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The contributors to this volume theorize Asian video cultures in the context of social movements, market economies, and local popular cultures to complicate notions of the Asian experience of global media. Whether discussing video platforms in Japan and Indonesia, K-pop reception videos, amateur music videos circulated via microSD cards in India, or the censorship of Bollywood films in Nigeria, the essays trace the myriad ways Asian video reshapes media politics and aesthetic practices. While many influential commentators overlook, denounce, and trivialize Asian video, the contributors here show how it belongs to the shifting core of contemporary global media, thereby moving conversations about Asian media beyond static East-West imaginaries, residual Cold War mentalities, triumphalist declarations about resurgent Asias, and budding jingoisms. In so doing, they write Asia's vibrant media practices into the mainstream of global media and cultural theories while challenging and complicating hegemonic ideas about the global as well as digital media. Contributors. Conerly Casey, Jenny Chio, Michelle Cho, Kay Dickinson, Bishnupriya Ghosh, Feng-Mei Heberer, Tzu-hui Celina Hung, Rahul Mukherjee, Joshua Neves, Bhaskar Sarkar, Nishant Shah, Abhigyan Singh, SV Srinivas, Marc Steinberg, Chia-chi Wu, Patricia Zimmerman

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The contributors to this volume theorize Asian video cultures in the context of social movements, market economies, and local popular cultures to complicate notions of the Asian experience of global media. Whether discussing video platforms in Japan and Indonesia, K-pop reception videos, amateur music videos circulated via microSD cards in India, or the censorship of Bollywood films in Nigeria, the essays trace the myriad ways Asian video reshapes media politics and aesthetic practices. While many influential commentators overlook, denounce, and trivialize Asian video, the contributors here show how it belongs to the shifting core of contemporary global media, thereby moving conversations about Asian media beyond static East-West imaginaries, residual Cold War mentalities, triumphalist declarations about resurgent Asias, and budding jingoisms. In so doing, they write Asia's vibrant media practices into the mainstream of global media and cultural theories while challenging and complicating hegemonic ideas about the global as well as digital media. Contributors. Conerly Casey, Jenny Chio, Michelle Cho, Kay Dickinson, Bishnupriya Ghosh, Feng-Mei Heberer, Tzu-hui Celina Hung, Rahul Mukherjee, Joshua Neves, Bhaskar Sarkar, Nishant Shah, Abhigyan Singh, SV Srinivas, Marc Steinberg, Chia-chi Wu, Patricia Zimmerman

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'I don't expect anyone to believe me,' warns the narrator of this novel, a Mexican student called Juan Pablo Villalobos. He is about to fly to Barcelona on a scholarship when he's kidnapped in a bookshop and whisked away by thugs to a basement. The gangsters are threatening his cousin-a wannabe entrepreneur known to some as 'Projects' and to others as 'dickhead' - who is gagged and tied to a chair. The thugs say Juan Pablo must work for them. His mission? To make Laia, the daughter of a corrupt politician, fall in love with him. He accepts . . . though not before the crime boss has forced him at gunpoint into a discussion on the limits of humour in literature. Part campus novel, part gangster thriller, I Don't Expect Anyone to Believe Me is Villalobos at his best. Exuberantly foul-mouthed and intellectually agile, this hugely entertaining novel finds the light side of difficult subjects - immigration, corruption, family loyalty and love - in a world where the difference between comedy and tragedy depends entirely on who's telling the joke.

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From fabulous enchantments and supernatural horrors to subtler, more psychological terrors, the best of nineteenth-century fantastic literature is collected here by Italo Calvino. These mysterious and macabre tales include Hoffmann's nightmarish 'The Sandman', Poe's terrifying 'The Tell-Tale Heart' and Dickens's chilling ghost story 'The Signal-Man', and relatively unknown works from celebrated writers including Honoré de Balzac, Henry James, Sir Walter Scott, Guy de Maupassant and Robert Louis Stevenson, alongside lesser-known contributors. Each story comes with a fascinating introduction by Calvino.

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New essays attempt to survey and map out the increasingly significant discipline of medievalism. Medievalism has been attracting considerable scholarly attention in recent years. But it is also suffering from something of an identity crisis. Where are its chronological and geographical boundaries? How does it relate to the Middle Ages? Does it comprise neomedievalism, pseudomedievalism, and other "medievalisms"? Studies in Medievalism XVII directly addresses these and related questions via a series of specially-commissioned essays from some of the most well-known scholars in the field; they explore its origins, survey the growth of the subject, and attempt various definitions. The volume then presents seven articles that often test the boundaries of medievalism: they look at echoes of medieval bestiaries in J. K. Rowling's Harry Potter books, the influence of the Niebelungenlied on Wagner's Ring cycle, representations of King Alfred in two works by Dickens, medieval tropes in John Bale's Reformist plays, authenticity in Sigrid Undset's novel Kristin Lavransdatter, incidental medievalism in Handel's opera Rodelinda, and editing in the audio version of Seamus Heaney's Beowulf. CONTRIBUTORS: KATHLEEN VERDUIN, CLARE A. SIMMONS, NILS HOLGER PETERSEN, TOM SHIPPEY, GWENDOLYN A. MORGAN, M. J. TOSWELL, ELIZABETH EMERY, KARL FUGELSO, EMILY WALKER HEADY, MARK B. SPENCER, GAIL ORGELFINGER, DOUGLAS RYAN VAN BENTHUYSEN, THEA CERVONE, WERNER WUNDERLICH, EDWARD R. HAYMES

