Search results for ""Temple University Press,U.S.""

All the facts about common and uncommon birds in the Delaware Valley

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A radical critique of a new phase of capitalism grounded in corporate power and its exploitation of technological creativity

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The role of gender and politics in the ever-changing goals and effects of development

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Herbert Marcuse examined the subjective and material conditions of radical social change and developed the "Great Refusal," a radical concept of "the protest against that which is." The editors and contributors to the exciting new volume The Great Refusal provide an analysis of contemporary social movements around the world with particular reference to Marcuse's revolutionary concept. The book also engages-and puts Marcuse in critical dialogue with-major theorists including Slavoj Žižek and Michel Foucault, among others. The chapters in this book analyze different elements and locations of the contemporary wave of struggle, drawing on the work and vision of Marcuse in order to reveal, with a historical perspective, the present moment of resistance. Essays seek to understand recent uprisings-such as the Zapatistas in Mexico, the Arab Spring, and the Occupy movement-in the context of Marcuse's powerful conceptual apparatus.The Great Refusal also charts contemporary social movements against global warming, mass incarceration, police brutality, white supremacy, militarization, technological development, and more, to provide insights that advance our understanding of resistance today.Contributors include: Kevin B. Anderson, Stanley Aronowitz, Joan Braune, Jenny Chan, Angela Y. Davis, Arnold L. Farr, Andrew Feenberg, Michael Forman, Christian Fuchs, Stefan Gandler, Christian Garland, Toorjo Ghose, Imaculada Kangussu, George Katsiaficas, Douglas Kellner, Sarah Lynn Kleeb, Filip Kovacevic, Lauren Langman, Heather Love, Peter Marcuse, Martin J. Beck Matuštík, Russell Rockwell, AK Thompson, Marcelo Vieta, and the editors.

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A magisterial overview of the history of the fight for leisure in the United States

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Examining the political economy of high-stakes educational testing

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Looking for regional solutions to local limitations of opportunity in education, jobs and housing

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A comprehensive and contemporary view of Chicago, the quintessential American city, that documents its transformation into a postindustrial, global city.

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Chinese St. Louis offers the first empirical study of a Midwestern Chinese American community from its nineteenth-century origins to the present. As in many cities, Chinese newcomers were soon segregated in an enclave; in St. Louis the enclave was called "Hop Alley." Huping Ling shows how, over time, the community grew and dispersed until it was no longer marked by physical boundaries. She argues that the St. Louis experience departs from the standard models of Chinese settlement in urban areas, which are based on studies of coastal cities. Developing the concept of a cultural community, Ling shows how Chinese Americans in St. Louis have formed and maintained cultural institutions and organizations for social and political purposes throughout the city, which serve as the community's infrastructure.Thus the history of Chinese Americans in St. Louis more closely parallels that of other urban ethnic groups and offers new insight into the range of adaptation and assimilation experience in the United States. Huping Ling is Associate Professor of History at Truman State University and the author of "Surviving on the Gold Mountain: A History of Chinese American Women and Their Lives".

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Merengue—the quintessential Dominican dance music—has a long and complex history, both on the island and in the large immigrant community in New York City. In this ambitious work, Paul Austerlitz unravels the African and Iberian roots of merengue and traces its growth under dictator Rafael Trujillo and its renewed popularity as an international music.Using extensive interviews as well as written commentaries, Austerlitz examines the historical and contemporary contexts in which merengue is performed and danced, its symbolic significance, its social functions, and its musical and choreographic structures. He tells the tale of merengue's political functions, and of its class and racial significance. He not only explores the various ethnic origins of this Ibero-African art form, but points out how some Dominicans have tried to deny its African roots.In today's global society, mass culture often marks ethnic identity. Found throughout Dominican society, both at home and abroad, merengue is the prime marker of Dominican identity. By telling the story of this dance music, the author captures the meaning of mass and folk expression in contemporary ethnicity as well as the relationship between regional, national, and migrant culture and between rural/regional and urban/mass culture. Austerlitz also traces the impact of migration and global culture on the native music, itself already a vibrant intermixture of home-grown merengue forms.From rural folk idiom to transnational mass music, merengue has had a long and colorful career. Its well-deserved popularity will make this book a must read for anyone interested in contemporary music; its complex history will make the book equally indispensable to anyone interested in cultural studies.

