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Certain works of Romantic drama—Prometheus Unbound, Cain, The Cenci—have received a good deal of critical attention, by as a whole the genre has been misunderstood and only slightly considered. Alan Richardson redresses a tradition of critical neglect by considering the works of Romantic drama not as failed stage-plays ("closet drama") but as constituting a new, distinctively Romantic genre. In turning from the contemporary stage—which was marked by spectacle, rant, and melodrama—the Romantic poets developed an altogether new kind of drama, one which they hoped could recapture the intensity of Shakespearean tragedy that Neoclassical writers had scarcely approached. Richardson calls this genre (after Byron) "mental theater," both because its works are concerned with portraying the development of self-consciousness and because it fuses the subjectivity of lyric with the interaction of dramatic poetry. Moreover, these works are addressed directly to the mind of the reader, bypassing the medium of stage representation. This study places Romantic self-consciousness in a fundamentally new light. Far from uncritically pursuing an egoistic stance, the Romantics criticize through their poetic drama the attempt to attain psychic autonomy. The protagonists of Romantic drama are seduced by their antagonists into entering such a condition only to find in it a hollow, deathly isolation. They find in self-consciousness not their promised liberation, but a tormented fate modeled after that of their betrayers. Wordsworth, Byron, and Shelley delineate the limitations of "Romantic" self-consciousness in their works of mental theater; Shelley alone envisions their transcendence through his radical transformation of consciousness in the conclusion to Prometheus Unbound. This interpretation of mental theater will lead to a new evaluation of the Romantics as dramatic poets. It brings back to critical attention neglected but challenging works such as Byron's Heaven and Earth and Beddoes's Death's Jest-Book, and provides vital new perspectives on undervalued texts like Wordsworth's The Borderers and Byron's Manfred and Cain. It qualifies decades of critical speculation on "Romantic individualism" and "Romantic consciousness," and helps return the ideal of imaginative sympathy to the central position held in the critical writings of the Romantics themselves. Finally, in emphasizing the dramatic quality of mental theater, it challenges the still-prevalent view that Romantic poetry in inherently lyrical in character. Scholars concerned with English Romantic drama, Romantic literature, and the Romantic period as well as English drama will find this work to be an important contribution to their understanding.

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In the Footsteps of OrpheusThe Life and Times of Miklós RadnótiZsuzsanna OzsváthA powerful account of the life, art, and tragic death of a 20th-century Hungarian Jewish poet."Zsuzsanna Ozsváth bring[s] forth Radnóti's life, his thought, and his passion with a depth of insight that is rare in a scholar. Brilliant, penetrating, and passionate, Ozsváth's book sets a new standard of excellence in Holocaust studies. It is a must for anyone who would approach the dark flame that burns at the core of the Event." —David Patterson, University of Memphis Miklós Radnóti, a young Hungarian Jewish poet, was shot by Hungarian soldiers guarding him while on a forced march from Yugoslavia back to Hungary during the final days of World War II. When his body was discovered and exhumed nearly two years later, a small book of poems was found in his coat pocket. These poems, together with the rest of Radnóti's work, solidified his reputation as one of Hungary's greatest poets. Radnóti shared the experience of many Jewish artists and intellectuals in Central Europe during the early part of the 20th century, but his poetry brings out a particular and personal view of the Holocaust in Hungary. His work plays a unique role in the history of Central European culture as some of the most beautiful poems ever written in Hungarian, as a voice against the rise of totalitarianism, and as testimony to the destruction of Europe's Jews. Zsuzsanna Ozsváth places Radnóti within the context of the political and intellectual history of interwar Hungary, situating him as an artist who is both a Jew and a Hungarian patriot. Her sensitive translations from the Hungarian lend poignancy to this tragic and forcefully told story. This account of Radnóti's life and work explores the sources of the poet's inspiration and imagery and restores it to its extreme times and places.Zsuzsanna Ozsváth is Professor of Literature and the History of Ideas at the University of Texas at Dallas, where she is also Director of the Holocaust Studies Program. She is coeditor and cotranslator (with Frederick Turner) of Foamy Sky: The Major Poems of Miklós Radnóti and Attila Jozsef's The Iron-Blue Vault: Selected Poetry.Jewish Literature and Culture—Alvin H. Rosenfeld, editorContentsMyth and ConsciousnessPoetic Images: Socialist Art and Political CommitmentThe Pull of Contraries: Making of the PastVisions of Destruction, Lyrics of ResistanceIn Extremis: 1944

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"Extremely well written, and exceedingly well informed, this is a work that opens a variety of important questions in sophisticated and theoretically nuanced ways. It is hard to imagine a better tour guide than Fuchs for a trip through the last thirty years of, as she puts it, what we used to call the 'avant-garde.'" -Essays in Theatre "...an insightful set of theoretical 'takes' on how to think about theatre before and theatre after modernism." -Theatre Journal "In short, for those who never experienced a 'postmodern swoon,' Elinor Fuchs is an excellent informant." -Performing Arts Journal "...a thoughtful, highly readable contribution to the evolving literature on theatre and postmodernism." -Modern Drama "A work of bold theoretical ambition and exceptional critical intelligence...Fuchs combines mastery of contemporary cultural theory with a long and full participation in American theater culture: the result is a long-needed, long-awaited elaboration of a new theatrical paradigm." -Una Chaudhuri, New York University "What makes this book exceptional is Fuchs' acute rehearsal of the stranger unnerving events of the last generation that have-in the cross-reflections of theory-determined our thinking about theater. She seems to have seen and absorbed them all." -Herbert Blau, Center for Twentieth Century Studies, University of Wisconsin, Milwaukee "Surveying the extraordinary scene of the postmodern American theater, Fuchs boldly frames key issues of subjectivity and performance with the keenest of critical eyes for the compelling image and the telling gesture." -Joseph Roach, Tulane University "...Fuchs makes an exceptionally lucid and eloquent case for the value and contradictions in postmodern theater." -Alice Rayner, Stanford University "Arguably the most accessible yet learned road map to what remains for many impenetrable territory...an obligatory addition to all academic libraries serving upper-division undertgraduates and above." -Choice "A systematic, comprehensive and historically-minded assessment of what, precisely, 'post-modern theatre' is, anyway." -American Theatre In this engrossing study, Elinor Fuchs explores the multiple worlds of theater after modernism. While The Death of Character engages contemporary cultural and aesthetic theory, Elinor Fuchs always speaks as an active theater critic. Nine of her Village Voice and American Theatre essays conclude the volume. They give an immediate, vivid account of contemporary theater and theatrical culture written from the front of rapid cultural change.

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Diana Armfield RA Hon RWS NEAC has a highly personal attachment to subject and a subtly distinctive affinity with the rhythms of form and tone. These qualities make her an important, influential figure in modern British art - and a very popular one. Flower paintings have brought her wide acclaim, but this book - created to mark her 100th birthday - also richly represents Diana's feeling for landscape and place. Including an inspiring number of more recent works, it brings her fascinating artistic and life story up to date.'I think I was born making things', Diana comments to Andrew Lambirth, whose absorbing interview with her forms the narrative thread of Diana Armfi eld: A Lyrical Eye. Diana's was a creative childhood steeped in experiments with drawing, pottery and embroidery, played out against the backdrop of a picture-fi lled house, a lovely garden and an artistic family. She studied at Bournemouth, Slade and Central art schools, starting out as a talented textile designer - a legacy that lent her a unique approach to the geometry, cadences and colour qualities of a painting. After organising cultural activities for workers and troops in World War II, Diana became one half of a successful partnership designing textiles and wallpaper, whose work featured in the Festival of Britain in 1951. The 1960s brought a turn to painting and from 1966 Diana has been a regular exhibitor at the prestigious Royal Academy Summer Exhibition. She has continued to paint and draw throughout her life and, as this book clearly demonstrates, always thinks afresh about each subject she tackles in order to respond to it with a close,warm sincerity.Diana Armfi eld: A Lyrical Eye charts Diana's personal and artistic journey with over 200 beautiful reproductions of her work, tracing favourite subjects and events - from a Welsh landscape to an informal fl ower display or the much-loved location of a painting trip in Italy or France. Andrew Lambirth's interview also explores the unique bond with her husband, painter Bernard Dunstan, who died in 2017, looking at how two leading artists interwove their personal and creative lives over a marriage of almost 70 years. As well as this interview, Andrew has contributed an essay on Diana's work to the book. Diana's standing and popularity have led to regular exhibitions, especially at prominent London gallery Browse& Darby. Her work is held in private and public collections worldwide, from London's V&Ato the Yale Center for British Art.

