Search results for ""author dick"

The Quincunx is an epic Dickensian-like mystery novel set in 19th century England, and concerns the varying fortunes of young John Huffam and his mother. A thrilling complex plot is made more intriguing by the unreliable narrator of the book - how much can we believe of what he says? First published in 1989, The Quincunx was a surprise bestseller and began a trend for pastiche Victorian novels. It remains one of the best.

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A pictorial history of Birmingham Town Hall, showing the many events, occasions and people to which it has played host. Birmingham's magnificent Town Hall has hosted events of every kind and variety during its long life. Now, after a 35m refurbishment and restored to the original 1834 design, it reopens in October 2007 - an occasion which this pictorial history commemorates. Lavishly illustrated with some 250 pictures, it recalls many of the astonishing events and occasions that the Hall has witnessed in its 173-year history. These range from royal visits by Queen Victoriaand subsequent monarchs, outsize banquets, usage in wartime, legendary speakers including Charles Dickens and the many famous personalities of each decade, even a riot. The Hall's amazingly rich musical history is also traced, from the days when Mendelssohn, Dvorak and Elgar conducted their new works in person, through appearances by every international musician of subsequent decades right through the phenomena of all night jazz and the coming of The Beatles and The Rolling Stones, to its temporary closure in 1996.

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Incluso una puerta pesada no tiene necesidad más que de una pequeña llave. La frase es de Charles Dickens, pero puede aplicarse a las palabras de Anselm Grün, que son como una llave que abre algo en nuestra alma. Despejan un espacio de libertad para mí y para los demás. Vivir, sencillamente, satisfacción y claridad: he ahí un camino hacia la armonía interior que no sólo me vivifica a mí, sino también a la comunidad. Deja todas tus preocupaciones y para de dar vueltas en torno a ti mismo. Entonces el mundo entero te pertenece. Todo se convierte en un regalo. Y la vida pasa a ser un lugar para el agradecimiento.

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When the celebrated crime writer Agatha Crispy engages Hettie and Tilly in the search for a stolen manuscript, our feline detective duo is plunged into a world of Dickensian thieves and murderers. Does the ghost of Jake the Nipper prowl the London Streets of Kitzrovia? Will Madame Two Paws’s exhibition wax or wane? And will the secrets in the crypt of the church of St Mavis and Cucumber finally be revealed? Join Hettie and Tilly as they attempt to unravel yet another darkly humorous case for The No. 2 Feline Detective Agency.

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Describió Tolstói a Ana Karenina? Nos contó Melville alguna vez cuál era el aspecto de Ismael? Cómo nos imaginamos el Londres de Dickens o el Dublín de Joyce? Peter Mendelsund, uno de los mejores diseñadores de cubiertas de libros del mundo, ha escrito una exploración única del fenómeno de la lectura que nos revela hasta qué punto leer es un acto creativo.

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A brilliant modern translation by Christine Donougher of Victor Hugo's thrilling masterpiece, with an introduction by Robert Tombs. This is the best translation of the novel available in English, as recommended by David Bellos in The Novel of the Century. Victor Hugo's tale of injustice, heroism and love follows the fortunes of Jean Valjean, an escaped convict determined to put his criminal past behind him. But his attempts to become a respected member of the community are constantly put under threat: by his own conscience, and by the relentless investigations of the dogged policeman Javert. It is not simply for himself that Valjean must stay free, however, for he has sworn to protect the baby daughter of Fantine, driven to prostitution by poverty. 'A magnificent achievement. It reads easily, sometimes racily, and Hugo's narrative power is never let down ... An almost flawless translation, which brings the full flavour of one of the greatest novels of the nineteenth century to new readers in the twenty-first' - William Doyle, Times Literary Supplement 'The year's most interesting publication from Penguin Classics was [...] a new translation by Christine Donougher of the novel we all know as Les Misérables. You may think that 1,300 pages is a huge investment of time when the story is so familiar, but no adaptation can convey the addictive pleasure afforded by Victor Hugo's narrative voice: by turns chatty, crotchety, buoyant and savagely ironical, it's made to seem so contemporary and fresh in Donougher's rendering that the book has all the resonance of the most topical state-of-the-nation novel' - Telegraph 'Christine Donougher's seamless and very modern translation of Les Misérables has an astonishing effect in that it reminds readers that Hugo was going further than any Dickensian lament about social conditions [...]The Wretched touches the soul' - Herald Scotland

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Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction—the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility.

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My Life in Heaven, the 2012 FIELD Poetry Prize winner, is "striking in its subtlety, complexity, and utterly distinctive voice," according to the prize judges David Young and David Walker. These moment-to-moment explorations of intimacy's intricacies use the power of the poetic line to illuminate the relationship of self to the beloved, nature, and the divine. This is a book of love poems, romancing the line between self and other. My Life in Heaven will stun readers who admire the best of contemporary American poetry in the vein of Donald Revell, Brenda Hillman, Charles Wright, and Jean Valentine. Samyn's poems sing with the elusive fire of Emily Dickinson.

