Search results for ""temple university press,u.s.""

An in-depth examination of what life under a sentence of death is like

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Environmental Ethics is a systematic account of values carried by the natural world, coupled with an inquiry into duties toward animals, plants, species, and ecosystems. A comprehensive philosophy of nature is illustrated by and integrated with numerous actual examples of ethical decisions made in encounters with fauna and flora, endangered species, and threatened ecosystems. The ethics developed is informed throughout by ecological science and evolutionary biology, with attention to the logic of moving from what is in nature to what ought to be. The ethical theory is applied in detail to social, public, and business policy. Written in an engaging style, using diagrams and figures as well as numerous case studies, Environmental Ethics prods the reader into concrete application and invites reader participation in the ethical discussions. The ethics concludes by exploring the historical experiences of personal residence in a surrounding environment. Here is an adventure into what it means to live as responsible human beings in the community of life on Earth.

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This introduction to metaphysics provides a concise explanation and discussion of the branch of philosophy that concerns the nature of the world we inhabit. The approach is partly historical but focuses largely on recent arguments and lines of thought. William Carter addresses many issues, among them: the nature of mind, matter, ideas, and substance; the debate between those who believe human beings have free will and those who subscribe to determinism; fatalism, realism, and personal identity; and arguments for and against belief in the existence of God. He also explores the implications of such intellectual exercises for defining the boundaries of human knowledge and human responsibility. Woven into the authors discussion are the ideas of historical and contemporary figures who have made significant philosophical contributions in these areas. Carter tries to eliminate the intimidation that the term 'metaphysics' can generate among students and general readers. Demonstrating how metaphysics overlaps extensively with nearly every branch of philosophical inquiry, he provides contemporary and often amusing examples to introduce the important topics of metaphysics and make current technical debates comprehensible for novices. Author note: William R. Carter is Professor of Philosophy at North Carolina State University.

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Ten years ago "Philosophy in the Classroom", by Lipman, Sharp, and Oscanyan, hailed the emergence of philosophy as a novel, although in some ways highly traditional, elementary school discipline. In this sequel, Matthew Lipman examines the impact that elementary school philosophy has had, and may yet have, upon the process of education. Going beyond his earlier work to describe the contribution that training in philosophy can make in the teaching of values, he shows the applications of ethics in civics education and the ways in which aesthetics can be incorporated into areas of the curriculum related to the development of creativity. Making reference to the contemporary educational scene, Lipman compares the K-12 Philosophy for Children curriculum to the many unsatisfactory solutions being offered in our current drive for educational excellence. He addresses the relationship of elementary school philosophy to educational reform in the areas of science, language, social studies, and writing. And he shows how philosophy can be instrumental in the difficult task of teaching values to children while avoiding both ideological indoctrination and mindless relativism. Author note: Matthew Lipman, Professor of Philosophy at Montclair State College and Director of the Institute for the Advancement of Philosophy for Children, is co-author of "Philosophy in the Classroom" and "Growing Up with Philosophy" (both published by Temple).

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Lively and accessible essays examine the rapidly growing field called "public history"

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A progressive plan to solve the problem of housing affordability

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A groundbreaking effort to find the "common language" between two of the most important philosophical thinkers of the twentieth century, Forms in the Abyss promises to be one of the most significant contribution to our critical understanding of western thought in recent memory.

