Search results for ""Author Dick"

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Hope, as Emily Dickinson famously wrote, is the thing with feathers. Erik Anderson, on the other hand, regards our obsession with birds as too sentimental, too precious. Birds don’t express hope. They express themselves. But this tension between the versions of nature that lodge in our minds and the realities that surround us is the central theme of Bird. This is no field guide. It’s something far more unusual and idiosyncratic, balancing science with story, anatomy with metaphor, habitat with history. Anderson illuminates the dark underbelly of our bird fetish and offers a fresh, alternative vision of one of nature’s most beloved objects. Object Lessons is published in partnership with an essay series in The Atlantic.

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Sam and Lizzie are freezing and hungry on the streets of Victorian London. When Sam asks a wealthy man for some coins, he is rudely turned away. Months of struggle suddenly find their focus, and Sam resolves to kill the man. Huddling in a graveyard for warmth, Sam and Lizzie are horrified to see the earth around one of the tombs begin to shift, shortly followed by the wraithlike figure of a ghostly man. He warns Sam about the future which awaits such a bitter heart, and so begins Sam’s journey led by terrifying spirits through the past, present and future, after which Sam must decide whether to take the man, Scrooge’s, life or not. A perfectly layered, tense and supremely satisfying twist on one of Dickens' most popular books, cleverly reinvented to entice a younger readership.

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Summer is a season of richness: gold against blue; sun dazzle on water; sweet fragrance, and the sound of insects, filling the air. We feel the sand between our toes, or the grass beneath our feet. In these long, warm days, languid and sensual, we reconnect with the natural world, revelling in light and scent and colour once more.Capturing the high point of the year's progress, Summer presents prose and poetry spanning eight hundred years. Featuring new contributions by Simon Barnes, Michael McCarthy and Esther Woolfson, classic extracts from the work of Charles Dickens, Mary Webb and Philip Larkin, and diverse new nature writing from across the UK, this vibrant and evocative collection will inspire you to go out and enjoy the pleasures of summer.

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A refreshed cover edition of Gaby Morgan's Read Me: A Poem for Every Day of the Year, the bestselling poetry anthology with over a quarter of a million copies sold. This anthology is perfect for sharing with the all the family – it contains a poem for every day of the year from the very best modern and classic poets, so you're sure to find familiar favourites along with exciting new discoveries. 365 rhymes, verses and poems from the likes of Brian Patten, William Wordsworth, A. A. Milne, Emily Dickinson, Wes Magee, William Blake, Seamus Heaney, Ian McMillan, Gareth Owen and Walter de la Mare.This inspiring and heart-warming collection is the perfect gift that will last the whole year, with a little bit of magic to read every day.

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José Maria Eça de Queirós, the first great modern Portuguese novelist, wrote The Yellow Sofa with (in his own words) “no digressions, no rhetoric,” creating a book where “everything is interesting and dramatic and quickly narrated.” The story, a terse and seamless spoof of Victorian bourgeois morals, concerns a successful businessman who returns home to find his wife “on the yellow damask sofa, leaning in abandon on the shoulder of a man.” The man is none other than his best friend and business partner. While struggling with the need to defend his honor, he fights a stronger inner desire for domestic tranquility and forgiveness. The Yellow Sofa firmly establishes Eça de Queirós in the literary pantheon that includes Dickens, Flaubert, Balzac, and Tolstoy.

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Among the eleven articles in this volume, dedicated to Mason Hammond, are “The Emergence of Mediaeval Towns: Independence or Continuity?” by Professor Hammond; “Existimatio, Fama, and the Ides of March,” by Zvi Yavetz; “Sophocles: Ajax 815–824,” by Cedric H. Whitman; “The Myth of Pindar’s First Nemean: Sportsmen, Poetry, and Paideia,” by Peter W. Rose; “Aristophanes’ Ranae 862: A Note on the Anatomy of Euripidean Tragedy,” by Gregory W. Dickerson; “Speech and Narrative in the Aeneid,” by Gilbert Highet; and “The ‘Lighthouse’ of Abusir in Egypt,” by Fawzi el Fakharani.

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The best fishing writing is never really about fishing, or never only about fishing, and the writers collected in A Twitch Upon the Thread use angling as a way to write about love, loss, faith, and obsession. This is an anthology of fishing writing ranging from medieval times to the present, taking the reader from riverbank to open ocean, from England to New Zealand, from the shore to the depths. Read it and be hooked. Included are contributions from Virginia Woolf, Charles Dickens, Ota Pavel, Arthur Ransome, George Orwell, Gerard Manley Hopkins, and dozens more.

