Search results for ""Author Ross"

'Subtle, skillful, and clear. It's so clear, in fact, that you can see a very long way down, into the heart of a flawed but valiant human being, into the sickness of a nation, into the depths of political evil. It's the most impressive novel I've read for years, and one of the very few that feels truly necessary' - Philip PullmanIn the sweltering summer of 1938, with Lisbon in the grip of Portugal's dictatorship of António Salazar, a journalist is coming to terms with the rise of fascism around him and its insidious impact on his work. Consumed by the passing of his wife and the child he never had, Pereira lives a quiet and lonely existence. One day, the young and charismatic Monteiro Rossi enters his life, changing everything. A man who once shied away from criticizing Portugal's authoritarian regime finds himself unable to stay quiet any longer, resulting in his political awakening and a devastating act of rebellion. Tabucchi's celebrated masterpiece is an ode to courage and solidarity in the face of political oppression.'A stunningly good novel, and it goes on getting better in one's head after one has stopped reading it - it works as an experience - something that has happened to one, which is of course the proof of great writing' Diana Athill

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For the first time Katoen Natie, a global logistics service provider, shows its collection of unique modern and contemporary art from Latin America, the biggest collection in Europe. Renowned experts such as Laura Malosetti Costa and Christina Rossi discuss the art history of the continent and the 44 artists from the collection with toppers such as Joaquín Torres García and Diego Rivera. This lavishly illustrated catalogue is a kaleidoscope showing the artistic diversity of a fascinating continent that has been ignored for too long.

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For 28 years the world-renowned interior designer Bunny Williams has been involved in a passionate love affair with an18th-century New England manor house that she found in sad repair. From the moment she walked up the driveway and her palms began to perspire, Williams knew she wanted the affair to last forever. In her sumptuous new book, An Affair with a House, the venerable decorator describes in detail how she and her husband, antiques dealer John Rosselli, rescued, nurtured, renovated, and decorated the well-worn house, giving it new life as they restored each room, resurrected the abandoned gardens, and filled this weekend home with family and friends. Through photographs, anecdotes, how-tos, and recipes, Williams provides a rare inside look at a top decorator’s retreat and explains how she approached the joys, pleasures, challenges, obstacles, and day-to-day realities of creating a beautiful, comfortable country home. An Affair with a House provides a wealth of advice on interior decor and such topics as mixing design styles, but it also addresses such practical matters as stocking the pantry and outfitting the linen closet. Beautiful photographs of the house, the gardens, and the property’s rustic structures provide an intimate glimpse of the couple’s lifestyle and illustrate a way of life we can all appreciate and learn from. Also available from Bunny Williams: A House by the Sea and Bunny Williams On Garden Style.

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Even though the canonical Jesus' infancy stories have always provoked great interest in popular culture and in the arts, they have been neglected in research during the last decades due to the relatively late date of their redaction. Since the monograph by Raymond Brown, The Birth of the Messiah, the researchers working on this topic have not attempted to consider its historical impact. In this volume, an international team of scholars proposes firstly a reconsideration of the historical background of these stories in terms of early Jewish and Christian identity quests. Secondly, they deal with early Christian questions on Jesus' infancy and childhood through canonical and apocryphal Gospels including information from Patristic and documentary literature. On the theological level, this volume illustrates the impact that these apocryphal texts, recognized as "useful for the soul" (a phrase coined by François Bovon), have had on the Christian faith.Contributors: Philip Alexander, Frédéric Amsler, Daniel Barbu, Simon Butticaz, Valentina Calzolari, Claire Clivaz, José Costa, Elian Cuvillier, Adriana Destro, Luc Devillers, Jörg Frey, Daniel Gerber, Christian Grappe, Christophe Guignard, Jean-Daniel Kaestli, Ursula Ulrike Kaiser, Moisés Mayordomo, Simon Claude Mimouni, Enrico Norelli, David Pastorelli, Mauro Pesce, Francesca Prescendi, François Rosset, Anders Runesson, Andrea Taschl-Erber, Geert van Oyen, Joseph Verheyden, Benedict Viviano, Sever J. Voicu, Lily Vuong

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Rescuing the subject from deadly dry theorists and -isms, Clare Connors focuses on the real questions that emerge when we read and study literature - such as how we find meaning and how literature relates to its historical context - before exploring the response of theorists. Using selections from works including poetry by Christina Rossetti and Annie Proulx's Brokeback Mountain, Connors unites theory with practice, revealing how enjoyable it is to think about reading.

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A sparkling new Regency romance novel from Julie Roberts, perfect for fans of Julia Quinn's BRIDGERTON, Sabrina Jeffries, Nicola Cornick, Grace Burrowes and Mary Balogh!Could her whirlwind marriage be too good to be true? 'A rollercoaster of a novel full of adventure, passion and the righting of wrongs *****' Amazon Reviewer on The Hidden LegacyA sparkling new Regency romance novel from Julie Roberts.Alexander Kilbraith, Earl of Rossmore, keeps his heart guarded. Having lost his wife ten years ago, he vows never to marry again, meaning his reckless half-brother, Geoffrey, is in line to inherit his title.Alex's desire for love is reignited when he meets the beautiful country girl, Grace Matthews. Not long after being acquainted but unable to resist her charm, Alex sweeps Grace into a passionate whirlwind marriage.But Grace is hurt when Alex's affections soon become distant. Left alone at Solitaire House in Dorset, she develops a friendship with Norwegian Sea Captain, Hugo Olsen, against social propriety.And with the prospect of a heir now threatening Geoffrey's potential of becoming Earl of Rossmore, he is willing to go to all lengths to destroy Grace's future...Readers LOVE Julie Roberts:'An enticing story with romance, drama, some fabulous obnoxious characters and a real flavour of the time' 5* NetGalley review on A Tainted Marriage'A most enjoyable read. Intrigue and mystery with characters who have had issues and emotional traumas in the past and then misunderstandings throughout the course of their relationship until the inevitable and happy ending' 5 * NetGalley review on A Tainted Marriage'This is no ordinary Regency Romance. It is so well researched and written that you feel you're there with the characters all the time *****' Amazon Reviewer on The Hidden Legacy'Meticulously researched *****' Amazon Reviewer on The Hidden Legacy'Roberts has a sure, historical hand, and her use of a real 19th century marriage law to fire the plot is cunning *****' Amazon reviewer on A Tangle of Secrets

