Search results for ""Author Jacob"

Build resilience in your company to weather the greatest crises.If you read nothing else on organizational resilience, read these 10 articles. We've combed through hundreds of Harvard Business Review articles and selected the most important ones to help your company prepare for and overcome disruption, social upheaval, and disaster.This book will inspire you to: Reposition your core business while launching a separate, disruptive business Build the ability to continually anticipate and adjust to emerging trends Prepare for the business implications of climate change Learn about the risks of hyperefficient businesses Develop organizational grit Rebound from a recession faster than your competitors Lead your company through any kind of crisis This collection of articles includes "How Resilience Works" by Diane Coutu; "The Quest for Resilience" by Gary Hamel and Liisa Valikangas; "Disruptive Technologies: Catching the Wave" by Joseph L. Bower and Clayton M. Christensen; "Organizational Grit" by Thomas H. Lee and Angela L. Duckworth; "Leading in Times of Trauma" by Jane E. Dutton, Peter J. Frost, Monica C. Worline, Jacoba M. Lilius, and Jason M. Kanov; "Learning from the Future" by J. Peter Scoblic; "Leading a New Era of Climate Action" by Andrew Winston; "The High Price of Efficiency" by Roger L. Martin; "Reigniting Growth" by Chris Zook and James Allen; "Global Supply Chains in a Post-Pandemic World" by Willy C. Shih; and "Roaring Out of Recession" by Ranjay Gulati, Nitin Nohria, and Franz Wohlgezogen.HBR's 10 Must Reads paperback series is the definitive collection of books for new and experienced leaders alike. Leaders looking for the inspiration that big ideas provide, both to accelerate their own growth and that of their companies, should look no further. HBR's 10 Must Reads series focuses on the core topics that every ambitious manager needs to know: leadership, strategy, change, managing people, and managing yourself. Harvard Business Review has sorted through hundreds of articles and selected only the most essential reading on each topic. Each title includes timeless advice that will be relevant regardless of an ever‐changing business environment.

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With its dominance as a European power and the explosion of its prose and dramatic writing, Spain provided an irresistible literary source for English writers of the early modern period. But the deep and escalating political rivalry between the two nations led English writers to negotiate, disavow, or attempt to resolve their fascination with Spain and their debt to Spanish sources. Amid thorny issues of translation and appropriation, imperial competition, the rise of commercial authorship, and anxieties about authenticity, Barbara Fuchs traces how Spanish material was transmitted into English writing, entangling English literature in questions of national and religious identity, and how piracy came to be a central textual metaphor, with appropriations from Spain triumphantly reimagined as heroic looting. From the time of the attempted invasion by the Spanish Armada of the 1580s, through the rise of anti-Spanish rhetoric of the 1620s, The Poetics of Piracy charts this connection through works by Ben Jonson, William Shakespeare, Francis Beaumont, John Fletcher, and Thomas Middleton. Fuchs examines how their writing, particularly for the stage, recasts a reliance on Spanish material by constructing narratives of militaristic, forcible use. She considers how Jacobean dramatists complicated the texts of their Spanish contemporaries by putting them to anti-Spanish purposes, and she traces the place of Cervantes's Don Quixote in Beaumont's The Knight of the Burning Pestle and Shakespeare's late, lost play Cardenio. English literature was deeply transnational, even in the period most closely associated with the birth of a national literature. Recovering the profound influence of Spain on Renaissance English letters, The Poetics of Piracy paints a sophisticated picture of how nations can serve, at once, as rivals and resources.

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In 1688, a vast fleet of 463 ships, twice the size of the Spanish Armada, put to sea from Holland. On board was William of Orange with 40,000 soldiers - their objective, England. The Protestant William had been encouraged by a group of Church of England bishops to risk everything and oust the Catholic King James. He landed at Tor Bay in Devon and soon gathered enough support, including that of John Churchill, the future Duke of Marlborough, to cause King James to flee to France. It had been seen, in the eyes of most in England and Scotland as a 'Glorious' Revolution. William ascended the throne along with his wife Mary, the daughter of England's Charles II, who had preceded James. Though the revolution had been virtually bloodless, William had to fight to keep his crown. Most Irish were Catholics and King William's armies met stiff opposition there. In this, James saw a chance to regain his crown. Sailing to Ireland, he led his Jacobite troops against William at the Battle of the Boyne on 1 July 1690\. James was defeated, ending his hopes of ousting William. There were also large numbers of Catholics in Scotland, but they too were defeated by William's army at the Battle of Killiecrankie. This, in turn, led to the infamous Massacre of Glencoe. The accession of William and Mary to the throne was a landmark moment in British history, one which saw Parliament emerge into the modern state. In January 1689, two months after the Glorious Revolution, Parliament met and in February a Declaration of Rights was incorporated into the Bill of Rights. This included the measure that the crown could not tax without Parliament's consent or interfere in elections. William, therefore, is not only known both for being one of England's most revolutionary kings, but also one of the least remembered.

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Armies and Political Change in Britain, 1660 -1750 argues that armies had a profound impact on the major political events of late seventeenth- and early eighteenth-century Britain. Beginning with the controversial creation of a permanent army to protect the restored Stuart monarchy, this original and important study examines how armies defended or destroyed regimes during the Exclusion Crisis, Monmouth's Rebellion, the Revolution of 1688-1689, and the Jacobite rebellions and plots of the post-1714 period, including the '15 and '45. Hannah Smith explores the political ideas of 'common soldiers' and army officers and analyses their political engagements in a divisive, partisan world. The threat or hope of military intervention into politics preoccupied the era. Would a monarch employ the army to circumvent parliament and annihilate Protestantism? Might the army determine the succession to the throne? Could an ambitious general use armed force to achieve supreme political power? These questions troubled successive generations of men and women as the British army developed into a lasting and costly component of the state, and emerged as a highly successful fighting force during the War of the Spanish Succession. Armies and Political Change in Britain, 1660 - 1750 deploys an innovative periodization to explore significant continuities and developments across the reigns of seven monarchs spanning almost a century. Using a vivid and extensive array of archival, literary, and artistic material, the volume presents a striking new perspective on the political and military history of Britain.

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Shakespeare lived at a time when England was undergoing the revolution in ritual theory and practice we know as the English Reformation. With it came an unprecedented transformation in the language of religious life. Whereas priests had once acted as mediators between God and men through sacramental rites, Reformed theology declared the priesthood of all believers. What ensued was not the tidy replacement of one doctrine by another but a long and messy conversation about the conventions of religious life and practice. In this brilliant and strikingly original book, Sarah Beckwith traces the fortunes of this conversation in Shakespeare’s theater. Beckwith focuses on the sacrament of penance, which in the Middle Ages stood as the very basis of Christian community and human relations. With the elimination of this sacrament, the words of penance and repentance—"confess," "forgive," "absolve" —no longer meant (no longer could mean) what they once did. In tracing the changing speech patterns of confession and absolution, both in Shakespeare’s work and Elizabethan and Jacobean culture more broadly, Beckwith reveals Shakespeare’s profound understanding of the importance of language as the fragile basis of our relations with others. In particular, she shows that the post-tragic plays, especially Pericles, Cymbeline, The Winter’s Tale, and The Tempest, are explorations of the new regimes and communities of forgiveness. Drawing on the work of J. L. Austin, Ludwig Wittgenstein, and Stanley Cavell, Beckwith enables us to see these plays in an entirely new light, skillfully guiding us through some of the deepest questions that Shakespeare poses to his audiences.

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"A masterful achievement of historical complexity and scintillating romance sure to thrill readers with its saga of love under siege."--Booklist starred review In 1715, Lady Blythe Hedley's father is declared an enemy of the British crown because of his Jacobite sympathies, forcing her to flee her home in northern England. Secreted to the tower of Wedderburn Castle in Scotland, Lady Blythe awaits who will ultimately be crowned king. But in a house with seven sons and numerous servants, her presence soon becomes known. No sooner has Everard Hume lost his father, Lord Wedderburn, than Lady Hedley arrives with the clothes on her back and her mistress in tow. He has his own problems--a volatile brother with dangerous political leanings, an estate to manage, and a very young brother in need of comfort and direction in the wake of losing his father. It would be best for everyone if he could send this misfit heiress on her way as soon as possible. Drawn into a whirlwind of intrigue, shifting alliances, and ambitions, Lady Blythe must be careful whom she trusts. Her fortune, her future, and her very life are at stake. Those who appear to be adversaries may turn out to be allies--and those who pretend friendship may be enemies. "Frantz explores how faith and love can triumph over most obstacles. Readers who love Celtic settings will rejoice over this offering featuring bonny Scotland."--Library Journal "Frantz carefully unpacks a complicated period of religious persecution, lending this romance depth, fascinating moral stakes, and a palpable sense of suspense."--Publishers Weekly

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Called “the flour of Cities all,” London has long been understood through the poetry it has inspired. Now poet Mark Ford has assembled the most capacious and wide-ranging anthology of poems about London to date, from Chaucer to Wordsworth to the present day, providing a chronological tour of urban life and of English literature. Nearly all of the major poets of British literature have left some poetic record of London: Chaucer, Spenser, Shakespeare, Donne, Milton, Dryden, Pope, Johnson, Wordsworth, Keats, Byron, and T. S. Eliot. Ford goes well beyond these figures, however, to gather significant verse of all kinds, from Jacobean city comedies to nursery rhymes, from topical satire to anonymous ballads. The result is a cultural history of the city in verse, one that represents all classes of London’s population over some seven centuries, mingling the high and low, the elegant and the salacious, the courtly and the street smart. Many of the poems respond to large events in the city’s history—the beheading of Charles I, the Great Fire, the Blitz—but the majority reflect the quieter routines and anxieties of everyday life through the centuries.Ford’s selections are arranged chronologically, thus preserving a sense of the strata of the capital’s history. An introductory essay by the poet explores in detail the cultural, political, and aesthetic significance of the verse inspired by this great city. The result is a volume as rich and vibrant and diverse as London itself.

