Search results for ""author pierre"

"A great gift for design aficionados and interiors addicts." — Irish Examiner With expert analysis, great photography, and a huge selection of familiar and unusual objects, this book explains what truly makes a design great and reveals the hidden stories behind the everyday things that surround us. The author, a writer and journalist specialising in design, has chosen 101 objects that have had a major influence on the world of design history, delving into the makers, the designers, and developments in production and style that made these pieces into design classics. The text incorporates design sketches, portraits of many well-known and some unknown designers, as well as numerous exciting anecdotes from the sewing box of design history. The selection of designers includes, but is not limited to, legends such as Charles & Ray Eames, Verner Panton, Alexander Girard and other protagonists of classical modernism. Also here are post-war designers such as Finn Juhl, Gilbert Rohde, Pierre Paulin, and Gae Aulenti, and postmodern and contemporary designers such as Philippe Starck, Marcel Wanders, and Konstantin Grcic. This book provides an in-depth and informative overview of 20th-century design - and a glimpse of the first true classic objects of the 21st century.

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A fascinating historical biography of the man who brought fame, grandeur and revolution back to the Palace of Versailles.Henri de Nolhac grew up without a father...though his father, Pierre, was very much alive and working mere meters away from their home at the Palace of Versailles. Once appointed to the Palace in 1887, Pierre de Nolhac dedicated his life to protecting its historical archives and restoring Versailles to its former glory: an agora of politics, art and culture. But it soon became more than a passion to him--it turned into an obsession, and the closer he got to Versailles, the further he drifted from his family and himself.

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Legal doctrine—the creation of doctrinal concepts, arguments, and legal regimes built on the foundation of written law—is the currency of contemporary law. Yet law students, lawyers, and judges often take doctrine for granted, without asking even the most basic questions. How to Do Things with Legal Doctrine is a sweeping and original study that focuses on how to understand legal doctrine via a hands-on approach. Taking up the provocative invitations from the “New Doctrinalists,” Pierre Schlag and Amy J. Griffin refine the conceptual and rhetorical operations legal professionals perform with doctrine—focusing especially on those difficult moments where law seems to run out, but legal argument must go on. The authors make the crucial operations of doctrine explicit, revealing how they work, and how they shape the law that emerges. How to Do Things with Legal Doctrine will help all those studying or working with law to gain a more systematic understanding of the doctrinal moves many of our best lawyers make intuitively.

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This edition includes, in addition to the most pertinent sections of The Fable's two volumes, a selection from Mandeville's An Enquiry into the Origin of Honor and selections from two of Mandeville’s most important sources: Pierre Bayle and the Jansenist Pierre Nicole. Hundert's Introduction places Mandeville in a number of eighteenth-century debates--particularly that of the nature and morality of commercial modernity--and underscores the degree to which his work stood as a central problem, not only for his immediate English contemporaries, but for such philosophers as Hume, Rousseau, and Kant. The selections are substantive enough to faithfully represent Mandeville the social theorist, and compact enough to be used in courses that can afford to spend no more than a week on his work.

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In 2015 Pierre Gagnaire, whose 11 restaurants worldwide boast two and three Michelin stars, was voted ‘Best Chef in the World’ by his peers and 2016 sees him mark 50 dazzlingly creative and successful years in the kitchen. To celebrate this outstanding career Grub Street is delighted to be publishing his new title La Cuisine des 5 Saisons in English. This beautiful book is about his recipes and his work as a chef and for the first time makes his dishes accessible for home cooks. Why is it called Five Seasons? Five seasons because for chef Gagnaire there are five not four seasons; Spring, he says must be divided into two seasons because you don't have the same produce in March and in June. Thus the recipes in this book follow the rhythm of the seasons and their bounty. In each chapter there are six menus with starter, main dish and dessert. The recipes come from Pierre Gagnaire culinary's repertory and these are the recipes which made him famous. Through the recipes one can see the strong worldwide influence in Pierre Gagnaire's cuisine, cooking with every kind of ingredient. His eponymous restaurant at 6 rue Balzac in Paris (in the 8th arrondissement) specialises in modern French cuisine, and has garnered three Michelin stars. He is an iconoclastic chef at the forefront of the fusion cuisine movement by introducing jarring juxtapositions of flavours, tastes, textures, and ingredients. On his website he gives his mission statement as ‘facing tomorrow but respectful of yesterday’. Gagnaire is also Head Chef of Sketch in London. In 2005 both restaurants were ranked in the S. Pellegrino World's 50 Best Restaurants by industry magazine Restaurant, with Pierre Gagnaire ranking third for three consecutive years (2006, 2007, and 2008). In December 2009, Gagnaire made his United States debut with Twist, a new flagship restaurant at the Mandarin Oriental in Las Vegas, which has since received great critical praise and a Forbes Five-Star Award. He now also has restaurants in Hong Kong, Seoul, Dubai, Tokyo, Berlin, and Moscow.

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Metatheater and Modernity: Baroque and Neobaroque is the first work to link the study of metatheater with the concepts of baroque and neobaroque. Arguing that the onset of European modernity in the early seventeenth century and both the modernist and the postmodernist periods of the twentieth century witnessed a flourishing of the phenomenon of theater that reflects on itself as theater, the author reexamines the concepts of metatheater, baroque, and neobaroque through a pairing and close analysis of seventeenth and twentieth century plays. The comparisons include Jean Rotrou’s The True Saint Genesius with Jean-Paul Sartre’s Kean and Jean Genet’s The Blacks; Pierre Corneille’s L’Illusion comique with Tony Kushner’s The Illusion; Gian Lorenzo Bernini’s The Impresario with Luigi Pirandello’s theater-in-theater trilogy; Shakespeare’s Hamlet with Pirandello’s Henry IV and Tom Stoppard’s Rosencrantz and Guildenstern are Dead; Molière’s Impromptu de Versailles with “impromptus” by Jean Cocteau, Jean Giraudoux, and Eugène Ionesco. Metatheater and Modernity also examines the role of technology in the creating and breaking of illusions in both centuries. In contrast to previous work on metatheater, it emphasizes the metatheatrical role of comedy. Metatheater, the author concludes, is both performance and performative: it accomplishes a perceptual transformation in its audience both by defending theater and exposing the illusory quality of the world outside.

