Search results for ""UNKNOWN""

Internationally acclaimed for his portraits of powerful and accomplished people and women of great beauty, Richard Avedon was one of the twentieth century's greatest photographers—but perhaps not the most obvious choice to create a portrait of ordinary people of the American West. Yet in 1979, the Amon Carter Museum of Fort Worth, Texas, daringly commissioned him to do just that.The resulting 1985 exhibition and book, In the American West, was a milestone in American photography and Avedon's most important body of work. His unflinching portraits of oilfield and slaughterhouse workers, miners, waitresses, drifters, mental patients, teenagers, and others captured the unknown and often-ignored people who work at hard, uncelebrated jobs. Making no apologies for shattering stereotypes of the West and Westerners, Avedon said, "I'm looking for a new definition of a photographic portrait. I'm looking for people who are surprising—heartbreaking—or beautiful in a terrifying way. Beauty that might scare you to death until you acknowledge it as part of yourself."Photographer Laura Wilson worked with Avedon during the six years he was making In the American West. In Avedon at Work, she presents a unique photographic record of his creation of this masterwork—the first time a major photographer has been documented in great depth over an extended period of time. She combines images she made during the photographic sessions with entries from her journal to show Avedon's working methods, his choice of subjects, his creative process, and even his experiments and failures. Also included are a number of Avedon's finished portraits, as well as his own comments and letters from some of the subjects.Avedon at Work adds a new dimension to our understanding of one of the twentieth century's most significant series of portraits. For everyone interested in the creative process it confirms that, in Laura Wilson's words, "much as all these photographs may appear to be moments that just occurred, they are finally, in varying degrees, works of the imagination."

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Four new stories featuring the Sixth Doctor and Peri Brown: 1.1 The Headless Ones by James Parsons and Andrew Stirling-Brown. When a distress call from an unknown source threatens to rip the TARDIS from the vortex, the Doctor and Peri arrive in nineteenth-century Africa hoping to find the cause of the disturbance. Instead, they meet a British expedition searching for a long lost tribe: the B’lemyae… better known to the locals as the Headless Ones. 1.2 Like by Jacqueline Rayner. On the Earth colony world Rusina, the populace strive to be popular. Likes lead to promotions, dislikes leads to demotion – and more recently, something worse. So when the Doctor investigates the truth behind their subscriber-led society, he finds himself about to become very unpopular indeed. 1.3 The Vanity Trap by Stuart Manning. Myrna Kendal used to be a Hollywood film star. Now she spends her life reminiscing on chat shows but there is always one unfinished film she refuses to talk about... at least until the TARDIS interrupts a TV interview, and the Doctor and Peri’s appearance stirs up long-forgotten memories. 1.4 Conflict Theory by Nev Fountain. Concerned by the Doctor’s increasing over-protectiveness, Peri presents him with an ultimatum: either they seek counselling or she leaves the TARDIS permanently. Reluctant to lose one of his closest friends, the Doctor seeks out one of the finest psychoanalysts in the universe: Dr Sigmund Freud. Cast: Colin Baker (The Doctor), Nicola Bryant (Peri Brown), Vivienne Acheampong (Siyanda), Rachel Atkins (Governor Crompton), Rosie Baker (Carolyn Sue), Timothy Blore (Sandis-Fernis), Stephen Critchlow (Jimmy Garfield), Amelia Donkor (Hoffman), Sarah Douglas (Myrna Kendal), Ryan Forde Iosco (Dr Karp), Raj Ghatak (The Complex), Eilidh Loan (Marconi), Deirdre Mullins (Amanda Latimer), George Naylor (Dodo), Javone Prince (Kaylin), Lucy Robinson (Christie), David Sibley (Dr Freud), Hugh Skinner (Lord Oliver Erpingham). Other parts played by members of the cast.

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This new, thoroughly updated edition of Bradt's award-winning guide to Liguria is the essential companion to getting the most out of a visit to this beguiling Italian region. Author Rosie Whitehouse has spent thirty years exploring Liguria and in her comprehensive guide introduces you to not just the glitz of the Riviera but also to the delights of the wild unknown hinterlands and mountain valleys, including in-depth coverage of local gastronomic delights - a key part of any Ligurian visit. This new edition includes new maps, a focus on of the growth of small, 'Slow Food' businesses, restaurants and hotels, in-depth coverage of Genoa as a cultural and weekend-break destination, the latest developments in Savona and La Spezia, more walks and bike-riding advice plus new suggested routes, revised hotel and restaurant listings and all the latest transport information. Liguria is a mountainous region of dizzy passes and breathtaking views, where the mountains plunge down into the sparkling blue waters of the Mediterranean. The narrow strip of coast includes the gems of the world-famous Italian Riviera, the great port city of Genoa, the glitzy resort of Portofino and the charms of the Cinque Terre. Yet in the hinterland there are many beautiful villages and mountain walks that have yet to be discovered by tourists. With a strong regional identity all of its own, Liguria is almost a country within a country. Whether you're a gourmet traveller in search of pesto, trofie and freshly baked focaccia, a history buff on the hunt for Roman remains, culture addict dazzled by Genoa's glittering palazzi and top-class museums, or a family heading for a well-earned break, Bradt's Liguria is the ideal guide for travellers of all ages and all budgets. It is also particularly suited to adventurous travellers looking for the Liguria that lies beyond the beaten track and who want a taste of the real Italy.

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From the author of The Wicked Cometh comes a dark, page-turning tale of passion and romance in the darkest of places. . .'Carlin can tell a good story' Observer'A book of great beauty and lyricism' On MagazineAfter the death of his mother, young Alwin of Whittaker leaves the only home he has ever known to seek answers about his unknown father through a pilgrimage to the shrine of Our Lady of Walsingham.On the journey, Alwin falls in with a band of violent and marauding soldiers and is witness to their terrible crimes. When Alwin later joins up with a group of pilgrims, he must hide his identity . . . but he is not the only one with secrets to keep. Rosamund, a young woman travelling the same path, has much to conceal too.The journey to discovering who he really is will lead Alwin into great danger and great passion. These are dark times, and through them, Alwin must shine a light.Will the revelations to come destroy everything that came before?'Effortlessly transports the reader to fourteenth-century rural Derbyshire and the plight of young Alwin. With the deft touch of a master storyteller, Laura Carlin recreates the dangerous world Alwin must navigate as they flee the comforts of home for an entirely new life' Sophie Ward, author of Love and other Thought ExperimentsREADERS' PRAISE FOR REQUIEM FOR A KNAVE:'Hugely engaging''A gem of an historical novel with beautiful atmospheric writing''I loved Laura's first book and this is another fun, dark historical novel full of twists and turns. Atmospheric and passionate''Laura Carlin charmed and bewitched me with her Victorian era debut The Wicked Cometh and here again I am willingly sucked into the dark medieval world of pilgrims, lords and villains''Beautifully written with strongly portrayed characters, A very good read''The author gives us fully rounded, engaging characters, a compelling story and beautiful, lyrical prose. I loved this even more than The Wicked Cometh''A lyrical and engaging novel, with beautiful writing and a gripping storyline'

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'Fowler's moving memoir charts her experience of coming out as a gay woman, alongside her journey through Birmingham's canal networks, mapping both the waterways and the travails of her heart.' Observer'An emotional and compelling memoir, that left me inspired, both by her bravery in transforming her life, and by the unexpected beauty she finds along the way' Countryfile Magazine'Fowler beautifully exposes her emotional fragility while also celebrating the unloved nature of buddleia, herons and even the water rats who take refuge among the locks.' i paper'Fowler captures the beauty of the canal's dishevelled, neglected condition...' Times Literary Supplement'Thoughtful and heartbreakingly honest ...Beautiful' Press Association'An astounding memoir' Gay Star News'Hidden Nature is one of the most thrilling things I've read in a long time' Waterways World'She writes wonderfully about the species that have carved out a place for themselves amid the discarded shopping trolleys, condom packets and industrial waste' Guardian'This candid book is as much about mapping the heart as it is about mapping the paths of waterways. Lovely.' Simple Things'A beautiful memoir' Good Housekeeping'Gentle, brave and acutely observant' Woman's WeeklyLeaving her garden to the mercy of the slugs, the Guardian's award-winning writer Alys Fowler set out in an inflatable kayak to explore Birmingham's canal network, full of little-used waterways where huge pike skulk and kingfishers dart.Her book is about noticing the wild everywhere and what it means to see beauty where you least expect it. What happens when someone who has learned to observe her external world in such detail decides to examine her internal world with the same care?Beautifully written, honest and very moving, Hidden Nature is also the story of Alys Fowler's emotional journey and her coming out as a gay woman: above all, this book is about losing and finding, exploring familiar places and discovering unknown horizons.

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For most, and particularly the injured and the wounded, being shot down over Occupied Europe during the Second World War meant that capture was immediate, that imprisonment was almost inevitable. For some, evasion was possible, but rarely for long. For a relative handful, however, their evasion saw them eventually reach home once again. In this fascinating insight into how some Allied aircrew achieved the almost impossible and evade capture, the renowned aviation historian Martin W. Bowman has drawn together a set of tales of just some of these individuals. They are stories that illustrate the bravery and resourcefulness that characterized their experiences. British, American, Canadian and other Allied testimonies all feature to provide an authentic sense of the times at hand and the reality of life as an evader during this tumultuous and incredibly dangerous time. The stories of some Allied airmen, faced with sudden leaps into that dangerous unknown and their subsequent attempts at evasion, are retold here, many for the first time. Those who successfully evaded and were free to fight again' were few. Some were forced to remain in hiding under the guiding hands of the likes of the French Resistance or the patriots of the Com te Line - a few of the many who risked their lives helping Allied airmen, either to escape or to remain hidden until liberation, on pain of imprisonment, torture and death by their Nazi oppressors. Despite the threat of such retaliation, it has been said that as many as 100,000 people may have assisted evaders on one or more occasions before the war in Europe was brought to an end. This series of intoxicating chapters of evasion and life under the constant threat of recapture by the Nazis goes one step further in the drama of the war fought in the skies over the Third Reich and the subjugated countries of France, Belgium and Holland, revealing the constant nagging, and very real, fear that was endured by evaders and rescuers alike.