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DECONNICK & DE LANDRO PRESENT: The Triple Feature! Ripped directly from the world of BITCH PLANET, a crack team of creators spin fifteen teeth-clenching tales of rage, revolution and ridicule. Patriarchy beware...this scifi kidney punch can't be stopped...! 100% Grade A satire. Accept no substitutes.Featuring writers CHERYL LYNN EATON, ANDREW AYDIN, CONLEY LYONS, CHE GRAYSON, DANIELLE HENDERSON, JORDAN CLARK, ALISSA SALLAH, DYLAN MECONIS, KIT COX, MARC DESCHAMPS, SARA WOOLLEY, VITA AYALA, JON TSUEI & MORE! With art by creators MARIA FRÖHLICH, JOANNA ESTEP, CRAIG YEUNG, SHARON LEE DE LA CRUZ, TED BRANDT, RO STEIN, NAOMI FRANQUIZ, ALEC VALERIUS, DYLAN MECONIS, VANESA R. DEL REY, MINDY LEE, SARA WOOLLEY, ROSSI GIFFORD & MORE!Collects issues 1-5.

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The Broadview Anthology of Victorian Poetry and Poetic Theory is the most comprehensive collection of poetry from the period ever published. Included are generous selections from the work of all major poets, and a representation of the work of virtually every poet of significance, from Thomas Ashe at the beginning of the era to Charlotte Mew at its end. The work of Victorian women poets features very prominently, with extensive selections not only from canonical poets such as Elizabeth Barrett Browning and Christina Rossetti, but also from poets such as Augusta Webster for which high claims have recently been made by critics. The anthology reflects (and will contribute to) the ongoing reassessment of the canon that is central to English Studies today; in all, sixty-six poets are represented.The editors have included complete works wherever feasible — including the complete texts of Tennyson’s In Memoriam and of a number of other long poems. A headnote by the editors introduces the work of each poet, and each selection has been newly annotated.The inclusion of twenty-five selections of the poetic theory from the period is an important feature rounding out the anthology.This anthology is also available in a concise edition.

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"Estee, I bought this ring the day after I saw you on stage at La Scala, all those years ago. You're the only woman I've ever loved." Estee wanted to see it so badly, but instead she reached for Felix's hand and gently closed it over the box. "No," she whispered. "I want you to propose only when you're truly free."When Lily is called to a lawyer's office in London, she has no idea that her life is about to change forever. There, she is told that her grandmother was born at Hope House, a home for unmarried mothers, and is given a box containing the only clues to her true heritage. Peeling back the delicate layers of paper she finds an Italian recipe and a theatre programme.Travelling to Italy and taking a job on a vineyard, Lily is determined to unravel the mystery of her past. The vineyard owners, in particular their charming son Antonio, offer to help. They tell Lily that the recipe belongs to the wealthy Rossi family, known for their famous bakeries which opened after the Second World War. Antonio offers to drive Lily to the Rossis' village and deep down, Lily is delighted to have him as her guide.When Lily arrives and shows the recipe to the surviving members of the family, it is clear that she has unearthed a tragic love story: of a young girl named Estee and a boy named Felix. Of a childhood friendship which developed into a passionate love affair. Of a family torn apart by wealth and of two young people who were prepared to sacrifice everything for love.But when Lily finds out the truth about her family and who she really is, will she too be able to follow her heart?An utterly enchanting and heartbreaking novel about lost loves, family secrets and enduring hope. Perfect for fans of Lucinda Riley, Santa Montefiore and Victoria Hislop.

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Given that insects vastly outnumber us (there are approximately 200 million insects for every human) it is no surprise that there is a rich body of verse on the creeping, scuttling, flitting, stinging things with which we share our planet. Many cultures have centuries-old traditions of insect poetry. In China,where noblewomen of the Tang dynasty kept crickets in gold cages-countless songs were written in praise of these 'insect musicians'. The haiku masters of Japan were similarly inspired, though spread their net wider to include less prepossessing bugs such as houseflies, fleas and mosquitoes. In the West, poems about insects date back to the ancient Greeks, and insects feature frequently in European literature from the 16th century onwards. The poets collected here range from Donne, Marvell, Keats and Wordsworth; Emily Dickinson, Gerard Manley Hopkins and Christina Rossetti, to Elizabeth Bishop, Mary Oliver, Ted Hughes, Paul Muldoon and Alice Oswald. In translation there is verse by - amongst others - Meleager and Tu Fu, Ivan Turgenev, Victor Hugo, Paul Valéry, Pablo Neruda, Antonio Machado and Xi Chuan. Bees, butterflies and beetles, cockroaches and caterpillars, fireflies and dragonflies, ladybirds and glowworms--the miniature creatures that adorn these pages are as varied as the poetic talents that celebrate them.