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Countdown to Christmas with 24 illustrated storybooks!This luxury advent calendar contains a beautifully illustrated storybook behind each window to fire up children's imaginations in the build up to the big day. Perfect for bedtime reading and cosy story times.The collection of 24 books includes magical tales of princes and princesses, dragons and dinosaurs. As the big day approaches, you'll discover festive treats, including a retelling of Jingle Bells, with a QR code so you can sing along; and Charles Dickens' classic ghost story, A Christmas Carol, specially rewritten for little ones. The full set of 24 books forms a miniature library that can be treasured and enjoyed for many years to come.The stories you can enjoy are:1. Beauty and the Beast2. Puss in Boots3. The Lion and the Mouse4. A Christmas Carol5. The Three Wishes6. The Boy Who Cried Wolf7. The Golden Goose8. The Story of Coppelia9. The Christmas Cobwebs10. The Dinosaur who met Santa Claus11. The Tin Soldier12. Jingle Bells13. The Dragon Painter14. The Genie and the Bottle15. The Hare and the Tortoise16. The Magic Toymaker17. The Snow Queen18. The Rabbit's Tale19. Swan Lake20. Sleeping Beauty21. The Firebird22. The Twelve Dancing Princesses23. The Town Mouse and the Country Mouse24. The Friendly Dragon

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In 19th century London, on Christmas Eve, the greedy, selfish misanthrope Scrooge encounters the ghost of his dead partner, who warns him that three spirits will visit him to make him change his ways before he is damned forever. Charles Dicken's story is universally known, but in this adaptation by Munuera, Ebenezer becomes Elizabeth, and that simple yet fundamental difference, with all the social baggage it entails, may make her rather more unrepentant than her original model...

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Writing Pain in the Nineteenth-Century United States examines how pain is represented in a range of literary texts and genres from the nineteenth-century US. It considers the aesthetic, philosophical, and ethical implications of pain across the works of Ralph Waldo Emerson, Harriet Jacobs, Emily Dickinson, Henry James, Elizabeth Stuart Phelps, and Alice James, as the national culture of pain progressively transformed in the wake of the invention of anesthesia. Through examining the work of nineteenth-century writers, Constantinesco argues that pain, while undeniably destructive, also generates language and identities, and demonstrates how literature participates in theorizing the problems of mind and body that undergird the deep chasms of selfhood, sociality, gender, and race of a formative period in American history. Writing Pain in the Nineteenth-Century United States considers first Emerson's philosophy of compensation, which promises to convert pain into gain. It also explores the limitations of this model, showing how Jacobs contests the division of body and mind that underwrites it and how Dickinson challenges its alleged universalism by foregrounding the unshareability of pain as a paradoxical measure of togetherness. It then investigates the concurrent economies of affects in which pain was implicated during and after the Civil War and argues, through the example of James and Phelps, for queer sociality as a response to the heteronormative violence of sentimentalism. The last chapter on Alice James extends the critique of sentimental sympathy while returning to the book's premise that pain is generative and the site of thought. By linking literary formalism with individual and social formation, Writing Pain in the Nineteenth-Century United States eventually claims close reading as a method to recover the theoretical work of literature.

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Revised and updated to feature the 2019 Stanley Cup victory! Nobody bleeds Blue like Bob Plager, considered one of the funniest men in hockey. This rollicking book details Plager's romance with the Bluenotes from day one in 1967 to the present day. He was an original Blues player, a rugged defenseman whose specialty was the hip check. He remains an original personality and a good-humored man whose specialty is now the quick quip. As a master storyteller, Plager packs Tales from the St. Louis Blues Locker Room with insights from every level of the hockey rink. He chronicles the puzzling mind games of a young Scotty Bowman, the quirky coach whose legend began with the original Blues. In those old-school days, Plager learned memorable lessons from veterans like Al Arbour, Doug Harvey, Glenn Hall, Dickie Moore, and Jacques Plante, all future Hall of Famers. The early years also brought the three Plager brothers--Bob, Barclay, and Billy--together in St. Louis. Bob played long enough to help break in two Western Canadian kids, future captain Brian Sutter and future Hall of Famer Bernie Federko. Plager later coached a new generation of stars in St. Louis, players like Brett Hull, Brendan Shanahan, and Curtis Joseph. The tears and the cheers, the fun and the frustration--it is all found in Tales from the St. Louis Blues Locker Room.

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Jorge y Berto tienen una profesora nueva: Maripi Llina. Y mola bastante, aunque les hace leer unos libracos gordísimos, maduros y profundos... que, en el fondo, no están tan mal. Inspirados por "Historia de dos ciudades", de Charles Dickens, nuestros dos comiqueros favoritos han creado un nuevo tebeo de Policán: una historia de opresión, redención, resurrección y esperanza(ción). Con todos ustedes, "Historia de dos mininos"!