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When she began work on this collection, Barbara Ellen Smith was asked, 'Why work on a book about women in the South? Nobody writes books about women in the Midwest'. In an era of intensified globalization, when populations, cultures, and capital move across the boundaries of nation-states in multiple forms and directions, the concept of a subnational region seems parochial and out-of-date. 'But', Smith argues, 'it is precisely because of the historical construction of the secessionist South as an embattled region when all manners of social problems tend to be blamed on poor women and children and those whose skin is anything but white, that the experiences of racially diverse women in a region legendary for both white supremacy and male supremacy are important to explore'. Collecting in one volume the work of such well-known scholars on Appalachia and the South as Carol Stack, Mab Segrest, and Sally Maggard, among others, "Neither Separate Nor Equal" analyzes the complex and dramatic developments in the lives of contemporary Southern women. Case studies vividly portray women's diverse circumstances and activities from rural African American women in the Mississippi Delta taking on new roles as community builders to female textile workers in North Carolina contending with automation and reorganization of the mills. Focusing on the South's historical legacies as they are manifested and contested in the lives of women today, including the tensions between long-lasting patterns of regional distinctiveness and the disruptions of globalizations, this collection approaches differences of race and class not as forms of separation among women, but as social be they often contentious, difficult, or exploitative relationships. Unifying around a theme of relationality, "Neither Separate Nor Equal" offers searching empirical studies of Southern women and a conceptual model for feminist scholarship as a whole. Barbara Ellen Smith is Director of the Center for Research on Women and Associate Professor of Sociology at The University of Memphis.

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Dancer, award-winning choreographer, show producer, stand-up comedienne, TV/Film actress and author, Norma Miller shares her touching historical memoir of Harlem's legendary Savoy Ballroom and the phenomenal music and dance craze that \u0022spread the power of swing across the world like Wildfire.\u0022 A dance contest winner by 14, Norma Miller became a member of Herbert White's Lindy Hoppers and a celebrated Savoy Ballroom Lindy Hop champion. Swingin' at the Savoy chronicles a significant period in American cultural history and race relations, as it glorifies the home of the Lindy Hop and he birthplace of memorable dance hall fads. Miller shares fascinating anecdotes about her youthful encounters with many of the greatest jazz legends in music history, including Ella Fitzgerald, Count Basie, Benny Goodman, Billie Holiday, Artie Shaw, Duke Ellington, Ethel Waters, and even boxer Joe Louis. Readers will experience the legend of the celebrated Harlem ballroom and the phenomenal Swing generation that changed music and dance history forever.

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Jewish Self-Determination beyond Zionism examines the liberal Zionist and Jewish anti-Zionist perspectives that developed in the decades following Israeli statehood. In his timely book, Jonathan Graubart. advances a non-statist vision of Jewish self-determination to be realized in a binational political arrangement that rejects Apartheid practices and features a just and collaborative coexistence of Israeli Jews and Palestinian Arabs. The book’s vision advances a distinct Jewish self-determination committed to cultural enrichment and emancipation, internationalism, and the fostering of new political, social, and economic channels for attaining genuine reconciliation between Israelis and Palestinians. Jewish Self-Determination beyond Zionism also engages a Humanist Zionist vision to confront the Zionist movement’s foundational sins and demands a full reckoning with the Palestinians. Graubart focuses on two of Humanist Zionism’s most insightful thinkers, Martin Buber and Hannah Arendt, putting them “in conversation” with each other, and synthesizing their collective insights and critical Jewish perspectives alongside the ideas of Noam Chomsky, Judith Butler, Ella Shohat, Edward Said, and other philosophers and academics. Jewish Self-Determination beyond Zionism concludes that an updated, binational program is the best path forward.

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The Before Columbus Foundation 2018 Winner of the AMERICAN BOOK AWARD Tommy J. Curry’s provocative book The Man-Not is a justification for Black Male Studies. He posits that we should conceptualize the Black male as a victim, oppressed by his sex. The Man-Not, therefore,is a corrective of sorts, offering a concept of Black males that could challenge the existing accounts of Black men and boys desiring the power of white men who oppress them that has been proliferated throughout academic research across disciplines.Curry argues that Black men struggle with death and suicide, as well as abuse and rape, and their genred existence deserves study and theorization. This book offers intellectual, historical, sociological, and psychological evidence that the analysis of patriarchy offered by mainstream feminism (including Black feminism) does not yet fully understand the role that homoeroticism, sexual violence, and vulnerability play in the deaths and lives of Black males. Curry challenges how we think of and perceive the conditions that actually affect all Black males.

