Search results for ""Author Dick"

This Devil’s Advocate explores the cinematic wonders of Brian Desmond Hurst’s much loved 1951 adaptation of A Christmas Carol, Scrooge, through the prism of horror cinema, arguing that the film has less in common with cosy festive tradition than it does with terror cinema like James Whale’s Bride of Frankenstein, Robert Weine’s The Cabinet of Dr. Caligari, and F.W. Murnau’s Faust. Beginning with Charles Dickens himself, a prolific writer of ghost stories, with A Christmas Carol being but one of many, Colin Fleming then considers earlier cinematic adaptations including 1935’s folk-horror-like Scrooge, before offering a full account of the Hurst/Sim version, stressing what must always be kept at the forefront of our minds: this is a ghost story.

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This is an amiable tour of wine's history, detailing the profound effect it has had on society and culture through the ages. From its origins in ancient Egypt and Mesopotamia to the New World wine industry today, John Varriano examines how wine is made, and how it has been used in rituals and revelries throughout history. He investigates wine's transformative effects on body and mind in art, literature and science around the world, from the mosaics of ancient Rome to the poetry of Emily Dickinson and the paintings of Caravaggio, Bosch and Manet. A fascinating, companiable exploration, Wine: A Cultural History will delight all those who favour a glass or two of an evening, as well as those who are interested in the rich history of human creativity and consumption.

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In this follow-up to her acclaimed debut The Met Office Advises Caution, Rebecca Watts observes and tests the limits of humanity's engagement with the non-human. By turns lyrical and narrative, the poems examine familiar subjects - environmental crisis, hawks, hospitals, the sea, barbecues, flowers, Emily Dickinson - only to find their subjects staring, sometimes fighting, back. Nature and nurture, equally red in tooth and claw, power a book-long sparring match between the overthinking poet and the ever-thoughtless universe, between the craft's isolation and the world's irrepressible variety. Gloves on and gloves off, the poet's hands destroy and build, gather and scatter, caress and strike.

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Mt. Holyoke, which overlooks the Pioneer Valley of western Massachusetts, has been a tourist destination and an inspiration for artists and writers for almost two centuries. The view from its summit attracted the Hudson River School artist Thomas Cole among many others, including literary visitors such as Emily Dickinson, Ralph Waldo Emerson, and Nathaniel Hawthorne. In 1836, Cole created the most famous painting associated with the mountain, based on sketches he made during his visit to the site. The Oxbow, which is a centerpiece of this book and the accompanying exhibition, shows a thunderstorm sweeping across the sky above the mountaintop in contrast to the gardenlike pastoral scene in the valley below. It has been described as the most important American landscape painting of the nineteenth century. Frequent flooding, changing settlement patterns, and industrialization have all had a role in altering the view from the summit. The Oxbow became a closed loop bisected by a highway, and marinas punctuate the Connecticut River. From Cole's time to our own, artists including Edward Corbett, Stephen Hannock, Alfred Leslie, and Elizabeth Meyersohn have observed and recorded these alterations. Color plates of their paintings and photographs, reproduced in the book, allow us to track changes to the landscape and to Cole's influence. Contemporary artists both challenge and pay homage to his vision of the scene, even as their images are used to underline the need to preserve the mountain's natural beauty and cultural significance.

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Primera traducción íntegra de la poesía de Marianne Moore.En la poesía del siglo XX, el nombre de Marianne Moore ocupa un lugar esencial. Quizá sea, después de Emily Dickinson, la poeta más radical que han dado las letras norteamericanas.Compañera de generación de Wallace Stevens o de William Carlos Williams, Moore logró crear un universo poético, tanto en el fondo como en la forma, muy distinto a lo que hasta entonces se había hecho. Poeta del mundo natural, muy poco dada al tono confesional, su poesía nace en el imaginismo de su generación y desemboca en el alumbramiento de una poesía construida con imágenes y símbolos de una belleza pura.Ahora publicamos, por primera vez en castellano, su poesía completa, al cuidado de Olivia de Miguel, experta en la obra de Moore. Un texto de T. S. Eliot sobre la poeta y la entrevista que le hizo Donald Hall completan la edición.

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Throughout history, potters, sculptors, painters, poets, novelists, cartoonists, song-writers, photographers, and filmmakers have recorded and tried to make sense of boxing. From Daniel Mendoza to Mike Tyson, boxers have embodied and enacted our anxieties about race, ethnicity, gender, and sexuality. In her encyclopedic investigation of the shifting social, political, and cultural resonances of this most visceral of sports, Kasia Boddy throws new light on an elemental struggle for dominance whose weapons are nothing more than fists. Looking afresh at everything from neoclassical sculpture to hip-hop lyrics, Boddy explores the ways in which the history of boxing has intersected with the history of mass media. Boddy pulls no punches, looking to the work of such diverse figures as Henry Fielding and Spike Lee, Charlie Chaplin and Philip Roth, James Joyce and Mae West, Bertolt Brecht and Charles Dickens in an all-encompassing study that tells us just how and why boxing has mattered so much to so many.

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Evangelical Gothic explores the bitter antagonism that prevailed between two defining institutions of nineteenth-century Britain: Evangelicalism and the popular novel. Christopher Herbert begins by retrieving from near oblivion a rich anti-Evangelical polemical literature in which the great religious revival, often lauded in later scholarship as a "moral revolution," is depicted as an evil conspiracy centered on the attempted dismantling of the humanitarian moral culture of the nation. Examining foundational Evangelical writings by John Wesley and William Wilberforce alongside novels by Charles Dickens, George Eliot, Bram Stoker, and others, Herbert contends that the realistic popular novel of the time was constitutionally alien to Evangelical ideology and even, to some Extent, took its opposition to that ideology as its core function. This provocative argument illuminates the frequent linkage of Evangelicalism in nineteenth-century fiction with the characteristic imagery of the Gothic–with black magic, with themes of demonic visitation and vampirism, and with a distinctive mood of hysteria and panic.

