Search results for ""author ivan"

Czech action art - a medium similar to performance art that does not require an audience - emerged out of the political and social turmoil of the 1960s. This movement has received little critical attention, however, as the Iron Curtain prevented its dissemination to an international audience. Here theorist and art historian Pavlina Morganova gives this art scene its due, chronicling its inception and tracing its evolution through to the present. Morganova explains the various forms of action art, from the "actions" and "happenings" of the 1960s; to the actions of land art that encompass stones, trees, water, or fire; to recent displays of body art; to the actions of the latest generation of artists, who are using the principles of action art in contemporary postconceptual and participative art. Along the way, she introduces the most prominent Czech artists of each specific niche, including Milan Knizak, Zorka Saglova, Ivan Kafka, Petr Stembera, Karel Miler, Jiri Kovanda, and Katerina Seda, and demonstrates not only the changes in the art forms themselves but also the shifting roles of artists and spectators after World War II. With over one hundred illustrations, Czech Action Art introduces this heretofore overlooked but fascinating art form to a global readership.

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The recent history of post-Soviet societies is heavily shaped by the successor nations' efforts to geopolitically re-identify themselves and to reify certain majorities in them. As a result of these fascinating processes, various new ideologies have appeared. Some are specific to the post-Soviet space while others are comparable to ideational processes in other parts of the world. In this collected volume, an international group of contributors delves deeper into recent theoretical constructions of various post-Soviet majorities, the ideologies that justify them, and some respectively formulated policy prescriptions. The first part analyzes post-Soviet state-builders' fixation on certain constructed majorities as well as on these imagined communities' symbolic self-identifications, in- or outward othering, and national languages. The second part deals specifically with post-Soviet ideas of sovereigntism and the way they define majorities as well as imply changes in internal and external policies and legal systems. These processes are analyzed in comparison to similar phenomena in Western societies. The book's contributors include (in the order of their appearance): Natalia Kudriavtseva, Petra Colmorgen, Nadiia Koval, Ivan Gomza, Augusto Dala Costa, Roman Horbyk, Yana Prymachenko, Yuliya Yurchuk, Oleksandr Fisun, Nataliya Vinnykova, Ruslan Zaporozhchenko, Mikhail Minakov, Gulnara Shaikhutdinova, and Yurii Mielkov.

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A meticulously researched book that collects twelve playscripts written by European Jews imprisoned in the Terezín ghetto during the Holocaust. The concentration camp and Jewish ghetto at Terezín, or Theresienstadt, in what is now the Czech Republic, was a site of enormous suffering, fear, and death. But amid this horrific period, there was also a thriving and desperately vibrant cultural life. While the children’s drawings and musical pieces created in the ghetto have become justly famous, the prisoners’ theatrical works, though a lesser-known aspect of their artistic endeavors, deserves serious attention as well. Performing Captivity, Performing Escape collects twelve theatrical texts—cabaret songs and sketches, historical and verse dramas, puppet plays, and a Purim play—written by Czech and Austrian Jews. Together these works reveal the wide range of ways in which the prisoners engaged with and escaped from life in the ghetto through performance. The anthology opens with an insightful prologue by novelist Ivan Klíma, who was interned in the ghetto as a child and contains a detailed introduction by editor Lisa Peschel about the pre-war theatrical influences and wartime conditions that inspired the theater of the ghetto. The array of theatrical forms collected in this anthology speaks of the prisoners’ persistence of hope in a harrowing time and will be a moving read for students and scholars of the Holocaust.

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The exciting tales of these fifty boys who were used by God will inspire young readers. The stories of Billy Graham, C.S. Lewis, Martin Luther and many others are brought to life by award–winning author Irene Howat. Each book contains the stories of ten boys who grew up to be used by God in amazing ways. Readers will not only be amazed at the bravery, cleverness and faith of these boys, but will be inspired to look to the God who worked through each of them. The books contain ten easy to read chapters of equal length. Each character’s chapter begins with an incident or memory from their childhood, reminding the reader that people who grew up to do amazing things were once children just like them. The chapters have a fact file, a keynote, a think spot and a prayer to help think through and apply what has been learned in the chapter. The books also conclude with a quiz to see how much the reader remembers. This box set contains all five Ten Boys books in a cardboard slipcase. The set includes: Ten Boys Who Changed the World (Brother Andrew; John Newton; Billy Graham; Eric Liddell; William Carey; David Livingstone; Nicky Cruz; Adoniram Judson; George Muller; and Luis Palau) Ten Boys Who Used Their Talents (Wilfred Grenfell; C.S. Lewis; James Clerk Maxwell; Ghillean Prance; Paul Brand; Johann Sebastian Bach; Samuel Morse; George Washington Carver; C.T. Studd; and John Bunyan) Ten Boys Who Made History (Samuel Rutherford; John Owen; Jonathan Edwards; George Whitefield; Robert Murray McCheyne; Dwight L. Moody; Billy Sunday; Charles H. Spurgeon; Aiden W. Tozer; and Martyn Lloyd–Jones) Ten Boys Who Didn’t Give In (Polycarp; Alban; Sir John Oldcastle; Thomas Cranmer; George Wishart; James Chalmers’ Dietrich Bonhoeffer; Nate Saint; Ivan Moiseyev; and Graham Staines) Ten Boys Who Made a Difference (Augustine of Hippo; Jan Hus; Martin Luther; Ulrich Zwingli; William Tyndale; Hugh Latimer; John Calvin; John Knox; Lord Shaftesbury; and Thomas Chalmers) The Lightkeepers introduces readers aged 8–12 to the enjoyment of reading Christians biographies. The series also includes Ten Girls Who Changed the World; Ten Girls Who Used Their Talents; Ten Girls Who Made History; Ten Girls Who Didn’t Give In; Ten Girls Who Made a Difference; and Lightkeepers Girls Box Set.

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Welcome to Volume 2 of Cheparinov's 1.d4!. In the second part of the series, I am sharing my knowledge about the Slav Defense. I am confident that the book contains many new and interesting ideas and I have tried to provide you with the best practical options. Objectively speaking Black looks good in many lines but in practice things may look different. While I cannot promise you a big advantage in each line, I do believe you will have the best practical chances during the game. Writing the second volume was very challenging for me. The Slav encompasses a wide but solid body of theory. Black has plenty of options and finding advantages and practical chances was not easy at all. In any case I believe that chess players from amateurs to very strong players will appreciate this book. While the Covid pandemic gave me a lot of free time to concentrate on the book, I am very happy to see that many tournaments are back. This means that my book can be useful, and you may actually be able to apply some of the ideas in your games. The best way to use this book is to first examine the lines on an actual board and then check them with an engine. I hope this method of study increases your understanding of the positions that arise from the Slav. This book can be a very important starting point for building your 1.d4 repertoire. Ivan Cheparinov March 2022

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Neurobiology of the Epilepsies – From Epilepsy: A Comprehensive Textbook, 3rd Edition, provides a concise, up-to-date review of basic sciences and the latest research advances in epilepsy. Ideal for general neurologists and neurosurgeons, epilepsy/clinical neurophysiology specialists, basic scientists, clinical researchers, and other health care providers with an interest in epilepsy, this new volume by Drs. Istvan Mody, Hal Blumenfeld, Jerome Engel, Jr., Asla Ptkänen, Ivan Soltesz, and Annamaria Vezzani offers comprehensive, authoritative coverage of this critical and complex area of the field. Contains the complete text of Section 3: Neurobiology from Epilepsy: A Comprehensive Textbook, 3rd Edition, by Drs. Jerome Engel, Jr., Solomon L. Moshé, Aristea S. Galanopoulou, and John M. Stern. Offers comprehensive sections on translational aspects of research, neurobiology, recent technical and conceptual advances in research, and other notable contributors to synchrony and seizures Covers major advances in the understanding of the basic mechanisms of epilepsy and its consequences Serves as a source text for translational/basic scientists interested in epilepsy Written and edited by world renowned experts who offer a thorough review of basic sciences and current research in this complex field Enrich Your eBook Reading Experience Read directly on your preferred device(s), such as computer, tablet, or smartphone. Easily convert to audiobook, powering your content with natural language text-to-speech.

