Search results for ""manchester university press""

This book is about how to understand the huge variety of markets and market organisation in contemporary economies through a dialogue between a group of UK and French scholars. It presents a critique and development of institutional views of markets, and ‘puts markets in their place’ in a wider political and social context. In the wake of the 2008 financial crisis in markets, the book makes a topical and significant contribution on the importance of the rules and regulations that constitute markets, and their broader political and legal frameworks. Moreover, the disruption of markets brings to the fore their interconnection with the broader economy, with production, distribution and consumption in a way often ignored at the height of market bubbles.Both theoretical and empirical, a wide range of markets are considered, capital markets for new technology and venture capital, for food, domestic services and scientific knowledge. The authors address how markets emerge and disappear, or indeed why they fail to appear, as well has how they become stable and institutionalised.

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Contemporary Violence: Postmodern War in Kosovo and Chechnya draws on several years of field research, as well as interpretive IR theory and analysis of empirical source material so as to shed light on contemporary violence. Drawing on interpretive approaches to International Relations, the book argues that founding events and multiple contexts informed the narratives deployed by different members of each movement, illustrating why elements within the Kosovo Liberation Army and the armed forces of the Chechen republic of Ichkeria favoured regional and local strategies of war in the Balkans and the North Caucasus. The book draws on post-positivist analysis and empirical research so as unravel the relationship between narratives, stories and hermeneutic accounts of International Relations; regional politics and trans-local identity; globalisation and visual aspects of contemporary security; criminality and emotionality; which together illustrate the dynamics within the armed resistance movements in Kosovo and the North Caucasus and the road to war in 1999.The book is a major addition to a small field of genuinely readable studies of IR theory. The book will be of interest to academics, researchers, students, area studies experts and policy-makers seeking to understand the formation of the armed resistance movements in Kosovo and Chechnya. Amongst other things, the book will be of interest to students and scholars of International Relations, Political Studies, Area Studies, as well as those within Cultural and Historical and Sociological Studies.

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This is the first English-language book on controversial female director Catherine Breillat, whose films include Romance, A ma soeur! (Fat Girl), Anatomy of Hell and most recently, The Last Mistress. This volume explores the director's complex relation to religion and to feminism, and it examines the differences between Breillat's films and patriarchal pornography, engaging in detailed analysis of her intimate scenes between men and women. Keesey also discusses the literature, films, paintings and photos that have influenced Breillat's work, and extends this to show how Breillat's films have influenced other filmmakers and artists in turn.A lively and accessible introduction, this book will appeal to students and researchers, as well as all those with an interest in gender studies, French film and contemporary cinema.

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Adapting Philosophy looks at the ways in which The Matrix Trilogy adapts Jean Baudrillard’s Simulacra and Simulation, and in doing so creates its own distinctive philosophical position. Where previous work in the field has presented the trilogy as a simple ‘beginner’s guide’ to philosophy, this study offers a new methodology for inter-relating philosophy and film texts, focusing on the conceptual role played by imagery in both types of text. This focus on the figurative enables a new-found appreciation of the liveliness of philosophical writing and the multiple philosophical dimensions of Hollywood films. The book opens with a critical overview of existing philosophical writing on The Matrix Trilogy and goes on to draw on adaptation theory and feminist philosophy in order to create a new methodology for interlinking philosophical and filmic texts. Three chapters are devoted to detailed textual analyses of the films, tracing the ways in which the imagery that dominates Baudrillard’s writing is adapted and transformed by the trilogy’s complex visuals and soundtrack. The conclusion situates the methodology developed throughout the book in relation to other approaches currently emerging in the new field of Film-Philosophy. The book’s multi-disciplinary approach encompasses Philosophy, Film Studies and Adaptation Theory and will be of interest to undergraduates and postgraduates studying these subjects. It also forms part of the developing interdisciplinary field of Film-Philosophy. The detailed textual analyses of The Matrix Trilogy will also be of interest to anyone wishing to deepen their understanding of the multi-faceted nature of this seminal work.

