Search results for ""Columbia University Press""

Between the 1890s and 1920s, cities in the vast region stretching from the Mediterranean Sea to the Indian Ocean were experiencing political, social, economic, and cultural changes that had been set in motion at least since the early nineteenth century. As the age of pre-colonial empires gave way to colonial and national states, there was a sense that a particular liberalism of culture and economy had been irretrievably lost to a more intolerant age. Avoiding such dichotomies as East/West and modernity/tradition, this book provides a comparative analysis of contested versions of the concept of modernity. The book examines not only the "high" culture of scholars and the literati, but also popular music, the visual arts, and journalism. The contributors incorporate discussion of the way in which the business in both commodities and ideas was conducted in the increasingly cosmopolitan cities of the time.

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A collection of seminal primary readings on the social, intellectual, and religious traditions of China, Sources of Chinese Tradition, Volume 1 has been widely used and praised for almost forty years as an authoritative resource for scholars and students and as a thorough and engaging introduction for general readers. Here at last is a completely revised and expanded edition of this classic sourcebook, compiled by noted China scholars Wm. Theodore de Bary and Irene Bloom. Updated to reflect recent scholarly developments, with extensive material on popular thought and religion, social roles, and women's education, this edition features new translations of more than half the works from the first edition, as well as many new selections. Arranged chronologically, this anthology is divided into four parts, beginning at the dawn of literate Chinese civilization with the Oracle-Bone inscriptions of the late Shang dynasty (1571-1045 B.C.E.) and continuing through the end of the Ming dynasty (C.E. 1644). Each chapter has an introduction that provides useful historical context and offers interpretive strategies for understanding the readings. The first part, The Chinese Tradition in Antiquity, considers the early development of Chinese civilization and includes selections from Confucius's Analects, the texts of Mencius and Laozi, as well as other key texts from the Confucian, Daoist, and Legalist schools. Part 2, The Making of a Classical Culture, focuses on Han China with readings from the Classic of Changes (I Jing), the Classic of Filiality, major Han syntheses, and the great historians of the Han dynasty. The development of Buddhism, from the earliest translations from Sanskrit to the central texts of the Chan school (which became Zen in Japan), is the subject of the third section of the book. Titled Later Daoism and Mahayana Buddhism in China, this part also covers the teachings of Wang Bi, Daoist religion, and texts of the major schools of Buddhist doctrine and practice. The final part, The Confucian Revival and Neo-Confucianism, details the revival of Confucian thought in the Tang, Song, and Ming periods, with historical documents that link philosophical thought to political, social, and educational developments in late imperial China. With annotations, a detailed chronology, glossary, and a new introduction by the editors, Sources of Chinese Tradition will continue to be a standard resource, guidebook, and introduction to Chinese civilization well into the twenty-first century.

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Cultural historian David Henkin explores the influential but little-noticed role played by reading in New York City's public life between 1825 and 1865. From the opening of the Erie Canal to the end of the Civil War, New York became a metropolis, and demographic, economic, and physical changes erased the old markers of continuity and order. As New York became a crowded city of strangers, everyday encounters with impersonal signs, papers, and bank notes altered people's perceptions of connectedness to the new world they lived in. The 'ubiquitous urban texts'--from newspapers to paper money, from street signs to handbills--became both indispensable urban guides and apt symbols for a new kind of public life that emerged first in New York. City Reading focuses on four principal categories of public reading: street signs and store signs; handbills and trade cards; newspapers; and paper money. Drawing on a wealth of visual sources and written texts that document the changing cityscape--including novels, diaries, newspapers, municipal guides, and government records--Henkin shows that public acts of reading (to a much greater extent than private, solitary reading) determined how New Yorkers of all backgrounds came to define themselves and their urban community.

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A comprehensive look at the Boxer Rebellion of 1898-1900, a bloody uprising in north China against native Christians and foreign missionaries.

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The contributors to this volume explore the impact of D.W. Winnicott's psychoanalytical theories, focusing on the relevance of his independent version of object relations theory to psychoanalytical literary criticism.

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Around the turn of the millennium, Pentecostal churches began to pepper majority-Buddhist Sri Lanka, setting off a sense of alarm among Buddhists who saw Christianity as a neocolonial threat to the nation. Rumors of foul play in the death of a Buddhist monk, as well as allegations of proselytizing in the aftermath of the 2004 tsunami and during the final stages of civil war, spurred nationalist anxieties, moral panics, and even episodes of violence by Buddhists against Christians suspected of facilitating “unethical” conversions.Through vivid ethnography and keen observations of media events, Karma and Grace illuminates disputes over religious freedom and pluralism amid the rise of charismatic Christianity in Sri Lanka. Neena Mahadev explores the dueling efforts of Buddhist nationalists and Christian evangelists to reshape Sri Lanka’s religious, economic, and political landscapes. She considers theological and political impasses between Buddhism’s vast timescales of karma and Christians’ promises of the immediacy of their God’s salvific grace. While Christian missions spread “the Good News,” subsets of Buddhists produced bad press, sting operations, and disparaging media to impede born-again churches from taking root. In gripping detail, Mahadev recounts how modernist and traditionalist Theravāda Buddhists, Pentecostal newcomers, long-established Christian denominations, local deity and spirit cults, and the innovations of mavericks intermingle in a multireligious public sphere. Even amid trenchant conflicts, Karma and Grace demonstrates that social proximity between rivals is also conducive to religious experimentation and the ambiguities of identity that allow Sri Lankans to live with difference.

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Writing about poetry follows models provided either by academic scholarship or literary journalism, each with its pitfalls. The former distances the reader from the poem and effaces the critic’s personality. In literary journalism, the critic is front and center, but the discussion is introductory and prioritizes value judgments. In either case, entrenched practices and patterns of privilege limit one’s perspective. The situation worsens when it comes to minoritized poets and poets from the Global South, where the focus is on restrictive notions of identity: the stylistic innovations of literary works get ousted by prefabricated historical narratives.In Worlds Woven Together, the critic, poet, and scholar Vidyan Ravinthiran searches for alternatives, pursuing close, imaginative readings of a variety of writers. His essays are open-ended, attentive, and curious, unabashedly passionate and subjective yet keenly analytical and investigative. Discussing neglected authors and those well-known in the West, Ravinthiran sees politics as inseparable from literary form and is fascinated by the relation of the creative consciousness to the violences of history. The book features essays on writers including Mir Taqi Mir, Ana Blandiana, A. K. Ramanujan, Marianne Moore, Eunice de Souza, Czeslaw Milosz, Ted Hughes, Rae Armantrout, Arvind Krishna Mehrotra, Galway Kinnell, Dawn Lundy Martin, and Vahni Capildeo. Revealing serendipitous connections—between poems and cultures, between lines of verse and the lives we lead—Worlds Woven Together is for all readers fascinated by the mechanics and politics of poetry.

