Search results for ""Author Dick"

From Bangladesh and Hong Kong to Iran and South Africa, film industries around the world are rapidly growing at a time when new digital technologies are fundamentally changing how films are made and viewed. Larger film industries like Bollywood and Nollywood aim to attain Hollywood's audience and profitability, while smaller, less commercial, and often state-funded enterprises support various cultural and political projects. The contributors to Anthropology, Film Industries, Modularity take an ethnographic and comparative approach to capturing the diversity and growth of global film industries. They outline how modularity—the specialized filmmaking tasks that collectively produce a film—operates as a key feature in every film industry, independent of local context. Whether they are examining the process of dubbing Hollywood films into Hindi, virtual reality filmmaking in South Africa, or on-location shooting in Yemen, the contributors' anthropological methodology brings into relief the universal practices and the local contingencies and deeper cultural realities of film production. Contributors. Steven C. Caton, Jessica Dickson, Kevin Dwyer, Tejaswini Ganti, Lotte Hoek, Amrita Ibrahim, Sylvia J. Martin, Ramyar D. Rossoukh

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La poeta Lorine Niedecker (Wisconsin, EE.UU., 1903-1970), autora de libros como New Goose (1942), My Friend Tree (1961), North Central (1968) y T & G: The Collected Poems (1969), vivió durante la mayor parte de su vida en una cabaña sobre los terrenos inundables del río Rock en Fort Atkinson, Wisconsin, mientras se ganaba la vida con trabajos poco cualificados. Al mismo tiempo, y sin que sus vecinos lo supieran, dedicó toda su existencia a la poesía. Tras su muerte, acaecida en pleno fervor creativo, se suceden varias antologías, hasta la publicación de su obra completa en 2002.En su poesía, deudora de las vanguardias norteamericanas de entreguerras no menos que de los sonidos y las imágenes de su entorno, Niedecker abordó temas de género, sexualidad e ideología mucho antes que el feminismo moderno. Hoy día es considerada la Emily Dickinson del siglo XX.Alejada durante la mayor parte de su vida de los círculos literarios urbanos, Lorine Niedecker (E.E.U.U., 1903-1970) fundó, des

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Back in print, Carr’s powerful poems seek out and face violence and its counterforces. Julie Carr obsessively researches instances of intimate terrorism, looking everywhere from Walt Whitman and Emily Dickinson to lists of phobias and weapon-store catalogs. She searches for what can be learned from the statistics, the statements by and about rapists and killers, the websites of hate groups, and the capacity for cruelty that lies within all of us. 100 Notes on Violence is a diary, a document, and a dream log of the violence that grips America and devastates so many. But Carr also offers a layered and lyric tribute to violence’s counterforces: love, commonality, and care. Her unflinching “notes” provoke our minds and burrow into our emotions, leading us to confront our fears and our own complicity.

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In this gloriously exuberant anthology, Wendy Cope sets out to prove that misery doesn't have all the best lines. Here is a collection of poems which are unashamedly happy: poems about love, places, the beauty of the natural world, about company and solitude, music, food and drink, books, and the unadulterated pleasure of taking a shower.Among the more surprising items are the Chinese Po Chu-I on the advantages of baldness, the eighteenth-century John Dyer on the kindly behaviour of his ox, and an unusually cheerful Thomas Hardy enjoying the sight of seven women laughing as they stagger, arm in arm, down an icy hill. Catullus, Chaucer, Clare, Dickinson, Betjeman and Larkin are among the contributors who help to demonstrate that people who believe that 'happiness writes white' have got it wrong.

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While Bloomsbury is now associated with Virginia Woolf and her early-twentieth-century circle of writers and artists, the neighborhood was originally the undisputed intellectual quarter of nineteenth-century London. Drawing on a wealth of untapped archival resources, Rosemary Ashton brings to life the educational, medical, and social reformists who lived and worked in Victorian Bloomsbury and who led crusades for education, emancipation, and health for all. Ashton explores the secular impetus behind these reforms and the humanitarian and egalitarian character of nineteenth-century Bloomsbury. Thackeray and Dickens jostle with less famous characters like Henry Brougham and Mary Ward. Embracing the high life of the squares, the nonconformity of churches, the parades of shops, schools, hospitals and poor homes, this is a major contribution to the history of nineteenth-century London.

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Be warned to commiserate 25 years of misfortune and gloom unleashed upon generations of children, Lemony Snicket's publishers have taken the untold risk of creating brand new collectors' editions of A Series of Unfortunate Events, illustrated by the obscenely talented Emily Gravett. The temptation to buy a copy is severe indeedDear reader,You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with cautionViolet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky.InThe Ersatz Elevatorthe siblings face a darkened staircase, a red herring, friends in a dire situation, three mysterious initials, a liar with an evil scheme, a secret passageway and parsley soda.In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark co

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August Strindberg (1849–1912) is best known outside Sweden as a dramatist, but he was also a prolific writer of novels, short stories, essays, journalism and poetry – as well as a notable artist and photographer. Although he spent many years abroad, Strindberg was born, grew up and died in Stockholm and The Red Room is perhaps the quintessential Stockholm novel. A satire of the rapidly changing society of the 1870s, it was Strindberg's first novel and marked his literary breakthrough: it offers, he said, 'a panorama of a society I don't love and which has never loved me'. It contains some of the great set-piece scenes in Swedish literature, a gallery of unforgettable caricatures in the spirit of Dickens, humour, pathos and satirical targets as apt now as they were then. The Red Room is often called Sweden's first modern novel, and it remains modern almost a century and a half later.