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Burning the veil draws upon sources from newly-opened archives, exploring the ‘emancipation’ of Muslim women from the veil, seclusion and perceived male oppression during the Algerian War of decolonisation. The claimed French liberation was contradicted by the violence inflicted on women through rape, torture and destruction of villages. This book examines the roots of this contradiction in the theory of ‘revolutionary warfare’, and the attempt to defeat the National Liberation Front by penetrating the Muslim family, seen as a bastion of resistance. Striking parallels with contemporary Afghanistan and Iraq, French ‘emancipation’ produced a backlash that led to deterioration in the social and political position of Muslim women. This analysis of how and why attempts to Westernise Muslim women ended in catastrophe has contemporary relevance and will be important to students and academics engaged in the study of French and colonial history, feminism and contemporary Islam.

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This is a groundbreaking study of the most important contemporary American novelist, Philip Roth. Reading the author alongside a number of his contemporaries, and focusing particularly on his later fiction, this book offers a highly accessible, informative and persuasive view of Roth as an intellectually adventurous and stylistically brilliant writer who constantly reinvents himself in surprising ways. At the heart of this book are a number of detailed and nuanced readings of Roth’s works both in terms of their relationships with each other and with fiction by Nathaniel Hawthorne, Thomas Pynchon, Tim O’Brien, Brett Easton Ellis, Stanley Elkin, Howard Jacobson and Jonathan Safran Foer. Brauner identifies as a thread running through all of Roth’s work the use of paradox, both as a rhetorical device and as an organising intellectual and ideological principle.

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This book provides a critical analysis of the definitions of war crimes and crimes against humanity as construed in the Rome Statute of the International Criminal Court.Each crime is discussed from its origins in treaty or customary international law, through developments as a result of the jurisprudence of modern ad hoc or internationalised tribunals, to modifications introduced by the Rome Statute and the Elements of Crimes. The influence of human rights law upon the definition of crimes is discussed, as is the possible impact of State reservations to the underlying treaties which form the basis for the conduct covered by the offences in the Rome Statute. Examples are also given from recent conflicts to aid a ‘real life’ discussion of the type of conduct over which the International Criminal Court may take jurisdiction.This will be relevant to postgraduates, academics and professionals with an interest in the International Criminal Court and the normative basis for the crimes over which the Court may take jurisdiction.

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Daniel Calparsoro, a director who has made a crucial contribution to contemporary Spanish and Basque cinema, has provoked strong reactions from the critics. Reductively dismissed as works of crude violence by those lamenting a 'lost golden age' of Spanish filmmaking, Calparsoro’s films in fact reveal a more complex interaction with trends and traditions in both Spanish and Hollywood cinema. This book is the first full-length study of the director’s work, from his early social-realist films set in the Basque Country to his later forays into the genres of the war and horror. It offers an in-depth film-by-film analysis while simultaneously exploring the director’s position in the contemporary Spanish context, the tension between directors and critics and the question of national cinema in an area – the Basque Country – of heightened national and regional sensitivities.

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The Arc and the machine is a timely and original defence of narrative in an age of information. Stressing interpretation and experience alongside affect and sensation it convincingly argues that narrative is key to contemporary forms of cultural production and to the practice of contemporary life. Re-appraising the prospects for narrative in the digital age, it insists on the centrality of narrative to informational culture and provokes a critical re-appraisal of how innovations in information technology as a material cultural form can be understood and assessed.The book offers a careful exploration of narrative theory, a sophisticated critique of techno-cultural writing, and a series of tightly focused case studies. All of which point the way to a restoration of a critical - rather than celebratory approaches - to new media. The scope and range of this book is broad, its argumentation careful and exacting, and its conclusions exciting.

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This book presents a comparative perspective on the new dynamics of electoral competition following devolution to Scotland and Wales. It brings together leading experts on elections, political parties and regional politics from Britain, Europe and North America to explore the dynamics and interactions of national and regional arenas of electoral competition. Chapters include theoretical reflections on the relationship between regional and national elections, and a range of country case studies. The aim of the non-British case studies is to establish both empirical benchmarks and a framework for analysis for exploring the dynamics of electoral competition, the adaptation of party strategies and the nuances of voting behaviour that the UK is likely to encounter in a situation where new Welsh and Scottish elections flank general elections to Westminster. The final section of the book offers detailed discussion of these multi-level electoral dynamics now at play in the UK.