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As a Man Thinketh is James Allen's third book, first published in 1903. In it, he details how man is the creator and shaper of his destiny by the thoughts which he thinks. He rises and falls in exact accordance with the character of the thoughts which he entertains. His environment is the result of what he has thought and done in the past, and his circumstances in the future are being shaped and built by his present desires, aspirations, thoughts and actions. He therefore who chooses and pursues a particular line of thought, consciously builds his own destiny. Part of the New Thought Movement, Allen reveals the secrets to having the most fulfilling existence possible, and it’s easier than any of us could have imagined. The title for the essay comes from the Bible: “As a man thinketh in his heart, so is he,” Proverbs, chapter 23, verse 7. In more than a century, As A Man Thinketh has become an inspirational classic, selling millions of copies worldwide and bringing faith, inspiration, and self healing to all who have encountered it. In this new edition of As A Man Thinketh, readers will be enthralled by James Allen’s thoughts and direction to take charge of their own destiny, as it has for over 100 years. In the series Classic Thoughts and Thinkers, explore some of the most influential texts of our time along with the inner workings of its greatest thinkers. With works from great American figures such as Theodore Roosevelt and Emily Dickinson and seminal documents including the Constitution of the Unites States, this series focuses on the most reflective and thought-provoking writings of the last two centuries. These beautiful hardcovers are the perfect historical perspective for meeting the challenges of the modern world. Other titles in this series include: Autobiography of Benjamin Franklin, Collected Poems of Robert Frost, Common Sense, Constitution of the United States with the Declaration of Independence, Helen Keller, Narrative of the Life of Frederick Douglass, Selected Poems of Emily Dickinson, and Theodore Roosevelt’s Words of Wit and Wisdom.

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This second volume of A.H. Tammsaare's monumental pentalogy portrays the education of Indrek who emerges here as the protagonist and will remain so throughout the next three volumes. This is a story of moving to the polyglot city and abandoning the countryside which at that time was the heartland of the Estonian language. This new environment is a vortex of prejudices and national rivalries nevertheless held together in practice by a strange and very human tolerance. Here Tammsaare writes with his trademark wit and deep understanding of human nature, and we find ourselves in the company of a vast gallery of larger-than-life characters who jostle, scheme and argue over both trivialities and the great issues of the human condition. They may do the latter out of their own intellectual narcissism or simply for the joy of debate, but the ensuing dialogues rival those of the great Russian novelists. The boarding school is as dysfunctional as any Dickensian one, but it is a great deal more benevolent. Russians, Germans, Poles, Latvians and Caucasians mix with the Estonian majority, speaking in a mix of Russian, German and Estonian, and somehow compromises are nearly always arrived at in spite of, or possibly because of some extraordinary theatrics, in which Mr Maurus must outperform not only all the other characters in the book but very probably all other celebrated headmasters created by European literature over the centuries. Indrek not only has to come to terms with this world so utterly unsuited to his shy and innocent rural upbringing, but he also has to deal with his first encounters with love and death.

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Offers tunes that are simple to read, easy to play, and suitable for practically all instruments. This work also provides the basic guitar chords. The songs include: "Au Clair De la Lune"; "Baa Baa Black Sheep"; "The Animals Went In Two By Two"; "Frere Jacques"; "Hickory Dickory Dock"; "Hush-a-by Baby"; "London Bridge Is Falling Down"; and more.

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Para la filósofa, escritora y poetisa Virginia Moratiel, los poetas son los perfectos compañeros de viaje: sea por el enorme deleite interior que nos ofrecen sus poemas, sea por la peculiar manera como abordan los grandes temas universales o el sentimiento que destilan ante las encrucijadas del camino. En medio de ese constante deambular, quién puede resistirse a dejarse poseer por la belleza, quién no desea volverse inmortal gracias al canto de un poeta. Así, Moratiel nos ofrece una personal cartografía poética, jalonada por la vida y la obra de tantos artistas fascinantes ?de Safo y Emily Dickinson a Wis?awa Szymborska y Alejandra Pizarnik; de Matsuo Bash? y Giacomo Leopardi a Rainer Maria Rilke y Paul Celan?, seres atractivos y enigmáticos, que en pleno dolor son capaces de abrazarse con denuedo a la belleza, consolarnos e infundirnos ganas de seguir viviendo.

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QUIÉN MATÓ A SARAH BROOKS? La nueva revelación del thriller que conquistará a los nostálgicos de Twin Peaks y los lectores de Joël Dicker y Mikel Santiago. En la profundidad húmeda y espesa del bosque de Stoneheaven, descansa el cascarón de carne y huesos en el que se ha convertido el cuerpo adolescente de Sarah Brooks. Con solo diecisiete años y muchos secretos en su poder, la joven ha aparecido colgada de un árbol, bocabajo y completamente desnuda. Quién puede haberla asesinado de este modo? Qué sabía Sarah? Quién le tenía miedo? Este thriller es un viaje al corazón de uno de esos pueblos estadounidenses donde, aparentemente, nunca pasa nada. Sin embargo, bajo la aparente calma, bullen odios y mentiras a punto de estallar. A través de la investigación del reportero de sucesos local, Declan Jacobson, el lector irá reconstruyendo las últimas horas de vida de la joven, al tiempo que el número de sospechosos va creciendo entre sus familiares y amigos.

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Oliver Twist is one of the most well-known stories ever told, about a young orphan who has to survive the mean streets of London before ultimately being rescued by a kindly benefactor. But it is his friend, the Artful Dodger, who has the far more intriguing tale, filled with more adventure and excitement than anything boring Oliver could possibly get up to. Throw in some vampires and a plot to overthrow the British monarchy, and what you have is the thrilling account that Charles Dickens was too scared to share with the world. From the brilliant mind of novelist and comic book veteran Peter David, Artful is the dark, funny, and action-packed story of one of the most fascinating characters in literary history. With vampires.