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* "Perfect for animal-loving fans of Katherine Applegate’s The One and Only Ivan and Rosanne Parry’s A Wolf Called Wander."—School Library Journal, starred reviewAn ALA Top Ten and Eisner-nominated middle grade graphic novel adventure based on a true story, about a young conservationist who overcomes the odds to save and return a sun bear to its natural habitat.When endlessly curious and tenacious Chang discovers a bear bile farm near her home in Vietnam, she decides to do everything she can to save wild animals—by becoming a conservationist! After teaching herself survival skills, documenting each rainforest plant and animal she sees in her field notebook, and disproving the critics who think she isn’t old enough or strong enough, Chang is finally accepted as a rescue center volunteer. But her toughest challenge yet comes when she’s tasked with returning Sorya—the sun bear she raised from infancy—back into the wild. Because despite being a different species, Sorya is Chang’s best friend. And letting a friend go is never easy . . . even when it’s the right thing to do.With breathtaking art and STEM facts galore, Chang’s daring story is for any young reader, animal lover, and intrepid explorer!

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* "Perfect for animal-loving fans of Katherine Applegate’s The One and Only Ivan and Rosanne Parry’s A Wolf Called Wander."—School Library Journal, starred reviewAn ALA Top Ten and Eisner-nominated middle grade graphic novel adventure based on a true story, about a young conservationist who overcomes the odds to save and return a sun bear to its natural habitat.When endlessly curious and tenacious Chang discovers a bear bile farm near her home in Vietnam, she decides to do everything she can to save wild animals—by becoming a conservationist! After teaching herself survival skills, documenting each rainforest plant and animal she sees in her field notebook, and disproving the critics who think she isn’t old enough or strong enough, Chang is finally accepted as a rescue center volunteer. But her toughest challenge yet comes when she’s tasked with returning Sorya—the sun bear she raised from infancy—back into the wild. Because despite being a different species, Sorya is Chang’s best friend. And letting a friend go is never easy . . . even when it’s the right thing to do.With breathtaking art and STEM facts galore, Chang’s daring story is for any young reader, animal lover, and intrepid explorer!

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An unsung gem of nineteenth-century Russian literature, City Folk and Country Folk is a seemingly gentle yet devastating satire of Russia's aristocratic and pseudo-intellectual elites in the 1860s. Translated into English for the first time, the novel weaves an engaging tale of manipulation, infatuation, and female assertiveness that takes place one year after the liberation of the empire's serfs. Upending Russian literary cliches of female passivity and rural gentry benightedness, Sofia Khvoshchinskaya centers her story on a commonsense, hardworking noblewoman and her self-assured daughter living on their small rural estate. The antithesis of the thoughtful, intellectual, and self-denying young heroines created by Khvoshchinskaya's male peers, especially Ivan Turgenev, seventeen-year-old Olenka ultimately helps her mother overcome a sense of duty to her "betters" and leads the two to triumph over the urbanites' financial, amorous, and matrimonial machinations. Sofia Khvoshchinskaya and her writer sisters closely mirror Britain's Brontes, yet Khvoshchinskaya's work contains more of Jane Austen's wit and social repartee, as well an intellectual engagement reminiscent of Elizabeth Gaskell's condition-of- England novels. Written by a woman under a male pseudonym, this brilliant and entertaining exploration of gender dynamics on a post-emancipation Russian estate offers a fresh and necessary point of comparison with the better-known classics of nineteenth-century world literature.

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WINNER of Saboteur 2014 - Best AnthologyThere's something about Liars' League that brings out the wildness in the writers' imaginations. Here we explore myth, fantasy, science fiction, and the indefinable what the - that makes up Weird. In true Liars' League fashion there is as much humour as there is darkness and poignancy. More than twenty tales, varying in style from stories not out of place in One Thousand and One Nights, to the completely bemusing. Discover mirrors that predict the immediate future and museums where your personal future life is exhibited in the kind of ephemeral objects that might normally find their way into a dustbin. Meet tadpoles, lazy assassins, and assiduous poisoners; observe deals with the devil, and workplace stress taken to its logical conclusion. Heroes, villains, and animals - anything and anyone could provide the twist in the tale - cursed travellers, persistent dreamers, aliens, robots and even ice might be the object, or source, of love. Stories from: Alan Graham, Alex Smith, Angela Trevithick, Andrew Lloyd Jones, Barry McKinley, C.T.Kingston, Christopher Samuels, David McGrath, David Malone, David Mildon, Derek Ivan Webster, Ellen O'Neill, James Smyth, Jonathan Pinnock, Joshan Esfandiari Martin, Lee Reynoldson, Lennart Lundh, Maria Kyle, Nichol Wilmor, Peng Shepherd, Rebecca J Payne, Richard Meredith, Richard Smyth, Tom McKay

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"Critically Modern makes a critical intervention in one of the great debates of the moment. It offers a variety of rich and fascinating empirical analyses of 'modern' phenomena from diverse societies, and contributes a powerful (and largely missing) voice to the growing literature on globalization and modernity outside anthropology." —Charles Piot"In these essays theory and ethnography are presented in ways that make them mutually enriching. The volume should appeal to scholars across the entire range of disciplines that deal with modernity and/or globalization." —Edward LiPumaAre there multiple ways of being "modern" in the world today? How do people in various parts of the world become modern in their own distinct ways? Does the current focus on modernity in the social sciences resurrect a series of dichotomies ("traditional" and "modern," "the West" and "the Rest," "developed" and "undeveloped") that social theorists have sought to move beyond in recent years? Or do inflections of modernity capture key features of ideology and influence in the contemporary world? Combining rich ethnographic analysis with incisive theoretical critiques, this timely volume is certain to make an important mark in anthropology and in all related fields in which modernity is a central problematic.Contributors: Donald L. Donham, Robert J. Foster, Jonathan Friedman, Ivan Karp, John D. Kelly, Bruce M. Knauft, Lisa B. Rofel, Debra A. Spitulnik, Michel-Rolph Trouillot, and Holly Wardlow.

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Charles C. Eldredge Prize for Distinguished Scholarship in American Art from the Smithsonian American Art Museum In Race ExpertsLinda Kim examines the complicated and ambivalent role played by sculptor Malvina Hoffman in the Races of Mankind series created for the Chicago Field Museum in 1930. Although Hoffman had training in fine arts and was a protégé of Auguste Rodin and Ivan Meštrović, she had no background in anthropology or museum exhibits. Nonetheless, the Field Museum commissioned her to make a series of life-size sculptures for the museum’s new racial exhibition, which became the largest exhibit on race ever installed in a museum and one of the largest sculptural commissions ever undertaken by a single artist. Hoffman’s Races of Mankind exhibit was realized as a series of 104 bronzes of racial types from around the world, a unique visual mediation between anthropological expertise and lay ideas about race in interwar America. Kim explores how the exhibition compelled the artist to incorporate into her artistic model of race not only racial science but also popular ideas that ordinary Americans brought to the museum. Kim situates the Races of Mankind exhibit at the juncture of these different forms of expertise and examines how the sculptures represented the messy resolutions between them.Race Experts is a compelling story of ideological contradiction and accommodation within the racial practices of American museums, artists, and audiences.

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When Ivan Illich published Medical Nemesis in 1975, he offered a withering critique of the medical profession and the medical model. 'The medical establishment has become a major threat to health,' he said. Nearly half a century has elapsed since then, and things have got worse. In the UK, only 5 per cent of the health budget is spent on prevention. The system is so strained that the rule is often 'one problem per consultation'. Disease management takes precedence over disease prevention, and a wider perspective on health and wellbeing is largely absent. At least once a month, one third of GPs consider leaving the profession. Patients are referred to secondary care simply because primary care cannot cope. But doctors want to practise differently. People also want more. The global health and wellness industry has stepped into the gap. It offers more holistic and whole-person approach that people seek. And it's big business. It is now estimated to be worth $4.2 trillion per annum. In this book, David Beaumont proposes a better approach. The current healthcare system is a deficit model. It attempts to address and correct the absence of health, so it is therefore more correctly termed a disease-care system. Positive medicine is an abundance model. It aims not only to help people manage illness and disease, but to enhance their health. Although this book is very specifically about doctors and patients, it will resonate with all healthcare professionals.