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Violence against women on college campuses has remained underreported and often under addressed by both campus security and local law enforcement, as well as campus administrators. The researchers, practitioners, and activists who contribute to this pertinent volume Addressing Violence Against Women on College Campuses examine the extent, nature, dynamic and contexts of violence against women at institutions of higher education.This book is designed to facilitate an ongoing discussion and provide direction on how best to prevent and investigate violence against women, and intervene to assist victims while reducing the impact of these crimes. Chapters detail the necessary changes and implications that are part of Title IX and other federal legislation and initiatives as well as the effect these changes have had for higher education actors, including campus administrators, victim advocates, and student activists. The contributors also explore the importance of campus efforts to estimate the extent of violence against women; educating young men and women on the nature of sexual and dating violence; and shifting efforts to both make offenders accountable for their crimes and prompt all bystanders to act. Addressing Violence Against Women on College Campuses urgently argues to make violence prevention is not separate from but rather an integral part of the student experience. Contributors include: Antonia Abbey, Joanne Belknap, Ava Blustein, Stephanie Bonnes, Alesha Cameron, Sarah L. Cook, Walter S. DeKeseredy. Helen Eigenberg, Kate Fox, Christopher P. Krebs, Jennifer Leili, Christine Lindquist, Sarah McMahon, Caitlyn Meade, Christine Mouton, Matt R. Nobles, Callie Marie Rennison, Meredith M. Smith, Carmen Suarez, and the editors.

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When The Phenomenology of Dance was first published in 1966, Maxine Sheets-Johnstone asked: “When we look at a dance, what do we see?” Her questions, about the nature of our experience of dance and the nature of dance as a formed and performed art, are still provocative and acutely significant today. Sheets-Johnstone considers dance as an aesthetic mode of expression, and integrates theories of dance into philosophical discussions of the nature of movement. Back in print after nearly 20 years, The Phenomenology of Dance provides an informed approach to teaching dance and to dance education, appreciation, criticism, and choreography. In addition to the foreword by Merce Cunningham from the original edition, and the preface from the second edition, this fiftieth anniversary edition includes an in-depth introduction that critically and constructively addresses present-day scholarship on movement and dance.

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“One of the greatest artists our country has is Benny Golson. He is not only a great musician, but an original and fabulous composer. He is inventive and creative and his work is loved the world over. Benny is a rare, creative genius. All I would like to say is THREE CHEERS for Benny Golson!”—Tony Bennett“Composer supreme, tenor man supreme, jazz man supreme, good guy supreme: that’s BENNY GOLSON!"—Sonny RollinsBorn during the de facto inaugural era of jazz, saxophonist Benny Golson learned his instrument and the vocabulary of jazz alongside John Coltrane while Golson was still in high school in Philadelphia. Quickly establishing himself as an iconic fixture on the jazz landscape, Golson performed with dozens of jazz greats, from Sonny Rollins, Coleman Hawkins, and Jimmy Heath to Dizzy Gillespie, Freddie Hubbard, and many others. An acclaimed composer, Golson also wrote music for Hollywood films and television and composed such memorable jazz standards as “Stablemates,” “Killer Joe,” and “Whisper Not.”An eloquent account of Golson’s exceptional life—presented episodically rather than chronologically—Whisper Not includes a dazzling collection of anecdotes, memories, experiences, and photographs that recount the successes, the inevitable failures, and the rewards of a life eternally dedicated to jazz.

