Search results for ""Author Ross"

A beautiful collection of poems to nourish, inspire and change the women who read them.This transformative collection of poems by female poets through the ages sing to us across the centuries. These poems span the worlds of desire, love and friendship, of responsibility, hardship and care, of family and friends and lovers. Their words empower us with strength and courage, fill us with verve and spirit, and inspire creativity and imagination.Contemporary voices of Fiona Benson and Jane Yeh join the evocative imagery of Christina Rossetti, Anna Akhmatova and Emily Dickinson. Even the haunting voices of ancient Sappho, Venmaniputti and Li Qingzhao touch today's generation. Here are poems written by women, with women's lives in mind. As Gertrude Stein writes, 'such a sweet singing' is in the poetry that comes to us clear and lovely from out of the dark. Read these poems aloud. Remember them. Share them.

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Marcia Landy examines the history of Italian celebrity culture and ponders the changing qualities of stardom in the 20th and 21st centuries. She considers the historical conditions for the rise of stardom in the context of various media, from the silent era to contemporary media, tracking how stardom shapes national and international identities. The phenomenon of the diva in the early European cinema, the invention of new stars in the sound cinema, the postwar impact on stardom through the introduction of changing forms of narration in popular genres, and the contributions to the changing faces of stardom through the films and the personas of such auteurs as Rosselini, Visconti, Fellini, and Pasolini are examined in Stardom, Italian Style. Landy's genealogy of Italian star images identifies their connections to social history, landscape and geography, conceptions of femininity and masculinity, the physical and virtual body, regionalism, technology, and leisure.

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Advent is a season of waiting and anticipation in which the waiting itself is strangely rich and fulfilling. Poetry can help us fathom the depths of Advent's many paradoxes: dark and light, emptiness and fulfilment, ancient and ever new. For every day from Advent Sunday to Christmas Day and beyond, the bestselling poet Malcolm Guite chooses a favourite poem from across the Christian spiritual and English literary traditions and offers incisive seasonal reflections on it. In the spirit of the season, he blends the familiar and the new, ranging from from spiritual classics such as Edmund Spenser, John Donne, George Herbert and Christina Rossetti, to contemporary voices Luci Shaw and Scott Cairns. His own acclaimed sequence of sonnets for the great Advent antiphons are also included.

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SHORTLISTED FOR THE COSTA BIOGRAPHY AWARDMussolini was not only ruthless: he was subtle and manipulative. Black-shirted thugs did his dirty work for him: arson, murder, destruction of homes and offices, bribes and intimidation. His opponents – including editors, union representatives, lawyers and judges – were beaten into submission. But the tide turned in 1924 when his assassins went too far, horror spread across Italy, and antifascist resistance was born. Among those whose disgust hardened into bold and uncompromising resistance was a family from Florence: Amelia, Carlo and Nello Rosselli. Caroline Moorehead draws readers into the lives of this remarkable family – their loves, their loyalties, their laughter and their ultimate sacrifice.

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Over and Done is a celebration of the classic Quo line-up of Rossi, Parfitt, Lancaster and Coghlan and is built around a huge selection of mainly, unpublished on and off stage photos from the seventies, alongside those from the 2013/14 reunion. Words come from long-standing, devoted Quo fan Alan Stutz who has seen the band in excess of one hundred times since 1976, including every London show the classic line-up played in the seventies plus the very last show performed in Dublin. This unique book encapsulates the excitement of the ultimate Quo line-up in all its glory and is topped off with a foreword by John Coghlan. With the sad passing of Rick Parfitt in 2016 and Alan Lancaster in 2021, the 2013/14 reunion proved to be the last chance to witness the legendary four on stage. This book will help bring back some of the excitement and memories that every Quo fan who witnessed the classic band will have. This is a beautiful memento of moments in Quo history that sadly are now truly over and done.

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L'arquitecte Maurici Ribes està enfonsat, i la seva dona, Sofia, també. Han perdut la seva única filla, Elena, morta als dotze anys. Conserven intacta l'habitació d'Elena i li posen cada dia un plat a taula, i aquest ritual, que els uneix i els consola, els distancia més i més dels parents i dels amics. Només Lluís, el germà de Maurici, i Adela, la tia de Sofia, els visiten assíduament; i també el doctor Ramon Murall, cosí de Maurici i Lluís. Però el pas del temps va canviant a poc a poc les coses, fins que la vida del matrimoni es capgira de nou per obra i gràcia d'una noia de la mateixa edat que Elena. És una òrfena acollida a la Casa de Caritat, alta i rossa i amb els ulls d'un blau líquid, i es diu Eva...

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Published to accompany a major new exhibition at the Sainsbury Centre, this book examines the spectacular and controversial vision of art practice that raged across the Western world from the end of the 19th century: Art Nouveau.The role of nature is a key focus of the exhibition. The common theme of translating plants into patterns will be explored as a defining feature of the modern style. Art and objects will represent Art Nouveau from different countries, where it appeared characterised as flowing, tensile line, and dramatic movement, or by organic imagery combined with an informal geometry.Artists and designers include René Lalique, Edgar Degas, Charles Rennie Mackintosh, William Morris; Alphonse Mucha and Gabriel Dante Rossetti.

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Few ingredients inspire more high-soaring praise and provoke greater outrage than foie gras. Literally meaning ‘fat liver’, foie gras is traditionally produced by force-feeding geese or ducks, a process which has become the object of widespread controversy and debate. In Foie Gras: A Global History, Norman Kolpas strives to provide a balanced and engaging account of this luxurious ingredient’s history and production from ancient Egypt to modern times. Kolpas also explores how foie gras has inspired writers, artists and musicians including Homer, Melville, Asimov, Monet and Rossini. The book includes a guide to purchasing, preparing and serving foie gras as well as 10 easy recipes from classic dishes to contemporary treats.