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The Rawlinson collection of seal matrices in the University of Oxford is the most important early collection of European seal matrices to survive. Created by Dr Richard Rawlinson (1690-1755) in the first half of the eighteenth century, it consists of 830 matrices ranging in date from the 13th to the early 18th century. It includes the collection of seal matrices formed by Giovanni Andrea Lorenzani, a Roman bronze caster, which Rawlinson acquired in Rome together with a catalogue written in 1708. This collection is primarily Italian, but the Rawlinson collection also includes examples from many other countries England, Wales, Scotland, Ireland, France, Germany Spain, and Scandinavia as well as Italy. The study of seals was much neglected in the middle of the twentieth century, but the study now attracts greater interest. This is due to their visual appeal, sense of identity and their representation of symbols. This book will appeal to a wide variety of readers from those interested in collecting, Jacobitism, history of the early eighteenth century, the Grand Tour, antiquaries, and seals and seal matrices. This book has four introductory chapters which set the scene for the collecting of seal matrices, tell the life of Richard Rawlinson and Giovanni Andrea Lorenzani, analyse their collections and relate the history of the collection after Rawlinson's death in 1755. One hundred seals, all illustrated, are described in detail, with much unpublished data, and an indication is given of the contribution they make to the sigillography of the different countries.

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A forgotten episode of mathematical resistance reveals the rise of modern mathematics and its cornerstone, mathematical purity, as political phenomena. The nineteenth century opened with a major shift in European mathematics, and in the Kingdom of Naples, this occurred earlier than elsewhere. Between 1790 and 1830 its leading scientific institutions rejected as untrustworthy the “very modern mathematics” of French analysis and in its place consolidated, legitimated, and put to work a different mathematical culture. The Neapolitan mathematical resistance was a complete reorientation of mathematical practice. Over the unrestricted manipulation and application of algebraic algorithms, Neapolitan mathematicians called for a return to Greek-style geometry and the preeminence of pure mathematics. For all their apparent backwardness, Massimo Mazzotti explains, they were arguing for what would become crucial features of modern mathematics: its voluntary restriction through a new kind of rigor and discipline, and the complete disconnection of mathematical truth from the empirical world—in other words, its purity. The Neapolitans, Mazzotti argues, were reacting to the widespread use of mathematical analysis in social and political arguments: theirs was a reactionary mathematics that aimed to technically refute the revolutionary mathematics of the Jacobins. During the Restoration, the expert groups in the service of the modern administrative state reaffirmed the role of pure mathematics as the foundation of a newly rigorous mathematics, which was now conceived as a neutral tool for modernization. What Mazzotti’s penetrating history shows us in vivid detail is that producing mathematical knowledge was equally about producing certain forms of social, political, and economic order.

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This Handbook strives to enhance knowledge and application within sustainability in management education (SiME) across different academic programs, geographic regions and personal/professional contexts. Cross-disciplinary and boundary spanning, this book focuses on specific themes and is therefore split into four distinct sections: one on theory and practice, one on transformational interventions in business programs, one on the role of external agents and the last on innovative approaches in SiME. The co-editors expertly provide a roadmap for sustainability in management education while discussing key implications, applications and utilities that explore motivations and project possible outcomes for advances and integration of SiME. In addition to identifying new discursive strategies in SiME research, the co-editors provide a critical narrative and discussion on newly identified commonalities and connections within the Handbook's chapters. This content assessment highlights prevalent intersections for advancing, challenging, and questioning how to implement SiME in various programs. Management scholars, researchers, educators and practitioners as well as current, emerging and future leaders in various academic and private sectors will find this Handbook invaluable. It will serve as a key reference for more advanced studies in this rapidly developing field.Contributors include: F. Ahen, M. Albert, J.A. Arevalo, K.R. Bandyopadhyay, L. Barin Cruz, R.G. Bell, S. Benn, M. Bidart Carneiro de Novaes, N. Boyd, J. Bressler, M. Brueckner, J. Brunstein, T. Bunn Hiller, N. Christopher, M. Edwards, Q. Evansluong, D. Fodness, C.J. Fox, A. Girardi, T.A. Hart, J.R. Hendry, S. Hüsig, P.R. Jacobi, Y. Jakobcic, S. Klomp, J. Korstad, L. Krzykowski, R. Mahajan, S.L. Manring, E. Martin, E. Meliou, P. Miesing, R. Miller, S.F. Mitchell, E.E. Nill, F.S. Nobre, E.E. Nordman, M. Paull, M. Pozzebon, M. Ramirez Pasillas, E. Raufflet, E. Rich, A.J. Richardson, I. Rimanoczy, M.F. Sambiase, P. Schmitt Figueiró, S. Schutel, C.A. Simmers, S. Soderstrom, R. Spencer, R. Sroufe, M. Starik, A. Sulkowski, D. Vazquez-Brust, A. Vidal da Silva Martins, J.L. Whittington, J. Williams, L.T. Wong, N. Yakovleva

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Three further adventures based on the Eagle comic strip "Dan Dare" created by Rev. Marcus Morris, adapted and drawn by Frank Hampson. Episode 4 - Reign of the Robots by Simon Guerrier. Dan Dare and his crew finally return to Earth. Landing in central London, they find the city deserted - or that's how it seems at first. But soon Dare faces an army of ruthless machines, robots who have conquered the planet and placed the surviving humans in slave camps. The robots are too powerful and too numerous to be resisted, and their invasion is complete. With limited resources, Dare, Digby and Peabody face their greatest challenge yet - to liberate planet Earth. But the task becomes more desperate than ever when Dan discovers the alien force behind the robot invasion. Episode 5 - Operation Saturn by Patrick Chapman. As work begins to rebuild planet Earth after the devastation of the robot invasion, Dare and his friends in Space Fleet remain vigilant, certain that it is only a matter of time before the Mekon launches a fresh attack. When the wreck of the Nautilus - an experimental ship lost over a decade before - appears in orbit of the moon, Dare, Digby and Peabody are sent to investigate.They find the ship and its crew were destroyed by advanced alien weapons. All clues lead them to Saturn's moons. With Earth still vulnerable our heroes must journey to an unknown world - to discover who sent the Nautilus back, not realising that for once the source of their latest conflict comes from a lot closer to home. Not all would-be conquerors of planet Earth are alien. Episode 6 - Prisoners of Space by Colin Brake. After a sequence of near non-stop adventures Dare, Digby and Peabody find themselves in a strange limbo of paranoid calm. Whilst there's been no sign of the Mekon anywhere in the solar system, Dare is certain Earth hasn't seen the last of the evil alien. Mysterious spaceship disappearances near Venus, an Academy student accidentally launching a prototype new spacecraft, and a floating prison cell in space...reveal themselves as all part of the Mekon's latest plan to defeat his arch-enemy Dan Dare once and for all. The first season of Dan Dare concludes with daring space action, fearless heroics and the revelation of devastating secrets concerning Space Fleet. Contains a fourth disc of extras. Created by artist Frank Hampson and his editor the Reverend Marcus Morris, Dan Dare first appeared in the Eagle comic story "Dan Dare, Pilot of the Future" from 1950 to 1967 (and subsequently in reprints); and was dramatised seven times a week on Radio Luxembourg between 1951-1956.This brand new audio version of the much-loved Dan Dare comic strips comes from the people behind the Derek Jacobi - starring version of Ray Bradbury's The Martian Chronicles. CAST: Ed Stoppard (Dan Dare), Geoff McGivern (Digby), Heida Reed (Professor Peabody), MichaelCochrane (Sir Hubert), Raad Rawi(The Mekon), Bijan Daneshmand (Sondar), Amy Humphreys (Eko), Dean Harris (George Bryan), Dianne Weller (Onboard Computer), Jonathan Rhodes (Blasco), Nicholas Briggs (The Vora), Matthew Turmaine (The Prime Minister), Diane Spencer(Flight Control), Robert G Slade (Old Timer), Noof McEwan (Cadet Flamer Spry), Alistair Lock (Treen Captain). NOTE: Dan Dare features some mild swearing and content which may not be suitable for younger listeners.

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Robert Louis Stevenson's Kidnapped is at once a rollicking adventure story and an earnest political allegory. This Penguin Classics edition is edited with an introduction and notes by Donald McFarlan and a foreword by Alasdair Gray.Orphaned and penniless, David Balfour sets out to find his last living relative, miserly and reclusive Uncle Ebenezer. But Ebenezer is far from welcoming, and David narrowly escapes being murdered before he is kidnapped and imprisoned on a ship bound for the Carolinas. When the ship is wrecked, David, along with the fiery rebel Alan Breck, makes his way back across the treacherous Highland terrain on a quest for justice. Through his powerful depiction of the two very different central characters - the romantic Breck and the rational Whig David - Stevenson dramatized a conflict at the heart of Scottish culture in the aftermath of the Jacobite rebellion, as well as creating an unforgettable adventure story.This new edition includes a foreword by Alasdair Gray discussing Stevenson's life and literary career and how he came to write Kidnapped. In his introduction, Donald McFarlan considers the novel's realism and a depiction of Scotland. This volume also includes a historical note, a map, notes, new further reading and a glossary.Robert Louis Stevenson (1850-1894) was born in Edinburgh, the son of a prosperous civil engineer. Although he began his career as an essayist and travel writer, the success of Treasure Island (1883) and Kidnapped (1886) established his reputation as a writer of tales of action and adventure. Stevenson's Calvinist upbringing lent him a preoccupation with predestination and a fascination with the presence of evil, themes he explored in The Strange Case of Dr Jekyll and Mr Hyde (1886), and The Master of Ballantrae (1893).If you enjoyed Kidnapped, you might like Jack London's The Call of the Wild, White Fang, and Other Stories, also available in Penguin Classics.