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'A scintillating book' TLS 'Her company is a delight' Tatler 'Part memoir, part social history... sumptuous and unsparing' Financial Times A brilliantly witty memoir telling the story of a young woman's determined struggle for freedom The Orient Express hurtles towards the promised land, freeing Banine from her past. Escaping her ruined homeland and forced marriage, she aspires to a dazzling future in Paris. As a chic Parisienne she mingles with émigrés, artists and writers-and even contemplates love. But freedom brings challenges. Swept along by the forces of history, can Banine keep up? Filled with vivacious wit and a lust for life, this companion to Days in the Caucasus is a paean to bittersweet dreams and the quest for happiness. Part of the Pushkin Press Classics series: timeless storytelling by icons of literature, hand-picked from around the globe Translated by Anne Thompson-Ahmadova Banine (1905-1992) was born Umm El-Banu Assadullayeva, into a wealthy family in Baku, then part of the Russian Empire. Following the Russian Revolution and the subsequent fall of the Azerbaijan Democratic Republic, Banine was forced to flee her home country-first to Istanbul, and then to Paris. In Paris she formed a wide circle of literary acquaintances including Nicos Kazantzakis, André Malraux, Ivan Bunin and Teffi and eventually began writing herself. Parisian Days continues the story that began with Days in the Caucasus, which is also available from Pushkin Press.

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Charles C. Eldredge Prize for Distinguished Scholarship in American Art from the Smithsonian American Art Museum In Race ExpertsLinda Kim examines the complicated and ambivalent role played by sculptor Malvina Hoffman in the Races of Mankind series created for the Chicago Field Museum in 1930. Although Hoffman had training in fine arts and was a protégé of Auguste Rodin and Ivan Meštrović, she had no background in anthropology or museum exhibits. Nonetheless, the Field Museum commissioned her to make a series of life-size sculptures for the museum’s new racial exhibition, which became the largest exhibit on race ever installed in a museum and one of the largest sculptural commissions ever undertaken by a single artist. Hoffman’s Races of Mankind exhibit was realized as a series of 104 bronzes of racial types from around the world, a unique visual mediation between anthropological expertise and lay ideas about race in interwar America. Kim explores how the exhibition compelled the artist to incorporate into her artistic model of race not only racial science but also popular ideas that ordinary Americans brought to the museum. Kim situates the Races of Mankind exhibit at the juncture of these different forms of expertise and examines how the sculptures represented the messy resolutions between them.Race Experts is a compelling story of ideological contradiction and accommodation within the racial practices of American museums, artists, and audiences.

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ORCHESTRATED DEATHMiddle-class, middle-aged and, according to his partner, menopausal, Detective Inspector Bill Slider is never going to make it to the Yard. Passed over for promotion again, the last thing he needs in his life, or on his patch, is an unidentifiable, naked female corpse.A priceless Stradivarius and a giant tin of olive oil are the only clues in an investigation that takes the steely-eyed, furry-headed detective all the way from the exotic backstreets of Shepherd's Bush to far-flung Birmingham.DEATH WATCHWhen a noted womaniser dies in mysterious circumstances in a sleazy motel and the whole of his murky past comes to light, DI Bill Slider begins to question more than whether the game is worth the candle. Right is right, and indivisible. As soon as he's solved the motel mystery, and found out what the Neary boys and Gorgeous George are up to, Slider's going to have to start putting his own house in orders ...NECROCHIPDetective Superintendent 'George' Dickson's replacement by DS 'Mad Ivan' Barrington - a new broom determined to sweep clean - is all par for the course for DI Bill Slider, as he faces the unhygienic fact of a dismembered corpse in a catering establishment.But there are still niggling questions to distract him: why didn't Barrington like Dickson? What is the mystery of the stake-out they once did together? And why is Slider's home life in almost perpetual stride?

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These powerful and original poems are the expression of a life which spans a childhood on the sugar estates of Guyana, a young manhood involved with such liberating spirits of the anti-colonial movement in the Guyanese arts as Martin Carter, Wilson Harris and Ivan Van Sertima, the painful decision to go into exile and years of disillusion in Britain. Yet though some of these poems stare into the face of despair, the collection as a whole expresses a visionary faith in the regenerative power of love and the freedom of the poetic imagination. The collection brings together the radical anticolonial poems and an African Guyanese man's paens of praise to Indian womanhood of Pray for Rain (1958); the poems of psychic disturbance of Sources of Agony (1979) and many previously unpublished. The language of these poems is marked by a rich fertility of image and a bold heterogeneity of diction, a reflection of the diverse sources of experience from which they grow."Williams's journey from hope to disillusion parallels the experience of many other black people, old and young; but he retails that journey with sensitivity and maturity..." Prabu Guptara, British Book News"'To Alice' and 'Ann Whittaker' deal with love, that most ordinary of miracles, in a way that makes it seem magical... They range from protest to bawdiness with room for celebration somewhere between." Jeffrey Robinson, Kyk-over-Al.Milton Williams was born in Guyana. Part of a group of writers which included Martin Carter and Wilson Harris, he left Guyana in 1960, and lived in Newcastle for many years.

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Andrey Tarkovsky was the most important Russian filmmaker of the post-war era, and one of the world’s most renowned cinematic geniuses. He directed the first five of his seven films – Ivan’s Childhood, Andrei Rublev, Solaris, Mirror and Stalker – in the Soviet Union, but in 1982 defected to Italy, where he made Nostalgia. His final film, The Sacrifice, was produced in Sweden in 1985. Tarkovsky’s films are characterized by metaphysical themes, extended takes, an absence of conventional dramatical structure and plot, and a dream-like, visionary style of cinematography. They achieve a spiritual intensity and transcendent beauty that many consider to be without parallel. This book presents extended sequences of stills from each of the films alongside synopses and cast and crew listings. It includes reflections on Tarkovsky’s work from fellow artists and writers including Jean-Paul Sartre and Ingmar Bergman, for whom Tarkovsky was ‘the greatest, the one who invented a new language.’ Extracts from Tarkovsky’s own writings and diaries offer a wealth of insights into his poetic and philosophical views on cinematography, which he described as ‘sculpting in time’. The book also reproduces many personal Polaroid photographs that confirm the extraordinary poetic vision of a great artist who died aged only 54, but who remains a potent influence on artists and filmmakers today.

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In a private conversation on his deathbed, Rudolf Steiner informed his friend Count Polzer-Hoditz of three spiritual problems that would need to be resolved in the coming years: 'Firstly, the question of the two Johns [John the Baptist and John the Evangelist]. Secondly: Who was Dmitri? Thirdly: Where did Caspar Hauser come from?' Tackling these issues, said Steiner, would be of critical importance for humanity's future. He added: 'In all three problems it is important that one's gaze is directed not towards death but towards birth. Where did they come from and with what tasks?' In Dmitri's case, Steiner emphasized that the most important thing was to discover what was to have been achieved through him. --- Utilizing the significant clues left by Rudolf Steiner, Sergei O. Prokofieff takes on the second of these tasks, the great unsolved mystery of Russian history. Tsarevich Dmitri, the son of Tsar Ivan the Terrible, was tragically murdered as a young boy. Later, he was impersonated by a series of rogues and pretenders. Prokofieff's wide-ranging study integrates historical, psychological and spiritual-scientific perspectives to work towards the truth behind Dmitri's brief life, his mission and the distortions created by the 'false Dmitris'. He also examines the significance of Friedrich Schiller's unfinished play, Demetrius.

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From Lukov with Love is the sensational TikTok hit that is captivating readers all over the world! No one writes slow burn like Mariana Zapata and her millions of fans agree!'The slow-burn queen' ⭐ ⭐ ⭐ ⭐ ⭐ reader review'This book was EVERYTHING!' ⭐ ⭐ ⭐ ⭐ ⭐ reader review'I will forever read everything Mariana writes she is amazing' ⭐ ⭐ ⭐ ⭐ ⭐ reader review'I freakin' love this author' ⭐ ⭐ ⭐ ⭐ ⭐ reader review'A perfect enemies-to-lovers, with a delicious slow burn' ⭐ ⭐ ⭐ ⭐ ⭐ reader review'This book, just smacked me right in the feels' ⭐ ⭐ ⭐ ⭐ ⭐ reader review'This book means the world to me. I'll never get over this' ⭐ ⭐ ⭐ ⭐ ⭐ reader review'There hasn't been a book of Mariana's that I didn't love' ⭐ ⭐ ⭐ ⭐ ⭐ reader review'Wow, this is one of the best romances I've read in a LOOOOONG time' ⭐ ⭐ ⭐ ⭐ ⭐ reader review.........................................They're the coldest of enemies off the ice . . . But could their shared passion on the ice turn to unexpected heat?If someone were to ask Jasmine Santos to describe the last few years of her life with a single word, it would definitely be a four-letter one.After seventeen years of figure skating - and countless broken bones and broken promises - she knows her window to compete is coming to a close. But when the offer of a lifetime comes from the arrogant idiot she's spent the last decade dreaming about pushing in front of a moving bus, Jasmine might have to reconsider everything.Including Ivan Lukov..........................................Want more of Mariana's delicious slow burn? Why not read Ruby's story in Dear Aaron next, and don't miss any of her romances beloved by millions of readers!LingusRhythm, Chord & MalykhinThe Best ThingUnder LockeKultiThe Wall of Winnipeg and MeWait for ItLuna and the LieHands DownAll Rhodes Lead Here

