Search results for ""Author Davida"

Tom Hiddleston (The Night Manager) stars as Jonathan Harker with David Suchet (Poirot) as Dracula in Liz Lochhead and John Foley's powerful BBC radio adaptation of the classic novel by Bram Stoker. When solicitor Jonathan Harker sets off for Transylvania to sell the mysterious Count Dracula a Gothic mansion, his bride-to-be Mina begs him to stay – to no avail. But on arrival at Dracula's castle, deep in a black forest surrounded by wolves, Harker wishes he had listened to his fiancée. The Count is welcoming but unnerving, and his castle oppressive. Plagued by nightmares, Harker soon longs to leave... Back in Whitby, Mina is increasingly worried. She has heard nothing from Jonathan, and now her sister Lucy – newly engaged to Harker's friend, Dr Seward – is becoming pale and thin. In Seward's lunatic asylum in London, a madman named Renfield babbles about his master who is coming. And as a midnight storm rages, a black ship heads towards the English coast... Acclaimed poet and playwright Liz Lochhead's adaptation was first performed on stage in 1985, and this thrilling radio drama was broadcast on the World Service in 2006. Suspenseful, chilling and suffused with dark eroticism, it retains all the eerie dread of Stoker's infamous horror novel. Duration: 2 hrs approx.

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A collection of 365 insightful quotes from best-selling author and consciousness researcher Dr. David R. Hawkins to guide readers on the path to enlightenment.This collection of inspiring quotes from world-renowned consciousness researcher and mystic Dr. David R. Hawkins can help readers elevate their level of consciousness. In doing so, they will explore ways to understand truth, raise their awareness, and find enlightenment and infinite peace.Readers will engage with some of Dr. Hawkins's most profound insights from his classic works, such as:To best serve the world, seek enlightenment and transcend illusions rather than contribute to them.Success comes about automatically from knowing where to look. Not what to look for, but where to look. We do not look at what we have, nor at what we do, but at what we are. Once we find within ourselves what we've been searching for, we won't have to bother looking "out there."We can't own that which is great within ourselves unless we learn to recognize it in others. Peace comes with total inner surrender to what is.By continuously letting go, it is possible to stay in that state of freedom. Feelings come and go, and eventually you realize that you are not your feelings, but that the real "you" is merely witnessing them.

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Amidst ‘Brexit’, a divided and out of power Labour Party, and the wider international rise of populism, contemporary British social democracy appears in a state of crisis. This book, a collection of essays by some of Britain’s leading academics, public intellectuals and political practitioners, seeks to engage with the ‘big picture’ of British social democracy, both historical and contemporary, and point to grounds for greater optimism for its future prospects. It does so in honour of the renowned centre-left thinker David Marquand. Drawing on many of the themes which have preoccupied Marquand in his career and his writing, such as social democratic citizenship, values and participation, the volume offers the original perspective that social democracy is as much about cultures and mindsets as it is about economic policy or public institutions.

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In this study, Jiří Dvořáček focuses on the usage of the "Son of David" title in Matthew's Gospel. He assumes that Matthew's image of the healing Son of David can be explained from the existing Jewish concepts - in particular in the light of the Solomon as exorcist tradition. In the first part, he examines important texts concerning the Son of David. The author argues that in the first century C.E. the designation "Son of David" could have referred not only to the triumphant royal Davidic Messiah - but within an exorcistic and healing context, it could have referred also to Solomon, himself a great exorcist and healer. In the second part, Jiří Dvořáček demonstrates in his exegesis of Matthean texts how Matthew used the royal messianic and the Solomon as exorcist tradition in order to create the image of the Son of David as a merciful, messianic, healing king, who in his wisdom, healings and exorcisms even surpasses David's son Solomon.

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Few kings deserve more than David I the reputation as ‘maker’ of his kingdom. Although overshadowed in popular memory by his descendant, the later ‘saviour’ of Scotland, Robert Bruce, it was David who laid the foundations of the medieval Scottish monarchy and set in train the changes that created the kingdom that vied with England for mastery of the British Isles. In a reign spanning nearly three decades, David moved his kingdom from the periphery towards the heart of European civilisation.