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The Elizabethan age was a tumultuous time, when long-cherished certainties were crumbling and life was exhilaratingly uncertain. Shakespeare's Restless World uncovers the extraordinary stories behind twenty objects from the period to re-create an age at once distant and yet surprisingly familiar. From knife crime to belief in witches, religious battles to the horizons of the New World, Neil MacGregor brings the past to life in a fresh, unexpected portrait of a dangerous and dynamic era.'Fascinating ... filled with anecdotes and insights, eerie, funny, poignant and grotesque ... another brilliant vindication of MacGregor's understanding of physical objects to enter deep into our fore­fathers' mental and spiritual world' Christopher Hart, Sunday Times'Enjoyable and intriguing, an absorbing evocation ... he draws us into the minds of the Elizabethan and Jacobean audience. Next time you see one of the plays reading this book will make those first audiences seem real to you' Peter Lewis, Daily Mail'How gripping are these tales from a lost world. And what a world Shakespeare's was - adventurous, melancholy, rich and plagued by beggary, courteous and quarrelsome, sceptical and credulous' Daily Telegraph 'Elegant, informative ... provides stimulating insights' Anne Somerset, Spectator

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A stylish and informative guide to the best of Midcentury Modern chair design. These are the top 100 most interesting, most controversial, or simply most beautiful chairs from the period spanning 1930–1970, according to expert curator and chair addict Lucy Ryder Richardson. Get to know the designers of the Modern era, and find out about the controversies, drama, gossip and intrigue that accompanied these fascinating figures. Featuring a range of top international names, including Robin Day, Charles and Ray Eames, Ernest Race, Arne Jacobsen, Pierre Paulin, Finn Juhl, Harry Bertoia, Ero Saarinen and Norman Cherner. There is also an exploration into materials and manufacturing processes, plus lots of information about the manufacturers that brought chair designs to the masses, such as Knoll, Herman Miller, Fritz Hansen and Asko. Packed full of design details, historical facts, quotes and anecdotes – you can even find out the position in which the designers intended you to sit in their chairs! With a ‘chair timeline’, showcasing the very best of European, Scandinavian, Japanese and American design, this is the perfect book for collectors, enthusiasts and design junkies alike. Word count: 50,000

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My Cue to Fight, Volume I of a planned two volume release, is the first book of its kind to provide an in-depth examination of how the greatest playwright in the English language employed not only psychological brutality but also physical violence throughout his works. Written ideally for theatrical stage directors, fight directors, intimacy consultants, and actors as a technical scene-by-scene breakdown in staging combat during production of these plays, this publication is also for Shakespeare enthusiasts who want to learn more about the blood, sweat, and viscera hidden just underneath the poetry. A writer utilises violence, like song or dance, in moments where the story requires more than just words. But addressing how the violence will be staged tends either to be neglected or utterly gratuitous, both of which serve to separate the audience from the story and kill the whole venture. The answer rests in approaching violence the same way we do scenework. The plays of William Shakespeare seek to engage audiences with all of the characters’ blood, tears, sweat, and guts. These works are not flowery poems meant to be mumbled in a classroom, or histrionically declaimed in frilly costumes. There is nothing light and fluffy about 'rape' and 'murder’s rages', or 'carving' someone as a dish fit for the gods, or fighting till from one’s bones one’s 'flesh be hacked'. Making matters more complicated is the ambiguity and sometimes even complete lack of stage directions. Modern texts typically possess clear directions whenever violence is to occur in the action, but playscripts were quite different four centuries ago. Such denotations were both rare and inconsistent in Elizabethan and Jacobean printings. The potential violence we will examine is not appropriate for all productions or scene partners. We’re here to question and inspire rather than provide catch-all solutions. Actors, directors, fight directors, and intimacy consultants must work together to find the most effective way for their production to communicate the playwright’s story to the audience.

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Rattan evokes the glamour and exoticism of the Riviera, grand yachts, and tropical verandas. It appeared in Impressionist paintings, and dazzling celebrities like Marilyn Monroe and Gina Lollobrigida were photographed lounging on it. Now, rattan is regaining its allure and becoming increasingly fashionable in interior design and fashion spreads a reflection of beauty, craftsmanship, and sustainability. Heywood-Wakefield furniture from the nineteenth century is highly collectible, as are pieces created by giants of modern design such as Josef Hoffmann for Thonet, Josef Frank for Svenskt Tenn, Jean-Michel Frank for Ecart, Renzo Mongiardino for Bonacina, and Arne Jacobsen for Sika. Paul Frankl and Donald Deskey designed sleek Art Deco rattan furniture. Rattan pieces have become iconic and highly prized, including Hiroomi Tahara s Wrap Sofa, Franca Helg s Primavera Chair, and the many iterations of the Peacock Chair. The glamour of rattan shines through in seductive and beautiful interiors Madeleine Castaing s house in Chartres, Michael Taylor s California beach houses, the Titanic s Cafe Parisien. The book also showcases tastemakers who have embraced rattan, from Marella Agnelli and Cecil Beaton to design leaders of today, including Jeffrey Bilhuber, Veere Grenney, Axel Vervoordt, and Bunny Williams.

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SHORTLISTED FOR THE 2022 BAILLIE GIFFORD PRIZESHORTLISTED FOR THE 2022 WATERSTONES BOOK OF THE YEARSHORTLISTED FOR THE 2023 RATHBONES FOLIO PRIZELONGLISTED FOR THE 2022 WINGATE LITERARY PRIZETHE SUNDAY TIMES BESTSELLERA MAIL ON SUNDAY, THE TIMES, THE ECONOMIST, GUARDIAN, THE SPECTATOR, TIME, AND DAILY EXPRESS/DAILY MIRROR BOOK OF THE YEAR'Thrilling' Daily Mail'Gripping' Guardian'Heartwrenching' Yuval Noah Harari'Magnificent' Philip Pullman'Excellent' Sunday Times'Inspiring' Daily Mail'An immediate classic' Antony Beevor'Awe inspiring' Simon Sebag Montefiore'Shattering' Simon Schama'Utterly compelling' Philippe Sands'A must-read' Emily Maitlis'Indispensable' Howard Jacobson April 1944. Nineteen-year-old Rudolf Vrba and fellow inmate Fred Wetzler became two of the very first Jews to successfully escape Auschwitz. Evading the thousands of SS men hunting them, Vrba and Wetzler made the perilous journey on foot across Nazi-occupied Poland.Their mission: to reveal to the world the truth of the Holocaust.Vrba's unique testimony would save some 200,000 lives.But he kept on running - from his past, from his home country, his adopted country, even from his own name. Now, at last, Rudolf Vrba's heroism can be known.

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Thirteen leading actors take us behind the scenes, each recreating in detail a memorable performance in one of Shakespeare's major roles. * Brian Cox on Titus Andronicus in Deborah Warner's visceral RSC production * Judi Dench on being directed by Franco Zeffirelli as a twenty-three-year-old Juliet * Ralph Fiennes on Shakespeare's least sympathetic hero Coriolanus * Rebecca Hall on Rosalind in As You Like It, directed by her father, Sir Peter * Derek Jacobi on his hilariously poker-backed Malvolio for Michael Grandage * Jude Law on his Hamlet, a palpable hit in the West End and on Broadway * Adrian Lester on a modern-dress Henry V at the National, during the invasion of Iraq * Ian McKellen on his Macbeth, opposite Judi Dench in Trevor Nunn's RSC production * Helen Mirren on a role she was born for, and has played three times: Cleopatra * Tim Pigott-Smith on Leontes in Peter Hall's Restoration Winter's Tale at the National * Kevin Spacey on his high-tech, modern-dress Richard II * Patrick Stewart on Prospero in Rupert Goold's arctic Tempest for the RSC * Penelope Wilton on Isabella in Jonathan Miller's 'chamber' Measure for Measure The actors discuss their characters, working through the play scene by scene, with refreshing candour and in forensic detail. The result is a masterclass on playing each role, invaluable for other actors and directors, as well as students of Shakespeare – and fascinating for audiences of the plays. Together, the interviews give one of the most comprehensive pictures yet of these characters in performance, and of the choices that these great actors have made in bringing them thrillingly to life. 'These passages of times remembered contribute vividly to the sense of a teemingly creative period when Shakespeare seemed to have been rediscovered.' Trevor Nunn, from his Foreword

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This is the story of ordinary men and women involved in the Rebellion, who were described on the gaol registers and regimental rosters of the time as 'Common Men'. There is little in this book about Bonnie Prince Charlie and other principals of the last Jacobite Rising of 1745. Culloden recalls them by name and action, presenting the battle as it was for them, describing their life as fugitives in the glens or as prisoners in the gaols and hulks, their transportation to the Virginias or their deaths on the gallows at Kennington Common. The book begins in the rain at five o'clock on the morning of Wednesday, 16 April 1746, when the Royal Army marched out of Nairn to fight the clans on Culloden Moor. It is not a partisan book, its feeling is for the 'Common Men' on both sides - John Grant charging with Clan Chatten and seeing the white gaiters of the British infantry suddenly as the east wind lifted the cannon smoke, and Private Andrew Taylor in a red coat waiting for Clan Chatten to reach him, likening them to 'a troop of hungry wolves'. Culloden reminds us, too, that many of the men who harried the glens as ruthlessly as the Nazis in Occupied Europe were in fact Scots themselves. It recalls the fact that many men in Prince Charles' army had been forced to join him. It shows that a British foot-soldier's wish for a sup of brandy on a cold morning before battle is as much a reality as a Prince's pretensions to a throne. The detail for the story told in Culloden has come from regimental Order Books and manuals, from contemporary newspapers and magazines, from the letters and memoirs of soldiers and officers, eye-witness accounts of atrocity and persecution, and the personal stories of the victims themselves. Culloden is the story not of a Prince, but of a people.