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In Praise of Famous Horses is an A-Z companion to perhaps the most loved of all domesticated animals. From D.H. Lawrence's horse Aaron, whose hide was posthumously made into a duffel-bag, to Zippy Chippy, fabled American loser, all the horses featured in this book have their very own claim to fame. Some - among them Bucephalas, Red Rum, Champion the Wonder Horse and Rocinante - are permanent residents in the equine pantheon. Others - such as Rossa Prince, who managed to lose a walkover - attract more qualified appreciation.Literature, history and art, battlefield, movie and television, myth, racecourse and religion are all enriched by these magnificent creatures. From A to Z, here is the wonderful world of famous horses.

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Johnny Rossendale has spent the last four years on the seas, away from the titled family he despises. But now he must turn his sailing cutter, the Sunflower, around and sail to Devon, where his mother lies dying.When Johnny makes landfall, though, he finds that his return is eagerly anticipated by some very sinister foes. After an attempt on his life, he realises that someone thinks a missing painting that belongs to the family is in his hands - and, worse, they are prepared to go to any lengths to get hold of it.But as Earl of Stowey, Johnny has eight centuries of robber-baron blood pumping through his veins. He won't let the family fortune fall into the hands of others without a fight . . .

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_______________ 'What a joy of a book this is' - Irish Times 'A delightful collection' - Scotsman _______________ Sometimes it's hard to find the right words. This poetry anthology provides the antidote, offering calm, hope and peace to all. Focusing on positivity, this is the perfect collection to dip into whenever you need a boost. Containing a selection of classic poems from Langston Hughes, Walt Whitman, Emily Dickinson and Christina Rossetti, as well as contemporary poems chosen by Sarah Crossan – the go-to verse novelist in the UK – this beautiful book will lift your spirits time and time again. An essential read and the perfect gift for anyone in need of comfort, joy and hope. For fans of The Poetry Pharmacy and Poems to Live Your Life By

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This is a scholarly monograph devoted to Jane Morris, an icon of Victorian art whose face continues to grace a range of Pre-Raphaelite merchandise. Described by Henry James as a 'dark, silent, medieval woman', Jane Burden Morris has tended to remain a rather one-dimensional figure in subsequent accounts. This book, however, challenges the stereotype of Jane Morris as silent model, reclusive invalid, and unfaithful wife. Drawing on extensive archival research as well as the biographical and literary tradition surrounding William Morris and Dante Gabriel Rossetti, the book argues that Jane Morris is a figure who complicates current understandings of Victorian female subjectivity because she does not fit neatly into Victorian categories of feminine identity. She was a working-class woman who married into middle-class affluence, an artist's model who became an accomplished embroiderer and designer, and an apparently reclusive, silent invalid who was the lover of Dante Gabriel Rossetti and Wilfred Scawen Blunt. Jane Morris particularly focuses on textual representations - in letters, diaries, memoirs and novels - from the Victorian period onwards, in order to investigate the cultural transmission and resilience of the stereotype of Jane Morris. Drawing on recent reconceptualisations of gender, auto/biography, and afterlives, this book urges readers to think differently - about an extraordinary woman and about life-writing in the Victorian period. It is the first scholarly study of Jane Morris, which seeks to challenge the stereotype surrounding her as melancholy invalid and Pre-Raphaelite femme fatale. It is an innovative case study of the role of class, gender and sexuality in the formation of Victorian feminine subjectivity. It is a contribution to emerging field of new biography and Victorian afterlives through the inclusion and examination of a wide variety of texts which construct the self. It is an original exploration of feminine creative agency that challenges conventional understandings of masculine artistic autonomy in the Victorian period.

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Italian neo-realism has inspired film audiences and fascinated critics and film scholars for decades. This book offers an original analysis of the movement and its defining films from the perspective of the cultural unconscious. Combining a Jungian reading with traditional theorizations of film and national identity, Filming the Nation reinterprets familiar images of well-known masterpieces by Roberto Rossellini, Vittorio de Sica and Luchino Visconti and introduces some of their less renowned yet equally significant films.Providing an illuminating analysis of film images across a particularly traumatic and complex historical period, Filming the Nation revisits the concept of national identity and its ‘construction’ from a perspective that combines cultural, psychoanalytic and post-Jungian theories. As such this book will be essential reading for all students and scholars of film and psychoanalysis.

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This timely book brings together cutting-edge research on the important subject of science and innovation (S&I) policies. The contributors - distinguished social science scholars - tackle the key challenges of designing and implementing public policies in the context of the new knowledge economy. They provide an extensive overview of the most advanced methods for designing, monitoring, and evaluating S&I policies, and analyze current applications in a wide-ranging selection of fields along the innovation supply chain, from legal and institutional landscapes to the industrial sector. Topics discussed include technology transfer from higher education institutions, innovation support at industry level, measures sustaining venture capital, and firm internationalization processes. Bridging policy research and policy making via authoritative 'real-world' studies, this book will be warmly welcomed by both academics and policy makers with an interest in the design and implementation of public policies supporting S&I.Contributors: C. Amorim Varum, C. Antonelli, F. Bertoni, M.G. Colombo, A. Croce, C. Franzoni, A. Geuna, L. Grilli, A. Hughes, P. Landoni, B. Lepori, B. Leten, B. Moore, S. Murtinu, L. Piscitello, E. Reale, C. Rossi-Lamastra, S. Slipersaeter, T. Ulrichsen, B. Van Looy

