Search results for ""author bernd"

This book examines in depth the painter Michelangelo Merisi da Caravaggio (1571–1610) and the sculptor Gian Lorenzo Bernini (1598–1680). Other painters and sculptors gathered around these two geniuses in Rome in the first decades of the 17th century. Together they formulated a new artistic language which later came to be known as Roman Baroque. In a very short period of time, Rome became an international cultural hotspot, the breeding ground of new ideas and initiatives. Artists from all over Europe came to the Eternal City to study the many remnants of Roman Antiquity and to seek the increasing patronage of the popes, cardinals, and the local nobility. More than ever before, painters and sculptors shared ambitions, personal friendships, and worked together, often on large papal projects. Caravaggio, Bernini, and their fellow artists embody this artistic fraternisation. Together, their works tell the story of the birth of this new movement in art, and the radical artistic innovation which would prove to have far reaching influence in Europe.

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Bernard Miles was a force of nature. Actor, writer, director, life peer and founder of the Mermaid Theatre, Bernard Miles was a visionary who made an indelible impact on British Theatre. In 1959, in a post-Blitz area of London, amongst the ghosts of Shakespeare and Marlowe, Bernard and his wife Josephine Wilson fought every obstacle to establish a truly remarkable theatre that brought new plays to the British public and revitalised the classics. Alan Strachan’s fascinating biography shares the adventures of Bernard Miles from film set to stage door, covering his personal and professional life and revealing the man and his mission. The talented and eccentric characters who worked and supported the Mermaid Theatre fill the pages of this inspiring memoir. And the man at the helm, the Adventurer, has earned his place in theatre history. Whether filming in an oily tank for In Which We Serve, or on stage with his parrot on his shoulder for Treasure Island; whether arranging inspired ‘get rich quick’ schemes to finance the theatre or bringing the house down as ‘The Uncrowned King of the Chiltern Hills’, Bernard Miles was a determined and passionate idealist. Alan Strachan’s book shows the talented, flawed, beloved, troublesome man in all his glory. “This full, rich and enthralling account of the making of one of the British theatre’s great figures is long overdue. Bernard was one of its most important – and most original – standard bearers, for whom we have much to be grateful, as any reader of this riveting book will discover.” - Simon Callow

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Das Buch vereinigt einige wichtige ältere sowie drei unveröffentlichte Aufsätze zum Werk und zur Rezeption des Barockbaumeisters Johann Bernhard Fischer von Erlach. Zentrale Themen sind die Zagreber Zeichnungen zu dessen Buch Entwurff einer Historischen Architectur (1721) sowie die Kirchen in Salzburg und der Prunksaal der Hofbibliothek in Wien. Daneben werden seine englischen Beziehungen und das Werk seines ersten Monographen, Albert Ilg, untersucht. Zeichnungen Fischer von Erlachs und Rezeption seines Werkes Albert Ilg Englischer Barock Blick ins Buch

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Discover how these two men changed the world in very different times. Follow Caxton's life as he introduced the world to the printing press, and compare with Berners Lee and his invention of the internet.Discover the differences and similarities between their amazing discoveries! Addressing the needs of the new history National Curriculum, this book will engage readers and encourage them to ask questions about history and how times change.

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The buildings compiled in this volume by the Augsburg architects Titus Bernhard are committed to classical modernism. They are extremely sculptural and highly experimental in terms of their choice of materials. Based on those principles, an extensive, superior body of work has been developed since 1995.

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The formative early ballets of West Side Story creators Leonard Bernstein and Jerome Robbins explored in detail for the very first time. 2022 CHOICE Outstanding Academic Title Winner. Leonard Bernstein and choreographer Jerome Robbins stand as giants of the musical-theatre world, but it was ballet that launched their stage careers and established their relationship. With Fancy Free (1944), their triumphant debut collaboration produced by Ballet Theatre, Bernstein, Robbins, and set designer Oliver Smith-all in their mid-twenties- captured the spirit of wartime New York, created a defining ballet of the period still widely performed today, and became overnight sensations. The hit musical On the Town (1944) and a now largely forgotten ballet, Facsimile (1946), followed over the next two years. Drawing extensively on previously unpublished archival documents, Bernstein and Robbins: The Early Ballets provides a richly detailed and original historical account of the creation, premiere, and reception of Fancy Free and Facsimile. It reveals the vital and sometimes conflicting role of Ballet Theatre, explores how Bernstein composed the scores, sheds light on the central importance of Oliver Smith, and considers the legacy of these works for all involved. The result is a new understanding of Bernstein, Robbins, and this formative period in their lives.