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Historian, revolutionary and cricket writer, CLR James was one of the truly radical voices of the twentieth century. Born in Trinidad in the final days of the Victorian era, he debated with Trotsky, played cricket with Constantine, was published by Leonard and Virginia Woolf, inspired Kwame Nkrumah, and was a profound influence on the British Black Power movement. And yet by the late 1970s, CLR James was all but forgotten. The books he had written over the past half century were nearly all out of print. There were a few circles in which his name rang a bell: serious students of Black history; obsessive cricket fans. But that was it.When he died in Brixton in 1989, CLR James was internationally famous - lauded as the greatest of Black British intellectuals: the 'Black Plato', according to The Times.The ideas he put forward in his own time - of the importance of identity alongside class, of rebellion coming from below, of the leading roles of Black people, women and youth in political struggle - have gradually made their way to the forefront of our political thinking. His two great books, The Black Jacobins and Beyond a Boundary, still have the power to change readers' understanding of the world today.But while CLR James's work has been much examined, his long and remarkable life story has often been overlooked. For the first time, in a biography full of original research, human drama and keen insight, John L. Williams unveils the rich and compelling story of an intellectual giant. In doing so, he firmly establishes the importance of CLR James for the twenty-first century - if Black Britain has had a presiding genius, it remains CLR James.

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How Christian leaders adapted the governmental practices and political thought of their Muslim rulers in the Abbasid caliphateThe Imam of the Christians examines how Christian leaders adopted and adapted the political practices and ideas of their Muslim rulers between 750 and 850 in the Abbasid caliphate in the Jazira (modern eastern Turkey and northern Syria). Focusing on the writings of Dionysius of Tel-Mahre, the patriarch of the Jacobite church, Philip Wood describes how this encounter produced an Islamicate Christianity that differed from the Christianities of Byzantium and western Europe in far more than just theology. In doing so, Wood opens a new window on the world of early Islam and Muslims’ interactions with other religious communities.Wood shows how Dionysius and other Christian clerics, by forging close ties with Muslim elites, were able to command greater power over their coreligionists, such as the right to issue canons regulating the lives of lay people, gather tithes, and use state troops to arrest opponents. In his writings, Dionysius advertises his ease in the courts of ʿAbd Allah ibn Tahir in Raqqa and the caliph al-Ma’mun in Baghdad, presenting himself as an effective advocate for the interests of his fellow Christians because of his knowledge of Arabic and his ability to redeploy Islamic ideas to his own advantage. Strikingly, Dionysius even claims that, like al-Ma’mun, he is an imam since he leads his people in prayer and rules them by popular consent.A wide-ranging examination of Middle Eastern Christian life during a critical period in the development of Islam, The Imam of the Christians is also a case study of the surprising workings of cultural and religious adaptation.

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“Impressive…[Readers] will be rewarded with greater understanding of historical developments that changed the relationship between consumers and producers in a global economy in ways that reverberate to this day.”—Wall Street Journal“Everill repositions West Africa as central to the broader Atlantic story of 18th and 19th century economic morality, its relationship with commercial ethics, and the expansion of capitalism.”—Financial Times“Offers a penetrating new perspective on abolition in the British Empire by spotlighting a particular cast of characters: the commercial abolitionists in West Africa who fashioned a consumer-focused, business-friendly antislavery ethics. These figures sought to prove the moral and economic superiority of non-slave labor while profiting from the transition away from slavery…Impressive.”—Jacobin“East India Sugar Not Made By Slaves.” With these words inscribed on a sugar bowl, nineteenth-century consumers were reminded of their power to change the global economy. Determined to strike at the heart of the slave trade, abolitionist businesses throughout the Atlantic used new ideas of supply and demand, consumer credit, and branding to make the case for ethical capitalism.Consumers became the moral compass of capitalism as companies in West Africa, including Macaulay & Babington and Brown & Ives, developed clever new tactics to make “legitimate” commerce pay. Yet ethical trade was not without its problems. The search for goods “not made by slaves” unwittingly expanded the reach of colonial enterprises in the relentless pursuit of cheap labor. Not Made by Slaves captures the moral dilemmas roiling the early years of global consumer society and is a stark reminder of the unintended consequences of relying on consumer self-interest to transform global capitalism.

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An Open Letters Review Best Book of the Year“Grafton presents largely unfamiliar material…in a clear, even breezy style…Erudite.”—Michael Dirda, Washington PostIn this celebration of bookmaking in all its messy and intricate detail, Anthony Grafton captures both the physical and mental labors that went into the golden age of the book—compiling notebooks, copying and correcting proofs, preparing copy—and shows us how scribes and scholars shaped influential treatises and forgeries.Inky Fingers ranges widely, from the theological polemics of the early days of printing to the pathbreaking works of Jean Mabillon and Baruch Spinoza. Grafton draws new connections between humanistic traditions and intellectual innovations, textual learning and the delicate, arduous, error-riddled craft of making books. Through it all, he reminds us that the life of the mind depends on the work of the hands, and the nitty gritty labor of printmakers has had a profound impact on the history of ideas.“Describes magnificent achievements, storms of controversy, and sometimes the pure devilment of scholars and printers…Captivating and often amusing.”—Wall Street Journal“Ideas, in this vivid telling, emerge not just from minds but from hands, not to mention the biceps that crank a press or heft a ream of paper.”—New York Review of Books“Grafton upends idealized understandings of early modern scholarship and blurs distinctions between the physical and mental labor that made the remarkable works of this period possible.”—Christine Jacobson, Book Post“Scholarship is a kind of heroism in Grafton’s account, his nine protagonists’ aching backs and tired eyes evidence of their valiant dedication to the pursuit of knowledge.”—London Review of Books

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In Moby-Dick, Ishmael declares, "Be it known that, waiving all argument, I take the good old fashioned ground that a whale is a fish, and call upon holy Jonah to back me." Few readers today know just how much argument Ishmael is waiving aside. In fact, Melville's antihero here takes sides in one of the great controversies of the early nineteenth century--one that ultimately had to be resolved in the courts of New York City. In Trying Leviathan, D. Graham Burnett recovers the strange story of Maurice v. Judd, an 1818 trial that pitted the new sciences of taxonomy against the then-popular--and biblically sanctioned--view that the whale was a fish. The immediate dispute was mundane: whether whale oil was fish oil and therefore subject to state inspection. But the trial fueled a sensational public debate in which nothing less than the order of nature--and how we know it--was at stake. Burnett vividly recreates the trial, during which a parade of experts--pea-coated whalemen, pompous philosophers, Jacobin lawyers--took the witness stand, brandishing books, drawings, and anatomical reports, and telling tall tales from whaling voyages. Falling in the middle of the century between Linnaeus and Darwin, the trial dramatized a revolutionary period that saw radical transformations in the understanding of the natural world. Out went comfortable biblical categories, and in came new sorting methods based on the minutiae of interior anatomy--and louche details about the sexual behaviors of God's creatures. When leviathan breached in New York in 1818, this strange beast churned both the natural and social orders--and not everyone would survive.

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The third volume in BHRS's series of poll books and covers the years from the fall of Walpole to the rise of William Pitt the younger. This is the third volume in BHRS's series of poll books and covers the years from the fall of Walpole to the rise of William Pitt the younger. It was a period when Britain was constantly at war, when it suffered a dangerous Jacobite rebellion and when the American colonies were lost. Yet this constant warfare did not produce the revolutionary changes to the national and local economy that the Napoleonic wars subsequently created. There is only one complete poll book for the county (1774) but surviving lists from Bedford borough, including a partial poll book of 1747, enable political allegiance to be gauged. Lack of contested elections does not mean an absence of political activity. Detectable trends are illustrated from the Duke of Bedford's archives and the Hardwicke manuscripts in the British Library. They include the attempts of the Duke to increase his powers, which were successfully challenged by Bedford borough by the creation in 1769 of many new out-of-town freemen to detach it from his influence; the decline of formerly prominent political families; and, from the 1760s, the rise of the Whitbreads. The volume also details the political dimensions of the litigation over the appointment of the rector of St John's, Bedford; the administration of the Harpur Trust; and turnpike and enclosure acts.