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Popular culture transformed his memory into “Davy Crockett,” and Hollywood gave him a raccoon hat he hardly ever wore. In this surprising New York Times bestseller, historian Michael Wallis has cast a fresh look at the flesh-and-blood man behind one of the most celebrated figures in American history. More than a riveting story, Wallis’s David Crockett is a revelatory, authoritative biography that separates fact from fiction and provides us with an extraordinary evocation of not only a true American hero but also the rough-and-tumble times in which he lived.

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David Octavius Hill (1802–70) was a pioneer photographer, painter, and lithographer. In 1843, he entered into partnership with the young photographer Robert Adamson, and in the next four years they produced an extraordinary body of original and inventive work. This book analyzes the photographic partnership, explains its remarkable success, and places it in the context of Hill’s life and times.Published for the Paul Mellon Centre for Studies in British Art

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Christine Pagnoulle's commentary provides a detailed study of eight among David Jones's more accessible poems: those pieces in fact which he reluctantly detached from his work-in-progress and released for publication between 1955 and his death in 1974. It elucidates difficult passages, relates them to his other works, whether poems, essays, or drawings, and shows how David Jones's vision of the world in the middle of our century bears on our present concerns. While developing orignal interpretations this commentary also integrates previous critical approaches into a comprehensive overview. It will thus be welcome reading for specialists of David Jones's poetry, and will also be of interest to those readers who are discovering or still have to discover his work.

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"One of the most famous and celebrated Victorian coming-of-age novels, David Copperfield charts the adventures and vicissitudes of its eponymous hero’s life, from the misery of his childhood after his mother’s marriage to the tyrannical Mr Murdstone, through to his first steps as a writer and his search for love and happiness. Along the way he encounters a vast array of gloriously vivid characters – many of whom number among the most memorable in literature – such as the eccentric aunt Betsey Trotwood, the eloquent debtor Wilkins Micawber and the obsequious villain Uriah Heep. Replete with comedy and tragedy in equal measure, and cited by Dickens as “his favourite child"", this partially autobiographical work provides tantalizing glimpses into Dickens’s own childhood and remains one of the most enduringly popular novels in the English language."

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To be a man of courage you have to stand up and be brave. David learned courage as he protected his flock of sheep from wild animals. These lessons would help him when he faced one of Israel's greatest enemies on the battlefield with just a sling and a handful of small stones to protect him.Find out the secret behind David's courage and what God has in store for the young shepherd boy.

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David Tudor is remembered today in two guises: as an extraordinary pianist of post-war avant-garde music who worked closely with composers like John Cage and Karlheinz Stockhausen and as a founding figure of live-electronic music. His early realization of indeterminate graphic scores and his later performances using homemade modular instruments both inspired a whole generation of musicians. But his reticence, his unorthodox approaches, and the diversity of his creative output — which began with the organ and ended with visual art — have kept Tudor a puzzle. Illustrated with more than 300 images of diagrams, schematics, and photographs of Tudor's instruments, Reminded by the Instruments sets out to solve the puzzle of David Tudor by applying Tudor's own methods for approaching the materials of others to the vast archive of materials that he himself left behind. You Nakai deftly patches together instruments, electronic circuits, sketches, diagrams, recordings, letters, receipts, customs declaration forms, and testimonies like modular pieces of a giant puzzle to reveal the long-hidden nature of Tudor's creative process. Rejecting the established narrative of Tudor as a performer-turned-composer, this book presents a lively portrait of an artist whose activity always merged both of these roles. In reading Tudor's electronic devices as musicological 'texts' and examining his idiosyncratic use of electronic circuits, Nakai undermines discourses on sound and illuminates our understanding of the instruments behind the sounds in post-war experimental music.