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'Beguiling and astute' Sarah Winman 'Astoundingly good' Deborah Moggach'Wonderfully redemptive' Sarah Haywood 'I was delighted and surprised by this textured, fascinating and most moving book' Chris WareA life-affirming novel about broken but loving families, people making mistakes but doing their best, grief and getting stuck - for readers of ELEANOR OLIPHANT and THE TROUBLE WITH GOATS AND SHEEP On her forty-seventh birthday, Sydney Smith stands on a rooftop and prepares to jump...Sydney is a cartoonist and freerunner. Feet constantly twitching, always teetering on the edge of life, she's never come to terms with the event that ripped her family apart when she was ten years old. And so, on a birthday that she doesn't want to celebrate, she returns alone to St Ives to face up to her guilt and grief. It's a trip that turns out to be life-changing - and not only for herself.DO NOT FEED THE BEAR is a book about lives not yet lived, about the kindness of others and about how, when our worlds stop, we find a way to keep on moving.Readers love Do Not Feed the Bear: 'I loved each and every moment of this book and feel bereft it has come to an end''Obsessed with how beautiful this book is! Keep flicking back to reread some passages as love them so much! What a treat of a book''Wow, what a joyous and hope-inducing read''I can't put it down - it's funny and tender and clever and I love it''It might break your heart a little bit first, but eventually it will put it back together and wrap it in a comforting snuggly blanket''Rich in poignant emotion and a truly mesmerising and addictive read''Swept me up into its pages; a book that I wanted to hug and cherish all the time I was reading''It's not just a book I read and reviewed. It's a book that read and reviewed me''If you're looking for a story that will make you smile by turns, be heart-lifting and heart-wrenching in a variety of ways but remain entirely beautiful for its honest look at life, then this is the book for you''Surprising, authentic and powerful, this book defies categorisation''Rachel Elliott has achieved something remarkable in this story of loss, regret and disappointment: she has created a tender, hopeful and uplifting novel, which I feel certain many readers will fall in love with'

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This brilliant portrayal weaves Beethoven's musical and biographical stories into their historical and artistic contexts. Lewis Lockwood sketches the turbulent personal, historical, political, and cultural frameworks in which Beethoven worked and examines their effects on his music. "The result is that rarest of achievements, a profoundly humane work of scholarship that will—or at least should—appeal to specialists and generalists in equal measure" (Terry Teachout, Commentary). Finalist for the Pulitzer Prize. "Lewis Lockwood has written a biography of Beethoven in which the hours that Beethoven spent writing music—that is, his methods of working, his interest in contemporary and past composers, the development of his musical intentions and ideals, his inner musical life, in short—have been properly integrated with the external events of his career. The book is invaluable." —Charles Rosen "Lockwood writes with poetry and clarity—a rare combination. I especially enjoyed the connection that he makes between the works of Beethoven and the social and political context of their creation—we feel closer to Beethoven the man without losing our wonder at his genius." —Emanuel Ax "The magnum opus of an illustrious Beethoven scholar. From now on, we will all turn to Lockwood's Beethoven: The Music and the Life for insight and instruction." —Maynard Solomon "This is truly the Beethoven biography for the intelligent reader. Lewis Lockwood speaks in his preface of writing on Beethoven's works at 'a highly accessible descriptive level.' But he goes beyond that. His discussion of the music, based on a deep knowledge of its context and the composition processes behind it, explains, elucidates, and is not afraid to evaluate; while the biographical chapters, clearly and unfussily written, and taking full account of the newest thinking on Beethoven, align closely with the musical discussion. The result is a deeply perceptive book that comes as close as can be to presenting the man and the music as a unity."—Stanley Sadie, editor, The New Grove Dictionary of Music and Musicians "Impressive for both its scholarship and its fresh insights, this landmark work—fully accessible to the interested amateur—immediately takes its place among the essential references on this composer and his music."—Bob Goldfarb, KUSC-FM 91.5 "Lockwood writes like an angel: lucid, enthusiastic, stirring and enlightening. Beethoven has found his ablest interpreter."—Jonathan Keates, The Spectator "There is no better survey of Beethoven's compositions for a wide audience."—Michael Kimmelman, The New York Times Book Review

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For more than 600 years the Livery Companies have played a leading role in commercial activities and social and political life in the City of London. These trade associations, each representing a particular craft or profession, were originally responsible for controlling, for example, wages and working conditions. As the Companies were established and incorporated by royal charter, largely in the 14th and 15th centuries, they began acquiring and adapting buildings from which to operate. The Companies’ headquarters – the Livery Halls – gradually evolved from large medieval town houses to become an identifiable building type matched in scale and ambition only by the guild houses of northern European mercantile cities and the Venetian scuole. By the time of the Great Fire of London in 1666, there were at least 53 Livery Halls. Of the 40 Halls standing today, half remain on their medieval sites, but all have been rebuilt several times. To give only two examples: there have been six incarnations of Clothworkers’ Hall on Mincing Lane and six Salters’ Halls on three different City sites. This beautiful book is the first major exploration of these architecturally significant yet under-researched buildings. Dr Anya Lucas, who has studied the Halls in depth, provides an introduction and an illustrated history of the buildings that have been lost over the centuries. The Great Fire, in particular, resulted in a period of energetic reconstruction. Companies rebuilt and beautified their Halls in recognition that the image they projected was as crucial as their wealth and regulatory powers. More building activity took place in the 18th and 19th centuries as Halls were required to accommodate new functions. Many of the Restoration Halls did not survive these years, and, where they did, alterations continued apace. Only 3 out of 36 Halls remained untouched after the Blitz of 1940–41, leading to another wave of reconstruction, the buildings being predominantly traditional or neo-Georgian in style. Henry Russell surveys each of the 40 present-day Halls, no two of which share an identical plan. Sited across the City from east to west, they range from the London Proof House, the home of the Worshipful Company of Gunmakers, on Commercial Road, outside the old City walls, to HSQ Wellington, headquarters of the Honourable Company of Master Mariners, moored on the Thames at Victoria Embankment. All existing Livery Halls have been photographed especially for the project by the renowned interiors photographer Andreas von Einsiedel, making this a truly outstanding publication.

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A memoir of life in East London and of 43 years spent in garment factories across the East End. This memoir begins as Alfred Gardner prepares to leave school, ten years after the end of the Second World War. At fourteen, schoolboy Alf becomes interested in girls, and noticing that well dressed boys get the prettiest girls he saves up to buy a suit. The greater part of his book tells of his life at work. His first work, after school, was to earn money to buy a suit, with a Stepney firm, Standard Tailors (Men's Jacket Makers). The title is taken from a warning given when he begins to cut textiles: the ever present danger of cutting fingers as well as cloth. He describes how firms work and who does what: the preparation of designs and markers, cutting, types of machining, new designs, cabbage, commissions, deliveries, and payments. Much depends on a boss: some are unduly trusting, others deserve no trust and fiddle bills NI, PAYE and wages. Few workplaces are well adapted or fit for purpose. In an age where smoking was permitted at work, cloth cutting might easily catch fire, yet many workshops and factories lacked fire escapes. Many were infested with rats and other vermin. They were often badly heated and ventilated, and remained veritable sweat shops. There is a great deal of human interest and humour: he meets diverse characters and makes many new friends. But not always: he disdains the dishonest and the cheat; he refuses to tolerate rudeness. He tells of co-workers, bosses, shop keepers, vicars, and prostitutes. He also tells of friendships and loves; local sights and pubs: conversation and fun in Dirty Dicks, Charlie Brown's, The Eastern Hotel, and The Prospect of Whitby. He tells of the individuals and communities: Asian Moslems, Caribbeans, Jews, Greek-Cypriots, Somalis, Turks and others. Each have something unique. Through each he confronts different aspects of a changing world, and reflects on contemporary events as they affect people. He serves as a merchant seaman and, briefly, in the army. Eventually he sets up his own garment business and becomes a manager and employer. But as more work is done abroad, the garment industry declines. The book ends with a lament for past opportunities, now closed to a new generation in the East End.

