Search results for ""Alma Books Ltd""

This collection contains some of the most important works by one of the twentieth century’s most popular and influential poets. The appeal of Fried’s verse lies in its simplicity and directness, whether he is writing – with his customary humanity, honesty and perception – about love, about political and moral issues, or about the problems brought on by illness, bereavement, ageing and death. This bilingual edition – with English translations by Stuart Hood, his long-term friend and colleague at the BBC – enables the reader to get a flavour of the original of these immensely enjoyable and enlightening poems.

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Published posthumously in 1930, Stendhal’s travel notes on his 1838 journey to southern France contain descriptions of cities such as Bordeaux, Toulouse and Marseilles, peppered with numerous personal digressions, anecdotes and cultural musings. Both an addition to the Stendhalian canon and a pioneering work of the travel-writing genre, Travels in the South of France provides an illuminating perspective on this popular region and the phenomenon of tourism in general.

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While holidaying at a villa on the French Riviera, Dick and Nicole Diver, a wealthy American couple, meet the young film star Rosemary Hoyt. Her arrival causes a stir in their social circle and exposes the cracks in their fragile marriage. As their relationship unravels, glimpses of their troubled past emerge, and a series of disturbing events unfolds. Peopled by an unforgettable cast of aristocrats and high-fliers, Tender Is the Night is at once a scathing critique of the materialism and hypocrisy of the Roaring Twenties and a poignant and sensitive account of personal tragedy and disillusionment.

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Charles Dickens wrote a number of supernatural and horror stories, some of which were included in his longer works, while others were published in magazines. This collection provides an invaluable insight into the author's storytelling apprenticeship and his steady growth towards excellence. As well as offering a further dimension to the world of his better-known masterpieces, these tales - from `The Story of the Goblins Who Stole a Sexton' to the celebrated `The Signalman' - illustrate Dickens's well-known love of a spooky story told around a blazing fire, the pastime of a bygone age to be rediscovered for our own delight.

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When the ambitious but inept clerk Frans Laarmans is offered a job managing an Edam distribution company in Antwerp, he jumps at the chance, despite his professed dislike for cheese in all its forms. He soon finds himself submerged in a bureaucratic nightmare as his complete incompetence becomes apparent. Meanwhile, his offices fill up with a seemingly infinite supply of the distinctive red-skinned cheeses, which he has no idea how to sell. Skewering the pomposity of big business while revealing how an entrepreneurial spirit can often be a mask for buffoonery, Willem Elsschot’s Cheese combines comedy and pathos in its depiction of a man trying to progress beyond his limited skill set. As poignant as it is funny, Cheese will appeal to anyone who has suffered the endless indignities of office life.

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Traumatized by an accident which ‘involved something falling from the sky’ and leaves him eight and a half million pounds richer but hopelessly estranged from the world around him, Remainder’s hero spends his time and money obsessively reconstructing and re-enacting vaguely remembered scenes and situations from his past: a large building with piano music in the distance, the familiar smells and sounds of liver frying and spluttering, lethargic cats lounging on roofs until they tumble off them... But when this fails to quench his thirst for authenticity, he starts re-enacting more and more violent events, as his repetition addiction spirals out of control. A darkly comic meditation on memory, identity and history, Remainder is a parable for modern times.

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Now a major motion picture starring Eddie Redmayne as Stephen Hawking and Felicity Jones as his wife Jane. It chronicles their relationship, from his early development of ALS to his success in physics In this compelling memoir, Jane Hawking, Stephen Hawking’s first wife, relates the inside story of their extraordinary marriage. As Stephen’s academic renown soared, his body was collapsing under the assaults of motor-neuron disease, and Jane’s candid account of trying to balance his twenty-four-hour care with the needs of their growing family will be inspirational to anyone dealing with family illness. The inner strength of the author and the self-evident character and achievements of her husband make for an incredible tale that is always presented with unflinching honesty; the author’s candour is no less evident when the marriage finally ends in a high-profile meltdown, with Stephen leaving Jane for one of his nurses, while Jane goes on to marry an old family friend. In this exceptionally open, moving and often funny memoir, Jane Hawking confronts not only the acutely complicated and painful dilemmas of her first marriage, but also the fault lines exposed in a relationship by the pervasive effects of fame and wealth. The result is a book about optimism, love and change that will resonate with readers everywhere.