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This edited collection sets forth a new understanding of aesthetic-moral judgment organized around three key concepts: pleasure, reflection, and accountability. The overarching theme is that art is not merely a representation or expression like any other, but that it promotes shared moral understanding and helps us engage in meaning-making. This volume offers an alternative to brain-centric and realist approaches to aesthetics. It features original essays from a number of leading philosophers of art, aesthetics, ethics, and perception, including Elizabeth Burns Coleman, Garrett Cullity, Cynthia A. Freeland, Ivan Gaskell, Paul Guyer, Jane Kneller, Keith Lehrer, Mohan Matthen, Jennifer A. McMahon, Bence Nanay, Nancy Sherman, and Robert Sinnerbrink.Part I of the book analyses the elements of aesthetic experience—pleasure, preference, and imagination—with the individual conceived as part of a particular cultural context and network of other minds. The chapters in Part II explain how it is possible for cultural learning to impact these elements through consensus building, an impulse to objectivity, emotional expression, and reflection. Finally, the chapters in Part III converge on the role of dissonance, difference, and diversity in promoting cultural understanding and advancement. Social Aesthetics and Moral Judgment will appeal to philosophers of art and aesthetics, as well as scholars in other disciplines interested in issues related to art and cultural exchange.

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Boundless Russia, humble yet full of hidden grandeur—such visions of "the motherland" became crucial markers of Russian national identity. This Meager Nature is the first full-length study to trace the cultural construction of Russia's landscape during the nineteenth century, showing how artistic and literary representations of nature reflected and shaped Russians' ideas about themselves and their nation. In the early 1800s, Russians commonly accepted the European judgment that their land lacked aesthetic value. That view changed with the outpouring of literary and artistic creativity that followed the century's political upheavals. Artists such as Aleksei Savrasov, Fedor Vasil'ev, Ivan Shishkin, and Nikolai Nekrasov turned to their native land and revealed the power of grey skies, vast open fields, and simple birch forests. Russians came to embrace their land's modest beauty, which represented strength and hidden depths. The historical creation of Russia's sense of place resulted not so much from its citizens' encounters with their environment, Ely argues, as from their long-term struggle to distinguish Russia from Europe. The humble beauty of the Russian land served to assert the genuineness of Russia against the inauthenticity of western Europe. For those who embraced it, the "meager" beauty of the landscape provided a powerful means for experiencing and expressing Russian national identity.

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A Tudor voyage of exploration - an extraordinary story of daring, discovery, tragedy and pioneering achievement.In the spring of 1553 three ships sailed north-east from London into uncharted waters. The scale of their ambition was breathtaking. Drawing on the latest navigational science and the new spirit of enterprise and discovery sweeping the Tudor capital, they sought a northern passage to Asia and its riches.The success of the expedition depended on its two leaders: Sir Hugh Willoughby, a brave gentleman soldier, and Richard Chancellor, a brilliant young scientist and practical man of the sea. When their ships became separated in a storm, each had to fend for himself. Their fates were sharply divided. One returned to England, to recount extraordinary tales of the imperial court of Tsar Ivan the Terrible. The tragic, mysterious story of the other two ships has to be pieced together through the surviving captain's log book, after he and his crew became lost and trapped by the advancing Arctic winter.This long-neglected endeavour was one of the boldest in British history, and its impact was profound. Although the 'merchant adventurers' failed to reach China as they had hoped, their achievements would lay the foundations for England's expansion on a global stage. As James Evans' vivid account shows, their voyage also makes for a gripping story of daring, discovery, tragedy and adventure.

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'I am truly grateful to Mary Elmes for the life I might not have had, had it not been for her brave actions to save us and many others. She was truly a heroine.' Michael Freund Mary Elmes was an extraordinary woman. Sometimes known as the 'Irish Schindler', she was born in Cork in 1908 and educated at Trinity College Dublin. She won a scholarship to study at the London School of Economics and travelled to Europe in the 1930s. There, she volunteered to help refugees during the Spanish Civil War. Nothing could have prepared her for the horrific suffering she would witness, but she was determined to aid as many people as she could. When Barcelona fell to Franco's forces, she followed the Spanish refugees to southern France and continued to help them in the camps where they were interned. Soon, she found herself in the middle of another conflict, the Second World War, and was helping refugees of all nationalities. By 1942, it became evident that Jews, who were also held in the camps by the collaborationist Vichy authorities, were in danger of being deported to their death. Mary Elmes risked her life to help children and adults escape. She smuggled children out in the boot of her car and succeeded in getting a number of adults off the convoys going to the Nazi death camps. She was arrested and imprisoned by the Gestapo on suspicion of espionage and carrying out a series of hostile acts against Germany. When the war was over, she married a Frenchman and settled down in Perpignan, never speaking about what she had done in either conflict. When the French government offered her its highest honour, the Legion d'Honneur, she turned it down, preferring instead to try put the war behind her. In 2013, she became the first Irish person to be named 'Righteous Among the Nations' at Yad Vashem, Israel's official memorial to Jewish victims of the Holocaust. Now, finally, her story has come to light and a forgotten heroine will be remembered as she deserves. 'A compelling biography of an unsung hero' The Irish Independent 'A truly amazing and uplifting story, I'd recommend it to anybody.' Marian Finucane 'This is the Irish Schindler story - remarkable' Ivan Yates

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This is the first monograph on the life and work of the Czech born British architect Kaplicky (1937-2009). It is a fully comprehensive work based on a decade of research and is a distinctive portrait of one of the most distinguished architects and designers of the 20th and 21st centuries. At the same time it is an exploration into historical events, which influenced a number of talented artists, writers and designers, some of whom were forced, like Kaplicky, to emigrate from Czechoslovakia in order to expand their skills and search for beauty through living in freedom in democratic countries. After immigrating to the United Kingdom in 1968, Kaplicky applied his imagination and diligence and enhanced his skills and aptitude, gaining admiration and respect following the cofounding of the innovative Future Systems studio in 1979. With his wide-ranging architectural and design oeuvre Kaplicky affirmed greatness of his immense talent and ability. The author was a friend, through their shared émigré life experience, giving him broad insight into the inception and realisation of this book. He searched family archives and referenced Kaplickys private diaries. The author drew on everybody who had something important to say and gathered written memories and interviews from Kaplickys friends, colleagues, partners and clients, which form the cornerstone of the monograph. His aim was to write a book that would mirror Kaplickys life and work, a representation made up not only from the authors own point of view, but also according to others with whom Kaplicky had been in contact during his life. The book has many voices and has a kaleidoscopic format, which truly explores Kaplickys complex personality and his creativity. It does not overwhelm with excessive information, but builds a picture of the man behind his designs and tells his story. The author presents Kaplickys personal side with sensitivity and explains his dramatic decision-making.

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How Latinx artists engage in sonic subcultures to reject neoliberal definitions of belonging What is the connection between the British rock star Morrissey and the Latinx culture of transnational “unbelonging”? What is the relevance of “dyke chords” in Chicana feminist punk and lesbian dissolution? In what ways can dissonant sounds challenge systems of dominance? Unbelonging answers these questions and more through an exploration into Mexican and US-based Latinx artists’, writers’, and creators’ use of the discordant sounds of punk, metal, and rock to give voice to the aesthetic of “unbelonging,” a rejection of consumerist and nationalist mentalities. Iván A. Ramos argues that racial identity and belonging have historically required legible forms of performance. Sound has been the primary medium that amplifies and is used to assign cultural citizenship and, for Latinx individuals, legibility is essential to music perceived as traditional and authentic to their national origins. In the context of twentieth-century neoliberal policies, which cemented the concept of “citizen” within logics of consumerism and capitalism, Ramos turns to focus on Latinx artists, writers, and audiences, who produce experimental and often “inauthentic” performances and installations in sonic subcultures to reject new definitions of economic citizenship. Organized around studies of a number of artists, all whom are explored through the methodological frameworks of sound studies, performance studies, and queer theory, Unbelonging unearths how their very different genres of music share a unifying theme of dissonance. With the backdrop of neoliberalism’s attempt to define citizenship in relation to economic and cultural legibility, Unbelonging offers an urgent analysis of how these oft-overlooked queer and feminist performers and fans used sonic illegibility to challenge gender norms, official definitions of citizenship, and narratives of assimilation. Ultimately, these forms of inauthenticity move beyond negation and become ways to imagine alternative realities.