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Wer ein Intellektueller ist, ist umstritten. In einem aber gleichen sich die Studien zur Geschichte der Intellektuellen: Sie blenden Frauen aus. Dieser Band gibt Frauen ein Forum, die als Kulturproduzentinnen im 20. und 21. Jahrhundert mit öffentlichen Stellungnahmen in die politische Arena eingegriffen und damit die Rolle der Intellektuellen wahrgenommen haben. Was forderte ihre Einmischungen heraus? Wie griffen sie ein? Orientierten sie sich an männlichen Vorbildern? Oder begründeten sie eigene Formen gesellschaftspolitischen Engagements? Die Autoren der Studien untersuchen Interventionsstrategien weiblicher Intellektueller in Konstellationsanalysen und entfalten das facettenreiche Rollenrepertoire und die Waffen der Kritik von 14 "Eingreifenden Denkerinnen": Käthe Kollwitz, Erika Mann, Margarete Buber-Neumann, Hannah Arendt, Simone de Beauvoir, Rita Levi Montalcini, Rossana Rossanda, Carla Lonzi, Susan Sontag, Yoko Ono, Jeanne Hersch, Elfriede Jelinek, Judith Butler und Naomi Klein. Als widerständige Zeitdiagnostikerinnen stellten sie, sich einmischend in die Politik, etablierte Weltanschauungen, Wahrnehmungsschemata, Werte und Einstellungen in Frage, um einen 'neuen'' 'anderen' Blick auf die Gesellschaft freizulegen. Sie ergriffen das Wort in Verteidigung der Rechte anderer. Sie artikulierten Unbehagen, klagten Missstände an, deckten Diskriminierungen und Menschenrechtsverletzungen auf. Sie provozierten durch Widerspruch, Dissens, Eigensinn. Das gesellschaftspolitische Engagement Eingreifender Denkerinnen überdauerte, wie die Studien zeigen, den vermeintlichen "Tod des intellektuellen" (Lyotard) in den 1980er Jahren. Es zeigt vielmehr Kontinuitäten und Wandel in der Wahrnehmung der Rolle der Intellektuellen im 20. und 21. Jahrhundert auf.

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Violin Duet Time presents easy/intermediate duets for young violinists. Following on from Violin Playtime Duets, this anthology provides a selection of carefully graded duets for more advanced players, or for a pupil to play with a teacher. The material covered by this volume ranges from Mozart, Mendelssohn, Schubert and Rossini to folk tunes from Bulgaria and the Canary Islands.

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researchED is an educator-led organisation with the goal of bridging the gap between research and practice. This accessible and punchy series, overseen by founder Tom Bennett, tackles the most important topics in education, with a range of experienced contributors exploring the latest evidence and research and how it can apply in a variety of classroom settings.In this edition, Karen Wespieser examines the latest research surrounding pupils with special educational needs. editing contributions from writers including: Richard Selfridge; Sabrina Hobbs; Gary Jones; Kenny Wheeler; Oliver Caviglioli; Rob Webster; Barney Aglis; and Chris Rossiter.

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En aquestes quatre noves històries, la Cira descobrirà que el nyanyo que s'ha fet és poqueta cosa comparat amb el que es va fer el seu avi de jove i que li va servir per guanyar una copa de futbol. També marxarà a buscar bolets i trobarà un rossinyol ferit que, finalment, anirà a viure a casa de la Cira. En els altres dos contes s'adonarà que comprar un gelat a l'estiu no és tan senzill i que visitar l'hort de la tieta pot ser molt divertit.

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Now available again, this enchanting collection of 50 great poems continues to inspire with pleasure and wonder—a perfect gift.When a group of fifth-grade students asked fifty celebrities what their favorite poem was and why, the answers they received became a beautiful collection of some the world’s most beloved poems, from classic to modern, that continues to offer inspiration, solace, wisdom, and amusement. Each poem is accompanied by the celebrity’s brief letter explaining why they chose it and its resonance for them.Among the celebrities are Yo-Yo Ma, Joyce Carol Oates, Stephen Sondheim, Allen Ginsberg, Angela Lansbury, Kurt Vonnegut, Harolyn Blackwell, Isabella Rossellini, Bill Irwin, E. L. Doctorow, David Mamet, Elie Wiesel, Ally Sheedy, Ved Mehta, Tom Wolfe, David Dinkins, and Susan Minot. The poets include Emily Dickinson, Langston Hughes, Robert Frost, T. S. Eliot, Alice Walker, Mary Oliver, Frank O’Hara, Walt Whitman, William Carlos Williams, W. B. Yeats. and John Keats—not to mention Noel Coward and a ditty by David Mamet himself! Anna Quindlen and verse from Pulitzer Prize–winner Yusef Komunyakaa provide a thoughtful introduction.Royalties from this collection have been donated to charity since its original publication.

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This is a scholarly monograph devoted to Jane Morris, an icon of Victorian art whose face continues to grace a range of Pre-Raphaelite merchandise. Described by Henry James as a 'dark, silent, medieval woman', Jane Burden Morris has tended to remain a rather one-dimensional figure in subsequent accounts. This book, however, challenges the stereotype of Jane Morris as silent model, reclusive invalid, and unfaithful wife. Drawing on extensive archival research as well as the biographical and literary tradition surrounding William Morris and Dante Gabriel Rossetti, the book argues that Jane Morris is a figure who complicates current understandings of Victorian female subjectivity because she does not fit neatly into Victorian categories of feminine identity. She was a working-class woman who married into middle-class affluence, an artist's model who became an accomplished embroiderer and designer, and an apparently reclusive, silent invalid who was the lover of Dante Gabriel Rossetti and Wilfred Scawen Blunt. Jane Morris particularly focuses on textual representations - in letters, diaries, memoirs and novels - from the Victorian period onwards, in order to investigate the cultural transmission and resilience of the stereotype of Jane Morris. Drawing on recent reconceptualisations of gender, auto/biography, and afterlives, this book urges readers to think differently - about an extraordinary woman and about life-writing in the Victorian period. It is the first scholarly study of Jane Morris, which seeks to challenge the stereotype surrounding her as melancholy invalid and Pre-Raphaelite femme fatale. It is an innovative case study of the role of class, gender and sexuality in the formation of Victorian feminine subjectivity. It is a contribution to emerging field of new biography and Victorian afterlives through the inclusion and examination of a wide variety of texts which construct the self. It is an original exploration of feminine creative agency that challenges conventional understandings of masculine artistic autonomy in the Victorian period.