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An acclaimed author of novels and short stories, Tim Parks - who was described in a recent review as "one of the best living writers of English" - has delighted audiences around the world with his finely observed writings on all aspects of Italian life and customs. This volume contains a selection of his best essays on the literature of his adopted country. From Boccaccio and Machiavelli through to Moravia and Tabucchi, from the Stil Novo to Divisionism, across centuries of history and intellectual movements, these essays will give English readers, and lovers of the Bel Paese and its culture, the lay of the literary land of Italy.

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The first of Roussel’s two major prose works, Impressions of Africa is not, as the title may suggest, a conventional travel account, but an adventure story put together in a highly individual fashion and with an unusual time sequence, whereby the reader is even made to choose whether to begin with the first or the tenth chapter. A veritable literary melting pot, Roussel’s groundbreaking text makes ample use of wordplay and the surrealist techniques of automatic writing and private allusion.

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Set in a big Dublin hotel of the mid-nineteenth century, The Singular Life of Albert Nobbs is a total theatre creation. In it, we discover that Albert, the perfect waiter – who never drinks, smokes or flirts with the chambermaids – is in fact a woman who once dressed as a man to avoid poverty and is now trapped in the role. Based on a short story by George Moore, which was recently adapted into a major Hollywood film starring Glenn Close, Benmussa’s story releases a string of disturbing questions about the nature of women and society, and is one of the most powerful and groundbreaking plays of the 1970s.

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Poland, January 1945. Two women and four men escape from a Nazi death march. Each is from a different background and a different country, but all have endured the horrors of imprisonment in Auschwitz. They find refuge in an abandoned factory, and suddenly they realize that they are no longer mere numbers. Even in their wild euphoria at being free, however, they can have no certainty about their future. This is a tale of exploding joy within a hothouse of fear, a tale of human beings erupting into life after breaking free of the embrace of death – an unusual and moving tale that cements Albert Maltz’s reputation as a compassionate observer of character and one of the finest storytellers of his generation.

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When Mathias, a travelling watch salesman, returns after many years to the island of his birth, a young girl is found dead on the rocks. As Mathias makes an increasingly tense recapitulation of his movements on the day of the event, tiny details slowly and inexorably accumulate. Through the warped screen of his distorted mind, the remembered images pile up until the reader is caught in his web of desperation. And yet in the end reality has lost all meaning, as the distinction between the narrator’s recollections and the underlying facts are more and more blurred. This brilliantly executed novel, which showcases all the techniques that have secured Robbe-Grillet’s place in the canon of Western literature, leaves behind a disturbing sense of unrest.

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Above a disused bar, in a dilapidated Parisian hotel that houses an assortment of indigent, marginalized lost souls, one of the inhabitants, a mysterious, reclusive holy man, is the subject of much speculation from some of his fellow occupants and respectful reverence from others. As the tale unfolds, the dynamics of this precarious microcosm are laid bare, in a powerful portrayal of those society has forgotten. Written when the author of Cain’s Book was at the height of his creative powers and enjoying an increasing reputation in avant-garde literary circles, ‘The Holy Man’ is here presented with ‘A Being of Distances’, ‘Peter Pierce’ and ‘A Meeting’, stories which similarly tackle themes of loneliness and disenfranchisement.

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Based, like the earlier Impressions of Africa, on uniquely eccentric principles of composition, this book invites the reader to enter a world which in its innocence and extravagance is unlike anything in the literature of the twentieth century. Cantarel, a scholarly scientist, whose enormous wealth imposes no limits upon his prolific ingenuity, is taking a group of visitors on a tour of "Locus Solus", his secluded estate near Paris. One by one he introduces, demonstrates and expounds the discoveries and inventions of his fertile, encyclopaedic mind. An African mud-sculpture representing a naked child; a road-mender's tool which, when activated by the weather, creates a mosaic of human teeth; a vast aquarium in which humans can breathe and in which a depilated cat is seen stimulating the partially decomposed head of Danton to fresh flights of oratory. By each item in Cantarel's exhibition there hangs a tale - a tale such as only that esteemed genius Roussel could tell. As the inventions become more elaborate, the richness and brilliance of the author's stories grow to match them; the flow of his imagination becomes a flood and the reader is swept along in a torrent of wonder and hilarity.