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The contributors to Assembly Codes examine how media and logistics set the conditions for the circulation of information and culture. They document how logistics—the techniques of organizing and coordinating the movement of materials, bodies, and information—has substantially impacted the production, distribution, and consumption of media. At the same time, physical media, such as paperwork, along with media technologies ranging from phone systems to software are central to the operations of logistics. The contributors interrogate topics ranging from the logistics of film production and the construction of internet infrastructure to the environmental impact of the creation, distribution, and sale of vinyl records. They also reveal how logistical technologies have generated new aesthetic and performative practices. In charting the specific points of contact, dependence, and friction between media and logistics, Assembly Codes demonstrates that media and logistics are co-constitutive and that one cannot be understood apart from the other. Contributors Ebony Coletu, Kay Dickinson, Stefano Harney, Matthew Hockenberry, Tung-Hui Hu, Shannon Mattern, Fred Moten, Michael Palm, Ned Rossiter, Nicole Starosielski, Liam Cole Young, Susan Zieger

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This is the first modern critical study of Thomas Hood, the popular and influential nineteenth-century poet, editor, cartoonist and voice of social protest. Acclaimed by Dickens, the Brownings and the Rossettis, Hood’s quirky, diverse output bridges the years between 1820 and 1845 and offers fascinating insights for Romanticists and Victorianists alike. Lodge’s timely book explores the relationship between Hood’s playfulness, his liberal politics, and contemporary cultural debate about labour and recreation, literary materiality and urban consumption.Each chapter examines something distinctive of interdisciplinary interest, including the early nineteenth-century print culture into which Hood was born; the traditional, urban and political ramifications of the grotesque art and literature aesthetic; the cultural politics of Hood’s trademark puns; theatre, leisure and the ‘labour question’. Lively and accessible, this book will appeal to scholars of nineteenth-century English Literature, Visual Arts and Cultural Studies.

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for SATB and soloists (M-S, T, & B), with organ and flute or small ensemble With this majestic work Chilcott takes on a landmark of the choral repertory, the Christmas Oratorio. Words from St Luke and St Matthew are intertwined with 16th-19th-century poetry to create a compelling retelling of the Christmas story. Five hymn texts are set to new, original melodies that take their place among the season's tradition of great hymnody and enable the audience or congregation to join in with the choir. As in the St John Passion, much of the narrative is presented by a tenor soloist in the role of Evangelist, with focal points such as the Magnificat and Nunc dimittis and Rossetti's 'Love came down at Christmas' taken by mezzo-soprano and bass soloists. The chorus is integral to the storytelling, assuming small character roles and taking centre stage in two unaccompanied movements. A solo flute characterizes the angels, and the mellow tones of the brass ensemble evoke a sense of festive tradition.

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Encuadernación: RústicaChiara Ridolfi acaba de salir del colegio inglés en el que ha pasado toda su infancia. Viaja a Florencia a vivir con su padre y su tia, descendientes de una noble familia donde se enamorará perdidamente del doctor Salvatore Rossi, un hombre recio, hecho a sí mismo y con una inmensa conciencia de clase. Pero las cosas se complican en su primer encuentro, en un concierto para violín de Brahms, donde el mundo parece confabularse para que sientan que todo se interpone en su camino. Las personalidades de ambos, insegura ella e inflexible él, ayuda a hacer de su vida algo insoportable. Hasta que alguien decide adoptar una medida sorprendente y extrema, fruto de una peculiaridad ancestral del temperamento familiar.Penelope Fitzgerald, autora de La librería y El inicio de la primavera, nos sumerge en una nueva novela tremendamente seductora, creando un universo real y completo, casi tangible, en el que es posible encontrar un auténtico prodigio tras cada esquina.

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A stunning gift book featuring 130 poems about wanderlust, freedom and escape written by women. With poems from classic, well loved poets as well as innovative and bold modern voices, She Will Soar is a stunning collection and an essential addition to any bookshelf. From the ancient world right up to the present day, it includes poems on wanderlust, travel, daydreams, flights of fancy, escaping into books, tranquillity, courage, hope and resilience. From frustrated housewives to passionate activists, from servants and suffragettes to some of today’s most gifted writers, here is a bold choir of voices demanding independence and celebrating their hard-won power.Immerse yourself in poems by Carol Ann Duffy, Christina Rossetti, Stevie Smith, Sarah Crossan, Emily Dickinson, Salena Godden, Mary Jean Chan, Charly Cox, Nikita Gill, Fiona Benson, Hollie McNish and Grace Nichols to name but a few

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The Conquerors charts the rise, fall and resurgence of AC Milan across one of the club's most legendary eras. Fresh from a coaching baptism of fire at either end of the top Italian divisions, former club favourite Carlo Ancelotti returned to a then-disjointed Rossoneri dressing room as first-team manager in 2001. Out of sorts, out of form and out of touch with the standards set by the side in Ancelotti's day, AC Milan found a much-needed stabilising influence in the new coach, who helped them through a phase of transition. Though his impact wasn't immediate, nor without its share of dissenters, Ancelotti would ultimately return the team to its former glory. The Conquerors is a homage to one of the greatest club sides in football history. It's a story of incredible talent, iconic moments and the kind of improbable redemption usually reserved for Hollywood movie scripts.