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This is the complete story of the Austin Healey 100-6 and 3000's rallying history, told in all its glory by expert motoring historian Graham Robson, as part of the `Rally Giants' series. In nine eventful years - 1957 to 1965 - the six-cylinder-engined Austin Healey evolved into a formidable and increasingly specialised rally car. By any standards, it was the first of the `homologation specials' - a type made progressively stronger, faster, more versatile, and more suitable for the world's toughest International rallies. Though the motorsport foundations had been laid by the Healey Motor Co. Ltd, the work needed to turn these cars into rock-solid 210bhp projectiles was almost all completed by the world-famous `works' BMC Competitions Department at Abingdon. It was because of their vast experience that the `Big Healeys' (as they were affectionately known) became fast and tough, nimble yet durable, so that they were capable of winning major events wherever traction could be assured. Not only did the works Austin Healeys win some of the world's most famous events - including Liege-Sofia-Liege, Spa-Sofia-Liege and the French and Austrian Alpine rallies - but they were also supremely fast on events like the Tulip, and came so close, so often, to winning their home event, the British RAC Rally, which traditionally ended the season. The drivers - Pat Moss, Donald Morley, Rauno Aaltonen, Timo Makinen and Paddy Hopkirk among them - became heroes, while individual cars seemed to take on a character and reputation of their own. This book lists each and every success, each and every notable car, and traces exactly how the machinery developed, and improved, from one season to the next. Over time, the works cars adopted aluminium cylinder heads and body panels, much-modified chassis, transmission and exhaust systems; they also became supremely strong and could withstand a true battering on the world's toughest events. This book relates how the cars were improved by the engineers, how the drivers came to love their heavy and sometimes self-willed steeds, and how the management team got the most out of everything - machinery, personnel, drivers, and regulations. Heavily illustrated and packed with technical detail, this book will make a welcome addition to any motorsport fan's library.

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The earliest human known to have the capability of walking erect on two legs is Sahelanphropus, who lived 6 million years ago. The ability to stand erect led to required extensive changes in the human skeleton, including significant changes in the cervical spine. In modern humans, the cervical spine holds the head upright and gives it great mobility. The combination of great mobility in this spinal segment combined with the requirement that it carry significant weight makes the cervical spine susceptible to a wide variety of pathologies. The cervical spine not only supports the head upright, but acts as a channel for the full set of neural elements connecting the brain with all near and distant parts of the body; thus, pathologies involving the spinal column in this segment directly affect the cervical spinal cord and exiting nerve roots. Today, excellence in spine surgery requires a thorough understanding of spinal anatomy, relevant neurology, and biomechanics, as well as skilled use of a variety of surgical techniques. The surgeon must master the ability to effectively select from a wide and constantly changing variety of alternative instrumentations and surgical approaches. In addition, the trend towards reducing the invasiveness of surgical procedures has led to the use of smaller and smaller tools and smaller surgical incisions with more limited views of the relevant anatomy. As a result of the rapid pace of change, the choice of an optimal technique in any given situation is increasingly complex. In this book, we begin with a basic review of anatomy, neurology, neurophysiology, and biomechanics. We also discuss clinical and radiological assessment required for a differential diagnosis, and present a thorough discussion of the importance of sagittal alignment of the spine and the utility of gait analysis. We proceed with a thorough discussion of nontraumatic pathologies causing cervical myelopathy, beginning with the craniocervical junction down through the subaxial spine, in pediatric and adult populations. This discussion includes steps in the differential diagnosis for specific pathologies, surgical techniques and nuances, radiation-based treatment alternatives, and special topics ranging from the use of stem cells to robotics and endoscopic surgery. We have attempted to provide both fundamental and state-of-the-art knowledge and to share the rich experience of some of the leading spine surgeons worldwide, with the aim of enabling surgeons at all levels to advance their own capabilities for performing safe and successful procedures in this area of complex anatomy.

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We had become the land of flickering lights, in which the standard of success was not what we were doing for the next generation of Americans, or to enhance our role in the world, but instead whether we had kept government open for another few minutes.”—Michael Bennet From Colorado Senator Michael Bennet, a powerful up-to-the-minute book that lifts the veil on the dysfunctional inner workings of the U.S. Senate through five critically important case studies out of today’s headlines and offers strong suggestions for ending our hyper-partisan politics The Land of Flickering Lights is a unique contribution to American political writing at this or any other time. Senator Michael Bennet lifts a veil on the inner workings of Congress to reveal, in his words, “through a series of actual stories—about the people, the politics, the motives, the money, the hypocrisy, the stakes, the outcome—the pathological culture of the capital and the consequences for us all.” Bennet unfolds the dramatic backstory behind five episodes crucial to the well-being of all Americans. Each of them exemplifies the hyper-partisan politics that have upended our democracy: The highly politicized confirmation battles over judicial nominations at all levels—epitomized by ugly and unprincipled fights over seats on the Supreme Court; The passage of the Trump tax law, which massively increased our national debt and widened economic inequality across the country; The shredding of the Iran nuclear deal, which undermined our national security, caused friends and foes alike to doubt America’s word, and made a mockery of the longstanding bipartisan tradition in foreign policy; The pervasive corruption unleashed by “dark money” in policies and how big donors have been able to stymie urgent action on climate change and many other issues; The sabotage by a congressional minority of the “Gang of Eight’s” bi-partisan deal to reform America’s immigration policies, a deal that would have comprehensively addressed the immigration issues that bedevil us to this day. With frankness and refreshing candor, and in elegant prose, Bennet pulls the machinations behind these episodes into full public view, shedding vital new light on our political dysfunction today. Arguing that each of us has a duty to act as a founder, he will inspire Americans of all political persuasions to demand that the “winners” of our political battles be all the American people, nor one party or the other.

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The first major biography of Little Richard, a rollicking, nuanced celebration of the late singer/songwriter’s life and his role in the history of American music—gospel, soul, rock, and more “Tutti Frutti” • “Rip It Up” • “Good Golly Miss Molly” • “Lucille” • “Long Tall Sally” • “You Keep A-Knockin’” Little Richard blazed the trail for generations of musicians—The Beatles, James Brown, the Everly Brothers, Jimi Hendrix, the Rolling Stones, Elton John, Prince . . . the list seems endless. He was “The Originator,” “The Innovator,” and the self-anointed “King and Queen of Rock ’n’ Roll.” When he died on May 9, 2020, The Big Life of Little Richard—a nearly-completed book—was immediately updated to cover the international response to his death. It is the first major biography of Macon, Georgia’s Richard Wayne Penniman, who was, until his passing, the last rock god standing. Mark Ribowsky, acclaimed biographer of musical icons—the Supremes, the Temptations, Stevie Wonder, Otis Redding—takes readers through venues, gigs, and studios, conveying the sweaty energy of music sessions limited to a few tracks on an Ampex tape machine and vocals sung along with a live band. He explores Little Richard’s musicianship; his family life; his uphill battle against racism; his interactions with famous contemporaries and the media; and his lifelong inner conflict between his religion and his sexuality. The Big Life of Little Richard not only explores a legendary stage persona, but also a complex life under the makeup and pomade, the neon-lit duds and piano pyrotechnics, along with a full-body dive into the waters of sexual fluidity. By 2020, eighty-seven-year-old Little Richard’s electrifying smile was still intact, as were his bona fides as rock’s kingly architect: the ’50s defined his reign, and he extended elder statesmanship ever since. His biggest smash, “Tutti Frutti,” is one of history’s most covered songs—a staple of the pre-Invasion Beatles—and Elvis pivoted from country to blues rock after Little Richard made R&B’s sexual overtones a fundament of the new musical order. Even Hendrix, the greatest instrumentalist in rock history, toured with him before launching a meteoric solo career. Whenever someone pushes the music and culture of rock to its outer borders, one should turn to Little Richard for assurance that anything is possible.