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The science on race is clear. Common categories like “Black,” “white,” and “Asian” do not represent genetic differences among groups. But if race is a pernicious fiction according to natural science, it is all too significant in the day-to-day lives of racialized people across the globe. Inequities in health, wealth, and an array of other life outcomes cannot be explained without referring to “race”—but their true source is racism. What do we need to know about the pseudoscience of race in order to fight racism and fulfill human potential?In this book, two distinguished scientists tackle common misconceptions about race, human biology, and racism. Using an accessible question-and-answer format, Joseph L. Graves Jr. and Alan H. Goodman explain the differences between social and biological notions of race. Although there are many meaningful human genetic variations, they do not map onto socially constructed racial categories. Drawing on evidence from both natural and social science, Graves and Goodman dismantle the malignant myth of gene-based racial difference. They demonstrate that the ideology of racism created races and show why the inequalities ascribed to race are in fact caused by racism.Graves and Goodman provide persuasive and timely answers to key questions about race and racism for a moment when people of all backgrounds are striving for social justice. Racism, Not Race shows readers why antiracist principles are both just and backed by sound science.

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Experimental research is of great value to social work. Well-designed studies help social workers understand which approaches are most effective, with implications for both practice with individual clients and social policy more broadly. Many social work practitioners conduct studies that randomly assign clients to specific interventions and various control groups in order to assess policy outcomes. However, social work programs often do not teach experimental methods. Critics continue to assert that true experiments are impractical, unethical, or simply too blunt a tool to evaluate the effects of social work practices and policies.This book presents a comprehensive overview of the theory and practice of experimental research in the field of social work. Bruce A. Thyer describes the logic and design of experimental methods, helping readers understand the basics and then exploring increasingly complex and sophisticated research. He illustrates key principles through examples of how social workers have evaluated real-world practice approaches. The book considers recruitment and representation of marginalized groups, the ethical issues involved in the design and conduct of experiments, and how social work researchers can ensure that all participants in an experimental study benefit from effective care. An appendix contains a chronological listing of published studies authored by social workers who conducted experimental research. Accessible to social work undergraduate, graduate, and doctoral students alike and valuable for professionals from clinical workers to policy analysts, this book demonstrates the utility of experimental research across the entire spectrum of social work practice.

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After World War II, UNESCO launched an ambitious international campaign against race prejudice. Casting racism as a problem of ignorance, it sought to reduce prejudice by spreading the latest scientific knowledge about human diversity to instill “mutual understanding” between groups of people. This campaign has often been understood as a response led by British and U.S. scientists to the extreme ideas that informed Nazi Germany. Yet many of its key figures were social scientists either raised in or closely involved with South America and the South Pacific.The Remnants of Race Science traces the influence of ideas from the Global South on UNESCO’s race campaign, illuminating its relationship to notions of modernization and economic development. Sebastián Gil-Riaño examines the campaign participants’ involvement in some of the most ambitious development projects of the postwar period. In challenging race prejudice, these experts drew on ideas about race that emphasized plasticity and mutability, in contrast to the fixed categories of scientific racism. Gil-Riaño argues that these same ideas legitimated projects of economic development and social integration aimed at bringing ostensibly “backward” indigenous and non-European peoples into the modern world. He also shows how these experts’ promotion of studies of race relations inadvertently spurred a deeper reckoning with the structural and imperial sources of racism as well as the aftermath of the transatlantic slave trade.Shedding new light on the postwar refashioning of ideas about race, this book reveals how internationalist efforts to dismantle racism paved the way for postcolonial modernization projects.

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Plants are commonly considered immobile, in contrast to humans and other animals. But vegetal existence involves many place-based forms of change: stems growing upward, roots spreading outward, fronds unfurling in response to sunlight, seeds traveling across wide distances, and other intricate relationships with the surrounding world. How do plants as sessile, growing, decaying, and metamorphosing beings shape the places they inhabit, and how are they shaped by them? How do human places interact with those of plants—in lived experience; in landscape painting; in cultivation and contemplation; in forests, fields, gardens, and cities?Examining these questions and many more, Plants in Place is a collaborative study of vegetal phenomenology at the intersection of Edward S. Casey’s phenomenology of place and Michael Marder’s plant-thinking. It focuses on both the microlevel of the dynamic constitution of plant edges or a child’s engagement with moss and the macrolevel of habitats that include the sociality of trees. This compelling portrait of plants and their places provides readers with new ways to appreciate the complexity and vitality of vegetal life. Eloquent, descriptively rich, and insightful, the book also shows how the worlds of plants can enhance our understanding and experience of place more broadly.

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In the early twentieth century, the Saturday Evening Post was perhaps the most popular and influential magazine in the United States, establishing literary reputations and shaping American culture. In the popular imagination, it is best remembered for Norman Rockwell’s covers, which nostalgically depicted a wholesome and idyllic American way of life. But beneath those covers lurked a more troubling reality. Under the direction of its longtime editor, George Horace Lorimer, the magazine helped justify racism and white supremacy. It published works by white authors that made heavy use of paternalistic tropes and demeaning humor, portraying Jim Crow segregation and violence as simple common sense.Circulating Jim Crow demonstrates how the Post used stereotypical dialect fiction to promulgate white supremacist ideology and dismiss Black achievements, citizenship, and humanity. Adam McKible tells the story of Lorimer’s rise to prominence and examines the white authors who provided the editor and his readers with the caricatures they craved. He also explores how Black writers of the Harlem Renaissance pushed back against the Post and its commodified racism. McKible places the erstwhile household names who wrote for the magazine in conversation with figures such as Paul Laurence Dunbar, F. Scott Fitzgerald, Ann Petry, W. E. B. Du Bois, and William Faulkner. Revealing the role of the Saturday Evening Post in normalizing racism for millions of readers, this book also offers a new understanding of how Black writers challenged Jim Crow ideology.