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You have heard, no doubt, the tale of Master Oliver Twist - that rags-to-riches boy; the parish orphan who became heir to the Brownlow fortune. But what few know is that was a second Twist - a girl, brought into this world moments ahead of her brother.This is the story of Twill Twist - and her journey through the gambling dens and workhouses of London, as she attempts to make a life for herself, rescue her friends, and uncover the mystery of her past - while meeting some familiar faces along the way...Re-discover the Artful Dodger, Fagin, and Oliver Twist himself, along with a host of fantastic new heroes and villains, in this brilliantly-imagined, rip-roaring sequel to Dickens' much-loved classic.

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‘Facts alone are wanted in life,’ exclaims Mr Gradgrind at the beginning of Dickens’ Hard Times. Literature is not about facts alone, and – despite two and a half thousand years of arguments – no one can agree on what it is, or how to study it. But, argues Robert Eaglestone, it is precisely the open-ended nature of literature that makes it such a rewarding and useful subject. Eaglestone shows that studying literature can change who you are, turning you from a ‘reader’ into a ‘critic’: someone attuned to the ways we make meaning in our world. Literature is a living conversation which provides endless opportunities to rethink and reinterpret our societies and ourselves. With examples ranging from Sappho to Skyrim, this book shows how literature offers freer and deeper ways of thinking and being.

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Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Hope, as Emily Dickinson famously wrote, is the thing with feathers. Erik Anderson, on the other hand, regards our obsession with birds as too sentimental, too precious. Birds don’t express hope. They express themselves. But this tension between the versions of nature that lodge in our minds and the realities that surround us is the central theme of Bird. This is no field guide. It’s something far more unusual and idiosyncratic, balancing science with story, anatomy with metaphor, habitat with history. Anderson illuminates the dark underbelly of our bird fetish and offers a fresh, alternative vision of one of nature’s most beloved objects. Object Lessons is published in partnership with an essay series in The Atlantic.

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Sam and Lizzie are freezing and hungry on the streets of Victorian London. When Sam asks a wealthy man for some coins, he is rudely turned away. Months of struggle suddenly find their focus, and Sam resolves to kill the man. Huddling in a graveyard for warmth, Sam and Lizzie are horrified to see the earth around one of the tombs begin to shift, shortly followed by the wraithlike figure of a ghostly man. He warns Sam about the future which awaits such a bitter heart, and so begins Sam’s journey led by terrifying spirits through the past, present and future, after which Sam must decide whether to take the man, Scrooge’s, life or not. A perfectly layered, tense and supremely satisfying twist on one of Dickens' most popular books, cleverly reinvented to entice a younger readership.

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Summer is a season of richness: gold against blue; sun dazzle on water; sweet fragrance, and the sound of insects, filling the air. We feel the sand between our toes, or the grass beneath our feet. In these long, warm days, languid and sensual, we reconnect with the natural world, revelling in light and scent and colour once more.Capturing the high point of the year's progress, Summer presents prose and poetry spanning eight hundred years. Featuring new contributions by Simon Barnes, Michael McCarthy and Esther Woolfson, classic extracts from the work of Charles Dickens, Mary Webb and Philip Larkin, and diverse new nature writing from across the UK, this vibrant and evocative collection will inspire you to go out and enjoy the pleasures of summer.

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A refreshed cover edition of Gaby Morgan's Read Me: A Poem for Every Day of the Year, the bestselling poetry anthology with over a quarter of a million copies sold. This anthology is perfect for sharing with the all the family – it contains a poem for every day of the year from the very best modern and classic poets, so you're sure to find familiar favourites along with exciting new discoveries. 365 rhymes, verses and poems from the likes of Brian Patten, William Wordsworth, A. A. Milne, Emily Dickinson, Wes Magee, William Blake, Seamus Heaney, Ian McMillan, Gareth Owen and Walter de la Mare.This inspiring and heart-warming collection is the perfect gift that will last the whole year, with a little bit of magic to read every day.

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The Secret Garden with a twist: in this follow-up to Meg, Jo, Beth, and Amy, this full-color graphic novel moves Mary Lennox to a New York City brownstone, where she and her very first group of friends restore an abandoned rooftop garden...and her uncle's heart.Mary Lennox is a loner living in Silicon Valley. With her parents always working, video game and tech become her main source of entertainment and "friends." When her parents pass away in a tragic accident, she moves to New York City to live with her uncle who she barely knows, and to her surprise, keeps a gadget free home. Looking for comfort in this strange, new reality, Mary discovers an abandoned rooftop garden and an even bigger secret...her cousin who suffers from anxiety. With the help of her new friends, Colin and Dickon, Mary works to restore the garden to its former glory while also learning to grieve, build real friendships, and grow.This title will be simultaneously available in hardcover.

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This book shows that novelists often responded to newspapers by reworking well-known events covered by Victorian newspapers in their fictions. Each chapter addresses a different narrative modality and its relationship to the news. From Charles Dickens interrogating the distinctions between fictional and journalistic storytelling to the sensation novels of Wilkie Collins and Mary Elizabeth Braddon locating melodrama in realist discourses, the core of these metaphors and narrative forms is a theorisation of the newspaper's influence on society.

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Among the eleven articles in this volume, dedicated to Mason Hammond, are “The Emergence of Mediaeval Towns: Independence or Continuity?” by Professor Hammond; “Existimatio, Fama, and the Ides of March,” by Zvi Yavetz; “Sophocles: Ajax 815–824,” by Cedric H. Whitman; “The Myth of Pindar’s First Nemean: Sportsmen, Poetry, and Paideia,” by Peter W. Rose; “Aristophanes’ Ranae 862: A Note on the Anatomy of Euripidean Tragedy,” by Gregory W. Dickerson; “Speech and Narrative in the Aeneid,” by Gilbert Highet; and “The ‘Lighthouse’ of Abusir in Egypt,” by Fawzi el Fakharani.