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Meet the Wapshots of St Botolphs. There is Captain Leander Wapshot, venerable sea-dog and would-be suicide; his licentious older son, Moses; and Moses's adoring and errant younger brother, Coverly. Tragic and funny, ribald and splendidly picaresque, and partly based on Cheever's adolescence in New England, The Wapshot Chronicle is a family narrative in the finest traditions of Trollope, Dickens, and Henry James

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When the American art world turned toward abstract art and action painting, Francis Cunningham remained focused on figurative art and the human form. His interest never waned. This book chronicles his development over an astonishing seven decades. Presented in a nonlinear order, the arc of his work is there for the discerning eye to see. Landscapes, still life, and human forms are interrelated. Cunningham’s work reveals the connection between abstraction and representation. Their coexististence is the material and subject of this book, disclosing a new understanding of American painting by a living artist. Accompanying over 180 high quality reproductions, the artist's many facets are explored in essays by art historians and art critics, including Christopher Knight, Edward Lifson, John Walsh, and Valentina De Pasca, as well through the reminiscences of one of his life models, Regina Hawkins-Balducci. Cunningham attended the Art Students League of New York, where he studied drawing and anatomy with Robert Beverly Hale and painting with Edwin Dickinson. He became an influential master instructor, cofounding the New Brooklyn School of Life Drawing, Painting and Sculpture (1977-1983) and the New York Academy of Art in 1983. At his current age of 90, he continues to paint in his studio in Manhattan and in the rural western part of Massachusetts, known as the Berkshires. This is the first monograph devoted to his work.

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Paul Theroux celebra cincuenta años de viajar por el mundo y reúne lo mejor de su obra y los pasajes más memorables de aquellos autores que lo han formado como lector y viajero: Vladimir Nabokov, Samuel Johnson, Evelyn Waugh, Charles Dickens, Mark Twain, Ernest Hemingway, Graham Greene y DH Lawrence entre otros se dan cita en estas páginas. Guía filosófica y libro de viajes a la vez, El Tao del viajero es una obra para regalar y atesorar, para leer una y otra vez, como libro de cabecera que marca el camino espiritual del viajero que todos llevamos dentro.

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Each of these 101 strange and curious objects from British history has an extraordinary story to tell. Many royal possessions are inside, including the shirt of that Charles I was wearing when he was executed and Queen Victoria's dancing shoes, along with curiosities such as Darwin's walking stick, the last letter that Dickens ever wrote, the handwritten report (by the captain of the Carpathia) on the rescue of the Titanic's survivors and Emily Wilding Davidson's return ticket to Epsom. Each offers a fascinating snapshot of Britain's amazing history.

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Thomas Hardy notes the thrush’s ‘full-hearted evensong of joy illimited’, Gilbert White observes how swallows sweep through the air but swifts ‘dash round in circles’ and Rachel Carson watches sanderlings at the ocean’s edge, scurrying ‘across the beach like little ghosts’. From early times, we have been entranced by the bird life around us. This anthology brings together poetry and prose in celebration of birds, records their behaviour, flight, song and migration, the changes across the seasons and in different habitats – in woodland and pasture, on river, shoreline and at sea – and our own interaction with them. From India to America, from China to Rwanda, writers marvel at birds – the building of a long-tailed tit’s nest, the soaring eagle, the extraordinary feats of migration and the pleasures to be found in our own gardens. Including extracts by Geoffrey Chaucer, Dorothy Wordsworth, Richard Jefferies, Charles Darwin, James Joyce, John Keats, Charlotte Brontë, Emily Dickinson, Anton Chekhov, Kathleen Jamie, Jonathan Franzen and Barbara Kingsolver among many others, this rich anthology will be welcomed by bird-lovers, country ramblers and anyone who has taken comfort or joy in a bird in flight.

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On the grounds of Misselthwaite, her Uncle Archibald's estate near the Yorkshire moors, nine-year-old Mary Lennox finds a walled-in garden that has been locked securely for years. With the help of Dickon Sowerby, a young local boy who can charm animals, Mary cultivates the garden, an experiences that both improves her health and raises her spirits. Ultimately, the secret garden proves beneficial not only to Mary, but to her sickly cousin Colin. Nurtured with love and tenderness, the secret garden proves it has the power to heal the heart. First published in 1911, Frances Hodgson Burnett's The Secret Garden is a much-loved classic of children's literature. This illustrated edition, with full-colour plates by Charles Robinson, features an elegant bonded-leather binding, a satin-ribbon bookmark, distinctive gilded edging, and decorative endpapers. Decorative, durable, and collectible, it's a book that will be cherished by readers of all ages.

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In his well-known work of art criticism Art of the Modern Age, Jean-Marie Schaeffer offered a lucid and powerful critique of what he identified as the historically dominant thinking about art and aesthetics from the Jena Romantics to Nietzsche, Heidegger, Adorno, and beyond, which he termed "the speculative theory of art." In Beyond Speculation, Schaeffer builds from this significant work, rejecting not only the identification of the aesthetic with the work of art, but also the Kantian association of the aesthetic with subjectively universal judgment. In his analysis of aesthetic relations, he opens up a space for a theory of art that is free of historicism and capable of engaging with noncanonical and non-Western arts. By engaging with the ideas of Arthur Danto, Gerard Genette, Nelson Goodman, George Dickie, and Rainer Rochlitz, and evoking a range of aesthetic experience from Proust to King Kong to Japanese temple design, Beyond Speculation makes an original and engaging contribution to the development of the philosophy of culture.