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In The Story of the Human Body, Daniel Lieberman, Professor of human evolutionary biology at Harvard, shows how we need to change our world to fit our hunter-gatherer bodiesThis ground-breaking book of popular science explores how the way we use our bodies is all wrong. From an evolutionary perspective, if normal is defined as what most people have done for millions of years, then it's normal to walk and run 9 -15 kilometres a day to hunt and gather fresh food which is high in fibre, low in sugar, and barely processed. It's also normal to spend much of your time nursing, napping, making stone tools, and gossiping with a small band of people. Our 21st-century lifestyles, argues Daniel Lieberman, are out of synch with our stone-age bodies. Never have we been so healthy and long-lived - but never, too, have we been so prone to a slew of problems that were, until recently, rare or unknown, from asthma, to diabetes, to - scariest of all - overpopulation.The Story of the Human Body asks how our bodies got to be the way they are, and considers how that evolutionary history - both ancient and recent - can help us evaluate how we use our bodies. How is the present-day state of the human body related to the past? And what is the human body's future? 'Monumental. The Story of the Human Body, by one of our leading experts, takes us on an epic voyage' - Neil Shubin, author of Your Inner Fish'Riveting, enlightening, and more than a little frightening' - Christopher McDougall, author of Born to RunDaniel Lieberman is the Chair of the Department of Human Evolutionary Biology at Harvard and a leader in the field. He has written nearly 100 articles, many appearing in the journals Nature and Science, and his cover story on barefoot running in Nature was picked up by major media the world over. His research and discoveries have been highlighted in newspapers and magazines, including The New York Times, Boston Globe, Discover, and National Geographic.

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The Steppe and Other Stories 1887-91 is a collection that reveals Anton Chekhov's evolution from a novice writer to a master of short narrative form. This Penguin Classics edition is translated by Ronald Wilks with an introduction by Donald Rayfield.This collection of Chekhov's finest early writing is headlined by 'The Steppe', which established his reputation, telling the unforgettable tale of a boy's journey to a new school in Kiev, travelling through majestic landscapes towards an unknown destiny. 'Gusev' depicts an ocean voyage, where the sea takes on a terrifying, primeval power; 'The Kiss' portrays a shy soldier's failed romantic encounter; and in 'The Duel' two men's enmity ends in farce. Haunting and highly atmospheric, all the stories in this volume show a writer emerging from the shadow of his masters - great Russian writers such as Leo Tolstoy, Ivan Turgenev and Nikolai Gogol - and discovering his own voice. They also illustrate Chekhov's genius for evoking the natural world and exploring inner lives.This is the first of three chronological volumes of Chekhov's short stories in Penguin Classics. Ronald Wilks's delicate translation is accompanied by a chronology and explanatory notes. This edition also contains an introduction and annotated bibliography by internationally renowned Chekhov scholar Donald Rayfield.Anton Chekhov (1860-1904) was born in Taganrog, a port on the sea of Azov. In 1879 he travelled to Moscow, where he entered the medical faculty of the university, graduating in 1884. During his university years, he supported his family by contributing humorous stories and sketches to magazines. He published his first volume of stories, Motley Tales, in 1886, and a year later his second volume In the Twilight, for which he received the Pushkin Prize. Today his plays, including 'Uncle Vanya', 'The Seagull', and 'The Cherry Orchard' are recognised as masterpieces the world over.If you enjoyed The Steppe, you might like Chekhov's The Lady with the Little Dog and Other Stories, also available in Penguin Classics.

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___________________________________A gripping Temperance Brennan novel from world-class forensic anthropologist Kathy Reichs, the international no. 1 bestselling crime thriller writer and the inspiration behind the hit TV series Bones.During one of the hottest summers on record, Dr Temperance Brennan is haunted by a string of horrifying events.First, the bones of a newborn baby are discovered in a wood stove. The mother is nowhere to be found.Next, a plane flies into a rock face. The dead pilot and passenger are burned beyond recognition, and covered in an unknown substance.And then a store of bones is found in a remote corner of the county. What has happened, and who will be the next victim? The answers lie hidden deep within the bones - but Tempe must find them in time to stop further disaster.___________________________________Dr Kathy Reichs is a professional forensic anthropologist. She has worked for decades with chief medical examiners, the FBI, and even a United Nations Tribunal on Genocide.However, she is best known for her internationally bestselling Temperance Brennan novels, which draw on her remarkable experience to create the most vividly authentic, true-to-life crime thrillers on the market and which are the inspiration for the hit TV series Bones.___________________________________Many of the world's greatest thriller writers are huge fans of her work:'Kathy Reichs writes smart – no, make that brilliant – mysteries that are as realistic as nonfiction and as fast-paced as the best thrillers about Jack Reacher, or Alex Cross.' JAMES PATTERSON'One of my favourite writers.' KARIN SLAUGHTER'I love Kathy Reichs? – always scary, always suspenseful, and I always learn something.' LEE CHILD'Nobody does forensics thrillers like Kathy Reichs. She’s the real deal.' DAVID BALDACCI'Each book in Kathy Reichs’s fantastic Temperance Brennan series is better than the last. They’re filled with riveting twists and turns – and no matter how many books she writes, I just can’t get enough!' LISA SCOTTOLINE'Nobody writes a more imaginative thriller than Kathy Reichs.' CLIVE CUSSLER

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In 1934, at the age of fourteen, Colette Brull-Ulmann knew that she wanted to become a pediatrician. By the age of twenty-one, she was in her second year of studying medicine. By 1942, Brull-Ulman and her family had become registered Jews under the ever-increasing statutes against them enacted by Petain’s government. Her father had been arrested and interned at the Drancy detention camp and Brull-Ulman had become an intern at the Rothschild Hospital, the only hospital in Paris where Jewish physicians were allowed to practice and Jewish patients could go for treatment. Under Claire Heyman, a charismatic social worker who was a leader of the hospital’s secret escape network, Brull-Ulmann began working tirelessly to rescue Jewish children treated at the Rothschild. Her devotion to the protection of children, her bravery, and her imperviousness in the face of the deadly injustices of the Holocaust were always evident—whether smuggling children to safety through the Paris streets in the dead of night or defying officers and doctors who frighteningly held her fate in their hands. Ultimately, Brull-Ulmann was forced to flee the Rothschild in 1943, when she joined her father’s resistance network, gathering and delivering information for De Gaulle’s secret intelligence agency until the Liberation in 1945. In 1970, Brull-Ulmann finally became a licensed pediatrician. But after the war, like so many others, she sought to bury her memories. It wasn’t until decades later when she finally started to speak publicly—not only about her own work and survival, but about the one child who affected her most deeply. Originally published in French in 2017, Brull-Ulmann’s memoir fearlessly illustrates the horrors of Jewish life under the German Occupation and casts light on the heretofore unknown story of the Rothschild Hospital during this period. But most of all, it chronicles the life of a truly exceptional and courageous woman for whom not acting was never an option.

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The summer of 1958 was a nerve-racking time. Ever since the Soviet Union proved that it possessed an operational intercontinental ballistic missile with the launch of Sputnik, the world watched anxiously as the two superpowers engaged in a game of nuclear one-upmanship. Tensions escalated between the United States and the Soviet Union over their respective nuclear weapons reserves, both sides desperate for a solution to the threat of the massive, instant destruction the one could cause on the other. In the midst of this rising tension, Nicholas Christofilos, an eccentric Greek-American physicist, brought forth an outlandish, albeit ingenious, idea to defend the US from a Soviet attack: launching atomic bombs from the South Atlantic Ocean, about 1,100 miles from Cape Town, to detonate in outer space to fry incoming Soviet ICBMs with an artificial radiation belt. Known as Project Argus, this plan is the biggest, most secret, and riskiest scientific experiment in history, and classified details of this operation have been long obscured. In Burning the Sky, Mark Wolverton tells the unknown and controversial story of this scheme to reveal a fascinating narrative almost completely forgotten by history—one that still has powerful resonances today. Drawing from recently declassified sources, Burning the Sky chronicles Christofilos’s unconventional idea from its inception to execution—when the so-called mad scientist persuaded the military to carry out the most grandiose scientific experiment ever conceived, using the entire Earth’s atmosphere as a laboratory. With over a decade of experience researching and writing about the sociological and political impacts of the scie nce of the Cold War, Wolverton is the ideal authority on this risky experiment. Meticulously researched, with the pacing of a thriller and the language of science fiction, Burning the Sky will intrigue any lover of scientific or military history and will remind readers why Project Argus remains frighteningly relevant nearly sixty years later.

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New York Times Bestseller "What, What? is a welcome-and joyful-reminder that true wisdom comes from asking the right questions. Should you read this book? Absolutely." -Clayton Christensen, bestselling author of How Will You Measure Your Life? Based on the wildly popular commencement address, the art of asking (and answering) good questions by the Dean of Harvard University's Graduate School of Education. Whether we're in the boardroom or the classroom, we spend far too much time and energy looking for the right answer. But the truth is that questions are just as important as answers, often more so. If you ask the wrong question, for instance, you're guaranteed to get the wrong answer. A good question, on the other hand, inspires a good answer and, in the process, invites deeper understanding and more meaningful connections between people. Asking a good question requires us to move beyond what we think we know about an issue or a person to explore the difficult and the unknown, the awkward, and even the unpleasant. In Wait, What?, Jim Ryan, dean of Harvard University's Graduate School of Education, celebrates the art of asking-and answering-good questions. Five questions in particular: Wait, what?; I wonder...? Couldn't we at least...?; How can I help?; and What truly matters? Using examples from politics, history, popular culture, and social movements, as well as his own personal life, Ryan demonstrates how these essential inquiries generate understanding, spark curiosity, initiate progress, fortify relationships, and draw our attention to the important things in life-from the Supreme Court to Fenway Park. By regularly asking these five essential questions, Ryan promises, we will be better able to answer life's most important question: "And did you get what you wanted out of life, even so?" At once hilarious and illuminating, poignant and surprising, Wait, What? is an inspiring book of wisdom that will forever change the way you think about questions.