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Inspired by Dickens' character The Artful Dodger, Lorraine Heath has created a page-turning, passionate romance. Jack Dodger has survived London's streets to become the owner of an exclusive gentleman's club and one of the wealthiest men in England. But when the late Duke of Lovingdon mysteriously makes him guardian of his 4 year old heir, Dodger is thrown together with Olivia, the boy's mother, who wants to be rid of him as soon as possible. But soon Jack discovers a love that knows no bounds as he comes to care for Olivia. The young woman tames him, and he realizes he'll give up everything he possesses to make her happy.

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The Great North Road is part of British folklore, the Route 66 of Britain, except instead of gas stations and diners we have magnificent coaching inns, part of the living history of our islands. Taking in the history of these buildings (including a feature on highwaymen, who often concealed themselves in secret rooms and tunnels in these inns,) as well as the literature that has celebrated them - from Charles Dickens through to J B Priestley - Roger Protz describes these coaching houses with an expert and discerning eye, producing not only a great pub guide but a gazetteer of the history and culture that are draped along this iconic road.

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Charting an 'aesthetic', post-realist tradition of writing, this book considers the significant role played by John Ruskin's art criticism in later writing which dealt with the new kinds of spaces encountered in the nineteenth century. With chapters devoted to the ways in which aesthetic and decadent writers such as Walter Pater and Oscar Wilde built upon and challenged Ruskin's ideas, the book links the late Dickens to the early modernism of Henry James. The Aesthetics of Space in Nineteenth Century British Literature gives a vibrant vision of what an aesthetically sensitive treatment of these spaces looked like during the period.

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Full of Forster's renowned wit and perceptiveness, ASPECTS OF THE NOVEL offers a rare insight into the art of fiction from one of our greatest novelists.'His is a book to encourage dreaming.' Virginia Woolf Forster pares down the novel to its essential elements as he sees them: story, people, plot, fantasy, prophecy, pattern and rhythm. He illustrates each aspect with examples from their greatest exponents, not hesitating as he does so to pass controversial judgement on the works of, among others, Sir Walter Scott, Charles Dickens and Henry James.

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A brilliant modern translation by Christine Donougher of Victor Hugo's thrilling masterpiece, with an introduction by Robert Tombs. This is the best translation of the novel available in English, as recommended by David Bellos in The Novel of the Century. Victor Hugo's tale of injustice, heroism and love follows the fortunes of Jean Valjean, an escaped convict determined to put his criminal past behind him. But his attempts to become a respected member of the community are constantly put under threat: by his own conscience, and by the relentless investigations of the dogged policeman Javert. It is not simply for himself that Valjean must stay free, however, for he has sworn to protect the baby daughter of Fantine, driven to prostitution by poverty. 'A magnificent achievement. It reads easily, sometimes racily, and Hugo's narrative power is never let down ... An almost flawless translation, which brings the full flavour of one of the greatest novels of the nineteenth century to new readers in the twenty-first' - William Doyle, Times Literary Supplement 'The year's most interesting publication from Penguin Classics was [...] a new translation by Christine Donougher of the novel we all know as Les Misérables. You may think that 1,300 pages is a huge investment of time when the story is so familiar, but no adaptation can convey the addictive pleasure afforded by Victor Hugo's narrative voice: by turns chatty, crotchety, buoyant and savagely ironical, it's made to seem so contemporary and fresh in Donougher's rendering that the book has all the resonance of the most topical state-of-the-nation novel' - Telegraph 'Christine Donougher's seamless and very modern translation of Les Misérables has an astonishing effect in that it reminds readers that Hugo was going further than any Dickensian lament about social conditions [...]The Wretched touches the soul' - Herald Scotland

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A Marriage Below Zero is the first novel in English to explicitly explore the subject of male homosexuality. Written by a British émigré to America, the New York theater critic Alfred J. Cohen, under the pseudonym of “Alan Dale,” this first-person narrative is told by a young Englishwoman, Elsie Bouverie, who gradually discovers that her new husband, Arthur Ravener, is romantically involved with another man. Denounced on publication (“a saturnalia in which the most monstrous forms of human vice exhibit themselves shamelessly” wrote one reviewer), the novel was published during the public exposure of a London homosexual brothel frequented by upper-class men and telegraph boys. A Marriage Below Zero reflected late-nineteenth-century fears and anxieties about homosexuality, women’s position in marriage, and the threat that seemingly new, illicit forms of desire posed to marriageable women and to the Victorian family.This Broadview edition includes excerpts from the era’s pro-homosexual tracts, scientific and legal documents, contemporary feminist commentary on the new “dandyism,” and newspaper accounts of late-Victorian same-sex scandals. Highlights of the volume include excerpts from Charles Dickens’s 1836 account of his visit to Newgate Prison, where he witnessed the last two men in Britain executed for sodomy, George Bernard Shaw’s 1889 unpublished letter attacking the social purity movement’s legislation against homosexual men, and a never-before reprinted 1898 article from Reynolds Magazine, “Sex Mania,” that warned of an increasing number of homosexual men choosing to enter marriages as a cover for an illicit life.