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David I was never expected to become king, but on succeeding to the Scottish throne in 1124 he quickly demonstrated that he had the skills, ruthlessness and ambition to become one of the kingdom’s greatest rulers. Drawing on the experiences and connections of his youth spent at the court of his brother-in-law, Henry I of England, and moulded by the dominant personality and intense piety of his mother, St Margaret, he set out to transform his inheritance and create a powerful and dynamic kingship. After neutralising all challengers to his position and building a new powerbase that drew on support from both Scotland’s native nobles and the English and French knights whom he settled in his realm, David emerged as a power-broker in mid twelfth-century Britain as England descended into civil war. He pursued his wife Matilda’s lost inheritance in Northumbria, gaining control over much of northern England and giving him access to economic resources that allowed him to invest in patronage of the reformed monastic orders, and in the reconfiguration of the secular Church in Scotland. The peace and stability of his kingdom, coupled with the economic boom brought by burgeoning population during an era of benign climate conditions, secured him a reputation as a saintly visionary who achieved the cultural and political transformation of Scotland.

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Most contemporary digital studies are interested in distant-reading paradigms for large-scale literary history. This book asks what happens when such telescopic techniques function as a microscope instead. The first monograph to bring a range of computational methods to bear on a single novel in a sustained fashion, it focuses on the award-winning and genre-bending Cloud Atlas (2004). Published in two very different versions worldwide without anyone taking much notice, David Mitchell's novel is ideal fodder for a textual-genetic publishing history, reflections on micro-tectonic shifts in language by authors who move between genres, and explorations of how we imagine people wrote in bygone eras. Though Close Reading with Computers focuses on but one novel, it has a crucial exemplary function: author Martin Paul Eve demonstrates a set of methods and provides open-source software tools that others can use in their own literary-critical practices. In this way, the project serves as a bridge between users of digital methods and those engaged in more traditional literary-critical endeavors.

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Documenting Fischli and Guyton's exhibition-dialogue intertwining sculptures by Fischli & Weiss with Wade Guyton works This publication accompanies a 2017 collaboration at the Aspen Art Museum between Swiss artists Peter Fischli (born 1952) and David Weiss (1946-2012), known during their 33-year collaboration as Fischli and Weiss, and American artist Wade Guyton (born 1972). In this unprecedented exhibition, Fischli and Guyton worked with Heidi Zuckerman, the AAM's Nancy and Bob Magoon CEO and Director, to curate a show that intertwines older works of Guyton and Fischli and Weiss as well as incorporates new pieces. Most prominent are Fischli and Guyton's wall sculptures--placed in various spaces around the museum, outside and within the galleries--and interspersed among and placed in relation to these collaborative sculptures are significant pieces, from Guyton's as well as Fischli and his late collaborator David Weiss' respective practices.

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This book presents for the first time a careful selection of David Teece's most important writings on the theory of the firm and its implications for economic performance. After a biographical introduction which sheds new light on his research programme, the book focuses on key areas, including:- the nature of the firm and dynamic capabilities diversification and vertical integration internal organization and economic performance international scope, alliances and joint ventures The volume also includes an extensive introduction which provides a biographical insight into the development of the author's career and his continuing research into the areas the articles in this volume exlore. David Teece's style of writing is succinct and logical and the material presented in this volume, and its companion Strategy, Technology and Public Policy, will be of great interest to economists, managers, consultants and policy makers.

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David Busch's Canon EOS R10 Guide to Digital Photography is your all-in-one comprehensive resource and reference for the highly-affordable APS-C format Canon EOS R10. Beginners and budding enthusiasts alike will appreciate this 24- megapixel camera s action-friendly 23 frames-per second continuous shooting capabilities. Image stabilization built into many RF-mount lenses including two all new RF-S optics introduced with the camera virtually eliminates blur from camera shake at slow shutter speeds. Three available adapters make it easy to supplement your RF-mount lenses with a broad selection of legacy Canon EF and EF-S lenses. The R10 has wireless connectivity to computers and smart devices and high definition 4K and Full HD movie-making capabilities. With this book in hand, you can quickly apply all these advanced features to your digital photography, while boosting your creativity to take great photographs with your Canon EOS R10. Filled with detailed how-to steps and full-colour illustrations, David Busch's Canon EOS R10 Guide to Digital Photography covers all this upscale camera's features in depth, from taking your first photos through advanced details of setup, exposure, lens selection, lighting, and more, and relates each feature to specific photographic techniques and situations. Also included is the handy roadmap chapter, an easy-to-use visual guide to the cameras' features and controls. Learn when to use each option and, more importantly, when not to use them, by following the author s recommended settings for every menu entry. With best-selling photographer and mentor David Busch as your guide, you'll quickly have full creative mastery of your camera s capabilities, whether you're shooting on the job, as an advance.