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Highlighting the social tensions that confront the liberal tradition, Pierre Manent draws a portrait of what we, citizens of modern liberal democracies, have become. For Manent, a discussion of liberalism encompasses the foundations of modern society, its secularism, its individualism, and its conception of rights. The frequent incapacity of the morally neutral, democratic state to further social causes, he argues, derives from the liberal stance that political life does not serve a higher purpose. Through quick-moving, highly synthetic essays, he explores the development of liberal thinking in terms of a single theme: the decline of theological politics. The author traces the liberal stance to Machiavelli, who, in seeking to divorce everyday life from the pervasive influence of the Catholic church, separated politics from all notions of a cosmological order. What followed, as Manent demonstrates in his analyses of Locke, Hobbes, Rousseau, Guizot, and Constant, was the evolving concept of an individual with no goals outside the confines of the self and a state with no purpose but to prevent individuals from dominating one another. Weighing both the positive and negative effects of such a political arrangement, Manent raises important questions about the fundamental political issues of the day, among them the possibility of individual rights being reconciled with the necessary demands of political organization, and the desirability of a government system neutral about religion but not about public morals.

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These selections from Le système du monde, the classic ten-volume history of the physical sciences written by the great French physicist Pierre Duhem (1861-1916), focus on cosmology, Duhem's greatest interest. By reconsidering the work of such Arab and Christian scholars as Averroes, Avicenna, Gregory of Rimini, Albert of Saxony, Nicole Oresme, Duns Scotus, and William of Occam, Duhem demonstrated the sophistication of medieval science and cosmology.

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This concise, abridged edition of Pierre Grimal's celebrated DICTIONARY OF CLASSICAL MYTHOLOGY brilliantly distils and captures the essence of Greek and Roman mythology. It is the ideal reference tool for anyone with an interest in the Classics or those seeking to explore the many allusions to its mythology that abound in later literature.

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A delectable novel of a man's lifelong devotion to erotic exploration, The Arch of Desire is based very loosely on the life of the artist Pierre Molinier, admired by the surrealists and creator of a many-layered erotic universe. As the novel opens, Pierre is a boy, raised by a wealthy family of Belgian winemakers. Precociously curious about the opposite sex -- particularly the intimate garments he finds drying in the laundry room -- he is initiated into the erotic by a family servant and soon moves on to the more forbidden charms of his lovely, sophisticated half sister. As he comes of age -- attending art school, becoming an acclaimed painter, and settling in Bordeaux -- Pierre simultaneously pursues ever more complex pleasures, devouring his father's collection of de Sade, Restif de la Bretonne, and other erotic classics, sampling the varieties of women -- from a Senegalese prostitute, to a lesbian who works as a dominatrix to rich men, to a beautiful German who becomes his last, most perfect lover -- and exploring the limits of his fetishes for dressing up and the adoration of beautiful, feminine feet. A delightful recollection of sexual pleasure from the dawn to the twilight of life, The Arch of Desire will satisfy every erotic appetite. "[A] delicious, bold and genuinely immoral book, or perhaps ... a treatise in favor of hedonism and the pleasures of desire." -- A. Castro, El Periodico "A fascinating novel, exquisitely conceived and structured ... De Sade would applaud." -- Antonio Bordon, La Provincia "Munoz Puelles uses an erotic vocabulary that stretches the rules of the genre." -- Maria Jose, El Pais

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This volume contains four representative French comedies of the period from the death of Molière to the French Revolution: Jean-François Regnard’s The Absent-Minded Lover, Philippe Néricault Destouches’s The Conceited Count, Pierre Nivelle De La Chaussée’s The Fashionable Prejudice, and Jean-Louis Laya’s The Friend of the Laws.

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In a time of eroding sovereignty and resurgent nationalism, this collection provides a searching investigation of the moral foundations of the international order. Drawing on diverse philosophical and theological perspectives, the contributors debate the character of international society, the authority of international law and institutions, and the demands of international justice. In a series of philosophical essays, each followed by a critical commentary, the book considers the contributions of legal positivism, natural law, Kantian ethics, contractarian theory, and moral cosmopolitanism to the discussion of law and justice in international society. It also includes commentaries by experts in Jewish, Christian, and Islamic moral theology, and a concluding chapter that compares and contrasts the views presented without seeking to adjudicate their differences. Because of its comprehensive approach and the diversity of its viewpoints, the volume serves as an introduction to the topic and as a resource for scholars, journalists, policy makers, and anyone else who wants to understand better the range of moral perspectives that underlies discussion of the current international order. In addition to the editors, the contributors are Brian Barry, Chris Brown, John Charvet, Richard Friedman, Robert P. George, Sohail Hashmi, Pierre Laberge, David Miller, David Novak, Max L. Stackhouse, Fernando R. Teson, and Frederick G. Whelan.

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This is a rich harvest from a renowned translator, an elegant survivor. In 1996, in his eightieth year, David Gascoyne was awarded the Chevalier dans l'Ordre des Arts et Lettres in recognition of his profound contribution to French literature and art. This collection includes some of his best work - early translations, recent unpublished translations, and a substantial section of translations printed in journals over the past twenty-five years.Translations by David Gascoyne of: Guillaume Apollinaire, Andre Breton, Blaise Cendrars, Rene Char, Xie Chuang, Rene Daumal, Yves de Bayser, Robert Desnos, Andre du Bouchet, Paul Eluard, Pierre Emmanuel, Jean Follain, Benjamin Fondane, Andre Frenaud, Eugene Guillevic, Maurice Henry, Friedrich Holderlin, Georges Hugent, Edmond Jabes, Max Jacob, Pierre Jean Jouve, Valery Larbaud, Giacomo Leopardi, Stephane Mallarme, Loys Masson, O. V. de L. Milosz, Benjamin Peret, Francis Ponge, Gisele Prassinos, Raymond Queneau, Pierre Reverdy, Georges Ribemont-Dessaignes, Arthur Rimbaud, Gui Rosey, Philippe Soupault, Jules Supervielle, Jean Tardieu, Georg Trakl and Tristan Tzara.

