Search results for ""Author Robin"

Daniel Defoe's great masterpiece, in a gorgeous new clothbound edition designed by the award-winning Coralie Bickford-Smith. These delectable and collectible Penguin editions are bound in high-quality colourful, tactile cloth with foil stamped into the design'I walk'd about on the shore, lifting up my hands, and my whole being, as I may say, wrapt up in the contemplation of my deliverance ... reflecting upon all my comrades that were drown'd, and that there should not be one soul sav'd but my self ... 'Who has not dreamed of life on an exotic isle, far away from civilization? Here is the novel which has inspired countless imitations by lesser writers, none of which equal the power and originality of Defoe's famous book. Robinson Crusoe, set ashore on an island after a terrible storm at sea, is forced to make do with only a knife, some tobacco, and a pipe. He learns how to build a canoe, make bread, and endure endless solitude. That is, until, twenty-four years later, when he confronts another human being. First published in 1719, Robinson Crusoe has been praised by such writers as James Joyce, Virginia Woolf, and Samuel Johnson as one of the greatest novels in the English language.'Robinson Crusoe has a universal appeal, a story that goes right to the core of existence' Simon Armitage

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Nunca se llega a una isla desierta por primera vez. [...] El pionero fue Robinson Crusoe, quien pisó la arena para siempre una mañana de octubre de 1659. Desde entonces, esperanzados, no hacemos más que repetir su gesto.Alberto ManguelRobinson Crusoe es una apasionante novela de aventuras cuyo protagonista llega a una isla desierta, tras un naufragio del que es el único superviviente. Allí permanecerá durante veinticinco años y tendrá que enfrentarse a la vida salvaje y a una terrible soledad. Robinson descubrirá que en la isla viven caníbales y rescatará a Viernes, un nativo que se convertirá en su fiel compañero.Con gran agudeza, Daniel Defoe plantea además diversas cuestiones de carácter social, político y filosófico en este gran clásico de la literatura universal.

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This sensitive commentary on Jackie Robinson's life describes his childhood in Pasadena, through his years as a sports hero, to his later involvement in politics and the Civil Rights movement. Harvey Frommer has drawn upon interviews with Robinson's family, friends, and fellow ball players to tell the story of a courageous man who triumphed over bigotry and personal tragedy to take his place in the hearts of millions of Americans.

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The Penguin English Library Edition of Robinson Crusoe by Daniel Defoe'I walk'd about on the shore, lifting up my hands, and my whole being, as I may say, wrapt up in the contemplation of my deliverance ... reflecting upon all my comrades that were drown'd, and that there should not be one soul sav'd but my self ... 'Who has not dreamed of life on an exotic isle, far away from civilization? Here is the novel which has inspired countless imitations by lesser writers, none of which equal the power and originality of Defoe's famous book. Robinson Crusoe, set ashore on an island after a terrible storm at sea, is forced to make do with only a knife, some tobacco, and a pipe. He learns how to build a canoe, make bread, and endure endless solitude. That is, until, twenty-four years later, when he confronts another human being. First published in 1719, Robinson Crusoe has been praised by such writers as James Joyce, Virginia Woolf, and Samuel Johnson as one of the greatest novels in the English language.The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

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From its first publication in 1719, Robinson Crusoe has been printed in over 700 editions. It has inspired almost every conceivable kind of imitation and variation, and been the subject of plays, opera, cartoons, and computer games. The character of Crusoe has entered the consciousness of each succeeding generation as readers add their own interpretation to the adventures so thrillingly 'recorded' by Defoe. Praised by eminent figures such as Coleridge, Rousseau and Wordsworth, this perennially popular book was cited by Karl Marx in Das Kapital to illustrate economic theory. However it is readers of all ages over the last 280 years who have given Robinson Crusoe its abiding position as a classic tale of adventure.