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The Bush Administration, sex and the moral agenda considers White House policy towards issues such as abortion, sex education, obscenity and same-sex marriage. The book suggests that although accounts have often emphasised the ties between George W. Bush and the Christian right, the administration's strategy was, at least until early 2005, also directed towards the courting of middle ground opinion. This study offers a detailed and comprehensive survey of policy-making; assesses the political significance of moral concerns; evaluates the role of the Christian right, and throws new light on George W. Bush's years in office and the character of his thinking. The book will prove invaluable for those taking social science courses as well as as well as anyone with a general interest in the Bush presidency.

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This book provides an analysis of European Union pharmaceutical regulation from a policy-making perspective. The focus is on how the often conflicting agendas of the pharmaceutical industry, the EU member states, the European Commission, and consumer interests are reconciled within the context of regulatory outcomes having to serve public health, healthcare and industrial policy needs within the single market. Breaking with more traditional approaches which stress the economic determinants of pharmaceutical policy, different strands of public policy analysis, regulatory and European integration and policy-making theories are invoked in developing a new conceptual approach to frame the analysis. In-depth case-studies in three key policy areas: patent protection, market authorisation, and pricing and reimbursement, provide substantive support. In providing a unique perspective on how and why EU pharmaceutical policy is made, the book will be of interest to academics, students and policy-practitioners interested in EU policy-making, regulation and public policy analysis.

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Peter Jackson's epic trilogy, the biggest film event of the 21st century, turned the best-selling book of the 20th century into a popular, critical and financial success all over again. This comprehensive collection draws together twenty-five essays on the making, the meaning and the reception of The Lord of the Rings. There is a section on the business of the ‘event film’, critical chapters on techniques and meanings ranging from music to spirituality, essays on the multimedia products associated with the films, observations on the trilogy’s global audience, and an informative dossier of reviews, interviews, production details and box-office returns. More closely integrated, and more attuned to the global marketplace than the older blockbusters, the event film, with its attention-grabbing pitch for the status of news, will be one of the most influential media forms of the coming years. These meticulous essays combine with Peter Jackson's remarkable trilogy to form a unique entry to the study of 21st century media.

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The signing of the Good Friday Agreement in 1998 appeared to open up a new phase in the history of Northern Ireland and indeed world politics generally. Hailed from the outset as a model that would inspire peace processes in other countries, it sought through careful negotiation and delicate compromise to bring to a conclusion a conflict that had cost over 3600 lives, damaged Britain’s international position and at times come very close to undermining relations between the UK and Ireland. While the peace has held it is obvious that serious divisions continue to make a final settlement of the Northern Irish question very difficult. This comprehensive and original study is the first to explain in detail how the Good Friday Agreement ran into trouble, why we are still some way from a final settlement, but why a return to war is most unlikely – even in an age where global terror now threatens world order more seriously than at any time in the past.This new edition of an established, authoritative text will be essential reading for students, researchers and academics of Irish politics, conflict and peace studies, and international relations.

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Montage enters into a dialogue with the cinema, probing and playing with its language of motion and stillness, continuity and discontinuity, constraint and openness, time and duration. Comprised of a series of elegantly-written and intellectually vibrant essays, Sam Rohdie’s book carefully expresses his ideas and arguments in a manner free from the complexities of contemporary theory and cultural criticism. As much a book written with the cinema as about it, Montage explores associative and comparative possibilities in the films of directors such as Takeshi Kitano, Jean Renoir, D.W. Griffith, Howard Hawks, Lev Kulsehov, Sergei Eisenstein and Alfred Hitchcock. It offers new and fascinating perspectives on mise en scène, framing, shots, and narrative variation. In combining the sensitive analysis of film forms and structures with an awareness of their historical and artistic relation to other art forms, it also elucidates an appreciation of montage aesthetics that is attentive to the influences of photography, painting and other arts. Montage is a book that will enrich our ways of seeing, understanding, and enjoying the cinema.

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This book explores the changing representation of the couple, focusing on themes of marriage, equality and desire. Kathrina Glitre moves beyond the usual screwball territory to consider cycles of production from 1934-65. The central concern with the representation of the couple is distinctive and includes discussion of three star couples: Myrna Loy and William Powell, Katharine Hepburn and Spencer Tracy, and Doris Day and Rock Hudson. Glitre offers explanations of genre, as well as detailed analysis of screwball comedy, career woman comedy and sex comedy. Each cycle is placed into context to analyse cultural discourses around heterosexuality, gender, romance and love. This structure also enables a more sophisticated understanding of such conventions as masquerade, gender inversion and the happy ending.The book will appeal to university students and academics working on genre, gender, culture and representation, and anyone with a keen interest in Hollywood romantic comedy.