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Die Physik der Musik und ihrer Instrumente Was unterscheidet ein Geräusch von einem Ton? Warum gibt es unterschiedliche Tonleitern? Weshalb klingt ein Xylophon anders als ein Saxophon? Man höre und staune: Die Antworten darauf gibt die Physik – in enger Zusammenarbeit mit der Mathematik und der menschlichen Physiologie. Bereits mit einfachen physikalischen Grundlagen zu Schwingungen und Wellen – Schall ist letztendlich nichts anderes als Wellen, die sich in einem Medium ausbreiten – und wenigen mathematischen Formeln eröffnet sich ein ganz neuer, faszinierender Blick auf die Musik. Iván Egry zeigt, dass Physik und Musik mehr miteinander zu tun haben, als man sich gemeinhin vorstellt. Die Leserinnen und Leser erhalten einen leicht verständlichen Einblick in die Grundlagen der Akustik – Wellengleichung und Schallausbreitung – und der Musiktheorie – Notenschrift, Intervalle, Stimmungen –, bevor es ans Eingemachte geht: Mit Beispielen illustriert, befasst sich der umfangreichste Teil des Buches mit der Tonerzeugung durch Saiten-, Holz- und Blechblasinstrumente und dem faszinierenden Zusammenwirken zwischen Material, Konstruktion und Spielweise, das beim Solo-, Ensemble- oder Orchesterspiel zu dem Klangeindruck führt, der uns emotional so berührt. Dies ist das Buch für: Physikinteressierte, die mehr über Musik wissen möchten Musikinteressierte, die mehr über die physikalischen Grundlagen ihres Metiers wissen möchten Alle, die Spaß an beidem haben!

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SPECIAL SECTION: ISSUES IN THE HISTORY AND MEMORY OF THE OUN V YULIYA YURCHUK, ANDREAS UMLAND: Introduction: New Studies on the Record and Remembrance of the OUN(b) in World War II OLEKSANDR MELNYK: Ukrainian Nationalism, Soviet Power, and Legitimacy Contests in the Kyiv Region, 194144: Actors, Issues, and Interpretations PER A. RUDLING: Managing Memory in Post-Soviet Ukraine: From Scientific Marx-ism-Leninism to the Ukrainian Institute of National Memory, 19912019 A DEBATE ON USTASHISM, GENERIC FASCISM, AND THE OUN II Featuring contributions by OMER BARTOV, JOHN-PAUL HIMKA, SERHIY KVIT, OLEKSANDR PAHIRIA, ANDREAS UMLAND, YULIYA YURCHUK ARTICLES MISCHA GABOWITSCH: What Has Happened to Soviet War Memorials since 1989/91? An Overview IGOR ILJUSHIN: A Strong History for a Strong Nation: A Review Essay on Roman Ponomarenkos SS Galician Volunteer Regiments (194344) REVIEWS TATIANA KLEPIKOVA on Emily Channell-Justice; IVAN KURILLA on Mark Edele; ANASTASIA MITROFANOVA on Fabrizio Fenghi; THIJS KORSTEN on Krista A. Goff; ADRIEN NONJON on Robert Horvath; ROBERT F. BAUMANN on Shoshana Keller; ELISE WESTIN on Oksana Kis; STANISLAV PANIN on Keith A. Livers; MICHEL ANDERLINI on Erica Marat; JUHO KORHONEN on Aliide Naylor; NICK BAIGENT on Maya K. Peterson; AIJAN SHARSHENOVA on Peter Rollberg and Marlene Laruelle; KACPER WAŃCZYK on Adnan Vanatsever; A. K. MAGOMEDOV and A. I. EMELIANOV on Evgenii Vittenberg.

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In Subjects of Advice, Ivan Lupić uncovers the rich interconnectedness of dramatic art and the culture of counsel in the early modern period. While counsel was an important form of practical knowledge, with concrete political consequences, it was also an ingrained cultural habit, a feature of obligatory mental, moral, and political hygiene. To be a Renaissance subject, Lupić claims, one had to reckon with the advice of others. Lupić examines this reckoning in a variety of sixteenth-century dramatic contexts. The result is an original account of the foundational role that counsel played in the development of Renaissance drama. Lupić begins by considering the figure of Thomas More, whose influential argument about counsel as a form of performance in Utopia set the agenda for the entire century. Resisting linear narratives and recovering, instead, the simultaneity of radically different kinds of dramatic experience, he shows the vitality of later dramatic engagements with More's legacy through an analysis of the moral interlude staged within Sir Thomas More, a play possibly coauthored by Shakespeare. More also helps explain the complex use of counsel in Senecan drama, from the neo-Latin plays of George Buchanan, discussed in connection with Buchanan's political writings, to the historical tragedies of the mid-sixteenth century. If tyranny and exemplarity are the keywords for early Elizabethan drama of counsel, for the plays of Christopher Marlowe it is friendship. Lupić considers Marlowe's interest in friendship and counsel, most notably in Edward II, alongside earlier dramatic treatments, thus exposing the pervasive fantasy of the ideal counselor as another self. Subjects of Advice concludes by placing King Lear in relation to its dramatic sources to demonstrate Shakespeare's deliberate dispersal of counsel throughout his play. Counsel's customary link to plain and fearless speech becomes in Shakespeare's hands a powerful instrument of poetic and dramatic expression.

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ContentsSpecial Section: Russia`s Annexation of Crimea IIIGergana Dimova and Andreas Umland: Introduction. Perspectives on Russia's 2014 Annexation of Crimea: Empirical and Theoretical ExplorationsGreta Lynn Uehling: The Personal Stakes of Political Crisis: The 2014 Attempted Annexation of CrimeaKerstin S. Jobst: "Dark" and "Golden" Times: The Crimean Tatar Population under Tsarist and Soviet Rule (1783–1941)Jan Zofka: Agents of Separatism: Social Background to the Pro-Russian Movements in Crimea and the Moldovan Dniester Valley in Comparison (1989–95)A Debate on Prospect Theory and Explaining Russia's Annexation of CrimeaIon Marandici: Loss Aversion, Neo-Imperial Frames, and Territorial Expansion: Using Prospect Theory to Examine the Annexation of CrimeaDiscussionFeaturing contributions by Peter Rutland, Tor Bukkvoll, Mykola Kapitonenko, Rumena Filipova, Martin Malek, Ion MarandiciArticlesChris Monday: Mikhail Putin (1894–1969) and Socialist Competition: Exploring a Neglected Branch of the Putin Family TreeReviews:Inna Chuvychkina on Elizabeth Buchanan; Brendan M. McElmeel on Juliane Fürst; Olga Khabibulina on Hubertus Jahn; Elise Westin on Natalia Knoblock; Manne Wängborg on Andrei Kozyrev; Giulia Prelz Oltramonti on Anna Matveeva; Kimberly St. Julian-Varnon on David Rainbow; John (Ivan) Jaworsky on Josephine von Zitzewitz; Yana Ostapenko on Jessica Zychowicz; Dima Kortukov on Vladislav M. Zubok

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A visual and comprehensive guide to a hugely popular graphic style. The distinctive aesthetic of mid-century design captured the post-war zeitgeist of energy and progress, and remains hugely popular today. In Mid-Century Modern Graphic Design Theo Inglis takes an in-depth look at the innovative graphics of the period, writing about the work of artists and designers from all over the world. From book covers, record covers and posters to advertising, typography and illustration, the designs feature eye-popping colour palettes, experimental type and prints that buzz with kinetic energy. The book features artworks from a wide selection of international designers and illustrators whose work continues to inspire and influence today, including Ray Eames, Paul Rand, Alex Steinweiss, Joseph Low, Alvin Lustig, Elaine Lustig Cohen, Leo Lionni, Rudolph de Harak, Abram Games, Tom Eckersley, Ivan Chermayeff, Josef Albers, Corita Kent, Jim Flora, Ben Shahn, Herbert Bayer and Helen Borten. Theo draws from a broad range of sources including advertising, magazine covers, record sleeves, travel posters and children’s book illustration to show the development of the design style globally, and how this continues to influence design today. The book is packed with hundreds of colour illustrations, including classic designs, such as Saul Bass’ film posters and Miroslav Šašek’s children’s books, alongside lesser-known gems.