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A classic tale of bravery and faith in this inspiring retelling of a timeless Bible story.A long time ago, there was a giant named Goliath, who even the toughest soldiers were afraid to fight. But one young boy, David, was very brave, and he found the courage to stand up to Goliath. Armed with only his slingshot and his faith in God, David defeated Goliath and brought peace to his people. Share the classic, remarkable tale of David and Goliath with young ones in the third book of this delightful series. With stunning art by Helen Dardik and simplified text for little readers, The Story of David and Goliath is sure to become a perennial favorite for families.

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Ziggy Stardust, Aladdin Sane, The Thin White Duke: David Bowie had an extraordinary talent for reinvention. But at the beginning of his career, he made the most significant transformation of his life: from “David” to Bowie. In 1969, shortly after the release of his first hit single, David and his girlfriend Angie move into Haddon Hall, a sprawling Victorian villa in the London suburbs. Part commune, part creative hub, the house becomes home to a community of musicians, hippies, and hangers-on. As egos clash and parties get out of hand, David keeps writing: “Changes,” “Kooks,” “Life on Mars”—songs that will propel him to global fame. Charting Bowie’s personal life, the development of his music, and the transformation of his image, Haddon Hall is an evocative portrait of a young artist presiding over a musical revolution.

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David Shama’s first monograph Do Not Feed Alligators takes us on an existential journey into the decayed post-capitalist topography of a largely forgotten America– one where he presents youth engaged in achingly commonplace activities. There is an overarching sense in all of these pictures that his subjects are the angel-headed hipsters of a generation that has somehow been left behind, traversing what is left of a tragic, broken landscape–their thousand-yard stares seeking Elysian fields glinting seductively in the setting sun of their minds, far beyond the edge of the world. Shama employs Americana to map a narrative of existence among the flotsam and jetsam of society, where abandoned cars, vacated diners and dive motels act as the leitmotif of a journey into being and nothingness. While there are flashes of naturalistic beauty in the way in which his young muses are caught in the eye of his lens, there is no sentimentality, rather every frame contains a haunted, limbo-esque atmosphere. These figures, we are always aware, count their number among the beautiful and the damned. Ultimately, Do Not Feed Alligators seeks to suggest that we are all on a metaphorical road to nowhere– an apocalyptic landscape of the soul that is both beautiful in its mundane temporality, and boundless in its potential for quietly enticing mythology. Frecnh: La première monographie de David Shama, Do Not Feed Alligators, nous entraîne dans un voyage existentiel à travers la topographie post-capitaliste délabrée d'une Amérique largement oubliée - une Amérique où il présente de jeunes gens engagés dans des activités extrêmement banales. Il y a un sentiment général dans toutes ces images que ses sujets sont les anges branchés d'une génération qui a été en quelque sorte laissée pour compte, traversant ce qui reste d'un paysage tragique et brisé - leurs regards lointains scrutent les champs élyséens qui scintillent séduisants dans le soleil couchant de leurs esprit, bien au-delà des frontières du monde. Shama utilise l'Americana pour cartographier un récit sur l'existence au sein d’une société perdue, où les voitures délaissés, les restaurants abandonnés et les motels bon marchés sont le leitmotiv d'un voyage dans l'existence et le néant. S'il y a des éclairs de beauté naturaliste dans la façon dont ses jeunes muses sont prises dans l'œil de son objectif, il n'y a pas de sentimentalité, mais plutôt une atmosphère hantée et limbesque. Ces personnages, nous en sommes toujours conscients, comptent parmi les beaux et les damnés. En fin de compte, Do Not Feed Alligators cherche à suggérer que nous sommes tous sur un chemin métaphorique vers nulle part - un