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With this well-illustrated new volume, the SECC continues its tradition of publishing innovative interdisciplinary scholarship on the interpretive edge. Essays include:Misty Anderson, Our Purpose is the Same: Whitefield, Foote, and the Theatricality of Methodism Tili Boon Cuille, La Vraisemblance du merveilleux: Operatic Aesthetics in Cazotte's Fantastic Fiction Simon Dickie, Joseph Andrews and the Great Laughter Debate: The Roasting of Adams Lynn Festa, Cosmetic Differences: The Changing Faces of England and France Blake Gerard, All that the heart wishes: Changing Views toward Sentimentality Reflected in Visualizations of Sterne's Maria, 1773-1888 Jennifer Keith, The Sins of Sensibility and the Challenge of Antislavery Poetry Mary Helen McMurran, Aphra Behn from Both Sides: Translation in the Atlantic World Leslie Richardson, Leaving her Father's House: Locke, Astell, and Clarissa's Body Politic Sandra Sherman, The Wealth of Nations in the 1790s Alan Sikes, Snip Snip Here, Snip Snip There, and a Couple of Tra La Las: The Rise and Fall of the Castrato Singer Rivka Swenson, Representing Modernity in Jane Barker's Galesia Trilogy: Jacobite Allegory and the Aesthetics of the Patch-Work Subject

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"Venice: The Anthology Guide" is the sixth edition, completely updated, revised and reset, of Milton Grundy's perennially fresh classic travel guide to the city. It is unlike any other guide, for it conducts visitors round Venice using the observations and opinions of famous writers and art historians to enlighten them. Among the people it quotes are Vasari, Ruskin, Berenson, Wittkower, Dickens, Henry James, A.J.C. Hare, Otto Demus, Ernst Gombrich, Michael Levey, Cecil Gould, Hugh Honour, James Morris and Alan Bennett. It includes thirty new colour illustrations, twenty of them by Sarah Quill, the renowned photographer of Venice. The book divides Venice up into seven walks and four excursions, with eight clear maps, so that people can see the maximum number of sights they wish to in a limited time. Its coverage of Venice's rich store of paintings and sculpture is as full as that of its unique architecture. Most of the illustrations - Sarah Quill's apart - are taken from old engravings and paintings, and, like the text, provide a fascinating historical perspective on the present day versions of the scenes and buildings they represent.

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From Bangladesh and Hong Kong to Iran and South Africa, film industries around the world are rapidly growing at a time when new digital technologies are fundamentally changing how films are made and viewed. Larger film industries like Bollywood and Nollywood aim to attain Hollywood's audience and profitability, while smaller, less commercial, and often state-funded enterprises support various cultural and political projects. The contributors to Anthropology, Film Industries, Modularity take an ethnographic and comparative approach to capturing the diversity and growth of global film industries. They outline how modularity—the specialized filmmaking tasks that collectively produce a film—operates as a key feature in every film industry, independent of local context. Whether they are examining the process of dubbing Hollywood films into Hindi, virtual reality filmmaking in South Africa, or on-location shooting in Yemen, the contributors' anthropological methodology brings into relief the universal practices and the local contingencies and deeper cultural realities of film production. Contributors. Steven C. Caton, Jessica Dickson, Kevin Dwyer, Tejaswini Ganti, Lotte Hoek, Amrita Ibrahim, Sylvia J. Martin, Ramyar D. Rossoukh

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The best fishing writing is never really about fishing, or never only about fishing, and the writers collected in A Twitch Upon the Thread use angling as a way to write about love, loss, faith, and obsession. This is an anthology of fishing writing ranging from medieval times to the present, taking the reader from riverbank to open ocean, from England to New Zealand, from the shore to the depths. Read it and be hooked. Included are contributions from Virginia Woolf, Charles Dickens, Ota Pavel, Arthur Ransome, George Orwell, Gerard Manley Hopkins, and dozens more.

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Analyses and critiques the key regulatory and commercial dimensions of the oil and gas industryIn recent years, a great deal has changed in the oil and gas industry, from legal and regulatory change to falling oil prices. The contemporary oil and gas industry is now intensely focussed on cost-saving and the UK has radical redrawn its revenue-raising expectations.This updated third edition of 'UK Oil and Gas Law' has been published in two volumes: this volume focuses on resource management and regulatory law, while the other deals with commercial and contract law issues. The twin volumes bring together academic and practising lawyers, mainly based in Aberdeen, Europe's Energy Capital, to consider the key regulatory and commercial dimensions of an ever-changing hydrocarbon province.New for this editionA detailed analysis of the Wood Review and its implementation, including its effects on the licensing system and third party access to infrastructureA discussion of the the changing face of the UK's tax systemA new chapter on onshore shale developmentsAn expanded treatment of decommissioning issues, including a new chapter on Decommissioning SecurityContributorsJudith Aldersey-Williams, Partner, CMS, Nabarro and Olswang, Aberdeen.James Cowie, Trainee Solicitor, Jones Day, Aberdeen.Greg Gordon, Senior Lecturer in Law, University of Aberdeen.Luke Havemann, Senior Associate, Bowmans Oil & Gas Team in Cape Town, South Africa.Tina Hunter, Professor of Law, University of Aberdeen.Alexander Kemp, Schlumberger Professor of Petroleum Economics, University of Aberdeen.Steven Latta, Assistant Head of Transnational Education, Glasgow Caledonian University.John Paterson, Professor of Law and Vice Principal for Internationalisation, University of Aberdeen.Claire Ralph, Head of Tax, Falklands Island Government; formerly Oil and Gas UK and HM Treasury.Uisdean Vass, Senior Counsel, Womble Bond Dickinson, Aberdeen.Emre Uenmez, Lecturer in Law, University of Aberdeen.Constantinos Yiallourides, Teaching Fellow, University of Aberdeen.