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Policies to promote high participation in Higher Educations (HE) systems aim to deliver social justice and economic development through widening participation of under-represented groups. Degrees of Success provides a critical test of this through examination of participation and success of learners progressing to HE with a vocational background. Employing an original conceptual framework that combines the ideas of Basil Bernstein and Pierre Bourdieu the authors analyse the various transitional frictions experienced by learners with VET backgrounds on their journeys into and through the HE system. The findings indicate that including students with vocational qualifications does lead to widening participation but that their modes of participation may not provide fair access and outcomes. In part this is due to the epistemic incompatibilities between higher and vocational education which remain unresolved despite constant VET qualification reform. This book, therefore, extends the debate about widening participation beyond metaphors of barriers to access to consider the epistemic and pedagogical challenges of increasing student heterogeneity in high participation HE systems. The analysis and policy suggestions therefore have relevance for all seeking to support students' HE learning journeys, and policy makers concerned with how best to utilise HE systems as means of furthering social mobility and justice.

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LONDON 2186 On Saturday, May 20th, 2186, Jani Joutsen has her immersive implant forcibly removed, and her friend Pierre has his broken, in a seemingly motiveless bar fight during a normal alcohol and drug fuelled evening. With no connection to the wire, the pair are contacted by a mysterious fugitive criminal offering assistance, but the situation quickly deteriorates, and the three are caught in a race for survival against the police and the black market. Fleeing to a Luddite community, to find the broken scientist who may be able to restore some order to their lives, the increasingly dangerous situation leads Pierre to question his loyalty to his friends, his secretive love for Jani, and whether any of it is actually happening at all…

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Pierre Boulez was appointed to the Collège de France in 1976, with the chair devoted to 'Invention, technique and language in Music', and he held his position until 1995. The publication of his extraordinary Collège de France lectures, his most significant writings from the 1970s to the 1990s, will make a major contribution to the discussion in English about Boulez's aesthetic legacy. His goal in Leçons de musique is to express his conception of musical language, laid out over the course of nearly twenty years of lecturing. He is thinking about the possible paths musical thought could take, as well as the musical legacy of the pastIn addition to composers, music historians, theorists, and music students, this book will be invaluable to those interested in the history and aesthetics of 20th century music, musical manifestations of artistic modernism, the history of ideas, and French intellectual and cultural history. Faber have been Pierre Boulez's publisher since 1986 - previous books include Orientations, Boulez on Music Today and Boulez on Conducting.'Boulez's achievements in changing every part of the fabric of classical musical culture all over the world are indelible.' Tom Service, Guardian

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Madama Butterfly is one of the most popular operas of all time, despite its disastrous premiere, after which it was immediately withdrawn and revised. This guide explores how and why the libretto was softened to suit the tastes of European opera-goers, and the different variants are set out, side by side. Professor Jean-Pierre Lehmann introduces the story and shows how the theme of a Japanese girl deserted by a heartless foreigner became a classic. Since John Luther Long’s novella – on which the opera was based – is included as well, it is possible to judge how successful Puccini was in catching its essence in his hauntingly beautiful score. Contents: Images of the Orient, John-Pierre Lehmann; Tribulations of a Score, Julian Smith; Madame Butterfly, John Luther Long; Madama Butterfly: Libretto by Giuseppe Giacosa and Luigi lllica after the book by John Luther Long and the play by David Belasco; Madam Butterfly: English version based on that of R.H. Elkin

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The book is based on amateur films, shot by the architect Ernest Weissmann (1903-1985) with a Pathé Motocamera in the years 1929-1933 at, among other places, the Atelier Le Corbusier and Pierre Jeanneret. These films capture moments from Le Corbusier's life that have never been seen before. It also documents his friendships with Pierre Jeanneret, Lluis Sert, Charlotte Perriand, Norman Rice, Kunio Maekawa, Sigfried Giedion and others. Across six chapters, the book shows impressive stills from these films and places them in the respective historical and personal context of Le Corbusier in introductory texts. Two introductions are devoted to the history of these pioneering amateur films and to Ernest Weissmann's life and his life-long relationship with Le Corbusier. A documentary treasure trove on the life of Le Corbusier Featuring 80 previously unpublished film stills Available as softcover (9783035627282), hardcover (9783035627299) and limited special edition with three photographic prints (9783035627305)

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When Oliver rescues Pierre, a small puppy, he has no inkling that this small act of kindness will trigger the start of a great cosmic drama. For far out in space, higher powers are about to assess human dominance on planet Earth. Oliver unexpectedly finds himself as the chosen representative of humanity at the upcoming cosmic enquiry that will judge humans against artificial Intelligence. To gather his evidence he sets off, with Pierre in tow, transiting first to the Shadow-side (Earth’s twin) to meet Lord Sebastian – an advocate for humanity – and Galactic controller Ovoid – who is most certainly not. Encounters with angry centaurs, a Were-cat, a trans-avian falcon and a shrub spirit are only some of the unusual characters he encounters, as he moves ever closer to the final countdown… The Royal Road to the Stars is the story of a man facing a task chosen for him – to undertake the greatest earthly journey ever made, with the future of humanity at stake.

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Enchanted Ground is about the challenge to modernist criticism by Surrealist writers—mainly André Breton but also Louis Aragon, Pierre Mabille, René Magritte, Charles Estienne, René Huyghe and others—who viewed the same artists in terms of magic, occultism, precognition, alchemy and esotericism generally. It introduces the history of the ways in which those artists who came after Impressionism—Paul Cézanne, Pierre-Auguste Renoir, Georges Seurat, Paul Gauguin, Vincent van Gogh—became canonical in the 20th century through the broad approaches we now call modernist or formalist (by critics and curators such as Alfred H. Barr, Roger Fry, Robert Goldwater, Clement Greenberg, John Rewald and Robert L. Herbert), and then unpacks chapter-by-chapter, for the first time in a single volume, the Surrealist positions on the same artists. To this end, it contributes to new strains of scholarship on Surrealism that exceed the usual bounds of the 1920s and 1930s and that examine the fascination within the movement with magic.