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Who has not suffered grief? In Mourning Songs, the brilliant poet and editor Grace Schulman has gathered together the most moving poems about sorrow by the likes of Elizabeth Bishop, William Carlos Williams, Gwendolyn Brooks, Neruda, Catullus, Dylan Thomas, W. H. Auden, Shakespeare, Emily Dickinson, W. S. Merwin, Lorca, Denise Levertov, Keats, Hart Crane, Michael Palmer, Robert Frost, Hopkins, Hardy, Bei Dao, and Czeslaw Milosz—to name only some of the masters in this slim volume. “The poems in this collection,” as Schulman notes in her introduction, “sing of grief as they praise life.” She notes, “As any bereaved survivor knows, there is no consolation. ‘Time doesn’t heal grief; it emphasizes it,’ wrote Marianne Moore. The loss of a loved one never leaves us. We don’t want it to. In grief, one remembers the beloved. But running beside it, parallel to it, is the joy of existence, the love that causes pain of loss, the loss that enlarges us with the wonder of existence.”

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A high octane, high drama romp, following the adventures of Victorian laundry maid Minnie O'Sullivan and her unforgettable band of friends.After a series of misfortunes, Minnie O’Sullivan is whisked away to Haddington Hall: a nightmarish home for wayward girls. Bad becomes worse when the hall’s ruthless founder, Mrs Haddington, takes an instant dislike to brave, determined Minnie, and she’s in danger of losing everything… But Minnie has never backed down from a fight in her life, and she’s not about to start now! Irresistible characters and a compulsive plot with twists aplenty; Vivian French conjures up the very spirit of Dickensian England in a wonderful new novel for middle-grade readers.“Vivian French is a writer of tremendous charm.” Literary Review “Delightful … with its edge-of-your-seat pace, it deserves applause.” Sunday Times (Children's Book of the Week) on The Steam Whistle Theatre Company“Storytelling at its best … a classic in the making.” The Scotsman on The Steam Whistle Theatre Company

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One must-have reversible cover. Worn four different ways. You decide.A poetry book like no other, with beautiful endpapers and a reversible cover jacket that allows you to choose your preferred pronoun from HE, SHE, THEY and US and four different colours: yellow, blue, green and pink. The perfect gift book or statement piece for any shelf.He, She, They, Us pulls together poems from queer poets both old and new – from Oscar Wilde, Emily Dickinson and Langston Hughes to the likes of Jay Hulme, Dean Atta, Harry Josephine Giles, Nikita Gill, Theo Parish and Travis Alabanza. This anthology celebrates queerness in all its forms and takes us through the experiences that make us who we are today.Collected and introduced by editor, writer and anthologist Charlie Castelletti, He, She, They, Us: Queer Poems contains an inclusive array of voices, from modern and contemporary poets to those who came before.

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Great American writers—William Carlos Williams, Jonathan Edwards, Emily Dickinson, Noah Webster, Hart Crane, Wallace Stevens, Henry James—all in the physicality of their archival manuscripts (reproduced in beautiful facsimiles here)—are the presiding spirits of Spontaneous Particulars: Telepathy of Archives. Also woven into Susan Howe’s long essay are beautiful photographs of embroideries and textiles from anonymous craftspeople. All the archived materials are links, discoveries, chance encounters, the visual and acoustic shocks of rooting around amid physical archives. These are the telepathies the bibliomaniacal poet relishes. Rummaging in the archives she finds “a deposit of a future yet to come, gathered and guarded...a literal and mythical sense of life hereafter—you permit yourself liberties—in the first place—happiness.” Digital scholarship may offer much for scholars, but Susan Howe loves the materiality of research in real archives and Spontaneous Particulars “is a collaged swan song to the old ways.”

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In late-1940s Long Branch, an historic but run-down Jersey Shore resort town, in a neighbourhood of Italian, Black and Jewish families, Robert Pinsky began his unlikely journey to becoming a poet. Descended from a bootlegger grandfather, an athletic father and a rebellious tomboy mother, Pinsky was an unruly but articulate high-school C-student whose obsession with the rhythms and melodies of speech inspired him to write. Pinsky traces the roots of his poetry, with its wide and fearless range, back to the voices of his neighbourhood, to music and a distinctly American tradition of improvisation, with influences including Mark Twain and Ray Charles, Marianne Moore and Mel Brooks, Emily Dickinson and Sid Caesar, Dante Alighieri and the Orthodox Jewish liturgy. Jersey Breaks offers a candid self-portrait and, underlying Pinsky’s notable public presence and unprecedented three terms as poet laureate of the United States, a unique poetic understanding of American culture.

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Eating and drinking and the rituals that go with them are at least as important as loving in most people’s lives, yet for every hundred anthologies of poems about love, hardly one is devoted to the pleasures of the table. Poems of Food and Drink abundantly fills the gap. All kinds of foods and beverages are laid out in these pages, along with picnics and banquets, intimate suppers and quiet dinners, noisy parties and public celebrations – in poems by Horace, Catullus, Hafiz, Rumi, Rilke, Moore, Nabokov, Updike, Mandelstam, Stevens, and many others. From Sylvia Plath’s ecstatic vision of juice-laden berries in ‘Blackberrying’ to D. H. Lawrence’s lush celebration of ‘Figs’, from the civilized comfort of Noël Coward’s ‘Something on a Tray’ to the salacious provocation of Swift’s ‘Oysters’, from Li Po on ‘Drinking Alone’ to Baudelaire on ‘The Soul of the Wine’, and from Emily Dickinson’s ‘Forbidden Fruit’ to Elizabeth Bishop’s ‘A Miracle for Breakfast’, Poems of Food and Drink serves up a tantalizing and variegated literary feast.