paysage apocalyptique de l'âme qui est à la fois beau dans sa temporalité mondaine et illimité dans son potentiel pour séduire tranquillement par sa mythologie. Spanish: Spanish: Un viaje hacia la América olvidada es la nueva propuesta de David Shama, un fotógrafo suizo que se entrega de lleno a cada trabajo que realiza. Do Not Feed Alligators es el primer libro monográfico que publica, una verdadera experiencia emocional para el espectador. Coches abandonados, restaurantes sin comensales y moteles destartalados constituyen el paisaje decadente de una sociedad postcapitalista. En medio de una rutina gris, jóvenes que conservan aún la belleza de los que creen en sus sueños. La temporalidad nos atrapa en un camino hacia la nada y Shama presenta esta realidad embrujada para transportarnos al espacio sin límites de la mente humana. David Shama es más conocido por su trabajo en el mundo de la moda, pero des del 2005 no ha parado de fotografiar la vida en su expresión más espontánea y natural. El artista parece tener una capacidad innata para hallar belleza en lo ordinario, en lo raído, y cargar de emoción cada una de sus fotografías; quizá por ello se ha hecho un nombre en el mundo del fotoperiodismo, ha expuesto en varias galerías y publicado en distintas revistas. Uno de sus particulares proyectos en busca de la espontaneidad ha consistido en crear series fotográficas a partir de rutas de una semana con chicas a las que acababa de conocer. En ellas, el viaje y el descubrimiento de nuevos paisajes iba acompañado del viaje simultáneo hacia el mundo interior de las modelos.Cada una de las imágenes de Shama es el reflejo de su propia fascinación por lo auténtico, un lenguaje visual sin pretensiones capaz de conmover a cualquiera. Ahora, el fotógrafo nos seduce con Do Not Feed Alligators, un relato acerca la existencia humana desde una veracidad y una cotidianidad estremecedoras.

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A thorough examination of the influence of David Hume's work early American political thought. This book explores the reception of David Hume's political thought in eighteenth-century America. It presents a challenge to standard interpretations that assume Hume's thought had little influence in early America. Eighteenth-century Americans are often supposed to have ignored Hume's philosophical writings and to have rejected entirely Hume's "Tory" History of England. James Madison, if he used Hume's ideas in Federalist No. 10, it is commonly argued, thought best to do so silently -- open allegiance to Hume was a liability. Despite renewed debate about the impact of Hume's political ideas in America, existing scholarship is often narrow and highly speculative. WereHume's works available in eighteenth-century America? If so, which works? Where? When? Who read Hume? To what avail? To answer questions of that sort, this books draws upon a wide assortment of evidence. Early American bookcatalogues, periodical publications, and the writings of lesser-light thinkers are used to describe Hume's impact on the social history of ideas, an essential context for understanding Hume's influence on many of the classic texts of early American political thought. Hume's Essays and Treatises on Several Subjects, was readily available, earlier, and more widely, than scholars have supposed. The History of England was read most frequently ofall, however, and often in distinctive ways. Hume's History, which presented the British constitution as a patch-work product of chance historical developments, informed the origins of the American Revolution and Hume's subsequent reception through the late eighteenth century. The 326 subscribers to the first American edition of Hume's History [published in Philadelphia in 1795/96] are more representative of the History's friendly reception in enlightened America than are its few critics. Thomas Jefferson's latter-day rejection of Hume's political thought foreshadowed Hume's falling reputation in nineteenth-century America. MARK G. SPENCER is Associate Professor of History at Brock University where he holds a Chancellor's Chair for Research Excellence. His books include Hume's Reception in Early America [2002], Utilitarians and Their Critics in America, 1789-1914 [2005], andUlster Presbyterians in the Atlantic World [2006].