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***Thrillers that race from the very first page***'Felix Francis' novels gallop along splendidly' Jilly Cooper ‘From winning post to top of the bestseller lists’ Sunday TimesHarrison Foster is a lawyer by training but works as a crisis manager for a London firm that specializes in such matters. Summoned to Newmarket after a fire in the Chadwick Stables slaughters six very valuable horses, including the short-priced favourite for the Derby, Harry (as he is known) finds there is far more to the ‘simple’ fire than initially meets the eye. For a start, human remains are found amongst the equestrian ones in the burnt-out shell. All the stable staff are accounted for, so who is the mystery victim? Harry knows very little about horses, indeed he positively dislikes them, but he is thrust unwillingly into the world of Thoroughbred racing where the standard of care of the equine stars is far higher than that of the humans who attend to them. The Chadwick family are a dysfunctional racing dynasty, with the emphasis being on the nasty. Resentment between the generations is rife and sibling rivalry bubbles away like volcanic magma beneath a thin crust of respectability. Harry represents the Middle-Eastern owner of the Derby favourite and, as he delves deeper into the unanswered questions surrounding the horse’s demise, he ignites a fuse that blows the volcano sky-high, putting him in grave jeopardy. Can Harry solve the riddle before he is overcome by the toxic emissions from the eruption and is bumped off by the fallout?‘As usual with a Francis, once I opened the book, I didn’t want to put it down… Felix’s resolution is darker and more shocking than his father would ever have contemplated, but reflects grittier times and changing tastes in fiction. Now, what am I going to do for the next 12 months until the next one?’ Country Life ‘The latest annual offered from Felix Francis shows he has largely escaped from the shadow of his late father… He has become his own man as a purveyor of murder mysteries' The Racing PostPraise for Felix Francis's novels: 'The Francis flair is clear for all to see' Daily Mail 'From winning post to top of the bestseller list, time after time' Sunday Times 'The master of suspense and intrigue' Country Life 'A tremendous read' Woman's Own

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'The last line will make you literally shout with shock' Good Housekeeping'Terrifically twisty ... hooks from the first page' Sunday TimesOn a bright morning in the London suburbs, a family moves into the house they’ve just bought on Trinity Avenue. Nothing strange about that. Except it's your house. And you didn’t sell it.FOR BETTER, FOR WORSE. When Fi Lawson arrives home to find strangers moving into her house, she is plunged into terror and confusion. She and her husband Bram have owned their home on Trinity Avenue for years and have no intention of selling. How can this other family possibly think the house is theirs? And why has Bram disappeared when she needs him most?FOR RICHER, FOR POORER. Bram has made a catastrophic mistake and now he is paying. Unable to see his wife, his children or his home, he has nothing left but to settle scores. As the nightmare takes grip, both Bram and Fi try to make sense of the events that led to a devastating crime. What has he hidden from her – and what has she hidden from him? And will either survive the chilling truth – that there are far worse things you can lose than your house? TILL DEATH US DO PART.Praise for Our House: 'If 2018 brings a better book than Our House I will eat my hat. Addictive, twisty and oh so terrifyingly possible’ Clare Mackintosh ‘I raced through it this weekend. Such a smart idea. Twisty, warped, credible. Brilliantly plotted and compelling. Deserves to be such a hit’ Sarah Vaughan ‘Louise Candlish is a great writer;she inhaled me into her nightmarish world where everything we think we know is ripped from under our feet’ Fiona Barton ''A masterfully plotted, compulsive page-turner' Guardian 'Keeps you guessing to the end - and beyond' Stylist 'Whip-smart, knowing and brilliantly plotted' India Knight 'A corker' Evening Standard 'Terrific premise' New York Times 'Wonderfully plotted' Jane Garvey, Woman's Hour 'A blood pressure-raising thriller' Red ‘Gripping and heartbreaking with an undercurrent of unease running through it’ Louise Jensen ‘What a book! Fast, edge-of-your-seat stuff. Each time I set the book down I had to remind myself to breathe’ broadbeanbooks ‘Oh Louise Candlish, you are a genius! Our House is just brilliant. Scarily believable with the BEST ending I have read in a long time. I devoured it!’ Claire Frost, Fabulous magazine

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CRIME NEVER SLEEPS.'CRIME BOOK OF THE YEAR' Daily MailONE OF AMAZON'S BEST MYSTERY/THRILLERS OF THE YEAR* * * * *Detective Renée Ballard works 'The Late Show', the notorious graveyard shift at the LAPD. It's thankless work for a once-promising detective, keeping strange hours in a twilight world of crime.Some nights are worse than others. And tonight is the worst yet.Two shocking cases, hours apart: a brutal assault, and a multiple murder with no suspects.Ballard knows it is always darkest before dawn. But what she doesn't know - yet - is how deep her investigation will take her into the dark heart of her city, the police department and her own past...The Late Show will keep you up all night: it's time to meet Detective Renée Ballard.* * * * *'The new novel from America's greatest living crime writer is a gripping thrill ride that will entrance you and keep you reading until the small hours' Daily Express'It has been more than ten years since Connelly, one of the world's greatest crime writers, last launched a major new character. Superb storytelling - this cements Connelly's place at the very top of the crime-writing tree' Daily Mail'Classy and clever, with a tenacious heroine' Sunday Mirror'Connelly achieves an enormous amount in these pages: he creates a new character who immediately leaps into life; and controls a complex, fast-paced plot full of surprises' Evening Standard'The Late Show introduces a terrific female character: Detective Renée Ballard. The pacing is breathless ... Ballard has astonishing resourcefulness and bravery - she is complicated and driven' New York Times'Although the usual Connelly fingerprints are in evidence here - the real achievement is the creation of his tenacious heroine, Ballard' Guardian'Ballard is significantly more than a Bosch replacement or clone - an absorbing character on her own terms. Connelly has created yet another potentially iconic tarnished knight of those perennially mean streets' Irish Times'A characteristically complex tale of murder and police corruption' Mail on Sunday (Thriller of the Week)'First there was Detective Harry Bosch, then Lincoln lawyer Mickey Haller, and now comes Renee Ballard, ace thriller writer Michael Connelly's first new protagonist in 10 years. A nail-bitingly exciting investigation featuring a finely realised new character from one of America's finest contemporary novelists' Irish Independent

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'Fun, unstuffy and wise' Sunday Times Children's Book of the Week 'It will have your children in stitches!' BBC Radio Manchester The laugh-out-loud, against-all-odds triumph of a sequel to one of the bestselling children's debuts of 2021. Billy Plimpton took to the stage and captivated the crowd at the triumphant ending to The Boy Who Made Everyone Laugh, and in the sequel, he's going to go viral. Celebrity comedian Leo Leggett takes Billy under his wing, as his new sidekick: when Leo tweets a clip of his stand-up act, Billy suddenly becomes the most famous boy in the country. At first, this is GREAT - all the kids at school think he's cool and he gets to appear on his favourite morning TV show. But Leo's motives turn out to be shady and Billy must turn the tables in a very public way... The idea for this story came from Helen Rutter's son, who has a stammer: she wanted to write the book that he would love to read, starring a child like him. packed with brilliant jokes and one-liners to make kids roar with laughter a book to encourage empathy and kindness in young readers Perfect for fans of Jacqueline Wilson, Lisa Thompson and Jenny Pearson. Praise for The Boy Who Made Everyone Laugh Winner of the Lollies Children's Book Prize 2023 Shortlisted for the 2022 Blue Peter Book Award Shortlisted for the 2022 Costa Children's Book Award Selected for the 2022 Read For Empathy Collection 'Very funny, very touching, very truthful - a total delight to read.'Jacqueline Wilson 'Amazing' Noel Fielding 'This incredible debut tugs at your heartstrings and makes you laugh out loud in equal measure. I guarantee you'll be cheering along in the final pages!' Lisa Thompson 'It's Wonder with one-liners.' Scott Evans, The Reader Teacher 'As warm and wise as it is funny.' Shappi Khorsandi 'A laugh out loud story, the like of which I've never read before.' Kerry Godliman 'This book is a great way of showing children how to be confident and winners by having a sense of humour and making others laugh.' Baroness Floella Benjamin 'This book is brilliant. It is funny, wise, kind and exciting.' Marcus Brigstocke 'So funny and joyful.'Rachel Parris

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Book of the Year 2023 according to New York Times, New Yorker, Guardian, Economist, Observer, The Spectator, Financial Times, Vogue, The Times, The Oldie, i Paper, The Standard, Washington Post, Independent, Daily ExpressSHORTLISTED FOR WATERSTONES BOOK OF THE YEAR 2023SHORTLISTED FOR THE WRITERS’ PRIZE FOR FICTION 2024ONE OF SARAH JESSICA PARKER’S BEST BOOKS OF 2023‘A writer at the peak of her powers’ The TelegraphTruth and fiction. Jamaica and Britain. Who gets to tell their story? Zadie Smith returns with her first historical novel.Kilburn, 1873. The 'Tichborne Trial' has captivated the widowed Scottish housekeeper Mrs Eliza Touchet and all of England. Readers are at odds over whether the defendant is who he claims to be - or an imposter.Mrs Touchet is a woman of many interests: literature, justice, abolitionism, class, her novelist cousin and his wives, this life and the next. But she is also sceptical. She suspects England of being a land of façades, in which nothing is quite what it seems.Andrew Bogle meanwhile finds himself the star witness, his future depending on telling the right story. Growing up enslaved on the Hope Plantation, Jamaica, he knows every lump of sugar comes at a human cost. That the rich deceive the poor. And that people are more easily manipulated than they realise.Based on real historical events, The Fraud is a dazzling novel about how in a world of hypocrisy and self-deception, deciding what's true can prove a complicated task.‘It’s difficult to give any idea of how extraordinary this book is. One of the great historical novels, certainly. But has any historical novel ever combined such brilliantly researched and detailed history with such intensely imagined fiction? Or such a range of living, breathing, surprising characters with such an idiosyncratically structured narrative?’ Michael Frayn‘As always it is a pleasure to be in Zadie Smith’s mind, which, as time goes on, is becoming contiguous with London itself. Dickens may be dead, but Smith, thankfully, is alive’ New York Times‘Zadie Smith’s Victorian-set masterpiece holds a mirror up to Britain . . . The Fraud is the genuine article’ Independent‘Smith’s dazzling historical novel combines deft writing and strenuous construction in a tale of literary London and the horrors of slavery’ GuardianInstant Sunday Times bestseller, September 2023