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"Enthralling; it is well worth the trip.” --New York Journal of Books Conceived as the most modern, humane incarceration facility the world had ever seen, New York’s Blackwell’s Island, site of a lunatic asylum, two prisons, an almshouse, and a number of hospitals, quickly became, in the words of a visiting Charles Dickens, "a lounging, listless madhouse." Digging through city records, newspaper articles, and archival reports, Stacy Horn tells a gripping narrative through the voices of the island’s inhabitants. We also hear from the era’s officials, reformers, and journalists, including the celebrated undercover reporter Nellie Bly. And we follow the extraordinary Reverend William Glenney French as he ministers to Blackwell’s residents, battles the bureaucratic mazes of the Department of Correction and a corrupt City Hall, testifies at salacious trials, and in his diary wonders about man’s inhumanity to his fellow man. Damnation Island shows how far we’ve come in caring for the least fortunate among us—and reminds us how much work still remains.

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Ghosts and spectres, the eerie and the occult. Why is contemporary culture so preoccupied by the supernatural, so captivated by the revenants of an earlier age, so haunted? The concept of Hauntology has evolved since first emerging in the 1990s, and has now entered the cultural mainstream as a shorthand for our new-found obsession with the recent past. But where does this term come from and what exactly does it mean? This book seeks to answer these questions by examining the history of our fascination with the uncanny from the golden age of the Victorian ghost story to the present day. From Dickens to Derrida, MR James to Mark Fisher; from the rise of Spiritualism to the folk horror revival, Hauntology traces our continuing engagement with these esoteric ideas. Moving between the literary and the theoretical, the visual and the political, Hauntology explores our nostalgia for the cultural artefacts of a past from which we seem unable to break free.

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No more profound and intimate expression of America’s spiritual life can be found than the work of its poets. From Anne Bradstreet to the Beats, from Native American chant and Shaker hymnody to Walt Whitman and Emily Dickinson, religion and spirituality have always been central to American poetry. In this unique anthology, world-renowned scholar Harold Bloom weaves a tapestry from the many strands of American religious experience and practice: the searching meditations of Puritan pioneers, the evangelical fervor of the Great Awakenings, the mystical currents of Transcendentalism, the diverse influences of the world religions that have taken root in modern America.Spanning four centuries and more than 200 poets, American Religious Poems is a bountiful and moving gathering of voices that offers countless moments of inspiration, solace, meditation, and transcendence. The poems in this unprecedented volume are a lasting testimony to the American spirit and its unremitting quest for ultimate truth and meaning.This deluxe collector’s edition features: • an introduction by Harold Bloom; • a reader’s guide to significant topics and themes in the poems; • Smyth-sewn binding and flexible, leatherette covers; and • a ribbon page-marker.

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Lyme, Connecticut, early nineteenth century. Elisha Ely Morgan is a young farm boy who has witnessed firsthand the terror of the War of 1812. Troubled by a tumultuous home life ruled by the fists of their tempestuous father, Ely's two older brothers have both left their pastoral boyhoods to seek manhood through sailing. One afternoon, the Morgan family receives a letter with the news that one brother is lost at sea; the other is believed to be dead. Scrimping as much savings as a farm boy can muster, Ely spends nearly every penny he has to become a sailor on a square-rigged ship, on a route from New York to London—a route he hopes will lead to his vanished brother, Abraham. Learning the brutal trade of a sailor, Ely takes quickly to sea-life, but his focus lies with finding Abraham. Following a series of cryptic clues regarding his brother's fate, Ely becomes entrenched in a mystery deeper than he can imagine. As he feels himself drawing closer to an answer, Ely climbs the ranks to become a captain, experiences romance, faces a mutiny, meets Queen Victoria, and befriends historical legends such as Charles Dickens in his raucous quest.

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In this truly beautiful book, Andrea Zanatelli combines his extraordinary artworks with a selection of classical love poetry by Anne Brontë, William Blake, Christina Rossetti, Emily Dickinson, Percy Shelley and many more.Drawing its inspiration from the past, Love is Enough references the decorative arts of a bygone era, and is a combination of romantic imagery, antique fabrics and allegorical illustrations, mixed with poems and mottos. Often mistaken for real embroidery pieces, the artworks are in fact very detailed and intricate digital collages, made to look and feel like handcrafted works.Zanatelli is strongly influenced by the Arts and Crafts movement and the Pre-Raphaelites as well as eighteenth-century collage artist and creator of the Flora Delanica, Mary Delany, among others. Recurring themes in his work are romantic love, magical symbols, Victorian era craftsmanship, historical nun’s work and relics. Details of paintings, ancient fabrics, antique jewellery and miniatures are also returning elements as they often become an integral part of the inspiration for the collages themselves.This stunning book is full of intricate detail and brimming with romance, so you can return to its pages again and again.

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No art has been denounced as often as poetry. It’s even bemoaned by poets: ‘I, too, dislike it,’ wrote Marianne Moore. ‘Many more people agree they hate poetry,’ Ben Lerner writes, ‘than can agree what poetry is. I, too, dislike it and have largely organized my life around it and do not experience that as a contradiction because poetry and the hatred of poetry are inextricable in ways it is my purpose to explore.’ In this inventive and lucid essay, Lerner takes the hatred of poetry as the starting point of his defence of the art. He examines poetry’s greatest haters (beginning with Plato’s famous claim that an ideal city had no place for poets, who would only corrupt and mislead the young) and both its greatest and worst practitioners, providing inspired close readings of Keats, Dickinson, McGonagall, Whitman, and others. Throughout, he attempts to explain the noble failure at the heart of every truly great and truly horrible poem: the impulse to launch the experience of an individual into a timeless communal existence. In The Hatred of Poetry, Lerner has crafted an entertaining, personal, and entirely original examination of a vocation no less essential for being impossible.