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Selected by Sandra McPherson for the 1996 National Poetry Series The late poet James V. Dickey was judge of the Yale Prize poetry competition when he wrote to A. V. Christie, one of the finalists, "I have become very fond of your poems, especially the elegiac ones. . . . Your work is heartfelt; one believes every word of it. . . . You have given me much in-depth pleasure; have moved me strongly." The work in Nine Skies is as Dickey described it--heartfelt, moving. Here is what others say about it: "Beautifully crafted and sustained, with six or seven poems as fine as anything being written today. This remarkable book is a rite of passage for the poet and speaks of even better things to come." -- Elizabeth Spires "Only the best poetry is written this well, with this much craft and conviction. Of course the poems are meditative and elegiac, brilliant and finely detailed, but they are also thought through and wholly felt, so that even in their small moments they celebrate." -- Stanley Plumly "A. V. Christie writes with a Romantic's eye and a Realist's heart, so there is no sentimentality, that sickness afflicting our age. The voice on these pages is hard-bitten, luxuriant, and true." -- Henri Cole "Nine Skies is a graceful realization in each detail of elegy or celebration." -- Sandra McPherson

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Don’t panic! The Hitchhiker’s saga returns once again with a full-cast dramatisation of Mostly Harmless, the fifth book in Douglas Adams’s famous ‘trilogy in five parts’.‘A radio event... the great original cast has been reassembled’. Gillian Reynolds, The Daily TelegraphWhile frequent flyer Arthur Dent searches the universe for his lost love, Ford Prefect discovers a disturbing blast from the past at The Hitchhiker’s Guide HQ. Meanwhile, on one of many versions of Earth, a blonder, more American Trillian gets tangled up with a party of lost aliens having an identity crisis. And just when Arthur thinks he has found his true vocation on the backwater planet of Lamuella, the original Trillian turns up with more than a little spanner in the works. A stolen ship, a dramatic stampede and a new and sinister Guide lead to a race to save the Earth … again. But this time, will they succeed?Simon Jones returns as Arthur, Geoffrey McGivern as Ford, Mark Wing-Davey as Zaphod Beeblebrox, Susan Sheridan as Trillian, Sandra Dickinson as Tricia McMillan, and Stephen Moore as Marvin. William Franklyn is the Book, Rula Lenska is also the Book and Samantha Béart is Random. Guest stars include Miriam Margolyes, Griff Rhys Jones, John Challis, Roy Hudd, Saeed Jaffrey, and Jonathan Pryce.This extended CD edition features 40 minutes of material not heard on BBC Radio 4.Duration: 2 hrs 30 mins approx.

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Geoffrey Chaucer is rightly regarded as the Father of English Literature. His observant wit, his narrative skill and characterization, his linguistic invention, have been a well from which the language's greatest writers have drawn: Shakespeare, Pope, Austen, Dickens among them. A courtier, a trade emissary and diplomat, he fought in the Hundred Years War and was captured and ransomed; his marriage into the family of John of Gaunt ensured his influence in political society. For more than a decade, he was engaged on his most famous work of all, The Canterbury Tales, until his death around 1400; there is no record of the precise date or the circumstances of his demise, despite vivid and colourful speculation.Bernard O'Donoghue is one of the country's leading poets and medievalists. His accessible new selection includes a linking commentary on the chosen texts, together with a comprehensive line-for-line glossary that makes this the most approachable and accessible introduction to Chaucer that readers can buy.

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Loved and hated in equal measure, London was for centuries the world's greatest city. Its streets, teeming with history, have always worn a variety of influences, reflecting the diverse crowds who have walked them. Its citizens have witnessed everything from pilgrimages, celebrations, acts of heroism and moments of religious contemplation to riots, executions, grisly murders and disastrous plagues and fires. Drawing on letters, diaries and memoirs of London's most interesting inhabitants and visitors, this anthology compiled by acclaimed historian Thomas Wright and with an introduction by Peter Ackroyd tells the story of the city from its earliest years.Here you will find John Evelyn's famous account of the Great Fire in 1666, Dickens's brilliant evocation of the Gordon Riots of 1780, an eyewitness description of the execution of Charles I, and Churchill's recollections of the Blitz. There are also less familiar, though no less vivid, excerpts, which provide an entertaining, sometimes risqué glimpse into the life, customs and morals of this great city.

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Hope Never Knew Horizon fictionalises the origins of three cultural objects associated with hope - the blue whale skeleton hung in London's Natural History Museum, Emily Dickinson's poem 'Hope is the thing with feathers', and G. F. Watts' painting 'Hope' - telling their stories from the perspective of someone marginalised from history.

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Contrary to the monochrome vision of Queen Victoria’s mourning dresses and the coal-polluted streets of Charles Dickens’ London, Victorian Britain was, in fact, a period of new and vivid colours. The Industrial Revolution had transformed the Victorians’ perception of colour and, over the course of the second half of the 19th century, it became the key signifier of modern life. Colour Revolution: Victorian Art, Fashion & Design charts the Victorians’ new attitudes to colour through a multi-disciplinary exploration of culture, technology, art and literature. The catalogue explores key ‘chromatic’ moments that inspired Victorian artists and writers to think anew about the materiality of colour. Rebelling against the bleakness of the industrial present, these figures learned from the sacred colours of the past, the sumptuous colours of the Middle East and Japan and looked forward towards the decadent colours that defined the end of the century.

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Hans Christian Andersen's "The Snow Queen" has delighted readers for more than a century and inspired numerous adaptations. This anthology gathers 100 tales that share the winter theme of Andersen's classic. In addition to stories by Andersen and the Brothers Grimm, it includes works by Dickens, Louisa May Alcott, Wilde, selections from Andrew Lang's fairy books, and Alexandre Dumas's The History of a Nutcracker.

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'The book of the year. THE book on dogs. And people.' Andrew Dickens, Newstalk ZBMike White began walking his SPCA-rescue huntaway, Cooper, at Wellington's dog parks ten years ago, and since then has become part of a remarkable community of people and their pets.Written with wit, wisdom and heartbreaking poignancy, How to Walk a Dog is a story anyone who has ever owned or loved a dog will relate to. You will laugh, you will cry, and you will learn some of the secrets of living with a dog.Illustrated with drawings from acclaimed cartoonist Sharon Murdoch.