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Discover the main instruments of the orchestra accompanied by 10 sound clips of child-friendly famous pieces, including Lark Ascending, Flight of the Bumblebee, Carnival of the Animals, Children's Intermezzo Suite, and more.Featuring 10 different sound buttons throughout the book that play 10-second clips of famous classical pieces performed by a live orchestra. Parents and carers - save the batteries, and your patience, with an on/off switch for the musical sounds located on the left of the back cover.Tune up and take your seat - the orchestra is about to begin!Introduce the maestro-in-making in your life to orchestral music. Follow Ava and Jayden on a magical journey as they discover the instruments of the orchestra and explore beautiful scenes inspired by the music. Young readers can discover instruments from the violin to the trumpet, and learn about the composers and their dazzling pieces. The spreads tell the story of the classical tune, while the sound button brings it to life.Discover 10 famous classic pieces appropriate for children, including;- Williams' The Lark Ascending- Saint-Saëns' Carnival of the Animals- Rossini's William Tell- Rimsky-Korsakov's Flight of the Bumblebee- Handel's Messiah- Tchaikovsky's Swan Lake- Gershwin's Rhapsody in Blue- Strauss' Sunrise- Mozart's Horn Concerto No. 4- Clara Schumann's Piano Concerto in A minor.Ideal for young fans of classical music aged 4-7 years and those beginning to learn an instrument, The Very Young Person's Guide to the Orchestra is guaranteed to amaze and inspire. The story text leads you through magical scenes inspired by the orchestra and music with easy-to-read rhymes pulled out for younger readers and fascinating fact boxes to reinforce learning. The easy press buttons play 10 seconds of music each.

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Word Guild 2012 Canadian Christian Writing Award Honorable Mention, The Grace Irwin Prize (2013) 2012 Book of the Year Award, Foreword Magazine The history of women interpreters of the Bible is a neglected area of study. Marion Taylor presents a one-volume reference tool that introduces readers to a wide array of women interpreters of the Bible from the entire history of Christianity. Her research has implications for understanding biblical interpretation--especially the history of interpretation--and influencing contemporary study of women and the Bible. Contributions by 130 top scholars introduce foremothers of the faith who address issues of interpretation that continue to be relevant to faith communities today, such as women's roles in the church and synagogue and the idea of religious feminism. Women's interpretations also raise awareness about differences in the ways women and men may read the Scriptures in light of differences in their life experiences. This handbook will prove useful to ministers as well as to students of the Bible, who will be inspired, provoked, and challenged by the women introduced here. The volume will also provide a foundation for further detailed research and analysis. Interpreters include Elizabeth Rice Achtemeier, Saint Birgitta of Sweden, Catherine Mumford Booth, Anne Bradstreet, Catherine of Siena, Clare of Assisi, Egeria, Elizabeth I, Hildegard, Julian of Norwich, Thérèse of Lisieux, Marcella, Henrietta C. Mears, Florence Nightingale, Phoebe Palmer, Faltonia Betitia Proba, Pandita Ramabai, Christina Georgina Rossetti, Dorothy Leigh Sayers, Elizabeth Cady Stanton, Harriet Beecher Stowe, St. Teresa of Avila, Sojourner Truth, and Susanna Wesley.

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This unique troika of Handbooks provide indispensable coverage of the history of economic analysis. Edited by two of the foremost academics in the field, they gather together insightful and original contributions from scholars across the world. The encyclopaedic breadth and scope of the original entries will make these Handbooks an invaluable source of knowledge for all serious students and scholars of the history of economic thought.Each Handbook can be read individually and acts as a self-contained volume in its own right. They can be purchased separately or as part of a three-volume set.Volume III contains entries on the development of major fields in economics from the inception of systematic analysis until modern times. The reader is provided with succinct summary accounts of the main problems, the methods used and the results obtained across time. The emphasis is on both the continuity and major changes that have occurred in the economic analysis of problematic issues such as economic growth, income distribution, employment, inflation, business cycles and financial instability.Contributors: M. Assous, A. Baccini, Jr., A. Baujard, É. Bertrand, M. Boumans, J.L. Cardoso, M. Dal Pont-Legrand, J. De Boyer Des Roches, M. De Vroey, S. Di Rizzello, S. Diatkine, K. Dopfer, A.K. Dutt, R. Ege, G. Erreygers, D. Foley, R. Gómez Betancourt, D. Haas, H. Hagemann, E. Hosoda, H. Igersheim, A. Kirman, J. Kleinert, H. Kliemt, H.D. Kurz, R. Leonard, P. Malgrange, A. Maneschi, P. Mehrling, S. Mohun, M. Mosca, S. Noto, A. Opocher, N. Palan, F. Petri, A. Rainer, S. Rizzello, J.B. Rosser, M. Salles, N. Salvadori, M. Schütz, R. Signorino, A. Spada, P. Steiner, A. Stirati, R. Strohmaier, R. Sturn, C. Sunna, J.-F. Thisse, P. Tubaro, K. Watarai

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Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the ways filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to Screening Race in American Nontheatrical Film examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films as well as other forms of nontheatrical filmmaking. From filmic depictions of Native Americans and films by 1920s African American religious leaders to a government educational film about the unequal treatment of Latin American immigrants, these films portrayed—for various purposes and intentions—the lives of those who were mostly excluded from the commercial films being produced in Hollywood. This volume is more than an examination of a broad swath of neglected twentieth-century filmmaking; it is a reevaluation of basic assumptions about American film culture and the place of race within it. Contributors. Crystal Mun-hye Baik, Jasmyn R. Castro, Nadine Chan, Mark Garrett Cooper, Dino Everett, Allyson Nadia Field, Walter Forsberg, Joshua Glick, Tanya Goldman, Marsha Gordon, Noelle Griffis, Colin Gunckel, Michelle Kelley, Todd Kushigemachi, Martin L. Johnson, Caitlin McGrath, Elena Rossi-Snook, Laura Isabel Serna, Jacqueline Najuma Stewart, Dan Streible, Lauren Tilton, Noah Tsika, Travis L. Wagner, Colin Williamson

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Making a compelling argument for the continuing relevance of Brechtian film theory and cinema, this book offers new research and analysis of Brecht the film and media theorist, placing his scattered writings on the subject within the lively film theory debates that took place in Europe between the 1920s‐1960s. Furthermore, Angelos Koutsourakis identifies key points of convergence between Brecht’s `unfinished project’ and contemporary film and media theory. With case studies of films ranging from Robert Roberto Rossellini’s `Paisà’ to Bernardo Bertolucci’s `1900’ and Joshua Oppenheimer’s `The Act of Killing’ amongst others, this study challenges many existing preconceptions about Brecht’s theoretical position and invites readers to discover new ways of apprehending and making use of Brecht in film studies.