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As recently as one hundred years ago British children existed in ways now unthinkable; boys as young as eight worked gruelling hours in unlit factories; girls were sold into sexual slavery with dolls still in their grasp; and boys at schools like Rugby and Harrow were brutally trained for their future at the helm of Britain's vast red empire. In Songs of Innocence Fran Abrams charts the transformation of childhood in the UK from early Victorian disagreements about child-rearing to the Scouts' very direct involvement in the First World War. Poignant first-hand accounts of poverty and deprivation as well as innocent pleasures carry the reader through a Dickensian landscape of urchins and Fauntleroys, the cosseted lives of Edwardian children to the self-sufficient charges of Baden-Powell. Fran Abrams draws distinctions along class lines and divisions such as town and country, Romantic and conservative, to achieve a historical perspective shows the progression of the idea of childhood through a century of massive social change brought about by urbanization, war and medico-psychological advances. Songs of Innocence employs searing personal testimony and immaculate research to provide a fascinating exposition of the past and a mirror for the present.

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The loss of East Indiaman HCS `Halsewell' on the coast of Dorset in southern England in January 1786, touched the very heart of the British nation. `Halsewell' was just one of many hundreds of vessels which had been in the service of the Honourable East India Company since its foundation in the year 1600. In the normal course of events, `Halsewell' would have been expected to serve out her working life, before passing unnoticed into the history books. However, this was not to be. Halsewell's loss was an event of such pathos as to inspire the greatest writer of the age Charles Dickens, to put pen to paper; the greatest painter of the age J. M. W. Turner, to apply brush to canvas, and the King and Queen to pay homage at the very place where the catastrophe occurred. Artefacts from the wreck continue to be recovered to this very day which, and for variety, interest, curiosity, and exoticism, rival those recovered from Spanish armada galleons wrecked off the west coast of Ireland two centuries previously. Such artefacts shed further light both on `Halsewell' herself, and on the extraordinary lives of those who sailed in her.

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In Sensory Experiments, Erica Fretwell excavates the nineteenth-century science of psychophysics and its theorizations of sensation to examine the cultural and aesthetic landscape of feeling in nineteenth-century America. Fretwell demonstrates how psychophysics—a scientific movement originating in Germany and dedicated to the empirical study of sensory experience—shifted the understandings of feeling from the epistemology of sentiment to the phenomenological terrain of lived experience. Through analyses of medical case studies, spirit photographs, perfumes, music theory, recipes, and the work of canonical figures ranging from Kate Chopin and Pauline Hopkins to James Weldon Johnson and Emily Dickinson, Fretwell outlines how the five senses became important elements in the biopolitical work of constructing human difference along the lines of race, gender, and ability. In its entanglement with social difference, psychophysics contributed to the racialization of aesthetics while sketching out possibilities for alternate modes of being over and against the figure of the bourgeois liberal individual. Although psychophysics has largely been forgotten, Fretwell demonstrates that its importance to shaping social order through scientific notions of sensation is central to contemporary theories of new materialism, posthumanism, aesthetics, and affect theory.

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In Sensory Experiments, Erica Fretwell excavates the nineteenth-century science of psychophysics and its theorizations of sensation to examine the cultural and aesthetic landscape of feeling in nineteenth-century America. Fretwell demonstrates how psychophysics—a scientific movement originating in Germany and dedicated to the empirical study of sensory experience—shifted the understandings of feeling from the epistemology of sentiment to the phenomenological terrain of lived experience. Through analyses of medical case studies, spirit photographs, perfumes, music theory, recipes, and the work of canonical figures ranging from Kate Chopin and Pauline Hopkins to James Weldon Johnson and Emily Dickinson, Fretwell outlines how the five senses became important elements in the biopolitical work of constructing human difference along the lines of race, gender, and ability. In its entanglement with social difference, psychophysics contributed to the racialization of aesthetics while sketching out possibilities for alternate modes of being over and against the figure of the bourgeois liberal individual. Although psychophysics has largely been forgotten, Fretwell demonstrates that its importance to shaping social order through scientific notions of sensation is central to contemporary theories of new materialism, posthumanism, aesthetics, and affect theory.

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Ada Lovelace, the daughter of Lord Byron was born in 1815 just after the Battle of Waterloo, and died aged 36, soon after the Great Exhibition of 1851. She was connected with some of the most influential and colourful characters of the age: Charles Dickens, Michael Faraday, Charles Darwin and Charles Babbage. It was her work with Babbage that led to her being credited with the invention of computer programming and to her name being adopted for the programming language that controls the US military machine. Ada personified the seismic historical changes taking place over her lifetime. This was the era when fissures began to open up in culture: romance split away from reason, instinct from intellect, art from science. Ada came to embody these new polarities and her life heralded a new era: the machine age.Reissued to coincide with the bicentenary of Ada's birth, The Bride of Science is a fascinating examination of an extraordinary life offering devastating insight into the seemingly unbridgeable gulf between art and science, the consequences of which are still with us today.

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Whether seeking more time for solitude or suffering what seems a surfeit of it, readers will find the best of companions here. Fenton Johnson’s lyrical prose and searching sensibility explores what it means to choose to be solitary and celebrates the notion, common in his Roman Catholic childhood, that solitude is a legitimate and dignified calling. He delves into the lives and works of nearly a dozen iconic “solitaries” he considers his kindred spirits, from Thoreau at Walden Pond and Emily Dickinson in Amherst, to Bill Cunningham photographing the streets of New York; from Cézanne (married, but solitary nonetheless) painting Mont Sainte-Victoire over and over again, to the fiercely self-protective Zora Neale Hurston. Each character portrait is full of intense detail, the bright wakes they’ve left behind illuminating Fenton Johnson’s own journey from his childhood in the backwoods of Kentucky to his travels alone throughout the world and the people he has lost and found along the way. Combining memoir, social criticism, and devoted research, At the Center of All Beauty will resonate with solitaries and with anyone who might wish to carve out more space for solitude.