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The changing faces of federalism is an extraordinary book that provides a rigorous and original view of what will be the future of the European Union. It describes and discusses the tradition and the institutions of federalism in the Eastern, Central and Western European countries and deals thoroughly with many innovative issues about federalism such as multi-level-governance, network government, devolution, subsidiarity, asymmetry and functionalism. A fundamental assumption of the book is that the European enlargement and the new European constitution could result in two major evolutions in the future: one is a full federal state in the traditional hierarchical sense, the other is an institutional response to the effects of the technological innovations of our epoch, which would be established through the insertion of the European Union within the emerging broad network of local, national, continental and intercontinental bodies at world level.

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This book offers an opportunity to reconsider the films of the British New Wave in the light of forty years of heated debate. By eschewing the usual tendency to view films like A Kind of Loving and The Entertainer collectively and include them in broader debates about class, gender, and ideology, this book presents a new and innovative look at this famous cycle of British films. For each film, a re-distribution of existing critical emphasis also allows the problematic relationship between these films and the question of realism to be reconsidered. Drawing upon existing sources and returning to long-standing and unchallenged assumptions about these films, this book offers the opportunity for the reader to return to the British New Wave and decide for themselves where they stand in relation to the films.

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Modernism was the artistic and intellectual revolution of the early twentieth century. Yet despite its now-secure location in history, the radical experimental practices of modernism continue to bewilder as much as they excite. Beginning Modernism offers a clear and reader-friendly introduction to this complex and invigorating subject. With an emphasis on the close reading of modernist artefacts, from literary texts to buildings, paintings to musical compositions, the book aims to demystify the notorious difficulties of ‘high’ modernism, showing them to be an incentive rather than an obstacle to understanding and exploration. At the same time, it highlights the emergence of a new modernist studies, emphasizing the eclectic, the popular, and the global or transnational. Readers are encouraged to situate their reading of modernist literature within a wider set of cultural contexts, which include: visual art; ideas of time and space; sculpture; photography; film; politics; technology; sexuality; primitivism; architecture; dance; drama, and music. Beginning Modernism will be of interest both to the general reader, and to undergraduates and postgraduates in the fields of literary studies, art history and cultural studies.

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This book provides a comprehensive account of the most salient political issues in world politics and explains their significance in a way that is accessible to students and non-specialists alike. The end of the Cold War led to a widespread feeling of relief and talk of a new world order. Optimism however was short-lived and a whole range of difficult new issues, including ethnic conflict, refugees, terrorism and world security, have come to the fore. A number of ethical and moral issues such as poverty, human rights and religion has moved up the agenda of world politics. A new set of problems--involving the environment, technology, and health care--has impacted on the policy systems of states and international organizations. The contributors to this collection provide a basis for understanding emerging issues on the global stage.

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This study, available for the first time in paperback, explores the normative dimension of the evolving role of the United Nations in peace and security and, ultimately, in governance. What is dealt with here is both the UN's changing raison d'être and the wider normative context within which the organisation is located. The study looks at the UN through the window of one of its most contentious, yet least understood, practices: active involvement in intra-state conflicts as epitomised by UN peacekeeping. Drawing on the conceptual tools provided by the 'historical structural' approach, this study seeks to understand how and why the international community continuously reinterprets or redefines the UN's role with regard to intra-state conflicts. The study concentrates on intra-states 'peacekeeping environments', and examines what changes, if any, have occurred to the normative basis of UN peacekeeping in intra-state conflicts from the early 1960s to the early 1990s. One of the original aspects of the study is its analytical framework, where the conceptualisation of 'normative basis' revolves around objectives, functions and authority, and is closely connected with the institutionalised values in the UN Charter such as state sovereignty, human rights and socio-economic development.This book is essential reading for postgraduate students of IR and international peacekeeping organisations.