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In The Unfinished Enlightenment, Joanna Stalnaker offers a fresh look at the French Enlightenment by focusing on the era's vast, collective attempt to compile an ongoing and provisional description of the world. Through a series of readings of natural histories, encyclopedias, scientific poetry, and urban topographies, the book uncovers the deep epistemological and literary tensions that made description a central preoccupation for authors such as Buffon, Bernardin de Saint-Pierre, Diderot, Delille, and Mercier. Stalnaker argues that Enlightenment description was the site of competing truth claims that would eventually resolve themselves in the modern polarity between literature and science. By the mid-nineteenth century, the now habitual association between description and the novel was already firmly anchored in French culture, but just a century earlier, in the diverse network of articles on description in Diderot and d'Alembert's Encyclopédie and in the works derived from it, there was not a single mention of the novel. Instead, we find articles on description in natural history, geometry, belles-lettres, and poetry. Stalnaker builds on the premise that the tendency to view description as the inevitable (and subservient) partner of narration—rather than as a universal tool for making sense of knowledge in all fields—has obscured the central place of description in Enlightenment discourse. As a result, we have neglected some of the most original and experimental works of the eighteenth century.

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Using documents only recently available, this pioneering book explores the interaction of German, British, French, and American policy at a time when the great depression and the growing political power of the Nazis had created a European crisis—the only such crisis between 1910 and 1941 in which the United States played a leading role. The author uses contemporary records to rectify the later accounts of such participants as Herbert Hoover, Julius Curtius, and Paul Schmidt. He describes the negotiations of the major powers arising out of the Austro-German plans for a customs union, and relates this problem to the question of terminating reparations and war debts. He shows how the Governor of the Bank of England directed British foreign policy into bitter opposition to France and how the German government sought to exploit the German private debt to Wall Street.Edward Bennett comes to the conclusion that the Brüning government, contrary to widely held opinion, received fully as much help as it deserved, while the Western powers were already showing the disunity and irresponsibility which proved so disastrous in later years. Although primarily a diplomatic history, this book also offers fresh information on pre-Hitler Germany, MacDonald's Britain, the Hoover administration, and the early career of Pierre Laval.

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A feverish classic from one of the modern masters of French prose No one can keep up with Pierre Niox, the speediest antiques dealer in Paris - although not necessarily the most competent. As he dashes about at a dizzying pace, his impatience becomes too much to bear for those around him: his manservant, his only friend and even his cat abandon him. He begins to find that while he is racing through life, it is passing him by. But when Pierre falls in love with the languid, unpunctual Hedwige, the man in a hurry has to learn how to slow down. This feverish classic by one of the modern masters of French prose is a witty and touching parable for our busy times.

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The Tanenbaum gift of over two hundred works of internationally significant nineteenth-century European art is one of the most important art donations to a Canadian gallery. A diverse and original collection, it features works by Leon Bonnat, Frank Brangwyn, Charles Cordier, Gustave Dore, Pierre Puvis de Chavannes, Kathe Kollwitz, Henry Raeburn, Joaquin Sorolla, James Tissot, and Anders Zorn. This beautifully illustrated volume presents seventy-five of the key highlights by fifty-nine international artists. It offers insight into a broad range of artistic production in the nineteenth century, encompassing painting, sculpture, drawing, and printmaking. Author Alison McQueen provides an in-depth analysis of the social and historical context of each work, and full-colour images illuminate her close study of the aesthetics of every piece. The artwork entries are accompanied by provenance, exhibition history, and bibliography. This book challenges many lasting misconceptions about nineteenth-century art. It includes a preface by collectors Joey and Toby Tanenbaum and an introductory essay on the collection by Alison McQueen. AUTHOR: Alison McQueen is Professor of Art History, Department of History, McMaster University, Hamilton, Ontario, Canada. 83 colour illustrations

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Quien más quien menos, conoce la teoría: para adelgazar hay que comer cinco veces al día, reducir la ingesta de calorías, suprimir el azúcar, reducir las grasas... Y sin embargo, Occidente gana peso a marchas forzadas.Nuestros ancestros, por el contrario, no comían cinco veces al día. Se alimentaban cuando podían y luego ayunaban durante largos períodos. Igualmente, casi todas las tradiciones contemplan el ayuno como una práctica excelente para ganar salud, limpiar el cuerpo de toxinas, mantener el cuerpo en forma y la mente alerta... Cómo adaptar esta antigua técnica a las exigencias de la vida actual? Mediante el ayuno intermitente.Basándose en una larga investigación y en su propia experiencia, el doctor Michael Mosley y la periodista Mimi Spencer presentan a los lectores la ciencia de un método tan eficaz como definitivo así como un método para ponerlo en práctica de forma sencilla y agradable.Se acabó el contar calorías y embarcarse en dietas complicadas y frustrantes. La

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"There is no question that the value of a detailed account of Moroccan colonial history in English is an important addition to the field, and Wyrtzen's book will undoubtedly become a reference for Moroccan, North African, and Middle Eastern historians alike."―American Historical Review Jonathan Wyrtzen's Making Morocco is an extraordinary work of social science history. Making Morocco’s historical coverage is remarkably thorough and sweeping; the author exhibits incredible scope in his research and mastery of an immensely rich set of materials from poetry to diplomatic messages in a variety of languages across a century of history. The monograph engages with the most important theorists of nationalism, colonialism, and state formation, and uses Pierre Bourdieu’s field theory as a framework to orient and organize the socio-historical problems of the case and to make sense of the different types of problems various actors faced as they moved forward. His analysis makes constant reference to core categories of political sociology state, nation, political field, religious and political authority, identity and social boundaries, classification struggles, etc., and he does so in exceptionally clear and engaging prose. Rather than sidelining what might appear to be more tangential themes in the politics of identity formation in Morocco, Wyrtzen examines deeply not only French colonialism but also the Spanish zone, and he makes central to his analysis the Jewish question and the role of gender. These areas of analysis allow Wyrtzen to examine his outcome of interest—which is really a historical process of interest—from every conceivable analytical and empirical angle. The end-product is an absolutely exemplary study of colonialism, identity formation, and the classification struggles that accompany them. This is not a work of high-brow social theory, but a classic work of history, deeply influenced but not excessively burdened by social-theoretical baggage.