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Poetry has long been regarded as the least accessible of literary genres. But how much does the obscurity that confounds the reader of a poem differ from, say, the slang or patois that captivates listeners of hip-hop? "Infidel Poetics" examines not only the shared incomprehensibilities of poetry and slang but also poetry's genetic relation to the spectacle of underground culture. Charting connections between lyric obscurity, vernacular speech, and types of social relations - networks of darkened streets in preindustrial cities, the historical underworld of taverns and clubs, and the subcultures of the avant-garde - Daniel Tiffany shows that poetic obscurity has functioned for hundreds of years as a medium of alternative societies. For example, he discovers in the submerged tradition of canting poetry and its eccentric genres - thieves' carols, drinking songs, beggars' chants - a genealogy of modern nightlife, but also a visible underworld of social and verbal substance, a demimonde for sale. Ranging from Anglo-Saxon riddles to Emily Dickinson, from the icy logos of Parmenides to the monadology of Leibniz, from Mother Goose to modernism, "Infidel Poetics" offers an exhilarating account of the subversive power of obscurity in word, substance, and deed.

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Secret Shepperton explores the history of the town from its early origins as an Iron Age settlement nestling on the banks of the River Thames. It’s the place where Caesar crossed the river in AD 54. Subsequent river finds reveal that this area regularly encountered invaders, such as the Saxons, who grazed sheep here and consequently called it Shepperton. It’s always been a place that attracts artists, such as Turner and Constable, and writers such as Charles Dickens and J. G. Ballard, who wrote the Unlimited Dream Factory in which his protagonist gains energy by phagocytizing the people of Shepperton. In H. G. Wells’ War of the Worlds, the Martians destroy Shepperton and turn the Thames into a boiling inferno with their heat rays. In the twentieth century Shepperton was dubbed the playground of London and Richard D’Oyly Carte bought an island here to build a mini version of his Savoy Hotel. In 1931, Sir Richard Burbridge, Chairman of Harrods, sold his Shepperton mansion to Norman Loudon at a time when ‘the pictures’ were in their infancy but a new fad was catching on – films with sound. This was the forerunner of Shepperton Studio, still operating today and known throughout the world as the ‘Hollywood of England’.

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‘One of my favourite living writers: intelligent, lucid and, most impressive of all, funny’ - Jonathan CoeIf we’re talking agoraphobia, we’re talking books. I slip between their covers, lose myself in the turn of one page, re-discover myself on the next. Reading is a game of hide-and-seek. Narrative and neurosis, uneasy bedfellows sleeping top to toe.On Agoraphobia is a fascinating, entertaining and sometimes painfully acute look at what it means to go through life with an anxiety disorder that evades easy definition.When Graham Caveney was in his early twenties he began to suffer from what was eventually diagnosed as agoraphobia. What followed were decades of managing his condition and learning to live within the narrow limits it imposed on his life: no motorways, no dual carriageways, no shopping centres, limited time outdoors.Graham’s quest to understand his illness brought him back to his first love: books. From Harper Lee’s Boo Radley, Ford Madox Ford, Emily Dickinson, and Shirley Jackson: the literary world is replete with examples of agoraphobics – once you go looking for them.‘Intellectually curious, emotionally bracing and immensely erudite’ - Blake Morrison, The Guardian‘Captivating’ Richard Beard

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How much do you really know about your own hands?Throughout history , civilisations have been defined by the work of human hands: inventing tools, writing records, operating machinery, typing, texting, swiping. But beneath this known history is another, secret story: our hands are not the obedient servants that they seem to be. Through conscious and unconscious gesture, they reveal our deepest psychology, our weaknesses and obsessions, our personal history and our social conditioning. Why do zombies walk with their hands outstretched? How does a new-born baby 'talk' with his hands? What is the connection between prayer beads, snuff boxes and cell phones? And most importantly, can we unlock the mystery of our hands in order to truly know ourselves?The key to understanding everything around you - and everything within you - is staring you in the face. Take a journey through fascinating anecdotes and brilliant psychoanalytic research, through a legacy of ideas from da Vinci to Dickens to Die Hard. With wit and dexterity, Darian Leader reveals that there's much more to your hands than meets the eye.

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A powerful, uplifting and moving story of a teenage girl's battle against losing her sight and keeping her friendships.Mafalda is thirteen and has been blind since she was ten. Her best friend is the cheerfully rule-breaking Filippo, and she is accompanied everywhere by Ottimo Turcaret, her devoted cat. Mafalda is always looking on the bright side, thinking of things she can do both now and in the future despite her loss of sight. But other things are worrying her too: her father who has lost his job and is now in the depths of depression, refusing to leave his bed; and the horrible girl in school, Debbie, who seems very interested in Filippo . . . So now Mafalda has to start thinking what Filippo really means to her . . .Then two new adults come into her life: Elsa, a homeless young woman, and Nino, the elderly upstairs neighbour with an awful temper and a great passion for Charles Dickens. Little by little, Mafalda learns their stories, and how their lives had also been shaped by brave and difficult choices. A moving sequel to THE DISTANCE BETWEEN ME AND THE CHERRY TREE

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After publishing Scent Magic, an acclaimed memoir of plants, gardens and scent, Isabel Bannerman couldn’t leave the subject alone. ‘I came across the star-nosed mole, an adorable and preposterous creature with a highly specialized sensory-motor organ, while writing about the riches of the soil kingdom … and, somewhat mole-like … as I was trying to write about the impossibility of writing effectively about smell, I began to nose around for great writers’ solutions to this problem. How and how much have writers considered the lilies of the field and how they smell. I began grazing on literature and gathering in my stores of quotes.’ In reviews of Scent Magic, Isabel was lauded for ‘putting into words what so much escapes language. With a wonderful range of reference and allusion, it's nothing less than poetry... (Evening Standard)’. And in this anthology, with her beautifully written linking passages bringing carefully chosen quotations together with her dramatic, powerful and mysterious plant images, she evokes the scented garden through poetry and prose spanning millennia, from Ovid to Proust, Milton to George Eliot, and Emily Dickinson to Alice Oswald.