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A curious gem of 19th-century gothic fiction Cecil Dreeme is one of the queerest American novels of the 19th century. This edition, which includes a new introduction contextualizing the sexual history of the period and queer longings of the book, brings a rare, almost forgotten, sensational gothic novel set in New York’s West Village back to light. Published posthumously in 1861, the novel centers on Robert Byng, a young man who moves back to New York after traveling abroad and finds himself unmarried and underemployed, adrift in the heathenish dens of lower Manhattan. When he takes up rooms in “Chrysalis College”—a thinly veiled version of the 19th-century New York University building in Washington Square—he quickly finds himself infatuated with a young painter lodging there, named Cecil Dreeme. As their friendship grows and the novel unfolds against the backdrop of the bohemian West Village, Robert confesses that he “loves Cecil with a love passing the love of women.” Yet, there are dark forces at work in the form of the sinister and magnetic Densdeth, a charismatic figure of bad intention, who seeks to ensnare Robert for his own. Full of romantic entanglements, mistaken identity, blackmail, and the dramas of temptation and submission, Cecil Dreeme is a gothic novel at its finest. Poetically written—with flashes of Walt Whitman, Charles Dickens, and Oscar Wilde—Cecil Dreeme is an early example of that rare bird, a queer novel from the 19th century.

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In this beautiful collection of poems and paintings, Billy Collins, former U.S. poet laureate, joins with David Allen Sibley, America's foremost bird illustrator, to celebrate the winged creatures that have inspired so many poets to sing for centuries. From Catullus and Chaucer to Robert Browning and James Wright, poets have long treated birds as powerful metaphors for beauty, escape, transcendence, and divine expression. Here, in this substantial anthology, more than one hundred contemporary and classic poems are paired with close to sixty original, ornithologically precise illustrations. Part poetry collection, part field guide, part art book, Bright Wings presents verbal and visual interpretations of the natural world and reminds us of our intimate connection to the "bright wings" around us. Each in their own way, these poems and pictures honor the enchanting creatures that have been, and continue to be, longtime collaborators with the poet's and painter's art. Poet and bird pairings include: Wallace Stevens and the Blackbird; Emily Dickinson and the Robin; Marianne Moore and the Frigate Pelican; Thomas Hardy and the Goldfinch; Sylvia Plath and the Pheasant; John Updike and the Seagull; Walt Whitman and the Eagle; Billy Collins and the Sparrow.

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Given that insects vastly outnumber us (there are approximately 200 million insects for every human) it is no surprise that there is a rich body of verse on the creeping, scuttling, flitting, stinging things with which we share our planet. Many cultures have centuries-old traditions of insect poetry. In China,where noblewomen of the Tang dynasty kept crickets in gold cages-countless songs were written in praise of these 'insect musicians'. The haiku masters of Japan were similarly inspired, though spread their net wider to include less prepossessing bugs such as houseflies, fleas and mosquitoes. In the West, poems about insects date back to the ancient Greeks, and insects feature frequently in European literature from the 16th century onwards. The poets collected here range from Donne, Marvell, Keats and Wordsworth; Emily Dickinson, Gerard Manley Hopkins and Christina Rossetti, to Elizabeth Bishop, Mary Oliver, Ted Hughes, Paul Muldoon and Alice Oswald. In translation there is verse by - amongst others - Meleager and Tu Fu, Ivan Turgenev, Victor Hugo, Paul Valéry, Pablo Neruda, Antonio Machado and Xi Chuan. Bees, butterflies and beetles, cockroaches and caterpillars, fireflies and dragonflies, ladybirds and glowworms--the miniature creatures that adorn these pages are as varied as the poetic talents that celebrate them.

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The Quincunx is an epic Dickensian-like mystery novel set in 19th century England, and concerns the varying fortunes of young John Huffam and his mother. A thrilling complex plot is made more intriguing by the unreliable narrator of the book - how much can we believe of what he says? First published in 1989, The Quincunx was a surprise bestseller and began a trend for pastiche Victorian novels. It remains one of the best.

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The Clamor of Lawyers explores a series of extended public pronouncements that British North American colonial lawyers crafted between 1761 and 1776. Most, though not all, were composed outside of the courtroom and detached from on-going litigation. While they have been studied as political theory, these writings and speeches are rarely viewed as the work of active lawyers, despite the fact that key protagonists in the story of American independence were members of the bar with extensive practices. The American Revolution was, in fact, a lawyers’ revolution. Peter Charles Hoffer and Williamjames Hull Hoffer broaden our understanding of the role that lawyers played in framing and resolving the British imperial crisis. The revolutionary lawyers, including John Adams’s idol James Otis, Jr., Pennsylvania’s John Dickinson, and Virginians Thomas Jefferson and Patrick Henry, along with Adams and others, deployed the skills of their profession to further the public welfare in challenging times. They were the framers of the American Revolution and the governments that followed. Loyalist lawyers and lawyers for the crown also participated in this public discourse, but because they lost out in the end, their arguments are often slighted or ignored in popular accounts. This division within the colonial legal profession is central to understanding the American Republic that resulted from the Revolution.