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The 9-volume set LNAI 14267-14275 constitutes the proceedings of the 16th International Conference on Intelligent Robotics and Applications, ICIRA 2023, which took place in Hangzhou, China, during July 5–7, 2023.The 413 papers included in these proceedings were carefully reviewed and selected from 630 submissions. They were organized in topical sections as follows:Part I: Human-Centric Technologies for Seamless Human-Robot Collaboration; Multimodal Collaborative Perception and Fusion; Intelligent Robot Perception in Unknown Environments; Vision-Based Human Robot Interaction and Application.Part II: Vision-Based Human Robot Interaction and Application; Reliable AI on Machine Human Reactions; Wearable Sensors and Robots; Wearable Robots for Assistance, Augmentation and Rehabilitation of Human Movements; Perception and Manipulation of Dexterous Hand for Humanoid Robot.Part III: Perception and Manipulation of Dexterous Hand for Humanoid Robot; Medical Imaging for Biomedical Robotics; Advanced Underwater Robot Technologies; Innovative Design and Performance Evaluation of Robot Mechanisms; Evaluation of Wearable Robots for Assistance and Rehabilitation; 3D Printing Soft Robots.Part IV: 3D Printing Soft Robots; Dielectric Elastomer Actuators for Soft Robotics; Human-like Locomotion and Manipulation; Pattern Recognition and Machine Learning for Smart Robots.Part V: Pattern Recognition and Machine Learning for Smart Robots; Robotic Tactile Sensation, Perception, and Applications; Advanced Sensing and Control Technology for Human-Robot Interaction; Knowledge-Based Robot Decision-Making and Manipulation; Design and Control of Legged Robots.Part VI: Design and Control of Legged Robots; Robots in Tunnelling and Underground Space; Robotic Machining of Complex Components; Clinically Oriented Design in Robotic Surgery and Rehabilitation; Visual and Visual-Tactile Perception for Robotics.Part VII: Visual and Visual-Tactile Perception for Robotics; Perception, Interaction, and Control of Wearable Robots; Marine Robotics and Applications; Multi-Robot Systems for Real World Applications; Physical and Neurological Human-Robot Interaction.Part VIII: Physical and Neurological Human-Robot Interaction; Advanced Motion Control Technologies for Mobile Robots; Intelligent Inspection Robotics; Robotics in Sustainable Manufacturing for Carbon Neutrality; Innovative Design and Performance Evaluation of Robot Mechanisms.Part IX: Innovative Design and Performance Evaluation of Robot Mechanisms; Cutting-Edge Research in Robotics.

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Co-winner, Ray & Pat Browne Award for Best Edited Collection in Popular Culture and American Culture Howard Phillips Lovecraft, the American author of “weird tales” who died in 1937 impoverished and relatively unknown, has become a twenty-first-century star, cropping up in places both anticipated and unexpected. Authors, filmmakers, and shapers of popular culture like Stephen King, Neil Gaiman, and Guillermo del Toro acknowledge his influence; his fiction is key to the work of posthuman philosophers and cultural critics such as Graham Harman and Eugene Thacker; and Lovecraft’s creations have achieved unprecedented cultural ubiquity, even showing up on the animated program South Park.The Age of Lovecraft is the first sustained analysis of Lovecraft in relation to twenty-first-century critical theory and culture, delving into troubling aspects of his thought and writings. With contributions from scholars including Gothic expert David Punter, historian W. Scott Poole, musicologist Isabella van Elferen, and philosopher of the posthuman Patricia MacCormack, this wide-ranging volume brings together thinkers from an array of disciplines to consider Lovecraft’s contemporary cultural presence and its implications. Bookended by a preface from horror fiction luminary Ramsey Campbell and an extended interview with the central author of the New Weird, China Miéville, the collection addresses the question of “why Lovecraft, why now?” through a variety of approaches and angles. A must for scholars, students, and theoretically inclined readers interested in Lovecraft, popular culture, and intellectual trends, The Age of Lovecraft offers the most thorough examination of Lovecraft’s place in contemporary philosophy and critical theory to date as it seeks to shed light on the larger phenomenon of the dominance of weird fiction in the twenty-first century.Contributors: Jessica George; Brian Johnson, Carleton U; James Kneale, U College London; Patricia MacCormack, Anglia Ruskin U, Cambridge; Jed Mayer, SUNY New Paltz; China Miéville, Warwick U; W. Scott Poole, College of Charleston; David Punter, U of Bristol; David Simmons, Northampton U; Isabella van Elferen, Kingston U London.

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In September 1952, John Lukacs, then a young and unknown historian, wrote George Kennan (1904-2005), the U.S. ambassador to the Soviet Union, asking one of the nation's best-known diplomats what he thought of Lukacs's own views on Kennan's widely debated idea of containing rather than militarily confronting the Soviet Union. A month later, to Lukacs's surprise, he received a personal reply from Kennan. So began an exchange of letters that would continue for more than fifty years. Lukacs would go on to become one of America's most distinguished and prolific diplomatic historians, while Kennan, who would retire from public life to begin a new career as Pulitzer Prize-winning author, would become revered as the man whose strategy of containment led to a peaceful end to the Cold War. Their letters, collected here for the first time, capture the writing and thinking of two of the country's most important voices on America's role and place in world affairs. From the division of Europe into East and West after World War II to its unification as the Soviet Union disintegrated, and from the war in Vietnam to the threat of nuclear annihilation and the fate of democracy in America and the world, this book provides an insider's tour of the issues and pivotal events that defined the Cold War. The correspondence also charts the growth and development of an intellectual and personal friendship that was intense, devoted, and honest. As Kennan later wrote Lukacs in letter, "perceptive, understanding, and constructive criticism is . . . as I see it, in itself a form of creative philosophical thought." It is a belief to which both men subscribed and that they both practiced. Presented with an introduction by Lukacs, the letters in Through the History of the Cold War reveal new dimensions to Kennan's thinking about America and its future, and illuminate the political—and spiritual—philosophies that the two authors shared as they wrote about a world transformed by war and by the clash of ideologies that defined the twentieth century.

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Africa is at once the most romantic and the most tragic of continents. So begins The Negro, the first comprehensive history of African and African-derived people, from their early cultures through the period of the slave trade and into the twentieth century. Originally published in 1915, the book was acclaimed in its time, widely read, and deeply influential in both the white and black communities, yet this beautifully written history is virtually unknown today. As a wellspring of critical studies of Africa and African Americans, it directly and indirectly influenced and inspired the works of scholars such as C. L. R. James, Eric Williams, Herbert Aptheker, Eric Foner, Kwame Anthony Appiah, and Henry Louis Gates, Jr. One of the most important books on Africa ever written, it remains fresh, dynamic, and insightful to this day. The Negro is compelling on many levels. By comparing W. E. B. Du Bois's analysis with subsequent scholarship, Robert Gregg demonstrates in his afterword that The Negro was well ahead of its time: Du Bois's view of slavery prefigures both paternalistic perspectives and the materialist view that the system was part of the capitalist mode of production. On black contributions to the Civil War and to the emancipation of slaves, historians have yet to acknowledge all that Du Bois delineated. In his discussion of Reconstruction, Du Bois preempts much later historiography. His identification of segregation as an issue of class rather than race is almost forty years ahead of C. Vann Woodward's similar thesis. As to the matter of race, Du Bois is clear that the concept is a social construct having no foundation in biology. Intellectually and historically prescient, Du Bois assumed globalization as a matter of course, so that his definition of the color line in The Negro links all colonized peoples, not just people of African descent. With the resolution of the Cold War and the ascendancy of the global market, Du Bois's sweeping vision of Africans and the diaspora seems more relevant now than at any time in the past hundred years.

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In Soviet culture, the reader was never a “consumer of books” in the Western sense. According to the aesthetic doctrine at the heart of Socialist Realism, the reader was a subject of education, to be reforged and molded. Because of this, Soviet culture cannot be examined properly without taking into account the reading masses. This book is a history of the shaping of the reader of Soviet literature, a history of the “State appropriation of the reader.” The entire history of the formation and transformation of the institution of literature in the revolutionary and Soviet eras bears witness to the fact that literature was called upon to perform substantive political and ideological functions in the authorities’ overall system (which included the publishing business, the book trade, libraries, and schools) aimed at ultimately creating a new Soviet person. This book shows how people from various social classes, in a dynamic unknown in pre-Soviet history, not only consumed the products of a new culture but in fact created that culture. On its own, the sociology of reading is scarcely capable of uncovering the variety, dynamism, and multilayered structure of the process of reading, for the reader is a composite figure. Soviet society in the Stalin era was not only a State-hierarchy system, but also a mosaic that was always divided into definite cultural strata, each of which consumed its own culture, which performed a host of familiar functions—escapist, socializing, compensating, informative, recreational, prestige-enhancing, aesthetic, and emotional—in addition to the specifically Soviet tastes connected with propaganda and mobilization. If we superimpose on this spectrum the diverse characteristics of individual readers, the resulting picture is extraordinarily variegated. At the same time, there is a certain cultural space in which these factors intersect—the space the author defines as the “situation of reading.” In this book, he focuses on the basic lines of force that were at work in the Soviet reading space.

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In 1882, Congress enacted immigration legislation excluding "idiots," "lunatics," and "Chinese laborers." Eventually, a series of laws restricted the entry of every Asian group, though over a period of decades these laws were repealed one by one. The most dramatic change in immigration law came in 1965. Though designed to encourage European immigration, the unintended result of changes in the selection system was that the Asian immigrant population jumped from one million in 1965 to seven million in 1990. This is the first comprehensive study of how U.S. immigration policies have shaped - demographically, economically, and socially - the six largest Asian American communities: Chinese, Filipino, Japanese, Korean, Vietnamese, and Asian Indian. For each group, the book offers detailed information, much of it previously unknown or too scattered to be useful, on gender ratios, age distributions, foreign- versus American-born ratios, geographic settlement, employment profiles, income, and poverty. The author also focuses on the impact immigration policies have had on three important areas of Asian American life experience - educational performance, political participation, and self-identity. He simply questions the validity of the images of Asian Americans as academic "whiz kids," their communities as relatively lacking in strong political interests, and the presence of a unified Asian American identity. Throughout, the author counters the frequent lumping together of Asian Americans by demonstrating their tremendous diversity of background, history, motivation, and achievement. As their numbers have grown, the visibility of Asian Americans has prompted policymakers, scholars, journalists, community organizers, activists, and, of course, restrictionists to take Asian Americans more seriously. At the same time, they have sometimes become the target of racist hostility, which is occasionally physical but more often sociopolitical and economic, such as the recent concerns over the disproportionate number of Asian Americans admitted to prestigious colleges and universities. Serious gaps in fundamental information about Asian America persist, leading to serious distortions. This pioneering work of research and analysis is intended as a step toward a better understanding of relationships and experiences that few have bothered to study.