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A distressed young man murders the woman he loves in a cafe, watched by a large crowd. Fascinated by the crime she has witnessed, Anne Desbaresdes returns several times to the scene, forming a relationship with a man who also saw the murder, and drinking through the afternoon with him as he patiently answers her eager questions. Slowly, they find themselves being taken over by forces which threaten their own stability. Moderato Cantabile is a carefully woven tapestry of emotion, in which the characters' inner lives are reflected by the story's spaces and landscapes.

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Set in the author's native Swansea in South Wales, the ten autobiographical stories in this much-loved collection chart his journey from boyhood movingly and at times comically evoked in tales such as The Peaches' and A Visit to Grandpa's' to early adulthood. Along the way, in Extraordinary Little Cough', among others, the vicissitudes of adolescence and a burgeoning sexuality are explored with characteristic tenderness and candour, while Where Tawe Flows' and One Warm Saturday' affectionately document the evolution of the young writer's literary sensibility. Young love, male friendship, death, religion the gamut of youthful experience is here encapsulated, inflected throughout with Thomas's typical humanity.Presented in this volume alongside the rest of the body of fiction produced by the Welsh poet in his short and turbulent life, Portrait of the Artist as a Young Dog (1940), which has proven to be second in popularity only to Thomas's masterpiece, Under Milk Wood, demonstrates th

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On 17th September 1820, accompanied by his friend Joseph Severn, John Keats left London for Italy on board the Maria Crowther in a desperate bid to restore his health. Anguished at the thought of having to part, possibly for ever, from his fiancee and his friends, troubled by money worries and broken in body and mind, the young poet launched on his last journey on earth with both a sense of hope and a deep foreboding that his efforts would be in vain. Despite Keats's own assertion that by then he no longer felt a citizen of the world and was leading a "posthumous life", his final five months were filled with events of great biographical interest, and deserve to be examined much more carefully. Using exclusively primary sources and first-hand accounts, Keats's editor and translator Alessandro Gallenzi has pieced together all the available material - adding newly discovered and previously unpublished documents - to help the reader follow the poet step by step from his departure and tumultuous voyage to Naples, through to his arduous journey to Rome and harrowing death in his lodgings by the Spanish Steps in February 1821. The result is a gripping narrative packed with detail and new revelations, one that invites us to strip away the Romantic patina that has formed over the story of Keats's short life, offering a wider picture that enhances our understanding of both poet and man.

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In the Midwestern city of Zenith, the middle-aged estate agent George F. Babbitt appears to have achieved the American dream to its fullest: he is successful at work, comfortably off, exceedingly well fed, has a wife and children, a motor car and a neat house with a neat yard, and is a proud member of all the right clubs - in short, he lacks nothing to be happy. Or does he? As we follow his humdrum daily routine and startling events begin to unfold around him, we discover that all is not well in Babbitt's world: his moral foundations are shaking, and he can't help harbouring rebellious dreams of escape and romance. A trenchant satire on consumeristic society and an indictment of the fatuous ideals of middle America in the Roaring Twenties, Babbitt - the crowning achievement of Sinclair Lewis, winner of the 1930 Nobel Prize in Literature - questions the attractions of materialistic fulfilment, at the same time laying bare the hollowness of social respectability and blind conformism.

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George Bowling, a forty-five-year-old insurance salesman with a wife and two children, is overweight, depressed and haunted by ever-present portents of imminent global conflict. Dreaming of escaping the staid suburban rut in which he has become embedded, he reminisces about his home town in Oxfordshire, Lower Binfield. But as he seeks refuge in the rural idyll of his treasured childhood memories, the rapacious forces of “progress” continue their relentless march, eventually forcing George to reflect on the folly of nostalgia and the impossibility of reliving the past. By turns comic and melancholy, Orwell’s fourth novel – published in 1939 to critical and commercial acclaim by Victor Gollancz – is Wellsian in its exploration of the frustrations and helplessness of a lower-middle-class protagonist faced with the indifference of a rapidly changing world, and a vital record of a society on the verge of war.