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An introduction to the ancient Japanese strategy game of Go by Oulipo members Pierre Lusson, Georges Perec and Jacques Roubaud Written by a mathematician, a poet and a mathematician-poet, this 1969 guide to the ancient Japanese game of Go was not only the first such guide to be published in France (and thereby introduced the centuries-old game of strategy into that country) but something of a subtle Oulipian guidebook to writing strategies and tactics. As in the Oulipian strategy of writing under constraint, the role of structured gameplay (within literature and without) proves to be of primordial importance: a means of moving outside an inherent system, of instigating new figures of style and meaning, new paths toward collaboration and new strategies for filling a space: be it the space of a terrain, a blank page, a white screen or a freshly stretched canvas. Translated for the first time, this treatise outlines the history of Go, the rules for playing it, some central tactics and strategies for playing it and overcoming the threats posed by an opponent, general information and trivia, and a glossary that ranges from Atari (check) to Yose (the end of a match). Pierre Lusson (born 1950) is a French mathematician and musicologist. With Jacques Roubaud, he helped introduce the game of Go into France. Georges Perec (1936–82) was a French novelist, essayist and filmmaker whose linguistic talents ranged from fiction to crossword puzzles to authoring the longest palindrome ever written. Winner of the prix Médicis in 1978 for his most acclaimed novel, Life A User’s Manual, Perec was also a member of the Oulipo, a group of writers and mathematicians devoted to the discovery and use of constraints to encourage literary inspiration. One of their most famous products was Perec’s own novel, A Void, written entirely without the letter “e.” Jacques Roubaud (born 1932) is a French poet and mathematician, a former professor of mathematics at University of Paris X and a member of the Oulipo group. His many books translated into English include The Great Fire of London, Some Thing Black, The Form of a City Changes Faster, Alas, than the Human Heart and The Loop.

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Wendake, Odanak, Wôlinak, Pointe-du-Lac, Kahnawake, Kanesatake, Akwesasne, Kitigan Zibi are communities located all along the St. Lawrence River valley and its tributaries. They have been home to descendants of the Huron-Wendat, Algonquin, Nipissing, and Iroquois nations. These First Nations have in common the fact that their ancestors were allies of the French and had converted to Christianity. Historians have ignored these nations described as 'domiciled Indians ('sauvages domiciliés') by the French administrators. Jean-Pierre Sawaya carefully studied how an alliance of such diverse 'missions' was created, developed and conducted to become The Seven Nations of Canada. How did this confederation come about? Who took part and what were their roles? The answers are mined in the massive colonial archives. Seven Fires is original research at its best, combining detailed analysis and systematic investigation, that has enabled the author to dispel the tenacious colonial myth about irrational, submissive, and fatalistic Indigenous peoples. Readers will discover forward-looking people motivated by a deep desire for independence and solidarity.

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The food of Thailand is renowned the world over for its distinctive blend of hot, sour, sweet, and salty flavors, and Thailand: The Cookbook is the definitive guide to this much-loved cuisine.Containing 500 recipes ranging from simple snacks and drinks to curries, stir-fries, and elaborate desserts, Thailand: The Cookbook shares the familiar—Massaman Curry, Phat Thai—as well as the less familiar—Pandan Pudding, Dragon Fruit Frappe—dishes of this vibrant and diverse country.A series of introductory essays explore the fascinating history of Thai cuisine, as well as the remarkable regional differences. Helpful guidance on unusual ingredients and essential cooking techniques, meanwhile, guarantee that anyone can cook their favorite Thai dishes the authentic way.Three years in the making, and involving exhaustive research and travel, Thailand: the cookbook is the work of author and celebrated photographer Jean-Pierre Gabriel. His breathtaking images of the Thai landscape, people, and food offer an unprecedented insight into Thai food culture.Comprehensive and beautiful, Thailand: The Cookbook is for cooks of all abilities and anyone who wants to experience the real Thailand.

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Pierre Loti's novel ""Madame Chrysantheme"" (1888) enjoyed great popularity during the author's lifetime, served as a source of Puccini's opera Madama Butterfly, and remains in print to this day as a classic in Western literature. Loti's story describes the affair between a French naval officer and Chrysantheme, a temporary 'bride' purchased in Nagasaki. More broadly, Loti's novel helped define the terms in which Occidentals perceived Japan as delicate, feminine, and, to use one of Loti's favorite words, 'preposterous' - in short, ripe for exploitation. Written by Felix Regamey, a talented illustrator with firsthand knowledge of Japan, ""The Pink Notebook of Madame Chrysantheme"" (1893) retells Loti's story but this time as the diary of Chrysantheme. The book, presented here in English for the first time and together with the original French text and illustrations by Regamey and others, is certainly surprising in its late nineteenth-century context. Its retelling of a classic tale from the position of a character marginalized by her sex and race provocatively anticipates certain aspects of postmodern literature. Translator Christopher Reed, whose rich and satisfying introduction provides intellectual context, includes new translations of excerpts from Loti's novel as well as a portion of the travel journal of Regamey's travel companion, the renowned collector Emile Guimet.

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Enrico Berti has had a profound influence on the birth and development of Italian studies in ancient philosophy. His sizeable work has shaped a great part of Italian studies on Aristotle and other ancient philosophers. To celebrate him and express their gratitude for his work, some of his disciples, under the impulse of the late Franco Volpi, have brought together a volume in his honour, requesting the participation of some foreign scholars particularly close to him. The volume comprises essays by Pierre Aubenque, Jonathan Barnes, Terence H. Irwin, Tomás Calvo-Martínez, Jaap Mansfeld, Pierre Pellegrin, Gerhard Seel and Alejandro G. Vigo. The main themes are Aristotle's metaphysics and practical philosophy. A Selected Bibliography by E. Berti himself completes the volume.

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In 1909, while on a fundraising lecture tour in America, Sigmund Freud met Horace Frink, an early disciple of his theories of psychoanalysis, whose traumatic childhood and complicated personal life came to cast a dark shadow over Freud’s professional career. Inspired by this little-known and tragic true story, artist Lionel Richerand and philosopher Pierre Péju have woven a spellbinding and thought-provoking fable of two divorces, three deaths, and a ménage à quatre.