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Examining the impact of class status on political participation

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Employing history, social theory, and a detailed contemporary case study, Knowledge for Social Change argues for fundamentally reshaping research universities to function as democratic, civic, and community-engaged institutions dedicated to advancing learning and knowledge for social change. The authors focus on significant contributions to learning made by Francis Bacon, Benjamin Franklin, Seth Low, Jane Addams, William Rainey Harper, and John Dewey—as well as their own work at Penn’s Netter Center for Community Partnerships—to help create and sustain democratically-engaged colleges and universities for the public good. Knowledge for Social Change highlights university-assisted community schools to effect a thoroughgoing change of research universities that will contribute to more democratic schools, communities, and societies. The authors also call on democratic-minded academics to create and sustain a global movement dedicated to advancing learning for the “relief of man’s estate”—an iconic phrase by Francis Bacon that emphasized the continued betterment of the human condition—and to realize Dewey’s vision of an organic “Great Community” composed of participatory, democratic, collaborative, and interdependent societies.

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First published in 1995, Caribbean Currents has become the definitive guide to the distinctive musics of this region of the world. This third edition of the award-winning book is substantially updated and expanded, featuring thorough coverage of new developments, such as the global spread of reggaeton and bachata, the advent of music videos, the restructuring of the music industry, and the emergence of new dance styles. It also includes many new illustrations and links to accompanying video footage. The authors succinctly and perceptively situate the musical styles and developments in the context of themes of gender and racial dynamics, sociopolitical background, and diasporic dimensions. Caribbean Currents showcases the rich and diverse musics of Cuba, Puerto Rico, the Dominican Republic, Jamaica, Trinidad, the French Caribbean, the lesser Antilles, and their transnational communities in the United States and elsewhere to provide an engaging panorama of this most dynamic aspect of Caribbean culture.

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Presents the diversity that has always been the hallmark of Black psychology, exploding the myth that self-hatred is the dominant theme in Black identity

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This classic text on the nature of deviance, originally published in 1980, is now reissued with a new Afterword by the authors. In this new edition of their award-winning book, Conrad and Schneider investigate the origins and contemporary consequences of the medicalization of deviance. They examine specific cases—madness, alcoholism, opiate addiction, homosexuality, delinquency, and child abuse—and draw out their theoretical and policy implications. In a new chapter, the authors address developments in the last decade—including AIDS, domestic violence, co-dependency, hyperactivity in children, and learning disabilities—and they discuss the fate of medicalization in the 1990s with the changes in medicine and continued restrictions on social services.

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In the 1800s, urban development efforts modernized Paris and encouraged the creation of brothels, boulevards, cafés, dancehalls, and even public urinals. However, complaints also arose regarding an apparent increase in public sexual activity, and the appearance of “individuals of both sexes with depraved morals” in these spaces. Andrew Israel Ross’s illuminating study, Public City/Public Sex, chronicles the tension between the embourgeoisement and democratization of urban culture in nineteenth-century Paris and the commercialization and commodification of a public sexual culture, the emergence of new sex districts, as well as the development of gay and lesbian subcultures. Public City/Public Sex examines how the notion that male sexual desire required suitable outlets shaped urban policing and development. Ross traces the struggle to control sex in public and argues that it was the very effort to police the city that created new opportunities for women who sold sex and men who sought sex with other men. Placing public sex at the center of urban history, Ross shows how those who used public spaces played a central role in defining the way the city was understood.

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How Catholic religious activism shaped the language and outcome of San Francisco's debates about over the common good and the public interest

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A comprehensive analysis in English of the thought of Albert Camus from a philosophical perspective

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The history of civil rights for people with intellectual disabilities in 20th century America

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Storytelling is perhaps the most common way people make sense of their experiences, claim identities, and "get a life." So much of our daily life consists of writing or telling our stories and listening to and reading the stories of others. But we rarely stop to ask: what are these stories? How do they shape our lives? And why do they matter? The authors ably guide readers through the complex world of performing narrative. Along the way they show the embodied contexts of storytelling, the material constraints on narrative performances, and the myriad ways storytelling orders information and tasks, constitutes meanings, and positions speaking subjects. Readers will also learn that narrative performance is consequential as well as pervasive, as storytelling opens up experience and identities to legitimization and critique. The authors' multi-leveled model of strategy and tactics considers how relations of power in a system are produced, reproduced, and altered in performing narrative. The authors explain this strategic model through an extended discussion of family storytelling, using Franco Americans in Maine as their exemplar. They explore what stories families tell, how they tell them, and how storytelling creates family identities. Then, they show the range and reach of this strategic model by examining storytelling in diverse contexts: a breast cancer narrative, a weblog on the Internet, and an autobiographical performance on the public stage. Readers are left with a clear understanding of how and why the performance of narrative is the primary communicative practice shaping our lives today. Author note: Kristin M. Langellier is Mark and Marcia Bailey Professor at the University of Maine where she teaches communication and women's studies. A former editor of Text and Performance Quarterly, she has published numerous journal articles on personal narrative, family storytelling, and Franco American cultural identity. Eric E. Peterson is Associate Professor at the University of Maine where he teaches communication. He is coeditor of a recent book on public broadcasting and has published a variety of journal articles on narrative performance, media consumption, and communication diversity and identity.