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A brilliant, dip-in collection of poems to be read aloud, with tips and advice on how to be the best poetry performer! This wonderful anthology is full of poems that are easy to remember and perfect for reciting out loud. It includes new, modern and classic poems, ranging from very short to long and written by a diverse range of poets from Joshua Seigal to Christina Rossetti and from Lewis Carrol to Debjani Chatterjee. The poems are arranged in order of length, making it easy to select the right poem for every level. Featuring tips for readers, teachers and parents on how to memorise poems and on performing them out loud, this book is perfect for the memorising and performance elements in the primary National Curriculum. Book Band: Brown Aimed at readers aged 7+

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In Poems to Live Your Life By, Chris Riddell, political cartoonist for the Observer, has selected his very favourite classic and modern poems about life, death and everything in between.This gorgeously illustrated collection includes forty-six poems and is divided into sections covering: musings, youth, family, love, imaginings, nature, war and endings. Chris Riddell brings them to life with his exquisite, intricate artwork in this beautiful anthology.This perfect gift features famous poems, old and new, and a few surprises. Classic verses from William Shakespeare, Lewis Carroll, W. B. Yeats and Christina Rossetti sit alongside poems from Nick Cave, Leonard Cohen, Carol Ann Duffy, Neil Gaiman and Roger McGough to create the ultimate collection.

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Save water: Drink Prosecco Who doesn't love a chilled glass of Prosecco? Champagne's younger, more affordable Italian cousin is a light, dry sparkling wine, perfect for every occasion. From a summer tipple to a tasty cocktail, dinner accompaniment or festive fizz, you just can't beat it. And as global sales would indicate, Prosecco is the new black.Bubbling with Prosecco-infused wit and wisdom, and mixed with recipes for some of Italy's most iconic Prosecco cocktails – the Spritz, Rossini, Mimosa – The Little Book of Prosecco is a sparkling celebration of one of the world's best-loved wines that will have you reaching for a bottle and popping that cork in no time.Prosecco has only 90 calories per glass – that's less than a banana! 'All you need is love, laughter and Prosecco.' Unknown

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Showcases the energy and diversity of the young field of music semiology, appealing to readers who want to explore the meaning of music in our lives. The Dawn of Music Semiology showcases the work of nine leading musicologists, inspired by the work of Jean-Jacques Nattiez, the founding father of music semiology. Now entering its fifth decade as Nattiez enters his eighth,music semiology, or music semiotics, is still a young, vibrant field, and this book reflects its energy and diversity. It appeals to readers wanting to explore the meaning of music in our lives and to understand the ways of appreciating the complexities that lie behind its simple beauty and direct impact on us. Following a preface by Pierre Boulez and an introduction by the editors, nine chapters discuss the latest thinking about general considerations such as music and gesture, the psychology of music, and the role of ethnotheory. The volume offers new research on topics as diverse as modeling folk polyphony, spatialization in the Darmstadt repertoire, Schenker's theory of musical content, compositional modernism from Wagner to Boulez, current music theory terminology, and Maderna's use of folk music in serial composition. CONTRIBUTORS: Kofi Agawu, Simha Arom, Rossana Dalmonte, Irène Deliège, Jonathan Dunsby, Jonathan Goldman, Nicolas Meeùs, Jean Molino, Arnold Whittall Jonathan Dunsby is Professor of Music Theory at the Eastman School of Music, University of Rochester. Jonathan Goldman is Professor of Musicology at the University of Montreal.

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Mapping the possibilities of photofilmic images. This book explores the different ways in which art, cinema, and other forms of visual culture respond to a digitized and networked world. Traditional discourses on medium specificity, developed in distinct disciplines, often fail to provide an adequate description of the transformations that photography and film have undergone. The essays, written by internationally renowned scholars, encompass a broad range of different media such as video, documentary film, cinema, photography, and the Internet, as well as different disciplines such as art history, film studies, photography theory, visual culture studies, and media theory. In this way they deal with various practices or techniques ranging from panoramas, drone surveillance, tableau vivant, press coverage, computer-based editing, digitized financial markets, and various concepts such as temporality and contemporaneity, eco-aesthetics and forensic practice, countervisuality, human rights and political imagination, social transparency and control, thus mapping the possibilities of the continuous border-crossing movement between photographic and filmic images within contemporary art and visual culture. This volume also contains, as an artist’s contribution, a substantial and richly illustrated interview with Eric Baudelaire. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Contributors: Eric Baudelaire (Paris), Brianne Cohen (Amherst College), Stefanie Diekmann (University of Hildesheim), Evgenia Giannouri (Paris 3 Sorbonne Nouvelle), Lilian Haberer (University of Cologne), Jana J. Haeckel (UCL), Ágnes Pethö (Sapientia University of Transylvania, Romania), Eivind Rossaak (National Library of Norway), Linda Schädler (ETH Zurich), Terry Smith (University of Pittsburgh), Alexander Streitberger (UCL), Hilde Van Gelder (KU Leuven).