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When Oscar Wilde said he had "seen wallpaper which must lead a boy brought up under its influence to a life of crime," his joke played on an idea that has often been taken quite seriously--both in Wilde's day and in our own. In Fateful Beauty, Douglas Mao recovers the lost intellectual, social, and literary history of the belief that the beauty--or ugliness--of the environment in which one is raised influences or even determines one's fate. Weaving together readings in literature, psychology, biology, philosophy, education, child-rearing advice, and interior design, he shows how this idea abetted a dramatic rise in attention to environment in many discourses and in many practices affecting the lives of the young between the late nineteenth century and the middle of the twentieth. Through original and detailed analyses of Wilde, Walter Pater, James Joyce, Theodore Dreiser, Rebecca West, and W. H. Auden, Mao shows that English-language writing of the period was informed in crucial but previously unrecognized ways by the possibility that beautiful environments might produce better people. He also reveals how these writers shared concerns about environment, evolution, determinism, freedom, and beauty with scientists and social theorists such as Herbert Spencer, Hermann von Helmholtz, Ivan Petrovich Pavlov, and W.H.R. Rivers. In so doing, Mao challenges conventional views of the roles of beauty and the aesthetic in art and life during this time.

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Czech writer Vitezslav Nezval (1900-58) was one of the leading Surrealist poets of the 20th century. "Prague with Fingers of Rain" is his classic 1936 collection in which Prague's many-sided life - its glamorous history, various weathers, different kinds of people - becomes symbolic of what is contradictory and paradoxical in life itself. Mixing real and surreal, Nezval evokes life's contradictoriness in a series of psalm-like poems of puzzled love and generous humanity. Nezval was perhaps the most prolific writer in Prague during the 1920s and 30s. An original member of the avant-garde group of artists Devetsil ("Butterbur", literally: "Nine Forces"), he was a founding figure of the Poetist movement. His numerous books included poetry collections, experimental plays and novels, memoirs, essays and translations. His best work is from the interwar period. Along with Karel Teige, Jindrich Aetyrsku, and Toyen, Nezval frequently travelled to Paris, engaging with the French surrealists. Forging a friendship with Andre Breton and Paul Aeluard, he was instrumental in founding The Surrealist Group of Czechoslovakia in 1934 (the first such group outside of France), serving as editor of the group's journal Surrealismus. His mastery of language and prosody was unparalleled - contemporaries referred to it as wizardry. Alongside with surrealist poetry, he wrote poems that sounded like genuine folksongs and for some time he teased the Czech literary public by the anonymous publication of three books attributed to a fictitious Robert David - one of 52 Villonesque ballades, another of 100 sonnets, all in strict classical form. His identity was guessed by the critics only because 'no one else would be able to do that'. This selection from his seminal collection has a specially commissioned foreword by Ivan Klima.

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An advanced introduction to Benjamin's work and its actualization for our own times. Walter Benjamin (1892-1940) has emerged as one of the leading cultural critics of the twentieth century. His work encompasses aesthetics, metaphysical language and narrative theories, German literary history, philosophies of history, the intersection of Marxism and Messianic thought, urban topography, and the development of photography and film. Benjamin defined the task of the critic as one that blasts endangered moments of the past out of the continuum of history so that they attain new significance. This volume of new essays employs this principle of actualization as its methodological program in offering a new advanced introduction to Benjamin's own work. The essays analyze Benjamin's central texts, themes, terminologies, and genres in their original contexts while simultaneously situating them in new parameters, such as contemporary media, memory culture, constructions of gender, postcoloniality, and theories of urban topographies. The Companion brings together an international group of established and emerging scholars to explicate Benjamin's actuality from a multidisciplinary perspective. Designed for audiences interested in literary criticism, cultural studies, and neighboring disciplines, the volume serves as a stimulus for new debates about Benjamin's intellectual legacy today. Contributors: Wolfgang Bock, Willi Bolle, Dianne Chisholm, Adrian Daub, Dominik Finkelde, Eric Jarosinski, Lutz Koepnick, Vivian Liska, Karl Ivan Solibakke, Marc de Wilde, Bernd Witte Rolf J. Goebel is Distinguished Professor of German and Chair of the Department of WorldLanguages and Cultures at the University of Alabama in Huntsville.

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This book is volume two of a three-volume work, Christianity Under Stress, which focuses on the experiences of Christian churches in contemporary communist and socialist societies. In this volume a distinguished group of experts examines the changing relationship of the Catholic church to contemporary communist and socialist societies in Eastern Europe, Latin America, and Asia.Catholicism has, on the one hand, traditionally regarded earthly life as of secondary importance—as an instrument of spiritual transformation—and, on the other, has ascribed great value to the early institutions of the church, taking great interest in temporal matters that affects its institutional concerns. Against the backdrop of this duality, the church has changed over the centuries, adapting to local and national conditions. Catholicism and Politics in Communist Societies surveys these local and national adaptations in their historical contexts, linking the past experience of the church to its present circumstances. Organized around themes of tradition vs. modernity, hierarchy vs. lower clergy, and institutional structure vs. grass-roots organization, this comprehensive volume presents a detailed, country-by-country portrait of the political and social status of the church today in communist and socialist settings.Contributors. Pedro Ramet, Arthur F. McGovern, Roman Solchanyk, Ivan Hvat, Robert F. Goeckel, C. Chrypinski, Milan J. Reban, Leslie Laszlo, Janice Broun, Eric O. Hanson, Stephen Denney, Thomas E. Quigley, Humberto Belli, Hansjakob Stehle, George H. Williams

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Experimenting with Ethnography collects twenty-one essays that open new paths for doing ethnographic analysis. The contributors—who come from a variety of intellectual and methodological traditions—enliven analysis by refusing to take it as an abstract, disembodied exercise. Rather, they frame it as a concrete mode of action and a creative practice. Encompassing topics ranging from language and the body to technology and modes of collaboration, the essays invite readers to focus on the imaginative work that needs to be performed prior to completing an argument. Whether exchanging objects, showing how to use drawn images as a way to analyze data, or working with smartphones, sound recordings, and social media as analytic devices, the contributors explore the deliberate processes for pursuing experimental thinking through ethnography. Practical and broad in theoretical scope, Experimenting with Ethnography is an indispensable companion for all ethnographers. Contributors. Patricia Alvarez Astacio, Andrea Ballestero, Ivan da Costa Marques, Steffen Dalsgaard, Endre Dányi, Marisol de la Cadena, Marianne de Laet, Carolina Domínguez Guzmán, Rachel Douglas-Jones, Clément Dréano, Joseph Dumit, Melanie Ford Lemus, Elaine Gan, Oliver Human, Alberto Corsín Jiménez, Graham M. Jones, Trine Mygind Korsby, Justine Laurent, James Maguire, George E. Marcus, Annemarie Mol, Sarah Pink, Els Roding, Markus Rudolfi, Ulrike Scholtes, Anthony Stavrianakis, Lucy Suchman, Katie Ulrich, Helen Verran, Else Vogel, Antonia Walford, Karen Waltorp, Laura Watts, Brit Ross Winthereik

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Midrash is arguably the most ancient genre of Jewish literature, forming a voluminous body of scriptural exegesis over the course of centuries. There is hardly anything in the ancient rabbinic universe that was not taught through this medium. The diversity and development of that creative profusion are presented here in a new light. The contributors cover a broad range of texts, from late antiquity to the modern period and from all the centres of literary creativity, including non-rabbinic and non-Jewish literature, so that the full extent of the modes and transformations of Midrash can be fully appreciated. A comprehensive introduction situates Midrash in its historical and cultural setting, pointing to creative adaptations within the tradition and providing a sense of the variety of genres and applications discussed in the body of the book. Bringing together an impressive array of the leading names in the field, the volume is innovative in both its scope and content, seeking to open a new period in the study of Midrash and its creative role in the formation of culture. It should be of interest to all scholars of Jewish studies, as well as to a wider readership interested in the interrelationships between hermeneutics, culture, and creativity, and especially in the afterlife of a classical genre and its ability to inspire new creativity in many forms. Contributors: Philip Alexander, Sebastian Brock, Jacob Elbaum, Michael Fishbane, Robert Hayward, William Horbury, Sara Japhet, Ephraim Kanarfogel, Naftali Loewenthal, Ivan G. Marcus, Alison Salvesen, Marc Saperstein, Chava Turniansky, Piet van Boxel, Joanna Weinberg, Benjamin Williams, Elliot Wolfson, Eli Yassif.