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With joyful tasks, words of wisdom and simple yet practical tips for looking on the bright side of life, The Little Book of Joy will show you how to sprinkle an extra serving of happiness into your every day.The Little Book of series has sold 1 million copies worldwide, with titles like The Little Book of Mindfulness, The Little Book of Gratitude and The Little Book of Love.“I find ecstasy in living; the mere sense of living is joy enough.” – Emily Dickinson

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This beautiful, giftable collection celebrates both the wisdom and tenacity of courageous women who defied society’s expectations and gifted the world with literary treasures through unparalleled fiction and poetry.We know many of their names--Austen and Alcott, Brontë and Browning, Wheatley, and Woolf--though some may be less familiar. They are here, waiting to introduce themselves. They wrote against all odds. Some wrote defiantly; some wrote desperately. Some wrote while trapped within the confines of status and wealth. Some wrote hand-to-mouth in abject poverty. Some wrote trapped in a room of their father’s house, and some went in search of a room of their own. They had lovers and families. They were sometimes lonely. Many wrote anonymously or under a pseudonym for a world not yet ready for their genius and talent.The Women Who Wrote softcover edition offers: Stories from Jane Austen, Katherine Mansfield, Willa Cather, Louisa May Alcott, Edith Wharton, Zora Neale Hurston, and Virginia Woolf. Poems from Emily Dickinson, Gertrude Stein, Charlotte Brontë, Emily Brontë, Frances Ellen Watkins Harper, Edna St. Vincent Millay, Elizabeth Barrett Browning, Dorothy Parker, and Phillis Wheatley. These women wrote to change the world. They marched through the world one by one or in small sisterhoods, speaking to one another and to us over distances of place and time. Pushing back against the boundaries meant to keep us in our place, they carved enough space for themselves to write. They made space for us to follow. Here they are gathered together, an army of women who wrote an arsenal of words to inspire us. They walk with us as we forge our own paths forward.

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Peppa and her friends are singing their favourite nursery rhymes at playgroup.This chunky tabbed board book is the perfect introduction to classic nursery rhymes.Sing along to: Mary had a Little Lamb, Hey Diddle Diddle, Hickory Dickory Dock, Itsy Bitsy Spider, Row Row Row Your Boat, The Wheels on the Bus and Twinkle Twinkle Little Star.Which is your favourite to sing?Don''t miss these other brilliant Peppa books:Peppa Pig: My Mummy is AmazingPeppa Pig: Peppa''s Magical Sticker Dress-Up BookPeppa Pig: Peppa''s Great Dinosaur Hunt: A Lift-The-Flap Book

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An award-winning epic on the birth of AustraliaIn 1787, the twenty-eighth year of the reign of King George III, the British Government sent a fleet to colonise Australia.Documenting the brutal transportation of men, women and children out of Georgian Britain into a horrific penal system which was to be the precursor to the Gulag and was the origin of Australia, The Fatal Shore is the definitive, masterfully written narrative that has given its true history to Australia.'A unique phantasmagoria of crime and punishment, which combines the shadowy terrors of Goya with the tumescent life of Dickens' Times

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A pictorial history of Birmingham Town Hall, showing the many events, occasions and people to which it has played host. Birmingham's magnificent Town Hall has hosted events of every kind and variety during its long life. Now, after a 35m refurbishment and restored to the original 1834 design, it reopens in October 2007 - an occasion which this pictorial history commemorates. Lavishly illustrated with some 250 pictures, it recalls many of the astonishing events and occasions that the Hall has witnessed in its 173-year history. These range from royal visits by Queen Victoriaand subsequent monarchs, outsize banquets, usage in wartime, legendary speakers including Charles Dickens and the many famous personalities of each decade, even a riot. The Hall's amazingly rich musical history is also traced, from the days when Mendelssohn, Dvorak and Elgar conducted their new works in person, through appearances by every international musician of subsequent decades right through the phenomena of all night jazz and the coming of The Beatles and The Rolling Stones, to its temporary closure in 1996.

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Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction—the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility.

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Since its inception in 2012, the hugely successful online introduction to modern poetry known as ModPo has engaged some 415,000 readers, listeners, teachers, and poets with its focus on a modern and contemporary American tradition that runs from Walt Whitman and Emily Dickinson up to some of today's freshest and most experimental written and spoken verse. In The Difference Is Spreading, ModPo's Al Filreis and Anna Strong Safford have handed the microphone over to the poets themselves, by inviting fifty of them to select and comment upon a poem by another writer. The approaches taken are various, confirming that there are as many ways for a poet to write about someone else's poem as there are poet-poem matches in this volume. Yet a straight-through reading of the fifty poems anthologized here, along with the fifty responses to them, emphatically demonstrates the importance to poetry of community, of socioaesthetic networks and lines of connection, and of expressions of affection and honor due to one's innovative colleagues and predecessors. Through the curation of these selections, Filreis and Safford express their belief that the poems that are most challenging and most dynamic are those that are open—the writings, that is, that ask their readers to participate in making their meaning. Poetry happens when a reader and a poet come in contact with one another, when the reader, whether celebrated poet or novice, is invited to do interpretive work—for without that convergence, poetry is inert.

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As a Man Thinketh is James Allen's third book, first published in 1903. In it, he details how man is the creator and shaper of his destiny by the thoughts which he thinks. He rises and falls in exact accordance with the character of the thoughts which he entertains. His environment is the result of what he has thought and done in the past, and his circumstances in the future are being shaped and built by his present desires, aspirations, thoughts and actions. He therefore who chooses and pursues a particular line of thought, consciously builds his own destiny. Part of the New Thought Movement, Allen reveals the secrets to having the most fulfilling existence possible, and it’s easier than any of us could have imagined. The title for the essay comes from the Bible: “As a man thinketh in his heart, so is he,” Proverbs, chapter 23, verse 7. In more than a century, As A Man Thinketh has become an inspirational classic, selling millions of copies worldwide and bringing faith, inspiration, and self healing to all who have encountered it. In this new edition of As A Man Thinketh, readers will be enthralled by James Allen’s thoughts and direction to take charge of their own destiny, as it has for over 100 years. In the series Classic Thoughts and Thinkers, explore some of the most influential texts of our time along with the inner workings of its greatest thinkers. With works from great American figures such as Theodore Roosevelt and Emily Dickinson and seminal documents including the Constitution of the Unites States, this series focuses on the most reflective and thought-provoking writings of the last two centuries. These beautiful hardcovers are the perfect historical perspective for meeting the challenges of the modern world. Other titles in this series include: Autobiography of Benjamin Franklin, Collected Poems of Robert Frost, Common Sense, Constitution of the United States with the Declaration of Independence, Helen Keller, Narrative of the Life of Frederick Douglass, Selected Poems of Emily Dickinson, and Theodore Roosevelt’s Words of Wit and Wisdom.