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Goncharov was the leading Russian writer of the 1850s and, as the author of The Same Old Story, was regarded as “the real heir to Nikolai Gogol”. But the publication of Turgenev’s first full-length novel, A Nest of the Gentry, in 1859, at around the same time as Goncharov’s Oblomov, which had been more than ten years in the making, suddenly changed the public’s perception. Turgenev’s success was eyed with suspicion by his rival, who started to believe that his work in progress, Malinovka Heights, had been plagiarized by his former friend. Goncharov had in fact discussed in detail with Turgenev the plot of his new novel, and the latter later admitted that, being very impressionable, he may have been influenced by some of its elements, but his friend’s charges went further: he accused the younger writer of stealing his ideas, his characters and even some of his plotlines. As Turgenev’s success increased over the years, so did Goncharov’s resentment, and the two novelists, although later reconciled, stopped communicating with each other. An Uncommon Story, published posthumously in 1924, contrary to its author’s wishes, is an extraordinary document that lays bare the jealousies felt but rarely expressed by writers, and an eternal monument to literary paranoia.

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When shop-owner Julia Segovia decides that she’s going to marry the handsome if exceedingly young and naive soldier Valentin Brû, he willingly goes along with her scheme. Little does he know that he will have to contend with disgruntled in-laws, eccentric locals, a cunning wife, a shifty career in fortune-telling, the approaching threat of war with Germany and the mysteries of Parisian public transport. With a cast of eccentric characters, amusing incidents and an uplifting tone, The Sunday of Life – its title playfully alluding to Hegel’s theory of history – is a scintillating novel which showcases Queneau’s trademark punning, sly wit and delight in the absurdity of people and situations.

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The local landowner Van Cheele experiences an unnerving encounter with a youth sunning himself near a pond, and starts to wonder if there is any connection between this wild-looking boy and the recent disappearances of poultry, hares, lambs and, more alarmingly, an infant child in the area. To his astonishment, he discovers the next day that his aunt has decided to take the boy in, buying him a suit of clothes and naming him Gabriel-Ernest. Van Cheele remains suspicious, especially when it is revealed that there is something supernatural about their new ward...

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Although he is now mostly remembered as a novelist, it is as a poet and a translator of poetry that Sándor Márai - the acclaimed author of 'Embers' and 'Conversations in Bolzano' - first made his name in the literary world. This collection, the first and only edition of Márai's poems in the English language - here presented in John M. Rudland's and Peter V. Czipott's brilliant verse translation - offers a comprehensive selection spanning the author's whole career and exemplifying his mastery of what he considered to be the highest form of literary expression.

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The Beatles’ hair changed the world. As their increasingly wild, untamed manes grew, to the horror of parents everywhere, they set off a cultural revolution as the most tangible symbol of the Sixties’ psychedelic dream of peace, love and playful rebellion. In the midst of this epochal change was Leslie Cavendish, hairdresser to the Beatles and some of the greatest stars of the music and entertainment industry. But just how did a fifteen-year-old Jewish school dropout from an undistinguished North London suburb, with no particular artistic talent or show­business connections, end up literally at the cutting edge of Sixties’ fashion in just four years? His story – honest, always entertaining and inspiring – parallels the meteoric rise of the Beatles themselves, and is no less astounding.

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Jim Talbot, a writer with a dozen unpublished novels under his belt, has been roundly rejected by every agent and publisher in the land, and is willing to go to extreme lengths to make his dream of literary stardom come true. Charles Randall, the eccentric founder and managing director of Tetragon Press, a small independent publisher that has managed to survive for thirty years in a fierce environment dominated by corporate juggernauts, is about to be brutally sacked by a newly appointed business consultant. In the cut-throat world of modern publishing, Charles and Jim’s paths towards literary salvation are fraught with the most unpredictable dangers. A novel of intrigue, deceit and sheer desperation, Bestseller is a caustic portrait of contemporary culture and of Britain’s obsession with fame, success and becoming the next J.K. Rowling.