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In a little-known chapter of World War II, Black people living in Nazi Germany and occupied Europe were subjected to ostracization, forced sterilization, and incarceration in internment and concentration camps. In the absence of public commemoration, African diaspora writers and artists have preserved the stories of these forgotten victims of the Third Reich. Their works illuminate the relationship between creative expression and wartime survival and the role of art in the formation of collective memory.This groundbreaking book explores a range of largely overlooked literary and artistic works that challenge the invisibility of Black wartime history. Emphasizing Black agency, Sarah Phillips Casteel examines both testimonial art by victims of the Nazi regime and creative works that imaginatively reconstruct the wartime period. Among these are the internment art of Caribbean painter Josef Nassy, the survivor memoir of Black German journalist Hans J. Massaquoi, the jazz fiction of African American novelist John A. Williams and Black Canadian novelist Esi Edugyan, and the photomontages of Scottish Ghanaian visual artist Maud Sulter. Bridging Black and Jewish studies, this book identifies the significance of African diaspora experiences and artistic expression for Holocaust history, memory, and representation.

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Samuel Beckett’s work has entranced generations of readers with its portrayal of the end times. Beckett’s characters are preoccupied with death, and the specters of cataclysm and extinction overshadow their barren, bleak worlds. Yet somehow, they endure, experiencing surreal and often comic repetitions that seem at once to confront finitude and the infinite, up to the limits of existence.Gabriele Schwab draws on decades of close engagement with Beckett to explore how his work speaks to our current existential anxieties and fears. Interweaving critical analysis with personal reflections, she shows how Beckett’s writing provides unexpected resources for making sense of personal and planetary catastrophes. Moments for Nothing examines the ways Beckett’s works have taken on new meaning in an era of crises—climate change, environmental devastation, and the COVID-19 pandemic—that are defined by both paralyzing stasis and pervasive uncertainty. They also offer a bracing depiction of aging and the end of life, exploring loneliness, vulnerability, and decay. Beckett’s particular vision of the apocalypse and his sense of persistence, Schwab argues, help us understand our times and even, perhaps, provide sanctuary and solace.Moments for Nothing features insightful close readings of iconic works such as Endgame, Happy Days, and the trilogy, as well as lesser-known writings including the thirty-five-second play Breath, which Schwab reconsiders in light of the pandemic.

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The Beggar Lama is the story of the Gyalrong Kuzhap, a Tibetan Buddhist polymath and reincarnated lama who has led a remarkable life through the vicissitudes of the twentieth century. Born in 1930 in Tsanlha, Gyalrong, on the easternmost fringes of the Himalayan-Tibetan Plateau, he would go on to become a monk, a Communist official, a professor of Tibetan studies, and a leader in the Tibetan cultural survival movement in China.Drawing on hundreds of hours of in-depth and open-ended conversations over more than a decade, Tenzin Jinba presents the Gyalrong Kuzhap’s life story. The Beggar Lama chronicles his journeys—from Gyalrong to Lhasa, from steadfast Communist to critic of the Chinese regime, from scholar to activist—painting a compelling portrait of an influential and unconventional figure. In so doing, the book shows how the Gyalrong Kuzhap’s tale intertwines with larger social and political developments, providing a wide-ranging history of Tibet, the Sino-Tibetan borderlands, and China over the past century.The Beggar Lama shares the Gyalrong Kuzhap’s insightful and often critical views on Tibetan cultural and religious institutions, the Chinese Communist Party’s social and political agendas, Tibetan studies in China, and the prospects for Tibetan cultural rebirth. Above all, it is a story of hope in dark times, as the Gyalrong Kuzhap seeks with his “last breath” to prevent Tibetan culture and memory from vanishing.

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What did it feel like to be a child in France during World War II? Feeling Memory is an affective exploration of children’s lives in wartime France and the ways they are remembered.Lindsey Dodd draws on the recorded oral narratives of a hundred people to examine the variety of experiences children had during the war. She considers different aspects of remembering, underscoring the centrality of emotion to memory. This book covers a wide range of locations—the country and the city, Occupied France and the Free Zone—and situations—well-off and poor children, those separated from their families and those with them; it places Jewish children’s experiences alongside non-Jewish children’s. Against the backdrop of momentous events, readers encounter children playing, working, eating, thinking, doing, and feeling.An investigation of the emotions of history, Feeling Memory argues for the transformative potential of affect theory and affective methodologies in oral history and the history of everyday life. This book makes major contributions to the history of France during World War II, understandings of children’s lives in war, and the use of memory in historical and oral history analysis.

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Life and death are commonly seen as representing the starkest of binaries: Death is the ultimate adversary of all that lives. Beatrice Marovich argues that such understandings of mortality have been deeply influenced by a strain of Christian political theology that has left its mark on both religious and secular narratives. Adapting the figure of “Sister Death” from Saint Francis of Assisi, she calls for recognizing that life and death are family.Drawing on a wide range of sources—from Toni Morrison to Jacques Derrida, psychoanalysis to grassroots “death positive” movements—Marovich critiques a racialized political theology that pits life and death against each other in a state of endless war. In a time of extinctions, it is necessary to disrupt this dominant story in order to apprehend death as a collective, multispecies event. Sister Death proposes an alternative view in which life and death are not mortal enemies destined for mutual destruction. Instead, they are engaged in a contested, tense, and sometimes mutually empowering form of connection—a sisterhood.Eloquent and approachable, this book deftly integrates the insights of a number of disciplines to provide a profound reconsideration of the relations between life and death. Sister Death also features a series of original works by the artist Krista Dragomer that stage an ongoing conceptual conversation with the text.