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sketch is a unique meeting place in the centre of London created by Mourad Mazouz and Pierre Gagnaire. The converted 18th-century building in Mayfair is an opulent, zany maze with treasures to be discovered in every room. A mad hatter’s fantasy comes alive in the enchanted woodland Glade tearoom. Eccentric tasty tricks abound in the Parlour patisserie. Eat your fill of gorgeous flavours in the Gallery bistro art installation. Chic pre-dinner cocktails in the urbane East Bar prepare you for the Michelin magic unleashed in the vibrant Lecture Room & Library. Whether you want a tearoom, bistro, restaurant, bar or nightclub, sketch has the best to offer. Now these myriad food, drink and entertainment styles are captured in a book – the phantasmagoric compendium of all things sketch. Unique cuisine is at its heart, world-renowned three-Michelin-star chef Pierre Gagnaire showcases the best recipes from sketch’s kaleidoscopic menus, interlaced with a history of the building, the restaurant and all those involved in this entirely unique meeting place. Sumptuously packaged in a beautiful slipcase, this is a must-have encyclopaedia of all things sketch.

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The Address Book, a key and controversial work in Sophie Calle's oeuvre, lies at the epicenter of many layers of reality and fiction. Having found a lost address book on the street in Paris, Calle copied the pages before returning it anonymously to its owner. She then embarked on a search to come to know this stranger by contacting listed individuals--in essence, following him through the map of his acquaintances. Originally published as a serial in the newspaper Libération over the course of one month, her incisive written accounts with friends, family and colleagues, juxtaposed with photographs, yield vivid subjective impressions of the address book's owner, Pierre D., while also suggesting ever more complicated stories as information is parsed and withheld by the people she encounters. Collaged through a multitude of details--from the banal to the luminous, this fragile and strangely intimate portrait of Pierre D. is a prism through which to see the desire for, and the elusivity of, knowledge. Upon learning of this work and its publication in the newspaper, Pierre D. expressed his anger, and Calle agreed not to republish the work until after his death. Until then, The Address Book had only been described in English--as the work of the character Maria Turner, whom Paul Auster based on Calle in his novel Leviathan; and in Double Game, Calle's monograph which converses with Auster's novel. This is the first trade publication in English of The Address Book (Gemini G.E.L. in Los Angeles released a suite of lithographs modeled on the original tabloid pages from Libération in an edition of 24). The book has the physical weight and feel of an actual address book with a new design of text and images which allow the story to unfold and be savored by the reader.

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The Masterpiece is the tragic story of Claude Lantier, an ambitious and talented young artist from the provinces who has come to conquer Paris and is conquered by the flaws in his own genius. While his boyhood friend Pierre Sandoz becomes a successful novelist, Claude's originality is mocked at the Salon and turns gradually into a doomed obsession with one great canvas. Life - in the form of his model and wife Christine and their deformed child Jacques - is sacrificed on the altar of Art. The Masterpiece is the most autobiographical of the twenty novels in Zola's Rougon-Macquart series. Set in the 1860s and 1870s, it provides a unique insight into his career as a writer and his relationship with Cézanne, a friend since their schooldays in Aix-en-Provence. It also presents a well-documented account of the turbulent Bohemia world in which the Impressionists came to prominence despit the conservatism of the Academy and the ridicule of the general public. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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The 584 documents in this volume cover the period from 19 January to 31 August 1817, during which Jefferson devotes much time and energy to founding Central College, the predecessor of the University of Virginia. In May 1817, at its first official meeting, the college's Board of Visitors authorizes land purchases and a subscription campaign that eventually raises more than $44,000. Jefferson also prepares a legal brief for his chancery suit against the directors of the Rivanna Company. After years of disagreements and failed negotiations, he composes and revises a legal statement of his claim to the property in dispute. Although the complaint is submitted to the court in May 1817, the case is not settled until December 1819. In March 1817 Jefferson's friend James Monroe begins his first term as president. During the summer Jefferson learns of the death of two friends, Madame de Stael Holstein and Pierre Samuel Du Pont de Nemours. Late in the summer he visits Natural Bridge with two of his granddaughters. Jefferson continues to purchase books from Europe with the assistance of George Ticknor, and Stephen Cathalan helps him restock his wine cellar and pantry. Even though Jefferson answers his voluminous correspondence selectively, he still chafes under the burden.

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How do we explain the fact that certain ideas, at certain moments in time, can have earthshaking effects? Or that some cultures have left an indelible mark while others have not? Why did Jesus, rather than Mani the Mesopotamian or the Eastern god Mithra, take hold among masses of people? Why did Karl Marx instead of Pierre Proudhon or Auguste Comte leave his mark on the century? Behind these questions lies the matter of the human need to conserve, hand down, and transmit cultural meanings - the study of the means of transmission and of the long evolutionary history of media. In a departure, Regis Debray redefines communication as the inescapable conditioning of civilization's meanings and messages by their technologies of transmission and lays the groundwork for a science of the transmission of cultural forms - in a word, mediology."Transmitting Culture" examines the difference between communication and transmission and argues that ideas and their legacies should be rethought not in terms of "communication" from sender to receiver but of "mediation" by the vectors and messengers of meaning. "Transmitting Culture" stresses the technologies and institutions long overlooked by philosophy and the human sciences in the study of symbols and signs throughout the history of civilizations. Ranging widely from the history of religion and the printing press to the French and industrial revolutions, from the role and place of authority to scientific inquiry, "Transmitting Culture" establishes a new approach to the cultural history of communication.