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Between 1880 and 1920, Muslim Sufi orders became pillars of the colonial regimes and economies of Senegal and Mauritania. In Paths of Accommodation, David Robinson examines the ways in which the leaders of the orders negotiated relations with the Federation of French West Africa in order to preserve autonomy within the religious, social, and economic realms while abandoning the political sphere to their non-Muslim rulers. This was a striking development because the local inhabitants had a strong sense of belonging to the Dar al-Islam, the “world of Islam” in which Muslims ruled themselves. Drawing from a wide variety of archival, oral, and Arabic sources, Robinson describes the important roles played by Muslim merchants and the mulatto community of St. Louis, Senegal. He also examines the impact of the electoral institutions established by the Third Republic, and the French effort to develop a reputation as a “Muslim power”—a European imperial nation with a capacity for ruling over Islamic subjects. By charting the similarities and differences of the trajectories followed by leading groups within the region as they responded to the colonial regimes, Robinson provides an understanding of the relationship between knowledge and power, the concepts of civil society and hegemony, and the transferability of symbolic, economic, and social capital.

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There is no shortage of explanations for the longevity of Defoe’s Robinson Crusoe, which has been interpreted as both religious allegory and frontier myth, with Crusoe seen as an example of the self-sufficient adventurer and the archetypal colonizer and capitalist. Defoe’s original has been reimagined multiple times in legions of Robinsonade or castaway stories, but the Crusoe myth is far from spent. This wideranging collection brings together eleven scholars who suggest new and unfamiliar ways of thinking about this most familiar of works, and who ask us to consider the enduring appeal of “Crusoe,” more recognizable today than ever before.

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Eleven years before Rosa Parks resisted going to the back of the bus, a young black second lieutenant, hungry to fight Nazis in Europe, refused to move to the back of a U.S. Army bus in Texas and found himself court-martialed. The defiant soldier was Jack Roosevelt Robinson, already in 1944 a celebrated athlete in track and football and in a few years the man who would break Major League Baseball's color barrier. This was the pivotal moment in Jackie Robinson's pre-MLB career. Had he been found guilty, he would not have been the man who broke baseball's color barrier. Had the incident never happened, he would've gone overseas with the Black Panther tank battalion - and who knows what after that. Having survived this crucible of unjust prosecution as an American soldier, Robinson - already a talented multisport athlete - became the ideal player to integrate baseball.

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La novela de Defoe, publicada originalmente en 1719, alcanzó el éxito inmediato gracias a la historia del naufragio y al exotismo que despertó en su momento, pero bajo el trasfondo de la inquietud que está en el hombre de explorar sus límites, y la fantasía de la utopía de vivir en completa libertad, ha conseguido perdurar hasta nuestros días y erigirse como una de las más novelas de aventuras más fascinantes. La lucha de un hombre arrojado a una soledad sin respuestas, a un entorno hostil que debe domeñar mediante la técnica y la fuerza de su voluntad para hacer habitable y cómodo un paraje en principio inhóspito, ha sido vista también como metáfora de la mente occidental y burguesa, del mundo de la técnica. Qué nos hace humanos? La naturaleza de la que provenimos o la técnica con la que intentamos controlarla en nuestro beneficio?