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George Hurrell (1904-1992) was the creator of the Hollywood glamour portrait, the maverick artist who captured movie stars of the most exalted era in Hollywood history with bold contrast and seductive poses. This lavishly illustrated book spans Hurrell's entire career, from his beginnings as a society photographer to his finale as the celebrity photographer who was himself a celebrity, and a living legend. From 1929 to 1944 Hurrell was the Rembrandt of Hollywood," creating portraits of Marlene Dietrich, Norma Shearer, Bette Davis, Carole Lombard, and Joan Crawford that were a blend of the ethereal and the erotic. His photos of Jane Russell sulking in a haystack made the unknown girl a star,without a film credit to her name. He immortalized leading males stars of the day from the Barrymores to Clark Gable and Gary Cooper. Latter photo shoots magnified the glamour of the likes of Warren Beatty and Sharon Stone. Through newly acquired photos and in-depth research, photographer and historian Mark A. Vieira, author of Hurrell's Hollywood Portraits , offers not only a wealth of new images but a compelling sequel to the story presented in his earlier book on Hurrell. Hurrell was himself a star,rich, famous, successful. Then, at the height of his career, he suffered a vertiginous fall from grace. George Hurrell's Hollywood recounts, for the first time anywhere, Hurrell's rise from the ashes,how movie-still collectors and art dealers pulled the elderly artist into a nefarious world of theft and fraud how his undiminished powers gave him a second career and how his mercurial nature nearly destroyed it. The photographs that motivate this tale are luminous, powerful, and timeless. This book showcases more than four hundred, most of which have not been published since they were created. George Hurrell's Hollywood is the ultimate work on this trailblazing artist, a fabulous montage of fact and anecdote, light and shadow.

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In this memoir, Lana Wood investigates the mysterious drowning of her sister, the actress Natalie Wood, and clears up the myths and misconceptions behind one of the most notorious celebrity deaths of our time. On the night of November 29, 1981, Natalie Wood disappeared from her yacht, the Splendour, while visiting Catalina Island with her husband, Robert “R.J.” Wagner and their friend, Christopher Walken. The beloved movie star’s tragic drowning shook America, inspiring troves of magazine covers and media pieces. What was originally believed to be an open-and-shut case of accidental drowning has been called into question over the years, and in 2011 the investigation was reopened. In 2018, at the urging of the public, it was reclassified as “suspicious.”Ever since, the question has remained: What really happened to Natalie Wood?Lana Wood, Natalie’s younger sister, long suspected nefarious circumstances surrounding her sister’s death. Her closest confidante from childhood, Lana stood witness to Natalie’s life: the successes, the heartache, and her deepest pain. But there was tremendous fear about investigating the case. Uncertain of what her own search would unravel, and frightened of the possibilities, Lana stayed silent for years, until she no longer could. She realized she was ignoring what was in front of her, and that the best way to honor her sister's legacy would be uncovering the secrets behind the very end of Natalie’s life.By elucidating previously unknown complications of Natalie’s life, and offering new evidence from key parties involved in the investigation—including the boat’s captain and other witnesses—Little Sister recounts Lana’s search for the truth and brings to light explosive details that have been suppressed for decades. Ranging from the bonds that hold family together, to inconsistencies in interviews with detectives to complications with evidence, this story of sisterhood and mystery presents a fresh perspective on a night that has long been fodder for Hollywood lore.

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"Speaking is part of a whole: an expression of inner life." Cicely Berry has based her work on the conviction that while all is present in nature our natural instincts have been crippled from birth by many processes--by the conditioning, in fact, of a warped society. So an actor needs precise exercise and clear understanding to liberate his hidden possibilities and to learn the hard task of being true to the 'instinct of the moment'. As her book points out with remarkable persuasiveness 'technique' as such is a myth, for there is no such thing as a correct voice. There is no right way--there are only a million wrong ways, which are wrong because they deny what would otherwise be affirmed. Wrong uses of the voice are those that constipate feeling, constrict activity, blunt expression, level out idiosyncrasy, generalize experience, coarsen intimacy. These blockages are multiple and are the results of acquired habits that have become part of the automatic vocal equipment; unnoticed and unknown, they stand between the actor's voice as it is and as it could be and they will not vanish by themselves. So the work is not how to do but how to permit: how, in fact, to set the voice free. And since life in the voice springs from emotion, drab and uninspiring technical exercises can never be sufficient. Cicely Berry never departs from the fundamental recognition that speaking is part of a whole: an expression of inner life. After a voice session with her I have known actors speak not of the voice but of a growth in human relationships. This is a high tribute to work that is the opposite of specialization. Cicely Berry sees the voice teacher as involved in all of a theatre's work. She would never try to separate the sound of words from their living context. For her the two are inseparable.—from Peter Brook's foreword to Voice and the Actor

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The Reese Witherspoon x Hello Sunshine Book Club Pick'Every once in a while, I read a book that opens my eyes in a way I never expected' Reese Witherspoon (Reese's Book Club x Hello Sunshine book pick)'It made me laugh, it made me cry, it made me think' Liane Moriarty, No. 1 New York Times bestselling author of Big Little LiesThis is how a family keeps a secret...and how that secret ends up keeping them.This is how a family lives happily ever after...until happily ever after becomes complicated.This is how children change...and then change the world.This is Claude. He's five years old, the youngest of five brothers, and loves peanut butter sandwiches. He also loves wearing a dress, and dreams of being a princess.When he grows up, Claude says, he wants to be a girl.Rosie and Penn want Claude to be whoever Claude wants to be. They're just not sure they're ready to share that with the world. Soon the entire family is keeping Claude's secret. Until one day it explodes.Laurie Frankel's This Is How It Always Is is a novel about revelations, transformations, fairy tales, and family. And it's about the ways this is how it always is: change is always hard and miraculous and hard again, parenting is always a leap into the unknown with crossed fingers and full hearts, children grow but not always according to plan. And families with secrets don't get to keep them forever.What readers are saying about This Is How It Always Is: 'This writing is glorious. A fabulous book. Topical, moving, full of magic''One of the most amazing and thought-provoking books I have ever read. It's warm, well observed and funny''A beautiful love story of two people who meet, fall hopelessly in love and then create a wonderful unique family of five'

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Traces the roots of ideologies and outlooks that shape Jewish life in Israel and the United States today.Zionism and the Melting Pot pivots away from commonplace accounts of the origins of Jewish politics and focuses on the ongoing activities of actors instrumental in the theological, political, diplomatic, and philanthropic networks that enabled the establishment of new Jewish communities in Palestine and the United States. M. M. Silver's innovative new study highlights the grassroots nature of these actors and their efforts - preaching, fundraising, emigration campaigns, and mutual aid organizations - and argues that these activities were not fundamentally ideological in nature but instead grew organically from traditional Judaic customs, values, and community mores. Silver examines events in three key locales - Ottoman Palestine, czarist Russia and the United States - during a period from the early 1870s to a few years before World War I. This era which was defined by the rise of new forms of anti-Semitism and by mass Jewish migration, ended with institutional and artistic expressions of new perspectives on Zionism and American Jewish communal life. Within this timeframe, Silver demonstrates, Jewish ideologies arose somewhat amorphously, without clear agendas; they then evolved as attempts to influence the character, pace, and geographical coordinates of the modernization of East European Jews, particularly in, or from, Russia's czarist empire. Unique in his multidisciplinary approach, Silver combines political and diplomatic history, literary analysis, biography, and organizational history. Chapters switch successively from the Zionist context, both in the czarist and Ottoman empires, to the United States' melting-pot milieu. More than half of the figures discussed are sermonizers, emissaries, pioneers, or writers unknown to most readers. And for well-known figures like Theodor Herzl or Emma Lazarus, Silver's analysis typically relates to texts and episodes that are not covered in extant scholarship. By uncovering the foundations of Zionism - the Jewish nationalist ideology that became organized formally as a political movement - and of melting-pot theories of Jewish integration in the United States, Zionism and the Melting Pot breaks ample new ground.

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Some of the American West’s grandest legends are about people who in reality were remorseless killers, robbers, and bandits. These outlaws flourished during the 1800s and gained notoriety throughout the following century. How did their fame persist, and what has inspired the publishing, movie, and television industries to recreate their fictionalized careers over and over again? Mark Dugan brings reality to the forefront in The Making of Legends. Some of the characters in his accounts are practically unknown but deserve more recognition than the bandits whose names are mythic. Exhaustive archival research enables him to recreate such colorful lives as North Carolina’s Malina Blaylock, who, disguised as a man, joined her outlaw husband in the Confederate army; slippery escape artist David Lewis, the Robin Hood of the Cumberland, who finally stopped two bullets in a chaotic Pennsylvania shoot-out; Wyatt Earp, in his mysterious post-OK Corral year, amidst the Coeur d’Alene gold rush; and grim “Laughing Sam” Hartman, of South Dakota. Dugan sets the stage by explaining how newspapers and dime novels fanned the flames of public fascination with outlaws. He unmasks the real Billy the Kid, traces the paths of Butch Cassidy and the Sundance Kid to their historic shoot-out in South America, and masterfully summarizes the Civil War grudges, bloodshed, and wanton destruction along the Kansas-Missouri border that spawned Jesse and Frank James and the Younger brothers gang. In researching the lawless era of the American frontier, Dugan discovered much information that has never been published — material that will expand readers’ views of frontier history and people, both good and bad. The Making of Legends proves that the actual stories of notorious legends can be more exciting, moving, and intriguing than anything dreamed up in a dime novel or a Hollywood fantasy. With The Making of Legends Mark Dugan’s pursuit of outlaws takes him to Pennsylvania, North Carolina, Texas, California, South Dakota, Idaho, Oregon, Nebraska, Indiana, Wyoming, and Montana.