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Billy Collins is one of the world’s most popular poets. While his poems often begin in the everyday and domestic, fans know that they might end anywhere – and that they will lift their heads from the book to a world startlingly different from the one they had left moments before. Billy Collins’ previous collection, Taking Off Emily Dickinson’s Clothes, was an extraordinary success, introducing thousands of readers to his exhilarating poetry for the first time. By turns wildly funny and intensely moving, Nine Horses has won Billy Collins even more admirers.

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New essays on Thomas Traherne challenge traditional critical readings of the poet. Thomas Traherne has all too often been defined and studied as a solitary thinker, "out of his time", and not as a participant in the complex intellectual currents of the period. The essays collected here take issue with this reading, placing Traherne firmly in his historical context and situating his work within broader issues in seventeenth-century studies and the history of ideas. They draw on recently published textual discoveries alongside manuscripts which will soon be published for the first time. They address major themes in Traherne studies, including Traherne's understanding of matter and spirit, his attitude towards happiness and holiness, his response to solitude and society, and his Anglican identity. As a whole, the volume aims to re-ignite discussion on settled readings of Traherne's work, to reconsider issues in Traherne scholarship which have long lain dormant, and to supplement our picture of the man and his writings through new discoveries and insights. Elizabeth S. Dodd is programme leader for the MA in theology, ministry and mission and lecturer in theology, imagination and culture at Sarum College, Salisbury; Cassandra Gorman is lecturer in English at Trinity College, Cambridge. Contributors: Jacob Blevins, Warren Chernaik, Phoebe Dickerson, Elizabeth S. Dodd, Ana Elena González-Treviño, Cassandra Gorman, Carol Ann Johnston, Alison Kershaw, Kathryn Murphy

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Build your child’s reading confidence at home with fully decodable phonics books matched to Letters and Sounds. This book features exciting fiction and non-fiction decodable readers to enthuse and inspire children. They are fully aligned to Letters and Sounds Phases 1–6 and contain notes in the back. The Handbooks provide support in demonstration and modelling, monitoring comprehension and expanding vocabulary. Explore the world of numbers through familiar traditional stories, such as Hickory Dickory Dock! and Ten in a Bed, in this beautifully illustrated wordless book. Lilac/Band 0 books are wordless books that tell a story through pictures and are designed to develop an understanding of how stories work. They support early practice of reading and exploration of familiar themes to further develop curiosity and inspiration for early readers. Images from within each scene are pulled out along the bottom of the pages to focus and promote discussion. These books support Phase 1 of Letters and Sounds. Pages 14 and 15 contain an “I Spy” feature, which uses visual support to help children explore the themes and sounds contained within the book. Reading notes within the book provide practical support for reading Big Cat Phonics for Letters and Sounds with children, including a list of all the sounds and words that the book will cover.

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The creator of Story Theater, the original director of Second City, and one of the greatest popularizers of improvisational theater, Paul Sills has assembled some of his favorite adaptations from world literature. Includes: The Blue Light and Other Stories, A Christmas Carol (Dickens), Stories of God, and Rumi.

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In Letters of Note: Cats, Shaun Usher collects together the most engaging missives that celebrate, eulogise, rail against and analyse the idiosyncratic ways of our feline companions.Nikola Tesla, Elizabeth Taylor,Charles Dickens, Anne Frank,T.S. Eliot, Raymond Chandler,John Cheever, Florence Nightingale,Rachel Carson, Jack Lemmon& many more

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This book covers a century of the best, most charismatic and most controversial men ever to don the white coat and stand for first-class cricket. From the great Victorian personalities to the stalwarts of the modern era, such as Dicky Bird, David Shepperd and Peter Willey, this book profile the best of those imposing characters, who can make or break a batsman with the simple raising of a finger.

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Examines the moving image in relation to nineteenth-century literature, theories of mind, and visual media This book examines how the productive interplay between nineteenth-century literary and visual media paralleled the emergence of a modern psychological understanding of the ways in which reading, viewing and dreaming generate moving images in the mind. Reading between these parallel histories of mind and media reveals a dynamic conceptual, aesthetic and technological engagement with the moving image that, in turn, produces a new understanding of the production and circulation of the work of key nineteenth-century writers, such as Lord Byron, Walter Scott, Lewis Carroll, Charles Dickens and William Makepeace Thackeray. As Helen Groth shows, this engagement is both typical of the nineteenth-century in its preoccupation with questions of automatism and volition (unconscious and conscious thought), spirit and materiality, art and machine, but also definitively modern in its secular articulation of the instructive and entertaining applications of making images move both inside and outside the mind. Key Features *Considers the impact of the dramatic transformations in print and visual culture on our understanding of the production, circulation and mediation of works by Byron, Scott, Thackeray, Carroll, Dickens, Mayhew and James, as well as lesser-known writers such as Ann and Jane Taylor, Pierce Egan, Countess Blessington, and George Sims *Provides a new perspective on the conventional opposition of the early cinema of attractions to the immersive absorption of both nineteenth-century literary formations and later classical narrative cinema

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One Way Out is the definitive biography of The Allman Brothers Band, written with the band's full participation and filled with original, never-before-published interviews as well as personal letters and correspondence. Updated with material on their last year as The Allman Brothers Band, including new and exclusive interviews with band members, the One Way Out paperback is the most in-depth look at a legendary American rock band that has meant so much to so many for so long. For twenty-five years, Alan Paul has covered and written about The Allman Brothers Band, conducting hundreds of interviews, riding the buses with them, attending rehearsals and countless shows. He has interviewed every living band member for this book, as well as managers, roadies, and contemporaries, including: Gregg Allman, Dickey Betts, Jaimoe, Butch Trucks, Warren Haynes, Derek Trucks, Oteil Burbridge, the late Allen Woody, Jimmy Herring, Eric Clapton, Bob Weir, and many others. One Way Out is filled with musical and cultural insights, riveting tales of sometimes violent personality conflicts and betrayals, drug and alcohol use, murder allegations and exoneration, tragic early deaths, road stories, and much more, including the most in-depth look at the acrimonious 2000 parting with founding guitarist Dickey Betts and behind-the-scenes information on the recording of At Fillmore East, Layla, Eat A Peach, Brothers and Sisters, and other classic albums.