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Previously unpublished interviews with some of America’s leading postwar artists—including Frankenthaler, Johns, Oldenburg, Rauschenberg, Stella and Warhol—originally made for TV in the mid-’60s by famed curator Alan Solomon This substantial volume publishes for the first time a series of interviews conducted with seminal East Coast artists and their associates, including Kenneth Noland, Jim Dine, Roy Lichtenstein, Marcella Brenner, Helen Jacobson, Clement Greenberg, Helen Frankenthaler, Larry Poons, Frank Stella, Robert Rauschenberg, Jasper Johns, Claes Oldenburg, Barnett Newman, Leo Castelli, Andy Warhol, Gerard Malanga and Edie Sedgwick. These were produced in late 1965 and early 1966 for the documentary television series USA: Artists by famed curator Alan Solomon, who was a regular fixture in the New York art world of the time. This was a logical extension of Solomon's recent curatorial involvements, including most importantly his organization of the United States exhibition at the 1964 Venice Biennale. The half-hour format of the episodes meant that a vast amount of Solomon’s original interviews, some of which lasted an hour or more, wound up on the cutting-room floor. At some point after the series was completed the original filmed and tape-recorded interviews were lost. A single set of typed transcripts, preserved in the Alan R. Solomon papers at the Archives of American Art, a branch of the Smithsonian Institution (copublisher of this volume), is the sole complete record of the original interviews. The New York Tapes gathers these interview transcripts and publishes them as a group for the first time, extensively illustrated with numerous stills from the television programs and related documentation. The transcripts make available material that was not included in the final programs, while also revealing how what was included became subtly manipulated to fit the format of documentary television. An informative introduction by editor Matthew Simms sets the project in context and highlights the differences between the interviews and the films, shedding new light on a germinal moment in postwar American art and how it was presented to the public.

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Disturbing. Original. Terrifying. The 'master of horror' is back with the chilling tale of what lurks in the walls of an abandoned hospital. The perfect Halloween read. In this abandoned hospital, pain lives on... and it wants revenge. St Philomena's military hospital has been abandoned for over three years. Now Lilian Chesterfield, who works for one of the most successful building companies in England, is in charge of developing it into a luxury housing complex. But as soon as she and her colleagues start work in the Jacobean-style mansion, their dream turns into a nightmare. They hear screaming from wards full of empty beds. They hear doors slamming and find cutlery scattered over the kitchen floor. Then they see faces peering at them from the mullioned windows. Lilian is pragmatic – she doesn't believe in the supernatural. But just when she's put her mind at rest by scouring the mansion from top to bottom and finding nothing, a former patient of St Philomena's arrives with a warning. The hospital is haunted. And it is haunted by something a thousand times more terrifying than ghosts... Perfect to read at Halloween and for fans of The Haunting of Hill House, The Shining and The Woman in Black. Praise for Graham Masterton: 'One of Britain's finest horror writers.' Daily Mail 'A true master of horror' James Herbert 'One of the most original and frightening storytellers of our time' Peter James

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This unique account of the life of German nationalist and revolutionary Charles Follen opens a window on several worlds during the first half of the nineteenth century. Seldom does one biography embrace so many important historical issues and events.Trained as a lawyer in his native Germany, Follen was involved in student nationalism, eventually turning to revolutionary Jacobinism. He fled to Switzerland in 1819 after conspiring in the first political murder of modern German history--the assassination of the playwright August von Kotzebue. In Switzerland, Follen secretly continued activities for revolutionizing Germany. When his plans were discovered in 1824, he fled to America. For ten years, Follen taught at Harvard; he was the first professor of German literature at an American institution of higher learning. He played a central role in the early importation of German ideas to New England, contributing to the fields of literature, philosophy, and theology. His marriage to Eliza Lee Cabot allowed him to move in elite Boston social circles. After his ordination as a Unitarian minister in 1836, Follen combined his interest in social reform (including an ardent devotion to the antislavery movement) with clerical service. Unitarian leader William Ellery Channingand abolitionist William Lloyd Garrison became Follen's close friends.During the last two years of his life, Follen began to doubt his own power to bring about political change and suffered a crisis in self-confidence before his accidental death at the age of forty-three.

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Nottinghamshire’s position at the very heart of England has given it important strategic significance throughout two millennia, underlined by the number of roads, waterways, and later railways, criss-crossing the county. An endless succession of armies have used the Great North Road: the Romans, the Vikings, the Normans, the Lancastrians and the Jacobites. Strategic river crossings and road junctions have been guarded by Roman camps, Viking and Saxon burhs, medieval castles, Parliamentarian and Royalist forts, and the anti-invasion defences of the Second World War. The area has traditionally provided a rallying point for armies to be gathered, from Richard III’s in 1485 to Kitchener’s in 1914. Building on the experience of the great training camps of Clipstone and the Dukeries and the extensive munitions works of Chilwell and Nottingham, in the Second World War the county expanded such provision, becoming home to a concentration of flying training centres, key components of the army’s and the RAF’s logistical support networks and further munitions plants. Much of this military activity has left its mark on the landscape, some of it relatively untouched, and some adapted to meet the demands of change. Some monuments are of enormous national importance; Newark-on-Trent, as well as retaining its unspoilt medieval castle ruins, boasts the best single concentration of Civil War-period fortifications anywhere in Britain.

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WINNER OF THE BRITISH ACADEMY BOOK PRIZE A SPECTATOR, WATERSTONES, BBC HISTORY MAGAZINE, PROSPECT AND HISTORY TODAY BOOK OF THE YEAR A profound and ground-breaking new history of one of the most important encounters in the history of colonialism: the British arrival in India in the early seventeenth century. ‘A triumph of writing and scholarship. It is hard to imagine anyone ever bettering Das's account of this part of the story’ - William Dalrymple, Financial Times ‘A fascinating glimpse of the origins of the British Empire . . . drawn in dazzling technicolour’ - Spectator ‘Beautifully written and masterfully researched, this has the makings of a classic’ - Peter Frankopan SHORTLISTED FOR THE POL ROGER DUFF COOPER PRIZE LONGLISTED FOR THE CUNDILL HISTORY PRIZE SHORTLISTED FOR THE HWA CROWN AWARDS When Thomas Roe arrived in India in 1616 as James I’s first ambassador to the Mughal Empire, the English barely had a toehold in the subcontinent. Their understanding of South Asian trade and India was sketchy at best, and, to the Mughals, they were minor players on a very large stage. Roe was representing a kingdom that was beset by financial woes and deeply conflicted about its identity as a unified ‘Great Britain’ under the Stuart monarchy. Meanwhile, the court he entered in India was wealthy and cultured, its dominion widely considered to be one of the greatest and richest empires of the world. In Nandini Das's fascinating history of Roe's four years in India, she offers an insider's view of a Britain in the making, a country whose imperial seeds were just being sown. It is a story of palace intrigue and scandal, lotteries and wagers that unfolds as global trade begins to stretch from Russia to Virginia, from West Africa to the Spice Islands of Indonesia. A major debut that explores the art, literature, sights and sounds of Jacobean London and Imperial India, Courting India reveals Thomas Roe's time in the Mughal Empire to be a turning point in history – and offers a rich and radical challenge to our understanding of Britain and its early empire.

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Ledbury lies in a quiet corner of Herefordshire, just about equidistant from the cities of Hereford, Gloucester and Worcester. Remote, but not isolated, the town is surrounded by ancient wooded hills, while the River Leadon, from which the town is thought to take its name, meanders slowly through the meadows to the west. Visitors and inhabitants alike can empathise with Ledbury-born Poet Laureate John Masefield, who 'felt the beauty of the place and the mystery of its past … through century after century'.Ledbury: a Market Town and its Tudor Heritage tells the story of this ancient town from 1558, when Elizabeth I confiscated the bishop's manor and estate, through a period of great prosperity in the 16th century to the present day. During the Tudor period the town's cloth trade flourished and the market which served the rural parishes surrounding the town thrived. The resulting physical transformation, including the wide market place and streets lined with timber-framed buildings, still attracts visitors today. The story extends from the reign of the first Elizabeth to the present day. It traces the ups and downs of a market town which has benefited from its location on the route between Hereford and Worcester but remains a small town.Ledbury has enjoyed its share of changes in trade, transport, social provision, architecture, industry and leisure, developments which have individually and collectively helped to shape the town today. But what strikes the visitor is its Tudor heritage, which continues to reflect the unexpected and untold riches generated, albeit for such a short time, in the later Tudor and early Jacobean decades.

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The iconic first novel in the bestselling Outlander series, as seen on Amazon Prime.'Scotland's answer to Game of Thrones' Herald'So intricately plotted and peopled that one is amazed she could conceive and write it in only seven years' Independent'Gabaldon is a gifted world-builder' Daily Telegraph______________What if your future lay in the past?1946, and Claire Randall goes to the Scottish Highlands with her husband Frank. It's a second honeymoon, a chance to re-establish their loving marriage. But one afternoon, Claire walks through a circle of standing stones and vanishes into 1743, where the first person she meets is a British army officer - her husband's six-times great-grandfather.Unfortunately, Black Jack Randall is not the man his descendant is, and while trying to escape him, Claire falls into the hands of a gang of Scottish outlaws, and finds herself a Sassenach - an outlander - in danger from both Jacobites and Redcoats.Marooned amid danger, passion and violence, her only chance of safety lies in Jamie Fraser, a gallant young Scots warrior. What begins in compulsion becomes urgent need, and Claire finds herself torn between two very different men, in two irreconcilable lives.______________With more than 20,000 5-star ratings on Amazon and 25 million copies sold worldwide, OUTLANDER is among the most popular book series of all time. Begin your journey into the Highland past here...***** 'Read on, GR friends, this series is epic and you won't regret it!!!'***** 'my favourite book of all time <3'***** 'This series changed my life. I cannot even begin to go into the details of how much I fell in love with the main characters'***** 'If you like historical fiction, time travel, and/or romance, PICK THIS UP.'***** 'Anyone who's known me longer than 5 minutes knows this is my favourite book.'