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Seven nightmarish versions of Batman from seven dying alternate realities have been recruited by the dark god Barbatos to terrorize the World''s Greatest Heroes in our universe. They threaten life across the Multiverse, and the Justice League may be powerless to stop them! Now in paperback!Dark Nights: Metal: Dark Knights Rising introduces:The Batman Who Laughs: a lunatic driven mad by his world''s Joker. The Red Death: a thief who stole his reality''s Speed Force power.The Drowned: a female, amphibious Batman. The Dawnbreaker: a twisted Green Lantern.The Murder Machine: a deranged, deadly cyborg.The Merciless: a warrior who wears the helmet of Ares.The Devastator: a part-human, part-Doomsday monster.Featuring stories from Scott Snyder, James Tynion IV, Peter J. Tomasi, Grant Morrison, Joshua Williamson, Ethan Van Sciver, Philip Tan, Tyler Kirkham, Francis Manapul, Riley Rossmo, Tony S. Daniel, Howard Porter, Doug Mahnke and

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Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cello bag, and are themed with our art calendars, foiled notebooks and illustrated art books.William Morris was inspired a great deal by nature, as can be seen here in Compton. This love for flora and fauna came about as a result of following the doctrines of the Pre-Raphaelite Brotherhood, which Morris became drawn to, developing close friendships with its founders, Dante Gabriel Rossetti (1828–82), William Holman Hunt (1827–1910) and John Everett Millais (1829–96).

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The paintings of the Pre-Raphaelite Brotherhood are widely known and loved, but this book – newly available in paperback – presents a comprehensive survey of the intimate world of the Pre-Raphaelites’ drawings. Works by Dante Gabriel Rossetti, William Holman Hunt and John Everett Millais are set beside those of their followers Edward Burne-Jones, William Morris and Ford Madox Brown, as well as lesser-known figures such as James Collinson and Frederick Sandys. Copiously illustrated with Pre-Raphaelite drawings from public and private collections around the UK, the book features an illuminating text by the renowned art historian Colin Cruise, offering a fresh and intimate perspective on this much-loved group of artists. ‘Highly readable … a fresh and intimate look at a compelling subject’ – Good Book Guide ‘A lasting contribution to the study of Pre-Raphaelite drawings’ – The Burlington Magazine ‘Packed with illustrations and an illuminating text’ – RA Magazine ‘A totally rewarding book in every way: it is a joy to look at and a delight to read’ – Artist

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The city is the largest human artefact. It is made by us, yet simultaneously it makes us, as well as all other nonhuman entities. The particular discourse to which this book on the city contributes is the discipline of architecture. It explores a simple question: How does the city effect the mode of existence of its buildings? The tradition within architectural history that identifies the city as the origin of our buildings poses a challenge to us, as architects, to theorise about the city’s form and use in order to rationalise our own actions. In opposition to other disciplinary approaches to the city and its architecture, the book argues not for type (Rossi, Ungers) as the deepest aspect of the architecture of the city. Neither will it be the function (Venturi & Scott Brown, Koolhaas) of the city to explain its material organisation, nor is matter considered (Jacobs, Banham) to be deeper than the real city. Instead, this book argues that the mode of existence of architecture is inherent to the city itself, which originates its architecture as part of its being as a technical object.

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Nightmare Abbey is a novella by Thomas Love Peacock, first published in 1818, widely considered to be Peacock’s most enduringly popular work. The narrative centres on Christopher Glowry, a miserly widower, his son Scythrop and a host of dismal-sounding servants in his family pile, Nightmare Abbey. Recovering from an ill-fated love affair, Scythrop dreams up various schemes to reform and regenerate the human species, but misanthropy lurks around every corner, and everything changes when a mermaid is spotted and a strange woman appears in his chamber. Although fundamentally a Gothic novel, and rich in allusion – from Pope to Dante, Rossini to Mozart – Nightmare Abbey is, at heart, a satire, as Peacock makes clear in the preface to a later edition, in which he describes the characters – allusions to his friends – as ‘status-quo-ites’, ‘morbid visionaries’, ‘romantic enthusiasts’ and ‘lovers of good dinners’.

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Packed with riches yet highly accessible, The Heart's Time is at its core a series of short, resonant poems for each weekday of Lent and Easter. It will appeal to existing poetry lovers as well as those who want to start exploring how poems can be a resource for our spiritual lives, whether or not they are written with a consciously Christian intent. Poets often address subjects our culture seeks to avoid, and poetry demands that we 'slow down to the heart's time' in order to discover deeper levels of meaning than at first appear. Janet Morley offers her own skilful and reflective commentaries on a fascinating themed sequence of both familiar and unexpected poems, including works by Margaret Atwood, St Augustine, Charles Causley, E. E. Cummings, Emily Dickinson, Carol Ann Duffy, Ruth Fainlight, U. A. Fanthorpe, Robert Frost, Seamus Heaney, George Herbert, Elizabeth Jennings, Denise Levertov, Roger McGough, Adrienne Rich, Christina Rossetti, R. S. Thomas and Rowan Williams.