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"These five plays provide an excellent introduction to Kaiser’s vision of the regeneration of man, which he illustrated in his works by a total paring down of detail, penetrating to the core of the matter and revealing man’s true potential. In From Morning to Midnight the cashier, downtrodden victim of the capitalist system, turns bank robber in order to test the power, freedom and happiness that money can bring. His grand gesture of setting himself and others free turns into an odyssey of disillusion and ends in his violent death. The unique stage technique employed by Kaiser is as challenging today as it was when the play was first performed. The Burghers of Calais has always been considered Kaiser’s greatest play and the “classic” of Expressionist drama. In it, Kaiser exploits the non-naturalistic technique of Expressionism. The play embraces vast expansiveness and total concentration, stylized gesture and lengthy monologues."

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Babel, Alan Burns’s fourth critically acclaimed novel, contains all the hallmarks of the aleatoric style he helped to define – shot through with seemingly random newspaper headlines, poems, snatches of conversation and anecdote, which both heighten and undermine meaning, and characterized by extreme contrasts of mood and style and startling surrealist juxtapositions of images and ideas. By turns comic and tragic, tender and brutal, religious and blasphemous, the narrative rockets from London to the United States to Vietnam to interstellar space, familiar events are constantly fragmented and reset into new patterns, and ultimately Babel becomes a cautionary tale about the tragedy arising from attempting to build Utopia.

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Set on a canal linking Glasgow and Edinburgh, Young Adam is the masterly literary debut by one of the most important British post-war novelists. Trocchi’s narrator is an outsider, a drifter working for the skipper of a barge. Together they discover a young woman’s corpse floating in the canal, and tensions increase further in cramped confines with the narrator’s highly charged seduction of the skipper’s wife. Conventional morality and the objective meaning of events are stripped away in a work that proves compulsively readable.

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Stravinsky’s genius for the stage is here represented by two very different works. Oedipus Rex (1927) is the fruit of a collaboration with Jean Cocteau, in which the Sophocles tragedy is pared down to make an opera-oratorio of overwhelming impact. Judith Weir analyses how this is achieved: the Latin text has an immediacy which is sometimes even comic, and the vibrant rhythms are reminiscent of the Italian operatic tradition – explored by David Nice in his analysis of the score. The libretto of The Rake’s Progress (1951) by W.H. Auden and Chester Kallman is one of the greatest English opera texts. In a survey of the composition period, Roger Savage examines the contributions of the different collaborators. Contents: The Person of Fate and the Fate of the Person: ‘Oedipus Rex’, David Nice; ‘Oedipus Rex’: A Personal View, Judith Weir; On an Oratorio, Jean Cocteau; Oedipus Rex: Libretto by Jean Cocteau, translated into Latin by Jean Daniélou; Oedipus Rex: English translation of the narration by e. e. cummings and of the Latin text by Deryck Cooke; Making a Libretto: Three Collaborations over ‘The Rake’s Progress’, Roger Savage; The New and the Classical in ‘The Rake’s Progress’, Brian Trowell; The Rake’s Progress: Libretto by W.H. Auden and Chester Kallman

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What can explain Wagner's obsession with Tannhauser, an opera which he first conceived in 1845 and still considered unfinished at his death in 1883? The subject is the struggle of a man torn between erotic love and spiritual fulfilment, between worlds of liberation and of sterile order. It contains the kernels of all his later works: man's need for love and artistic satisfaction, his desire for an existence beyond death, the operation of memory and the nature of madness. The essays in this volume examine the medieval legends which Wagner chose to weave into his text, and their significance for him. Carolyn Abbate also considers the effect of his many revisions upon the score, pointing out that the initial idea already involved a contrast of musical language to focus the conflict. As Wagner remained unsatisfied with the work, it provokes constant reassessment.

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Rossini is one of the great operatic composers and a major innovator in the field of serious and comic operas. Moise et Pharaon is a score which he revised for Paris ten years after it had been composed for Naples; the result shows the evolution of his dramatic taste over a crucial decade - from the neo-classical sublime to spectacular Romantic grand opera. Il barbiere di Siviglia has been a consistent favourite with the public and performers since it opened, and Marco Spada analyses how its stylish comedy has been misunderstood. Other essays throw light on the working conditions of the 'opera industry' in Rossini's Italy, on Balzac's delightful novel concerning Moise and on the exceptional challenge of performing this type of music to a high standard.