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Two-thirds of Americans polled by the Associated Press agree with the following statement: \u0022An animal's right to live free of suffering should be just as important as a person's right to live free of suffering.\u0022 More than 50 percent of Americans believe that it is wrong to kill animals to make fur coats or to hunt them for sport. But these same Americans eat hamburgers, take their children to circuses and rodeos, and use products developed with animal testing. How do we justify our inconsistency? In this easy-to-read introduction, animal rights advocate Gary Francione looks at our conventional moral thinking bout animals. Using examples, analogies, and thought-experiments, he reveals the dramatic inconsistency between what we say we believe about animals and how we actually treat them. Introduction to Animal Rights: Your Child or the Dog? provides a guidebook to examining our social and personal ethical beliefs. It takes us through concepts of property and equal consideration to arrive at the basic contention of animal rights: that everyone -- human and non-human -- has the right not to be treated as a means to an end. Along the way, it illuminates concepts and theories that all of us use but few of us understand -- the nature of \u0022rights\u0022 and \u0022interests,\u0022 for example, and the theories of Locke, Descartes, and Bentham. Filled with fascinating information and cogent arguments, this is a book that you may love or hate, but that will not fail to inform, enlighten, and educate.

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A historically based, first-hand report of contemporary homosexuality in Cuban society and culture

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An in-depth explanation of the origin, workings, strengths and weaknesses of the National Council of Women’s Organizations

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Shedding new light on the political socialization of American women

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The history of civil rights for people with intellectual disabilities in 20th century America

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Storytelling is perhaps the most common way people make sense of their experiences, claim identities, and "get a life." So much of our daily life consists of writing or telling our stories and listening to and reading the stories of others. But we rarely stop to ask: what are these stories? How do they shape our lives? And why do they matter? The authors ably guide readers through the complex world of performing narrative. Along the way they show the embodied contexts of storytelling, the material constraints on narrative performances, and the myriad ways storytelling orders information and tasks, constitutes meanings, and positions speaking subjects. Readers will also learn that narrative performance is consequential as well as pervasive, as storytelling opens up experience and identities to legitimization and critique. The authors' multi-leveled model of strategy and tactics considers how relations of power in a system are produced, reproduced, and altered in performing narrative. The authors explain this strategic model through an extended discussion of family storytelling, using Franco Americans in Maine as their exemplar. They explore what stories families tell, how they tell them, and how storytelling creates family identities. Then, they show the range and reach of this strategic model by examining storytelling in diverse contexts: a breast cancer narrative, a weblog on the Internet, and an autobiographical performance on the public stage. Readers are left with a clear understanding of how and why the performance of narrative is the primary communicative practice shaping our lives today. Author note: Kristin M. Langellier is Mark and Marcia Bailey Professor at the University of Maine where she teaches communication and women's studies. A former editor of Text and Performance Quarterly, she has published numerous journal articles on personal narrative, family storytelling, and Franco American cultural identity. Eric E. Peterson is Associate Professor at the University of Maine where he teaches communication. He is coeditor of a recent book on public broadcasting and has published a variety of journal articles on narrative performance, media consumption, and communication diversity and identity.

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Even people who live with cats and have good reason to know better insist that cats are aloof and uninterested in relating to humans. Janet and Steven Alger contend that the anti-social cat is a myth; cats form close bonds with humans and with each other. In the potentially chaotic environment of a shelter that houses dozens of uncaged cats, they reveal a sense of self and build a culture--a shared set of rules, roles, and expectations that organizes their world and assimilates newcomers. As volunteers in a local cat shelter for eleven years, the Algers came to realize that despite the frequency of new arrivals and adoptions, the social world of the shelter remained quite stable and pacific. They saw even feral cats adapt to interaction with humans and develop friendships with other cats. They saw established residents take roles as welcomers and rules enforcers. That is, they saw cats taking an active interest in maintaining a community in which they could live together and satisfy their individual needs. Cat Culture's intimate portrait of life in the shelter, its engaging stories, and its interpretations of behavior, will appeal to general readers as well as academics interested in human and animal interaction. Author note: Janet M. Alger is Professor of Sociology at Siena College. Steven F. Alger is Associate Professor of Sociology at the College of St. Rose.

