Search results for ""Edition de L"

Madeleine de l'Aubespine (1546-96), the toast of courtly and literary circles in sixteenth-century Paris, penned beautiful love poems to the famous women of her day. The well-connected daughter and wife of prominent French secretaries of state, l'Aubespine was celebrated by her male peers for her erotic lyricism and scathingly original voice. Rather than adopting the conventional self-effacement that defined female poets of the time, l'Aubespine's speakers are sexual, dominant, and defiant, and her subjects are women who are able to manipulate, rebuke, and even humiliate men. Unavailable in English until now and only recently identified from scattered and sometimes misattributed sources, l'Aubespine's poems and literary works are presented here in Anna Klosowska's vibrant translation. This collection, which features one of the first French lesbian sonnets as well as reproductions of l'Aubespine's poetic translations of "Ovid and Ariosto", will be heralded by students and scholars in literature, history, and women's studies as an important addition to the Renaissance canon.

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An edition, in French, of this 1892 text by Mallarmé. Edited, annotated and introduced by Alan Raitt.

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An updated introduction to the religions developed in the Caribbean region Creole Religions of the Caribbean offers a comprehensive introduction to the overlapping religions that have developed as a result of the creolization process. Caribbean peoples drew on the variants of Christianity brought by European colonizers, as well as on African religious and healing traditions and the remnants of Amerindian practices, to fashion new systems of belief. From Vodou, Santería, Regla de Palo, the Abakuá Secret Society, and Obeah to Quimbois and Espiritismo, the volume traces the historical–cultural origins of the major Creole religions, as well as the newer traditions such as Rastafari. This third edition updates the scholarship by featuring new critical approaches that have been brought to bear on the study of religion, such as queer studies, environmental studies, and diasporic studies. The third edition also expands the regional considerations of the diaspora to the US Latinx communities that are influenced by Creole spiritual practices, taking into account the increased significance of material culture?art, music, literature, and healing practices influenced by Creole religions.

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'The tone is one of intellectual relish . . . rational . . . refined . . . witty' NEW STATESMAN 'Her work is funny, sexy, frightening and brutal' EDMUND GORDON, GUARDIAN 'Angela Carter liked to blur boundaries and break rules' GABY WOOD, INDEPENDENT Celebrating five decades of the feminist publisher, each of the Five Gold Reads represents an iconic moment in Virago's history, from the 1970s to today.'Sexuality is power' - so says the Marquis de Sade, philosopher and pornographer extraordinaire. His virtuous Justine keeps to the rules laid down by men, her reward rape and humiliation; his Juliette, Justine's triumphantly monstrous antithesis, viciously exploits her sexuality. In a world where all tenderness is false, all beds are minefields.But now Sade has met his match. With invention and genius, Angela Carter takes on these outrageous figments of his extreme imagination, and transforms them into symbols of our time - the Hollywood sex goddesses, mothers and daughters, pornography, even the sacred shrines of sex and marriage lie devastatingly exposed before our eyes. Angela Carter delves into the viscera of our distorted sexuality and reveals a dazzling vision of love which admits neither of conqueror nor of conquered.

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One of the most engaging Middle English crusading poems, Richard Coer de Lyon recounts in verse the exploits, both historical and fanciful, of Richard I, king of England. While Richard's participation in the Third Crusade serves as its main subject, the poem disrupts its historical narrative with a number of fabulous interpolations, two of which are particularly notorious: the depiction of Richard's mother as a demon, and the portrayal of the king himself as a voracious cannibal. Once the source of critical disparagement, the poem's blending of history and fantasy—its historical distortions—have recently become the focus of renewed interest in the poem. With a substantial introduction and comprehensive explanatory and textual notes, this new edition of Richard Coer de Lyon signally contributes to the reappraisal and understanding of what became—during the centuries-long process of its composition—one of the most popular of medieval romances.

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First published in 1960, Albert B. Lord’s The Singer of Tales remains the fundamental study of the distinctive techniques and aesthetics of oral epic poetry. Based upon pathbreaking fieldwork conducted in the 1930s and 1950s among oral epic singers of Bosnia, Croatia, and Serbia, Lord analyzes in impressive detail the techniques of oral composition in performance. He explores the consequences of this analysis for the interpretation of numerous works of traditional verbal art, including—in addition to South Slavic epic songs—the Homeric Iliad and Odyssey, Beowulf, the Chanson de Roland, and the Byzantine epic Digenis Akritas. A cardinal text for the study of oral traditions, The Singer of Tales also represents an exemplary use of the comparative method in literary criticism.This third edition offers a corrected text of the second edition and is supplemented by an open-access website (in lieu of the second edition’s CD-ROM), providing all the recordings discussed by Lord, as well as a variety of other multimedia materials.

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La Bouillie de la Comtesse Berthe est un conte du petit peuple écrit par Alexandre Dumas, le célèbre auteur des Trois Mousquetaires et du Comte de Monte-Cristo. Sur les rives du Rhin médiéval, vivait jadis une femme au grand coeur, charitable, une personne aimable, compatissante, déterminée et noble : la comtesse Berthe. Celle-ci instaura une tradition plutôt inhabituelle, une fête annuelle qui devait se tenir le premier mai de chaque année, la bouillie de la comtesse Berthe. " Je dois d'abord vous dire qu'il y avait autrefois en Allemagne une race de bons petits esprits, malheureusement disparus depuis, dont le plus grand mesurait à peine six pouces. On les appelait les Cobolds. " La Bouillie de la Comtesse Berthe est une perle rare du passé remise au goût du jour par cette nouvelle édition dans l'intérêt mais aussi pour l'amusement des lecteurs, petits et grands, où qu'ils se trouvent sur la planète Terre.

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