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Wagner wanted Siegfried, the third music drama in The Ring of the Nibelung, to be the most popular of the cycle. Despite its many beautiful and dramatic scenes, it has not fulfilled its composer’s aspiration: Professor Ulrich Weisstein examines why. Professor Anthony Newcomb contributes a detailed analysis of Wagner’s leitmotifs and the different purposes they fulfil. Derrick Puffett discusses how Wagner composed Tristan und Isolde and Die Meistersinger von Nu¨rnberg in the eight-year hiatus between his beginning and completion of Siegfried’s second act. The thematic guide complements those found in the other Opera Guides to The Ring Cycle. Contents: Educating Siegfried, Ulrich Weisstein; ‘Siegfried’: The Music, Anthony Newcomb; ‘Siegfried’ in the Context of Wagner’s Operatic Writing, Derrick Puffett; Siegfried: Poem by Richard Wagner; Siegfried: English translation by Andrew Porter

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The story of Manon Lescaut has become part of the European imagination: she is the fun-loving woman who is irresistible to men. Of Massenet’s many operas, she inspired the most popular one, and this libretto shows his minute attention to detail in bringing the character and the period to life. This guide opens with a general survey of Massenet’s career by the musicologist Gérard Condé, and includes two essays about this particular opera. Professor Hugh Macdonald explores the interplay of speech and song in Manon and Massenet’s genius for comedy. Professor Vivienne Mylne traces the sources and context of Prévost’s novel. Contents: Massenet, Gerard Conde; A Musical Synopsis, Hugh Macdonald; Prevost and ‘Manon Lescaut’, Vivienne Mylne; Manon: Libretto by Henri Meilhac and Philippe Gille; Manon: English version by Edmund Tracey

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This famous opera has had a chequered performance history, and Professor Laurel E. Fay, in an illuminating musical analysis, points out that the interpretation of the opera depends very much on which edition is used. Robert Oldani introduces the 'Boris problem': Pushkin's play was not an obvious choice for a young composer, since it had been banned from performance for forty years, and it is the Russian people, rather than any single character, who is the protagonist. Mussorgsky forged his own text and created a legendary masterwork; Alex de Jonge examines its uniquely Russian character and notes the unsettling parallels of the history of old Russia with today. Nigel Osborne's comparison of the Rimsky-Korsakov and Mussorgsky versions highlights their individual qualities.

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Winton Dean relates how Otello came into being as much because of the persistence of Verdi’s publisher as of the composer’s lifelong passion for Shakespeare, and the collaboration of the brilliant poet Arrigo Boito. Benedict Sarnaker argues that this magnificent large-scale opera rivals Shakespeare in intensity and profundity. William Weaver’s lively review of Shakespeare on the Italian stage in the last century enables us to make a wholly fresh appraisal of Verdi’s stature as a dramatist. The libretto itself is a masterpiece, and Andrew Porter has also translated the third-act revision which Verdi came to prefer and which has not been performed outside France before the 1981 ENO production. Contents: ‘Otello’: The Background, Winton Dean; ‘Otello’: Drama and Music Benedict Sarnaker; Verdi, Shakespeare and the Italian Audience, William Weaver; Otello: Libretto by Arrigo Boito; Otello: English Translation by Andrew Porter

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In these vivid and anecdotal memoirs, Giulio Gatti-Casazza, one of the twentieth century’s most successful impresarios, tells of his long reign in two of the world’s most famous opera houses: a decade at La Scala in Milan, followed by twenty-seven years at the Metropolitan Opera in New York. With an inimitable tone, Gatti relates an astonishing wealth of history, including an impressive cast of personal friends numbering Verdi, Puccini, Debussy and many more. Gatti’s memoirs are totally unimpeded either by time or by their sheer content, recollecting in extraordinary detail his earliest musical experiences that led to a lifelong inspiration. Most remarkable is Gatti’s never-failing self-awareness, always appreciative of his role in cultural history, but never boastful of his talents. He commits his memories of opera’s golden age to paper, he says, only for posterity – and they serve posterity well.

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Renowned for its versatility, the piano has played a major role both in musical development and in the shaping of public taste. Throughout its history it has always remained at the centre of the music scene as the composer’s tool, the virtuoso’s partner and the accompanist’s mainstay. Style in Piano Playing is a book not only about the piano, its uses and performers, but also about the music written for the piano. In it, the author shows how the great pianists of the past built their programmes, tells of how they were received and takes a critical look at the history of musical taste.