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This second volume of A.H. Tammsaare's monumental pentalogy portrays the education of Indrek who emerges here as the protagonist and will remain so throughout the next three volumes. This is a story of moving to the polyglot city and abandoning the countryside which at that time was the heartland of the Estonian language. This new environment is a vortex of prejudices and national rivalries nevertheless held together in practice by a strange and very human tolerance. Here Tammsaare writes with his trademark wit and deep understanding of human nature, and we find ourselves in the company of a vast gallery of larger-than-life characters who jostle, scheme and argue over both trivialities and the great issues of the human condition. They may do the latter out of their own intellectual narcissism or simply for the joy of debate, but the ensuing dialogues rival those of the great Russian novelists. The boarding school is as dysfunctional as any Dickensian one, but it is a great deal more benevolent. Russians, Germans, Poles, Latvians and Caucasians mix with the Estonian majority, speaking in a mix of Russian, German and Estonian, and somehow compromises are nearly always arrived at in spite of, or possibly because of some extraordinary theatrics, in which Mr Maurus must outperform not only all the other characters in the book but very probably all other celebrated headmasters created by European literature over the centuries. Indrek not only has to come to terms with this world so utterly unsuited to his shy and innocent rural upbringing, but he also has to deal with his first encounters with love and death.

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This book shows that novelists often responded to newspapers by reworking well-known events covered by Victorian newspapers in their fictions. Each chapter addresses a different narrative modality and its relationship to the news. From Charles Dickens interrogating the distinctions between fictional and journalistic storytelling to the sensation novels of Wilkie Collins and Mary Elizabeth Braddon locating melodrama in realist discourses, the core of these metaphors and narrative forms is a theorisation of the newspaper's influence on society.

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The seven deadly sins of Christianity represent the abysses of character, whereas Judith Shklar’s “ordinary vices”—cruelty, hypocrisy, snobbery, betrayal, and misanthropy—are merely treacherous shoals, flawing our characters with mean-spiritedness and inhumanity.Shklar draws from a brilliant array of writers—Molière and Dickens on hypocrisy, Jane Austen on snobbery, Shakespeare and Montesquieu on misanthropy, Hawthorne and Nietzsche on cruelty, Conrad and Faulkner on betrayal—to reveal the nature and effects of the vices. She examines their destructive effects, the ambiguities of the moral problems they pose to the liberal ethos, and their implications for government and citizens: liberalism is a difficult and challenging doctrine that demands a tolerance of contradiction, complexity, and the risks of freedom.

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With this well-illustrated new volume, the SECC continues its tradition of publishing innovative interdisciplinary scholarship on the interpretive edge. Essays include:Misty Anderson, Our Purpose is the Same: Whitefield, Foote, and the Theatricality of Methodism Tili Boon Cuille, La Vraisemblance du merveilleux: Operatic Aesthetics in Cazotte's Fantastic Fiction Simon Dickie, Joseph Andrews and the Great Laughter Debate: The Roasting of Adams Lynn Festa, Cosmetic Differences: The Changing Faces of England and France Blake Gerard, All that the heart wishes: Changing Views toward Sentimentality Reflected in Visualizations of Sterne's Maria, 1773-1888 Jennifer Keith, The Sins of Sensibility and the Challenge of Antislavery Poetry Mary Helen McMurran, Aphra Behn from Both Sides: Translation in the Atlantic World Leslie Richardson, Leaving her Father's House: Locke, Astell, and Clarissa's Body Politic Sandra Sherman, The Wealth of Nations in the 1790s Alan Sikes, Snip Snip Here, Snip Snip There, and a Couple of Tra La Las: The Rise and Fall of the Castrato Singer Rivka Swenson, Representing Modernity in Jane Barker's Galesia Trilogy: Jacobite Allegory and the Aesthetics of the Patch-Work Subject

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En el Berlín de 1865 una mujer es asesinada de manera brutal. Julius Bentheim, un joven estudiante de Derecho que, gracias a su talento como dibujante, gana algo de dinero realizando bocetos de escenas de crímenes, colabora con la investigación. Todos los indicios apuntan a la culpabilidad del excéntrico profesor de filosofía Botho Goltz, empezando por su propia confesión de los hechos. Sin embargo, cuando el presunto asesino es finalmente llevado ante la justicia, hará gala de una astucia tan maquiavélica ?no hay arma homicida, no hay móvil y la policía incluso ha hecho desaparecer sin saberlo algunas de las pruebas? que acabaremos preguntándonos si Goltz pagará por su sórdido crimen o si conseguirá justificar ante todos su inocencia. Es esta una soberbia novela de detectives en la que escuchamos ecos del mejor Balzac, de Dickens, de Zola, y que crea una suerte de espejo en el que se refleja lo más oscuro del Berlín decimonónico y de la condición humana.Una magistral kriminalroman