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During the nineteenth century, the provision of medical care underwent a radical transformation. In 1800, the body was still understood in terms of humours and fluids, and treatment was provided by a wide range of individuals, some of whom had little or no formal training. Institutions were marginal to the medical enterprise, and governments took almost no part in providing medical services. By 1930, however, a recognisably modern medicine had begun to emerge across Europe. New understandings of human physiology had resulted in the new science of surgical therapy; hospitals had become centres for care, research and training; and the newly organised medical professions increasingly sought to regulate medical practice. In most countries, the state had accepted responsibility for public health and the provision of basic welfare services. This volume provides readers with unrivalled access to a comprehensive range of sources on these major themes. Extracts from contemporary writings vividly illustrate key aspects of medical thought and practice, while a selection of classic historical research and up-to-date work in the field helps further our understanding of medical history. Thematically arranged, these sources are assembled to complement the essays in the companion volume, Medicine Transformed: Health, Disease and Society in Europe, 1800–1930. In addition, brief scholarly introductions make the sources accessible to both the specialist and the general reader.

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This book is a study of theatre's educational role during the 20th and the first years of the 21st centuries. It examines the variety of ways the theatre's educational potential has been harnessed and theorised, the claims made for its value and the tension bettween theatre as education and theatre as 'art': between theatre's aesthetic dimenstion and the 'utilitarian' or 'instrumental' role for which it has so often been pressed into service.Following a preliminary discussion of some key theoretical approaches to aesthetics, dramatic art and learning and, above all, the relationships between them, the study is organised into two broad chronological periods: early developments in European and American theatre up to the end of World War II, and participatory theatre and education since World War II. Within each period, a cluster of key themes is introduced and then re-visited and examined through a number of specific examples - seen within their cultural contexts - in subsequent chapters. Topics covered include an early use of theatre to campaign for prison reform; workers' theatre, agit-prop and American living newspapers in the 1930s; theatre's response to the dropping of the atom bomb in 1945; post-war theatre in education; theatre in prisons; and the use of performance in historic sites.

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In a theatre which self-consciously cultivated its audiences’ imagination, how and what did playgoers ‘see’ on the stage? This book reconstructs one aspect of that imaginative process. It considers a range of printed and documentary evidence - the majority previously unpublished - for the way ordinary individuals thought about their houses and households. It then explores how writers of domestic tragedies engaged those attitudes to shape their representations of domesticity. It therefore offers a new method for understanding theatrical representations, based around a truly interdisciplinary study of the interaction between literary and historical methods. The plays she cites include Arden of Faversham, Two Lamentable Tragedies, A Woman Killed With Kindness, and A Yorkshire Tragedy.

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This is a critical study of the key provisions of the law relating to the conduct of combat in armed conflicts on land, illustrated by reference to problems that have arisen during recent conflicts.It is an updated version of the successful first edition but with two additional chapters, dealing with rules relating to the conduct of combat against members of the enemy armed forces and in internal armed conflicts.The approach adopted is to take a proposition of the law of war, examine its historical origins and current exposition, deal with problems of interpretation and application, especially in the light of recent conflicts, and reach conclusions about how it should be applied in practice.

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Public issue television is a major contribution to understanding the relationship between television, politics and society. Based on full access to the archives, it offers a fascinating historical account of how one television series, Granada’s World in Action, celebrated for its tough journalism, visual directness and public impact, functioned and developed over its run across 35 years between 1963 and 1998. In a succession of chapters looking at different periods in the series’ development and at key dimensions of its distinctive identity, it gets deep inside the making of factual television and examines how a particular culture of production works within broader conditions of possibility and constraint. In particular, it charts the interwoven processes of change – technological, professional, aesthetic, institutional, economic, social and political. As well as discussing achievement and success, it examines the tensions, the debates and open conflicts that formed part of the context within which the series was made and transmitted across four decades.

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Bertrand Tavernier is widely recognised as the leading French filmmaker of his generation. Both a consummate artist and a controversial public figure, he is a passionate advocate for social causes and also a tireless defender of world cinema in general and the French cinematic heritage in particular. Lynn Higgins’ book offers a guided tour through Tavernier’s oeuvre, taking into account both its prodigious diversity and its unifying themes. It explores his use of genre and adaptation, his work with actors and his affection for characters, his treatment of France’s colonial history, his explorations of the powers of art and the complexities of intergenerational relations, both among fictional characters and within French cinema history.This is the most comprehensive scholarly book about Tavernier. Original and lively, sophisticated and engaging, the book will appeal to anyone interested in film studies, gender studies, and French cultural studies including academics, students, cinema enthusiasts, and Tavernier fans.