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★★★★★ "Excellent, complete and easy to follow." Filled with detailed how-to steps and full-color illustrations, David Busch's Nikon D850 Guide to Digital SLR Photography is your all-in-one comprehensive resource and reference for the feature-packed Nikon D850 camera. Built around a ground-breaking 45.7 megapixel back-illuminated sensor, this pro/enthusiast model offers incredible image quality and high ISO performance, along with 4K movie shooting capabilities. With continuous shooting up to 9 fps with optional battery grip, the Nikon D850 is one of the most versatile cameras the company has ever offered. With this book in hand, you master all the camera’s impressive features, and fine tune your skills as you develop your creativity taking great photographs with your D850.David covers all the camera's capabilities in depth, from taking your first photos through advanced details of setup, exposure, lens selection, lighting, and more. It relates each feature to specific photographic techniques and situations. Also included is a handy visual guide to the D850, with close-up photos and descriptions of the camera's essential features and controls. Learn when to use each option and, more importantly, when not to use them, by following the author’s recommended settings for every menu entry. With best-selling photographer and mentor David Busch as your guide, you'll quickly have full creative mastery of your camera’s capabilities, whether you're shooting on the job, as an advanced enthusiast, or are just out for fun. Start building your knowledge and confidence, while bringing your vision to light with the Nikon D850 today.With best-selling photographer and mentor David Busch as your guide, you'll quickly have full creative mastery of your camera’s capabilities, whether you're shooting on the job, as an advanced enthusiast, or are just out for fun. Start building your knowledge and confidence, while bringing your vision to light with the Nikon D850 today.

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The Quiet Man Roars is the enthralling story of David Robertson, one of the finest attacking full-backs Scotland has produced in the last 30 years. Spotted as a schoolboy, Robertson signed as an apprentice with Aberdeen in the early 1980s. Initially a winger, a series of unfortunate events saw David selected at left-back for a youth game and he never looked back. He made his debut for Aberdeen at 17 and was snapped up by Rangers for just shy of GBP1m at age 22. David was an integral part of the Rangers side that won nine successive league championships and came within an ace of reaching the first Champions League final. Later, he played in the English Premiership for Leeds United before injury cut short his playing career, prompting a move into management. As a player, he was the epitome of the modern day marauding full-back. As a coach, he has already made his mark across the globe and been the subject of a BAFTA-winning BBC documentary. The Quiet Man Roars is the inside story of one of football's most respected characters.

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The editor has made necessary typographical corrections and carefully introduced and annotated the text for the student reader. Dickens’ number plans for David Copperfield, which reveal his practice both as a serial writer and as a craftsman, are also included. "Backgrounds" focuses on Dickens’ personal involvement with and response to the novel’s publication. Included are passages from his letters relating to David Copperfield, an autobiographical fragment, his preface to the 1869 edition of the novel, and a relevant excerpt from Little Dorrit. "Criticism" is comprised of twelve essays by distinguished Dickensians representing a wide range of judgment and analysis. John Forster, Matthew Arnold, E. K. Brown, Gwendolyn B. Needham, Monroe Engel, J. Hillis Miller, Mark Spilka, Harry Stone, Bert G. Hornback, Garrett Stewart, Robert L. Patten, and Alexander Walsh provide a variety of perspectives. A Chronology of Dickens’ Life and Works and a Selected Bibliography are also included.

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This book brings together a significant body of work by Tatsuya Sakamoto, a leading Japanesescholar of the history of social and economic thought, showcasing his major contributions to the study of David Hume, Adam Smith, and the Scottish Enlightenment. One of Sakamoto's persistent interests is in both philosophy and economics, which is of much importance for Hume scholars. Many "Humeans" has been interested in Hume's economic thought, although the latter has often been discussed separately from his philosophy. Sakamoto has attempted to grasp Hume’s social philosophy under the concept of "Hume's philosophical economics" or his "system of manners". Sakamoto has also contributed to Hume's biographical research, such as the dating of Hume's manuscript and the discovery of an additional proof of his anonymous review of Smith's Theory of Moral Sentiments. Sakamoto's extensive knowledge and interest covers Adam Smith as well as Francis Hutcheson, with special focus on the genesis of economics and the development of moral theory in the Scottish Enlightenment. Also, Sakamoto has exhibited his lifelong interest in the intersection between the West and the East in modern intellectual history and the final section of the book explores how Smith's ideas have influenced Japanese intellectuals since the early Meiji period.This book will be of great interest to scholars and students of the history of economic thought, Hume studies, and intellectual history more broadly.