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Analyses and critiques the key regulatory and commercial dimensions of the oil and gas industryIn recent years, a great deal has changed in the oil and gas industry, from legal and regulatory change to falling oil prices. The contemporary oil and gas industry is now intensely focussed on cost-saving and the UK has radical redrawn its revenue-raising expectations.This updated third edition has been published in two volumes: this volume focuses on commercial and contract law issues, while the other deals with resource management and regulatory law. The twin volumes bring together academic and practising lawyers, mainly based in Aberdeen, Europe's Energy Capital, to consider the key regulatory and commercial dimensions of an ever-changing hydrocarbon province.New for this editionSignificantly revised to take account of new case law relevant to default provisions and contractual interpretationA significantly expanded treatment of upstream commercial issues, including new chapters on the LOGIC contracts and Drilling contractsAdditional midstream and downstream content, including new chapters by industry experts on transportation and oil sales agreementsContributorsJudith Aldersey-Williams, Partner, CMS, Nabarro and Olswang, Aberdeen.James Cowie, Trainee Solicitor, Jones Day, Aberdeen.Greg Gordon, Senior Lecturer in Law, University of Aberdeen.Luke Havemann, Senior Associate, Bowmans Oil & Gas Team in Cape Town, South Africa.Tina Hunter, Professor of Law, University of Aberdeen.Alexander Kemp, Schlumberger Professor of Petroleum Economics, University of Aberdeen.Steven Latta, Assistant Head of Transnational Education, Glasgow Caledonian University.John Paterson, Professor of Law and Vice Principal for Internationalisation, University of Aberdeen.Claire Ralph, Head of Tax, Falklands Island Government; formerly Oil and Gas UK and HM Treasury.Uisdean Vass, Senior Counsel, Womble Bond Dickinson, Aberdeen.Emre Uenmez, Lecturer in Law, University of Aberdeen.Constantinos Yiallourides, Teaching Fellow, University of Aberdeen.

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Apophasis has become a major topic in the humanities, particularly in philosophy, religion, and literature. This monumental two-volume anthology gathers together most of the important historical works on apophaticism and illustrates the diverse trajectories of apophatic discourse in ancient, modern, and postmodern times. William Franke provides a major introductory essay on apophaticism at the beginning of each volume, and shorter introductions to each anthology selection. The second volume, Modern and Contemporary Transformations, contains texts by Hölderlin, Schelling, Kierkegaard, Dickinson, Rilke, Kafka, Rosenzweig, Wittgenstein, Heidegger, Weil, Schoenberg, Adorno, Beckett, Celan, Levinas, Derrida, Marion, and more.

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Prepared by two of the leading figures in wildlife biology, this book gathers in one volume the most influential articles published in the field. Paul R. Krausman and Bruce D. Leopold have collected the forty-two papers that every wildlife student should read. Each piece is introduced with a commentary that explains why it is important and a brief listing of papers that inspired or were inspired by the classic. Practical and conceptual topics consider every aspect of the wildlife profession, including ethics. Ideal for use as a textbook, Essential Readings in Wildlife Management and Conservation is divided into four sections: the philosophical roots of wildlife management, biology, habitat, and human dimensions. Contains the classic publications of K. T. Adair, R. A. Baer, L. C. Birch, W. H. Burt, L. H. Carpenter, G. Caughley, T. C. Chamberlin, E. L. Charnov, L. C. Chase, F. E. Clements, L. C. Cole, J. H. Connell, R. N. Conner, Z. J. Cornett, P. D. Dalke, D. J. Decker, L. R. Dice, J. G. Dickson, D. F. Doak, P. R. Ehrlich, R. Y. Edwards, C. S. Elton, P. L. Errington, D. Esler, C. D. Fowle, T. A. Gavin, V. Geist, M. Gilpin, H. A. Gleason, J. Grinnell, J. P. Hailman, G. Hardin, N. T. Hobbs, C. S. Holling, S. S. Hutchings, D. H. Johnson, S. R. Kellert, R. H. Klopfer, B. A. Knuth, C. C. Kreuger, A. Leopold, R. L. Lindeman, C. A. Loker, R. H. MacArthur, J. Macnab, S. P. Mahoney, G. F. Mattfield, D. R. McCullough, S. L. Mills, A. J. Nicholson, J. F. Organ, R. T. Paine, G. Parsons, M. E. Richmond, S. J. Riley, S. J. Schwager, V. E. Shelford, W. F. Siemer, D. S. Simberloff, M. E. Soule, G. Stewart, J. W. Thomas, B. Van Horne, S. C. Wecker, and E. O. Wilson.

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Roger Priddy's illustrated board book Nursery Rhymes is part of the Sing-Along series, featuring a musical CD of twenty-two classic children's rhymes. With beautiful, touch-and-feel embossed and textured drawings of popular nursery rhyme characters accompanying the sing-along CD, children will be encouraged to learn the words and interact with the music.Nursery Rhymes includes Twinkle Twinkle, Little Star, Yankee Doodle, Rock-a-bye-Baby, Hey Diddle Diddle, Hickory Dickory Dock, Pat-a-cake, Pat-a-cake, Jack and Jill, Humpty Dumpty, and more.