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In December 1937, the Chinese capital, Nanjing, falls and the Japanese army unleash an orgy of torture, murder, and rape. Over the course of six weeks, hundreds of thousands of civilians and prisoners of war are killed. At the very onset of the atrocities, the Danish supervisor at a cement plant just outside the city, 26-year-old Bernhard Arp Sindberg, opens the factory gates and welcomes in 10,000 Chinese civilians to safety, beyond the reach of the blood-thirsty Japanese. He becomes an Asian equivalent of Oskar Schindler, the savior of Jews in the European Holocaust.This biography follows Sindberg from his childhood in the old Viking city of Aarhus and on his first adventures as a sailor and a Foreign Legionnaire to the dramatic 104 days as a rescuer of thousands of helpless men, women, and children in the darkest hour of the Sino-Japanese War. It describes how after his remarkable achievement, he receded back into obscurity, spending decades more at sea and becoming a naturalized American citizen, before dying of old age in Los Angeles in 1983, completely unrecognized. In this respect, too, there is an obvious parallel with Schindler, who only attained posthumous fame.The book sets the record straight by providing the first complete account of Sindberg’s life in English, based on archival sources hitherto unutilized by any historian as well as interviews with surviving relatives. What emerges is the surprising tale of a person who was average in every respect but rose to the occasion when faced with unimaginable brutality, discovering an inner strength and courage that transformed him into one of the great humanitarian figures of the 20th century and an inspiration for our modern age, demonstrating that the determined actions of one person—any person—can make a huge difference.

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Leonard Bernstein's gifts for drama and connecting with popular audiences made him a central figure in twentieth century American music. Though a Bernstein work might reference anything from modernism to cartoon ditties, jazz permeated every part of his musical identity as a performer, educator, and intellectual. Katherine Baber investigates how jazz in its many styles served Bernstein as a flexible, indeed protean, musical idea. As she shows, Bernstein used jazz to signify American identity with all its tensions and contradictions and to articulate community and conflict, irony and parody, and timely issues of race and gender. Baber provides a thoughtful look at how Bernstein's use of jazz grew out of his belief in the primacy of tonality, music's value as a unique form of human communication, and the formation of national identity in music. She also offers in-depth analyses of On the Town, West Side Story, 1600 Pennsylvania Avenue, and other works to explore fascinating links between Bernstein's art and issues like eclecticism, music's relationship to social engagement, black-Jewish relations, and his own musical identity.

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Fourteen years after the first publication of Architectural Stories by Bernard De Clerck, this beautiful new book features the latest design projects from Flemish architect Bernard De Clerck - undoubtedly a conceptual architect who is not in the least conventional, even when he finds inspiration not only in ancient times, the Renaissance and the Arts and Crafts movement, but also in local architecture. Each house, living space, cluster of buildings created by Bernard De Clerck is based on a story, and in turn, is the beginning of a new one. It is both in the present and in the past. Timeless, warm, with clear lines and a sensitive attention to detail, New Architectural Stories presents 17 truly exceptional residential country homes and castles, some of them in collaboration with Axel Vervoordt. Text in English, French and Dutch.

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Modern Germany: A Global History places Germany in a global and transnational context, while offering a broad scope of chronological and thematic coverage. The authors present German-speaking lands in relation to the rest of the world, rather than as discrete entities, bringing global and transnational linkages and interdependencies into focus.

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Pedro de Mena y Medrano (1628-1688) is the most highly regarded master of Spanish Baroque sculpture, on a par with his contemporaries, the great seventeenth-century painters Velázquez, Zurbarán and Murillo. Mena's contributions to Spanish Baroque sculpture are unsurpassed in both technical skill and expressiveness of his religious subjects. His ability to sculpt the human body was remarkable, and he excelled in creating figures and scenes for contemplation. This first monograph of Pedro de Mena shows incredible details and remarkable images of his hyper-realistic sculptures, full of passion. In addition to text by curator Xavier Bray, Pedro de Mena also features important contributions by José Luis Romeo Torres, curator of the exhibition Pedro de Mena, to be held in Málaga in 2019.

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In 1878, the first complete dinosaur skeleton was discovered in a coal mine in Bernissart, Belgium. Iguanodon, first described by Gideon Mantell on the basis of fragments discovered in England in 1824, was initially reconstructed as an iguana-like reptile or a heavily built, horned quadruped. However, the Bernissart skeleton changed all that. The animal was displayed in an upright posture similar to a kangaroo, and later with its tail off the ground like the dinosaur we know of today. Focusing on the Bernissant discoveries, this book presents the latest research on Iguanodon and other denizens of the Cretaceous ecosystems of Europe, Asia, and Africa. Pascal Godefroit and contributors consider the Bernissart locality itself and the new research programs that are underway there. The book also presents a systematic revision of Iguanodon; new material from Spain, Romania, China, and Kazakhstan; studies of other Early Cretaceous terrestrial ecosystems; and examinations of Cretaceous vertebrate faunas.

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-- Publishers Weekly

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Franz Kafka's 1915 novella of unexplained horror and nightmarish transformation became a worldwide classic and remains a century later one of the most widely read works of fiction in the world. It is the story of traveling salesman Gregor Samsa, who wakes one morning to find himself transformed into a monstrous insect. This hugely influential work inspired George Orwell, Albert Camus, Jorge Louis Borges, and Ray Bradbury, while continuing to unsettle millions of readers. In her new translation of Kafka's masterpiece, Susan Bernofsky strives to capture both the humor and the humanity in this macabre tale, underscoring the ways in which Gregor Samsa's grotesque metamorphosis is just the physical manifestation of his longstanding spiritual impoverishment.