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Vasily Eroshenko was one of the most remarkable transnational literary figures of the early twentieth century: a blind multilingual Esperantist from Ukraine who joined left-wing circles in Japan and befriended the famous modernist writer Lu Xun in China. Born in a small Ukrainian village in imperial Russia, he was blinded at a young age by complications from measles. Seeking to escape the limitations imposed on the blind, Eroshenko became a globe-trotting storyteller. He was well known in Japan and China as a social activist and a popular writer of political fairy tales that drew comparisons to Hans Christian Andersen and Oscar Wilde.The Narrow Cage and Other Modern Fairy Tales presents a selection of Eroshenko’s stories, translated from Japanese and Esperanto, to English readers for the first time. These fables tell the stories of a religiously disillusioned fish, a jealous paper lantern, a scholarly young mouse, a captive tiger who seeks to liberate his fellow animals, and many more. They are at once inventive and politically charged experiments with the fairy tale genre and charming, lyrical stories that will captivate readers as much today as they did during Eroshenko’s lifetime. In addition to eighteen fairy tales, the book includes semiautobiographical writings and prose poems that vividly evoke Eroshenko’s life and world.

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South Korean historian Jie-Hyun Lim, raised under an anticommunist dictatorship, turned to Marxian thought to explain his country’s development, even as he came to struggle with its Eurocentrism. As a transnational scholar working in postcommunist Poland, Lim recognized striking similarities between Korean and Polish history and politics. One realization stood out: Both Korea and Poland—at once the “West” for Asia yet “Eastern” Europe—had been assigned the role of “East.”This book explores entangled Easts to reconsider global history from the margins. Examining the politics of history and memory, Lim reveals the affinities linking Eastern Europe and East Asia. He draws out commonalities in their experiences of modernity, in their transitions from dictatorship to democracy, and in the shaping of collective memory. Ranging across Poland, Germany, Israel, Japan, and Korea, Lim traces the global history of how notions of victimhood have become central to nationalism. He criticizes mass dictatorships of right and left in the Global Easts, considering Nazi jurist Carl Schmitt’s notion of sovereign dictatorship and the concept of decisionist democracy. Lim argues that nationalism is inherently transnational, critiquing how the nationalist imagination of the Global East has influenced countries across borders. Theoretically sophisticated and conceptually innovative, this book sheds new light on the transnational complexity of historical memory and imagination, the boundaries between democracy and mass dictatorship, and the fluidity of East and West.

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Cinema has always engaged with the experiences, hopes, fears, and anxieties of—and about—adolescents, teenagers, and young people. This book is a comprehensive and accessible history of the depiction of teenagers in American film, from the silent era to the twenty-first century.Timothy Shary explores the development of teenage roles across eras and industrial cycles, such as the juvenile delinquent pictures of the 1950s, the beach movies of the 1960s, the horror films of the 1980s, and the fantasy epics of the 2000s. He considers the varied genres of the teen movie—horror and melodrama, romance and adventure, fantasy and science fiction—and its shifting themes and tropes around sex and gender, childhood and adulthood, rebellion and social order, crime and consumer culture. Teen Movies features analyses of films such as Rebel Without a Cause (1955), Splendor in the Grass (1961), Carrie (1976), The Breakfast Club (1985), American Pie (1999), and the Twilight series (2008–2012).This second edition is updated throughout and features a new chapter examining Millennials and Generation Z on screen, with discussions of many contemporary topics, including queer youth in movies like Moonlight (2016), abortion in films such as Never Rarely Sometimes Always (2020), and the flourishing of a “tween” cinema as seen in Are You There God? It’s Me, Margaret. (2023).

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Winner, 2023 Choice Outstanding Academic TitleMany accounts of climate change depict disasters striking faraway places: melting ice caps, fearsome hurricanes, all-consuming fires. How can seeing the consequences of human impacts up close help us grasp how global warming affects us and our neighbors? This book is a travelogue that spotlights what a changing climate looks like on the local level—for wherever local happens to be.Michael M. Gunter, Jr. takes readers around the United States to bear witness to the many faces of the climate crisis. He argues that conscientious travel broadens understanding of climate change and makes its dangers concrete and immediate. Vivid vignettes explore the consequences for people and communities: sea level rise in Virginia, floods sweeping inland in Tennessee, Maine lobsters migrating away from American territorial waters, and imperiled ecosystems in national parks, from Alaskan permafrost to the Florida Keys. But Gunter finds inspiring initiatives to mitigate and adapt to these threats, including wind turbines in a tiny Texas town, green building construction in Kansas, and walkable urbanism in Portland, Oregon. These projects are already making a difference—and they underscore the importance of local action.Drawing on interviews with government officials, industry leaders, and alternative energy activists, Climate Travels emphasizes direct personal experience and the centrality of environmental justice. Showing how travel can help bring the reality of climate change home, it offers readers a hopeful message about how to take action on the local level themselves.

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Liberalism puts its trust in civil discourse and rational argument. Today, its opponents enthusiastically flout these norms, making a show of defying so-called political correctness. In the Trump era and beyond, right-wing figures delight in sheer offensiveness. What is at stake in breaking the rules of civility to “own the libs”?Going Low examines how the offensive style of contemporary politics challenges liberal democratic institutions. Considering the rise of illiberal politics and debates about the limits of free speech, Finbarr Curtis draws on the insights of religious studies to rethink provocation and transgression. He argues that the spectacle of brazenly violating taboos is a show of dominance over a supposedly censorious liberalism. Profaning liberal pieties is the ultimate form of “winning.” Curtis contends that deliberate offensiveness dovetails with the privatization of public goods: both represent the refusal to accommodate the sensibilities of others in a diverse society.Going Low offers a series of essays that recast recent controversies, including Trump’s reality-TV presidency, white evangelical complaints of liberal bigotry, bakers who refuse to bake cakes for LGBTQ weddings, and hostility toward the activism of athletes and college students. Together, these essays shed new light on contemporary political discourse and reveal why illiberalism has turned to profane politics for a profane age.

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Prisons operate according to the clockwork logic of our criminal justice system: we punish people by making them “serve” time. The Cage of Days combines the perspectives of K. C. Carceral, a formerly incarcerated convict criminologist, and Michael G. Flaherty, a sociologist who studies temporal experience. Drawing from Carceral’s field notes, his interviews with fellow inmates, and convict memoirs, this book reveals what time does to prisoners and what prisoners do to time.Carceral and Flaherty consider the connection between the subjective dimensions of time and the existential circumstances of imprisonment. Convicts find that their experience of time has become deeply distorted by the rhythm and routines of prison and by how authorities ensure that an inmate’s time is under their control. They become obsessed with the passage of time and preoccupied with regaining temporal autonomy, creating elaborate strategies for modifying their perception of time. To escape the feeling that their lives lack forward momentum, prisoners devise distinctive ways to mark the passage of time, but these tactics can backfire by intensifying their awareness of temporality. Providing rich and nuanced analysis grounded in the distinctive voices of diverse prisoners, The Cage of Days examines how prisons regulate time and how prisoners resist the temporal regime.