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"Audacious, addictive, highly entertaining-unforgettable!" -James PattersonEighteen-year-old aspiring comic Joey Rossi just found out his boyfriend has been cheating on him for the past ten months. But what did he expect? Joey was born with an addiction to toxic jerks-something he inherited from his lovably messy, wisecracking, Italian-American spitfire of a mom (and best friend): 34-year-old Gia Rossi.When Gia's latest non-relationship goes up in flames only a day later, the pair's Bayonne, New Jersey apartment can barely contain their rage. In a misguided attempt at revenge, Joey and Gia inadvertently commit a series of crimes and flee the state, running to the only good man either of them has ever known-Gia's ex, Marco. As they hide out from the law at Marco's secluded lake house, Joey and Gia must confront all the bad habits and mistakes they've made that have led them to this moment-and find a way to take responsibility for what they've done.

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This follow-up to the smash hit Cats Galore dives deeper into the world of Susan Herbert, whose delightful re-imaginings of some of the best-known and best-loved works of art have won her a devoted international following. Herbert’s first book, The Cats Gallery of Art, was published in 1990, and since then her work has appeared in numerous books, featuring cats in iconic works of art, as well as scenes from opera, Shakespearean plays and the movies – all with her trademark blend of humour and ability to capture those essential feline characteristics so instantly recognizable to cat lovers everywhere. In this new compilation, furry felines take over yet more of the world’s most famous masterpieces. They crowd into the pages of the 15th-century Très Riches Heures, zoom through the air as cherubic blindfolded Cupids in Renaissance masterworks, and pose stiffly in royal portraits, before loosening things up in the 19th century as artists take paint and palette out into the countryside. Ranging from medieval illuminated manuscripts to Old Master stalwarts such as Rembrandt and Vermeer, through to the likes of Monet and Rossetti, this second helping of cats in art will delight fans everywhere of a beloved artist.With 140 illustrations in colour

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"Rebellion in Black and White" offers a panoramic view of southern student activism in the 1960s. Original scholarly essays demonstrate how southern students promoted desegregation, racial equality, free speech, academic freedom, world peace, gender equity, sexual liberation, Black Power, and the personal freedoms associated with the counterculture of the decade. Most accounts of the 1960s student movement and the New Left have been northern-centered, focusing on rebellions at the University of California, Berkeley, Columbia University, and others. And yet, students at southern colleges and universities also organized and acted to change race and gender relations and to end the Vietnam War. Southern students took longer to rebel due to the south's legacy of segregation, its military tradition, and its Bible Belt convictions, but their efforts were just as effective as those in the north. "Rebellion in Black and White" sheds light on higher education, students, culture, and politics of the American south. It is edited by Robert Cohen and David J. Snyder, the book features the work of both seasoned historians and a new generation of scholars offering fresh perspectives on the civil rights movement and many others. Contributors include: Dan T. Carter, David T. Farber, Jelani Favors, Wesley Hogan, Christopher A. Huff, Nicholas G. Meriwether, Gregg L. Michel, Kelly Morrow, Doug Rossinow, Cleveland L. Sellers Jr., Gary S. Sprayberry, Marcia G. Synnott, Jeffrey A. Turner, Erica Whittington, and Joy Ann Williamson-Lott.

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Lucid, entertaining and full of insight, How To Read A Poem is designed to banish the intimidation that too often attends the subject of poetry, and in doing so to bring it into the personal possession of the students and the general reader. Offers a detailed examination of poetic form and its relation to content. Takes a wide range of poems from the Renaissance to the present day and submits them to brilliantly illuminating closes analysis. Discusses the work of major poets, including John Milton, Alexander Pope, John Keats, Christina Rossetti, Emily Dickinson, W.B. Yeats, Robert Frost, W.H.Auden, Seamus Heaney, Derek Mahon, and many more. Includes a helpful glossary of poetic terms.

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Le "Roman de la Rose" est sans doute, avec la Divine Comedie, le texte vernaculaire le plus connu du moyen age. Redecouverte par la critique au XIXe siecle, l'oeuvre attribuee a Guillaume de Lorris et a Jean de Meun a fait l'objet de nombreux travaux. Le present volume vise a illustrer certaines orientations de la recherche actuelle; la bibliographie finale en dresse un inventaire detaille. Les contributions sont signees Douglas Kelly, Brigitte Callay, Sylvia Huot, Alexandre Leupin, Jacek Kowalski, Martine Meuwese, Gregor Weyer, Heidrun Ost, Dulce M. Gonzalez Doreste, Lori Walters, Luciano Rossi, Andrea Valentini, Peter De Wilde, Virginie Minet-Mahy, Fabienne Pomel, Jean Devaux, Jacqueline Thibault Schaefer, Heather Arden, Leslie Brook et Yvan Lepage.

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Perfect for residents, generalists, anesthesiologists, emergency department physicians, medical students, nurses, and other healthcare professionals who need a practical, working knowledge of cardiology, Netter's Cardiology, 3rd Edition, provides a concise overview of cardiovascular disease highlighted by unique, memorable Netter illustrations. This superb visual resource showcases the well-known work of Frank H. Netter, MD, and his successor, Carlos Machado, MD, a cardiologist who has created clear, full-color illustrations in the Netter tradition. New features and all-new chapters keep you up to date with the latest information in the field. Includes 13 all-new chapters: Basic Anatomy and Embryology of the Heart, Stem Cell Therapies for Cardiovascular Disease, Diabetes and Cardiovascular Events, Clinical Presentation of Adults with Congenital Heart Disease, Transcatheter Aortic Valve Replacement, Deep Vein Thrombosis and Pulmonary Embolism, and more. Videos and 25 printable patient education brochures included in the enhanced eBook version Features new coverage of 3-D TEE imaging for structural heart procedures. Contains color-coded diagnostic and therapeutic algorithms and clinical pathways. Uses an easy-to-follow, templated format, covering etiology, pathogenesis, clinical presentation, diagnostic approach, and management/therapy for each topic. Offers dependable clinical advice from Drs. George A. Stouffer, Marschall S. Runge, Cam Patterson, and Joseph S. Rossi, as well as many world-renowned chapter contributors. Enhanced eBook version included with purchase. Your enhanced eBook allows you to access all of the text, figures, and references from the book on a variety of devices.