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Oxford, años cuarenta. En un vecindario a las afueras de la ciudad, viven tres amigos. La madre de uno de los jóvenes, misteriosamente, fue hallada muerta en el ático de su propia casa. Encontraron su cuerpo en una habitación cerrada por dentro, víctima de múltiples cortes. Nadie pudo haber entrado ni salido de allí, por lo que el caso fue considerado un suicidio. Y, sin embargo, aquella mujer no tenía motivos para quitarse la vida ni había dado muestras de estar deprimida. Un acceso de locura?Pasados los años, se rumorea que a veces hay luz en ese ático, justo en el lugar donde ocurrió la tragedia.Magia, ilusionismo, identidades suplantadas Nada es lo que parece en esta apasionante novela del maestro Paul Halter, merecedora en 1987 del Prix du Festival de Cognac.Paul Halter es uno de los mejores cultivadores actuales del crimen imposible. El mejor heredero de Dickson Carr y Gaston Leroux, en ocasiones superior a sus maestros. Fernando Savater 10

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The Nonconformist's Memorial is a gathering of four long sequences that underscores Susan Howe's reputation as one of the leading experimentalists writing today. How is a poet of language in history whose work resonates back through Melville, Dickinson, and Shelley to the seventeenth-century Metaphysicals and Puritans (the nonconformism of the title), and forward again to T. S. Eliot and the abstract expressionists. The sequences fall into two sections, "Turning" and "Conversion," in half-ironic nonconforming counterpart to Eliot's Four Quartets. Her collaging and mirror-imaging of words are concretions of verbal static, visual meditations on what can and cannot be said. For Howe, "Melville's Marginalia" is the essential poem in the collection, an approach to an elusive and allusive mind through Melville's own reading and the notations in his library books. This, says Howe, is "Language a wood for thought."

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Eleri Fowler's Joyous Blooms to Color has won over tens of thousands of fans who have embraced it with such words as "beautiful," "a keepsake," "a delightful escape from reality," and much more. Wander along a winding path with intricate, gorgeous illustrations of natural settings, lovingly represented in this delicately rendered coloring book. From landscapes of weeping willows in the breeze to patterns of bees and blossoms, all are waiting for your creative touch. Words to color-including quotes, like Emily Dickinson's "Bring me a sunset in a cup"-are set into beautiful, delicate designs that will inspire you as you create! Joyous Blooms to Color's large, 10x10 interior has 96 black-and-white pages printed on heavy paper stock, good for colored pencils and most markers. A perfect gift for loved ones, this sturdy and brilliantly illustrated coloring book will delight.

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In Television Cities Charlotte Brunsdon traces television's representations of metropolitan spaces to show how they reflect the medium's history and evolution, thereby challenging the prevalent assumptions about television as quintessentially suburban. Brunsdon shows how the BBC's presentation of 1960s Paris in the detective series Maigret signals British culture's engagement with twentieth-century modernity and continental Europe, while various portrayals of London—ranging from Dickens adaptations to the 1950s nostalgia of Call the Midwife—demonstrate Britain's complicated transition from Victorian metropole to postcolonial social democracy. Finally, an analysis of The Wire’s acclaimed examination of Baltimore, marks the profound shifts in the ways television is now made and consumed. Illuminating the myriad factors that make television cities, Brunsdon complicates our understanding of how television shapes perceptions of urban spaces, both familiar and unknown.

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In Television Cities Charlotte Brunsdon traces television's representations of metropolitan spaces to show how they reflect the medium's history and evolution, thereby challenging the prevalent assumptions about television as quintessentially suburban. Brunsdon shows how the BBC's presentation of 1960s Paris in the detective series Maigret signals British culture's engagement with twentieth-century modernity and continental Europe, while various portrayals of London—ranging from Dickens adaptations to the 1950s nostalgia of Call the Midwife—demonstrate Britain's complicated transition from Victorian metropole to postcolonial social democracy. Finally, an analysis of The Wire’s acclaimed examination of Baltimore, marks the profound shifts in the ways television is now made and consumed. Illuminating the myriad factors that make television cities, Brunsdon complicates our understanding of how television shapes perceptions of urban spaces, both familiar and unknown.

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In The Victorian Novel of Adulthood, Rebecca Rainof confronts the conventional deference accorded the bildungsroman as the ultimate plot model and quintessential expression of Victorian nation building. The novel of maturity, she contends, is no less important to our understanding of narrative, Victorian culture, and the possibilities of fiction. Reading works by Charles Dickens, George Eliot, Henry James, John Henry Newman, and Virginia Woolf, Rainof exposes the little-discussed theological underpinnings of plot and situates the novel of maturity in intellectual and religious history, notably the Oxford Movement. Purgatory, a subject hotly debated in the period, becomes a guiding metaphor for midlife adventure in secular fiction. Rainof discusses theological models of gradual maturation, thus directing readers’ attention away from evolutionary theory and geology, and offers a new historical framework for understanding Victorian interest in slow and deliberate change.