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Even people who live with cats and have good reason to know better insist that cats are aloof and uninterested in relating to humans. Janet and Steven Alger contend that the anti-social cat is a myth; cats form close bonds with humans and with each other. In the potentially chaotic environment of a shelter that houses dozens of uncaged cats, they reveal a sense of self and build a culture--a shared set of rules, roles, and expectations that organizes their world and assimilates newcomers. As volunteers in a local cat shelter for eleven years, the Algers came to realize that despite the frequency of new arrivals and adoptions, the social world of the shelter remained quite stable and pacific. They saw even feral cats adapt to interaction with humans and develop friendships with other cats. They saw established residents take roles as welcomers and rules enforcers. That is, they saw cats taking an active interest in maintaining a community in which they could live together and satisfy their individual needs. Cat Culture's intimate portrait of life in the shelter, its engaging stories, and its interpretations of behavior, will appeal to general readers as well as academics interested in human and animal interaction. Author note: Janet M. Alger is Professor of Sociology at Siena College. Steven F. Alger is Associate Professor of Sociology at the College of St. Rose.

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How does a Jewish boy who spent the bulk of his childhood on the basketball courts of Brooklyn wind up teaching in one of the city's pioneering black studies departments? Naison's odyssey begins as Brooklyn public schools respond to a new wave of Black migrants and Caribbean immigrants, and established residents flee to virtually all-white parts of the city or suburbs. Already alienated by his parents' stance on race issues and their ambitions for him, he has started on a separate ideological path by the time he enters Columbia College. Once he embarks on a long-term interracial relationship, becomes a member of SDS, focuses his historical work on black activists, and organizes community groups in the Bronx, his immersion in the radical politics of the 1960s has emerged as the center of his life. Determined to keep his ties to the Black community, even when the New Left splits along racial lines, Naison joined the fledgling African American studies program at Fordham, remarkable then as now for its commitment to interracial education. This memoir offers more than a participant's account of the New Left's racial dynamics; it eloquently speaks to the ways in which political commitments emerge from and are infused with the personal choices we all make. Author note: Mark D. Naison is Professor of African American Studies and History as well as Director of Urban Studies at Fordham University. He is the author of Communists in Harlem During the Depression.

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Leftist Christians and radical politics in American history

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Building ghosts are the idiosyncratic remnants or imprints of demolished buildings, left behind on the sides of neighboring structures. Mostly seen in older Northeastern cities with rowhomes or party-wall adjacencies, they can reveal remarkable things, such as an old staircase going up the side of a building or plaster traces left by a set of shelves in an attic gable. As history in our changing cities is erased and remade, these ghosts can be ephemeral or enduring. They can be quickly revealed and replaced in a neighborhood seeing rapid change or unveiled and never re-covered in a neighborhood that has not seen new construction in a long time. Building Ghosts features more than 100 striking contemporary color photographs and a deeply researched narrative about Philadelphia's buildings, neighborhoods, and the ghosts that reveal new truths and provocations about the changing city. The text and images in this lavish volume illuminate these lost buildings and found ghosts. Building Ghos

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Talking about toilets--in all their material, social, symbolic and discursive complexity

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An encyclopedia survey of Brazilian popular music--now updated and expanded

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The first comprehensive examination of Black Americans

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Originally published in 1989, this ground-breaking ethnographic exploration of tattooing-and the art world surrounding it-covers the history, anthropology and sociology of body modification practices; the occupational experience of the tattooist; the process and social consequences of becoming a tattooed person; and the prospects of \u0022serious\u0022 tattooing becoming an accepted art form. Curiously, despite the greater prevalence of tattoos and body modification in today\u2019s society, there is still a stigma of deviance associated with people who get or ink tattoos. Retaining the core of the original book, this revised and expanded edition offers a new preface by the author and a new chapter focusing on the changes that have occurred in the tattoo world. A section on the new scholarly literature that has emerged, as well as the new modes of body modification that have come into vogue are included along with a new gallery of photographs that shows some splendid examples of contemporary tattoo art. A directory of artists' websites invites readers to discover the range of work being done around the world-from \u201csuits\u201d (full body tattoos) to skulls.