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David Bergelson (1884–1952) emerged as a major literary figure who wrote in Yiddish before WWI. He was one of the founders of the Kiev Kultur-Lige and his work was at the center of the Yiddish-speaking world of the time. He was well known for creating characters who often felt the painful after-effects of the past and the clumsiness of bodies stumbling through the actions of daily life as their familiar worlds crumbled around them. In this contemporary assessment of Bergelson and his fiction, Harriet Murav focuses on untimeliness, anachronism, and warped temporality as an emotional, sensory, existential, and historical background to Bergleson's work and world. Murav grapples with the great modern theorists of time and memory, especially Henri Bergson, Sigmund Freud, and Walter Benjamin, to present Bergelson as an integral part of the philosophical and artistic experiments, political and technological changes, and cultural context of Russian and Yiddish modernism that marked his age. As a comparative and interdisciplinary study of Yiddish literature and Jewish culture, this work adds a new, ethnic dimension to understandings of the turbulent birth of modernism.

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Each monthly spread of this humorous wall calendar showcases one of David Olenick’s signature illustrations along with a puntastic and chortle-worthy caption. Whether you love a good witticism or just need another reason to laugh, this is the perfect wall calendar for you! Features include: Fold-around cover design eliminates need for plastic packaging 12" x 12" (12" x 24" open) Printed on FSC certified paper with soy-based ink Planning spread for September–December 2023 Spans January–December 2024 Generous grid space for notes, appointments, and reminders Official major world holidays and observances Moon phases, based on Universal Time All-new punny artwork

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A treasure trove of carefully selected letters written by great artists, providing unique insight into their characters and a glimpse into their lives. Artists’ Letters is a collection of intriguing, entertaining, moving, significant, surprising, witty and insightful correspondence from great artists. Arranged thematically, it includes writings and musings on love, work, daily life, money, travel and the creative process. On the theme of friendship, for example, letters provide evidence of a creative community between peers, with support and mutual appreciation that helps to dispel the myth of the artist as solitary genius. Letters between Vincent van Gogh and Paul Gauguin show an ongoing conversation and exchange of ideas. We see mutual admiration between Claude Monet and Berthe Morisot, and Picasso’s quick notes to Jean Cocteau illustrate their closeness. Letters, some of which includes sketches and drawings, are reproduced with the transcript and some background and contextual information alongside. Artists include: Salvador Dali, Goya, Lucian Freud, Vanessa Bell, Michelangelo, Mondrian, Gustav Klimt, Jasper Johns, Edward Burne-Jones, William Blake, Marcel Duchamp, Dorothea Tanning, Paul Gauguin, Vincent van Gogh, Picasso, Mark Rothko, David Hockney, Monet, Marina Abramovic, Cindy Sherman, Joseph Cornell, Leonora Carrington, Wang Zhideng, Yayoi Kusama, Yoko Ono, Renoir, Rubens, Eva Hesse, Cy Twombly, Roy Lichtenstein, Mary Cassatt, Jackson Pollock, Leonardo da Vinci, Joseph Beuys, Judy Chicago, Frida Kahlo, Alfred Stieglitz, Georgia O'Keeffe, Auguste Rodin, Camille Claudel, Henry Moore, Joshua Reynolds, Rembrandt, Whistler, Anni Albers, Naum Gabo, Kazimir Malevich, Francis Bacon, Ana Mendieta, Lee Krasner, Andy Warhol

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