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This second book in a three-volume work on the young Fyodor Dostoevsky is a diary-portrait of his early years drawn from letters, memoirs, and criticism of the writer, as well as from the testimony and witness of family and friends, readers and reviewers, and observers and participants in his life. The result of an exhaustive search of published materials on Dostoevsky, this volume sheds crucial light on the many unexplored corners of Dostoevsky's life in the time between the success of his first novel, Poor Folk, and the failure of his next four works. Thomas Gaiton Marullo lets the original writers speak for themselves—the good and the bad, the truth and the lies—and adds extensive notes with correctives, counterarguments, and other pertinent information. Marullo looks closely at Dostoevsky's increasingly tense ties with Vissarion Belinsky, Nikolai Nekrasov, Ivan Turgenev, and other figures of the Russian literary world. He then turns to the individuals who afforded Dostoevsky security and peace amid the often negative reception from fellow writers and readers of his early fiction. Finally, Marullo shows us Dostoevsky's break with the Belinsky circle; his struggle to stay afloat emotionally and financially; and his determination to succeed as a writer while staying true to his vision, most notably, his insights into human psychology that would become a hallmark of his later fiction. This clear and comprehensive portrait of one of the world's greatest writers provides a window into his younger years in a way no other biography has to date.

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A Financial Times Best History Book of the YearMany people are familiar with American Commodore Matthew Perry’s expedition to open trade relations with Japan in the early 1850s. Less well known is that on the heels of the Perry squadron followed a Russian expedition secretly on the same mission. Serving as secretary to the naval commander was novelist Ivan Goncharov, who turned his impressions into a book, The Frigate Pallada, which became a bestseller in imperial Russia. In A World of Empires, Edyta Bojanowska uses Goncharov’s fascinating travelogue as a window onto global imperial history in the mid-nineteenth century.Reflecting on encounters in southern Africa’s Cape Colony, Dutch Java, Spanish Manila, Japan, and the British ports of Singapore, Hong Kong, and Shanghai, Goncharov offers keen observations on imperial expansion, cooperation, and competition. Britain’s global ascendancy leaves him in equal measures awed and resentful. In Southeast Asia, he recognizes an increasingly interlocking world in the vibrant trading hubs whose networks encircle the globe. Traveling overland back home, Goncharov presents Russia’s colonizing rule in Siberia as a positive imperial model, contrasted with Western ones.Slow to be integrated into the standard narrative on European imperialism, Russia emerges here as an increasingly assertive empire, eager to position itself on the world stage among its American and European rivals and fully conversant with the ideologies of civilizing mission and race. Goncharov’s gripping narrative offers a unique eyewitness account of empire in action, in which Bojanowska finds both a zeal to emulate European powers and a determination to define Russia against them.

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The first and exhaustive biography of twentieth-century leftist philosopher Andre Gorz. Recognized as one of the most lucid and innovative critics of contemporary capitalism, Andre Gorz (1923-2007) was known for asking fundamental questions regarding the meaning of life and work. This first biography of a unique figure operating at the confluence of literature, philosophy, and journalism revisits half a century of intellectual and political life. Born Gerhart Hirsch in Vienna, he studied in Switzerland before opting to live and work in France. A self-taught existentialist thinker, he was constantly revising his view of the world, unafraid to break new theoretical ground in doing so. Influenced by Marx, Husserl, Sartre, and Illich, he had very close affinities with the new thinking on the Left that was coming out of Italy in the 1960s and 70s. He was also one of the first thinkers to shape political ecology and to advocate de-growth. The intellectual on the editorial board of Sartre's journal Les Temps Modernes, Gorz was also a mainstream journalist. He wrote in L'Express under the sobriquet Michel Bosquet before joining others in the creation of Le Nouvel Observateur. Through Gorz's life journey, we meet not only Sartre and de Beauvoir, but also Herbert Marcuse, Fidel Castro, Daniel Cohn-Bendit, Ivan Illich, Felix Guattari, Antonio Negri, and many others. Beyond his poignant autobiographical narratives, The Traitor and Letter to D, which attest to his deep humanity, Gorz remains a precious guide for all who believe that another world is still possible.

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In the summer of 1096, marauding crusaders attacked Jewish communities in three Rhineland cities. These violent episodes disrupted what had been a fairly peaceful history of coexistence between Jews and Christians for more than two centuries. Although the two groups inhabited fundamentally different religious universes, Jews and Christians lived in the same towns, on the same streets, and pursued their lives with minimal interference, often with considerable cooperation. However, the events of 1096 caused relations between the two communities to deteriorate, with Jewish communities suffering as a result. The careful analyses of people, events, and texts provide a balanced perspective on the fate of twelfth-century Jewish communities. The contributors reveal considerable evidence that old routines and interactions between Christians and Jews persisted throughout this volatile period. The essays intentionally highlight areas of common or parallel activity: in vernacular literature, in biblical exegesis, in piety and mysticism, in the social context of conversion, in relations with prelates and monarchs, in coping in a time of change, renewal, and upheaval. Most importantly, the contributors insist on integrating both Jewish and Christian perspectives into the larger history of a very complex and increasingly urban twelfth-century Europe. Contributors: John Van Engen, Jeremy Cohen, Ivan G. Marcus, Robert Chazan, Jonathan M. Elukin, William Chester Jordan, Walter Cahn, Jan M. Ziolkowski, Michael A. Signer, Elliott R. Wolfson, Susan Einbinder, Maureen Boulton, Alfred Haverkamp, Gérard Nahon, and Robert C. Stacey.

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Presenting Platinum winners Michele Gomes Bush (Next) from Australia, Chad Roberts (Chad Roberts Design Ltd.) from Canada, XiongBo Deng (Shenzhen Lingyun Creative Packaging Design Co., Ltd.) and Lu Chen (Xiaomi) from China, Vishal Vora (Sol Benito) from India, Mattia Conconi (Gottschalk+Ash Int’l) from Switzerland, and Frank Anselmo (New York Mets), Ivan Bell (Stranger & Stranger), Brian Steele (SLATE), and the team at PepsiCo Design & Innovation from the U.S.A jury full of creative, award-winning designers and creative directors: Morton Throndsen (Strømme Throndsen Design) from Norway, Eduardo Del Fraile (Studio Eduardo Del Fraile) from Spain, Lauren Tutssel (Chickadee Creative) from the U.K., and Sallie Reynolds Allen (Studio 32 North) and Steve Sandstrom (Sandstrom Partners) from the U.S.This book contains award-winning packaging from the judges, as well as international Platinum, Gold, and Silver-winning packaging designs from designers and design firms from around the world. Honorable Mentions are presented, and a feature of award-winning work from our Packaging 9 Annual is also included.This Annual is a fount of artistry and ingenuity, and is a resource that lets packaging designers see what other designers and teams are inspired by. It contains high-quality, full-page images of Platinum and Gold Award-winning work from talented designers. Silver Award-winning work and Honorable Mentions are also displayed.