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This is the revised edition of April FitzLyon’s celebrated biography of Mozart’s librettist, who provided the brilliant, witty texts for The Marriage of Figaro, Don Giovanni and Così fan tutte. Born a Jew in the Republic of Venice, Da Ponte became a Christian before involving himself in political and amorous intrigue and having to flee, like his friend Casanova, to Vienna, pursued by both the Inquisition and jealous husbands. As court poet to Joseph II he succeeded Metastasio and worked with many composers, until his escapades forced him to move on to London, where he managed the Theatre Royal, Haymarket. After a series of financial disasters, he moved to New York, where he worked several jobs before becoming a professor at Columbia. He helped to introduce Italian opera to the USA and in old age wrote his notoriously unreliable memoirs. This fascinating portrait provides a colourful picture of eighteenth- and nineteenth-century life in four capitals, combining musical and literary history with an account of the social life of the period.

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Happily engaged to the poet Amandus, Fräulein Anna is horrified to discover that a beautiful ring, mysteriously deposited upon her finger whilst tending her kitchen garden, forces her into marriage with the gnome Corduanspitz. Can Anna find any way of removing the ring? Will her poet lover shake off his passive demeanour and come to her aid? And has Corduanspitz truly relinquished all ties to his gnome heritage?Around a love story very much of its time, Hoffman arranges a narrative that brings to mind the most successful elements of contemporary magical realism and surreal comedy. Always entertaining, yet capable of a focused though subtle morality, The King's Bride brings disparate elements into a masterful harmony.

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Unsuccessful in his endeavours, the young and naive Peter Schlemihl seals a pact with the Devil in which he exchanges his shadow for the purse of Fortunatus, thereby gaining everlasting riches. But when he is ridiculed, persecuted and hated for being different from other men, he realizes that poverty is easier to bear than the loss of his peace of mind.Originally written as a cautionary tale for the children of Chamisso's patron, Peter Schlemihl was hailed by contemporaries as a masterpiece with a wide adult appeal, and continues to capture imaginations today.

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A master of many literary genres, Arthur Conan Doyle excelled particularly in the short-story form, and was acclaimed in his day as much for his detective stories as for his thrilling tales of mystery and the supernatural. While the adventures of Sherlock Holmes have become part of our collective imagination, these stories - concerned with ghosts, obscure scientific experiments and other unexplained phenomena - are now unjustly neglected.

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A mysterious murder near Esher, a gruesome delivery of two human ears packed in coarse salt, the disappearance of secret submarine plans, the sudden descent into madness of two brothers – these are only some of the apparently unsolvable cases contained in this volume, which the great sleuth, assisted by his trusted friend Doctor Watson, is challenged to clear up with the aid of his sagacity and unrivalled analytical skills. Published a quarter of a century after the first book of Holmes adventures, and including the famous titular story His Last Bow: An Epilogue of Sherlock Holmes, this collection shows the detective’s powers of deduction at their most dazzling, proving that Conan Doyle’s ability to entertain and surprise remains undiminished.

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Dora, Oswald, Dicky, Alice, Noel and Horace Octavius (“H.O.”) Bastable are desperate to help their widowed father to restore the family’s fortunes after his business fails. Their moneymaking schemes, from digging for treasure in their South-London garden to becoming highwaymen on Blackheath, mainly lead to a good deal of trouble, until one adventure promises to change everything…

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Old Arkhip sits every day by the roots of a wizened, hunchbacked willow, fishing and exchanging whispered stories with the ancient tree. One of these takes Arkhip three decades back in time, to a quiet day in early spring when a strange encounter shook him momentarily from the rural bliss in which he lived, catapulting him into a world of crime, corruption, violence and murder.A quintessential example of Chekhov''s artistry, ''The Willow'' is here accompanied by thirty-two other short stories some of them never or rarely translated into English which are representative of the three main phases of the author''s career: the short, light-hearted pieces of the late 1880s, the darker, more pessimistic tales of his maturity and the psychologically nuanced stories he wrote towards the end of his life. Taken together, this collection is further proof of Chekhov''s unparalleled skills as a practitioner of the short-story genre.

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