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In this ground-breaking Research Handbook, leading international researchers analyse how negotiators' gender shapes their behaviour and outcomes at the bargaining table, in both work and non-work contexts. World-class experts from the field of negotiation present cutting-edge research on gender and negotiation, highlighting controversies and generating new questions for consideration. The Research Handbook offers helpful insights to negotiators and forges a path for future research. The first section highlights how gender shapes negotiation within close relationships and identifies informal social rules for how women and men are expected to negotiate, exploring the socialization patterns and historical contexts that produced these norms and the implications for women at the bargaining table. Chapters discuss how underlying negotiation processes such as trust, emotion, communication and non-verbal behaviour are shaped by gender, as well as considering a number of pragmatic solutions to the obstacles women face as self-advocates. Offering insights for both practitioners and researchers, this Research Handbook will be invaluable to teachers and, also, female professionals who want to understand how to get better outcomes from negotiation. It will also be required reading for HR professionals who wish to understand how and why organizational policies regarding negotiation can level the playing field. Contributors include: E.T. Amanatullah, J.B. Bear, L. Berg, J.E. Bochantin, H.R. Bowles, T.H. Burns, A. Dickson, A.L. Elias, K.R. Gallagher, B.A. Gazdag, M.P. Haselhuhn, H. Jazaieri, J.A. Kennedy, S. Kesebir, D. Kolb, L.J. Kray, C.T. Kulik, S.Y. Lee, M. Liu, B.A. Livingston, S. Mor, M. Olekalns, J. Overbeck, M. Pillutla, T.L. Pittinsky, J. Qiu, L. Ramic-Mesihovic, I.Y. Ren, S.W. Ryu, A. Sabanovic, Z. Semnani-Azad, W. Shan, R. Sinha, A.F. Stuhlmacher, N.R. Toosi, C. Trombini, J. Wareham, L. Zervos

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Tras Dicker, D'Andrea y Lemaitre, Alfaguara Negra presenta el debut del año: Flores sobre el infierno de Ilaria Tuti, el thriller tiene nombre de mujer.El primer cadáver es el de un hombre desnudo, con la cara desfigurada y los ojos arrancados. Algo aterrador está ocurriendo en las montañas: un recién nacido ha desaparecido y una sombra misteriosa vaga por los bosques. El caso requiere de todas las habilidades de Teresa Battaglia, comisaria de policía especializada en perfiles criminales que, todos los días, camina sobre el infierno. Su mejor arma es la mente, pero últimamente la está engañando; su lucidez está en riesgo y la investigación, por tanto, también. Por primera vez en su vida, tiene miedo.Teresa y el joven inspector Massimo Marini, llegado desde hace poco de la ciudad a este enclave montañoso, deberán llevar a cabo la investigación más difícil a la que se han enfrentado jamás: un caso que hunde sus raíces en los episodio

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The son of a deranged Italian immigrant, Joseph Grimaldi (1778-1837) was the most celebrated of English clowns. The first to use white-face make-up and wear outrageous coloured clothes, he completely transformed the role of the Clown in the pantomime with a look as iconic as Chaplin's tramp or Tommy Cooper's magician. One of the first celebrity comedians, his friends included Lord Byron and the actor Edmund Kean, and his memoirs were edited by the young Charles Dickens. But underneath the stage paint, Grimaldi struggled with depression and his life was blighted with tragedy. His first wife died in childbirth and his son would go on to drink himself to death. The outward joy and tomfoolery of his performances masked a dark and depressing personal life, and instituted the modern figure of the glum, brooding comedian. Joseph Grimaldi left an indelible mark on the English theatre and the performing arts, but his legacy is one of human struggle, battling demons and giving it his all in the face of adversity.

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If nineteenth-century Britain witnessed the rise of medical professionalism, it also witnessed rampant quackery. It is tempting to categorize historical practices as either orthodox or quack, but what did these terms really signify in medical and public circles at the time? How did they develop and evolve? What do they tell us about actual medical practices? Doctoring the Novel explores the ways in which language constructs and stabilizes these slippery terms by examining medical quackery and orthodoxy in works such as Mary Shelley’s Frankenstein, Charles Dickens’s Bleak House and Little Dorrit, Charlotte Brontë’s Villette, Wilkie Collins’s Armadale, and Arthur Conan Doyle’s Stark Munro Letters. Contextualized in both medical and popular publishing, literary analysis reveals that even supposedly medico-scientific concepts such as orthodoxy and quackery evolve not in elite laboratories and bourgeois medical societies but in the rough-and-tumble of the public sphere, a view that acknowledges the considerable, and often underrated, influence of language on medical practices.