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An inspiring manual for navigating humanity’s collective dark night and enacting personal and planetary transformation• Explores how Sacred Activism--specifically, creative, wise, sacredly inspired action--offers an antidote to the crises facing our world• Reveals how to uncover and sustain joy and how to use it as fuel for continuing Sacred Activism in dangerous times• Includes practical maps of the dark night process and of the four-part path to transfiguration drawn from the secret depths of the mystical traditionsPresenting a manual for navigating humanity’s collective dark night, Andrew Harvey and Carolyn Baker explore potential antidotes, drawn from mystical traditions and Sacred Activism, to help us find inspiration and take action in the face of the daunting challenges to our world. Offering a deep discussion of our global dark night in terms of the Kali Yuga, the authors examine the dangers of a growing constellation of intractable crises--authoritarianism both in America and abroad, climate change, economic inequality, social upheaval, and spiritual malaise. They then explore the antidotes to these crises: Sacred Activism--specifically, creative, wise, sacredly inspired action--and a profound understanding of our evolutionary ordeal and its potentialities. Examining the power of joy to help enact personal and planetary transformation, they explain how joy, or ananda, is a force all mystical traditions recognize as the essence of the Divine. They reveal how to uncover and sustain joy in ourselves and how to use joy as fuel for continuing Sacred Activism in dangerous times. Drawing on the visionary teachings of mystics such as Pierre Teilhard de Chardin and Sri Aurobindo, the authors show how the global dark night is part of an evolutionary mutation process and how its very intensity makes it the potential seedbed of a new embodied, divine humanity. They offer practical maps of the crises, of the shadows that this global dark night is casting, and of the four-part path to transfiguration drawn from mystical traditions. Sharing a vision of a new and focused global moment of love in action, the authors reveal that apocalypse is not inevitable--if enough people awaken to the extraordinary possibilities of Sacred Activism.

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Les auteurs de cet ouvrage montrent que le zoroastrisme et le manichéisme, qui partagent une vision dualiste du monde et des entités primordiales, ont posé de façon similaire au judaïsme, au christianisme et à l’islam la question du rapport des adeptes à la vérité et donc à l’erreur des autres. Cet ouvrage apporte donc une pierre fondamentale à l’étude du phénomène de la controverse religieuse dans l’Antiquité tardive et au début du Moyen ge. Il nous permet de mieux appréhender deux systèmes de pensée de l’Orient, en ce qu’ils ont de commun mais aussi dans leur irréductible singularité. The authors of this collected volume show that Zoroastrianism and Manichaeism, which share a dualist vision of the world and the primordial entities, have raised in a similar way to Judaism, Christianity and Islam the question of the relationship of their followers to truth and therefore the error made by others. The volume makes a fundamental contribution to the study of the phenomenon of religious controversy in Late Antiquity and the early Middle Ages. It allows us to better understand two Eastern systems of thought, both in what they have in common and in their irreducible individuality.

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An increasing number of theologians and church leaders are questioning the doctrine of penal substitution. The authors offer a fresh re-articulation of the doctrine and its central role, and engage with over twenty specific objections that have been brought against it.

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During the last two decades, sociologist Pierre Bourdieu has become a dominant force in cultural activity ranging from taste in music and art to choices in food and lifestyles. The Field of Cultural Production brings together Bourdieu's major essays on art and literature and provides the first introduction to Bourdieu's writings and theory of a cultural field that situates artistic works within the social conditions of their production, circulation, and consumption. Bourdieu develops a highly original approach to the study of literary and artistic works, addressing many of the key issues that have preoccupied literary art and cultural criticism in the last twentieth century: aesthetic value and canonicity, intertextuality, the institutional frameworks of cultural practice, the social role of intellectuals and artists, and structures of literary and artistic authority. Bourdieu elaborates a theory of the cultural field which situates artistic works within the social conditions of their production, circulation, and consumption. He examines the individuals and institutions involved in making cultural products what they are: not only the writers and artists, but also the publishers, critics, dealers, galleries, and academies. He analyzes the structure of the cultural field itself as well as its position within the broader social structures of power. The essays in his volume examine such diverse topics as Flaubert's point of view, Manet's aesthetic revolution, the historical creation of the pure gaze, and the relationship between art and power. The Field of Cultural Porduction will be of interest to students and scholars from a wide range of disciplines: sociology and social theory, literature, art, and cultural studies.

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Based on a real-life love triangle and later made into François Truffaut's famous New Wave film, Henri-Pierre Roché's Jules et Jim is a paean to youth set in free-spirited Paris before the First World War. Jules and Jim live a carefree, bohemian existence: they write in cafés, travel when the mood takes them, and share the women they love without jealousy. Like Lucie, flawless, an abbess, and Odile, impulsive, mischievous, almost feral. But it is Kate - with a smile the two friends have determined to follow always, but capricious enough to jump in the Seine from spite - who steals their hearts most thoroughly. Henri-Pierre Roché was in his mid-seventies when he wrote this, his autobiographical debut novel. The inspiration for the legendary film directed by François Truffaut, it captures perfectly with excitement and great humour the tenderness of three people in love with each other and with life.This Penguin Modern Classics edition is translated by Patrick Evans with an introduction by Agnès C. Poirier and an afterword by François Truffaut.Henri-Pierre Roché (1879-1959) was born in Paris. After studying art at the Academie Julian, he became a journalist and art dealer, mixing with the avant-garde artistic set; his friends and acquaintances included the artists Michel Duchamp and Francis Picabia, and in 1905 he introduced Gertrude Stein to Pablo Picasso. In 1916, following his discharge from the French army, Roché went to New York and set up a Dadaist magazine, The Blind Man, with Duchamp and the artist Beatrice Wood. It wasn't until his seventies that he wrote the semi-autobiographical Jules et Jim (1953); his second novel, Les deux anglaises et le continent, was published in 1956.If you enjoyed Jules et Jim, you might like Raymond Radiguet's The Devil in the Flesh, also available in Penguin Modern Classics.'A perfect hymn to love and perhaps to life'François Truffaut, director of Jules et Jim and The 400 Blows

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Vivid color, organic forms, and a loathing of straight lines were just a few stalwart characteristics in the unique practice of Friedensreich Hundertwasser (1928–2000). A non-conformist hero, the artist, architect, and activist left a blazing trail of imagination and ideas in buildings, paintings, manifestos, initiatives, and more. Hundertwasser’s best-known work is considered by many to be the Hundertwasserhaus in Vienna, a structural synthesis of the vitality and uniqueness that determined the artist’s entire oeuvre. For Hundertwasser, rational, sterile, monotonous buildings caused human misery. He called for a boycott of the modernist paradigm championed by the likes of Adolf Loos, and campaigned instead for an architecture of creative freedom and ecological commitment. A fierce opponent of straight lines, which he called “godless and immoral,” Hundertwasser was fascinated by the spiral, drawing also on the Secessionist forms of Klimt and Schiele. This richly illustrated book traces Hundertwasser’s style and vision not only for each building, but for society at large. From naked addresses at the end of the 1960s to worldwide architecture projects and alternative blueprints for society, author Pierre Restany explores Hundertwasser’s most high-profile and innovative ideas in a thrilling introduction to a pioneering 20th-century mind.