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Lanzarote's most popular walking guide book just got even better. Walk! Lanzarote 5th edition builds on the reputation of our earlier editions with comprehensive updating so that it caters for the needs of the increasing number of people who would like to combine some walking with a holiday on the Fire island. Walk Lanzarote explodes the myth that there is nowhere worth walking on the island as we range through strolling on coastal promenades, walking across alpine style meadows, striding over the lava sea, dropping into volcanoes, sitting on high mountain seats - quite simply you will be amazed at the wide variety of stunning landscapes the Fire island has to offer the adventurous leisure walker. For the 5th edition we've checked several routes and updated them where necessary. Walk Lanzarote's forty one main walking routes provide a wide variety of adventures with routes ranging from family friendly costal promenades through a surprising range of landscapes up to some serious hiking. Every route is an adventure that will make you eager to explore further on this spectacular island. Walk Lanzarote is produced to our highest standards with walk summary and rating, fully detailed description, frequent timings so you can check your progress, compass directions, and gps waypoints for all country routes. Each country route has full 1:40,000 scale colour mapping and gps waypoints dedicated to that route, while our Teguise town walk uses a large scale street plan. All routes are illustrated with colour photos. Culture and agriculture are included along with a Thingy section on modern art. We've emphasised the Access by Bus sections for each walk along with our Access by Car information for each walking route. Map sections for each route are taken from the Lanzarote Tour & Trail Super-Durable Map 5th edition. For gps users the gps waypoint files are available as a free downloadable zip file on the Discovery Walking Guides website. Quite simply the best book of Lanzarote that you can buy. If this is your first visit to Lanzarote then Walk! Lanzarote plus Lanzarote Tour & Trail Map will give you a series of adventures that will have you returning to the Fire island to experience more.

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Discover the planet's amazing wildlife with specially commissioned LEGO® models and maps.A stunning, interactive animal book for kids featuring a detailed LEGO map, dotted with charming micro build creatures, introducing each of the continents. This animal atlas also comes with 60 bricks and detailed instructions on how to build four exclusive mini models: panda, penguin, giraffe, and kangaroo. Which animal gobbles up 4,000 clams in one meal? Where can you find a snail as big as a tennis ball? Find answers to these questions and be inspired by tons of LEGO ideas in this awesome atlas for children! It is packed with fascinating animal facts, images, and building ideas for more than 100 models of the world's coolest animals. The maps are followed by colourful spreads featuring up to seven LEGO animals in their natural habitats. From a cute koala in the Australian outback to a mighty lion prowling the African savanna, this epic tour of the animal kingdom introduces some of the world's favourite animals plus some unusual sightings, like the bizarre blue-footed booby and mysterious giant squid!The models can be built with mostly standard bricks, and there are heaps of tips and breakdowns for parts of the different animals, designed to inspire children to use their initiative and build LEGO animals of their own creation. A combination of clear photos, authoritative text, fun facts, and classic LEGO humour helps children learn as they build and play their way around the animal world.LEGO, the LEGO logo, the Minifigure and the Brick and Knob configurations are trademarks and/or copyrights of the LEGO Group. All rights reserved. ©2017 The LEGO Group. Recommended for children aged 6+, however this book is also a great interactive experience for younger children to enjoy quality time with adults. Discover, Learn And Build!Discover the world's animals with fantastic LEGO® builds!Travel every continent and find out about our planet's amazing animals and where they live. Get inspired by more than 100 LEGO model ideas, from tigers to tortoises, camels and chameleons. Follow simple building tips to inspire your own LEGO wildlife creations. Includes four exclusive LEGO animals to build! This educational book provides a new and engaging way to learn about Earth's amazing wildlife, perfect for any LEGO enthusiast! Some of the animals you will find inside include: - Giant tortoise- Humpback whale- Chinchilla- Clownfish- Zebra

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'Roderick Floud's ground-breaking study of the history, money, places and personalities involved in British gardens over the past 350 years gives fascinating insight into why gardening is part of this country's soul.' Michael Heseltine, Deputy Prime Minister (1996-1997)'Thousands of books have been written about the history of British gardens but Roderick Floud, one of Britain's most distinguished economic historians, asks new and important questions: how much did gardens cost to build and maintain, and where did the money come from? Superbly researched, it is full of information which will surprise both economists and gardeners. The book is fun as well as edifying: Floud shows us gardens grand and humble, and introduces us gardeners, plantsmen and technologies in wonderful varieties.' Jane Humphries, Centennial Professor, London School of EconomicsAt least since the seventeenth century, most of the English population have been unable to stop making, improving and dreaming of gardens. Yet in all the thousands of books about them, this is the first to address seriously the question of how much gardens and gardening have cost, and to work out the place of gardens in the economic, as well as the horticultural, life of the nation. It is a new kind of gardening history.Beginning with the Restoration of Charles II in 1660, Roderick Floud describes the role of the monarchy and central and local government in creating gardens, as well as that of the (generally aristocratic or plutocratic) builders of the great gardens of Stuart, Georgian and Victorian England. He considers the designers of these gardens as both artists and businessmen - often earning enormous sums by modern standards, matched by the nurserymen and plant collectors who supplied their plants. He uncovers the lives and rewards of working gardeners, the domestic gardens that came with the growth of suburbs and the impact of gardening on technical developments from man-made lakes to central heating.AN ECONOMIC HISTORY OF THE ENGLISH GARDEN shows the extraordinary commitment of money as well as time that the English have made to gardens and gardening over three and a half centuries. It reveals the connections of our gardens to the re-establishment of the English monarchy, the national debt, transport during the Industrial Revolution, the new industries of steam, glass and iron, and the built environment that is now all around us. It is a fresh perspective on the history of England and will open the eyes of gardeners - and garden visitors - to an unexpected dimension of what they do.

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Book of the Year 2023 according to New York Times, New Yorker, Guardian, Economist, Observer, The Spectator, Financial Times, Vogue, The Times, The Oldie, i Paper, The Standard, Washington Post, Independent, Daily ExpressSHORTLISTED FOR WATERSTONES BOOK OF THE YEAR 2023SHORTLISTED FOR THE WRITERS’ PRIZE FOR FICTION 2024ONE OF SARAH JESSICA PARKER’S BEST BOOKS OF 2023‘A writer at the peak of her powers’ The TelegraphTruth and fiction. Jamaica and Britain. Who gets to tell their story? Zadie Smith returns with her first historical novel.Kilburn, 1873. The 'Tichborne Trial' has captivated the widowed Scottish housekeeper Mrs Eliza Touchet and all of England. Readers are at odds over whether the defendant is who he claims to be - or an imposter.Mrs Touchet is a woman of many interests: literature, justice, abolitionism, class, her novelist cousin and his wives, this life and the next. But she is also sceptical. She suspects England of being a land of façades, in which nothing is quite what it seems.Andrew Bogle meanwhile finds himself the star witness, his future depending on telling the right story. Growing up enslaved on the Hope Plantation, Jamaica, he knows every lump of sugar comes at a human cost. That the rich deceive the poor. And that people are more easily manipulated than they realise.Based on real historical events, The Fraud is a dazzling novel about how in a world of hypocrisy and self-deception, deciding what's true can prove a complicated task.‘It’s difficult to give any idea of how extraordinary this book is. One of the great historical novels, certainly. But has any historical novel ever combined such brilliantly researched and detailed history with such intensely imagined fiction? Or such a range of living, breathing, surprising characters with such an idiosyncratically structured narrative?’ Michael Frayn‘As always it is a pleasure to be in Zadie Smith’s mind, which, as time goes on, is becoming contiguous with London itself. Dickens may be dead, but Smith, thankfully, is alive’ New York Times‘Zadie Smith’s Victorian-set masterpiece holds a mirror up to Britain . . . The Fraud is the genuine article’ Independent‘Smith’s dazzling historical novel combines deft writing and strenuous construction in a tale of literary London and the horrors of slavery’ GuardianInstant Sunday Times bestseller, September 2023