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New perspectives on Christopher Isherwood as a searching and transnational writer “Perhaps I had traveled too much, left my heart in too many places,” muses the narrator of Christopher Isherwood’s novel Prater Violet (1945), which he wrote in his adopted home of Los Angeles after years of dislocation and desperation. In Isherwood in Transit, James J.Berg and Chris Freeman bring together diverse Isherwood scholars to understand the challenges this writer faced as a consequence of his travel. Based on a conference at the Huntington Library, where Isherwood’s recently opened papers are held, Isherwood in Transit considers the writer not as an English, continental, or American writer but as a transnational one, whose identity, politics, and beliefs were constantly transformed by global connections and engagements arising from journeys to Germany, Japan, China, and Argentina; his migration to the United States; and his conversion to Vedanta Hinduism in the 1940s.Approaching Isherwood’s rootlessness and restlessness from various perspectives, these essays show that long after he made a new home in California and became an American citizen, Christopher Isherwood remained unsettled, although his wanderings became spiritual and personal rather than geographic.Contributors: Barrie Jean Borich, DePaul U; Jamie Carr, Niagara U; Robert L. Caserio, Penn State U, University Park; Lisa Colletta, American U of Rome; Lois Cucullu, U of Minnesota; Jaime Harker, U of Mississippi; Carola M. Kaplan, California State U, Pomona; Calvin W. Keogh, Central European U, Budapest; Victor Marsh; Wendy Moffat, Dickinson College; Xenobe Purvis; Bidhan Roy, California State U, Los Angeles; Katharine Stevenson, U of Texas at Austin; Edmund White.

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Considers how people have confronted, challenged, and resisted remote warfare Drone warfare is now a routine, if not predominant, aspect of military engagement. Although this method of delivering violence at a distance has been a part of military arsenals for two decades, scholarly debate on remote warfare writ large has remained stuck in tired debates about practicality, efficacy, and ethics. Remote Warfare broadens the conversation, interrogating the cultural and political dimensions of distant warfare and examining how various stakeholders have responded to the reality of state-sponsored remote violence.The essays here represent a panoply of viewpoints, revealing overlooked histories of remoteness, novel methodologies, and new intellectual challenges. From the story arc of Homeland to redefining the idea of a “warrior,” these thirteen pieces consider the new nature of surveillance, similarities between killing with drones and gaming, literature written by veterans, and much more. Timely and provocative, Remote Warfare makes significant and lasting contributions to our understanding of drones and the cultural forces that shape and sustain them.Contributors: Syed Irfan Ashraf, U of Peshawar, Pakistan; Jens Borrebye Bjering, U of Southern Denmark; Annika Brunck, U of Tübingen; David A. Buchanan, U.S. Air Force Academy; Owen Coggins, Open U; Andreas Immanuel Graae, U of Southern Denmark; Brittany Hirth, Dickinson State U; Tim Jelfs, U of Groningen; Ann-Katrine S. Nielsen, Aarhus U; Nike Nivar Ortiz, U of Southern California; Michael Richardson, U of New South Wales; Kristin Shamas, U of Oklahoma; Sajdeep Soomal; Michael Zeitlin, U of British Columbia.

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Considers how people have confronted, challenged, and resisted remote warfare Drone warfare is now a routine, if not predominant, aspect of military engagement. Although this method of delivering violence at a distance has been a part of military arsenals for two decades, scholarly debate on remote warfare writ large has remained stuck in tired debates about practicality, efficacy, and ethics. Remote Warfare broadens the conversation, interrogating the cultural and political dimensions of distant warfare and examining how various stakeholders have responded to the reality of state-sponsored remote violence.The essays here represent a panoply of viewpoints, revealing overlooked histories of remoteness, novel methodologies, and new intellectual challenges. From the story arc of Homeland to redefining the idea of a “warrior,” these thirteen pieces consider the new nature of surveillance, similarities between killing with drones and gaming, literature written by veterans, and much more. Timely and provocative, Remote Warfare makes significant and lasting contributions to our understanding of drones and the cultural forces that shape and sustain them.Contributors: Syed Irfan Ashraf, U of Peshawar, Pakistan; Jens Borrebye Bjering, U of Southern Denmark; Annika Brunck, U of Tübingen; David A. Buchanan, U.S. Air Force Academy; Owen Coggins, Open U; Andreas Immanuel Graae, U of Southern Denmark; Brittany Hirth, Dickinson State U; Tim Jelfs, U of Groningen; Ann-Katrine S. Nielsen, Aarhus U; Nike Nivar Ortiz, U of Southern California; Michael Richardson, U of New South Wales; Kristin Shamas, U of Oklahoma; Sajdeep Soomal; Michael Zeitlin, U of British Columbia.

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Since its inception in 2012, the hugely successful online introduction to modern poetry known as ModPo has engaged some 415,000 readers, listeners, teachers, and poets with its focus on a modern and contemporary American tradition that runs from Walt Whitman and Emily Dickinson up to some of today's freshest and most experimental written and spoken verse. In The Difference Is Spreading, ModPo's Al Filreis and Anna Strong Safford have handed the microphone over to the poets themselves, by inviting fifty of them to select and comment upon a poem by another writer. The approaches taken are various, confirming that there are as many ways for a poet to write about someone else's poem as there are poet-poem matches in this volume. Yet a straight-through reading of the fifty poems anthologized here, along with the fifty responses to them, emphatically demonstrates the importance to poetry of community, of socioaesthetic networks and lines of connection, and of expressions of affection and honor due to one's innovative colleagues and predecessors. Through the curation of these selections, Filreis and Safford express their belief that the poems that are most challenging and most dynamic are those that are open—the writings, that is, that ask their readers to participate in making their meaning. Poetry happens when a reader and a poet come in contact with one another, when the reader, whether celebrated poet or novice, is invited to do interpretive work—for without that convergence, poetry is inert.