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This anthology brings together classic perspectives on violence, putting into productive conversation the thought of well-known theorists and activists, including Hannah Arendt, Karl Marx, G. W. F. Hegel, Osama bin Laden, Sigmund Freud, Frantz Fanon, Thomas Hobbes, and Pierre Bourdieu. The volume proceeds from the editors’ contention that violence is always historically contingent; it must be contextualized to be understood. They argue that violence is a process rather than a discrete product. It is intrinsic to the human condition, an inescapable fact of life that can be channeled and reckoned with but never completely suppressed. Above all, they seek to illuminate the relationship between action and knowledge about violence, and to examine how one might speak about violence without replicating or perpetuating it.On Violence is divided into five sections. Underscoring the connection between violence and economic world orders, the first section explores the dialectical relationship between domination and subordination. The second section brings together pieces by political actors who spoke about the tension between violence and nonviolence—Gandhi, Hitler, and Malcolm X—and by critics who have commented on that tension. The third grouping examines institutional faces of violence—familial, legal, and religious—while the fourth reflects on state violence. With a focus on issues of representation, the final section includes pieces on the relationship between violence and art, stories, and the media. The editors’ introduction to each section highlights the significant theoretical points raised and the interconnections between the essays. Brief introductions to individual selections provide information about the authors and their particular contributions to theories of violence.With selections by: Hannah Arendt, Walter Benjamin, Osama bin Laden, Pierre Bourdieu, André Breton, James Cone, Robert M. Cover, Gilles Deleuze, Friedrich Engels, Frantz Fanon, Michel Foucault, Sigmund Freud, Mohandas Gandhi, René Girard, Linda Gordon, Antonio Gramsci, Félix Guattari, G. W. F. Hegel, Adolf Hitler, Thomas Hobbes, Bruce B. Lawrence, Elliott Leyton, Catharine MacKinnon, Malcolm X, Dorothy Martin, Karl Marx, Chandra Muzaffar, James C. Scott, Kristine Stiles, Michael Taussig, Leon Trotsky, Simone Weil, Sharon Welch, Raymond Williams

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What does it mean to say that Scripture is God's Word? And just how true is the Bible? Though sometimes dismissed as "fundamentalist" concerns, these questions also sent twentieth-century Catholic theology searching for a new paradigm of biblical inspiration. Theologians repeatedly attempted to reconcile the traditional conviction that the Bible shares in the omniscience of its divine author with scholarly findings that suggested otherwise. Joseph Ratzinger contributed both negatively and positively to this project, deconstructing the regnant manualist models of inspiration and constructing an alternative inspired by St. Bonaventure. The result is an ecclesial model of surprising comprehensiveness and balance. Indeed, The Inspiration and Truth of Scripture concludes that Ratzinger's alternative provides the least inadequate paradigm currently on offer today.The Inspiration and Truth of Scripture breaks new ground in several ways. First, it situates Ratzinger within a broader Catholic quest for a theology of inspiration, showing his model offers advantages even relative to those proposed by modern theology's most eminent minds: John Henry Newman, Pierre Benoit, Karl Rahner, and David Tracy. Secondly, this book shows how Ratzinger's paradigm generates "tests" for identifying the perennially valid affirmations of Scripture, and thus an approach to resolving disputed biblical questions. Must one who accepts the authority of Scripture believe in the Devil? Are the Marian dogmas really "in" Scripture? To what extent does Jesus's prohibition of divorce still apply in today's changed social circumstances? Just how historical are Gospel narratives, like the Last Supper, intended to be? The result is a book that bridges the gap between normative theology and historical exegesis. Overall, The Inspiration and Truth of Scripture presents Ratzinger not as an unimaginative enforcer of doctrinal conclusions but as a creatively faithful theologian, whose reconfiguration of inspiration should serve as the point of departure for all future reflection on the subject.

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Presenting a thorough record of Canada’s diplomatic ties with China, Canada and China recounts ten stories regarding China policy decisions made by the Canadian government. These decisions describe key bilateral moves, beginning with Pierre Trudeau’s recognition of China in 1970 and ending fifty years later with his son Justin’s attempt to reset a struggling relationship with China. Rooted in archival research, extensive interviews, and the author’s experience as a policy observer, the book contributes to our understanding of how the Canada-China relationship has developed over time and how best to position Canada in future relations with China. While present-day relations with China are complicated, the book deliberately seeks to provide a balanced perspective by showing both the positive and the more challenging aspects of relations with China. Ultimately, Canada and China recommends ways to manage future relations with China, while also honouring the ties it developed over fifty years.

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A Book Lover s Guide to New York is a love letter to everything literary in New York City. It is a book all about books. The book is an object in itself, designed as the ultimate little tome any book collector would love to acquire, layered with witty Pierre Le-Tan drawings, as well as photographs of some of the most precious bookish locations. Rediscover New York in the most fashionably literate way: whether you are in need of an exceptionally rare edition of your favorite novel (perhaps to be found in the dark and musty backroom of The Center for Fiction), or the most tranquil place to devour a short story on a wintry day (an empty underground food court in a Midtown skyscraper), or if you are looking to follow in the footsteps of a beloved author or novella character (like Capote s Grady and Clyde in Central Park Zoo), this will be your ultimate companion. Part guide, part sophisticated scrapbook and part desirable object, A Book Lover s Guide to New York is an absolute must for any book-savvy person the young bookworm or old scholar, the visiting tourist or homegrown New Yorker, the aspiring writer or doting parent.

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In this science fiction adventure, warrior robots known as `Exterminators' are strewn across the galaxy in a host of deadly environments, fighting for their human masters. But when the creator of these mechanical killers finds his soul trapped in an Exterminator, the balance of power is about to shift... Artist, Enki Bilal, teams with world-renowned writer Jean-Pierre Dionnet in creating a sci-fi masterpiece.

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