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The rise of the public sphere, as chronicled by social movements spanning the nineteenth, twentieth, and twenty-first centuries

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Challenges the misconception of Hawai'i as a racial paradise by analyzing how ethnic inequality is maintained among its constituent groups

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A rite of passage for Filipino American college students, Filipino Cultural Night challenges official accounts of the past

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In this, a unique history of the America's postwar intellectual, David Paul Haney outlines the developoment of sociology as a discipline and why, given its focus of study, it failed to develop into a force in the intellectual currents of the United States.Arguing that sociologists attempted to develop both a science and an instrument for the spread of humanistic concern about socity, Haney shows how both attempts failed to connect sociology with larger questions of policy and social progress.

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In Savoring the Salt, a host of poets, scholars, writers, political activists and filmmakers recall Toni Cade Bambara, a woman whose voice and vision played a vital role in shaping African American culture in the last quarter of the twentieth century.

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Engineering Culture is an award-winning ethnography of the engineering division of a large American high-tech corporation. Now, this influential book-which has been translated into Japanese, Italian, and Hebrew-has been revised to bring it up to date. In Engineering Culture, Gideon Kunda offers a critical analysis of an American company's well-known and widely emulated \u0022corporate culture.\u0022 Kunda uses detailed descriptions of everyday interactions and rituals in which the culture is brought to life, excerpts from in-depth interviews and a wide variety of corporate texts to vividly portray managerial attempts to design and impose the culture and the ways in which it is experienced by members of the organization. The company's management, Kunda reveals, uses a variety of methods to promulgate what it claims is a non-authoritarian, informal, and flexible work environment that enhances and rewards individual commitment, initiative, and creativity while promoting personal growth. The author demonstrates, however, that these pervasive efforts mask an elaborate and subtle form of normative control in which the members' minds and hearts become the target of corporate influence. Kunda carefully dissects the impact this form of control has on employees' work behavior and on their sense of self. In the conclusion written especially for this edition, Kunda reviews the company's fortunes in the years that followed publication of the first edition, reevaluates the arguments in the book, and explores the relevance of corporate culture and its management today.

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Is anyone listening to minority voices in reforming schools?

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An unflinching look at white supremacy revealing the many ways that white people profit from identity politics and group privileges

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A groundbreaking effort to find the "common language" between two of the most important philosophical thinkers of the twentieth century, Forms in the Abyss promises to be one of the most significant contribution to our critical understanding of western thought in recent memory.

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Babatunde Olatunji's record album Drums of Passion proclaimed that the time had come for America to recognize Africa's cultural contributions to the music world. Through his many albums and live performances, the Nigerian drummer popularized West African traditional music and spread his message of racial harmony. In this long-awaited autobiography, Olatunji presents his life story and the philosophy that guided him. Olatunji influenced and inspired musicians for more than forty years-from luminaries to music students and the many ordinary people who participated in his drum circles. He writes about rhythm being \u0022the soul of life,\u0022 and about the healing power of the drum. Ultimately, The Beat of My Drum shows why at the time of his death in 2003, Olatunji had become, according to The New York Times, \u0022the most visible African musician in the United States.\u0022

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Favelas, or shantytowns, are where cocaine is mainly sold in Rio de Janeiro. There are some six hundred favelas in the city, and most of them are controlled by well-organized and heavily armed drug gangs. The struggle for the massive profits from this drug trade has resulted in what are increasingly violent and deadly confrontations between rival drug gangs and a corrupt and brutal police force, that have transformed parts of the city into a war-zone. Lucia tells the story of one woman who was once intimately involved with drug gang life in Rio throughout the 1990s. Through a series of conversations with the author, Lucia describes conditions of poverty, violence, and injustice that are simply unimaginable to outsiders. In doing so, she explains why women like her become involved with drugs and gangs, and why this situation is unlikely to change.

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Examines how musicians navigated their everyday lives, grappling with the intercultural tensions and commercial pressures that were so pronounced on the salsa scene

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Debates have swirled around the question of national forgiveness for the past fifty years. Using two examples-the land claims of the Oneida Indians and the claims for reparations to Japanese Americans interned during World War II-Brian Weiner suggests a way of thinking about national misdeeds. Arguing beyond collective \u0022innocence\u0022 or \u0022guilt,\u0022 Sins of the Parents offers a model of collective responsibility to deal with past wrongs in such a way as to reinvigorate our notion of citizenship. Drawing upon the writings of Abraham Lincoln and Hannah Arendt, Weiner offers a definition of political responsibility that at once defines citizenship and sidesteps the familial, racial, and ethnic questions that often ensnare debates about national apologies. An original contribution to political theory and practice, Sins of the Parents will become a much discussed contribution in the debate about what it is to be an American.