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How does a Jewish boy who spent the bulk of his childhood on the basketball courts of Brooklyn wind up teaching in one of the city's pioneering black studies departments? Naison's odyssey begins as Brooklyn public schools respond to a new wave of Black migrants and Caribbean immigrants, and established residents flee to virtually all-white parts of the city or suburbs. Already alienated by his parents' stance on race issues and their ambitions for him, he has started on a separate ideological path by the time he enters Columbia College. Once he embarks on a long-term interracial relationship, becomes a member of SDS, focuses his historical work on black activists, and organizes community groups in the Bronx, his immersion in the radical politics of the 1960s has emerged as the center of his life. Determined to keep his ties to the Black community, even when the New Left splits along racial lines, Naison joined the fledgling African American studies program at Fordham, remarkable then as now for its commitment to interracial education. This memoir offers more than a participant's account of the New Left's racial dynamics; it eloquently speaks to the ways in which political commitments emerge from and are infused with the personal choices we all make. Author note: Mark D. Naison is Professor of African American Studies and History as well as Director of Urban Studies at Fordham University. He is the author of Communists in Harlem During the Depression.

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Leftist Christians and radical politics in American history

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Building ghosts are the idiosyncratic remnants or imprints of demolished buildings, left behind on the sides of neighboring structures. Mostly seen in older Northeastern cities with rowhomes or party-wall adjacencies, they can reveal remarkable things, such as an old staircase going up the side of a building or plaster traces left by a set of shelves in an attic gable. As history in our changing cities is erased and remade, these ghosts can be ephemeral or enduring. They can be quickly revealed and replaced in a neighborhood seeing rapid change or unveiled and never re-covered in a neighborhood that has not seen new construction in a long time. Building Ghosts features more than 100 striking contemporary color photographs and a deeply researched narrative about Philadelphia's buildings, neighborhoods, and the ghosts that reveal new truths and provocations about the changing city. The text and images in this lavish volume illuminate these lost buildings and found ghosts. Building Ghos

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Talking about toilets--in all their material, social, symbolic and discursive complexity

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An encyclopedia survey of Brazilian popular music--now updated and expanded

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The first comprehensive examination of Black Americans

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Originally published in 1989, this ground-breaking ethnographic exploration of tattooing-and the art world surrounding it-covers the history, anthropology and sociology of body modification practices; the occupational experience of the tattooist; the process and social consequences of becoming a tattooed person; and the prospects of \u0022serious\u0022 tattooing becoming an accepted art form. Curiously, despite the greater prevalence of tattoos and body modification in today\u2019s society, there is still a stigma of deviance associated with people who get or ink tattoos. Retaining the core of the original book, this revised and expanded edition offers a new preface by the author and a new chapter focusing on the changes that have occurred in the tattoo world. A section on the new scholarly literature that has emerged, as well as the new modes of body modification that have come into vogue are included along with a new gallery of photographs that shows some splendid examples of contemporary tattoo art. A directory of artists' websites invites readers to discover the range of work being done around the world-from \u201csuits\u201d (full body tattoos) to skulls.

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The rise of the public sphere, as chronicled by social movements spanning the nineteenth, twentieth, and twenty-first centuries

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Challenges the misconception of Hawai'i as a racial paradise by analyzing how ethnic inequality is maintained among its constituent groups

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A rite of passage for Filipino American college students, Filipino Cultural Night challenges official accounts of the past

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In this, a unique history of the America's postwar intellectual, David Paul Haney outlines the developoment of sociology as a discipline and why, given its focus of study, it failed to develop into a force in the intellectual currents of the United States.Arguing that sociologists attempted to develop both a science and an instrument for the spread of humanistic concern about socity, Haney shows how both attempts failed to connect sociology with larger questions of policy and social progress.

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In Savoring the Salt, a host of poets, scholars, writers, political activists and filmmakers recall Toni Cade Bambara, a woman whose voice and vision played a vital role in shaping African American culture in the last quarter of the twentieth century.