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The essays brought together in this book understand phobia not as a pathology, but as a versatile moral, political, and aesthetic resource – and one with a history. They demonstrate that enquiry into strong feelings of aversion has enabled writers and film-makers to say and show things they could not otherwise have said or shown; and in this way to get profoundly and provocatively to grips with the modern condition. Makes extensive reference to original readings of a wide range of literary texts and films, from the 1850s to the present Places a strong emphasis on the value phobia has held, in particular, for women activists, writers, and film-makers Discusses a range of writers and film-makers from Dickens, Thackeray, and George Eliot through Hardy, Joyce, Ford and Woolf; from Jean Renoir through Hitchcock and Truffaut to Margarethe von Trotta and Pedro Almodóvar Intervention in key debates in cultural theory and cultural history

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How were the genres of literature changed by new methods of serialization and publishing? How did a widespread culture of performance emerge in the period to shape as well as to be shaped by the novel and poetry? David Amigoni draws on the most recent critical approaches to the novel, Victorian melodrama and poetry to answer these and other questions. The work of Charles Dickens, George Eliot, Oscar Wilde, Alfred Tennyson, Robert Browning, Christina Rossetti, Thomas Hardy, Thomas Carlyle and Mathew Arnold are explored in relation to ideas about fiction, journalism, drama, poetry, the New Woman, gothic, horror and the Victorian sage. Key Features *Detailed readings of key texts provide models of how to read critically *Demonstrates the interaction between genres to help think through modes of artistic experimentation and innovation in the period *Examines Neo-Victorian fiction, a popular genre today *Student resources include electronic and reference sources, further reading and an extensive glossary of key critical terms and historical issues

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In this clever reimagining of Charles Dickens’s life, he and fiancée Kate Hogarth must solve the murder of a spinster wearing a wedding gown . . . London, June 1835: In the interest of being a good neighbor, Charles checks in on Miss Haverstock, the elderly spinster who resides in the flat above his. But as the young journalist and his fiancée Kate ascend the stairs, they are assaulted by the unmistakable smell of death. Upon entering the woman’s quarters, they find her decomposing corpse propped up, adorned in a faded gown that looks like it could have been her wedding dress, had she been married. A murderer has set the stage. But to what purpose? As news of an escaped convict from Coldbath Fields reaches the couple, Charles reasonably expects the prisoner, Ned Blood, may be responsible. But Kate suspects more personal motives, given the time and effort in dressing the victim. When a local blacksmith is found with cut m

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A gripping royal saga of charmed lives in a changing world. The Jaipurs were India’s mid-century golden couple; its answer to the Kennedys, or Queen Elizabeth and Prince Philip. Jai and Ayesha, as they were known to friends like Frank Sinatra, Truman Capote and ‘Dickie’ Mountbatten, entertained lavishly at their magnificent palaces and hunting lodges in Rajasthan—and in the nightclubs of London, Paris and New York. But as the Raj gave way to the new India, Jaipur—the most glamorous and romantic of the princely states—had to find its place. The House of Jaipur charts a dynasty’s determination to remain relevant in a democracy set on crushing its privileges. Against the odds, they secured their place at the height of Indian society; but Ayesha would pay for her criticism of Indira Gandhi during the Emergency. From the polo field and politics to imprisonment and personal tragedy, the Jaipurs’ extraordinary journey of transformation mirrors the story of a rapidly changing country.

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**Finalist in the 2019 Goodreads Choice Awards**For fans of Jane Austen, Mark Twain, Agatha Christie, Robert Louis Stevenson, William Shakespeare, Charles Dickens, and more, a literary-inspired cookbook for voracious readers and tea lovers everywhereTea and books: the perfect pairing. There's nothing quite like sitting down to a good book on a lovely afternoon with a steaming cup of tea beside you, as you fall down the rabbit hole into the imaginative worlds of Alice in Wonderland, The Hobbit, and The Chronicles of Narnia.Fire up your literary fancies and nibble your way through delicate sweets and savories with A Literary Tea Party, which brings food from classic books to life with a teatime twist. Featuring fifty-five perfectly portioned recipes for an afternoon getaway, including custom homemade tea blends and beverages, you will have everything you need to plan an elaborate tea party. Cook up and enjoy:

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For the poet, even the most minute details of the natural world are starting points for flights of the imagination, and the pages of this collection celebrating the four seasons are brimming with an extraordinary range of observation and imagery.  Here are poets past and present, from Chaucer, Shakespeare, and Wordsworth to Whitman, Dickinson, and Thoreau, from Keats, Blake, and Hopkins to Elizabeth Bishop, Ted Hughes, Amy Clampitt, Mary Oliver, and W. S. Merwin. Here are poems that speak of the seasons as measures of earthly time or as states of mind or as the physical expressions of the ineffable. From Robert Frost’s tribute to the evanescence of spring in “Nothing Gold Can Stay” to Langston Hughes’s moody “Summer Night” in Harlem, from the “stopped woods” in Marie Ponsot’s “End of October” to the chilling “mind of winter” in Wallace Stevens’s “The Snow Man,” the poems in this

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Willowdean Dickson es Will para sus amigos, una chica gorda (y a mucha honra) para sí misma y Dumplin para su madre. Ser hija de una antigua reina de la belleza nunca ha afectado su autoestima... hasta que descubre que el chico que le gusta se siente atraído por ella.Para librarse de la repentina inseguridad que eso le genera, Will hace lo más impulsivo y horrible que podría habérsele ocurrido: presentarse al concurso de belleza local Miss Lupino Juvenil de Clover City con el objetivo de demostrar que una persona es algo más que su peso. Sin embargo, al inscribirse no se imaginaba la reacción en cadena que provocaría entre otras chicas de su instituto.No sé qué pasa con los bañadores que te hacen pensar que debes ganarte el derecho a llevarlos. Y no es así. En realidad, la cuestión es muy simple: no tienes un cuerpo? Pues ponte un bañador.Porque si tienes que hacer algo, hazlo a lo grande o no lo hagas.