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En esta obra, el gran conocedor de san Bernardo, que fue D. Jean Leclercq, nos hace una síntesis admirable sobre la figura del santo pasando revista a los diversos aspectos de su vida y de su obra. Dios le prodigó extraordinariamente, por lo que brilló en las áreas más diversas (teólogo y literato, artista y músico, hombre de biblia y filósofo, poeta en la Iglesia y liturgo). Pero uno de los dones más insignes que recibió fue su cualidad de escritor en la que resplandece su verdadera grandeza por la que fue maestro espiritual y doctor de la Iglesia.

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The formative early ballets of West Side Story creators Leonard Bernstein and Jerome Robbins explored in detail for the very first time. 2022 CHOICE Outstanding Academic Title Winner. Leonard Bernstein and choreographer Jerome Robbins stand as giants of the musical-theatre world, but it was ballet that launched their stage careers and established their relationship. With Fancy Free (1944), their triumphant debut collaboration produced by Ballet Theatre, Bernstein, Robbins, and set designer Oliver Smith-all in their mid-twenties- captured the spirit of wartime New York, created a defining ballet of the period still widely performed today, and became overnight sensations. The hit musical On the Town (1944) and a now largely forgotten ballet, Facsimile (1946), followed over the next two years. Drawing extensively on previously unpublished archival documents, Bernstein and Robbins: The Early Ballets provides a richly detailed and original historical account of the creation, premiere, and reception of Fancy Free and Facsimile. It reveals the vital and sometimes conflicting role of Ballet Theatre, explores how Bernstein composed the scores, sheds light on the central importance of Oliver Smith, and considers the legacy of these works for all involved. The result is a new understanding of Bernstein, Robbins, and this formative period in their lives.

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Sculptor, architect, painter, playwright, and scenographer, Gian Lorenzo Bernini (1598-1680) was the last of the great universal artistic geniuses of early modern Italy, placed by both contemporaries and posterity in the same exalted company as Leonardo, Raphael, and Michelangelo. And his artistic vision remains palpably present today, through the countless statues, fountains, and buildings that transformed Rome into the baroque theater that continues to enthrall tourists today. It is perhaps not surprising that this artist who defined the baroque should have a personal life that itself was, well, baroque. As Franco Mormando's dazzling biography reveals, Bernini was a man driven by many passions, possessed of an explosive temper and a hearty sex drive, and he lived a life as dramatic as any of his creations. Drawing on archival sources, letters, diaries, and - with a suitable skepticism - a hagiographic account written by Bernini's son (who portrays his father as a paragon of virtue and piety), Mormando leads us through Bernini's many feuds and love affairs, scandals and sins. He sets Bernini's raucous life against a vivid backdrop of baroque Rome, bustling and wealthy, and peopled by churchmen and bureaucrats, popes and politicians, schemes and secrets. The result is a seductively readable biography, stuffed with stories and teeming with life - as wild and unforgettable as Bernini's art. No one who has been bewitched by the baroque should miss it.

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Bernini at Saint Peter's may be a unique case in history: a single artist in change of a grandiose monument in a continuous state of creativity under constantly changing patrons and a variety of projects, for nearly six decades. This book argues that a continuous thread of thought may be discerned underlying and connecting the vicissitudes of this spectacular display. From first to last, Gianlorenzo Bernini conceived of Saint Peter's as a pilgrimage church, a kind of pilgrimage of human life, his own and of the believers who visited the basilica to worship and give testimony. Irving Lavin is professor emeritus in the School of Historical Studies at the Institute for Advanced Study in Princeton. He is one of the most distinguished and honoured art historians in the United States. Professor Lavin is best known for his series of fundamental publications on the Baroque artist Gianlorenzo Bernini (1598-1680). These include new discoveries and studies on the master's prodigious early life, his architecture and portraiture, his invention of caricature, his depictions of religious faith and political leadership, his work in the theatre, his attitude towards death and the role of the artist in the creation of a modem sense of social responsibility.

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Through a decade of friendship, sharing the same environs and being active collectors, Sonja Graber and Christian Graber are inextricably connected to the photographer Annelies Strba, the jewellery and object artist Bernhard Schobinger and the painter Adrian Schiess. A far cry from thoughts of prestige and conjecture, one of the most extensive collections from all genres of the three Swiss artists has now emerged out of artistic and personal esteem. In the collectors, the artists and the Kunsthaus Zug, like-minded people have come together in the most indiscriminate appreciation of fine and applied art. To mark the occasion of the donation of the Graber collections to the museum, the three internationally renowned artists along with hitherto largely unpublished works are now united in one publication. Contents: Art is an Experiment for Us by Matthias Haldemann; Supporting the Artists: Building the Graber Collection by Marco Obrist; Things, Art ... Art Things by Felix Philipp Ingold; Undine's Song by Ildegarda Scheidegger; The Year's Production from 1981, the Start of Painting by Ulrich Loock; The Graber Collection at Kunsthaus Zug; artists' biographies. Text in English and German.

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