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Engineering Culture is an award-winning ethnography of the engineering division of a large American high-tech corporation. Now, this influential book-which has been translated into Japanese, Italian, and Hebrew-has been revised to bring it up to date. In Engineering Culture, Gideon Kunda offers a critical analysis of an American company's well-known and widely emulated \u0022corporate culture.\u0022 Kunda uses detailed descriptions of everyday interactions and rituals in which the culture is brought to life, excerpts from in-depth interviews and a wide variety of corporate texts to vividly portray managerial attempts to design and impose the culture and the ways in which it is experienced by members of the organization. The company's management, Kunda reveals, uses a variety of methods to promulgate what it claims is a non-authoritarian, informal, and flexible work environment that enhances and rewards individual commitment, initiative, and creativity while promoting personal growth. The author demonstrates, however, that these pervasive efforts mask an elaborate and subtle form of normative control in which the members' minds and hearts become the target of corporate influence. Kunda carefully dissects the impact this form of control has on employees' work behavior and on their sense of self. In the conclusion written especially for this edition, Kunda reviews the company's fortunes in the years that followed publication of the first edition, reevaluates the arguments in the book, and explores the relevance of corporate culture and its management today.

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Is anyone listening to minority voices in reforming schools?

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An unflinching look at white supremacy revealing the many ways that white people profit from identity politics and group privileges

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A groundbreaking effort to find the "common language" between two of the most important philosophical thinkers of the twentieth century, Forms in the Abyss promises to be one of the most significant contribution to our critical understanding of western thought in recent memory.

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Babatunde Olatunji's record album Drums of Passion proclaimed that the time had come for America to recognize Africa's cultural contributions to the music world. Through his many albums and live performances, the Nigerian drummer popularized West African traditional music and spread his message of racial harmony. In this long-awaited autobiography, Olatunji presents his life story and the philosophy that guided him. Olatunji influenced and inspired musicians for more than forty years-from luminaries to music students and the many ordinary people who participated in his drum circles. He writes about rhythm being \u0022the soul of life,\u0022 and about the healing power of the drum. Ultimately, The Beat of My Drum shows why at the time of his death in 2003, Olatunji had become, according to The New York Times, \u0022the most visible African musician in the United States.\u0022

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Favelas, or shantytowns, are where cocaine is mainly sold in Rio de Janeiro. There are some six hundred favelas in the city, and most of them are controlled by well-organized and heavily armed drug gangs. The struggle for the massive profits from this drug trade has resulted in what are increasingly violent and deadly confrontations between rival drug gangs and a corrupt and brutal police force, that have transformed parts of the city into a war-zone. Lucia tells the story of one woman who was once intimately involved with drug gang life in Rio throughout the 1990s. Through a series of conversations with the author, Lucia describes conditions of poverty, violence, and injustice that are simply unimaginable to outsiders. In doing so, she explains why women like her become involved with drugs and gangs, and why this situation is unlikely to change.

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Examines how musicians navigated their everyday lives, grappling with the intercultural tensions and commercial pressures that were so pronounced on the salsa scene

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Debates have swirled around the question of national forgiveness for the past fifty years. Using two examples-the land claims of the Oneida Indians and the claims for reparations to Japanese Americans interned during World War II-Brian Weiner suggests a way of thinking about national misdeeds. Arguing beyond collective \u0022innocence\u0022 or \u0022guilt,\u0022 Sins of the Parents offers a model of collective responsibility to deal with past wrongs in such a way as to reinvigorate our notion of citizenship. Drawing upon the writings of Abraham Lincoln and Hannah Arendt, Weiner offers a definition of political responsibility that at once defines citizenship and sidesteps the familial, racial, and ethnic questions that often ensnare debates about national apologies. An original contribution to political theory and practice, Sins of the Parents will become a much discussed contribution in the debate about what it is to be an American.