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A fresh new approach to Victorian medievalism, showing it to be far from the preserve of the elite. This book offers a challenge to the current study of nineteenth-century British medievalism, re-examining its general perception as an elite and conservative tendency, the imposition of order from above evidenced in the work of Walter Scott, in the Eglinton Tournament, and in endless Victorian depictions of armour-clad knights. Whilst some previous scholars have warned that medievalism should not be reduced to the role of an ideologically conservative discourse which always and everywhere had the role of either obscuring, ignoring, or forgetting the ugly truths of an industrialised modernity by appealing to a green and ordered Merrie England, there has been remarkably little exploration of liberal or radical medievalisms, still less of working-class medievalisms. Essays in this book question a number of orthodoxies. Can it be imagined that in the world of Ivanhoe, the Eglinton Tournament, Dante Gabriel Rossetti, Alfred Tennyson, the working class remained largely oblivious to, or at best uninterested in, medievalism? What, if any, was the working-class medievalist counter-blast to conservatism? How did feminism and socialismdeploy the medieval past? The contributions here range beyond the usual canonical cultural sources to investigate the ephemera: the occasional poetry, the forgotten novels, the newspapers, short-lived cultural journals, fugitive Chartist publications. A picture is created of a richly varied and subtle understanding of the medieval past on the part of socialists, radicals, feminists and working-class thinkers of all kinds, a set of dreams of the Middle Agesto counter what many saw as the disorder of the times.

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From the 1850s to the 1920s, laws regulating the industrial labor process, pensions for the elderly, unemployment insurance, and measures to educate and ensure the welfare of children were enacted in many industrializing capitalist nations. This same period saw the development of modern social sciences. The eight essays collected here examine the reciprocal influence of social policy and academic research in comparative context, ranging across policy areas and encompassing developments in Britain, the United States, Germany, France, Canada, Scandinavia, and Japan. Introduced by the editors, the essays include Part I on the emergence of modern social knowledge by Ira Katznelson, Anson Rabinbach, and Bjorn Wittrock and Peter Wagner; Part II on reformist social scientists and public policymaking by Dietrich Rueschemeyer and Ronan Van Rossem, Libby Schweber, and John R. Sutton; Part III on state managers and the uses of social knowledge by Stein Kuhnle and Sheldon Garon, and a conclusion by Rueschemeyer and Theda Skocpol. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Mentre el seu amic Bartomeu agonitza al sanatori del Brull, en Salvador rememora l?amistat que els ha unit. Encara no han fet els vint-i-cinc anys, i tenen molt en comú: són intellectualment brillants i ambiciosos; estimen l?art i la literatura; són insolents, provocadors i senten l?exaltació de la joventut; els agrada riure i parlar durant hores, s?admiren mútuament i han navegat plegats d?una punta a l?altra de la Mediterrània. Tot ho han compartit i celebrat, i és possible que s?hagin enamorat de la mateixa noia. Però aquest enamorament i les divergències ideològiques els han acabat allunyant. Som a l?any 1938, en plena guerra civil.Basada en la relació entre els poetes Salvador Espriu i Bartomeu Rosselló-Pòrcel, Dos amics de vint anys és una novella de celebració de la joventut i l?amistat, però també és un relat sobre la fragilitat de la bellesa, que quan sucumbeix deixa el seu lloc a l?enyorança i a l?alegria d?haver-la coneguda.

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Senza data (Undated), an exhibition at the Stefano Bardini Museum in Florence, presents a series of works by Italian artist Luca Pignatelli painted on railway tarpaulins, wood, paper, sheet metal, and Persian carpets from the early 20th century. The painted carpets stand out immediately for their size and their link with the vast collection of carpets in the museum. Luca Pignatelli studied architectural composition during the period influenced by the theories of Aldo Rossi and the idea of the sedimentary growth of history. He is an artist able to accept the challenge of large-scale paintings, working with unusual supports on which he overlays his own selection of images, icons of collective memory like trains, planes, machines, and relics of classical culture. This catalogue includes an interview with the artist and an essay by director of the Museo Novecento in Florence.

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"Untendentious and highly informative . . . " —Virginia Quarterly Review" . . . extremely useful and intellectually stimulating . . . " —SeminarZeitgeist in Babel vividly displays the confluence of discourse-formations concerning postmodernism as they take shape in the different disciplines of aesthetic mediums and philosophical discourse. The twenty contributors include Umberto Eco, Jacques Derrida, Clement Greenberg, Martin Jay, Charles Jencks, Susan Rubin Suleiman, and Richard Rorty.Other contributors are Charles Boone, Matei Calinescu, C. Barry Chabot, Erika Fischer-Lichte, David Hayman, Jost Hermand, Ingeborg Hoesterey, Peter Koslowski, Rosalind E. Krauss, Donald B. Kuspit, Stefano Rosso, Maureen Turim, and Gianni Vattimo.

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Now available again, this enchanting collection of 50 great poems continues to inspire with pleasure and wonder—a perfect gift.When a group of fifth-grade students asked fifty celebrities what their favorite poem was and why, the answers they received became a beautiful collection of some the world’s most beloved poems, from classic to modern, that continues to offer inspiration, solace, wisdom, and amusement. Each poem is accompanied by the celebrity’s brief letter explaining why they chose it and its resonance for them.Among the celebrities are Yo-Yo Ma, Joyce Carol Oates, Stephen Sondheim, Allen Ginsberg, Angela Lansbury, Kurt Vonnegut, Harolyn Blackwell, Isabella Rossellini, Bill Irwin, E. L. Doctorow, David Mamet, Elie Wiesel, Ally Sheedy, Ved Mehta, Tom Wolfe, David Dinkins, and Susan Minot. The poets include Emily Dickinson, Langston Hughes, Robert Frost, T. S. Eliot, Alice Walker, Mary Oliver, Frank O’Hara, Walt Whitman, William Carlos Williams, W. B. Yeats. and John Keats—not to mention Noel Coward and a ditty by David Mamet himself! Anna Quindlen and verse from Pulitzer Prize–winner Yusef Komunyakaa provide a thoughtful introduction.Royalties from this collection have been donated to charity since its original publication.