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LONGLISTED FOR THE DESMOND ELLIOTT PRIZESHORTLISTED FOR THE BOLLINGER EVERYMAN WODEHOUSE PRIZE'A writer out to do whatever the hell he wants . . . a grisly, gross-out slice of medieval life and death, it's vigorously, writhingly itself, spilling out of any box you put it in' Observer'A dark and bloody tale, well leavened with bone-dry humour, and with a dramatic climax that has about it the flavour of a Jacobean tragedy' Guardian 'Set to become an Irish cult classic' Sunday Business Post'A tremendously engaging and fun read . . . a crazed, quixotic odyssey' Kevin BarryAn ambitious noble and his three serving men travel through the Irish countryside in the stifling summer of 1348, using the advantage of the plague which has collapsed society to buy up large swathes of property and land. They come upon Nobber, a tiny town, whose only living habitants seem to be an egotistical bureaucrat, his volatile wife, a naked blacksmith, and a beautiful Gaelic hostage. Meanwhile, a band of marauding Gaels are roaming around, using the confusion of the sickness to pillage and reclaim lands that once belonged to them. As these groups converge upon the town, the habitants, who up until this point have been under strict curfew, begin to stir from their dwellings, demanding answers from the intruders. A deadly stand-off emerges from which no one will escape unscathed.'Nobber is hallucinatory and sly, conjuring a densely strange and savagely captivating world. There are lots of novels, and there are lots of novels that are all much alike, but there is nothing like Nobber' Colin Barrett'A skilled storyteller with a rich command of language and rare comedic flair' Irish Times

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In the late sixteenth and early seventeenth centuries there was one art form in which English artists excelled above all their continental European counterparts: the painting of miniatures. This fascinating book explores the genre with special reference to two of its most accomplished practitioners, Nicholas Hilliard and Isaac Oliver, whose astounding skill brought them international fame and admiration. Four centuries ago, England was famous primarily for its literary culture – the dram a of Shakespeare and Ben Jonson and the works of the great lyrical and metaphysical poets. When it came to the production of visual art, the country was seen as something of a backwater. However, there was one art form for which English artists of this period were renowned: portrait miniature painting, or as it was known at the time, limning. Growing from roots in manuscript illumination, it was brought to astonishing heights of skill by two artists in particular: Nicholas Hilliard (1547–1619) and Isaac Oliver (c .1565–1617). In addition to exhibiting the exquisite technique of the artists, portrait miniatures express in a unique way many of the most distinctive and fascinating aspects of court life in this period: ostentatious secrecy, games of courtly love, arcane symbolism, a love of intricacy and decoration. Bedecked in elaborate lace, encrusted in jewellery and sprinkled with flowers, court ladies smile enigmatically at the viewer; their male counterparts rest on grassy banks or lean against trees, sighing over thwarted love, or more modestly express their hopes in Latin epigrams inscribed around their heads. Often set in richly enamelled and jewelled gold lockets, or beautifully turned ivory or ebony boxes, such miniatures could be concealed or revealed, exchanged or kept, as part of elaborate processes of friendship, love, patronage and diplomacy at the courts of Elizabeth I and James I /VI. This richly illustrated book, like the exhibition it accompanies, explores what the portrait miniature reveals about identity, society and visual culture in Elizabethan and Jacobean England.

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WINNER OF THE BRITISH ACADEMY BOOK PRIZE A SPECTATOR, WATERSTONES, BBC HISTORY MAGAZINE, PROSPECT AND HISTORY TODAY BOOK OF THE YEAR A profound and ground-breaking new history of one of the most important encounters in the history of colonialism: the British arrival in India in the early seventeenth century. ‘A triumph of writing and scholarship. It is hard to imagine anyone ever bettering Das's account of this part of the story’ - William Dalrymple, Financial Times ‘A fascinating glimpse of the origins of the British Empire . . . drawn in dazzling technicolour’ - Spectator ‘Beautifully written and masterfully researched, this has the makings of a classic’ - Peter Frankopan SHORTLISTED FOR THE POL ROGER DUFF COOPER PRIZE LONGLISTED FOR THE CUNDILL HISTORY PRIZE SHORTLISTED FOR THE HWA CROWN AWARDS When Thomas Roe arrived in India in 1616 as James I’s first ambassador to the Mughal Empire, the English barely had a toehold in the subcontinent. Their understanding of South Asian trade and India was sketchy at best, and, to the Mughals, they were minor players on a very large stage. Roe was representing a kingdom that was beset by financial woes and deeply conflicted about its identity as a unified ‘Great Britain’ under the Stuart monarchy. Meanwhile, the court he entered in India was wealthy and cultured, its dominion widely considered to be one of the greatest and richest empires of the world. In Nandini Das's fascinating history of Roe's four years in India, she offers an insider's view of a Britain in the making, a country whose imperial seeds were just being sown. It is a story of palace intrigue and scandal, lotteries and wagers that unfolds as global trade begins to stretch from Russia to Virginia, from West Africa to the Spice Islands of Indonesia. A major debut that explores the art, literature, sights and sounds of Jacobean London and Imperial India, Courting India reveals Thomas Roe's time in the Mughal Empire to be a turning point in history – and offers a rich and radical challenge to our understanding of Britain and its early empire.

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In recent years, there has been a real revival and appraisal of the works of the mid-century modern movement among architects and interior designers: the furniture, lighting and objects designed by Alvar Aalto, Charles & Ray Eames, Eileen Gray, Poul Henningsen, Arne Jacobsen, Pierre Jeanneret, Finn Juhl, Vladimir Kagan, Poul Kjaerholm, Florence Knoll, Le Corbusier, Ludwig Mies van der Rohe, Børge Mogensen, Serge Mouille, George Nakashima, George Nelson, Verner Panton, Ico Parisi, Charlotte Perriand, Gio Ponti, Jean Prouvé, Sergio Rodrigues, Jean Royère, Eero Saarinen, Arne Vodder, Jules Wabbes, Ole Wanscher, Hans J. Wegner, Jorge Zalszupin and many others is integrated in their most exclusive projects and their best pieces are sold at record prices at Christies, Philipps, Sotheby's... In the U.S., the mid-century modern movement in interiors, product and graphic design and architecture was a reflection of the International and Bauhaus movements including the works of Gropius, Florence Knoll, Le Corbusier and Ludwig Mies van der Rohe. Brazilian and Scandinavian architects were very influential, with a style characterised by clean simplicity and integration with nature. In Europe, the influence of Le Corbusier and the CIAM resulted in an architectural orthodoxy manifest across most parts of post-war Europe that was ultimately challenged by the radical agendas of the architectural wings of the avant-garde. A critical but sympathetic reappraisal of the internationalist oeuvre, inspired by the Scandinavian Moderns and the late work of Le Corbusier himself, was reinterpreted by groups such as Team X, including structuralist architects and the movement known as New Brutalism. This chic, over-sized coffee table book is an essential object for all mid-century design aficionados, interior designers with a passion for the modernist 1950s and for refined readers seeking inspiration for their own interiors. In 20 reports, interior designers and passionate collectors of mid-century furniture, lighting, objects and artworks show how carefully selected touches of high-end mid-century modernism can contribute to a unique living environment.

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Wildlife management specialists and landscape ecologists offer a new perspective on the important intersection of these fields in the twenty-first century.It's been clear for decades that landscape-level patterns and processes, along with the tenets and tools of landscape ecology, are vitally important in understanding wildlife-habitat relationships and sustaining wildlife populations. Today, significant shifts in the spatial scale of extractive, agricultural, ranching, and urban land uses are upon us, making it more important than ever before to connect wildlife management and landscape ecology. Landscape ecologists must understand the constraints that wildlife managers face and be able to use that knowledge to translate their work into more practical applications. Wildlife managers, for their part, can benefit greatly from becoming comfortable with the vocabulary, conceptual processes, and perspectives of landscape ecologists.In Wildlife Management and Landscapes, the foremost landscape ecology experts and wildlife management specialists come together to discuss the emerging role of landscape concepts in habitat management. Their contributions• make the case that a landscape perspective is necessary to address management questions• translate concepts in landscape ecology to wildlife management• explain why studying some important habitat-wildlife relationships is still inherently difficult• explore the dynamic and heterogeneous structure of natural systems• reveal why factors such as soil, hydrology, fire, grazing, and timber harvest lead to uncertainty in management decisions• explain matching scale between population processes and management• discuss limitations to management across jurisdictional boundaries and balancing objectives of private landowners and management agencies• offer practical ideas for improving communication between professionals• outline the impediments that limit a full union of landscape ecology and wildlife managementUsing concrete examples of modern conservation challenges that range from oil and gas development to agriculture and urbanization, the volume posits that shifts in conservation funding from a hunter constituent base to other sources will bring a dramatic change in the way we manage wildlife. Explicating the foundational similarity of wildlife management and landscape ecology, Wildlife and Landscapes builds crucial bridges between theoretical and practical applications.Contributors: Jocelyn L. Aycrigg, Guillaume Bastille-Rousseau, Jon P. Beckmann, Joseph R. Bennett, William M. Block, Todd R. Bogenschutz, Teresa C. Cohn, John W. Connelly, Courtney J. Conway, Bridgett E. Costanzo, David D. Diamond, Karl A. Didier, Lee F. Elliott, Michael E. Estey, Lenore Fahrig, Cameron J. Fiss, Jacqueline L. Frair, Elsa M. Haubold, Fidel Hernández, Jodi A. Hilty, Joseph D. Holbrook, Cynthia A. Jacobson, Kevin M. Johnson, Jeffrey K. Keller, Jeffery L. Larkin, Kimberly A. Lisgo, Casey A. Lott, Amanda E. Martin, James A. Martin, Darin J. McNeil, Michael L. Morrison, Betsy E. Neely, Neal D. Niemuth, Chad J. Parent, Humberto L. Perotto-Baldivieso, Ronald D. Pritchert, Fiona K. A. Schmiegelow, Amanda L. Sesser, Gregory J. Soulliere, Leona K. Svancara, Stephen C. Torbit, Joseph A. Veech, Kerri T. Vierling, Greg Wathen, David M. Williams, Mark J. Witecha, John M. Yeiser