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HYDE IN THE SHADOWS Daniel Carter was a London cop who just wanted to do the right thing. But during a raid on an organ-selling chop shop, he is almost torn to pieces by monsters. And no one believes him. Hurt and crippled, his career over and his life in ruins, Daniel is suddenly presented with a chance at redemption. And revenge. It seems that more than two centuries ago, the monsters of the world disappeared—into the underworld of crime. Guild-like Clans now have control over all the dark and illegal trades, from the awful surgeries of the Frankenstein Clan, to the shadowy and seductive Vampire Clan, to the dreaded purveyors of drugs and death, the Clan of Mummies. And there’s always the Werewolf Clan, to keep order. Only one force stands opposed to the monster Clans: the superstrong, extremely sexy, quick-witted Hydes! Now Daniel is just one sip of Dr. Jekyll’s Elixir away from joining their company. At Jekyll & Hyde Inc. About Simon R. Green: “A macabre and thoroughly entertaining world.” —Jim Butcher on the Nightside series “A splendid riddle wrapped in a mystery inside an enigma, conveyed with trademark wisecracking humor, and carried out with maximum bloodshed and mayhem. In a word, irresistible.” —Kirkus, Starred Review of Simon R. Green's Night Fall “[F]or those who want a fantasy-genre mash-up that doesn’t slow down.” —Booklist on From a Drood to a Kill “Simon R. Green is a great favorite of mine. It’s almost impossible to find a writer with a more fertile imagination than Simon. He’s a writer who seems endlessly inventive.” —Charlaine Harris

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Roman Catholic Modernism, in France, was prominently represented by scholars whose interests were, in significant measure, historical. Notable examples are Louis Duchesne, Alfred Loisy, and Albert Houtin. Where philosophy was concerned, Maurice Blondel, together with his collaborator Lucien Laberthonniere, grappled with the legacy of Kant and the problem of the subjectivity of human knowing. Marcel Hebert (1851–1916) stands at the confluence of these two tendencies. Hebert’s appreciation of the exegesis of scripture and its subsequent development in church tradition was importantly shaped by both Loisy and Duchesne. And like Blondel and Laberthonniere, he felt the insufficiency of scholasticism to speak to minds formed by modernity, to formulate an adequate response to the philosophical legacy of Kant. He acknowledged his debt to Duchesne and Loisy in history, but regarded himself, though an autodidact, their superior in philosophy.This volume, the first to be published in English about Hebert, is essential for a full understanding of Catholic Modernism. The articles show Hebert’s early attempt to find common ground between Aquinas and Kant, the impact of Kant on a symbolist reading of dogma intended to “save” dogma for Catholics coming to terms with modern exegesis and modern philosophy, the radical lengths to which he took that symbolist reading, and his eventual break with Catholicism when the Church failed to be receptive to this programme.Included here are selected articles, the entire second of edition of Pragmatisme, William James’s review of the first edition and Hebert’s response to it, and a review by Eugene Menegoz.

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The Mississippi River flood of 1927 was the most destructive river flood in U.S. history, reshaping the social and cultural landscape as well as the physical environment. Often remembered as an event that altered flood control policy and elevated the stature of powerful politicians, Richard M. Mizelle Jr. examines the place of the flood within African American cultural memory and the profound ways it influenced migration patterns in the United States.In Backwater Blues, Mizelle analyzes the disaster through the lenses of race and charity, blues music, and mobility and labor. The book’s title comes from Bessie Smith’s “Backwater Blues,” perhaps the best-known song about the flood. Mizelle notes that the devastation produced the richest groundswell of blues recordings following any environmental catastrophe in U.S. history, with more than fifty songs by countless singers evoking the disruptive force of the flood and the precariousness of the levees originally constructed to protect citizens. Backwater Blues reveals larger relationships between social and environmental history. According to Mizelle, musicians, Harlem Renaissance artists, fraternal organizations, and Creole migrants all shared a sense of vulnerability in the face of both the Mississippi River and a white supremacist society. As a result, the Mississippi flood of 1927 was not just an environmental crisis but a racial event. Challenging long-standing ideas of African American environmental complacency, Mizelle offers insights into the broader dynamics of human interactions with nature as well as ways in which nature is mediated through the social and political dynamics of race.Includes discography.

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From selecting yarns and learning basic crochet stitches to assembling your doll or animal and adding whimsical details, The Complete Guide to Crochet Dolls and Animals makes any amigurumi project possible!Hundreds of photos demonstrate the best crochet stitches to use, along with lessons on how to assemble amigurumi figures correctly and give them more personality. All the basic stitches and steps are explained in detail, including extra directions for left-handed crafters.This is the official guide created by The Japan Amigurumi Association—whose thousands of members are found all over Japan, the original home of amigurumi. It provides an authoritative overview of techniques and includes all the information that amigurumi enthusiasts need to know to create their own toy.This indispensable book shows you how to: Shape and proportion expressive heads, limbs and tails Assemble all the pieces together in a way that makes your toy come alive Add armatures so your toys can bend and stand on their own Create facial features that give your toy attitude and personality Make cute little accessories (zakka) like mittens, scarves and purses The Complete Guide to Crochet Dolls and Animals includes 3 start to finish project lessons to practice the skills you learn. Then style your own amigurumi with over 1,500 color photos and detailed diagrams instructing more than 100 crochet stitch techniques. This is a book you'll refer to again and again. Open it up, and get ready to crochet!

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ARCHITECTURE THE GOLD STANDARD IN INTRODUCTORY ARCHITECTURE TEXTS, FULLY UPDATED TO REFLECT THE LATEST DEVELOPMENTS IN THE FIELD For more than forty years, the beautifully illustrated Architecture: Form, Space, and Order has served as the classic introduction to the basic vocabulary of architectural design. In this fifth edition, more recent additions to the architectural panoply illustrate how contemporary digital and building technologies have influenced the development of architectural forms and spaces and how architectural siting and design have responded to the call for more environmentally responsible buildings. It is designed to encourage critical thought and to promote a more evocative understanding of architecture. The fifth edition is updated with many new urban design and building precedents from a diverse range of cultural and geographic areas New content focuses on the latest technology and trends in structure, construction, materials, and sustainability Includes more than 800 illustrations, many hand-drawn, which demonstrate the foundations and concepts every architect must master Architecture: Form, Space, and Order distills complex concepts of design into a clear focus and brings difficult abstractions to life. It explains form and space in relation to light, view, openings, and enclosures and explores the organization of space, and the elements and relationships of circulation, as well as proportion and scale. In addition, the text’s detailed illustrations demonstrate the concepts presented and reveal the relationships between fundamental elements of architecture through the ages and across cultures.

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While the first volume on building physics deals with the physical principles of heat, air and moisture behaviour of buildings, building structures and components, this second volume on applied building physics focuses on the question of what the desired performance of buildings consists of. To achieve this, knowledge of the external environmental effects and the internal live loads to which buildings are subjected is a necessary first step. Subsequently, the performance requirements and the physical correspondences are deepened with the determination of their physical parameters, at the levels of buildings, building structures and building components. Compared to the second edition, the discussion of criteria is not limited to thermal comfort, but also includes acoustic, visual and olfactory aspects. Likewise, the indoor air quality is considered in a broader way. Analyses and calculations result in sustainable buildings with a comfortable indoor climate from functional and durable building constructions. Compared to the second edition, the text for the third edition has been reorganised, corrected, revised and expanded where appropriate. A useful appendix for quick reference contains standard values of material properties for a wide range of building materials. The analyses and calculations described in this book result in sustainable buildings made of functional and durable building constructions, with comfortable and healthy indoor climate and air quality. Compared to the second edition the text in this third edition has been reshuffled, corrected, reworked and extended where appropriate.

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In 2017, a white supremacist rally at the University of Virginia forced many to consider how much progress had been made in a country that, nine years prior, had elected its first Black president. Beyond these racial flashpoints, the increasingly polarized nature of US politics has reignited debates around the meaning of identity, citizenship, and acceptance in America today. In this pioneering book, Khalilah L. Brown-Dean moves beyond the headlines to examine how contemporary controversies emanate from longstanding struggles over power, access, and belonging. Using intersectionality as an organizing framework, she draws on current tensions such as voter suppression, the Me Too movement, the Standing Rock protests, marriage equality, military service, the rise of the Religious Right, protests by professional athletes, and battles over immigration to show how conflicts over group identity are an inescapable feature of American political development. Brown-Dean explores issues of citizenship, race, ethnicity, gender, sexual identity, and religion to argue that democracy in the United States is built upon the battle of ideas related to how we see ourselves, how we see others, and the mechanisms available to reinforce those distinctions. Identity Politics in the United States will be an essential resource for students and engaged citizens who want to understand the link between historical context, contemporary political challenges, and paths to move toward a stronger democracy.