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Margins of desire turns the critical spotlight on the London suburbs by showing how the expanding city created new literary locations, genres and themes between 1880 and 1925. Drawing on a wide range of writings, the book considers not only the fiction that identified the suburbs as significant but also the fiction that suburban dwellers, particularly women, wrote and read for themselves. Pervasive suburban themes included the loss of the rural, the rejection of the urban, the feminisation of culture and changing class identities. By engaging with modernity as represented by the suburbs, such writing was subversive of literary tradition and value, and signalled a shift towards the idea of the ordinary, the accessible and the harmonious. Lynne Hapgood's lively approach opens up a counter-culture to modernist metropolitanism and argues for a more inclusive understanding of the fiction of the period.

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This book explains devolution today in terms of the evolution of past structures of government in the component parts of the United Kingdom. It highlights the importance of the English dimension and the role that England’s territorial politics played in constitutional debates. Similarities and differences between how the components of the UK were governed are described. It argues that the UK should be understood now, even more than pre-devolution, as a state of distinct unions, each with its own deeply rooted past and trajectory. Using previously unpublished primary material, as well as a wealth of secondary work, the book offers a comprehensive account of the territorial constitution of the UK from the early twentieth century through to the operation of the new devolved system of government.

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Torbjørn L. Knutsen introduces ideas on international relations expressed by thinkers from High Middle Ages to the present day and traces the development of four ever-present themes: war, peace, wealth and power. The book counters the view that international relations has no theoretical tradition and shows that scholars, soldiers and statesmen have been speculating about the subject for the last 700 years. Beginning with the roots of the state and the concept of sovereignty in the Middle Ages, the author draws upon the insights of outstanding political thinkers – from Machiavelli and Hobbes to Hegel, Rousseau, and Marx and contemporary thinkers such as Woodrow Wilson, Lenin, Morgenthau and Walt – who profoundly influenced the emergence of a discrete discipline of international relations in the twentieth century. Fully revised and updated, the final section embraces more recent approaches to the study of international relations, most notably postmodernism and ecologism.

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In this study of sexual and political intrigue, a fascinating but dangerous woman consents to the murder of her ineffectual husband. Her defence against the charge of adultery transforms the lurid tale of crime into high tragedy.A compellingly dangerous and fascinating play with a comprehensive set of notes and criticism.

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The second of Lorca's trilogy of rural dramas, Yerma, is a blend of contrasting moods through which Lorca charts the increasingly destructive obsession of a childless young country wife, and probes the darker zones of human fears and desires. The play's rich mode of expression - a combination of verbal, visual and auditory images and rhythms - is also geared to celebrating sexual attraction and fertility, creation and procreation.Through his characterization of the play's central figure, Lorca raises the question of women's social status - a controversial question both then and now, and one to which Robin Warner pays particular attention in his critical introduction to the play. He also examines the links between the dramatic structure of Yerma and the importance of cultural politics during the course of the Second Spanish Republic. The Spanish text is supported by an introduction and notes in English, as well as by an extensive vocabulary and section of discussion questions.

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This volume in the "Revel Plays" series, offers reading editions, with modern spelling, of the 1604 and 1616 editions of Marlowe's play, arguing that the two cannot be conflated into one. Included are sources and commentary, literary criticism, style and staging/performance assessments.

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The Spanish novella La vida de Lazarillo de Tormes y de sus fortunas y adversidadeswas published anonymously in Alcalá de Henares, Burgos and Antwerp in 1554. It is most famous as the book establishing the style of the picaresque satirical novel.

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History through material culture is a unique, step-by-step guide for students and researchers who wish to use objects as historical sources.Responding to the significant, scholarly interest in historical material culture studies, this book makes clear how students and researchers ready to use these rich material sources can make important, valuable and original contributions to history.Written by two experienced museum practitioners and historians, the book recognises the theoretical and practical challenges of this approach and offers clear advice on methods to get the best out of material culture research. With a focus on the early modern and modern periods, this volume draws on examples from across the world and demonstrates how to use material culture to answer a range of enquiries, including social, economic, gender, cultural and global history.