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A gripping tale of violent jealousy, sexual passion and treachery, Honoré de Balzac's Cousin Bette is translated from the French with an introduction by Marion Ayton Crawford in Penguin Classics.Poor, plain spinster Bette is compelled to survive on the condescending patronage of her socially superior relatives in Paris: her beautiful, saintly cousin Adeline, the philandering Baron Hulot and their daughter Hortense. Already deeply resentful of their wealth, when Bette learns that the man she is in love with plans to marry Hortense, she becomes consumed by the desire to exact her revenge and dedicates herself to the destruction of the Hulot family, plotting their ruin with patient, silent malice. The culmination of the Comédie humaine, and a brilliant portrayal of the grasping, bourgeois society of 1840s Paris, Cousin Bette is one of Balzac's greatest triumphs as a novelist.Marion Ayton Crawford's lively translation is accompanied by an introduction discussing the novel's portrayal of rapidly changing times, as the new, ambitious middle classes replaced France's old imperial ways.Honoré De Balzac (1799-1850) failed at being a lawyer, publisher, printer, businessman, critic and politician before, at the age of thirty, turning his hand to writing. His life's work, La Comédie humaine, is a series of ninety novels and short stories which offer a magnificent panorama of nineteenth-century life after the French Revolution. Balzac was an influence on innumerable writers who followed him, including Marcel Proust, Émile Zola, Charles Dickens, and Edgar Allan Poe.If you enjoyed Cousin Bette, you might like Balzac's Old Goriot, also available in Penguin Classics.

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The seven deadly sins of Christianity represent the abysses of character, whereas Judith Shklar’s “ordinary vices”—cruelty, hypocrisy, snobbery, betrayal, and misanthropy—are merely treacherous shoals, flawing our characters with mean-spiritedness and inhumanity.Shklar draws from a brilliant array of writers—Molière and Dickens on hypocrisy, Jane Austen on snobbery, Shakespeare and Montesquieu on misanthropy, Hawthorne and Nietzsche on cruelty, Conrad and Faulkner on betrayal—to reveal the nature and effects of the vices. She examines their destructive effects, the ambiguities of the moral problems they pose to the liberal ethos, and their implications for government and citizens: liberalism is a difficult and challenging doctrine that demands a tolerance of contradiction, complexity, and the risks of freedom.

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This unprecedented anthology asks thirty-six leading literary and cultural critics to elaborate on the nature of their profession. With the humanities feeling the pinch of financial and political pressures, and its disciplines resting on increasingly uncertain conceptual ground, there couldn't be a better time for critics to reassert their widespread relevance and purpose. These credos boldly defend the function of criticism in contemporary society and showcase its vitality in the era after theory. Essays address literature and politics, with some focusing on the sorry state of higher education and others concentrating on teaching and the fate of the humanities. All reflect the critics' personal, particular experiences. Deeply personal and engaging, these stories move, amuse, and inspire, ultimately encouraging the reader to develop his or her own critical credo with which to approach the world. Reflecting on the past, looking forward to the future, and committed to the power of productive critical thought, this volume proves the value of criticism for today's skeptical audiences. Contributors: Andrew Ross, Amitava Kumar, Lisa Lowe, Vincent B. Leitch, Craig Womack, Jeffrey J. Williams, Marc Bousquet, Katie Hogan, Michelle A. Masse, John Conley, Heather Steffen, Paul Lauter, Cary Nelson, David B. Downing, Barbara Foley, Michael Berube, Victor Cohen, Gerald Graff, William Germano, Ann Pellegrini, Bruce Robbins, Kenneth Warren, Diana Fuss, Lauren Berlant, Toril Moi, Morris Dickstein, Rita Felski, David R. Shumway, Mark Bauerlein, Devoney Looser, Stephen Burt, Mark Greif, Kathleen Fitzpatrick, Mark McGurl, Frances Negron-Muntaner, Judith Jack Halberstam

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A curious gem of 19th-century gothic fiction Cecil Dreeme is one of the queerest American novels of the 19th century. This edition, which includes a new introduction contextualizing the sexual history of the period and queer longings of the book, brings a rare, almost forgotten, sensational gothic novel set in New York’s West Village back to light. Published posthumously in 1861, the novel centers on Robert Byng, a young man who moves back to New York after traveling abroad and finds himself unmarried and underemployed, adrift in the heathenish dens of lower Manhattan. When he takes up rooms in “Chrysalis College”—a thinly veiled version of the 19th-century New York University building in Washington Square—he quickly finds himself infatuated with a young painter lodging there, named Cecil Dreeme. As their friendship grows and the novel unfolds against the backdrop of the bohemian West Village, Robert confesses that he “loves Cecil with a love passing the love of women.” Yet, there are dark forces at work in the form of the sinister and magnetic Densdeth, a charismatic figure of bad intention, who seeks to ensnare Robert for his own. Full of romantic entanglements, mistaken identity, blackmail, and the dramas of temptation and submission, Cecil Dreeme is a gothic novel at its finest. Poetically written—with flashes of Walt Whitman, Charles Dickens, and Oscar Wilde—Cecil Dreeme is an early example of that rare bird, a queer novel from the 19th century.