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Since the 1970s, the Egyptian state has embarked on a far-reaching and destabilizing project of economic liberalization, reneging on its commitments to social welfare. Despite widespread socioeconomic grievances stemming from these policies, class politics and battles over wealth redistribution have largely been sidelined from elite-led national politics. Instead, conflicts over identity have raged, as Islamist movements became increasingly prominent political players.Classless Politics offers a counterintuitive account of the relationship between neoliberal economics and Islamist politics in Egypt that sheds new light on the worldwide trend of “more identity, less class.” Hesham Sallam examines why Islamist movements have gained support at the expense of the left, even amid conflicts over the costs of economic reforms. Rather than highlighting the stagnancy of the left or the agility of Islamists, he pinpoints the historical legacies of authoritarian survival strategies. As the regime resorted to economic liberalization in the 1970s, it tacitly opened political space for Islamist movements to marginalize its leftist opponents. In the long run, this policy led to the fragmentation of opponents of economic reform, the increased salience of cultural conflicts within the left, and the restructuring of political life around questions of national and religious identity.Historically rich and theoretically insightful, this book demonstrates how the participation of Islamist groups shapes the politics of neoliberal reform and addresses why economic liberalization since the 1970s has contributed to the surge in culture wars around the world today.

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Financial experts have become ubiquitous on television, radio, and social media. They provide investment advice, interpret market movements, and explain the implications of political events, wielding a great deal of power and influence through their media presence. How do these experts acquire their authority, and what makes displays of financial expertise persuasive to their audiences?Alex Preda provides an ethnographic exploration of how financial expertise is performed and produced in the media, analyzing its features and how audiences react to it. He examines how analysts, anchors, and producers collaborate in manufacturing financial talk that circulates around the world. Preda emphasizes the significance of talk—as opposed to the written word—in finance, as the fabric of many transactions and a means of capturing capital. Analysts and media figures understand financial talk as requiring a skill set distinct from conducting research or representing facts. Preda demonstrates that analysts and media professionals deploy expertise when they engage with audiences in ways that make it difficult to contest the claims conveyed in their talk.The Spectacle of Expertise is based on close observations of TV and radio studios in Hong Kong, a global financial center and a crucial gateway to China, including interviews with audience members and financial analysts who appear as regular guests. It offers new and global perspectives on the relationship between financial expertise and the media, the making of public-expert talk, and how expertise is used to legitimize financialization.

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Hollis Frampton was an American filmmaker, photographer, and theorist who bridged the experimental film and contemporary art worlds in the 1960s and 1970s. Best known for avant-garde films including Zorns Lemma (1970) and (nostalgia) (1971), Frampton spent his later years working on the unfinished epic Magellan, a monumental cycle that used the metaphor of Ferdinand Magellan’s circumnavigation of the world to rethink the natures and meanings of history, modernity, and cinema. Frampton’s career was cut short by cancer at age 48, with his vast ambitions for the project left incomplete.This book is a groundbreaking and comprehensive account of this remarkable figure’s work in its totality, from Frampton’s earliest films through Magellan. Michael Zryd explores the connections linking Frampton’s art and thought to other media forms, histories, and cultural frameworks. He foregrounds Frampton’s notion of the “infinite cinema,” which redefined the parameters of the medium to encompass all forms of moving image and sound media across the past and future of cinematic possibility. Zryd analyzes Frampton’s ambivalent relationship with modernism and the Enlightenment, showing how the artist navigated between attraction to radical artistic investigation and awareness of this tradition’s implication in colonialism and other oppressive power structures. Shedding new light on Frampton’s project of exploring and critiquing how cinema attempts to capture and understand the world, this book also considers his significance for contemporary art.

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Emerging economies have fundamentally transformed global environmental politics. Led by China and India, they increasingly make or break international negotiations, which now require agreement among a large number of governments with widely varied preferences. Emerging economies—which still suffer from widespread poverty and frequently struggle with policy implementation—often feel that Western-led initiatives neglect their needs. What does the global environmental policy landscape look like in the age of a rising Global South?This book explains why emerging economies have come to dominate global environmental politics and examines the implications for future international cooperation. Johannes Urpelainen shows that emerging economies continue to prioritize economic growth and often have limited institutional capacity to contain the environmental destruction that it causes. However, he argues, despite barriers to cooperation, innovative bargaining and institutional design offer a way forward. Bottom-up agreements that respect national sovereignty and invest in capacity building hold more promise than traditional top-down treaties with binding commitments.The book features detailed discussions of attempts to address hazardous chemicals, loss of biodiversity, and climate change; a comparative analysis of China and India; and case studies of nine other emerging economies around the world. Global Environmental Politics is an essential, forward-looking overview of today’s most pressing international issue.

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Years before he became renowned as one of the most original social scientists of the twentieth century, Albert O. Hirschman played an active role in the rebuilding of postwar Europe. Between 1946 and 1952, he worked as an economic analyst in the Research Division of the Federal Reserve Board of the United States, focusing on the reconstruction of Europe and the Marshall Plan. In that capacity, Hirschman wrote a number of reports about European economic policies, the first efforts at intra-European cooperation, and the uncertainties that surrounded the shaping of a new international economic order with the United States at its core.The Postwar Economic Order presents a collection of these interrelated reports, which offer incisive firsthand analysis of postwar Europe and give a behind-the-scenes view of American debates on European economic recovery. They feature nuanced and sophisticated discussion of topics such as the postwar “dollar shortage,” U.S.-European relations, and the first steps toward European economic integration. Hirschman provides original and perceptive interpretations of the struggles that European governments faced along their paths toward economic recovery. Throughout, Hirschman’s stylistic gifts and characteristic ways of reasoning are on full display as he highlights the counterintuitive and paradoxical aspects of economic and political processes. Shedding new light on the origins of European economic cooperation, this book provides unparalleled insight into the development of Hirschman’s thinking on economic development and reform.