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A bold application of the concept of "canonical" works to the development of French operatic and concert life in the eighteenth and nineteenth centuries. This long-awaited book by a leading historian of European music life offers a fresh reading of concert and operatic life by showing how certain musical works in eighteenth- and nineteenth-century France came to be considered "canonic": that is, admirable and worthy of being taken as models. In a series of interlinked essays, William Weber draws particular attention to the ways in which such reputations could shift in different eras and circumstances. The first chapter outlines how such a surge of reputation came about for Jean-Baptiste Lully after his death in 1687, followed a century later by one for the operas of Christoph-Willibald Gluck and Niccolò Piccinni. Next, Beverly Wilcox contributes a crucial chapter exploring how a canon of sacred works evolved at the Concert Spirituel between 1725 and 1790. Subsequent chapters detail the rise of an "incipient canon" for Joseph Haydn's music in the 1780s; a new operatic canon centered on works of Gioachino Rossini and Giacomo Meyerbeer; a century-long canonic repertory at the theater of the Opéra-Comique; and, between 1860 and 1914, frequent concert performances of excerpts from Wagner's operas, sometimes along with excerpts from Meyerbeer's. Throughout, Weber and Wilcox demonstrate how the French musical press reflected musical taste, and also shaped it, across two centuries.

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This title considers aspects of the legacy that makes Film4 synonymous with a rejuvenated national cinema. When Channel 4 was launched in 1982 its policy of commissioning new feature films for television broadcast and selective cinema release marked a shift in British film culture. Widely credited with revitalising a moribund UK film industry, the initiative represented a new intervention on the part of a public service broadcaster and, in turn, redefined the place of film on television with landmark strands from Film on Four to The Eleventh Hour. Channel 4 withstood early criticism from some industry voices and controversy aroused by its broadcast film provision; in 1987 its contribution to European cinema was recognised in the accolade of the Roberto Rosselini award at the Cannes film festival. Since then the international box office successes of many Film4 titles (from My Beautiful Laundrette and The Crying Game to Four Weddings and Funeral and Slumdog Millionaire), have made Film4 synonymous with a rejuvenated national cinema and established television as a vital cornerstone of government film policy. This special issue investigates aspects of that legacy, casting a critical eye upon received wisdom, and drawing on new archival and interview material to offer a revisionist history of the broadcaster's rich and diverse contributions to British film culture. It is indispensible to anyone with an interest in British film over the past 30 years.

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Publicada en 1927 por Max Brod como obra póstuma con el título " América " , Franz Kafka (1883-1924) escribió los capítulos destinados a " El desaparecido " , su novela americana, entre el otoño de 1912 y enero del año siguiente, publicándose el primero de ellos ?El fogonero? de forma independiente en mayo de 1913. El relato de las aventuras de Karl Rossmann ?un muchacho de dieciséis años que embarca para el Nuevo Continente en busca de fortuna? constituye, pese a quedar inconcluso, una de las piezas magistrales del gran escritor praguense.

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Elvira de Hidalgo (1891-1980) fue una de las más destacadas sopranos del primer tercio del siglo XX, rescatada ahora del olvido gracias a esta monumental biografía de Juan Villalba Sebastián, que ha contado con la colaboración de musicólogos y especialistas de distintas nacionalidades. Nacida en Valderrobres, Teruel, Elvira fue reconocida por todos los públicos y críticos a nivel internacional como la mejor Rosina de su época, la pizpireta protagonista de la popular ópera de Rossini, El barbero de Sevilla, que cantó con éxito en teatros de toda Europa, Hispanoamérica y Estados Unidos. Esta biografía recupera para el gran público la extraordinaria vida de la soprano aragonesa Elvira de Hidalgo.

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A fresh new approach to Victorian medievalism, showing it to be far from the preserve of the elite. This book offers a challenge to the current study of nineteenth-century British medievalism, re-examining its general perception as an elite and conservative tendency, the imposition of order from above evidenced in the work of Walter Scott, in the Eglinton Tournament, and in endless Victorian depictions of armour-clad knights. Whilst some previous scholars have warned that medievalism should not be reduced to the role of an ideologically conservative discourse which always and everywhere had the role of either obscuring, ignoring, or forgetting the ugly truths of an industrialised modernity by appealing to a green and ordered Merrie England, there has been remarkably little exploration of liberal or radical medievalisms, still less of working-class medievalisms. Essays in this book question a number of orthodoxies. Can it be imagined that in the world of Ivanhoe, the Eglinton Tournament, Dante Gabriel Rossetti, Alfred Tennyson, the working class remained largely oblivious to, or at best uninterested in, medievalism? What, if any, was the working-class medievalist counter-blast to conservatism? How did feminism and socialismdeploy the medieval past? The contributions here range beyond the usual canonical cultural sources to investigate the ephemera: the occasional poetry, the forgotten novels, the newspapers, short-lived cultural journals, fugitive Chartist publications. A picture is created of a richly varied and subtle understanding of the medieval past on the part of socialists, radicals, feminists and working-class thinkers of all kinds, a set of dreams of the Middle Agesto counter what many saw as the disorder of the times.

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From the 1850s to the 1920s, laws regulating the industrial labor process, pensions for the elderly, unemployment insurance, and measures to educate and ensure the welfare of children were enacted in many industrializing capitalist nations. This same period saw the development of modern social sciences. The eight essays collected here examine the reciprocal influence of social policy and academic research in comparative context, ranging across policy areas and encompassing developments in Britain, the United States, Germany, France, Canada, Scandinavia, and Japan. Introduced by the editors, the essays include Part I on the emergence of modern social knowledge by Ira Katznelson, Anson Rabinbach, and Bjorn Wittrock and Peter Wagner; Part II on reformist social scientists and public policymaking by Dietrich Rueschemeyer and Ronan Van Rossem, Libby Schweber, and John R. Sutton; Part III on state managers and the uses of social knowledge by Stein Kuhnle and Sheldon Garon, and a conclusion by Rueschemeyer and Theda Skocpol. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Written against the background of the rise of Nazism, War With the Newts concerns the discovery in the South Pacific of a sea-dwelling race, which is enslaved and exploited by mankind. In time they rebel, laying siege to the strongholds of their former masters in a global war for supremacy.R.U.R., or Rossum's Universal Robots, seen by many as a modern interpretation of the 'golem' myth, is regarded as the most important play in the history of SF. It introduced the word 'robot' and gave the genre one of its most enduring tropes.