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Publicada en 1809, esta novela satírica fue escrita, supuestamente, por un viejo cascarrabias llamado Diedrich Knickerbocker(heterónimo del autor). El mismo Irving participó en una especie de campaña de marketing viral del libro, escribiendo anuncios en los periódicos de Nueva York en los que se buscaba al tal Knickerbocker.Contado desde el punto de vista de Knickerbocker, este libro es una crónica que abarca cincuenta años, comenzando en la década de 1600, de la historia de la ciudad Nueva York bajo el gobierno holandés. Novela hilarante y tremendamente entretenida.Tal fue su influecia que los neoyorkinos pasaron a conocerse como " Knickerbocker". No hay nada que se le parezca en la literatura americana temprana y Dickens, entre otros, tuvo un especial interés por esta obra.

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"After reading Mr. Faulkner's incredible book, something happened. I began to feel bad for the person I was before reading his poems. The poet writes: 'I've placed dynamite around your heart and a bit / in your teeth. How bored you must have been / before you met me.' And he's right. It was so goddamn boring before we met him."--Matthew Dickman Need Machine clamors through the brain like an unruly marching band. Both caustic and thoughtful, these poems offer a topography of modern life writ large in twitchy, neon splendor, in a voice as sure as a surgeon and as trustworthy as a rumor. Andrew Faulkner co-curates The Emergency Response Unit, a chapbook press. This is his first book.

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In the Garden with the Totterings is a fabulous collection of Annie Tempest’s ‘Tottering-by-Gently’ cartoons around the theme of gardening, which encompasses inter-generational tensions, the differing perspectives of men and women and more. Tottering-by-Gently is a village in the fictional county of North Pimmshire, where Lord and Lady Tottering reside in the fading grandeur of their ancestral home, Tottering Hall. Annie Tempest’s cartoons are based on Lord and Lady Tottering (Dicky and Daffy) and their extended family. Her now international following proves that she touches a note of universal truth in her exquisitely detailed and beautifully executed cartoons as she gently laughs with us at the stuff of life.

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After Oliver Twist intervenes to save Jack Dawkins - the legendary Artful Dodger - from transportation to Botany Bay, Jack embarks on what proves to be a perilous quest to discover his roots. Before he can say `Fagin!' he's battling to survive a devastating flood and rescue beautiful black-haired, green-eyed Lysette Godden, the girl of his dreams, from the hands of murderous villains. Jack and Lysette, searching for Jack's parents, head to France and have an adventure there which tests their mettle and mutual love to the utmost and changes their lives for ever. Brilliantly and evocatively written, Jack Dawkins is a worthy sequel to Charles Dickens's immortal masterpiece Oliver Twist.

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Now a major West End play! From 3rd May 2023, see Bleak Expectations on stage at the Criterion theatre, with guest stars Stephen Fry, Dermot O'Leary, Sue Perkins and more!Based on the beloved Radio 4 series, BLEAK EXPECTATIONS recounts the remarkable adventures of young Pip Bin as he tries to make his way in a world made all horrible by the machinations of his cruel guardian, Mr Gently Benevolent. Grim circumstances, mistaken identities, nightmarish court-cases, ridiculous names, convenient coincidences to resolve plot problems, over-sentimental death scenes and lots and lots of adjectives: Bleak Expectations is a novel like Charles Dickens might have written after far too much gin.

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En el Berlín de 1865 una mujer es asesinada de manera brutal. Julius Bentheim, un joven estudiante de Derecho que, gracias a su talento como dibujante, gana algo de dinero realizando bocetos de escenas de crímenes, colabora con la investigación. Todos los indicios apuntan a la culpabilidad del excéntrico profesor de filosofía Botho Goltz, empezando por su propia confesión de los hechos. Sin embargo, cuando el presunto asesino es finalmente llevado ante la justicia, hará gala de una astucia tan maquiavélica ?no hay arma homicida, no hay móvil y la policía incluso ha hecho desaparecer sin saberlo algunas de las pruebas? que acabaremos preguntándonos si Goltz pagará por su sórdido crimen o si conseguirá justificar ante todos su inocencia. Es esta una soberbia novela de detectives en la que escuchamos ecos del mejor Balzac, de Dickens, de Zola, y que crea una suerte de espejo en el que se refleja lo más oscuro del Berlín decimonónico y de la condición humana.Una magistral kriminalroman

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Oxford, años cuarenta. En un vecindario a las afueras de la ciudad, viven tres amigos. La madre de uno de los jóvenes, misteriosamente, fue hallada muerta en el ático de su propia casa. Encontraron su cuerpo en una habitación cerrada por dentro, víctima de múltiples cortes. Nadie pudo haber entrado ni salido de allí, por lo que el caso fue considerado un suicidio. Y, sin embargo, aquella mujer no tenía motivos para quitarse la vida ni había dado muestras de estar deprimida. Un acceso de locura?Pasados los años, se rumorea que a veces hay luz en ese ático, justo en el lugar donde ocurrió la tragedia.Magia, ilusionismo, identidades suplantadas Nada es lo que parece en esta apasionante novela del maestro Paul Halter, merecedora en 1987 del Prix du Festival de Cognac.Paul Halter es uno de los mejores cultivadores actuales del crimen imposible. El mejor heredero de Dickson Carr y Gaston Leroux, en ocasiones superior a sus maestros. Fernando Savater 10