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This book brings a new classroom approach for primary teachers to teach the explicit knowledge of scientific question-asking. This is an essential skill when children are involved in finding out about the world around them through science enquiry. Challenging the assumption that because children ask lots of questions in science, this automatically leads to meaningful learning of the enquiry curriculum, QuBuild is important for all children developing as scientific thinkers. It outlines an approach to explicitly plan for, practice and develop the craft of scientific question-asking. Unlock your children’s science learning potential by exploring the QuBuild Process.

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This illuminating, entertaining book offers philosophical and personal reflections on twinhood and how it can help us imagine the possibility of a more interconnected human future. -- .

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This biography of Barbara Comyns presents a twentieth-century author whose life was as extraordinary as her novels. Hundreds of unpublished letters reveal an occasionally desperate but resourceful and witty woman whose complicated life ranged from enduring poverty when young to mixing with spivs, spies and high society. -- .

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At the end of the 1970s, Manchester seemed to be sliding into the dustbin of history. Today the city is an international destination for culture and sport, and one of the fastest-growing urban regions in Europe. This book offers a first-hand account of what happened in between.Arriving in Manchester as a wide-eyed student in 1979, Andy Spinoza went on to establish the arts magazine City Life before working for the Manchester Evening News and creating his own PR firm. In a forty-year career he has encountered a who’s who of Manchester personalities, from cultural icons such as Tony Wilson to Manchester United manager Sir Alex Ferguson and influential council leaders Sir Richard Leese and Sir Howard Bernstein.His remarkable account traces Manchester’s gradual emergence from its post-industrial malaise, centring on the legendary nightclub the Haçienda and the cultural renaissance it inspired.

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In the late eighteenth-century, elite British women had an unprecedented opportunity to travel. Taking travel home uncovers the souvenir culture these women developed around the texts and objects they brought back with them to realise their ambitions in the arenas of connoisseurship, friendship and science.Key characters include forty-three-year-old Hester Piozzi (Thrale), who honeymooned in Italy; thirty-one-year-old Anna Miller, who accompanied her husband on a Grand Tour; Dorothy Richardson, who undertook various tours of England from the ages of twelve to fifty-two; and the sisters Katherine and Martha Wilmot, who travelled to Russia in their late twenties. The supreme tourist of the book, the political salon hostess Lady Elizabeth Holland, travelled to many countries with her husband, including Paris, where she met Napoleon, and Spain during the Peninsular War.Using a methodology informed by literary and design theory, art history, material culture studies and tourism studies, the book examines a wide range of objects, from painted fans “of the ruins of Rome for a sequin apiece” and the Pope’s “bless’d beads”, to lava from Vesuvius and pieces of Stonehenge. It argues that the rise of the souvenir is representative of female agency, as women used their souvenirs to form spaces in which they could create and control their own travel narratives.

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In the second decade of the twenty-first century, the crusade against sugar rose to prominence as an urgent societal problem about which something needed to be done. Sugar was transformed into the common enemy in a revived ‘war on obesity’ levelled at ‘unhealthy’ foods and the people who enjoy them. Are the evils of sugar based on purely scientific fact, or are other forces at play?Sugar rush explores the social life of sugar in its rise to infamy. The book reveals how competing understandings of the ‘problem’ of sugar are smoothed over through appeals to science and the demonization of fatness, with politics and popular culture preying on our anxieties about what we eat. Drawing on journalism, government policy, public health campaigns, self-help books, autobiographies and documentaries, the book argues that this rush to blame sugar is a phenomenon of its time, finding fertile ground in the era of austerity and its attendant inequalities. Inviting readers to resist the comforting certainties of the attack on sugar, Sugar rush shows how this actually represents a politics of despair, entrenching rather than disrupting the inequality-riddled status quo.