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A provocative case for historical ambiguity in architecture by one of the field's leading theoristsConceptions of modernity in architecture are often expressed in the idea of the zeitgeist, or "spirit of the age," an attitude toward architectural form that is embedded in a belief in progressive time. Lateness explores how architecture can work against these linear currents in startling and compelling ways. In this incisive book, internationally renowned architect Peter Eisenman, with Elisa Iturbe, proposes a different perspective on form and time in architecture, one that circumvents the temporal constraints on style that require it to be "of the times"—lateness. He focuses on three twentieth-century architects who exhibited the qualities of lateness in their designs: Adolf Loos, Aldo Rossi, and John Hejduk. Drawing on the critical theory of Theodor Adorno and his study of Beethoven's final works, Eisenman shows how the architecture of these canonical figures was temporally out of sync with conventions and expectations, and how lateness can serve as a form of release from the restraints of the moment.Bringing together architecture, music, and philosophy, and drawing on illuminating examples from the Renaissance and Baroque periods, Lateness demonstrates how today's architecture can use the concept of lateness to break free of stylistic limitations, expand architecture's critical capacity, and provide a new mode of analysis.

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It should have been an open-and-shut case. When a car bomb explodes, taking with it the wife of a prominent heart surgeon, NYPD detective Maxine Turner is sure she has arrested the right suspect—until Cory Rossini, a private investigator, begins muddying the waters. Max already has enough to deal with: her longtime partner is retiring, her latest case is suddenly anything but simple, and she now has a troubling attraction to a man who is proving to be annoyingly persistent. Having taken on the task of proving his friend’s innocence, Cory isn’t about to drop the ball—no matter how distractingly beautiful he finds the detective assigned to the investigation. When his sleuthing turns up other homicides connected to the cardiology department, including a young woman whose throat has been slit, he convinces Max that they should work together. And as they delve further into the vicious murders, they search for the one lead that will steer them straight to a killer…

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From a leading art historian of Renaissance Italy, a compelling account of the artistic and cultural impact of the sack of sixteenth-century RomeIn this illustrated account of the sack of Rome as a cultural and artistic phenomenon, André Chastel reveals the historical ambiguities of preceding events and the traumatic contrast between the flourishing world of art under Pope Clement VII and the city after it was looted by the troops of Emperor Charles V in 1527. Chastel illuminates the cultural repercussions of the humiliation of Rome, emphasizing the spread or “Europeanization” of the Mannerist style by artists who fled the city—including Parmigianino, Rosso, Polidoro, Peruzzi, and Perino del Vaga. At the same time, Clement’s critics used the new media of printing and engraving to win over the people with caricatures and satirical writings, while Rome responded with monumental works affirming the legitimacy of the pope’s temporal power. Chastel explores both the world that was lost by the sack and the great works of art created during Rome’s recovery.

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Messa da Requiem is the fourth work to be published in The Works of Giuseppe Verdi. Following the strict requirements of the series, this edition is based on Verdi's autograph and other authentic sources, and has been reviewed by a distinguished editorial board—Philip Gossett (general editor), Julian Budden, Martin Chusid, Francesco Degrada, Ursula Günther, Giorgio Pestelli, and Pierluigi Petrobelli. It is available as a two-volume set: a full orchestral score and a critical commentary. The appendixes include two pieces from the compositional history of the Requiem: an early version of the Libera me, composed in 1869 as part of a collaborative work planned as a memorial to Rossini; and the Liber scriptus, which in the original score of the Manzoni memorial Requiem was composed as a fugue in G minor. The score, which has been beautifully bound and autographed, is printed on high-grade paper in an oversized format. The introduction to the score discusses the work's genesis, instrumentation, and problems of notation. The critical commentary, printed in a smaller format, discusses the editorial decisions and traces the complex compositional history of the Requiem.

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If you thought surfing was a male-dominated sport, think again. The thirty women surfers profiled in this thrilling collection can rip a wave with the best of them. Hailing from all over the world, each surfer is featured in spectacular photography and with their own inspirational words. There’s American professional surfer Lindsay Steinriede on how her father’s death has inspired her career; French board shaper Valerie Duprat on how she got her start “sculpting foam”; Conchita Rossler, founder of Mooana Retreat in Portugal, on connecting mind, body, and spirit; and Australian photographer Cait Miers on empowering women. You’ll also meet surfers who are over sixty, who surf while pregnant, who captain boats, teach yoga, and make movies. Breathtaking photography captures these women from every angle, on and off the waves, in some of the world’s most visually stunning locations. The perfect gift for surfing enthusiasts, this unique compilation of stunning pictures and hard-won wisdom proves that the thrill of catching a wave, riding it, and kicking out belongs to everyone.

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This follow-up to the smash hit Cats Galore dives deeper into the world of Susan Herbert, whose delightful re-imaginings of some of the best-known and best-loved works of art have won her a devoted international following. Herbert’s first book, The Cats Gallery of Art, was published in 1990, and since then her work has appeared in numerous books, featuring cats in iconic works of art, as well as scenes from opera, Shakespearean plays and the movies – all with her trademark blend of humour and ability to capture those essential feline characteristics so instantly recognizable to cat lovers everywhere. In this new compilation, furry felines take over yet more of the world’s most famous masterpieces. They crowd into the pages of the 15th-century Très Riches Heures, zoom through the air as cherubic blindfolded Cupids in Renaissance masterworks, and pose stiffly in royal portraits, before loosening things up in the 19th century as artists take paint and palette out into the countryside. Ranging from medieval illuminated manuscripts to Old Master stalwarts such as Rembrandt and Vermeer, through to the likes of Monet and Rossetti, this second helping of cats in art will delight fans everywhere of a beloved artist.With 140 illustrations in colour

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