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Londres es, sin duda, una de las principales capitales mundiales. Su extensa e intensa historia, con sus más de 2.000 años de antigüedad, hacen de ella una fuente inagotable de relatos, tanto históricos como ficticios. No en vano es la cuna de personajes tan relevantes como Isaac Newton, Charles Dickens, John Lennon, Charles Darwin, Winston Churchill, Charles Chaplin o William Shakespeare.Más allá de su historia, es una ciudad en permanente crecimiento donde el consumo responsable cobra especial importancia a fin de convertirla en un proyecto sostenible. Londres parte con una gran ventaja, pues está repleta de parques y zonas verdes abiertas al público gracias a la tradición aristocrática, hoy extinta, de establecer cotos de caza sin necesidad de trasladarse fuera de la ciudad. Además, con el tiempo ha ido creciendo la sensibilización por la preservación del entorno natural o la utilización sostenible de los recursos, tanto a la hora de velar por el entorno existente como por modifi

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A gorgeous anthology to dip into and savour the rich literary heritage of Yorkshire, Britain’s largest county. Yorkshire is renowned for its landscapes: the magical wilderness of the moors and the dales, its cities built on industry and mining, and its varied coastline.All these places, as well as its people, have been portrayed and dramatized in literature through the centuries; by poets from Andrew Marvell to Simon Armitage, by novelists such as Dickens, Elizabeth Gaskell, Bram Stoker, and of course the Brontës, all of whom are represented here. Then there are novelists such as David Storey and Barry Hines, who wrote about working-class lives in the mining towns in the 1950s and 60s. And finally some favourite characters to enjoy, such as James Herriot and the Yorkshire Shepherdess.Yorkshire: A Literary Landscape is edited by David Stuart Davies.

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Publicado en 1913 dentro de la serie de la Home University Library of Modern Knowledge, en La Época Victoriana en la literatura G. K. Chesterton realiza un mordaz repaso del espíritu de las letras de este período. Pero el suyo no es un relato al uso; no podía serlo en su caso. Como él mismo dice en la obra: lo más cerca que cualquier hombre honesto puede estar de eso que llamamos ?imparcialidad?, es confesar que está siendo parcial. Principio que aplica a rajatabla, demostrando que fue un pensador comprometido con los grandes problemas del hombre de su tiempo.Desde la primera página, ya nos anuncia que rechaza la perspectiva cronológica, para analizar y comentar la obra de autores como Jane Austen, Robert Louis Stevenson, las hermanas Brontë o Charles Dickens, entre muchos otros. Aunque su mirada va más allá de la mera observación y lo aparente, esbozando un convincente retrato de qué fueron los victorianos: hombres y mujeres que, en su opinión, se alejaron de un sentido espiritual

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"Fortunata y Jacinta" es la mejor y más ambiciosa novela del siglo XIX español, pudiendo codearse sin menoscabo con otras grandes cimas narrativas de la época, como las de los autores rusos (Dostoyevski, Tolstói), franceses (Balzac, Hugo, Zola, Flaubert) o británicos (Dickens). Articulada en torno a los dos polos que encarnan las mujeres que dan nombre a la obra -la mujer del pueblo, ingenua y temperamental, primaria, natural (Fortunata), y la descendiente de una burguesía pujante, delicada, amable, resignada, convencional (Jacinta)-, la novela no sólo no tiene parangón por el retrato inigualable que hace de la sociedad de la época, sino por los numerosos y profundos registros de la condición humana que en ella y a través de sus personajes se van trenzando. Así, la dinámica única y múltiple que entablan sentimiento y conveniencia, riqueza y pobreza, deseo y realidad, cordura y locura, religión mística y práctica, juventud y decadencia y, en fin, sociedad y naturaleza, acaba erigiendo e

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500 ways to achieve your highest scoreFrom the poems of Emily Dickinson to the works of Virginia Woolf—there is a lot of subject matter to know if you want to succeed on your AP English Literature exam. That’s why we’ve selected these 500 AP-style questions and answers that cover all topics found on this exam. The targeted questions will prepare you for what you’ll see on test day, and help you study more effectively and use your review time wisely to achieve your best score.Each question includes a concise, easy-to-follow explanation in the answer key. You can use these questions to supplement your overall AP English Literature preparation or run them all shortly before the test. Either way, 5 Steps to a 5: 500 AP English Literature Questions will get you closer to achieving the score you want on test day.

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Depicting the fatal clash between material desires and the liberating power of human passions, Honoré de Balzac's Eugénie Grandet is translated with an introduction by M.A. Crawford in Penguin Classics.In a gloomy house in provincial Saumur, the miser Grandet lives with his wife and daughter, Eugénie, whose lives are stifled and overshadowed by his obsession with gold. Guarding his piles of glittering treasures and his only child equally closely, he will let no one near them. But when the arrival of her handsome cousin, Charles, awakens Eugénie's own desires, her passion brings her into a violent collision with her father that results in tragedy for all. Eugénie Grandet is one of the earliest and finest works in Balzac's Comédie humaine cycle, which portrays a society consumed by the struggle to amass wealth and achieve power. Here Grandet embodies both the passionate pursuit of money, and the human cost of avarice.M. A. Crawford's lucid translation is accompanied by an introduction discussing the irony and psychological insight of Balzac's characterization, the role of fate in the novel, its setting and historical background.Honoré De Balzac (1799-1850) failed at being a lawyer, publisher, printer, businessman, critic and politician before, at the age of thirty, turning his hand to writing. His life's work, La Comédie humaine, is a series of ninety novels and short stories which offer a magnificent panorama of nineteenth-century life after the French Revolution. Balzac was an influence on innumerable writers who followed him, including Marcel Proust, Émile Zola, Charles Dickens, and Edgar Allan Poe.If you enjoyed Eugenie Grandet you might like Molière's The Miser and Other Plays, also available in Penguin Classics.

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