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Culture will keep you fit and healthy. Culture will bring communities together. Culture will improve your education. This is the message from governments and arts organisations across the country; however, this book explains why we need to be cautious about culture.Offering a powerful call to transform the cultural and creative industries, Culture is bad for you examines the intersections between race, class, and gender in the mechanisms of exclusion in cultural occupations. Exclusion from culture begins at an early age, the authors argue, and despite claims by cultural institutions and businesses to hire talented and hardworking individuals, women, people of colour, and those from working class backgrounds are systematically disbarred.While the inequalities that characterise both workforce and audience remain unaddressed, the positive contribution culture makes to society can never be fully realised.

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The years between 1870 and 1940 are often considered a 'golden age' of travel: as larger and evermore sumptuous ships and trains were built, including the Orient Express, Blue Train, Lusitania and Normandie, journeying abroad became, and remains today, synonymous with chic, splendour and luxury. Utilising women's diaries and letters, art, advertising, fiction and etiquette guides, this book considers the journey's impact upon understandings of female identity, definitions of femininity, modernity, glamour, class, travel, tourism, leisure and sexual opportunity and threat during this period. It explores women's relationship with train and ship technology; cultural understandings of the journey; public expectations of women journeyers; how women journeyed in practice: their use of journey space, sociability with both Western and 'Other' non-Western journeyers, experience of love, sex and danger during the journey; and how women fashioned a journeyer identity which fused their existing domestic identities with new journey identities such as the journey chronicler. The journey is revealed to be an experience of sociability as much as mobility, dominated by ideas of respectability and reputation, class, power, vision and observation and home as well as the foreign and new.

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Throughout the world the nature and regulation of financial systems have changed dramatically following the global financial crisis. This book introduces the necessary theory and a range of relevant statistics to supplement the narrative. Coverage includes a critique of the UK financial institutions and markets, as well as regulation emanating both from within the UK and also from supranational bodies such as the Bank for International Settlements and the European Union. The discussion is based on both the underlying theory as well as the operating practices of the institutions and markets.The book is subdivided into three main sections, each supplemented by a comprehensive glossary: financial institutions; financial markets; and the regulation of banks and other financial institutions. It will be essential reading for undergraduate students enrolled on courses in financial economics and banking.

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This is the first book-length study of the uncanny, an important topic for contemporary thinking on literature, film, philosophy, psychoanalysis, feminism and queer history. Much of this importance can be traced back to Freud’s extraordinary essay of 1919, ‘The Uncanny’ (Das Unheimliche).As a ghostly feeling and concept, however, the uncanny has a complex history going back to at least the Enlightenment. Royle offers a detailed account of the emergence of the uncanny, together with a series of close readings of different aspects of the topic. Following a major introductory historical and critical overview, there are chapters on literature, teaching, psychoanalysis, deconstruction, film, the death drive, déjà vu, silence, solitude and darkness, the fear of being buried alive, the double, ghosts, cannibalism, telepathy, madness and religion.

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Dual text on facing pages, now revised and updated. Critically acclaimed translation now in its twenty fifth year. Extensive notes, glossary and introduction .

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Women Beware Women is among the most powerful and adroitly plotted of Jacobean tragedies. Written by Thomas Middleton, a later contemporary of Shakespeare, the play deals with topics of enduring fascination such as sexual and financial greed, the sexual exploitation of women by a manipulative older woman, murderous revenge and the sexual predatoriness of a man in a position of power. The storyline is based on the most public of Medici scandals in late sixteenth-century Florence, with the Grand Duke Francesco seducing and then marrying a beautiful Venetian runaway, after arranging the murder of her Florentine lower-class husband. The tragedy ends with a spectacular masque involving misdirected poison, flaming gold, poisoned arrows, poisoned smoke, physical mishaps and numerous deaths.This edition is designed for the classroom and for the reader interested in the best in Renaissance drama.

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This illustrated survey of 600 years of fashion investigates its cultural and social meanings from medieval Europe to 20th-century America. It provides a guide to the changes in style and taste, and challenges existing fashion histories, showing that clothes have always played a pivotal role in defining a sense of identity and society, especially when concerned with sexual and body politics. With a chronological structure, each chapter focuses on both male and female fashion of a specific period, covering its fascinating developments. It discusses: androgynous dressing; body piercing; fabrics, clothing and the rise of city life; dress, and the changing shape of the human body; controversies surrounding trousers and leg wear for both men and women; exposure of flesh; fashion and social status; and the dissemination of fashion through travel, film, magazines and catwalk shows.

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