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In 1938 Random House published The Selected Poetry of Robinson Jeffers, a volume that would remain in print for more than fifty years. For decades it drew enough poets, students, and general readers to keep Jeffers—in spite of the almost total academic neglect that followed his fame in the 1920s and 1930s—a force in American poetry. Now scholars are at last beginning to recognize that he created a significant alternative to the High Modernism of Pound, Eliot, and Stevens. Similarly, contemporary poets who have returned to the narrative poem acknowledge Jeffers to be a major poet, while those exploring California and the American West as literary regions have found in him a foundational figure. Moreover, Jeffers stands as a crucial precursor to contemporary attempts to rethink our practical, ethical, and spiritual obligations to the natural world and the environment. These developments underscore the need for a new selected edition that would, like the 1938 volume, include the long narratives that were to Jeffers his major work, along with the more easily anthologized shorter poems. This new selected edition differs from its predecessor in several ways. When Jeffers shaped the 1938 Selected Poetry, he drew from his most productive period (1917-37), but his career was not over yet. In the quarter century that followed, four more volumes of his poetry were published. This new selected edition draws from these later volumes, and it includes a sampling of the poems Jeffers left unpublished, along with several prose pieces in which he reflects on his poetry and poetics. This edition also adopts the texts of the recently completed The Collected Poetry of Robinson Jeffers (five volumes, Stanford, 1988-2000). When the poems were originally published, copy editors and typesetters adjusted Jeffers's punctuation, often obscuring the rhythm and pacing of what he actually wrote, and at points even obscuring meaning and nuance. This new selected edition, then, is a much broader, more accurate representation of Jeffers's career than the previous Selected Poetry. Reviews of volumes in The Collected Poetry of Robinson Jeffers "A masterful job of contemporary scholarly editing, this book begins an edition intended to clarify a 'Jeffers canon,' establishing for times to come the verse legacy of a poet who looked on all things with the eyes of eternity."—San Francisco Chronicle "This edition will be standard . . . a tribute and justice to a poet whose independent strength has survived to challenge personal and public canons."—Virginia Quarterly Review "Jeffers is the last of the major poets of his generation—Frost, Stevens, Williams, Pound, Moore, Eliot—to get his collected poems. Now that the job is at hand, it is done very well. . . . Tim Hunt has been painstaking in his editorial preparation and judicious in his presentation. . . . A great poet is ready for his due."—Philadelphia Inquirer "Few American poets are treated as well by publishers as Jeffers is by Stanford University Press. . . . These poems represent a distinctive voice in the American canon, and it is good to have them so wonderfully set forth."—Christian Century

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A biography emphasizing the childhood of the baseball legend who became the first African American to play Major League baseball.

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'This novel is a real, out-of-the-blue original. I've never read anything like it' New York Times Book ReviewTHE BOOK THAT INSPIRED THE ITV SERIES STARRING KEVIN McKIDD AND VINETTE ROBINSON.THE MILLION-SELLING JAPANESE CRIME PHENOMENON, NOW A UK BESTSELLER.SHORTLISTED FOR THE 2016 CWA INTERNATIONAL DAGGER.NAMED IN NEW YORK TIMES 100 NOTABLE BOOKS OF 2017.SIX FOUR.THE NIGHTMARE NO PARENT COULD ENDURE. THE CASE NO DETECTIVE COULD SOLVE. THE TWIST NO READER COULD PREDICT. For five days in January 1989, the parents of a seven-year-old Tokyo schoolgirl sat and listened to the demands of their daughter's kidnapper. They would never learn his identity. They would never see their daughter again.For the fourteen years that followed, the Japanese public listened to the police's apologies. They would never forget the botched investigation that became known as 'Six Four'. They would never forgive the authorities their failure.For one week in late 2002, the press officer attached to the police department in question confronted an anomaly in the case. He could never imagine what he would uncover. He would never have looked if he'd known what he would find.Loved Six Four and want more Yokoyama? Then why not try Seventeen or Prefecture D . . .

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There is no shortage of explanations for the longevity of Defoe’s Robinson Crusoe, which has been interpreted as both religious allegory and frontier myth, with Crusoe seen as an example of the self-sufficient adventurer and the archetypal colonizer and capitalist. Defoe’s original has been reimagined multiple times in legions of Robinsonade or castaway stories, but the Crusoe myth is far from spent. This wideranging collection brings together eleven scholars who suggest new and unfamiliar ways of thinking about this most familiar of works, and who ask us to consider the enduring appeal of “Crusoe,” more recognizable today than ever before.

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This book explores the early work and activities of Joan Robinson that focused on economic development within underdeveloped countries, in particular India before independence. By analysing the style of Robinson’s thinking and economic analysis, and based on the works of Indian contemporaries, parts of The British Crown and the Indian States previously unattributed to her are seen to exhibit her preoccupation with poverty, backwardness, unemployment, the population problem, international trade, and the role of the state. Through keeping in mind Robinson’s later work, the development of her ideas can be reflected upon, alongside critical perspectives. It also reveals the beginnings of her role as a public intellectual. This book aims to shed new light on Joan Robinson’s work on development and to provide insight to an overlooked part of her research. It will be relevant to students and researchers interested in the history of economic thought, development economics and economic history.