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“I’m not on good terms with the present day,” Sigizmund Krzhizhanovsky once mused, “but posterity loves me.” Virtually unknown during his lifetime and unpublishable under Stalin, he now draws comparisons to Beckett, Borges, Gogol, and Swift. This book presents three tales that encapsulate Krzhizhanovsky’s gift for creating philosophical, satirical, and lyrical phantasmagorias.“Stravaging ‘Strange’” details the darkly comic adventures of an apprentice magus: lovesick, he imbibes a magic tincture to reduce himself to the size of a dust mote, the better to observe the young lady in question. He stumbles across a talkative king of hearts, a gallant flea, a coven of vindictive house imps, and his romantic rival along the way to a cinematic dénouement. “Catastrophe” wryly parodies Kant’s philosophy: an old sage decides to extract the essence from all things and beings in a ruthless attempt to understand reality—and chaos ensues. “Material for a Life of Gorgis Katafalaki,” set in Berlin, Paris, London, and Moscow, recounts the absurd trials of an otherworldly outsider of uncertain nationality and unfixed profession with boundless curiosity but scant means.This book also includes excerpts from Krzhizhanovsky’s notebooks—aphoristic glimpses of his worldview, moods, humor, and writing methods—and reminiscences of Krzhizhanovsky by his lifelong companion, Anna Bovshek, beginning with their first meeting in Kiev in 1920 and ending with his death in Moscow in 1950.

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The Nanputuo Temple in the southeastern Chinese city of Xiamen has been a cherished site for the worship of the bodhisattva Guanyin for centuries. It was a center of modernizing Buddhism in the early twentieth century and a flagship for the revival of Buddhism after state suppression during the Cultural Revolution. The Space of Religion takes readers inside the Nanputuo Temple in order to explore the practice of Buddhism in modern China and the complex relationship between Buddhism and the Chinese state.Based on three decades of ethnographic research, Yoshiko Ashiwa and David L. Wank tell the story of Nanputuo against the backdrop of a dramatic stretch of Chinese history. They vividly depict episodes such as renovating the halls, reestablishing ties with overseas Chinese donors, conflicts with local government, revival of ritual life, reopening of its Buddhist academy, and the passion of the Guanyin birthday festival. To understand Nanputuo, Buddhist communities, and other temples in Xiamen, Ashiwa and Wank develop the concept of religion as a space constituted by physical, semiotic, and institutional dimensions. They also show how the Chinese state and Buddhism have each adapted to the other, as the temple has adjusted to government policy while the state has deployed Buddhism in its promotion of Chinese culture.This interdisciplinary book is both a theoretically generative analysis of religious spaces and an empirically rich account of the recovery of Buddhism in China after the Mao era.

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Today, “corruption” generally refers to pursuing personal interests at the expense of one’s responsibilities, the law, or the common good. It calls to mind some official violating their public duty for private gain, suggesting seamy bureaucracies taking payoffs, kickbacks, and bribes. Yet at other times, notions of corruption were rooted in a more expansive view of the causes of people’s behavior and the appropriate ways to regulate conduct. In this understanding, to be “corrupt” meant losing a delicate balance among competing appetites under specific circumstances and in the eyes of peers. Why did a narrower definition of corruption become dominant?Nicholas Hoover Wilson develops a new account of the changing category of corruption by examining the English East India Company and its transformation from a largely commercial enterprise to a militarized offshoot of British empire in the eighteenth and nineteenth centuries. He argues that the modern idea of corruption arose as an unintended consequence of conflicts among company officials and the changing audiences to which they justified themselves in Britain. This new understanding unified an imperial elite at risk of fragmenting into irreconcilable moral worlds and, in the process, helped redefine the boundaries of state, society, and economy. Modernity’s Corruption is at once a novel historical sociology of imperial administration and its contradictions, a fresh argument about the nature of corruption and its political and organizational effects, and a reinvigoration of classic arguments about the nature and consequences of global modernity.

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The everyday lives of enslaved people were filled with the backbreaking tasks that their enslavers forced them to complete. But in spare moments, they found time in which to earn money and obtain goods for themselves. Enslaved people led vibrant economic lives, cultivating produce and raising livestock to trade and sell. They exchanged goods with nonslaveholding whites and even sold products to their enslavers. Did these pursuits represent a modicum of freedom in the interstices of slavery, or did they further shackle enslaved people by other means?Justene Hill Edwards illuminates the inner workings of the slaves’ economy and the strategies that enslaved people used to participate in the market. Focusing on South Carolina from the colonial period to the Civil War, she examines how the capitalist development of slavery influenced the economic lives of enslaved people. Hill Edwards demonstrates that as enslavers embraced increasingly capitalist principles, enslaved people slowly lost their economic autonomy. As slaveholders became more profit-oriented in the nineteenth century, they also sought to control enslaved people’s economic behavior and capture the gains. Despite enslaved people’s aptitude for enterprise, their market activities came to be one more part of the violent and exploitative regime that shaped their lives. Drawing on wide-ranging archival research to expand our understanding of racial capitalism, Unfree Markets shows the limits of the connection between economic activity and freedom.

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Through entirely new interviews, Organizing for Power and Empowerment: The Fight for Democracy features the voices and experiences of more than forty organizers, telling the stories of twenty geographically and racially diverse progressive organizations. The authors highlight how organizations use innovative new strategies, like targeting corporate expansion, operating at statewide levels, building new structures for electoral action, and establishing community-labor coalitions to win on such critical issues as worker protections, bail reform, immigration, climate change, and affordable housing.The book describes organizations working across a range of issues. The organizers discuss campaigns that activate people around issues that matter in their daily lives—work schedules, bail reform, schools, voting, and affordable housing—and connect them to broader topics such as racial justice, immigration, climate change, criminal justice, and workers’ rights. They share their thoughts on building community organizations and empowering ordinary citizens to become leaders. The book underscores the leadership of Black Americans, other people of color, women, and LGBTQ+ people as they lead campaigns to address the disparate effects of inequality faced by their communities. It provides detailed analysis of the new and effective organizational structures and change strategies, and sheds important new light on foundational organizing practices, innovations, and the challenges and opportunities for progressive social action today.