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Die kunsthistorische Forschung und Lehre ist aufs Engste mit der Mediengeschichte verzahnt. Durch die Digitalisierung ergeben sich hier neue Perspektiven. Der Band wirft vor diesem Hintergrund einen differenzierten Blick auf die Vielfalt kunsthistorischer Lehrmedien, indem er nach der Geschichte, den Prämissen, aber auch den Grenzen kunsthistorischer Medienpraxis fragt. Fallstudien widmen sich den unterschiedlichen Medien und ihrer Verwendung für die Wissensproduktion innerhalb der Kunstgeschichte. Beiträge u.a. von Alexandra Axtmann, Peter Bell, Matthias Bruhn, Bernd Carqué, Ortwin Dally, Ute Dercks, Philipp Goldbach, Erkki Huhtamo, Joseph Imorde, Rossella Monaco, Hubert Locher, Maria Männig, Susanne Müller-Bechtel, Robert S. Nelson, Franziska Scheuer, Barbara Schrödl, Andreas Zeising.

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A series which is a model of its kind. Edmund King, History This volume demonstrates the vitality and range of studies in the area. It begins with an appropriately timely chapter on the Magna Carta, the Allen Brown Memorial Lecture, given by John Hudson. Further topics include seals; English towns and urban society after the Norman Conquest; the records of Barking Abbey; the Bayeux Tapestry; monastic writing; and medical practitioners in Normandy. Contributors: Anna Sapir Abulafia, Casey Beaumont, Elma Brenner, Giles Gasper, Kate Hammond, John Hudson, Alan Murray, Jean-François Nieus, Jonathan Paletta, Susan Raich, Luigi Rosso, Miri Rubin, Hugh Thomas.

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L'arquitecte Maurici Ribes està enfonsat, i la seva dona, Sofia, també. Han perdut la seva única filla, Elena, morta als dotze anys. Conserven intacta l'habitació d'Elena i li posen cada dia un plat a taula, i aquest ritual, que els uneix i els consola, els distancia més i més dels parents i dels amics. Només Lluís, el germà de Maurici, i Adela, la tia de Sofia, els visiten assíduament; i també el doctor Ramon Murall, cosí de Maurici i Lluís. Però el pas del temps va canviant a poc a poc les coses, fins que la vida del matrimoni es capgira de nou per obra i gràcia d'una noia de la mateixa edat que Elena. És una òrfena acollida a la Casa de Caritat, alta i rossa i amb els ulls d'un blau líquid, i es diu Eva...

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Published to accompany a major new exhibition at the Sainsbury Centre, this book examines the spectacular and controversial vision of art practice that raged across the Western world from the end of the 19th century: Art Nouveau.The role of nature is a key focus of the exhibition. The common theme of translating plants into patterns will be explored as a defining feature of the modern style. Art and objects will represent Art Nouveau from different countries, where it appeared characterised as flowing, tensile line, and dramatic movement, or by organic imagery combined with an informal geometry.Artists and designers include René Lalique, Edgar Degas, Charles Rennie Mackintosh, William Morris; Alphonse Mucha and Gabriel Dante Rossetti.

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Few ingredients inspire more high-soaring praise and provoke greater outrage than foie gras. Literally meaning ‘fat liver’, foie gras is traditionally produced by force-feeding geese or ducks, a process which has become the object of widespread controversy and debate. In Foie Gras: A Global History, Norman Kolpas strives to provide a balanced and engaging account of this luxurious ingredient’s history and production from ancient Egypt to modern times. Kolpas also explores how foie gras has inspired writers, artists and musicians including Homer, Melville, Asimov, Monet and Rossini. The book includes a guide to purchasing, preparing and serving foie gras as well as 10 easy recipes from classic dishes to contemporary treats.

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In Praise of Famous Horses is an A-Z companion to perhaps the most loved of all domesticated animals. From D.H. Lawrence's horse Aaron, whose hide was posthumously made into a duffel-bag, to Zippy Chippy, fabled American loser, all the horses featured in this book have their very own claim to fame. Some - among them Bucephalas, Red Rum, Champion the Wonder Horse and Rocinante - are permanent residents in the equine pantheon. Others - such as Rossa Prince, who managed to lose a walkover - attract more qualified appreciation.Literature, history and art, battlefield, movie and television, myth, racecourse and religion are all enriched by these magnificent creatures. From A to Z, here is the wonderful world of famous horses.

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Johnny Rossendale has spent the last four years on the seas, away from the titled family he despises. But now he must turn his sailing cutter, the Sunflower, around and sail to Devon, where his mother lies dying.When Johnny makes landfall, though, he finds that his return is eagerly anticipated by some very sinister foes. After an attempt on his life, he realises that someone thinks a missing painting that belongs to the family is in his hands - and, worse, they are prepared to go to any lengths to get hold of it.But as Earl of Stowey, Johnny has eight centuries of robber-baron blood pumping through his veins. He won't let the family fortune fall into the hands of others without a fight . . .