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In the 1940s, American movies changed. Flashbacks began to be used in outrageous, unpredictable ways. Soundtracks flaunted voice-over commentary, and characters might pivot from a scene to address the viewer. Incidents were replayed from different characters' viewpoints, and sometimes those versions proved to be false. Films now plunged viewers into characters' memories, dreams, and hallucinations. Some films didn't have protagonists, while others centered on anti-heroes or psychopaths. Women might be on the verge of madness, and neurotic heroes lurched into violent confrontations. Combining many of these ingredients, a new genre emerged--the psychological thriller, populated by women in peril and innocent bystanders targeted for death. If this sounds like today's cinema, that's because it is. In Reinventing Hollywood, David Bordwell examines for the first time the full range and depth of trends that crystallized into traditions. He shows how the Christopher Nolans and Quentin Tarantinos of today owe an immense debt to the dynamic, occasionally delirious narrative experiments of the Forties. With verve and wit, Bordwell examines how a booming movie market during World War II allowed ambitious writers and directors to push narrative boundaries. Although those experiments are usually credited to the influence of Citizen Kane, Bordwell shows that similar impulses had begun in the late 1930s in radio, fiction, and theatre before migrating to film. And despite the postwar recession in the industry, the momentum for innovation continued. Some of the boldest films of the era came in the late forties and early fifties, as filmmakers sought to outdo their peers. Through in-depth analyses of films both famous and virtually unknown, from Our Town and All About Eve to Swell Guy and The Guilt of Janet Ames, Bordwell assesses the era's unique achievements and its legacy for future filmmakers. The result is a groundbreaking study of how Hollywood storytelling became a more complex art. Reinventing Hollywood is essential reading for all lovers of popular cinema.

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“If you enjoyed Sarah’s Key and Kristin Hannah’s The Nightingale, then this wonderful book by Ann Mah is for you.” -- Tatiana de RosnaySweetbitter meets The Nightingale in this page-turning novel about a woman who returns to her family’s ancestral vineyard in Burgundy and unexpectedly uncovers a lost diary, an unknown relative, and a secret her family has been keeping since World War II.To become one of only a few hundred certified wine experts in the world, Kate must pass the notoriously difficult Master of Wine examination. She’s failed twice before; her third attempt will be her last chance. Suddenly finding herself without a job and with the test a few months away, she travels to Burgundy to spend the fall at the vineyard estate that has belonged to her family for generations. There she can bolster her shaky knowledge of Burgundian vintages and reconnect with her cousin Nico and his wife, Heather, who now oversee day-to-day management of the grapes. The one person Kate hopes to avoid is Jean-Luc, a talented young winemaker and her first love.At the vineyard house, Kate is eager to help her cousin clean out the enormous basement that is filled with generations of discarded and forgotten belongings. Deep inside the cellar, behind a large armoire, she discovers a hidden room containing a cot, some Resistance pamphlets, and an enormous cache of valuable wine. Piqued by the secret space, Kate begins to dig into her family’s history—a search that takes her back to the dark days of World War II and introduces her to a relative she never knew existed, a great–half aunt who was a teenager during the Nazi occupation.As she learns more about her family, the line between resistance and collaboration blurs, driving Kate to find the answers to two crucial questions: Who, exactly, did her family aid during the difficult years of the war? And what happened to six valuable bottles of wine that seem to be missing from the cellar’s collection?

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Tamás Vekerdy, one of the most well-known Hungarian psychologists, called Credo an ’essential insight not just into Feldmár’s life but into the world and the era that we currently live in.’ Feldmár was three and a half years old when the Arrow Cross came and took his mother to Auschwitz, his father to labour service, and his grandmother to the ghetto. A young Catholic woman hid him for a year and a half – perhaps she inspired Feldmár to become the kind stranger in many other people's lives years later. Feldmár was sixteen in 1956 when the revolution was crushed, and he escaped from Hungary to Canada all by himself. He fled from bleak prospects and a controlling, critical mother into the unknown. He ended up in Toronto, Canada, and became an academic. In the early 1970s, he met the person who radically changed his thinking: R. D. Laing. The book’s longest chapter, ’Journal Entries’, comes from notes Feldmár took in 1974–1975 when he studied with Laing in London. He adds notes and remarks in the present to the past, increasing the tension in the already fascinating passages. Following this is the text of an important conversation with Laing, covering topics such as love, therapy, and change. Next is a paper by his lifelong friend Francis Huxley, ’Shamanism, Healing, and R. D. Laing’. The book concludes with perhaps its most influential chapter, ’Fantasy and Reality’. Here, Feldmár speculates on the fundamental elements of his approach to psychotherapy: the nature of responsibility and ethics, politics, freedom, individuality, community, solidarity, will, and relationships. The bond between Feldmár and Laing permeates every page of Credo. The reader can closely follow Feldmár's remarkable journey of how their relationship shaped his therapeutic approach and helped him develop into the radical and inspirational psychotherapist he is today. This book is essential reading for all psychotherapists, psychoanalysts, and fans of R. D. Laing.

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Big Finish have been producing Doctor Who audios since 1999, starring Tom Baker, Peter Davison, Colin Baker, Sylvester McCoy, Paul McGann, David Tennant and John Hurt. This special boxed set features some of the Doctor’s adventures with Roz Forrester and Chris Cwej, lawmaker companions from the future. This set contains four adventures; 1. The Trial of a Time Machine by Andy Lane. After colliding with another time-ship in the vortex, the TARDIS materialises on Thrantas where it is arrested and forced to face trial. While Chris and Roz investigate the crime scene, the Doctor must defend his most loyal companion against a society where guilt has no meaning. 2. Vanguard by Steve Jordan. The planet Vanguard was once ravaged by a war between its peoples: the Dauntless and the Intrepid. Now, robotic titans stalk the desolation, searching for survivors. Their mission: to end the war for one side or the other. But which side will the Doctor take? 3. The Jabari Countdown by Alan Flanagan. Arriving on a mysterious island, stranded with a group of mathematicians, the Doctor and his companions find themselves on the fringes of the Second World War. Trapped with only each other and an unknown threat, the group must work together to solve a puzzle greater than just one world’s war. 4. The Dread of Night by Tim Foley. When a grieving household offers the TARDIS travellers shelter from the weather, the Doctor, Chris and Roz find themselves exposed to even less hospitable conditions. A sinister presence stalks the house, plaguing its inhabitants... and only the truth can free them. CAST: Sylvester McCoy (The Doctor), Yasmin Bannerman (Roz Forrester), Travis Oliver (Chris Cwej), Liz Sutherland-Lim (Maratuk), Vikash Bhai (Sydyck), John Heffernan (Honos), Mina Anwar (Forsetti), Janine Duvitski (Alpha Wheeler), Leonie Schliesing (Zsa Zsa Straus), Franchi Webb (Eleanor Burke), Rupert Young (Binkum Fray), Silas Carson (Arbuckle), Sara Powell (Contessa), Olivia Morris (Green), Connor Calland (Blue), Jacob Dudman (Cannon), Melanie Kilburn (Hooley),Rhian Blundell (Isabel), Elaine Fellows (Annabel), Ellie Darvill (Willis).

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'Raw, frank and utterly heartfelt, but full of love and joy too, one of the most moving and uplifting memoirs I've ever read.' Daisy Buchanan'Evanna's account of overcoming an eating disorder gives an unsparing insight into the mental health system, and the journey to true recovery. A beautifully courageous and honest memoir.' Bonnie Wright'As well as charting her adolescent battle with anorexia, it offers a darkly compelling, highly topical account of journeying from girlhood to womanhood in the spotlight of global celebrity.' The Mail on Sunday'A raw and powerful memoir, it shares lessons banishing self-hatred.' The Sunday Telegraph'Gradually, I began to feel this dawning awareness that womanhood was coming for me, that it was looming inevitably, and it didn't feel safe...'Evanna Lynch has long been viewed as a role model for people recovering from anorexia and the story of her casting as Luna Lovegood in the Harry Potter films has reached almost mythic proportions. Here, in her fascinating new memoir, Evanna confronts all the complexities and contradictions within herself and reveals how she overcame a life-threatening eating disorder, began to conquer her self-hate and confronted her fear of leaving the neatness and safety of girlhood for the unpredictable journey of being a woman, all in the glare of the spotlight of international fame.Delving into the very heart of a woman's relationship with her own body, Evanna explores the pivotal moments and choices in her life that led her down the path of creativity and dreaming and away from the empty pursuit of perfection, and reaches towards acceptance of the wild, sensual and unpredictable reality of womanhood. This is a story of the tragedy and the glory of growing up, of mourning girlhood and stepping into the unknown, and how that act of courage is the most magical and creatively liberating thing a woman can do.

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___________________________________ A gripping Temperance Brennan novel from world-class forensic anthropologist Kathy Reichs, the international no. 1 bestselling crime thriller writer and the inspiration behind the hit TV series Bones.A full week after death, a barely recognisable body is discovered in a closet. 'Death by self-inflicted gunshot wound to the head' is the initial assessment, but the victim's relatives are adamant that this was not suicide.Extreme heat has accelerated decomposition, and Dr Temperance Brennan's forensic expertise is required. Even for her, it is virtually impossible to determine the trajectory of the bullet.But just as Tempe is attempting to make sense of the evidence, an unknown man slips her a photograph of a skeleton. Could this hold the answer to the victim’s death?___________________________________ Dr Kathy Reichs is a professional forensic anthropologist. She has worked for decades with chief medical examiners, the FBI, and even a United Nations Tribunal on Genocide. However, she is best known for her internationally bestselling Temperance Brennan novels, which draw on her remarkable experience to create the most vividly authentic, true-to-life crime thrillers on the market and which are the inspiration for the hit TV series Bones. ___________________________________ Many of the world's greatest thriller writers are huge fans of her work: 'Kathy Reichs writes smart – no, make that brilliant – mysteries that are as realistic as nonfiction and as fast-paced as the best thrillers about Jack Reacher, or Alex Cross.' JAMES PATTERSON 'One of my favourite writers.' KARIN SLAUGHTER 'I love Kathy Reichs? – always scary, always suspenseful, and I always learn something.' LEE CHILD 'Nobody does forensics thrillers like Kathy Reichs. She’s the real deal.' DAVID BALDACCI 'Each book in Kathy Reichs’s fantastic Temperance Brennan series is better than the last. They’re filled with riveting twists and turns – and no matter how many books she writes, I just can’t get enough!' LISA SCOTTOLINE 'Nobody writes a more imaginative thriller than Kathy Reichs.' CLIVE CUSSLER