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Corporate finance is the area of finance that studies the determinants of firms' values, including capital structure, financing, and investment decisions. Although there are several excellent texts in corporate finance, this is the first to focus on the theoretical foundations of the subject in a consistent and integrated way at the Ph.D. level. In addition to a textbook for advanced graduate students, it can also serve as a general reference to researchers and sophisticated practitioners. The material presented is carefully selected with an eye to what is essential to understanding the underlying theory, ensuring that this text will remain useful for years to come. The book is divided into three parts. The first section presents the basic principles of valuation based on the absence of arbitrage, including a discussion of the determinants of the optimal capital structure based on the seminal results of Modigliani and Miller. The second section discusses the implications of agency problems and information asymmetries to capital structure, giving particular attention to payout policy and to debt contract design. The concluding portion presents different ways of restructuring capital, including going public, going private using stock repurchases or leveraged buyouts, and mergers and acquisitions. Each chapter includes exercises that vary in difficulty, with suggested solutions provided in an appendix. This book will assuredly be the standard doctoral- and professional-level explication of corporate finance theory and its appropriate applications.

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In The Critical Advantage, noted scholar and early childhood expert William T. Gormley, Jr. takes a wide-ranging look at the important role of critical thinking in preparing students for college, careers, and civic life.Drawing on research from psychology, philosophy, business, political science, neuroscience, and other disciplines, he offers a contemporary definition of critical thinking and its relationship to other forms of thinking, including creative thinking and problem solving. When defined broadly and taught early, he argues, critical thinking is a “potential cure for some of the biggest problems we face as a nation,” including education deficits, employment deficits, and the recent surge of partisanship in democratic politics. While there are encouraging signs—the Common Core State Standards have drawn attention to the importance of critical thinking—recent efforts have been too narrowly focused on improving textual analysis in high school. Those who might benefit the most from curricula prioritizing critical thinking, including disadvantaged students, are less likely to be represented in courses and other activities that encourage this skill.Gormley argues for prioritizing critical thinking skills in PreK–12. He takes readers into innovative classrooms around the country, including schools in Pennsylvania, Oklahoma, and Virginia, and offers specific recommendations for promoting critical thinking and embedding it across the curriculum.The Critical Advantage is an insightful and fascinating account of an intellectual journey culminating in a fresh vision for the future of US schooling.

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What happened to the European mind between 1605, when an audience watching Macbeth at the Globe might believe that regicide was such an aberration of the natural order that ghosts could burst from the ground, and 1649, when a large crowd, perhaps including some who had seen Macbeth forty-four years earlier, could stand and watch the execution of a king? Or consider the difference between a magus casting a star chart and the day in 1639, when Jonathan Horrock and William Crabtree watched the transit of Venus across the face of the sun from their attic, successfully testing its course against Kepler’s Tables of Planetary Motion, in a classic case of confirming a scientific theory by empirical testing. In this turbulent period, science moved from the alchemy and astrology of John Dee to the painstaking observation and astronomy of Galileo, from the classicism of Aristotle, still favoured by the Church, to the evidence-based, collegiate investigation of Francis Bacon. And if the old ways still lingered and affected the new mind set – Descartes’s dualism an attempt to square the new philosophy with religious belief; Newton, the man who understood gravity and the laws of motion, still fascinated to the end of his life by alchemy – by the end of that tumultuous century ‘the greatest ever change in the mental outlook of humanity’ had irrevocably taken place.

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Athenian governance and culture are reconstructed from the Bronze Age into the historical era based on traditions, archaeological contexts and remains, foremost the formal commensal and libation krater. Following Mycenaean immigration from the Peloponnesos during the transitional years, changes in governance are observable. Groups under aristocratic leadership, local and immigrant, aspired to coexist under a surprisingly formal set of stipulations that should be recognized as Athens’ first constitution. Synoikismos did not refer to a political union of Attica, sometimes attributed to Theseus, but to a union of aristocratic houses (oikoi). The union replaced absolute monarchy with a new oligarchical-monarchy system, each king selected from one of the favoured aristocratic houses and ruling for life without inheritance. The system prevailed through the late eleventh to the mid-eighth c. and is corroborated by Athenian traditions cross-referenced with archaeological data from the burial grounds, and a formerly discredited list of Athenian Iron Age kings. Some burial grounds have been tentatively identified as those of the Melanthids, Alcmeonids, Philaids and Medontids, who settled the outskirts of Athens along with other migrant groups following the decline of the elite in the Peloponnesos. While the Melanthids left during the 11th c. Ionian Migration other aristocratic houses remained and contributed to the evolution of the historical era polis of Athens. One noble family, the Alcmeonids preserved their cemetery into the Archaic period in a burial record of 600 years’ duration. Incorporated into this work is a monograph on the Athenian formal krater used by these primarily Neleid aristocratic houses in assembly and ritual. Some Homeric practices parallel those found in Athens, so the Ionic poets may have documented customs that had existed on the Mainland and were transferred to Ionia during the Ionian Migration. The demise of both the constitution and the standard, ancestral krater in Athens following a mid-eighth c. watershed is testimony to an interval of political change, as noted by Ian Morris, before the systematized establishment of annual archonship in the following century. The support this research has given to the validity of the King List has resulted in a proposed new chronology, with an earlier onset for the Geometric period at 922 BC, rather than the currently accepted 900 BC. The relative chronology of Coldstream based on style is generally accepted here, but some intermediate stages are revised based on perceptible break data, such as the onset of a new kingship, a reported war, or the demise of a governance system.

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Instant National Bestseller! Wall Street Journal and USA Today Bestseller! Three-time New York Times bestseller Adam Carolla is back to take on social media, social justice warriors, and a society gone to s**t. As seen on Fox News's Fox & Friends! “As the revolution reaches its final, most humorless stage, there’s no better, braver, or more insightful observer than Adam Carolla. You may feel despondent about what’s happening right now. This book will remind you that you should also be amused.” —Tucker Carlson In I’m Your Emotional Support Animal, Adam Carolla examines how our culture went careening off a cliff. We used to have one that created real warriors who fought world wars. Now it spawns social justice warriors who fight Twitter wars. He takes on those who are traumatized by Trump and “emotional support animal” owners who proclaim their victimhood at every airport. He stands up for the collateral damage of the #MeToo movement and for freedom of speech on “safe space” filled college campuses. Examining the calculated commercials churned out by Madison Avenue, like the ones about cars “made with love,” Carolla rants on ads designed to either bum us out or make us think the corporation is run by Mr. Rogers. Turning to social media, Adam takes down the “hashtag heroes” who signal their virtue daily from atop Twitter mountain. And in the era of the Roomba, performances by dead celebrity holograms, and meals-on-demand delivery services, he looks down the road at our not-so-bright future as a species. “Adam and I agree on absolutely nothing but he’s a sharp, smart, funny guy to disagree with. And there’s a human heart under all the gruffness, snark, and melted cheese.” —Patton Oswalt Frank, funny, and utterly unapologetic, this is not a book for those who need a trigger warning, but is THE book for everyone who wants to hit the snooze bar on the “woke” culture. “Adam has written a funny, insightful book with a powerful message a bunch of people will manage to be offended by without reading it.” —Tim Allen “Adam has done it again! In this book he’s managed to make me laugh at one moment, then cry out “What an idiot!” in the next. His own blue-collar mastery of the language invites the reader into the conversation—just like the podcast—so much so that I breezed through the book in only one sitting on the toilet.” —Bryan Cranston

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The elegant Bible you'll keep coming back to because it's so easy to read and use.Enjoy the beautiful New King James Version in a traditional Scripture design optimized to help you quickly navigate through the Bible. The 2-column text employs a verse-by-verse—or verse-style—setting, which means that each verse starts on its own line, making them a snap to find. The large print text is easy to read, and the blue headings and verse numbers stand out while providing a restful, thoroughly enjoyable Scripture-reading experience. With over 72,000 cross references and the complete set of NKJV translator notes, this Bible gives you the tools you'll need to dive deeply into God's Word for yourself.Features include: Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Premium Bible paper in opaque white creates a high contrast with the black text, improving readability Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Ultra-flexible sewn binding lays flat in your hand or on your desk End of page cross references allow you to find related passages quickly and easily Wide double-faced satin ribbons help keep track of where you were reading Full color maps show a visual representation of Israel and other biblical locations for better context Clear and readable 10.5-point NKJV Comfort Print Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.