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'This innovative collection of essays offers a uniquely comprehensive exploration of the way in which the EU engages with other international organizations and bodies. While both EU law and international law perspectives are examined, this book goes beyond mere legal analysis to address political and practical issues the EU encounters on the internal and the external fronts. It forms a major contribution to the literature on the relationship between the EU legal order and public international law and on the EU's role in international relations more generally.' - Geert De Baere, General Court of the EU and KU Leuven, Belgium 'As the European Union assumes an ever more prominent role as a global actor, there is a growing need to understand the ways and means of the EU's engagement with other international institutions. This volume, with contributions from renowned experts and scholars, is the first comprehensive study to address the various relationships in that category. It is the essential companion for practitioners and scholars in the fields of European law and international organization.' - Catherine Brölmann, University of Amsterdam, the Netherlands 'This is a commendable and timely Research Handbook, published in an era in which forces of nationalism and populism question the benefits of globalization and existing mechanisms of global governance. In this rich collection of studies, Wessel and Odermatt bring together some 50 experts from academia and practice, to analyze the multifarious interrelationships between the EU and other international institutions (from the UN to the G20, from the WTO to Regional Fisheries Management Organizations, from NATO to the Council of Europe).' - Niels Blokker, Leiden University, the Netherlands The European Union has established relationships with other international organizations and institutions, mainly as a result of its increasingly active role as a global actor and the transfer of competences from the Member States to the EU. Containing chapters by leading scholars, this Research Handbook presents a comprehensive and critical assessment of these relationships, examining both the EU's representation and cooperation as well as the influence of these external bodies on the development of EU law and policy. Insightful and analytical, the Research Handbook explores the interaction of the EU with both formal and informal international institutions as it seeks to become more visible and active within these. The many challenges associated with the limits set by the EU and by international law and politics in relation to EU participation and the 'state-centred' international legal system are assessed. This unique Research Handbook will be a key resource for scholars and students of international and European law and political science, providing a unique overview of the less well-known international organizations in addition to the large institutions. The examination of the development of law and policy will also be of interest to the practitioners of these organizations and those at national ministries. Contributors include: F. Amtenbrink, A. Andrione-Moylan, J. Beqiraj, S. Blockmans, F. Bontekoe, G. Butler, M. Cantero Gamito, E. Castellarin, A.-L. Chané, C. Cinelli, S. Coban, L. de Almeida, R. Delarue, S. Donnelly, T. Emmerling, E. Fahey, J.-P. Gauci, P. Heckler, J. Jacobsson, K.E. Jørgensen, R. Kamphof, A. Khalfaoui, M. Killander, J. Klabbers, K. Laatikainen, E. Lannon, R. Lawson, L. Lourenço, C. Matera, H.-W. Micklitz, J. Odermatt, E. Paasivirta, E. Pichot, T. Peri in, T. Ramopoulos, R. Repasi, J. Selleslaghs, A. Södersten, H. Suzen, B. van der Meulen, P. Van Elsuwege, M. Vaugeois, F. Vlastou-Dimopoulou, M. Wallot, B. Wernaart, R.A. Wessel, J. Wouters, C.-H. Wu, F. Yilmaz

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The subject of this book-an Italian-born exiled Prince-has become an icon of misjudged romanticism and Scottish nationalism; much of this is due to the way he has been portrayed over the years. This study traces how the enduring visual image of Prince Charles Edward Stuart was created, beginning with his birth in 1720 and ending with the exhibition of John Pettie's Prince Charles Edward Stuart Entering the Ballroom at Holyrood - probably still the most enduring and popular image of the Stuart prince-at the Royal Academy in 1892. This book considers the role of portraiture in the Stuart court, both before and after exile in 1688 and how the well-established traditions of royal portraiture and image-making were used by the Stuart dynasty to promote their ambitions and stature. Charles's birth in 1720 resulted in a flurry of portrait commissions in which he was depicted as the royal heir apparent. The messianic role with which he was invested reached its apotheosis with the Jacobite uprising of 1745. He adopted the costume and manners of an idealized Highland chieftain and within the space of a few months created an abiding iconography which was to endure long after his death. The major portraits of Charles executed during his lifetime are considered, from the early court portraits of Antonio David and Domenico Dupra to the final images of a broken man by Ozias Humphrey and Hugh Douglas Hamilton. Alongside this, there is a thorough examination of a parallel phenomenon in which works of art, observing established parameters, were copied and adapted, and then re-copied, until the tartan-clad ideal of 1745 began to eclipse the real person. The revering of Charles Edward and the manufacture of items bearing his likeness are compared to other "cults" of the individual and contrasted with the "commercialization of politics" which several commentators have identified as a coherent phenomenon of late eighteenth-century British life. The extent to which the material culture that surrounded the persona of Char

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The French Revolution created a new cultural world that freed women from the constraints of corporate privilege, aristocratic salons, and patriarchal censorship, even though it failed to grant them legal equality. Women burst into print in unprecedented numbers and became active participants in the great political, ethical, and aesthetic debates that gave birth to our understanding of the individual as a self-creating, self-determining agent. Carla Hesse tells this story, delivering a capacious history of how French women have used writing to create themselves as modern individuals. Beginning with the marketplace fishwives and salon hostesses whose eloquence shaped French culture low and high and leading us through the accomplishments of Simone de Beauvoir, Hesse shows what it meant to make an independent intellectual life as a woman in France. She offers exquisitely constructed portraits of the work and mental lives of many fascinating women--including both well-known novelists and now-obscure pamphleteers--who put pen to paper during and after the Revolution. We learn how they negotiated control over their work and authorial identity--whether choosing pseudonyms like Georges Sand or forsaking profits to sign their own names. We encounter the extraordinary Louise de Keralio-Robert, a critically admired historian who re-created herself as a revolutionary novelist. We meet aristocratic women whose literary criticism subjected them to slander as well as writers whose rhetoric cost them not only reputation but marriage, citizenship, and even their heads. Crucially, their stories reveal how the unequal terms on which women entered the modern era shaped how they wrote and thought. Though women writers and thinkers championed the full range of political and social positions--from royalist to Jacobin, from ultraconservative to fully feminist--they shared common moral perspectives and representational strategies. Unlike the Enlightenment of their male peers, theirs was more skeptical than idealist, more situationalist than universalist. And this alternative project lies at the very heart of modern French letters.

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How the internet transformed television Before HBO’s hit show Insecure, Issa Rae’s comedy about being a nerdy black woman debuted as a YouTube web series The Misadventures of Awkward Black Girl, her response to the absence of diverse black characters on the small screen. Broad City, a feminist sitcom now on Comedy Central, originated as a web series on YouTube, developed directly out of funny women Ilana Glazer and Abbi Jacobson’s real-life friendship. These unconventional stories took advantage of the freedom afforded outside the traditional television system: online. Open TV shows how we have left “the network era” far behind and entered the networked era, with the web opening up new possibilities for independent producers, entrepreneurs, and media audiences. Based on interviews with writers, producers, show-runners, and network executives, visits to festivals and award shows, and the experience of producing his own series, Aymar Jean Christian argues that the web brought innovation to television by opening up series development to new producers, fans, and sponsors that had previously been excluded. Online access to distribution provides creative freedom for indie producers, allows for more diverse storytelling from marginalized communities, and introduces new ways of releasing and awarding shows. Open TV is essential reading for anyone interested in the changing environment of television and how the internet can inspire alternatives to what’s on TV tonight.

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Digging through History Again: New Discoveries from Atlantis to the Holocaust follows archaeologist Richard Freund's journey through some of the most fascinating archaeological sites of human history—including the mysterious Atlantis, Qumran and the Dead Sea Scrolls, a medieval synagogue in northern Spain and the long-buried Holocaust camp Sobibor and long-neglected sites of the Holocaust. Each chapter takes readers through a different archaeological site, showing what we can learn about past religious life and religious faith through the artifacts found there, as well as what has given each site such strong "staying power" over time. It also highlights the technological developments in geoscience and archaeology of the last 25 years that allows us to uncover more with less time, expense. and labor while observing the sensitivities associated with Jewish traditions. Digging Through History Again further explores just how expansive the lost Atlantis Civilization really is, expands upon information known about the Dead Sea Scrolls and the newly discovered caves where more scrolls will be found, and uncovers new excavations of the death camp of Sobibor, the secrets of the Warsaw Ghetto and escapes from Sobibor, Ponar, and, Fort IX that will help set a standard for future archaeology of the Holocaust.Richard Freund and the research in Digging through History are featured in the National Geographic documentary Atlantis Rising, which premiered on National Geographic in 2017 and a documentary follows Oscar-winning executive producer James Cameron and Emmy-winning filmmaker Simcha Jacobovici as they investigate the myths and realities of Atlantis. The chapter on the “Archaeology of Jewish Resistance during the Holocaust” is also a part of the new television documentary “Resistance: They Fought Back” set to air in 2023. Digging through History is the only book that details Freund’s groundbreaking research on Atlantis and on Jewish resistance during the Holocaust that is featured in the films.