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\u0022Thousands of years ago, before Christ or Buddha or Muhammad...before the Roman Empire rose or the Colossus of Rhodes fell,\u0022 Eric Burns writes, \u0022people in Asia Minor were drinking beer.\u0022 So begins an account as entertaining as it is extensive, of alcohol's journey through world-and, more important, American-history. In The Spirits of America, Burns relates that drinking was \u0022the first national pastime,\u0022 and shows how it shaped American politics and culture from the earliest colonial days. He details the transformation of alcohol from virtue to vice and back again, how it was thought of as both scourge and medicine. He tells us how \u0022the great American thirst\u0022 developed over the centuries, and how reform movements and laws (some of which, Burn s says, were \u0022comic masterpieces of the legislator's art\u0022) sprang up to combat it. Burns brings back to life such vivid characters as Carrie Nation and other crusaders against drink. He informs us that, in the final analysis, Prohibition, the culmination of the reformers' quest, had as much to do with politics and economics and geography as it did with spirituous beverage. Filled with the famous, the infamous, and the undeservedly anonymous, The Spirits of America is a masterpiece of the historian's art. It will stand as a classic chronicle-witty, perceptive, and comprehensive-of how this country was created by and continues to be shaped by its ever-changing relationship to the cocktail shaker and the keg.

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How Chinese cinema and global Chinese culture intersect over questions of identity

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A beautifully written, dramatic memoir from one of women's history's founders

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The appearance of Alain Resnais' 1955 French documentary Night and Fog heralded the beginning of a new form of cinema, one that used the narrative techniques of modernism to provoke a new historical consciousness. "Afterimage" presents a theory of posttraumatic film based on the encounter between cinema and the Holocaust. Locating its origin in the vivid shock of wartime footage, "Afterimage" focuses on a group of crucial documentary and fiction films that were pivotal to the spread of this cinematic form across different nations and genres. Joshua Hirsch explores the changes in documentary brought about by cinema verite, culminating in Shoah. He then turns to the appearance of a fictional posttraumatic cinema, tracing its development through the vivid flashbacks in "Resnais' Hiroshima", mon amour to the portrayal of pain and memory in "The Pawnbroker".He excavates a posttraumatic autobiography in three early films by the Hungarian Istvan Szabo. Finally, Hirsch examines the effects of postmodernism on posttraumatic cinema, looking at Schindler's List and a work about a different form of historical trauma, History and Memory, a videotape dealing with the internment of Japanese Americans during the Second World War. Sweeping in its scope, "Afterimage" presents a new way of thinking about film and history, trauma and its representation. Author note: Joshua Hirsch is visiting lecturer in Film and Electronic Arts at the California State University, Long Beach.

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Hegemony tells the story of the drive to create consumer capitalism abroad through political pressure and the promise of goods for mass consumption. In contrast to the recent literature on America as empire, it explains that the primary goal of the foreign and economic policies of the United States is a world which increasingly reflects the American way of doing business, not the formation or management of an empire. Contextualizing both the Iraq war and recent plant closings in the U.S., noted author John Agnew shows how American hegemony has created a world in which power is no longer only shaped territorially. He argues in a sobering conclusion that we are consequently entering a new era of global power, one in which the world the US has made no longer works to its singular advantage.

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Emphasizes the place of the male body in the sociology of medicalization and gender

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In recent years, New Yorkers have been surprised to see workers they had taken for granted-Mexicans in greengroceries, West African supermarket deliverymen and South Asian limousine drivers-striking, picketing, and seeking support for better working conditions. Suddenly, businesses in New York and the nation had changed and were now dependent upon low-paid immigrants to fill the entry-level jobs that few native-born Americans would take. Immigrants, Unions, and the New U.S. Labor Market tells the story of these workers' struggle for living wages, humane working conditions, and the respect due to all people. It describes how they found the courage to organize labor actions at a time when most laborers have become quiescent and while most labor unions were ignoring them. Showing how unions can learn from the example of these laborers, and demonstrating the importance of solidarity beyond the workplace, Immanuel Ness offers a telling look into the lives of some of America's newest immigrants.

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