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The answer lies out there. The year is 2072. At the lunar farside radio observatory, an old-school radio broadcast is detected, similar to those broadcast on Earth in the 1940s, but in an unknown language, coming from an impossible source, and originating at an equally impossible location—Proxima Centauri. While the nations of Earth debate making first contact, they learn that the Proximans are facing an extinction-level disaster, forcing a decision: will Earth send a ship on a multiyear trip to provide aid? Interstellar travel is not easy, and by traveling at the speeds required to arrive before disaster strikes at Proxima, humans will learn firsthand the effects of Einstein’s Special Relativity and be forced to ponder the ultimate questions: Are we alone in the universe? What does it mean to be human? About Travis S. Taylor: “. . . explodes with inventive action.”—Publishers Weekly on Travis S. Taylor’s The Quantum Connection “[Warp Speed] reads like Doc Smith writing Robert Ludlum . . . You won’t want to put it down.”—John Ringo About Stellaris: People of the Stars, coedited by Les Johnson: “. . . a thought-provoking look at a selection of real-world challenges and speculative fiction solutions. . . . Readers will enjoy this collection that is as educational as it is entertaining.”—Booklist “This was an enjoyable collection of science fiction dealing with colonizing the stars. In the collection were several gems and the overall quality was high.”—Tangent About Mission to Methone by Les Johnson: “The spirit of Arthur C. Clarke and his contemporaries is alive and well in Johnson’s old-fashioned first-contact novel, set in 2068. . . . includes plenty of realistic detail and puts fun new spins on familiar alien concepts. . . . There’s a great deal here for fans of early hard SF.”—Publishers Weekly “With equal parts science fiction and international intrigue. . . . an exciting, fast-paced read that you will not want to put down.”—Booklist About Rescue Mode by Ben Bova and Les Johnson: “. . . a suspenseful and compelling narrative of the first human spaceflight to Mars.”—Booklist

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THE ANSWER LIES OUT THERE The year is 2072. At the lunar farside radio observatory, an old-school radio broadcast is detected, similar to those broadcast on Earth in the 1940s, but in an unknown language, coming from an impossible source, and originating at an equally impossible location—Proxima Centauri. While the nations of Earth debate making first contact, they learn that the Proximans are facing an extinction-level disaster, forcing a decision: will Earth send a ship on a multiyear trip to provide aid? Interstellar travel is not easy, and by traveling at the speeds required to arrive before disaster strikes at Proxima, humans will learn firsthand the effects of Einstein’s Special Relativity and be forced to ponder the ultimate of questions of "Are we alone in the universe?” and “What does it mean to be human?” About Travis S. Taylor: “[E]xplodes with inventive action.”—Publishers Weekly on Travis S. Taylor’s The Quantum Connection “[Warp Speed] reads like Doc Smith writing Robert Ludlum. . .You won’t want to put it down.”—John Ringo About Stellaris: People of the Stars, coedited by Les Johnson: “[A] thought-provoking look at a selection of real-world challenges and speculative fiction solutions. . . . Readers will enjoy this collection that is as educational as it is entertaining.”—Booklist “This was an enjoyable collection of science fiction dealing with colonizing the stars. In the collection were several gems and the overall quality was high.”—Tangent About Mission to Methone, by Les Johnson: “The spirit of Arthur C. Clarke and his contemporaries is alive and well in Johnson’s old-fashioned first-contact novel, set in 2068. . . . includes plenty of realistic detail and puts fun new spins on familiar alien concepts. . . . There’s a great deal here for fans of early hard SF.”—Publishers Weekly “With equal parts science fiction and international intrigue. . . . an exciting, fast-paced read that you will not want to put down.”—Booklist About Rescue Mode, by Ben Bova and Les Johnson: “. . . a suspenseful and compelling narrative of the first human spaceflight to Mars.”—Booklist

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Since World War II, the US 101st Airborne Division has achieved legendary status. But within the ranks of the 101st there existed a rougher, tougher and more ruthless unit whose formidable reputation has persisted over the decades to this day: the Filthy Thirteen.Never ones to salute an officer, or take a bath, the men of this squad became singular within the ‘Screaming Eagles’ for their hard drinking and savage fighting skills . . . and that was only in training. Just prior to the invasion of Normandy, a Stars and Stripes photographer caught US paratroopers with heads shaved into mohawks, applying war paint to their faces. Unknown to the American public at the time, these men were the Filthy Thirteen. After parachuting behind enemy lines in the dark hours before D-Day, the Germans got a taste of the reckless courage of this unit, except now the men were fighting with Tommy guns and explosives, not just bare knuckles.In its spearhead role, the unit suffered heavy casualties, with some men wounded and others blown to bits. By the end of the war thirty men had passed through the squad. However, the heart and soul of the Filthy Thirteen remained in a survivor named Jake McNiece, a half-breed Indian from Oklahoma: the toughest man in the squad and the one who formed its character. McNiece made four combat jumps, was in the forefront of every fight in northern Europe, yet somehow never made the rank of Private First Class. The survivors of the Filthy Thirteen stayed intact as a unit until the Allies conquered Nazi Germany.Hugely popular on first publication, this books tells of a brawling bunch of no-goodniks whose only saving grace was that they inflicted more damage on the Germans than on MPs, the English countryside and their own officers. Still, the Filthy Thirteen remain a legend within the ranks of the 101st Airborne.

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Born in New York in 1975, Taryn Simon is at the forefront of contemporary photography practice. Her artistic medium is based around three equal elements: photography, text, and graphic design, which combined investigate the limitations of absolute understanding, examining the gaps between each element and how this can lead to disorientation and ambiguity. In the last ten years she has created a suite of projects which deal with a number of theoretical and visual concerns. Her formal interest in arrangement and cataloguing has seen her experiment with different methods of presentation and display, particularly in A Living Man Declared Dead and Other Chapters (2008-11) in which she travelled around the world researching bloodlines: splitting each work in the final piece up into three segments, she presented large portrait sequences of related individuals on the left, a text panel containing details and narratives in the centre, and 'footnote images' on the right of fragmented pieces of established narratives and other photographic evidence. Simon has also skilfully and poetically tackled aspects of the underbelly of American life.Her 2009 project, Contraband, saw her systematically photograph thousands of items received through customs and the international postal service at JFK airport, categorising them into often grotesque and bizarre groupings. In An American Index of the Hidden and Unfamiliar, Taryn Simon documents spaces that are integral to America's foundation, mythology and daily functioning, but remain inaccessible or unknown to a public audience. Taryn Simon has been the subject of a number of monographic exhibitions, including MoMA, New York (2012), Tate Modern, London (2011), Neue Nationalgalerie, Berlin (2011) and the Whitney Museum, New York (2007). Taryn's work was recently featured in the 2013 Carnegie International. Published in close collaboration with the artist, this brand new book will provide a complete overview of her practice to date. With new and re-published essays by amongst others Salman Rushdie, Homi Bhabha, Daniel Baumann, Tim Griffin, Tina Kuklieski, Hans Ulrich Obrist and Elisabeth Sussman. With an introduction by Simon Baker, Curator of Photography at Tate Modern.

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Available for the first time in trade paperback, the third of five volumes collecting the complete fiction of William Hope Hodgson, an influential early twentieth-century author of science fiction, horror, and the fantastic. William Hope Hodgson was, like his contemporaries Algernon Blackwood and Arthur Machen, one of the most important, prolific, and influential fantasists of the early twentieth century. His dark and unsettling short stories and novels were shaped in large part by personal experience (a professional merchant mariner for much of his life, many of Hodgson’s tales are set at sea), and his work evokes a disturbing sense of the amorphous and horrific unknown. While his nautical adventure fiction was very popular during his lifetime, the supernatural and cosmic horror he is most remembered for only became well known after his death, mainly due to the efforts of writers like H. P. Lovecraft and Clark Ashton Smith, who often praised his work and cited it as an influence on their own. By the latter half of the twentieth century, it was only his weird fiction that remained in print, and his vast catalog of non-supernatural stories was extremely hard to find. Night Shade Books’s five-volume series presents all of Hodgson’s unique and timeless fiction. Each volume contains one of Hodgson's novels, along with a selection of thematically-linked short fiction, including a number of works reprinted for the first time since their original publication. The third book of the five-volume set, The Ghost Pirates and Other Revenants of the Sea, collects more of Hodgson’s nautical fiction, including his 1909 novel The Ghost Pirates. The Complete Fiction of William Hope Hodgson is published by Night Shade Books in the following volumes:The Boats of the “Glen Carrig” and Other Nautical AdventuresThe House on the Borderland and Other Mysterious PlacesThe Ghost Pirates and Other Revenants of the SeaThe Night Land and Other RomancesThe Dream of X and Other Fantastic Visions

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A visual tour de force showcasing Toronto’s vast concert history.“Not sure there’s ever been anything like this...The graphics are fascinating, the script is comprehensive. It’s staggering what’s been unleashed from the Vault.” — Gary Topp, promoter, half of the legendary duo the Garys“These pages will take you on a musical magical mystery tour of Toronto’s important place in concert history. Reading The Flyer Vault gives you a rush, just like the one you get when the house lights go down!” — Dan Kanter, multi-platinum-selling songwriter/producer“The Flyer Vault book helps bottle the lore, bringing me a little bit closer to my Toronto and its shows that have only grown in renown.” —Danko Jones, lead singer/guitarist of the rock trio Danko Jones Duke Ellington. Johnny Cash. David Bowie. Nirvana. Bob Marley. Wu-Tang Clan. Daft Punk. These are just some of the legendary names that played Toronto over the last century. Drawing from Daniel Tate’s extensive flyer collection, first archived on his Flyer Vault Instagram account, Tate and Rob Bowman have assembled a time capsule that captures a mesmerizing history of Toronto concert and club life, ?running the gamut of genres from vaudeville to rock, jazz to hip-hop, blues to electronica, and punk to country.The Flyer Vault: 150 Years of Toronto Concert History traces seminal live music moments in the city, including James Brown’s debut performance in the middle of a city-wide blackout, a then-unknown Jimi Hendrix backing up Wilson Pickett in 1966 — the year a new band from London named Led Zeppelin performed in Toronto six times — and the one and only show by the Notorious B.I.G., which almost caused a riot in the winter of 1995.Complementing the book’s flyers is the story of the music, highlighting such iconic venues as Massey Hall, the Concert Hall/Rock Pile/Club 888, and the BamBoo, alongside lesser-known but equally important clubs such as Industry Nightclub and the Edge.