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\u0022Thousands of years ago, before Christ or Buddha or Muhammad...before the Roman Empire rose or the Colossus of Rhodes fell,\u0022 Eric Burns writes, \u0022people in Asia Minor were drinking beer.\u0022 So begins an account as entertaining as it is extensive, of alcohol's journey through world-and, more important, American-history. In The Spirits of America, Burns relates that drinking was \u0022the first national pastime,\u0022 and shows how it shaped American politics and culture from the earliest colonial days. He details the transformation of alcohol from virtue to vice and back again, how it was thought of as both scourge and medicine. He tells us how \u0022the great American thirst\u0022 developed over the centuries, and how reform movements and laws (some of which, Burn s says, were \u0022comic masterpieces of the legislator's art\u0022) sprang up to combat it. Burns brings back to life such vivid characters as Carrie Nation and other crusaders against drink. He informs us that, in the final analysis, Prohibition, the culmination of the reformers' quest, had as much to do with politics and economics and geography as it did with spirituous beverage. Filled with the famous, the infamous, and the undeservedly anonymous, The Spirits of America is a masterpiece of the historian's art. It will stand as a classic chronicle-witty, perceptive, and comprehensive-of how this country was created by and continues to be shaped by its ever-changing relationship to the cocktail shaker and the keg.

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How Chinese cinema and global Chinese culture intersect over questions of identity

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A beautifully written, dramatic memoir from one of women's history's founders

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The appearance of Alain Resnais' 1955 French documentary Night and Fog heralded the beginning of a new form of cinema, one that used the narrative techniques of modernism to provoke a new historical consciousness. "Afterimage" presents a theory of posttraumatic film based on the encounter between cinema and the Holocaust. Locating its origin in the vivid shock of wartime footage, "Afterimage" focuses on a group of crucial documentary and fiction films that were pivotal to the spread of this cinematic form across different nations and genres. Joshua Hirsch explores the changes in documentary brought about by cinema verite, culminating in Shoah. He then turns to the appearance of a fictional posttraumatic cinema, tracing its development through the vivid flashbacks in "Resnais' Hiroshima", mon amour to the portrayal of pain and memory in "The Pawnbroker".He excavates a posttraumatic autobiography in three early films by the Hungarian Istvan Szabo. Finally, Hirsch examines the effects of postmodernism on posttraumatic cinema, looking at Schindler's List and a work about a different form of historical trauma, History and Memory, a videotape dealing with the internment of Japanese Americans during the Second World War. Sweeping in its scope, "Afterimage" presents a new way of thinking about film and history, trauma and its representation. Author note: Joshua Hirsch is visiting lecturer in Film and Electronic Arts at the California State University, Long Beach.

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Hegemony tells the story of the drive to create consumer capitalism abroad through political pressure and the promise of goods for mass consumption. In contrast to the recent literature on America as empire, it explains that the primary goal of the foreign and economic policies of the United States is a world which increasingly reflects the American way of doing business, not the formation or management of an empire. Contextualizing both the Iraq war and recent plant closings in the U.S., noted author John Agnew shows how American hegemony has created a world in which power is no longer only shaped territorially. He argues in a sobering conclusion that we are consequently entering a new era of global power, one in which the world the US has made no longer works to its singular advantage.

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Emphasizes the place of the male body in the sociology of medicalization and gender

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In recent years, New Yorkers have been surprised to see workers they had taken for granted-Mexicans in greengroceries, West African supermarket deliverymen and South Asian limousine drivers-striking, picketing, and seeking support for better working conditions. Suddenly, businesses in New York and the nation had changed and were now dependent upon low-paid immigrants to fill the entry-level jobs that few native-born Americans would take. Immigrants, Unions, and the New U.S. Labor Market tells the story of these workers' struggle for living wages, humane working conditions, and the respect due to all people. It describes how they found the courage to organize labor actions at a time when most laborers have become quiescent and while most labor unions were ignoring them. Showing how unions can learn from the example of these laborers, and demonstrating the importance of solidarity beyond the workplace, Immanuel Ness offers a telling look into the lives of some of America's newest immigrants.

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