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`Traditional yet original, realistic but not in the reductive sense, he is too good to be forgotten.' ROBERTSON DAVIES Robinson's Arthurian poems, published between 1917 and 1927, won him a Pulitzer prize and yet are almost unknown today. With his introspective New England style and quiet tone, he brilliantly catches the tension between reason and passion that drives the characters of the Arthurian stories: these are modern lovers, with the philosophical and psychological concerns of the early 20th century. The sense of vision, and the feeling that the world of Arthur mirrors the fate of all mankind, binds the diverse characters together, and makes Robinson's poems essential reading for everyone interested in the Arthurian legend in the twentieth century.

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A good part of the second part tells of Robinson's absence from the island, and concludes with trips through China and Russia in which the protagonist of Defoe comes into contact with peoples and customs very different from those presented in the first and lives amazing experiences like being chased by a pack of wolves or being attacked by a bear. However, social organization, one of the issues that has most contributed to giving importance to the novel, becomes one of the central issues, along with the themes of colonialism, the relationship between peoples with customs that clash or the consideration of culture, technology and science as double-edged weapons since they do not always lead to greater happiness.

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A 2021 Kansas Notable Book Northern Cheyenne Ledger Art by Fort Robinson Breakout Survivors presents the images of Native warriors—Wild Hog, Porcupine, and Left Hand, as well as possibly Noisy Walker (or Old Man), Old Crow, Blacksmith, and Tangled Hair—as they awaited probable execution in the Dodge City jail in 1879. When Sheriff Bat Masterson provided drawing materials, the men created war books that were coded to avoid confrontation with white authorities and to narrate survival from a Northern Cheyenne point of view. The prisoners used the ledger-art notebooks to maintain their cultural practices during incarceration and as gifts and for barter with whites in the prison where they struggled to survive. The ledger-art notebooks present evidence of spiritual practice and include images of contemporaneous animals of the region, hunting, courtship, dance, social groupings, and a few war-related scenes. Denise Low and Ramon Powers include biographical materials from the imprisonment and subsequent release, which extend the historical arc of Northern Cheyenne heroes of the Plains Indian Wars into reservation times. Sources include selected ledger drawings, army reports, letters, newspapers, and interviews with some of the Northern Cheyenne men and their descendants. Accounts from a firsthand witness of the drawings and composition of the ledgers themselves give further information about Native perspectives on the conflicted history of the North American West in the nineteenth century and beyond. This group of artists jailed after the tragedy of the Fort Robinson Breakout have left a legacy of courage and powerful art.

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By 1980 Walter Robinson (born 1950) had established himself as a critic for Art in America and member of the New York artists' collective Collaborative Projects. He became notable for paintings of square-jawed detective-hero types and swooning vixens based on pulp romance covers. Employing what critic Carlo McCormick termed a "devious sense of irony done with incredible sincerity," he examined painting's relationship to mass-culture images of desire, mining lurid illustrations from the 1940s and 50s and rerepresenting them in a style culled from "how to paint" books. Robinson's subsequent paintings of beer cans and bottles, pharmaceuticals, fast-food burgers, Lands' End models and online erotic "selfies" continue to address our indulgence of longing and excess in a media-saturated world. Walter Robinson: Paintings and Other Indulgences is the first monograph on Robinson, with photographs of 140 paintings spanning his 35-year career.