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Most of the core concepts of the Western philosophical tradition originate in antiquity. Yet boredom is strikingly absent from classical thought. In this philosophical study, Dmitri Nikulin explores the concept’s genealogy to argue that boredom is the mark of modernity.Nikulin contends that boredom is a specifically modern phenomenon. He provides a critical reconstruction of the concept of the modern subject as universal, rational, autonomous, and self-sufficient. Understanding itself in this way, this subject is at once the protagonist, playwright, director, and spectator of the staged drama of human existence. It is therefore inevitably monological, lonely, and alone, and can neither escape its own presence nor get rid of it. In other words, it is bored—and this boredom is the fundamental expression and symptom of the modern condition.Considering such thinkers as Descartes, Pascal, Kant, Kierkegaard, Kracauer, Heidegger, and Benjamin, Critique of Bored Reason places boredom on center stage in the philosophical critique of modernity. Nikulin also considers the alternative to the notion of the autonomous subject in the—nonbored and nonboring—dialogic and comic subject capable of shared existence with others.

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Long before karaoke’s ubiquity and the rise of global brands such as Sony, Japan was a place where new audio technologies found eager users and contributed to new cultural forms. In Electrified Voices, Kerim Yasar traces the origins of the modern soundscape, showing how the revolutionary nature of sound technology and the rise of a new auditory culture played an essential role in the formation of Japanese modernity.A far-reaching cultural history of the telegraph, telephone, phonograph, radio, and early sound film in Japan, Electrified Voices shows how these technologies reshaped the production of culture. Audio technologies upended the status of the written word as the only source of prestige while revivifying traditional forms of orality. The ability to reproduce and transmit sound, freeing it from the constraints of time and space, had profound consequences on late nineteenth-century language reform; twentieth-century literary, musical, and cinematic practices; the rise of militarism and nationalism in the 1920s and 30s; and the transition to the postwar period inaugurated by Emperor Hirohito’s declaration of unconditional surrender to Allied forces—a declaration that was recorded on a gramophone record and broadcast throughout the defeated Japanese empire. The first cultural history in English of auditory technologies in modern Japan, Electrified Voices enriches our understanding of Japanese modernity and offers a major contribution to sound studies and global media history.

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Orson Welles called Ernst Lubitsch (1892–1947) “a giant” whose “talent and originality are stupefying.” Jean Renoir said, “He invented the modern Hollywood.” Celebrated for his distinct style and credited with inventing the classic genre of the Hollywood romantic comedy and helping to create the musical, Lubitsch won the admiration of his fellow directors, including Alfred Hitchcock and Billy Wilder, whose office featured a sign on the wall asking, “How would Lubitsch do it?” Despite the high esteem in which Lubitsch is held, as well as his unique status as a leading filmmaker in both Germany and the United States, today he seldom receives the critical attention accorded other major directors of his era.How Did Lubitsch Do It? restores Lubitsch to his former stature in the world of cinema. Joseph McBride analyzes Lubitsch’s films in rich detail in the first in-depth critical study to consider the full scope of his work and its evolution in both his native and adopted lands. McBride explains the “Lubitsch Touch” and shows how the director challenged American attitudes toward romance and sex. Expressed obliquely, through sly innuendo, Lubitsch’s risqué, sophisticated, continental humor engaged the viewer’s intelligence while circumventing the strictures of censorship in such masterworks as The Marriage Circle, Trouble in Paradise, Design for Living, Ninotchka, The Shop Around the Corner, and To Be or Not to Be. McBride’s analysis of these films brings to life Lubitsch’s wit and inventiveness and offers revealing insights into his working methods.

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Japan and South Korea are Western-style democracies with open-market economies committed to the rule of law. They are also U.S. allies. Yet despite their shared interests, shared values, and geographic proximity, divergent national identities have driven a wedge between them. Drawing on decades of expertise, Brad Glosserman and Scott A. Snyder investigate the roots of this split and its ongoing threat to the region and the world. Glosserman and Snyder isolate competing notions of national identity as the main obstacle to a productive partnership between Japan and South Korea. Through public opinion data, interviews, and years of observation, they show how fundamentally incompatible, rapidly changing conceptions of national identity in Japan and South Korea-and not struggles over power or structural issues-have complicated territorial claims and international policy. Despite changes in the governments of both countries and concerted efforts by leading political figures to encourage U.S.-ROK-Japan security cooperation, the Japan-South Korea relationship continues to be hobbled by history and its deep imprint on ideas of national identity. This book recommends bold, policy-oriented prescriptions for overcoming problems in Japan-South Korea relations and facilitating trilateral cooperation among these three Northeast Asian allies, recognizing the power of the public on issues of foreign policy, international relations, and the prospects for peace in Asia.

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Modern Humans is about the most recent-and perhaps the most important-phase of human evolution: the appearance of anatomically modern people (Homo sapiens) in Africa less than a quarter of a million years ago and their subsequent spread throughout the world. Most of the features that render living human beings unique among all forms of life evolved or developed with Homo sapiens, and in Modern Humans, John F. Hoffecker argues that humans represent a "major transition" in evolution with respect to the storage, transmission, and translation of information, as well as a quantum leap in living-system complexity. Modern Humans synthesizes data from genetics (including the rapidly growing body of ancient DNA), the human fossil record, and archaeology relating to the African origins and global dispersal of anatomically modern people. The book begins by placing humans into the broad context of the evolution of life, emphasizing the fundamental role of genetic and nongenetic forms of information in living systems, and how changes in information are tied to "major transitions" in evolution. For more than a hundred thousand years, a diverse "near modern" human population, characterized by the retention of some archaic skeletal traits and possibly lacking the full suite of cognitive faculties found in living people, occupied the African continent and expanded briefly into the adjoining Arabian Peninsula and Levant. The immediate ancestors of all living maternal and paternal lineages possibly emerged from within this population, spreading initially throughout Africa before beginning a second-and ultimately global-dispersal no later than 60,000 years ago. The later chapters of this book recount their rapid expansion into southern Asia and Australia, northern Eurasia and Beringia, and throughout the Americas.