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As children, learning to read, we look first at the illustrations - but how do these tell their stories differently to the words? Words & Pictures explores this question through three encounters between writers and artists. It looks at how artists have responded to two great, contrasting works, Paradise Lost and Pilgrim's Progress; at Hogarth and Fielding, great innovators, sharing common aims; and at Wordsworth and Bewick, a poet and engraver, both working separately, but both imbued with the spirit of their age. A brief coda turns to a fourth relationship: writers and artists who collaborate from the start, like Dickens and Phiz, and Lewis Carroll and Tenniel. Sometimes amusing, sometimes moving, this is a book to pore over and enjoy. The visions it considers link daily life to the universal, the passionate and the sublime.

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Dogs throughout history have enjoyed a special relationship with humankind, and our favourite four-legged creatures continue to grow in popularity. The writers and poets collected within this anthology reflect on the joys and pitfalls of dog ownership with brilliant wit, insight, and affection. From Roald Amundsen’s account of using and eating sled dogs in his expedition to the South Pole, to J.R. Ackerley’s tender portrayal of his ill-behaved dog Tulip, ON DOGS traces the canine’s journey from working animal to pampered pet. With a humorous introduction by Tracey Ullman (an inveterate adopter of strays), and 6 characterful dog portraits by animal photographer Rhian ap Gruffydd and a cover image by Picasso of his dog Lump. Contributors include Alice Walker, Charles Dickens, James Thurber, Miranda Hart, Brigitte Bardot, A.A. Gill, David Sedaris, Barbara Woodhouse, and many more.

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The increasingly collectible categories of nursery rhymes and literary characters, including children's stories and fables, provide the focus for this fourth book of salt and pepper shakers by experts Larry Carey and Sylvia Tompkins. This very popular area of salt and pepper shakers appeals to a wide range of collectors-it's the book for collectors who love classic literary characters such as those from Dickens, fairy tales, and Aesop's fables, to modern day characters such the Cat in the Hat and Curious George. Wonderful sets, from Aladdin and His Lamp to Wizards with Dragons, and everything in between (including series) are depicted in over 700 color photographs. A comprehensive guide, this book details each set's color, size, manufacturer, design variations, and value ranges along with licensing information as marked on the sets.

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It’s hard to imagine a history of British engineering without Rolls-Royce: there would be no Silver Ghost, no Merlin for the Spitfire, no Alcock and Brown. Rolls-Royce is one of the most recognisable brands in the world.But what of the man who designed them?The youngest of five children, Frederick Henry Royce was born into almost Dickensian circumstances: the family business failed by the time he was 4, his father died in a Greenwich poorhouse when he was 9, and he only managed two fragmented years of formal schooling. But he made all of it count.In Sir Henry Royce: Establishing Rolls-Royce, from Motor Cars to Aero Engines, acclaimed aeronautical historian Peter Reese explores the life of an almost forgotten genius, from his humble beginnings to his greatest achievements. Impeccably researched and featuring almost 100 illustrations, this is the remarkable story of British success on a global stage.

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Having grown up in London and rural southern England, Margaret Hale moves with her father to the northern industrial city of Milton. She is shocked by the poverty she encounters and dismayed by the unsympathetic attitude of the textile-mill owner John Thornton, whose factory workers are engaged in an acrimonious strike. Against this backdrop of social unrest, the relationship between the two is tumultuous, and it takes further upheaval and tragedy for them to see each other in a different light. First serialized in Dickens's magazine Household Words in the same period as Hard Times, North and South shares its famous counterpart's concern with the inequality and hardship generated by the Industrial Revolution in northern England, while at the same time creating one of the nineteenth century's most memorable and engaging female protagonists in Margaret Hale.

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Feeling confident about the Grade 9-1 GCSE English Literature exams? Put your knowledge of Charles Dickens' A Christmas Carol to the test with CGP’s brilliant Revision Question Cards! There are 63 cards in the pack covering the key characters, themes, context, writer's techniques, plot and key events. There's also a section of cards focussing on key quotes in the text - great for helping to learn quotes in preparation for the exam. Each card starts off with quick questions to warm you up, followed by harder questions that require more thought, plus revision and exam tips. Flip the card over and you’ll find full answers to each question, carefully written to help you understand everything you need to know. Don't miss CGP's matching A Christmas Carol Text Guide (9781782943099) and Text Guide Workbook (9781782947806).

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A brilliant modern translation by Christine Donougher of Victor Hugo's thrilling masterpiece, with an introduction by Robert Tombs. This is the best translation of the novel available in English, as recommended by David Bellos in The Novel of the Century. Victor Hugo's tale of injustice, heroism and love follows the fortunes of Jean Valjean, an escaped convict determined to put his criminal past behind him. But his attempts to become a respected member of the community are constantly put under threat: by his own conscience, and by the relentless investigations of the dogged policeman Javert. It is not simply for himself that Valjean must stay free, however, for he has sworn to protect the baby daughter of Fantine, driven to prostitution by poverty. 'A magnificent achievement. It reads easily, sometimes racily, and Hugo's narrative power is never let down ... An almost flawless translation, which brings the full flavour of one of the greatest novels of the nineteenth century to new readers in the twenty-first' - William Doyle, Times Literary Supplement 'The year's most interesting publication from Penguin Classics was [...] a new translation by Christine Donougher of the novel we all know as Les Misérables. You may think that 1,300 pages is a huge investment of time when the story is so familiar, but no adaptation can convey the addictive pleasure afforded by Victor Hugo's narrative voice: by turns chatty, crotchety, buoyant and savagely ironical, it's made to seem so contemporary and fresh in Donougher's rendering that the book has all the resonance of the most topical state-of-the-nation novel' - Telegraph 'Christine Donougher's seamless and very modern translation of Les Misérables has an astonishing effect in that it reminds readers that Hugo was going further than any Dickensian lament about social conditions [...]The Wretched touches the soul' - Herald Scotland