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AN INTERNATIONAL BESTSELLER AND WINNER OF THE ICELANDIC LITERATURE PRIZE"The Icelandic Dickens" Irish Examiner"Stefánsson shares the elemental grandeur of Cormac McCarthy" EILEEN BATTERSBY, T.L.S. Supplement"A wonderful, exceptional writer . . . A timeless storyteller" CARSTEN JENSEN"Sometimes, in small places, life becomes bigger" Sometimes a distance from the world's tumult opens our hearts and our dreams. In a village of four hundred souls, the infinite light of an Icelandic summer makes its inhabitants want to explore, and the eternal night of winter lights up the magic of the stars. The village becomes a microcosm of the age-old conflict between human desire and destiny, between the limits of reality and the wings of the imagination. With humour, with poetry, and with a tenderness for human weaknesses, Stefánsson explores the question of why we live at all.Translated from the Icelandic by Philip Roughton

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Studies of how the physical manifests itself in medieval romance - and medieval romances as objects themselves. Medieval romance narratives glitter with the material objects that were valued and exchanged in late-medieval society: lovers' rings and warriors' swords, holy relics and desirable or corrupted bodies. Romance, however, is also agenre in which such objects make meaning on numerous levels, and not always in predictable ways. These new essays examine from diverse perspectives how romances respond to material culture, but also show how romance as a genre helps to constitute and transmit that culture. Focusing on romances circulating in Britain and Ireland between the twelfth and sixteenth centuries, individual chapters address such questions as the relationship between objects and protagonists in romance narrative; the materiality of male and female bodies; the interaction between visual and verbal representations of romance; poetic form and manuscript textuality; and how a nineteenth-century edition of medieval romances provoked artists to homage and satire. NICHOLAS PERKINS is Associate Professor and Tutor in English at St Hugh's College, University of Oxford. Contributors: Siobhain Bly Calkin, Nancy Mason Bradbury, Aisling Byrne, Anna Caughey, Neil Cartlidge, Mark Cruse, Morgan Dickson, Rosalind Field, Elliot Kendall, Megan G. Leitch, Henrike Manuwald, Nicholas Perkins, Ad Putter, Raluca L. Radulescu, Robert Allen Rouse,

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Fierce, searing, and darkly comical, Garriga's debut collection of short-short fiction depicts historical and imagined duels, re-envisioning in a flash the competing points of motivation--courage and cowardice, honor and vengeance--that lead individuals to risk it all. In this compact collection, "settling the score" provides a fascinating apparatus for exploring foundational civilizing ideas. Notions of courage, cowardice, and revenge course through Michael Garriga's flash fiction pieces, each one of which captures a duel's decisive moment from three distinct perspectives: opposing accounts from the individual duelists, followed by the third account of a witness. In razor-honed language, the voices of the duelists take center stage, training a spotlight on the litany of misguided beliefs and perceptions that lead individuals into such conflicts. From Cain and Abel to Andrew Jackson and Charles Dickenson; from John Henry and the steam drill to an alcoholic fighting the bottle: the cumulative effect of these powerful pieces is a probing and disconcerting look at humankind's long-held notions of pride, honor, vengeance, and satisfaction. Meticulously crafted by Garriga, and with stunning illustrations by Tynan Kerr, The Book of Duels is a unique and remarkable debut.

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‘It’s a tough gig to write a book that is both academic and accessible. And yet Stuart and Amy have pulled this off. It is a brilliant boon to the English teaching community.’ - Mary Myatt Ready to Teach: A Christmas Carol brings together the deep subject knowledge, resources and classroom strategies needed to teach Dickens’s most famous Christmas story, as well as the pedagogical theory behind why these ideas work, helping teachers to deliver a knowledge-rich curriculum with impact. With fresh approaches building on the success of Ready to Teach: Macbeth, each chapter contains lesson-by-lesson essays and commentaries that enhance subject knowledge on key areas of the text alongside fully resourced lessons reflecting current and dynamic best practice. The book also offers an introduction to the key pedagogical concepts which underpin the lessons and why they are proven to help students develop powerful knowledge and key skills. Whether you are new to teaching or looking for different ways into the text, Ready to Teach: A Christmas Carol is the ideal companion to the study of this 19th century classic. With a foreword by Mary Myatt.