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The French sociologist Pierre Bourdieu had a broader theoretical agenda than is generally acknowledged. Introducing this innovative collection of essays, Philip S. Gorski argues that Bourdieu's reputation as a theorist of social reproduction is the misleading result of his work's initial reception among Anglophone readers, who focused primarily on his mid-career thought. A broader view of his entire body of work reveals Bourdieu as a theorist of social transformation as well. Gorski maintains that Bourdieu was initially engaged with the question of social transformation and that the question of historical change not only never disappeared from his view, but re-emerged with great force at the end of his career.The contributors to Bourdieu and Historical Analysis explore this expanded understanding of Bourdieu's thought and its potential contributions to analyses of large-scale social change and historical crisis. Their essays offer a primer on his concepts and methods and relate them to alternative approaches, including rational choice, Lacanian psychoanalysis, pragmatism, Latour's actor-network theory, and the "new" sociology of ideas. Several contributors examine Bourdieu's work on literature and sports. Others extend his thinking in new directions, applying it to nationalism and social policy. Taken together, the essays initiate an important conversation about Bourdieu's approach to sociohistorical change.Contributors. Craig Calhoun, Charles Camic, Christophe Charle, Jacques Defrance, Mustafa Emirbayer, Ivan Ermakoff, Gil Eyal, Chad Alan Goldberg, Philip S. Gorski, Robert A. Nye, Erik Schneiderhan, Gisele Shapiro, George Steinmetz, David Swartz

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The haunting epic that plunged the DC Universe into darkness collected in its entirety for the first time ever! The Blackest Night is now here. As black rings rain from the sky former, friends and loved ones rise from their graves as twisted monsters with only one mission: Death. A war has been brewing between the different colored Lantern Corps the Green fighting the Yellow, the Red trying to destroy all, the Blue attempting to broker peace between the tribes. However, the real battle is now here: the undead Black Lanterns are coming and seemingly nothing can stop them. Putting aside old vendettas, it s up to Hal Jordan and the Green Lantern Corps to lead DC s greatest champions as well as their deadliest foes in a battle to save the Universe from an army of the dead! Written by comics superstar Geoff Johns (Doomsday Clock, DC: Rebirth, Justice League) and drawn by some of the hottest artists in the game such as Ivan Reis (Justice League, Superman, Aquaman), Patrick Gleason (Batman and Robin, Superman). The Blackest Night Omnibus is a must-have for longtime fans and new readers looking to take the plunge into darkness. Collects Adventure Comics #4-5,7, Blackest Night #0-8, Blackest Night: Batman #1-3, Blackest Night: The Flash #1-3, Blackest Night: JSA #1-3, Blackest Night: Superman #1-3, Blackest Night: Tales of the Corps #1-3, Blackest Night: Titans #1-3, Blackest Night: Wonder Woman #1-3, Catwoman #83, Green Arrow #30, Green Lantern #43-53, Green Lantern Corps #39-47, Phantom Stranger #42, Starman #81, Suicide Squad #67, The Atom and Hawkman #46, The Power of Shazam! #48, The Question #37, Untold Tales of Blackest Night #1 and Weird Western Tales #71.

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This book applauds the union of architecture and engineering both today and throughout the history of building and construction. The relationship between the two fields is multifaceted. Some architects may have had an engineering background, and some engineers have experience of architecture. Some unacknowledged engineers have stood modestly behind great architects, and a number of architects have been encouraged and supported by their engineer-collaborators in designing structures that appear to defy gravity. Architects + Engineers = Structures focuses on the ideal: on a cohesive building design team where the members contribute equally, resulting in unique and exceptional designs. These are architects and engineers who entice beauty into buildings not just with lines on paper and calculations but with intuition, innovation and feeling for the needs of people, materials, strength, proportion, lightness and elegance. Structures featured include: * dome of the Cathedral of Santa Maria del Fiore, Florence * Church of the Sagrada Familia, Barcelona * Eiffel Tower, Paris * Sydney Opera House, Sydney * Marina City, Chicago * Olympic Swimming Pool Arena, Tokyo * London Eye, London * many other international examples, both celebrated and less well-known "This subject is very important, and I hope the book will attract the attention of many architects and engineers." Professor Mamoru Kawaguchi Also by Ivan Margolius: Automobiles by Architects, Wiley-Academy, ISBN 047160786X "How rare it is to put down a book with the sense of pleasure satisfied, the mind excited by ideas and information, nostalgia stimulated, the eye amused by illustrations." Brian Sewell, The Spectator "Superbly entertaining book." Edwin Heathcote, The Architects' Journal "This is an enjoyable read." Building Design "Excellent book." FX Magazine "Purchasers are likely to have something unique on their bookshelves." The Automobile "A pleasant surprise is the density and clarity of the text, usefully accompanied by a wealth and diversity of iconography." L'Architecture d'aujourd'hui

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In 2011, DC s New 52 era ushered in daring reinventions of pop culture s greatest characters with the Justice League at the forefront! This omnibus collection of the second half of visionary writer Geoff Johns time on Justice League pits the team against some of their greatest threats, as super-villains look to inherit Earth in the Forever Evil saga! In a flash of light, the world s most powerful heroes vanish as the Crime Syndicate arrives from Earth-3! As this evil version of the Justice League takes over the DC Universe, no one stands in the way of them and complete domination no one except for Lex Luthor. His main ally in this seemingly impossible battle? Batman. But that s just a prelude to the main event: the Darkseid War! The Justice League first came together years ago to stop Darkseid and his Parademon army from invading our Earth. Now Darkseid will once again make the planet a war zone, as Earth becomes the frontline in his battle with the Anti-Monitor one of the most powerfully destructive creatures ever created! New York Times bestselling writer Geoff Johns teams up with some of comics top artists, including David Finch, Ivan Reis, and Jason Fabok for the biggest battles the DC Universe has ever seen! This hardcover omnibus collects Justice League #24-52, Forever Evil #1-7, DC Universe: Rebirth #1, DC Sneak Peek: Justice League #1, Justice League feat. Secret Society #234, Justice League of America feat. Black Adam #74, Justice League: Darkseid War Special #1, Justice League: Darkseid War: Batman #1, Justice League: Darkseid War: The Flash #1, Justice League: Darkseid War: Green Lantern #1, Justice League: Darkseid War: Lex Luthor #1, Justice League: Darkseid War: Shazam #1, and Justice League: Darkseid War: Superman #1.

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How Latinx artists engage in sonic subcultures to reject neoliberal definitions of belonging What is the connection between the British rock star Morrissey and the Latinx culture of transnational “unbelonging”? What is the relevance of “dyke chords” in Chicana feminist punk and lesbian dissolution? In what ways can dissonant sounds challenge systems of dominance? Unbelonging answers these questions and more through an exploration into Mexican and US-based Latinx artists’, writers’, and creators’ use of the discordant sounds of punk, metal, and rock to give voice to the aesthetic of “unbelonging,” a rejection of consumerist and nationalist mentalities. Iván A. Ramos argues that racial identity and belonging have historically required legible forms of performance. Sound has been the primary medium that amplifies and is used to assign cultural citizenship and, for Latinx individuals, legibility is essential to music perceived as traditional and authentic to their national origins. In the context of twentieth-century neoliberal policies, which cemented the concept of “citizen” within logics of consumerism and capitalism, Ramos turns to focus on Latinx artists, writers, and audiences, who produce experimental and often “inauthentic” performances and installations in sonic subcultures to reject new definitions of economic citizenship. Organized around studies of a number of artists, all whom are explored through the methodological frameworks of sound studies, performance studies, and queer theory, Unbelonging unearths how their very different genres of music share a unifying theme of dissonance. With the backdrop of neoliberalism’s attempt to define citizenship in relation to economic and cultural legibility, Unbelonging offers an urgent analysis of how these oft-overlooked queer and feminist performers and fans used sonic illegibility to challenge gender norms, official definitions of citizenship, and narratives of assimilation. Ultimately, these forms of inauthenticity move beyond negation and become ways to imagine alternative realities.

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Winner of the Heldt Prize for Best Book in Slavic, East European, and Eurasian Women's and Gender Studies 2021 There was a discontent among Russian men in the nineteenth century that sometimes did not stem from poverty, loss, or the threat of war, but instead arose from trying to negotiate the paradoxical prescriptions for masculinity which characterized the era. Picturing Russia’s Men takes a vital new approach to this topic within masculinity and art historical studies by investigating the dissatisfaction that developed from the breakdown in prevailing conceptions of manhood outside of the usual Western European and American contexts. By exploring how Russian painters depicted gender norms as they were evolving over the course of the century, each chapter shows how artworks provide unique insight into not only those qualities that were supposed to predominate, but actually did in lived practice. Drawing on a wide variety of source material, including previously untranslated letters, journals, and contemporary criticism, the book explores the deep structures of masculinity to reveal the conflicting desires and aspirations of men in the period. In so doing, readers are introduced to Russian artists such as Karl Briullov, Pavel Fedotov, Alexander Ivanov, Ivan Kramskoi, and Ilia Repin, all of whom produced masterpieces of realist art in dialogue with paintings made in Western European artistic centers. The result is a more culturally discursive account of art-making in the nineteenth century, one that challenges some of the enduring myths of masculinity and provides a fresh interpretive history of what constitutes modernism in the history of art.

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