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The Nonconformist's Memorial is a gathering of four long sequences that underscores Susan Howe's reputation as one of the leading experimentalists writing today. How is a poet of language in history whose work resonates back through Melville, Dickinson, and Shelley to the seventeenth-century Metaphysicals and Puritans (the nonconformism of the title), and forward again to T. S. Eliot and the abstract expressionists. The sequences fall into two sections, "Turning" and "Conversion," in half-ironic nonconforming counterpart to Eliot's Four Quartets. Her collaging and mirror-imaging of words are concretions of verbal static, visual meditations on what can and cannot be said. For Howe, "Melville's Marginalia" is the essential poem in the collection, an approach to an elusive and allusive mind through Melville's own reading and the notations in his library books. This, says Howe, is "Language a wood for thought."

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Eleri Fowler's Joyous Blooms to Color has won over tens of thousands of fans who have embraced it with such words as "beautiful," "a keepsake," "a delightful escape from reality," and much more. Wander along a winding path with intricate, gorgeous illustrations of natural settings, lovingly represented in this delicately rendered coloring book. From landscapes of weeping willows in the breeze to patterns of bees and blossoms, all are waiting for your creative touch. Words to color-including quotes, like Emily Dickinson's "Bring me a sunset in a cup"-are set into beautiful, delicate designs that will inspire you as you create! Joyous Blooms to Color's large, 10x10 interior has 96 black-and-white pages printed on heavy paper stock, good for colored pencils and most markers. A perfect gift for loved ones, this sturdy and brilliantly illustrated coloring book will delight.

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In Television Cities Charlotte Brunsdon traces television's representations of metropolitan spaces to show how they reflect the medium's history and evolution, thereby challenging the prevalent assumptions about television as quintessentially suburban. Brunsdon shows how the BBC's presentation of 1960s Paris in the detective series Maigret signals British culture's engagement with twentieth-century modernity and continental Europe, while various portrayals of London—ranging from Dickens adaptations to the 1950s nostalgia of Call the Midwife—demonstrate Britain's complicated transition from Victorian metropole to postcolonial social democracy. Finally, an analysis of The Wire’s acclaimed examination of Baltimore, marks the profound shifts in the ways television is now made and consumed. Illuminating the myriad factors that make television cities, Brunsdon complicates our understanding of how television shapes perceptions of urban spaces, both familiar and unknown.

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In Television Cities Charlotte Brunsdon traces television's representations of metropolitan spaces to show how they reflect the medium's history and evolution, thereby challenging the prevalent assumptions about television as quintessentially suburban. Brunsdon shows how the BBC's presentation of 1960s Paris in the detective series Maigret signals British culture's engagement with twentieth-century modernity and continental Europe, while various portrayals of London—ranging from Dickens adaptations to the 1950s nostalgia of Call the Midwife—demonstrate Britain's complicated transition from Victorian metropole to postcolonial social democracy. Finally, an analysis of The Wire’s acclaimed examination of Baltimore, marks the profound shifts in the ways television is now made and consumed. Illuminating the myriad factors that make television cities, Brunsdon complicates our understanding of how television shapes perceptions of urban spaces, both familiar and unknown.

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In The Victorian Novel of Adulthood, Rebecca Rainof confronts the conventional deference accorded the bildungsroman as the ultimate plot model and quintessential expression of Victorian nation building. The novel of maturity, she contends, is no less important to our understanding of narrative, Victorian culture, and the possibilities of fiction. Reading works by Charles Dickens, George Eliot, Henry James, John Henry Newman, and Virginia Woolf, Rainof exposes the little-discussed theological underpinnings of plot and situates the novel of maturity in intellectual and religious history, notably the Oxford Movement. Purgatory, a subject hotly debated in the period, becomes a guiding metaphor for midlife adventure in secular fiction. Rainof discusses theological models of gradual maturation, thus directing readers’ attention away from evolutionary theory and geology, and offers a new historical framework for understanding Victorian interest in slow and deliberate change.

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As children, learning to read, we look first at the illustrations - but how do these tell their stories differently to the words? Words & Pictures explores this question through three encounters between writers and artists. It looks at how artists have responded to two great, contrasting works, Paradise Lost and Pilgrim's Progress; at Hogarth and Fielding, great innovators, sharing common aims; and at Wordsworth and Bewick, a poet and engraver, both working separately, but both imbued with the spirit of their age. A brief coda turns to a fourth relationship: writers and artists who collaborate from the start, like Dickens and Phiz, and Lewis Carroll and Tenniel. Sometimes amusing, sometimes moving, this is a book to pore over and enjoy. The visions it considers link daily life to the universal, the passionate and the sublime.

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Dogs throughout history have enjoyed a special relationship with humankind, and our favourite four-legged creatures continue to grow in popularity. The writers and poets collected within this anthology reflect on the joys and pitfalls of dog ownership with brilliant wit, insight, and affection. From Roald Amundsen’s account of using and eating sled dogs in his expedition to the South Pole, to J.R. Ackerley’s tender portrayal of his ill-behaved dog Tulip, ON DOGS traces the canine’s journey from working animal to pampered pet. With a humorous introduction by Tracey Ullman (an inveterate adopter of strays), and 6 characterful dog portraits by animal photographer Rhian ap Gruffydd and a cover image by Picasso of his dog Lump. Contributors include Alice Walker, Charles Dickens, James Thurber, Miranda Hart, Brigitte Bardot, A.A. Gill, David Sedaris, Barbara Woodhouse, and many more.