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The animations of Japan's Studio Ghibli are among the most respected in the movie industry. Their films rank alongside the most popular non-English language films ever made, with each new release a guaranteed box office hit. Yet this highly profitable studio has remained fiercely independent, producing a stream of imaginative and individual animations. The studio's founders, Hayao Miyazaki and the late Isao Takahata, have created timeless masterpieces. Their films are distinctly Japanese but the themes are universal: humanity, community and a love for the environment. Studio Ghibli outlines the history of the studio and explores the early output of its founders. It examines all the studio's major works including Laputa: Castle in the Sky, Grave of the Fireflies, My Neighbour Totoro, Kiki's Delivery Service, Only Yesterday, Porco Rosso, Pom Poko, Whisper of the Heart, Princess Mononoke and Howl's Moving Castle, as well as the Oscar-winning Spirited Away. Also included are the more recent animations: Hayao Miyazaki's Oscar-nominated masterpiece The Wind Rises, Isao Takahata's The Tale of Princess Kaguya, Gor? Miyazaki's Earwig and the Witch and Hayao Miyazaki's latest box office success, The Boy and the Heron.

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This Student Edition of Brecht's classic satire on the rise of Hitler features an extensive introduction and commentary that includes a plot summary, discussion of the context, themes, characters, style and language as well as questions for further study and notes on words and phrases in the text. It is the perfect edition for students of theatre and literature.Described by Brecht as 'a gangster play that would recall certain events familiar to us all', Arturo Ui is a witty and savage satire of the rise of Hitler -- recast by Brecht into a small-time Chicago gangster's takeover of the city's greengrocery trade. Using a wide range of parody and pastiche - from Al Capone to Shakespeare's Richard III and Goethe's Faust - Brecht's compelling parable continues to have relevance wherever totalitarianism appears today. Written during the Second World War in 1941, the play was one of the Berliner Ensemble's most outstanding box-office successes in 1959, and has continued to attract a succession of major actors, including Leonard Rossiter, Christopher Plummer, Antony Sher and Al Pacino.

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The nature and purpose of legal education has become a topic of intense debate in recent years. This timely book calls for a critical re-evaluation of university legal education, with the particular aim of strengthening its academic nature. The contributors emphasise lecturers' responsibility to challenge the assumptions students have about law, and the importance of putting law in a theoretical and social context that allows for critical reflection and sceptical detachment. In addition, the book reports upon teaching experiences and innovations, offering tools for teachers to strengthen the academic nature of legal education, and concludes with concrete proposals for change. Students and scholars engaged in the debate regarding the re-evaluation of academic legal education will find this book invaluable to their work. It will also be of interest to practitioners, such as educational experts and administrators looking to understand the role of law schools in creating responsible citizens.Contributors include: T. Bleeker, A. Böning, L. Corrias, U. de Vries, M. Del Mar, L. Francot, S. Germain, T. Hutchinson, B. Oomen, C. Schwöbel-Patel, B. Sokhi-Bulley, G. Uygur, B. van Klink, W. van Rossum

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How were the concepts of the observer and user in architecture and urban planning transformed throughout the 20th and 21st centuries? Marianna Charitonidou explores how the mutations of the means of representation in architecture and urban planning relate to the significance of city's inhabitants. She investigates Le Corbusier and Ludwig Mies van der Rohe's fascination with perspective, Team Ten's interest in the humanisation of architecture and urbanism, Constantinos Doxiadis and Adriano Olivetti's role in reshaping the relationship between politics and urban planning during the postwar years, Giancarlo De Carlo's architecture of participation, Aldo Rossi's design methods, Denise Scott Brown's active socioplactics and Bernard Tschumi's conception praxis.

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Funny, profound, absurd, and filled with unexpected beauty, this new photobook from American artist Jason Fulford is a collection of twelve stories drawn from a decade of encounters with Italy. Taking the form of a novel-sized paperback, the book includes meetings with ball-breaking bakers, an exploding museum cellar, Aldo Rossi's notes on happiness, the center of the Earth, and Guido Guidi's garage. Fulford's pictures are deceptively simple, imbued with a gift for composition that brings forth metaphors and meaning. Known internationally for his skill as an editor, Fulford uses layered articulation and careful sequencing to suggest ambiguous meaning and invite endless reading.

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Though Easter (like Christmas) is often trivialized by the culture at large, it is still the high point of the religious calendar for millions of people around the world. And for most of them, there can be no Easter without Lent, the season that leads up to it. A time for self-denial, soul-searching, and spiritual preparation, Lent is traditionally observed by daily reading and reflection. This collection will satisfy the growing hunger for meaningful and accessible devotions. Culled from the wealth of twenty centuries, the selections in Bread and Wine are ecumenical in scope, and represent the best classic and contemporary Christian writers. Includes more than seventy Lenten and Easter readings by Alexander Stuart Baillie, Alfred Kazin, Alister E. McGrath, Amy Carmichael, Barbara Brown Taylor, Barbara Cawthorne Crafton, Blaise Pascal, Brennan Manning, C. S. Lewis, Christina Rossetti, Christoph Friedrich Blumhardt, Clarence Jordan, Dag Hammarskjöld, Dale Aukerman, Dietrich Bonhoeffer, Dorothee Soelle, Dorothy Day, Dorothy Sayers, Dylan Thomas, E. Stanley Jones, Eberhard Arnold, Edith Stein, Edna Hong, Emil Brunner, Ernesto Cardenal, Fleming Rutledge, Frederica Mathewes-Green, Frederick Buechner, Fyodor Dostoevsky, G. K. Chesterton, Geoffrey Hill, George MacDonald, Henri Nouwen, Henry Drummond, Howard Hageman, J. Heinrich Arnold, Jean-Pierre de Caussade, Johann Christoph Arnold, John Dear, John Donne, John Howard Yoder, John Masefield, John Stott, John Updike, Joyce Hollyday, Jürgen Moltmann, Kahlil Gibran, Karl Barth, Kathleen Norris, Leo Tolstoy, Madeleine L’Engle, Malcolm Muggeridge, Martin Luther, Meister Eckhart, Morton T. Kelsey, Mother Teresa, N. T. Wright, Oscar Wilde, Oswald Chambers, Paul Tillich, Peter Kreeft, Philip Berrigan, Philip Yancey, Romano Guardini, Sadhu Sundar Singh , Saint Augustine, Simone Weil, Søren Kierkegaard, Thomas à Kempis , Thomas Howard, Thomas Merton, Toyohiko Kagawa, Walter J. Ciszek, Walter Wangerin, Watchman Nee, Wendell Berry and William Willimon.