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The Secret Garden with a twist: in this follow-up to Meg, Jo, Beth, and Amy, this full-color graphic novel moves Mary Lennox to a New York City brownstone, where she and her very first group of friends restore an abandoned rooftop garden...and her uncle's heart.Mary Lennox is a loner living in Silicon Valley. With her parents always working, video game and tech become her main source of entertainment and "friends." When her parents pass away in a tragic accident, she moves to New York City to live with her uncle who she barely knows, and to her surprise, keeps a gadget free home. Looking for comfort in this strange, new reality, Mary discovers an abandoned rooftop garden and an even bigger secret...her cousin who suffers from anxiety. With the help of her new friends, Colin and Dickon, Mary works to restore the garden to its former glory while also learning to grieve, build real friendships, and grow.This title will be simultaneously available in hardcover.

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Analyses and critiques the key regulatory and commercial dimensions of the oil and gas industryIn recent years, a great deal has changed in the oil and gas industry, from legal and regulatory change to falling oil prices. The contemporary oil and gas industry is now intensely focussed on cost-saving and the UK has radical redrawn its revenue-raising expectations.This updated third edition of 'UK Oil and Gas Law' has been published in two volumes: this volume focuses on resource management and regulatory law, while the other deals with commercial and contract law issues. The twin volumes bring together academic and practising lawyers, mainly based in Aberdeen, Europe's Energy Capital, to consider the key regulatory and commercial dimensions of an ever-changing hydrocarbon province.New for this editionA detailed analysis of the Wood Review and its implementation, including its effects on the licensing system and third party access to infrastructureA discussion of the the changing face of the UK's tax systemA new chapter on onshore shale developmentsAn expanded treatment of decommissioning issues, including a new chapter on Decommissioning SecurityContributorsJudith Aldersey-Williams, Partner, CMS, Nabarro and Olswang, Aberdeen.James Cowie, Trainee Solicitor, Jones Day, Aberdeen.Greg Gordon, Senior Lecturer in Law, University of Aberdeen.Luke Havemann, Senior Associate, Bowmans Oil & Gas Team in Cape Town, South Africa.Tina Hunter, Professor of Law, University of Aberdeen.Alexander Kemp, Schlumberger Professor of Petroleum Economics, University of Aberdeen.Steven Latta, Assistant Head of Transnational Education, Glasgow Caledonian University.John Paterson, Professor of Law and Vice Principal for Internationalisation, University of Aberdeen.Claire Ralph, Head of Tax, Falklands Island Government; formerly Oil and Gas UK and HM Treasury.Uisdean Vass, Senior Counsel, Womble Bond Dickinson, Aberdeen.Emre Uenmez, Lecturer in Law, University of Aberdeen.Constantinos Yiallourides, Teaching Fellow, University of Aberdeen.

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Analyses and critiques the key regulatory and commercial dimensions of the oil and gas industryIn recent years, a great deal has changed in the oil and gas industry, from legal and regulatory change to falling oil prices. The contemporary oil and gas industry is now intensely focussed on cost-saving and the UK has radical redrawn its revenue-raising expectations.This updated third edition has been published in two volumes: this volume focuses on commercial and contract law issues, while the other deals with resource management and regulatory law. The twin volumes bring together academic and practising lawyers, mainly based in Aberdeen, Europe's Energy Capital, to consider the key regulatory and commercial dimensions of an ever-changing hydrocarbon province.New for this editionSignificantly revised to take account of new case law relevant to default provisions and contractual interpretationA significantly expanded treatment of upstream commercial issues, including new chapters on the LOGIC contracts and Drilling contractsAdditional midstream and downstream content, including new chapters by industry experts on transportation and oil sales agreementsContributorsJudith Aldersey-Williams, Partner, CMS, Nabarro and Olswang, Aberdeen.James Cowie, Trainee Solicitor, Jones Day, Aberdeen.Greg Gordon, Senior Lecturer in Law, University of Aberdeen.Luke Havemann, Senior Associate, Bowmans Oil & Gas Team in Cape Town, South Africa.Tina Hunter, Professor of Law, University of Aberdeen.Alexander Kemp, Schlumberger Professor of Petroleum Economics, University of Aberdeen.Steven Latta, Assistant Head of Transnational Education, Glasgow Caledonian University.John Paterson, Professor of Law and Vice Principal for Internationalisation, University of Aberdeen.Claire Ralph, Head of Tax, Falklands Island Government; formerly Oil and Gas UK and HM Treasury.Uisdean Vass, Senior Counsel, Womble Bond Dickinson, Aberdeen.Emre Uenmez, Lecturer in Law, University of Aberdeen.Constantinos Yiallourides, Teaching Fellow, University of Aberdeen.

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