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The increasingly collectible categories of nursery rhymes and literary characters, including children's stories and fables, provide the focus for this fourth book of salt and pepper shakers by experts Larry Carey and Sylvia Tompkins. This very popular area of salt and pepper shakers appeals to a wide range of collectors-it's the book for collectors who love classic literary characters such as those from Dickens, fairy tales, and Aesop's fables, to modern day characters such the Cat in the Hat and Curious George. Wonderful sets, from Aladdin and His Lamp to Wizards with Dragons, and everything in between (including series) are depicted in over 700 color photographs. A comprehensive guide, this book details each set's color, size, manufacturer, design variations, and value ranges along with licensing information as marked on the sets.

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It’s hard to imagine a history of British engineering without Rolls-Royce: there would be no Silver Ghost, no Merlin for the Spitfire, no Alcock and Brown. Rolls-Royce is one of the most recognisable brands in the world.But what of the man who designed them?The youngest of five children, Frederick Henry Royce was born into almost Dickensian circumstances: the family business failed by the time he was 4, his father died in a Greenwich poorhouse when he was 9, and he only managed two fragmented years of formal schooling. But he made all of it count.In Sir Henry Royce: Establishing Rolls-Royce, from Motor Cars to Aero Engines, acclaimed aeronautical historian Peter Reese explores the life of an almost forgotten genius, from his humble beginnings to his greatest achievements. Impeccably researched and featuring almost 100 illustrations, this is the remarkable story of British success on a global stage.

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Having grown up in London and rural southern England, Margaret Hale moves with her father to the northern industrial city of Milton. She is shocked by the poverty she encounters and dismayed by the unsympathetic attitude of the textile-mill owner John Thornton, whose factory workers are engaged in an acrimonious strike. Against this backdrop of social unrest, the relationship between the two is tumultuous, and it takes further upheaval and tragedy for them to see each other in a different light. First serialized in Dickens's magazine Household Words in the same period as Hard Times, North and South shares its famous counterpart's concern with the inequality and hardship generated by the Industrial Revolution in northern England, while at the same time creating one of the nineteenth century's most memorable and engaging female protagonists in Margaret Hale.

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Feeling confident about the Grade 9-1 GCSE English Literature exams? Put your knowledge of Charles Dickens' A Christmas Carol to the test with CGP’s brilliant Revision Question Cards! There are 63 cards in the pack covering the key characters, themes, context, writer's techniques, plot and key events. There's also a section of cards focussing on key quotes in the text - great for helping to learn quotes in preparation for the exam. Each card starts off with quick questions to warm you up, followed by harder questions that require more thought, plus revision and exam tips. Flip the card over and you’ll find full answers to each question, carefully written to help you understand everything you need to know. Don't miss CGP's matching A Christmas Carol Text Guide (9781782943099) and Text Guide Workbook (9781782947806).

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“[Daniel Pauly] is an iconoclastic fisheries scientist ... who is so decidedly global in his life and outlook that he is nearly a man without a country.”—NEW YORK TIMES “Daniel Pauly is a friend whose work has inspired me for years.”—TED DANSON Daniel Pauly is a living legend in the world of marine biology. He coined the influential term “shifting baselines,” in which knowledge of environmental disaster fades over time, leading to a misguided understanding of our world. He blew the whistle on the global fishing industry, alerting the public to the devastation of overfishing. And he developed data-driven research methods that led to groundbreaking discoveries. Daniel Pauly is also a man whose life was shaped by struggle. Born after the Second World War to a white French woman and Black American GI in Paris, Pauly’s childhood has been described as Dickensian. His father left before he was born and his mother, whose family did not accept her and her mixed-race son, fell prey to a manipulative Swiss couple who abducted Pauly under murky circumstances. He was taken to Switzerland, where he was treated cruelly as the couple’s servant. Pauly escaped to Germany to attend university and, as a young man, travelled to the United States during the 1969 civil rights movement, where he met his father’s family and experienced a political and racial reawakening. From there, he went on to have one of the most decorated careers in the field of marine biology. The Ocean’s Whistleblower “weaves together the challenges of marine research with an astonishing coming-of-age story” (Andrew Sharpless, Oceana) and is told through interviews with colleagues, friends, and Pauly himself. A brilliant book about a brilliant man, The Ocean’s Whistleblower finally profiles one of the most influential scientists of our time.

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Elizabeth Gaskell's remarkable first novel, Mary Barton: A Tale of Manchester Life portrays a love that defies the rigid boundaries of class with tragic consequences. This Penguin Classics edition is edited with an introduction and notes by MacDonald Daly.Mary Barton, the daughter of disillusioned trade unionist, rejects her working-class lover Jem Wilson in the hope of marrying Henry Carson, the mill owner's son, and making a better life for herself and her father. But when Henry is shot down in the street and Jem becomes the main suspect, Mary finds herself painfully torn between the two men. Through Mary's dilemma, and the moving portrayal of her father, the embittered and courageous Chartist agitator John Barton, Mary Barton powerfully dramatizes the class divides of the 'hungry forties' as personal tragedy. In its social and political setting, it looks towards Elizabeth Gaskell's great novels of the industrial revolution, in particular North and South.Macdonald Daly's introduction discusses Gaskell's first novel as a pioneering work in the recognition of the conditions of the poor and working class; this edition also contains full notes and a chronology of Gaskell's life.Elizabeth Gaskell (1810-65) was born in London, but grew up in the north of England in the village of Knutsford. In 1832 she married the Reverend William Gaskell and had four daughters, and one son who died in infancy. Her first novel, Mary Barton, was published in 1848, winning the attention of Charles Dickens, and most of her later work was published in his journals. She was also a lifelong friend of Charlotte Brontë, whose biography she wrote.If you enjoyed Mary Barton, you might like George Eliot's The Mill on the Floss, also available in Penguin Classics.