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New approaches to women writers and attitudes to women in the Romantic period, principally focused on North America. Focusing on the period from 1770 to 1830, this collection deploys recent thinking on women in the romantic period to define an agenda which will shape studies in this area into the next century. Investigating issues of class and gender, imperalism and gender identity, and gender and genre, the essays range widely over women and women's affairs during the period, and include pieces on such important writers as Emily Dickinson, Letitia Landon, and Anna Letitia Barbauld. Recent developments in the theory and practice of feminist literary criticism are used to reassess the literature of the period, and to interrogate the notion of romanticism, both as a conceptual model and as a periodbounded by dates and geographical restrictions. As a whole, the volume raises questions about gendered romanticism in America, about the surge of romantic poetics in mid-century, and about the appropriation of gendered romanticism by fin-de-siècle writers. Dr ANNE JANOWITZteaches in the Department of English and Comparative Literary Studies at the University of Warwick. Contributors: GARY KELLY, MARY FAVRET, WILLIAM KEACH, JOSEPHINE MCDONAGH, SONIA HOFKOSH, EMMA FRANCIS, DARIA DONNELLY, BRIDGET BENNETT, IRA LIVINGSTON

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A collection of inspiring and provocative quotations from pioneering artist, feminist, and activist Judy ChicagoA fierce activist for women’s rights and against climate change, Judy Chicago defines herself best: “I’m Judy Chicago, and I’m an artist and a troublemaker.” A leader of the Women’s Art Movement of the 1970s, Chicago also founded the first feminist art program in the United States. She is renowned for her monumental installation The Dinner Party (1974–1979), an iconic work that celebrates female luminaries from history and mythology, including Georgia O’Keeffe, Emily Dickinson, Sojourner Truth, and Hatshepsut. Gathered from interviews and other sources, Judy Chicago-isms is an inspiring collection of the memorable and powerful words of a trailblazing artist. “You don’t have to be a man to support a patriarchal worldview, and you don’t have to be a woman to support feminist values.” “You have to choose hope. Hope comes from feeling that you’re on the side of right and fighting for it. If you’re a passive observer to what’s going on, it’s easy to give in to despair.” “Feminist art is all the stages of a woman giving birth to herself.” “[Women] should get fifty percent of the space in all institutions. That is what our mandate has to be.”

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The seventy-fifth anniversary edition, with a new introduction by Anthony Quinn.'I recommend Hamilton at every opportunity, because he was such a wonderful writer and yet is rather under-read today. All his novels are terrific' Sarah Waters'If you were looking to fly from Dickens to Martin Amis with just one overnight stop, then Hamilton is your man' Nick HornbyPatrick Hamilton's novels were the inspiration for Matthew Bourne's new dance theatre production, The Midnight Bell.London, 1939, and in the grimy publands of Earls Court, George Harvey Bone is pursuing a helpless infatuation. Netta is cool, contemptuous and hopelessly desirable to George. George is adrift in a drunken hell, except in his 'dead' moments, when something goes click in his head and he realises, without a doubt, that he must kill her. In the darkly comic Hangover Square Patrick Hamilton brilliantly evokes a seedy, fog-bound world of saloon bars, lodging houses and boozing philosophers, immortalising the slang and conversational tone of a whole generation and capturing the premonitions of doom that pervaded London life in the months before the war.

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Thilo Westermann is known for his reverse glass paintings, unique prints, and photomontages. The catalogue accompanies the exhibition of the same name at the Vitromusée Romont and presents the artist’s work, from the manual processing of picture motifs on the reverse side of glass plates to the migration of forms in his photomontages. In addition to a wide range of color illustrations, the publication brings together contributions by internationally renowned art historians. Thilo Westermann est connu pour ses peintures sous verre, ses tirages uniques et ses photomontages. Le catalogue, qui accompagne l’exposition du même nom présentée au Vitromusée Romont, introduit à l’œuvre de l’artiste, des motifs filigranes gravés à la main au dos de la plaque de verre à la migration des formes dans les photomontages. Richement illustré, l’ouvrage rassemble les contributions d’historien·ne·s de l’art de renommée internationale. With contribution by | Avec des contributions deXavier Salmon (Musée du Louvre Paris), Martin Thierer (Munich), Hans Dickel (Friedrich-Alexander-Universität Erlangen), Christopher L. Maxwell (Art Institute of Chicago), Magali Nachtergael (Université Bordeaux Montaigne), Shao-Lan Hertel (Tsinghua University Art Museum Beijing)

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Imagine a book of hours condensed into a book of minutes: that is the project of the compact lyrical prose poems found in Gemma Gorga’s Book of Minutes, the first English-language translation of this emerging poet, widely known and loved in her native Catalonia yet little known outside it. The poems in Book of Minutes move seamlessly from philosophical speculation to aphorism, condensed narrative, brief love letter, and prayer, finding the metaphysical in even the most mundane. In the space of one or two paragraphs, they ponder God, love, language, existence, and beginnings and endings both large and small. In her openness to explore these and many other subjects, Gorga’s leitmotif might well be “light.” Carrying with them echoes of Wallace Stevens, Rainer Maria Rilke, Hans Christian Andersen, Francis Ponge, George Herbert, and Emily Dickinson, the poems in Book of Minutes are nonetheless firmly in the twenty-first century, moving in a single breath from the soul to diopters or benzodiazepine. In deft, idiomatic translation from Sharon Dolin, Book of Minutes also retains the original Catalan texts on facing pages.

