and oneness. Analyzing a 2004 video by James Coleman, Haidu explores how we enter characters through their interior monologues, and she also looks at how a 2011 film by Steve McQueen positions a protagonist’s refusal to speak as an argument for our right to silence. In addition, Haidu examines how Anne Teresa de Keersmaeker’s distribution of roles across dancers invites us to appreciate formal structures that separate us from one another while Yvonne Rainer’s choreography shows how such formal structures also bring us together. Through these examples, Each One Another reveals how artworks allow us to understand oneness, interiority, and how we become fluid agents in the world, and it invites us to examine—critically and forgivingly—our attachments to selfhood.

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Featured on BBC Radio 4’s Open Book • Featured on BBC Radio 3’s Free Thinking • An ELLE Magazine cultural pick • Reviewed in the Observer ‘Beautifully written’ Joanna Cannon ‘Fascinating … full of personality’ Guardian ‘Brilliant … What a debut’ Pandora Sykes ‘How could I explain to her that nothing in my life felt real? That in a country like Kuwait, where everyone knew everything about each other, the most monumental thing to ever happen to me was buried and covered over? For the sake of my reputation, my future, my sister’s and cousins; the family honor sat on my little shoulders, so no-one could ever know.’ Dahlia has two lives. In one, she is a young woman with a good job, great friends and a busy social life. In the other, she is an unmarried daughter living at home, struggling with a burgeoning anxiety disorder and a deeply buried secret: a violent betrayal too shameful to speak of. With her thirtieth birthday fast-approaching, pressure from her mother to accept a marriage proposal begins to strain the family. As her two lives start to collide and fracture, all Dahlia can think of is escape: something that seems impossible when she can’t even leave the country without her father’s consent. But what if Dahlia does have a choice? What if all she needs is the courage to make it? Set in contemporary Kuwait, The Pact We Made is a deeply affecting and timely debut about family, secrets and one woman’s search for a different life.

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'I am writing this for you Saleem. I am writing about us, about how I loved you, and how I killed you.' As Avi Goldberg, the son of a Jewish pioneer, sits at a desk in a dark cell in a military prison in the Negev desert, he fills the long nights writing about his friend Saleem, an Israeli Arab he befriended on a beach one scorching July day, and the story of Saleem's family, whose loss of their Ancestral home in 1948 cast a long shadow over their lives. Avi and Saleem understand about the past: they believe it can be buried, reduced to nothing. But then September 2000 comes and war breaks out - endless, unforgiving and filled with loss. And in the midst of the Intifada, which rips their peoples apart, they both learn that war devours everything, that even seemingly insignificant, utterly mundane, things get lost in war and that, sometimes, if you do not speak of these things, they are lost to you forever. Set amongst the white chalk Galilee Mountains and the hostile desert terrain of the Negev Desert, the inbetween people is a story of longing that deals with hatred, forgiveness, and the search for redemption. The haunting poetic tone is not unlike that of Ben Okri's 'The Famished Road', whilst the themes examined are similar to those dealt with by Pat Barker in 'The Ghost Road'. The simplicity of the tone is unflinching throughout, and depicts the eternal search for a home and a sense of place.

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An inspirational, practical, and research-based guide for standing up and speaking out skillfully at work.Have you ever wanted to disagree with your boss? Speak up about your company's lack of diversity or unequal pay practices? Make a tough decision you knew would be unpopular?We all have opportunities to be courageous at work. But since courage requires risk—to our reputations, our social standing, and, in some cases, our jobs—we often fail to act, which leaves us feeling powerless and regretful for not doing what we know is right. There's a better way to handle these crucial moments—and Choosing Courage provides the moral imperative and research-based tactics to help you become more competently courageous at work.Doing for courage what Angela Duckworth has done for grit and Brene Brown for vulnerability, Jim Detert, the world's foremost expert on workplace courage, explains that courage isn't a character trait that only a few possess; it's a virtue developed through practice. And with the right attitude and approach, you can learn to hone it like any other skill and incorporate it into your everyday life.Full of stories of ordinary people who've acted courageously, Choosing Courage will give you a fresh perspective on the power of voicing your authentic ideas and opinions. Whether you’re looking to make a mark, stay true to your values, act with more integrity, or simply grow as a professional, this is the guide you need to achieve greater impact at work.

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