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Here are poets past and present, from Chaucer, Shakespeare and Wordsworth to Whitman, Dickinson and Thoreau; from Keats, Blake and Hopkins to Elizabeth Bishop, Ted Hughes and Amy Clampitt. Here are poems that speak of the seasons as measures of earthly time or as states of mind or as the physical expressions of the ineffable. From Robert Frost's tribute to the evanescence of spring in 'Nothing Gold Can Stay' to Langston Hughes's moody 'Summer Night' in Harlem; from the 'stopped woods' in Marie Ponsot's 'End of October' to the chilling 'mind of winter' in Wallace Stevens's 'The Snow Man', the poems in this volume engage vividly with the seasons and, through them, with the ways in which we understand and engage with the world outside ourselves.

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A sister volume to the poetry collection She is Fierce this is a stunning gift book featuring 130 poems written by women. With poems from classic, well loved poets as well as innovative and bold modern voices, She Will Soar is a stunning collection and an essential addition to any bookshelf.From the ancient world right up to the present day, it includes poems on wanderlust, travel, daydreams, flights of fancy, escaping into books, tranquillity, courage, hope and resilience. From frustrated housewives to passionate activists, from servants and suffragettes to some of today’s most gifted writers, here is a bold choir of voices demanding independence and celebrating their hard-won power.Compiled by Ana Sampson, immerse yourself in poems by Carol Ann Duffy, Christina Rossetti, Stevie Smith, Sarah Crossan, Emily Dickinson, Salena Godden, Mary Jean Chan, Charly Cox, Nikita Gill, Fiona Benson, Hollie McNish and Grace Nichols to name but a few.

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Step aside cat ladies, it’s time to put the men in the spotlight – when it comes to the felines in our lives, men are just as OBSESSED as women. Celebrating the unique bond between cat and dad, this cute little book is an ode to all cat dads out there and a guide on being the best cat parent possible. It might take a little while for their hearts to be won over, but men, eventually, always fall for their cats. With chapters covering everything from cat–dad psychology to fathering quizzes and from a toolkit of parenting essentials to basic behaviour interpretation, this is the perfect gift for the man in your cat’s life. Peppered throughout are feline-inspired quotes from famous cat dads, including Charles Dickens and Ernest Hemingway, and advice to help to ensure your cat is happy, healthy so you can really be the perfect Cat Father.

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Dear Reader, there is nothing to be found in the pages of A Series of Unfortunate Events but misery and despair.You still have time to choose another international best-seller to read. But if you must know what unpleasantries befall the charming and clever Baudelaire children read onThe Carnivorous Carnival contains such a distressing story that consuming any of its contents would be far more stomach-turning than even the most imbalanced meal. To avoid causing discomfort, it would be best if I didn't mention any of the ingredients of this story, particularly a confusing map, an ambidextrous person, an unruly crowd, a wooden plank and Chabo the Wolf Baby. Your time might be better filled with something more palatable such as eating your vegetables or feeding them to someone else.In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted.Despite their wretched contents, ''A Series of Un

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Be warned to commiserate 25 years of misfortune and gloom unleashed upon generations of children, Lemony Snicket's publishers have taken the untold risk of creating brand new collectors' editions of A Series of Unfortunate Events, illustrated by the obscenely talented Emily Gravett. The temptation to buy a copy is severe indeedDear reader,You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with cautionViolet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky.In The Miserable Mill the siblings encounter a giant pincher machine, a bad casserole, a man with a cloud of smoke where his head should be, a hypnotist, a terrible accident and coupons.In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that i

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Be warned to commiserate 25 years of misfortune and gloom unleashed upon generations of children, Lemony Snicket's publishers have taken the untold risk of creating brand new collectors' editions of A Series of Unfortunate Events, illustrated by the obscenely talented Emily Gravett. The temptation to buy a copy is severe indeedDear reader,You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with cautionViolet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky.In The Reptile Room the siblings endure a car accident, a terrible smell, a deadly serpent, a long knife, a brass reading lamp, and the re-appearance of a person they'd hoped never to see again.In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comed

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Why did dustmen exercise an extended hold over the imagination of many Regency and Victorian artists and writers, including George Cruikshank, Henry Mayhew, Charles Dickens as well as numerous little known dramatists, caricaturists, print makers, journalists and novelists? This book, the first study of the cultural representation of the dust trade, provides many varied answers to this question by showing the ways in which London dustmen were associated with ideas of contamination, dirt, noise, violence, wealth, consumerism and threat. Drawing on an extraordinary range of sources, including plays, novels, reportage and, especially, visual culture, Dusty Bob describes the ways in which dustmen were perceived and mythologised in the first seventy years of the nineteenth century.Although Dusty Bob centrally comprises a detailed and original piece of research of interest to scholars and advanced students of Victorian culture, it has been written with a broader readership in mind.

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