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"In Rough Meditations, reading about golf courses is almost as much fun as playing them." --Arnold Palmer "Many golfers have strong opinions when it comes to course architecture. Nobody, however, matches Brad Klein's ability to explain the difference between good and bad design. Rough Meditations deserves a place on that select list of must-reads for anyone who cares about the art of the golf course." --Peter Jacobsen "Rough Meditations is eloquently written, blends a variety of topics seamlessly together, and touches repeatedly on aspects of golf that are barely acknowledged by the majority of golfers and pretty much disregarded by devotees of the 'aerial game.' If you haven't done so already, buy this book. Read it. Digest what it says. Become architecturally 'literate.' It's worth it." --Bob Weisgerber, Golf Today Magazine Rough Meditations is a unique collection of fascinating essays that bring the world's greatest golf courses to life with brilliantly colorful prose. These charming and often hilarious essays take golf enthusiasts on an intimate tour of the game's most distinguished courses. Along the way, readers gain a privileged look at the differences between good and bad golf course design. Featured essays include: * In Golf as in Life * Longest Wait That Was Worth It * Goofiest Modern Green * Business or Art? * Read Any Good Greens Lately? * In the Beginning There Was Sand * Worst Shot in Golf * Treasure Hunting Long considered one of golf's most talented writers, Bradley Klein offers more than fifty essays, ranging from instructive to inspirational, that cover the architecture of courses, how to read greens, the ins and outs of green committees, the relationships that grow from the game, and much more. With a style all his own, Klein takes readers to where he was for years as a caddie on the PGA and LPGA tours--onto the grass and into the game.

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Louis XIV was a man in pursuit of glory. Not content to be the ruler of a world power, he wanted the power to rule the world. And, for a time, he came tantalizingly close. Philip Mansel’s King of the World is the most comprehensive and up-to-date biography in English of this hypnotic, flawed figure who continues to captivate our attention. This lively work takes Louis outside Versailles and shows the true extent of his global ambitions, with stops in London, Madrid, Constantinople, Bangkok, and beyond. We witness the importance of his alliance with the Spanish crown and his success in securing Spain for his descendants, his enmity with England, and his relations with the rest of Europe, as well as Asia, Africa, and the Americas. We also see the king’s effect on the two great global diasporas of Huguenots and Jacobites, and their influence on him as he failed in his brutal attempts to stop Protestants from leaving France. Along the way, we are enveloped in the splendor of Louis’s court and the fascinating cast of characters who prostrated and plotted within it.King of the World is exceptionally researched, drawing on international archives and incorporating sources who knew the king intimately, including the newly released correspondence of Louis’s second wife, Madame de Maintenon. Mansel’s narrative flair is a perfect match for this grand figure, and he brings the Sun King’s world to vivid life. This is a global biography of a global king, whose power was extensive but also limited by laws and circumstances, and whose interests and ambitions stretched far beyond his homeland. Through it all, we watch Louis XIV progressively turn from a dazzling, attractive young king to a belligerent reactionary who sets France on the path to 1789. It is a convincing and compelling portrait of a man who, three hundred years after his death, still epitomizes the idea of le grand monarque.

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Was it the Titanic of its age? Christened by an optimistic King James I in December 1609, the Trades Increase was the greatest English merchant vessel of the Jacobean era—a magnificent ship embodying the hopes of the nascent East India Company to claim a commanding share of the Eastern trade. But the ship's launch failed when it proved too large to exit from its dock, an ill-fated start to an expedition that would end some three years later, when a dangerously leaking Trades Increase at last reached the shores of Java. While its smaller companion vessel would sail home with handsome profits for investors, the rotting hull of the great ship itself was beyond repair. The Trades Increase and nearly all who sailed it perished wretchedly on the far side of the world. The terrible pattern proven by this voyage, with profits to an elite few in London stained by catastrophic losses in equipment and personnel abroad, ignited rancorous controversy in England over the human, moral, and economic costs of such commerce. In The Loss of the "Trades Increase" Richmond Barbour has written an engrossing account of the tragic expedition and of global capitalism at its hour of emergence. Its sources fragmented among journals, minutes, and letters in the archives of the East India Company, the full story of the Trades Increase is told here for the first time. Earlier writers minimized the loss as a temporary setback and necessary sacrifice on the road to empire. In a work informed by corporate history and postcolonial theory, Barbour sees the saga of the voyage, and all that produced and justified it, differently: as an expression of the structural conflicts, operational risks, and material incapacities that haunted and ultimately unraveled the British Empire—and that destabilize multinational corporations, global markets, and our common biosphere to this day.

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Quantum mechanics, based on the Schrodinger equation (and its relativistic Dirac's extension) is a statistical theory, here denominated as Statistical Quantum Mechanics (SQM), to differentiate it from the new part of the quantum theory, provided in PART I and II, denominated Individual-particles Quantum Mechanics (IQM). Both of them are necessary components of the quantum theory, as are the Classical Mechanics for Individual objects (ICM), based on the Newton equations, Hamiltonian-Jacobi equations or the Euler-Lagrange equation of motion of individual objects, and the Statistical Classical Mechanics (SCM) based on the Liouville equations. The SQM tells us the various possible outcomes of experiments and the corresponding probabilities if we would do a large number of identical experiments on individual quantum systems. The SQM systems are not all identical but this is the same type of fluctuation that occurs in classical statistical descriptions in SCM. At first sight the situation may not appear very different therefore from the description provided by classical statistical mechanics. In that case however, we have an underlying description (ICM) that provides a complete (i.e. non-statistical) description of the world, which in general is far too complex, however, to be of use. The last PART III of this trilogy is dedicated to the completion of the whole theoretical mechanics, both classical and quantum inside a 9-D time-space manifold of the Universe. Only in this final third volume, this IQM theory, dedicated in the first two volumes only to the elementary particles, is extended also to the non-elementary particles (like hadrons, nucleus, atoms, molecules, and all every-day objects in our common life, up to the biggest non-elementary particles, like the planets, stars, etc.) in our unique Universe. So, each object in our Universe, from the smallest (elementary) to the biggest, can be mathematically expressed by the same mathematical 9-D complex field expression, in a unifying way at which the physical determinism holds for the individual objects at all micro-macro scales in our Universe.

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Features an introduction to advanced calculus and highlights its inherent concepts from linear algebra Advanced Calculus reflects the unifying role of linear algebra in an effort to smooth readers' transition to advanced mathematics. The book fosters the development of complete theorem-proving skills through abundant exercises while also promoting a sound approach to the study. The traditional theorems of elementary differential and integral calculus are rigorously established, presenting the foundations of calculus in a way that reorients thinking toward modern analysis. Following an introduction dedicated to writing proofs, the book is divided into three parts: Part One explores foundational one-variable calculus topics from the viewpoint of linear spaces, norms, completeness, and linear functionals. Part Two covers Fourier series and Stieltjes integration, which are advanced one-variable topics. Part Three is dedicated to multivariable advanced calculus, including inverse and implicit function theorems and Jacobian theorems for multiple integrals. Numerous exercises guide readers through the creation of their own proofs, and they also put newly learned methods into practice. In addition, a "Test Yourself" section at the end of each chapter consists of short questions that reinforce the understanding of basic concepts and theorems. The answers to these questions and other selected exercises can be found at the end of the book along with an appendix that outlines key terms and symbols from set theory. Guiding readers from the study of the topology of the real line to the beginning theorems and concepts of graduate analysis, Advanced Calculus is an ideal text for courses in advanced calculus and introductory analysis at the upper-undergraduate and beginning-graduate levels. It also serves as a valuable reference for engineers, scientists, and mathematicians.

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'Migration in the 50s and 60s was formative for a whole generation of Caribbean writers, artists and intellectuals who, as Lamming himself says, became 'West Indian' in London. The Pleasures of Exile is simply the most poignant, eloquent, insightful and poetic set of reflections on that experience.' Stuart Hall 'The passing of more than 40 years hasn't dulled the sheer brazen confidence with which George Lamming brought a West Indian way of seeing to British life and literature.' Peter Hulme 'George Lamming is one of the most important writers in the African diaspora, and one whose work has touched illuminatingly on significant aspects of colonialism, postcolonialism, and other matters vitally important to our comprehension of the worlds in which we live.' Michael Awkward George Lamming is one of the major figures in late twentieth century literature: his novels -- including In the Castle of My Skin (1953) -- were part of the social, cultural, and political revolution of modern Black writing. The Pleasures of Exile, originally published in 1960, is Lamming's first work of non-fiction. Written during his self-imposed exile in Britain, it explores themes of identity formation. Incorporating memoirs of his own experience, Lamming draws upon Shakespeare's The Tempest and CLR James's The Black Jacobins, as well as his own fiction and poetry. He conjures a rich spectrum of physical, intellectual, psychological and cultural responses to colonialism. This new edition, with a new preface and introduction, reveals a writer far ahead of his time: written before the term 'post-colonial' was invented, the book explores issues that are central to studies of literature today, including the politics of migration, cultural hybridity and minority discourse.

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