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At eighty-two, the novelist Penelope Lively wrote: 'Our experience is one unknown to most of humanity, over time. We are the pioneers.' COMING TO AGE is a collection of dispatches from the great poet-pioneers who have been fortunate enough to live into their later years. Those later years can be many things: a time of harvesting, of gathering together the various strands of the past and weaving them into a rich fabric. They can also be a new beginning, an exploration of the unknown. We speak of 'growing old.' And indeed, as we too often forget, aging is growing, growing into a new stage of life, one that can be a fulfillment of all that has come before. To everything there is a season. Poetry speaks to them all. Just as we read newspapers for news of the world, we read poetry for news of ourselves. Poets, particularly those who have lived and written into old age, have much to tell us. Bringing together a range of voices both present and past, from Emily Dickinson and W. H. Auden to Louise Gluck and Li-Young Lee, COMING TO AGE reveals new truths, offers spiritual sustenance, and reminds us of what we already know but may have forgotten, illuminating the profound beauty and significance of commonplace moments that become more precious and radiant as we grow older.

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A curious gem of 19th-century gothic fiction Cecil Dreeme is one of the queerest American novels of the 19th century. This edition, which includes a new introduction contextualizing the sexual history of the period and queer longings of the book, brings a rare, almost forgotten, sensational gothic novel set in New York’s West Village back to light. Published posthumously in 1861, the novel centers on Robert Byng, a young man who moves back to New York after traveling abroad and finds himself unmarried and underemployed, adrift in the heathenish dens of lower Manhattan. When he takes up rooms in “Chrysalis College”—a thinly veiled version of the 19th-century New York University building in Washington Square—he quickly finds himself infatuated with a young painter lodging there, named Cecil Dreeme. As their friendship grows and the novel unfolds against the backdrop of the bohemian West Village, Robert confesses that he “loves Cecil with a love passing the love of women.” Yet, there are dark forces at work in the form of the sinister and magnetic Densdeth, a charismatic figure of bad intention, who seeks to ensnare Robert for his own. Full of romantic entanglements, mistaken identity, blackmail, and the dramas of temptation and submission, Cecil Dreeme is a gothic novel at its finest. Poetically written—with flashes of Walt Whitman, Charles Dickens, and Oscar Wilde—Cecil Dreeme is an early example of that rare bird, a queer novel from the 19th century.

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This guide examines the production and reception of poetry by a range of women writers - predominantly although not exclusively writing in English - from Sappho through Anne Bradstreet and Emily Bronte to Sylvia Plath, Eavan Boland and Susan Howe. Women's Poetry offers a thoroughgoing thematic study of key texts, poets and issues, analysing commonalities and differences across diverse writers, periods, and forms. The book is alert, throughout, to the diversity of women's poetry. Close readings of selected texts are combined with a discussion of key theories and critical practices, and students are encouraged to think about women's poetry in the light of debates about race, class, ethnicity, sexuality, and regional and national identity. The book opens with a chronology followed by a comprehensive Introduction which outlines various approaches to reading women's poetry. Seven chapters follow, and a Conclusion and section of useful resources close the book. Key Features * Wide-ranging and flexible in scope, giving detailed consideration to widely-taught poets, texts, periods and issues * Introduces themes, questions and perspectives applicable to the work of other less familiar writers * Encourages informed discussion of the difficulties of defining a discrete genre of 'women's poetry' * Offers valuable introductory and supplementary guidance for students * Discusses in detail poems by Margaret Cavendish, Anne Bradstreet, Sara Coleridge, Christina Rossetti, Emily Dickinson, Edith Sitwell, Amy Lowell, Sylvia Plath, Ruth Fainlight, Grace Nicholls, Eavan Boland, Kathleen Jamie, Jackie Kay and Carol Ann Duffy.

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One of the acknowledged giants of twentieth-century American literature, Robert Frost was a public figure much celebrated in his day. Although his poetry reached a wide audience, the private Frost—pensive, mercurial, and often very funny—remains less appreciated. Following upon the publication of Frost’s notebooks and collected prose, The Letters of Robert Frost is the first major edition of the poet’s written correspondence. The hundreds of previously unpublished letters in these annotated volumes deepen our understanding and appreciation of this most complex and subtle of verbal artists.Volume One traverses the years of Frost’s earliest poems to the acclaimed collections North of Boston and Mountain Interval that cemented his reputation as one of the leading lights of his era. The drama of his personal life—as well as the growth of the audacious mind that produced his poetry—unfolds before us in Frost’s day-to-day missives. These rhetorical performances are at once revealing and tantalizingly evasive about relationships with family and close friends, including the poet Edward Thomas. We listen in as Frost defines himself against contemporaries Ezra Pound and William Butler Yeats, and we witness the evolution of his thoughts about prosody, sound, style, and other aspects of poetic craft.In its literary interest and sheer display of personality, Frost’s correspondence is on a par with the letters of Emily Dickinson, Robert Lowell, and Samuel Beckett. The Letters of Robert Frost holds hours of pleasurable reading for lovers of Frost and modern American poetry.