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The story of Roman Catholicism has never followed a singular path. In no time period has this been more true than over the last two centuries. Beginning with the French Revolution, extending to the Second Vatican Council in the 1960s, and concluding with present-day crises, John T. McGreevy chronicles the dramatic upheavals and internal divisions shaping the most multicultural, multilingual, and global institution in the world. Through powerful individual stories and sweeping birds-eye views, Catholicism provides a mesmerising assessment of the Church’s complex role in modern history: both shaper and follower of the politics of nation states, both conservator of hierarchies and evangeliser of egalitarianism. McGreevy documents the hopes and ambitions of European missionaries building churches and schools in all corners of the world, African Catholics fighting for political (and religious) independence, Latin American Catholics attracted to a theology of liberation, and Polish and South Korean Catholics demanding democratic governments. He includes a vast cast of riveting characters, known and unknown, including the Mexican revolutionary Fr. Servando Teresa de Mier; Daniel O’Connell, hero of Irish emancipation; Sr. Josephine Bakhita, a formerly enslaved Sudanese nun; Chinese statesman Ma Xiaobang; French philosopher and reformer Jacques Maritain; German Jewish philosopher and convert, Edith Stein; John Paul II, Polish pope and opponent of communism; Gustavo Gutiérrez, Peruvian founder of liberation theology; and French American patron of modern art, Dominique de Menil. Throughout this essential volume, McGreevy details currents of reform within the Church as well as movements protective of traditional customs and beliefs. Conflicts with political leaders and a devotional revival in the nineteenth century, the experiences of decolonisation after World War II and the Second Vatican Council in the twentieth century and the trauma of clerical sexual abuse in the twenty-first all demonstrate how religion shapes our modern world. Finally, McGreevy addresses the challenges faced by Pope Francis as he struggles to unite the over one billion members of the world’s largest religious community.

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From acclaimed author and Professor Emerita of Pediatrics and Epidemiology Janet Gilsdorf comes a captivating and timely novel about a young doctor’s quest to uncover the cause of a mysterious disease killing young children, and the race to find a cure.In 1984, in the small Brazilian village of PromissÃo, a young child begins to fuss, her eyes turning pink and her skin flushed with heat. Four days later, she’s dead.Sidonie Royal, an accomplished physician and scientist, arrives in the small Brazilian village of PromissÃo to investigate and hopefully cure this insidious new disease. With several young children already dead, and more getting sick by the day, the stakes cannot get any higher. But Sid’s personal life is also in flux, as she struggles to balance a complicated relationship with her boyfriend, Paul, pressure to start a family from her well-meaning mother, conflict with her surly but brilliant coworker named Eliot, and a budding romantic attraction to her doctoral student’s twin brother.As Sid relentlessly pursues an explanation for the disease, the village’s physician calls in the Global Health Agency, triggering a scientific race that spans two continents and becomes increasingly defined by personal stakes. In a desperate attempt to determine a diagnosis for the disease, Sid sneaks a vial of an infected child’s blood back to her lab in Michigan. As her personal life and romantic relationships fall apart, she becomes consumed by her desire to win the medical race against the GHA. However, her volatile (and sometimes emotional) relationship with Eliot will hinder her as much as it will help her on her journey for discovery.Set against the backdrop of the early days of the AIDS epidemic, Fever is about finding courage in the face of the unknown, the lasting power of community, and one woman’s challenge to prove herself as she aims to make a life-saving—and career-defining—discovery.

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In the autumn of 2002 in southern China, a previously unknown virus jumped the species barrier from animal to man and sparked the first global epidemic of the new century. The disease sped along the air routes of a globalized world, spreading within months to thirty-one countries on every continent. Before it was reined in by a remarkable international scientific effort, the SARS virus demonstrated human society's vulnerability to disease. New infectious diseases like SARS have been emerging at an alarming rate over the past few decades. There is every indication the world will continue to face new viral diseases, some of them much more lethal and contagious than SARS. This book traces the emergence of SARS, in the process examining the global politics and economics of disease. It provides the first behind-the-scenes account of how the global battle against SARS was fought and the incredible research efforts that finally led to identification of the virus. Drawing on unprecedented access to scientists, doctors, and recovered patients, Thomas Abraham recounts the pressures and heartbreaks suffered by brave researchers who battled the clock to solve the SARS puzzle-even as colleagues and friends succumbed to the disease. "The caller at the other end of the phone was from the Manila office of the World Health Organization (WHO), and his message was alarming. Flying over the Atlantic Ocean on a Singapore Airlines flight was a critically ill man who had to be hospitalized in an isolation ward as soon as possible...There were over 300 passengers on the jet, which was bound for Singapore via Frankfurt, and unless the man was taken off the plane, they were all in danger." "On March 15, while David Heymann and his team were toiling away on their global travel alert in Geneva, a 72-year-old man boarded Air China flight 112 from Hong Kong to Beijing...Not only was he sick, he also happened to be a super-spreader of the disease. From his seat, 14E, he infected 21 other passengers and crew members."

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By avoiding risk, are you also avoiding your life's full potential? Join acclaimed neurosurgeon Dr. Ben Carson as he explores the life-changing power of taking the risk, even if you're afraid. In our risk-avoidant culture, we place a high premium on safety. We insure our vacations. We check crash tests on cars. We extend the warranties on our appliances. But by insulating ourselves from the unknown--the natural risks of life--we miss the great adventure of living our lives to their fullest potential.Dr. Ben Carson spent his childhood as an at-risk child on the streets of Detroit, and he took big risks in performing complex surgeries on the brain and the spinal cord. Now, offering inspiring personal examples, Dr. Carson invites us to embrace risk in our own lives.In Take the Risk, Dr. Carson examines our safety-at-all-costs culture and the meaning of risk and security in our lives. Take the Risk guides you through an extensive examination of risk, including: Risk-taking in history An assessment of the real costs and rewards of risk Learning how to assess and accept risks Understanding how risk reveals the purpose of your life From a man whose life dramatically portrays the connection between great risks and greater successes, the insights Dr. Carson shares in Take the Risk will help you dispel your fear of risk in order to dream big, aim high, move with confidence, and reap the rewards of wise risk-taking.Praise for Take the Risk:"Whether you are a world-renowned neurosurgeon, a CEO, or a teacher, this book applies to anyone who ever wondered about the difference between the pacesetters and those who struggle to keep up. It is the pacesetters who Take the Risk, and this book explains when and why to take risks to empower everyone to become a trailblazer rather than a mere spectator. For anyone who wants to rise above mediocrity, this book is a must-read."--Armstrong Williams, author and radio host, The Armstrong Williams Show

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The 9-volume set LNAI 14267-14275 constitutes the proceedings of the 16th International Conference on Intelligent Robotics and Applications, ICIRA 2023, which took place in Hangzhou, China, during July 5–7, 2023.The 413 papers included in these proceedings were carefully reviewed and selected from 630 submissions. They were organized in topical sections as follows:Part I: Human-Centric Technologies for Seamless Human-Robot Collaboration; Multimodal Collaborative Perception and Fusion; Intelligent Robot Perception in Unknown Environments; Vision-Based Human Robot Interaction and Application.Part II: Vision-Based Human Robot Interaction and Application; Reliable AI on Machine Human Reactions; Wearable Sensors and Robots; Wearable Robots for Assistance, Augmentation and Rehabilitation of Human Movements; Perception and Manipulation of Dexterous Hand for Humanoid Robot.Part III: Perception and Manipulation of Dexterous Hand for Humanoid Robot; Medical Imaging for Biomedical Robotics; Advanced Underwater Robot Technologies; Innovative Design and Performance Evaluation of Robot Mechanisms; Evaluation of Wearable Robots for Assistance and Rehabilitation; 3D Printing Soft Robots.Part IV: 3D Printing Soft Robots; Dielectric Elastomer Actuators for Soft Robotics; Human-like Locomotion and Manipulation; Pattern Recognition and Machine Learning for Smart Robots.Part V: Pattern Recognition and Machine Learning for Smart Robots; Robotic Tactile Sensation, Perception, and Applications; Advanced Sensing and Control Technology for Human-Robot Interaction; Knowledge-Based Robot Decision-Making and Manipulation; Design and Control of Legged Robots.Part VI: Design and Control of Legged Robots; Robots in Tunnelling and Underground Space; Robotic Machining of Complex Components; Clinically Oriented Design in Robotic Surgery and Rehabilitation; Visual and Visual-Tactile Perception for Robotics.Part VII: Visual and Visual-Tactile Perception for Robotics; Perception, Interaction, and Control of Wearable Robots; Marine Robotics and Applications; Multi-Robot Systems for Real World Applications; Physical and Neurological Human-Robot Interaction.Part VIII: Physical and Neurological Human-Robot Interaction; Advanced Motion Control Technologies for Mobile Robots; Intelligent Inspection Robotics; Robotics in Sustainable Manufacturing for Carbon Neutrality; Innovative Design and Performance Evaluation of Robot Mechanisms.Part IX: Innovative Design and Performance Evaluation of Robot Mechanisms; Cutting-Edge Research in Robotics.

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The 9-volume set LNAI 14267-14275 constitutes the proceedings of the 16th International Conference on Intelligent Robotics and Applications, ICIRA 2023, which took place in Hangzhou, China, during July 5–7, 2023.The 413 papers included in these proceedings were carefully reviewed and selected from 630 submissions. They were organized in topical sections as follows:Part I: Human-Centric Technologies for Seamless Human-Robot Collaboration; Multimodal Collaborative Perception and Fusion; Intelligent Robot Perception in Unknown Environments; Vision-Based Human Robot Interaction and Application.Part II: Vision-Based Human Robot Interaction and Application; Reliable AI on Machine Human Reactions; Wearable Sensors and Robots; Wearable Robots for Assistance, Augmentation and Rehabilitation of Human Movements; Perception and Manipulation of Dexterous Hand for Humanoid Robot.Part III: Perception and Manipulation of Dexterous Hand for Humanoid Robot; Medical Imaging for Biomedical Robotics; Advanced Underwater Robot Technologies; Innovative Design and Performance Evaluation of Robot Mechanisms; Evaluation of Wearable Robots for Assistance and Rehabilitation; 3D Printing Soft Robots.Part IV: 3D Printing Soft Robots; Dielectric Elastomer Actuators for Soft Robotics; Human-like Locomotion and Manipulation; Pattern Recognition and Machine Learning for Smart Robots.Part V: Pattern Recognition and Machine Learning for Smart Robots; Robotic Tactile Sensation, Perception, and Applications; Advanced Sensing and Control Technology for Human-Robot Interaction; Knowledge-Based Robot Decision-Making and Manipulation; Design and Control of Legged Robots.Part VI: Design and Control of Legged Robots; Robots in Tunnelling and Underground Space; Robotic Machining of Complex Components; Clinically Oriented Design in Robotic Surgery and Rehabilitation; Visual and Visual-Tactile Perception for Robotics.Part VII: Visual and Visual-Tactile Perception for Robotics; Perception, Interaction, and Control of Wearable Robots; Marine Robotics and Applications; Multi-Robot Systems for Real World Applications; Physical and Neurological Human-Robot Interaction.Part VIII: Physical and Neurological Human-Robot Interaction; Advanced Motion Control Technologies for Mobile Robots; Intelligent Inspection Robotics; Robotics in Sustainable Manufacturing for Carbon Neutrality; Innovative Design and Performance Evaluation of Robot Mechanisms.Part IX: Innovative Design and Performance Evaluation of Robot Mechanisms; Cutting-Edge Research in Robotics.