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The life of Sir Harry Perry Robinson (1859-1930) unfolds like a Boy's Own adventure. Born in India and educated at Oxford, Harry fled to the United States to make his name and fortune. After a stint in the gold mines of the American West, he became a major force in the railroad industry and helped to elect a U.S. President. Returning to England, Harry had a celebrated career as a book publisher (discovering the American author Jack London) and as a journalist for The Times, serving as the oldest correspondent during the First World War and going on to have one of the scoops of the century: the discovery of the tomb of Tutankhamun in 1923. Harry's incredible journey unfolds against the background of his equally adventurous and accomplished family. His father, Julian, was an Indian Army chaplain and newspaper editor. His aunt was a suffragette and personal friend of both Disraeli and Gladstone. Brother Philip was a dashing foreign correspondent, arrested as a spy during the Spanish-American War. Brother Edward ('Kay'), founder of the British Empire Naturalists' Association, gave Rudyard Kipling his first writing job. And troubled sister Valence was rumoured to end her days living in a barrel on a roadside in Bulawayo. From the White House to Buckingham Palace, the American West to the Western Front, the sands of Egypt to the shores of India, the board room to the bedroom, Harry was a master of reinvention, and each of the nine 'lives' he assumed allowed an 'escape' from one experience into the next. His innate wanderlust was both a blessing and a curse, but it made for a splendid adventure, and Harry's was a grand life lived in history's shadow.

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Charles E. Robinson, Professor Emeritus of English at The University of Delaware, definitively transformed study of the novel Frankenstein with his foundational volume The Frankenstein Notebooks and, in nineteenth century studies more broadly, brought heightened attention to the nuances of writing and editing. Frankenstein and STEAM consolidates the generative legacy of his later work on the novel's broad relation to topics in science, technology, engineering, arts, and mathematics (STEAM). Seven chapters written by leading and emerging scholars pay homage to Robinson's later perspectives of the novel and a concluding postscript contains remembrances by his colleagues and students. This volume not only makes explicit the question of what it means to be human, a question Robinson invited students and colleagues to examine throughout his career, but it also illustrates the depth of the field and diversity of those who have been inspired by Robinson's work. Frankenstein and STEAM offers direction for continuing scholarship on the intersections of literature, science, and technology.Published by the University of Delaware Press. Distributed worldwide by Rutgers University Press.

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W. Heath Robinson is best known for his hilarious drawings of zany contraptions, though his work ranged across a wide variety of topics covering many aspects of British life in the decades following the First World War. Starting out as a watercolour artist, he quickly turned to the more lucrative field of book illustration and developed his forte in satirical drawings and cartoons. He was regularly commissioned by the editors of Tatler and The Sketch and in great demand from advertising companies. Collections of his drawings were subsequently published in many different editions and became so successful as to transform Heath Robinson into a household name, celebrated for his eccentric brand of British humour. Presenting such innovations as the ‘Zip-Opening Bonnet’, the ‘Duo-car for the Incompatible’ and the handy ‘New Rear Wheel Gear for Turning the Car in One Movement’, this volume of Heath Robinson illustrations with commentary by K.R.G. Browne will appeal to ‘everybody who is ever likely to drive, be driven in, or get run over by a mechanically propelled vehicle’.

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‘I really have a secret satisfaction in being considered rather mad.’ The name of William Heath Robinson has entered the national vocabulary as a by-word for eccentric inventions and makeshift solutions – and with good reason. His world of cogs, bits of string, magnets and precarious tipping points holds a universal appeal. The world of travel is lampooned and reinvented in this brilliantly funny collection of Heath Robinson cartoons. The railway system, cars, boats and planes are all given the unique Heath Robinson treatment, from cow-catching devices to homemade safety gliders, providing hilarious and impossible solutions to the travel problems we never even knew existed.

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‘I really have a secret satisfaction in being considered rather mad.’ The name of William Heath Robinson has entered the national vocabulary as a by-word for eccentric inventions and makeshift solutions – and with good reason. His world of cogs, bits of string, magnets and precarious tipping points holds a universal appeal. Whacky machines and bemusing solutions to everyday problems are brought to life in this hilarious collection of cartoons from Heath Robinson. From wart removers to potato peelers to an early version of the holiday selfie, this much-loved classic illustrator and would-be inventor shows us that there really can be a gadget for everything!

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