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An internationally recognized authority on Chinese history and a leading innovator in its telling, Cho-yun Hsu constructs an original portrait of Chinese culture. Unlike most historians, Hsu resists centering his narrative on China's political evolution, focusing instead on the country's cultural sphere and its encounters with successive waves of globalization. Beginning long before China's written history and extending through the twentieth century, Hsu follows the content and expansion of Chinese culture, describing the daily lives of commoners, their spiritual beliefs and practices, the changing character of their social and popular thought, and their advances in material culture and technology. In addition to listing the achievements of emperors, generals, ministers, and sages, Hsu builds detailed accounts of these events and their everyday implications. Dynastic change, the rise and fall of national ambitions, and the growth and decline of institutional systems take on new significance through Hsu's careful research, which captures the multiple strands that gave rise to China's pluralistic society. Paying particular attention to influential relationships occurring outside of Chinese cultural boundaries, he demonstrates the impact of foreign influences on Chinese culture and identity and identifies similarities between China's cultural developments and those of other nations.

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Featuring choice selections from the core anthologies The Columbia Anthology of Modern Japanese Literature: From Restoration to Occupation, 1868-1945, and The Columbia Anthology of Modern Japanese Literature: From 1945 to the Present, this collection offers a concise yet remarkably rich introduction to the fiction, poetry, drama, and essays of Japan's modern encounter with the West. Spanning a period of exceptional invention and transition, this volume is not only a critical companion to courses on Japanese literary and intellectual development but also an essential reference for scholarship on Japanese history, culture, and interactions with the East and West. The first half covers the three major styles of literary expression that informed Japanese writing and performance in the late nineteenth and early twentieth centuries: classical Japanese fiction and drama, Chinese poetry, and Western literary representation and cultural critique. Their juxtaposition brilliantly captures the social, intellectual, and political challenges shaping Japan during this period, particularly the rise of nationalism, the complex interaction between traditional and modern forces, and the encroachment of Western ideas and writing. The second half conveys the changes that have transformed Japan since the end of the Pacific War, such as the heady transition from poverty to prosperity, the friction between conflicting ideologies and political beliefs, and the growing influence of popular culture on the country's artistic and intellectual traditions. Featuring sensitive translations of works by Nagai Kafu, Natsume Soseki, Oe Kenzaburo, Kawabata Yasunari, Mishima Yukio, and many others, this anthology relates an essential portrait of Japan's dynamic modernization.

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Over the course of his career, Gianni Vattimo has assumed a number of public and private identities and has pursued multiple intellectual paths. He seems to embody several contradictions, at once defending and questioning religion and critiquing and serving the state. Yet the diversity of his life and thought form the very essence of, as he sees it, the vocation and responsibility of the philosopher. In a world that desires quantifiable results and ideological expediency, the philosopher becomes the vital interpreter of the endlessly complex. As he outlines his ideas about the philosopher's role, Vattimo builds an important companion to his life's work. He confronts questions of science, religion, logic, literature, and truth, and passionately defends the power of hermeneutics to engage with life's conundrums. Vattimo conjures a clear vision of philosophy as something separate from the sciences and the humanities but also intimately connected to their processes, and he explicates a conception of truth that emphasizes fidelity and participation through dialogue.

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National DNA databanks were initially established to catalogue the identities of violent criminals and sex offenders. However, since the mid-1990s, forensic DNA databanks have in some cases expanded to include people merely arrested, regardless of whether they've been charged or convicted of a crime. The public is largely unaware of these changes and the advances that biotechnology and forensic DNA science have made possible. Yet many citizens are beginning to realize that the unfettered collection of DNA profiles might compromise our basic freedoms and rights. Two leading authors on medical ethics, science policy, and civil liberties take a hard look at how the United States has balanced the use of DNA technology, particularly the use of DNA databanks in criminal justice, with the privacy rights of its citizenry. Krimsky and Simoncelli analyze the constitutional, ethical, and sociopolitical implications of expanded DNA collection in the United States and compare these findings to trends in the United Kingdom, Japan, Australia, Germany, and Italy. They explore many controversial topics, including the legal precedent for taking DNA from juveniles, the search for possible family members of suspects in DNA databases, the launch of "DNA dragnets" among local populations, and the warrantless acquisition by police of so-called abandoned DNA in the search for suspects. Most intriguing, Krimsky and Simoncelli explode the myth that DNA profiling is infallible, which has profound implications for criminal justice.

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In this broad-ranging and ambitious intervention in the debates over the politics, ethics, and aesthetics of cosmopolitanism, Rebecca L. Walkowitz argues that modernist literary style has been crucial to new ways of thinking and acting beyond the nation. While she focuses on modernist narrative, Walkowitz suggests that style conceived expansively as attitude, stance, posture, and consciousness helps to explain many other, nonliterary formations of cosmopolitanism in history, anthropology, sociology, transcultural studies, and media studies. Walkowitz shows that James Joyce, Joseph Conrad, Virginia Woolf, Salman Rushdie, Kazuo Ishiguro, and W. G. Sebald use the salient features of literary modernism in their novels to explore different versions of transnational thought, question moral and political norms, and renovate the meanings of national culture and international attachment. By deploying literary tactics of naturalness, triviality, evasion, mix-up, treason, and vertigo, these six authors promote ideas of democratic individualism on the one hand and collective projects of antifascism or anti-imperialism on the other. Joyce, Conrad, and Woolf made their most significant contribution to this "critical cosmopolitanism" in their reflection on the relationships between narrative and political ideas of progress, aesthetic and social demands for literalism, and sexual and conceptual decorousness. Specifically, Walkowitz considers Joyce's critique of British imperialism and Irish nativism; Conrad's understanding of the classification of foreigners; and Woolf's exploration of how colonizing policies rely on ideas of honor and masculinity. Rushdie, Ishiguro, and Sebald have revived efforts to question the definitions and uses of naturalness, argument, utility, attentiveness, reasonableness, and explicitness, but their novels also address a range of "new ethnicities" in late-twentieth-century Britain and the different internationalisms of contemporary life. They use modernist strategies to articulate dynamic conceptions of local and global affiliation, with Rushdie in particular adding playfulness and confusion to the politics of antiracism. In this unique and engaging study, Walkowitz shows how Joyce, Conrad, and Woolf developed a repertoire of narrative strategies at the beginning of the twentieth century that were transformed by Rushdie, Ishiguro, and Sebald at the end. Her book brings to the forefront the artful idiosyncrasies and political ambiguities of twentieth-century modernist fiction.

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