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In this innovative series of public lectures at the University of Newcastle upon Tyne, leading contemporary poets speak about the craft and practice of poetry to audiences drawn from both the city and the university. The lectures are then published in book form by "Bloodaxe", giving readers everywhere the opportunity to learn what the poets themselves think about their own subject. Jane Hirshfield examines the roles of hiddenness, uncertainty and surprise as they appear in poetry and other works of literature, in the life and psyche of the writer, and in the broader life of the culture as a whole. "Poetry and Hiddenness: Thoreau's Hound Explorations of Hiddenness" go back to the beginning of literature. There is no paradise, no place of true completion, that does not include within its walls the unknown. In this lecture, Hirshfield explores the centrality and necessity of hiddenness in our lives, and elucidates both the uses of hiddenness and hidden meanings in the work of writers ranging from Homer to Cavafy, from Auden to Jack Gilbert.Poetry and Uncertainty - To be human is to be unsure, and if the purpose of poetry is to deepen the humanness in us, poetry will be unsure as well. This lecture illuminates the ways uncertainty - in poems, and in life - allows both broadened feeling and enlarged knowledge. Translations are central to this talk, which includes poems by Izumi Shikibu, Anna Swir, Fernando Pessoa and Paul Celan. "Poetry and the Constellation of Surprise Poems" preserve their inaugural newness in part because they are like the emotions - not object, but experience, event. Poems that last are those that do not lose the power to astonish. This lecture examines surprise as a central, unrecognised fulcrum of great poems. Three poems are then looked at in detail by Hirshfield as test-cases: "Ithaka" by C.P. Cavafy, "Oysters" by Seamus Heaney and "Nothing Gold Can Stay" by Robert Frost.

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The touchstones of Gothic monumental art in France - the abbey church of Saint-Denis and the cathedrals of Chartres, Reims, and Bourges - form the core of this collection dedicated to the memory of Anne Prache. The essays reflect the impact of Prache’s career, both as a scholar of wide-ranging interests and as a builder of bridges between the French and American academic communities. Thus the authors include scholars in France and the United States, both academics and museum professionals, while the thematic matrix of the book, divided into architecture, stained glass, and sculpture, reflects the multiple media explored by Prache during her long career. The essays employ a varied range of methodologies to explore Gothic monuments. The chapters in the architectural section include an intensive archeological analysis of the foundations of Reims Cathedral, the close reading of a late medieval literary text for a symbolic understanding of Paris, and essays that explore the medieval use of practical geometry in designing entire buildings and their components. Saint-Denis, Reims, and Chartres, all monuments studied by Prache, are discussed in the next part, on stained glass. These chapters demonstrate how old problems can be clarified by new evidence, whether from the accessibility of previously unknown archival information, for Reims, or through revelations that arise from restoration, at Chartres. These essays also include a study showing the complexity of making attributions for the storied glass of Saint-Denis. The final set of essays likewise takes different approaches to sculpture, whether constructing links to the liturgy at Reims, or discussing the meaning of a sculptural ensemble studied by Prache early in her career, the cloister of Notre-Dame-en-Vaux in Châlons-en-Champagne, or scrupulously examining the façade sculpture at Bourges Cathedral for insights into the design process. As a whole, the volume provides a window onto key directions in the study of

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Constance Lindsay Skinner made a living as a writer at a time when few men, and fewer women, managed the feat. Born in 1877 on the British Columbia frontier, she worked as a journalist in Vancouver, Los Angeles, and Chicago, before moving to New York City in 1912, where she supported herself by her pen until her death in 1939. Despite a prolific output - poetry, plays, short stories, histories, reviews, adult and children's novels - and in contrast to her reputation in the United States, she remains virtually unknown in the country of her birth. Reconstructing Constance Lindsay Skinner's writing life from her papers in the New York Public Library and from her publications, Jean Barman argues for three bases to her success. As well as a capacity to respond to market forces by moving between genres, she possessed an aura of authenticity by virtue of her Canadian frontier heritage. As a literary device, the frontier gave a freedom to tackle contentious issues of Aboriginal and hybrid identities, gender and sexuality, that might otherwise have been far more difficult to get into print. Third, and very important, was her willingness to subordinate a private self to the life of the imagination. Barman ponders Constance Lindsay Skinner's absence from the Canadian literary canon. She mixed with such twentieth-century personalities as Jack London, Harriet Monroe, Frederick Jackson Turner, Vilhjalmur Stefansson, Cornelia Meigs, Long Lance, and Margaret Mitchell, yet was unrecognized in her own country. Her sex mattered, just as it did for fellow Canadian women writers. So did her facility at multiple genres, a talent that, even as it made possible a writing life, prevented her from achieving a major breakthrough in any one of them. Perhaps most responsible was her identification with the frontier of a nation whose centre long shaped literary matters in its own image. Constance Lindsay Skinner makes a significant contribution to Canadian and American history and to literary and gender studies.

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Jane Leade (1624-1704) is probably the most prolific woman writer and most important female religious leader in late seventeenth-century England, yet, she still remains relatively unknown. By exploring her life and works as a prophetess and mystic, this books opens a fascinating window into the world of a remarkable woman living in a remarkable age. Born in Norfolk into a gentry family, Jane Leade enjoyed a comfortable childhood, married a distant cousin, who was a merchant, and had four children. However, she found herself totally destitute in London when he died, his fortune having been lost abroad. As a widow, she proclaimed herself to be a `Bride of Christ', and eventually became a prolific author and a respected blind, elderly leader of a religious group of well-educated men and women, known as the Philadelphian Society. The structure of this book is informed by the chronological events that happened during her life and is complemented by examining some of the material she published, including her visions of the Virgin Wisdom, or Sophia. She started writing in 1670, but published prolifically in the 1680s and 1690s, and this material offers a fascinating glimpse into the mind of an extraordinary woman. Believing herself to be living in the `End Times' she expected Sophia would return with the second coming of Christ. The Philadelphian Society grew under her charge, until they were buffeted by mobs in London. Jane Leade died in her eighty-first year and is buried in the non-conformist cemetery, Bunhill Fields, in London. By contextualising her and drawing out the nature of her devotions this new book draws attention to her as a figure in her own right. Previous studies have tended to reduce her to one example within a certain tradition, but as this work clearly demonstrates she was in fact a much more complicated character who did not conform to any one particular tradition.

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For readers of Elizabeth Strout and Kent Haruf, an accomplished debut about a new widower, his fractured relationship with his daughter, and the decades-long friendship he and his late wife enjoyed with another couple whose companionship keeps him afloat after her deathThe Dependents is the story of the Ashe family, and of Gene Ashe's relationship with his daughter, Dary, in the wake of his wife Maida's death. It is also the story of the decades-long friendship Gene and Maida shared with the Donnellys, Ed and Gayle, a couple whom they met in college and remained close with over the years. Gene and Maida were married for almost fifty years, and after Maida's death, Gene, feeling unmoored and adrift, is haunted by the prospect that their marriage was not all it appeared to be and by a question he never asked Maida: "Is it, on the whole, a happy life?" As his memories of Maida diverge from Dary's, a rift between father and daughter grows from this sorrow and misunderstanding. Dion's assured debut novel moves seamlessly between the history of Gene and Maida's long marriage, including the true north of their friendship with Ed and Gayle, and the present-day grief Gene experiences after losing his wife, as Ed and Gayle buoy his spirits. With their friendship as ballast, he at last begins to understand how deeply unknown his own daughter is to him. Even as he is grateful for the memory of joy, he must also confront lingering questions about secrets held through the years, and about the wounds and betrayals in both his marriage and his friendship with Ed and Gayle.The Dependents is the best and most moving kind of drama, one that drops us intimately into the expanse of another family and thereby reflects back our own. We are reminded again of the ways in which we deceive ourselves into believing we fully know the people we love, and must eventually reckon with what we want to be true versus what we know to be true

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On July 4, 1939, Gehrig delivered what has been called "baseball's Gettysburg Address" at Yankee Stadium. There is, for now, no known, intact film of Gehrig's speech, but instead, just a swatch of the newsreel footage has survived, incorporating his opening and closing remarks: "For the past two weeks you have been reading about the bad break I got. Yet today I consider myself the luckiest man on the face of this earth," the last line, of course, having become one of the most famous, invoked, and inspiring, ever, anywhere. The New York Times account, the following day, called it "one of the most touching scenes ever witnessed on a ball field", that made even hard-boiled reporters "swallow hard." The scene and the story would likely have been largely lost to history, altogether, were it not for the film, Pride of the Yankees, best known for Gary Cooper, as the dying Lou Gehrig, movingly describing himself as "the luckiest man on the face of the earth," even as his body was being ravaged by the disease that was soon named after him. Here, now, in Pride of the Yankees and the Legend of Lou Gehrig by Richard Sandomir, New York Times sports columnist, is, for the first time, the full story behind the pioneering, seminal movie. Filled with larger than life characters and unexpected facts, Pride of the Yankees shows us how Samuel Goldwyn had no desire to making a baseball film but he was persuaded to make a quick deal with Lou's widow, Eleanor, not long after Gehrig had passed; Hollywood icon Cooper had zero knowledge of baseball and had to be taught to play; unknown parts of the screen treatment and screenplay that will be written about for the first time; and dishy letters to Eleanor from Christy Walsh, the pioneering business manager who represented the Gehrigs, from the Los Angeles set. Nostalgic, breezy and fun, Pride of the Yankees captures a lost time in film and sports history.

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