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The initial responses to 9/11 engaged categorical questions about 'war', 'terrorism', and 'crime'. Now the implementation of counter-terrorism law is infused with dichotomies - typically depicted as the struggle between security and human rights, but explored more exactingly in this book as traversing boundaries around the roles of lawyers, courts, and crimes; the relationships between police, military, and security agencies; and the interplay of international and national enforcement. The contributors to this book explore how developments in counter-terrorism have resulted in pressures to cross important ethical, legal and organizational boundaries. They identify new tensions and critique the often unwanted outcomes within common law, civil law, and international legal systems.This book explores counter-terrorism measures from an original and strongly comparative perspective and delivers an important resource for scholars of terrorism laws, strategies, and politics, as well as human rights and comparative lawyers.Contributors: M.L. Anglí, S. Bronitt, B. Dickson, S. Donkin, F. Galli, J.-M.L. Gorostiza, S. Hufnagel, A. Masferrer, M.C. Meliá, J. Moran, A. Petzsche, A. Staniforth, C. Walker, S. Wallerstein, D.P.J. Walsh

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Hugely admired by artists and writers from Henri Cartier Bresson to the Booker prize winner Howard Jacobson, the extraordinary life and work of painter Dennis Creffield (1931-2018) are explored in this, the first major monograph on the artist. The narrative traces the artist's 'Dickensian' upbringing, his formative experiences as a teenager under the tutelage of David Bomberg, his conversion to Catholicism and his award-winning years at the Slade. Focus is given to Creffield's passions for the stories of England, not only in the Cathedral drawings, but in his expressive work on Shakespeare's Midsummer Night's Dream, on Blake and in his paintings and drawings of London, the great Petworth House, Cornish tin mines and the eerie military buildings on Orford Ness. Complementing his work on England's sacred and profane identity is an equally audacious body of work on the human body, from tender paintings of mother and child to erotic paintings of women to his late paintings of men near death - Turner, Nelson and Rimbaud. To quote his fellow artist R.B. Kitaj, Creffield's cover has been 'well and truly blown.'

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In this lively collection, wine snobs receive their comeuppance at the hands of Roald Dahl and Edgar Allan Poe; innocents over-imbibe in tales by Jack London and Alice Munro; riotous partying exacts a comic price in stories by P. G. Wodehouse and Kingsley Amis; Charles Jackson and Jean Rhys chronicle liquor-soaked epiphanies; while John Cheever, Vladimir Nabokov and Robert Coover set their characters afloat on surreal, soul-revealing adventures. Here, too, are well-lubricated tales by Dickens, Twain, Beckett, Colette, Dorothy Parker, F. Scott Fitzgerald, Doris Lessing, Frank O'Connor, Penelope Lively, and many more.The settings include hotels and restaurants, a wine cellar in Italy, a café in Paris, a bar in Dublin, a New York nightclub, Jazz Age speakeasies, suburban lawn parties and the occasional gaol cell, and are peopled by lovers and loners, barmen and chorus girls, youths taking their first sips and experienced tipplers nursing hangovers.Whether living it up or drowning their sorrows, the vividly drawn characters in these sparkling pages will leave you shaken and stirred.

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Fusing lyric meditation and narrative perceptions, the poems in Cynthia Hogue's new collection 'Flux' track the natural world and the self in it -- from the Sonoran Desert of the Southwest to the far north of Iceland. In the tradition of the distilled and lyrically abstract poetry of Dickinson and H.D., Flux opens into visionary language and the search for transcendence.

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Discover some of the rarest and most desirable Porsche sports cars ever produced! Throughout the history of the sports car, no marque has epitomized the excitement and passion of driving like Porsche. The Saratoga Automobile Museum, in collaboration with architect Steven Harris, presents 22 of the marque’s rarest air and water-cooled cars. This remarkable collection highlights the manufacturer’s past seven decades of production -- from 356 Carreras and Speedsters to high-performance RS 911s -- all captured in sensational detail by renowned photographer James Lipman. Showcases 22 of the rarest and most desirable Porsche sports cars, from the 1956 Carrera GT to the 2019 991.2 GT2RS, as well as several custom builds More than 240 stunning images including exterior, interior, and engine-bay details by Car and Driver, Motor Trend, and Top Gear photographer James Lipman. Includes driving impressions from automotive journalists Jethro Bovingdon of Top Gear, Dickie Meaden of evo magazine, and Intercooler cofounder Andrew Frankel The stunning imagery is accompanied by specifications and history as well as driving impressions from leading automotive writers Richard Meaden, John Simister and others. Air & Water combines breathtaking imagery and words to transport the reader on a thrilling journey of being behind the wheel of these ultra-rare machines.

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The Victorians excelled at telling ghost stories. In an age of rapid scientific progress the idea of a vindictive past able to reach out and violate the present held a special potential for terror. Throughout the nineteenth century fictional ghost stories developed in parallel with the more general Victorian fascination with death and what lay beyond it. Though they were as much a part of the cultural and literary fabric of the age as imperial confidence, the best of them still retain their original power to surprise and unsettle. The editors map out the development of the ghost story from 1850 to the early years of the twentieth century and demonstrate the importance of this form of short fiction in Victorian popular culture. As well as reprinting stories by supernatural specialists such as J. S. Le Fanu and M. R. James, this selection also emphasizes the key role played by women writers - Elizabeth Gaskell, Mrs Craik, Rhoda Broughton, and Charlotte Riddell, among many others - and offers one or two genuine rarities for the supernatural fiction enthusiast to savour. Other writers represented include Charles Dickens, Henry James, Wilkie Collins, Sir Arthur Conan Doyle, and R. L. Stevenson. The editors also provide a fascinating introduction, detailed source notes, and a chronological list of ghost stories collections from 1850 to 1910.