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The Archaeology of Death: Proceedings of the Seventh Conference of Italian Archaeology held at the National University of Ireland, Galway, April 16-18, 2016 includes more than 60 papers, with contributors from the British Isles, Italy and other parts of continental Europe, and North and South America, which consider recent developments in Italian archaeology from the Neolithic to the modern period. Each region of Italy is represented, with specific sections of the volume devoted to Etruria, South Italy, and Sicily. Other sections have a chronological focus, including Italian Prehistory, the Roman period, and Post Antiquity. Following the primary theme of the meeting, the majority of papers revolve around the archaeology of death; numerous contributions analyse the cultural significance of death through examinations of funerary rituals and mortuary practices, while others analyse burial data for evidence of wider social and political change. Various papers consider new and recent discoveries in Italian archaeology, while others ask fresh questions of older datasets. In addition, a number of contributions showcase their employment of new methodologies deriving from technological innovations. The volume opens with a dedicatory section to mark the achievements of the Accordia Research Institute, and to celebrate the careers of two of its founders, Ruth Whitehouse and John Wilkins. The following paper(s) are available to download in Open Access: Cremation structures and funerary dynamics in Roman Veneto. New perspectives from Padua/Patavium – Cecilia Rossi and Irene Marini: Download

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This book gives a coherent development of the current understanding of the fluid dynamics of the middle latitude atmosphere. It is primarily aimed at post-graduate and advanced undergraduate level students and does not assume any previous knowledge of fluid mechanics, meteorology or atmospheric science. The book will be an invaluable resource for any quantitative atmospheric scientist who wishes to increase their understanding of the subject. The importance of the rotation of the Earth and the stable stratification of its atmosphere, with their implications for the balance of larger-scale flows, is highlighted throughout.Clearly structured throughout, the first of three themes deals with the development of the basic equations for an atmosphere on a rotating, spherical planet and discusses scale analyses of these equations. The second theme explores the importance of rotation and introduces vorticity and potential vorticity, as well as turbulence. In the third theme, the concepts developed in the first two themes are used to give an understanding of balanced motion in real atmospheric phenomena. It starts with quasi-geostrophic theory and moves on to linear and nonlinear theories for mid-latitude weather systems and their fronts. The potential vorticity perspective on weather systems is highlighted with a discussion of the Rossby wave propagation and potential vorticity mixing covered in the final chapter.

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This book is above all a commitment to encounter. Is the research result of a Working Group (Grupo de Trabajo) of the Latin American Council of Social Sciences (CLACSO), which brings together people who study and research, but who, above all, carry out collective actions from social organizations to transform the reality of our continent. This character of thinking doing, or rather, of doing thinking, of the Grupo de Trabajo gives this text a peculiar cadence. A cadence that demands a collective and cooperative authorship. It is also a recovery of the struggles that precede us, the sutures of the loom of memory that patriarchal and colonial capitalism strives to pierce, and that is another of the powers of this book. The book invites to dismantle the patriarchal and colonial legacies embedded in the very foundations of hegemonic academic thought, and demonstrates the urgent need to understand this as a political task of the moment. It is organized into three main stations, which, like a train journey, can be travelled through sequentially from beginning to end, or entered randomly, stopping at one or another section according to the interests and concerns of the moment. The volumes contributors are Alicia Migliaro Gonzaìlez, Ana Luciìa Ramazzini, Colectivo Magdalenas UruguayTeatro de las oprimidas, Cristina Cucuriì, Cristina Vega, Delmy Tania Cruz Hernaìndez, Dina Mazariegos Garciìa, Elvira Cuadra Lira, Eva Vaìzquez, Gabriela Ruales, Gabriela Veras Iglesias, Giulia Marchese, Inþigo Arrazola, Ivonne Yaìnez, Jonatan Rodas, Juliana Diìaz Lozano, Lisset Coba, Lorena Rodriìguez Lezica, Manuel Bayoìn, Mariano Feìliz, Mauricio Arellano Nucamendi, Melissa Moreano, Miriam Garciìa-Torres, Miriam Lang, Rosa H.G. Govela Gutieìrrez (), Rossana Cantieri Cagnone, Sofiìa Zaragocin, and Walda Barrios-Klee (). Rosa Govela Gutiérrez and Walda Barrios-Klee died while the book was being edited.

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This beautiful collection of love poems gathers together thousands of years of timeless verse from around the world. From Shakespeare to Rossetti, traditional English classics sit alongside the works of Eastern writers such as Ibn 'Arabi and Rumi, as well as lesser known gems from the indigenous peoples of Africa, Australasia, and the Americas. Exploring the many facets of love – desire, devotion, delirium, joy, and sorrow – this uniquely diverse volume offers us wisdom from across the ages and reminds us of the bonds we all share.

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Dr. Gaius Davies introduces us to Martin Luther, John Bunyan, William Cowper, Lord Shaftesbury, Gerard Manly Hopkins, Christina Rossetti, Amy Carmichael, J.B. Phillips, C.S. Lewis, Martyn Lloyd Jones and Frances Ridley Havergal. After a brief biographical introduction to each person, he shows us how he or she all had their particular trial, and how grace operated in each of them. He is not afraid to show how anxiety, guilt, depression and doubt can be present in the finest of Christian lives, but also goes on to show how divine grace can transform human weakness.

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In these remarkable interviews with Andre Vltchek and Rossie Indira, edited by Nagesh Rao, Indonesia's most celebrated writer speaks out against tyranny and injustice in a young and troubled nation. Toer here discusses personal and political topics he could never before address in public. Toer is best known for his novels comprising the Buru Quartet and is widely considered a strong candidate for the Nobel Prize in literature. Fascinating...endlessly sad.' - Noam Chomsky'

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