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John Moffatt stars as the Belgian detective Hercule Poirot.The ABC Murders: A chilling letter sets the sleuth on the trail of an enigmatic killer.After the Funeral: A wealthy businessman is dead, and his sister thinks it was murder.Death on the Nile: Poirot is in Egypt when a chilling murder takes place.Peril at End House: Whilst on holiday, the sleuth encounters a young woman, a hat and a bullet.The Murder of Roger Ackroyd: Mrs Farrars is found dead, one year after the death of her husband.Murder on the Orient Express: Poirot is aboard a snowbound train when a passenger is found murdered.Three Act Tragedy: Poirot is one of the guests at a party when a clergyman dies whilst sipping a cocktail.The Mysterious Affair at Styles: Poirot and Captain Hastings become re-acquainted in a quiet English village in 1916.These BBC Radio 4 full-cast dramatisations showcase eight of the finest cases in Hercule Poirot’s career. Based on the original novels by Agatha Christie, they feature a cast of outstanding actors playing an array of likely suspects…Starring: John Moffat, Simon Williams, Nichola McAuliffe, Jill Balcon, Hugh Dickson, Sean Arnold, Susan Jameson, Nichols Boulton, Philip Jackson, Annabelle Dowler, Hilda Schroder, George Cole, Gemma Saunders, Andrew Wincott, Terence Edmond, Bryan Pringle, David Thorpe, Elizabeth Conboy, Rosemary Leach, Donald Sinden, Stratford Johns, Tom George, Sylvia Syms, Sian Phillips, Francesca Annia, Frank Windsor, Peter Polycarpu, Desmond Llewelyn, Andre Maranne, Siriol Jenkins, Kate Binchy, Joss Ackland

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The Clamor of Lawyers explores a series of extended public pronouncements that British North American colonial lawyers crafted between 1761 and 1776. Most, though not all, were composed outside of the courtroom and detached from on-going litigation. While they have been studied as political theory, these writings and speeches are rarely viewed as the work of active lawyers, despite the fact that key protagonists in the story of American independence were members of the bar with extensive practices. The American Revolution was, in fact, a lawyers’ revolution. Peter Charles Hoffer and Williamjames Hull Hoffer broaden our understanding of the role that lawyers played in framing and resolving the British imperial crisis. The revolutionary lawyers, including John Adams’s idol James Otis, Jr., Pennsylvania’s John Dickinson, and Virginians Thomas Jefferson and Patrick Henry, along with Adams and others, deployed the skills of their profession to further the public welfare in challenging times. They were the framers of the American Revolution and the governments that followed. Loyalist lawyers and lawyers for the crown also participated in this public discourse, but because they lost out in the end, their arguments are often slighted or ignored in popular accounts. This division within the colonial legal profession is central to understanding the American Republic that resulted from the Revolution.

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Peppa and her friends are singing their favourite nursery rhymes at playgroup.This chunky tabbed board book is the perfect introduction to classic nursery rhymes.Sing along to: Mary had a Little Lamb, Hey Diddle Diddle, Hickory Dickory Dock, Itsy Bitsy Spider, Row Row Row Your Boat, The Wheels on the Bus and Twinkle Twinkle Little Star.Which is your favourite to sing?Don''t miss these other brilliant Peppa books:Peppa Pig: My Mummy is AmazingPeppa Pig: Peppa''s Magical Sticker Dress-Up BookPeppa Pig: Peppa''s Great Dinosaur Hunt: A Lift-The-Flap Book

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An award-winning epic on the birth of AustraliaIn 1787, the twenty-eighth year of the reign of King George III, the British Government sent a fleet to colonise Australia.Documenting the brutal transportation of men, women and children out of Georgian Britain into a horrific penal system which was to be the precursor to the Gulag and was the origin of Australia, The Fatal Shore is the definitive, masterfully written narrative that has given its true history to Australia.'A unique phantasmagoria of crime and punishment, which combines the shadowy terrors of Goya with the tumescent life of Dickens' Times

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"Cities, like cats, will reveal themselves at night," wrote the poet Rupert Brooke. Before the age of electricity, the nighttime city was a very different place to the one we know today - home to the lost, the vagrant and the noctambulant. Matthew Beaumont recounts an alternative history of London by focusing on those of its denizens who surface on the streets when the sun's down. If nightwalking is a matter of "going astray" in the streets of the metropolis after dark, then nightwalkers represent some of the most suggestive and revealing guides to the neglected and forgotten aspects of the city.In this brilliant work of literary investigation, Beaumont shines a light on the shadowy perambulations of poets, novelists and thinkers: Chaucer and Shakespeare; William Blake and his ecstatic peregrinations and the feverish ramblings of opium addict Thomas De Quincey; and, among the lamp-lit literary throng, the supreme nightwalker Charles Dickens. We discover how the nocturnal city has inspired some and served as a balm or narcotic to others. In each case, the city is revealed as a place divided between work and pleasure, the affluent and the indigent, where the entitled and the desperate jostle in the streets.With a foreword and afterword by Will Self, Nightwalking is a captivating literary portrait of the writers who explore the city at night and the people they meet.

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A curious gem of 19th-century gothic fiction Cecil Dreeme is one of the queerest American novels of the 19th century. This edition, which includes a new introduction contextualizing the sexual history of the period and queer longings of the book, brings a rare, almost forgotten, sensational gothic novel set in New York’s West Village back to light. Published posthumously in 1861, the novel centers on Robert Byng, a young man who moves back to New York after traveling abroad and finds himself unmarried and underemployed, adrift in the heathenish dens of lower Manhattan. When he takes up rooms in “Chrysalis College”—a thinly veiled version of the 19th-century New York University building in Washington Square—he quickly finds himself infatuated with a young painter lodging there, named Cecil Dreeme. As their friendship grows and the novel unfolds against the backdrop of the bohemian West Village, Robert confesses that he “loves Cecil with a love passing the love of women.” Yet, there are dark forces at work in the form of the sinister and magnetic Densdeth, a charismatic figure of bad intention, who seeks to ensnare Robert for his own. Full of romantic entanglements, mistaken identity, blackmail, and the dramas of temptation and submission, Cecil Dreeme is a gothic novel at its finest. Poetically written—with flashes of Walt Whitman, Charles Dickens, and Oscar Wilde—Cecil Dreeme is an early example of that rare bird, a queer novel from the 19th century.