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Sculpture has the longest memory of the arts: from the Paleolithic era we find stone carvings and clay figures embedded with human longing. And poets have long been fascinated by the idea of eternity embodied by the monumental temples and fragmented statues of ancient civilizations.From Keats's Grecian urn and Shelley's 'Ozymandias' to contemporary verse about Maya Lin's Vietnam Veterans Memorial and Janet Echelman's windborne hovering nets, the pieces in this collection convert the physical materials of the plastic arts - clay, wood, glass, marble, granite, bronze - into lapidary lines of poetry. Whether the sculptures celebrated here commemorate love or war, objects or apparitions, forms human or divine, they have called forth evocative responses from a wide range of poets, including Homer, Ovid, Shakespeare, Baudelaire, Rilke, Dickinson, Yeats, Auden and Plath. A compendium of dazzling examples of one art form reflecting on another, Poems About Sculpture is a treat for art lovers.

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ORCHESTRATED DEATHMiddle-class, middle-aged and, according to his partner, menopausal, Detective Inspector Bill Slider is never going to make it to the Yard. Passed over for promotion again, the last thing he needs in his life, or on his patch, is an unidentifiable, naked female corpse.A priceless Stradivarius and a giant tin of olive oil are the only clues in an investigation that takes the steely-eyed, furry-headed detective all the way from the exotic backstreets of Shepherd's Bush to far-flung Birmingham.DEATH WATCHWhen a noted womaniser dies in mysterious circumstances in a sleazy motel and the whole of his murky past comes to light, DI Bill Slider begins to question more than whether the game is worth the candle. Right is right, and indivisible. As soon as he's solved the motel mystery, and found out what the Neary boys and Gorgeous George are up to, Slider's going to have to start putting his own house in orders ...NECROCHIPDetective Superintendent 'George' Dickson's replacement by DS 'Mad Ivan' Barrington - a new broom determined to sweep clean - is all par for the course for DI Bill Slider, as he faces the unhygienic fact of a dismembered corpse in a catering establishment.But there are still niggling questions to distract him: why didn't Barrington like Dickson? What is the mystery of the stake-out they once did together? And why is Slider's home life in almost perpetual stride?

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This guide examines the production and reception of poetry by a range of women writers - predominantly although not exclusively writing in English - from Sappho through Anne Bradstreet and Emily Bronte to Sylvia Plath, Eavan Boland and Susan Howe. Women's Poetry offers a thoroughgoing thematic study of key texts, poets and issues, analysing commonalities and differences across diverse writers, periods, and forms. The book is alert, throughout, to the diversity of women's poetry. Close readings of selected texts are combined with a discussion of key theories and critical practices, and students are encouraged to think about women's poetry in the light of debates about race, class, ethnicity, sexuality, and regional and national identity. The book opens with a chronology followed by a comprehensive Introduction which outlines various approaches to reading women's poetry. Seven chapters follow, and a Conclusion and section of useful resources close the book. Key Features * Wide-ranging and flexible in scope, giving detailed consideration to widely-taught poets, texts, periods and issues * Introduces themes, questions and perspectives applicable to the work of other less familiar writers * Encourages informed discussion of the difficulties of defining a discrete genre of 'women's poetry' * Offers valuable introductory and supplementary guidance for students * Discusses in detail poems by Margaret Cavendish, Anne Bradstreet, Sara Coleridge, Christina Rossetti, Emily Dickinson, Edith Sitwell, Amy Lowell, Sylvia Plath, Ruth Fainlight, Grace Nicholls, Eavan Boland, Kathleen Jamie, Jackie Kay and Carol Ann Duffy.

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Fenton Johnson’s lyrical prose and searching sensibility explore what it means to choose solitude and to celebrate the notion that solitude is a legitimate and dignified calling. He delves into the lives and works of nearly a dozen iconic solitaries he considers his kindred spirits, from Thoreau at Walden Pond and Emily Dickenson in Amherst, to the fiercely self-protective Zora Neale Hurston. The bright wakes these figures have left behind illuminate Fenton Johnson’s journey from his childhood in rural Kentucky to his solitary travels in America, France, and India. Woven into his musings about better-known solitaries are stories of friends and family he has lost and found along the way.”

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Take literary inspiration with you everywhere you go with the new Classic Paperbacks Notebook, featuring artist Richard Baker's remarkable paintings of vintage paperback books. Interspersed throughout the notebook and displayed on the cover are Baker's near-photographic paintings of beloved real books from the most iconic writers from the nineteenth century to the modern era, from Emily Dickinson to Zora Neale Hurston and Herman Melville to James Baldwin. Each "book portrait" includes the marks of a treasured favorite with covers softened and edges frayed from countless readings. The lined journal is a perfect companion for readers and book lovers.

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What does Christmas mean to you? From cake to crackers, trees to turkey and stockings to Santa Claus, The Great British Christmas explores Christmas past and the origins of the traditions we hold dear today. This delightful anthology includes the legend of King Arthur pulling the sword from the stone one fateful Christmas day; tales of the day a Puritan Parliament tried to 'ban' Christmas; and how the first ever Christmas tree arrived in England, courtesy of Prince Albert. Re-live a bygone era of merrymaking and indulge in Mrs Beeton's Christmas cake recipe or read Charles Dickens's memories of boyhood celebrations. This is simply the perfect book with which to celebrate Christmas.

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One week will change all their lives...Janice Butler is working as a waitress at her mother’s Blackpool boarding house when she meets Val Horrocks and Cissie Foster who are visiting from Halifax, and the three form an instant friendship.Romance beckons for all of them, but the events of one evening at a local dance will change all their lives for better and for worse, and all three girls will discover that life doesn’t always turn out as one would expect.A charming tale of friendship and romance set in 1950s Blackpool, perfect for fans of Margaret Dickinson and Rosie Archer.

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