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Since its inception in 2012, the hugely successful online introduction to modern poetry known as ModPo has engaged some 415,000 readers, listeners, teachers, and poets with its focus on a modern and contemporary American tradition that runs from Walt Whitman and Emily Dickinson up to some of today's freshest and most experimental written and spoken verse. In The Difference Is Spreading, ModPo's Al Filreis and Anna Strong Safford have handed the microphone over to the poets themselves, by inviting fifty of them to select and comment upon a poem by another writer. The approaches taken are various, confirming that there are as many ways for a poet to write about someone else's poem as there are poet-poem matches in this volume. Yet a straight-through reading of the fifty poems anthologized here, along with the fifty responses to them, emphatically demonstrates the importance to poetry of community, of socioaesthetic networks and lines of connection, and of expressions of affection and honor due to one's innovative colleagues and predecessors. Through the curation of these selections, Filreis and Safford express their belief that the poems that are most challenging and most dynamic are those that are open—the writings, that is, that ask their readers to participate in making their meaning. Poetry happens when a reader and a poet come in contact with one another, when the reader, whether celebrated poet or novice, is invited to do interpretive work—for without that convergence, poetry is inert.

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In an adorable box set, three of the greatest classics ever written are retold with a cast of guinea pigs in the starring roles. These little books contain all the wit and wonder of William Shakespeare, Charles Dickens and Jane Austen, with added fluffiness! In Romeo & Juliet, two young dreamers must find true love against the odds, while Pride & Prejudice is a delightful tale of clever conversation, unexpected romance and guinea pigs in bonnets and top hats. In Oliver Twist, a very small guinea pig has a BIG London adventure in front of him starting when he says the fateful words, ''Please, sir, I want some more''. It''s a furry new world, where storytelling will never be the same again...

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A heart-warming story of female friendship in the tumultuous days of the Suffragette movement...Sophia Seddon and Grace Thompson are poles apart - the one a member of the notorious Seddons of Plover Street, the other the vicar's spoilt only child. But their childhood friendship is revived when they find themselves fighting a common cause: women’s rights. And the ties of friendship prove stronger and more enduring than those of background or family, even in the face of danger.Both incredibly moving and engrossing, this is period drama for fans of Dilly Court, Margaret Dickinson and Annie Murray, from an experienced and acclaimed storyteller.

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With chapters on domestic animals such as cats and dogs, through to working animals such as cart horses and pit ponies, this volume is a comprehensive guide to the creatures of Newcastle. Discover the story of the 'learned dog' who could 'read, write and cast accounts', find out about long-forgotten institutions such as the Pig Club and the Dickie Bird Club (as seen in the Newcastle Chronicle of the 1870s), and read about the first ever dog show in the world, which was held in Newcastle in 1859. This fascinating work is a must have for all animal lovers; no bookshelf would be complete without it.

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The classic English children’s novel of three young friends and one special garden, stunningly reimagined in a deluxe full-color edition, illustrated with beautiful artwork and unique interactive features created by the award-winning design studio behind the graphics for the Harry Potter film franchise, MinaLima—sure to delight fans of the live action film versions coming in 2018 from Disney and Universal Studios.After tragedy leaves Mary Lennox orphaned, the bratty ten-year-old British girl is sent from her home in India to Yorkshire, to live with Archibald Craven, a distant uncle whom she has never met.At first, life in the isolated Misselthwaite Manor is as cold and desolate as the bleak moor outside her window. Then Mary learns the story of the late Mrs. Craven, the estate’s mistress, who spent hours in a walled garden tending to her roses. Mrs. Craven died after an accident in the garden, and her forlorn husband forbid anyone to enter it again, locking it and burying the key. The tale piques Mary’s curiosity and inspires her to find this secret garden, a search that introduces her to new friends, including a robin redbreast; Dickson, a twelve-year-old boy with a kindness to animals; and Colin, her secluded sickly first-cousin. Spending time in the garden transforms Mary and Colin and ultimately, life at Misselthwaite Manor itself.Originally published in 1911, Frances Hodgson Burnett’s poignant story has captured reader’s hearts for more than a century. Part of Harper Design’s series of deluxe reimagined children’s classics, this captivating unabridged gift edition takes readers on a memorable journey that teaches them lessons about hardship, friendship, happiness, and restoration.Illustrated throughout, The Secret Garden comes with ten interactive features, including: A layout of the Manor House and grounds A map of the Secret Garden A dial showing how plants grow throughout the season A cut-out paper doll of Mary and her clothes A removable letter to Dickon from his older sister, the maid who tells Mary the story of the garden

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In The Midnight's amply illustrated five sections, three of poetry and two of prose, we find—swirling around the poet's mother—ghosts, family photographs, whispers, interjections, bed hangings, unfinished lace, the fly-leaves of old books, The Master of Ballantrae, the Yeats brothers, Emily Dickinson, Lewis Carroll, Lady Macbeth, Thomas Sheridan, Michael Drayton, Frederick Law Olmsted: a restless brood confronting, absorbing, and refracting history and language. With shades of wit, insomnia, and terror, The Midnight becomes a kind of dialogue in which the prose and poetry sections seem to be dreaming fitfully of each other.

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