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The elegant Bible you'll keep coming back to because it's so easy to read and use.Enjoy the beautiful New King James Version in a traditional Scripture design optimized to help you quickly navigate through the Bible. The 2-column text employs a verse-by-verse—or verse-style—setting, which means that each verse starts on its own line, making them a snap to find. The large print text is easy to read, and the blue headings and verse numbers stand out while providing a restful, thoroughly enjoyable Scripture-reading experience. With over 72,000 cross references and the complete set of NKJV translator notes, this Bible gives you the tools you'll need to dive deeply into God's Word for yourself.Features include: Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Premium Bible paper in opaque white creates a high contrast with the black text, improving readability Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Ultra-flexible sewn binding lays flat in your hand or on your desk End of page cross references allow you to find related passages quickly and easily Wide double-faced satin ribbons help keep track of where you were reading Full color maps show a visual representation of Israel and other biblical locations for better context Clear and readable 10.5-point NKJV Comfort Print Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.

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For years, government bureaucrats have been looking for ways to destroy small businesses. With coronavirus, they finally had their chance. In 2020, the American economy suffered the biggest financial collapse in history. But while Main Street suffered like never before, the stock market continued to reach new highs. How could this be? The answer is that government had slapped oppressive restrictions on small businesses while propping up Wall Street and engineering a historic consolidation of power and wealth.This isn’t a new problem. During the last financial crisis, Washington bailed out large banks, saying they were “too big to fail.” When the federal government finally pushed out the CARES Act in 2020, it clearly favored the wealthy and well-connected, showing that small businesses were too small to matter. People across the political spectrum constantly complain about the tyranny of big business, and they’re not wrong. However, too many think government is the solution. In reality, government is the problem.In The War on Small Business, entrepreneur Carol Roth unveils the many abuses of power inflicted on small businesses during the COVID-19 pandemic. Small business owners were thrown in jail for trying to make a living. Individual rights were discarded. Big government did what it does best—intentionally protect the rich and powerful. This is the most underreported story coming out of the pandemic. The government chose winners and losers, who would thrive and who would fight to survive, based on not data or science, but based on clout and connections. This enabled the government, with the aid of the Federal Reserve, to oversee the largest wealth transfer in history from Main Street to Wall Street. The issues started long ago and continue today with a highly tilted playing field that favors those “in the club” to the detriment of the average Americans.This book is about the Davids vs. the Goliaths and the decentralization that can help the small, independent businesses and individuals participate in wealth creation. If Americans don’t wake up and stop it, politicians will continue to produce policies that intensify their war on small business and individuals and all that stands in the way of centralized power and control.

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Haworth parsonage and village will forever be linked inextricably with one nineteenth-century literary family. For it was here, in 1821, that Patrick Bront, an Irish Anglican clergyman, came from Thornton to be curate. He brought his three young daughters and son to Haworth, and it was here that the sisters grew up to become quite the most remarkable literary phenomenon of the century. As children, they knew the streets and the houses, the moors and the people. And, as Michael Baumber shows, many of the characters in the Bront novels were based upon real Haworth folk - some of whom recognised themselves in the women's novels and were not at all happy with how they had been portrayed - while the moors above the village figure prominently and famously as the haunt of the brooding Heathcliff in Emily's greatest work "Wuthering Heights". Patrick Bront the curate was himself a notable character in the history of the village, and his role in the social, public and religious life of the village is explored at several points. Surprisingly, the Bront novels mention little about the textile industry which by that time had become such a dominant force in the district's economy. Indeed, the industrial development of the region was such an important and all-consuming fact of life in early Victorian Haworth that it forms a major subject of this new book. The Bront's did, however, describe life in the district's rural homes, schools and communities at a time of particularly harsh living conditions and appalling death rates in the new industrial community of Haworth. The village's public health record was poor well into the twentieth century, and Patrick Bront endured the deaths from tuberculosis (or other illnesses aggravated by it) of all four of his children between 1848 and 1855. Yet, as Michael Baumber's highly readable new book shows, the history of Haworth actually stretches back millennia: his book tells the whole story of the Haworth district from the early Mesolithic right up to the popular tourist magnet that the village now becomes during the summer months. The book also features the hamlets of Near and Far Oxenhope and Stanbury, providing a clear and illuminating account of how Haworth developed in the particular way that it did. Fully illustrated, with many rare old photographs, this book offers many new insights into the village and also its occasionally ambivalent relationship with its most famous literary residents.

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The conclusion of World War I and the subsequent breakup of the Ottoman Empire led to the independence of a number of Arab nations and resulted in a Western scramble for roles of control and influence over them. It was not until after World War I that Syria and the United States had a formal diplomatic relationship - prior to then the only Americans who had developed a relationship with the nation were missionaries, particularly those involved with the Syrian Protestant College, established in 1866. The collapse of the Ottoman Empire, however, single-handedly brought Syria into the sphere of influence of the Western world, and as Sami Moubayed here illustrates, particularly that of the United States. The relationship between the two nations was by no means uncomplicated, and there were a number of challenges from the years following World War I to the early years of the Cold War. Though relations were warm between the United States and Syria while Emir Faisal was ensconced in Damascus, Washington saw little point in pursuing an American-Arab alliance, and Faisal's reputation suffered greatly as a result of his relationship with Wilson, particularly with respect to his stance on the creation of a Jewish state in Palestine. Relations cooled between the two nations during the presidencies of both Warren Harding and Calvin Coolidge, neither of whom saw any value in being involved in Middle East affairs. However, with the discovery of large oil reserves in the Middle East, as well as Syria's siding with the Allies and declaring war on Nazi Germany, interest in the American-Syrian relationship was greatly revived. As quickly as the relationship warmed though, it also cooled: in the aftermath of World War II, the United States was linked to involvement in a series of coups and counter-coups that destabilized Syria from 1949 until the Syrian-Egyptian union of 1958. Furthermore, Washington's initially benevolent attitude towards the right to self-determination gradually evolved into one of manipulation, espionage and covert activity during the Cold War when the US considered Syria as a Soviet proxy in the Middle East. The forty years between 1919 and 1959 saw the creation and unravelling of America's relationship with Syria. In this book, Moubayed brilliantly explores the events of these years and, using original research and previously unpublished material, sheds light on an often overlooked subject. Syria and the USA is an essential read for scholars of the Middle East, US diplomatic history and twentieth-century international relations.

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A #1 national bestseller in hardcover. The Daily Wire and Verdict conservative podcast titan takes the good fight to the evil and grammatically challenged woke intelligensia who engage in political blackballing, censorship, and the twisting of words to mean their exact opposite. A call to arms for sanity and liberty from decades of leftist brainwashing.“Every single American needs to read Michael Knowles’s Speechless. I don’t mean ‘read it eventually.’ I mean: stop what you’re doing and pick up this book.” —CANDACE OWENS "The most important book on free speech in decades—read it!” —SENATOR TED CRUZ A New Strategy: We Win, They Lose The Culture War is over, and the culture lost. The Left’s assault on liberty, virtue, decency, the Republic of the Founders, and Western civilization has succeeded. You can no longer keep your social media account—or your job—and acknowledge truths such as: Washington, Jefferson, and Columbus were great men. Schools and libraries should not coach children in sexual deviance. Men don’t have uteruses. How did we get to this point? Michael Knowles of The Daily Wire exposes and diagnosis the losing strategy we have fallen for and shows how we can change course—and start winning. In the groundbreaking Speechless: Controlling Words, Controlling Minds Knowles reveals: How the “free speech absolutists” gave away the store The First Amendment does not require a value-neutral public square How the Communists figured out that their revolution could never succeed as long as the common man was attached to his own culture Where political correctness came from How, comply or resist, political correctness is a win-win game for the bad guys Why taking our stand on “freedom of speech” helps put atheism, decadence, and nonsense on the same plane with faith, virtue, and reality The real question: Will we shut down drag queen story hour, or cancel Abraham Lincoln? For 170 years the First Amendment was compatible with prayer in public school How the atheists got the Warren Court to rule their way To this day, there’s a First Amendment exception for obscenity. What exactly is the argument that perverts’ teaching toddlers to twerk is not obscene? Read Speechless: Controlling Words, Controlling Minds if you want to learn how to take the fight to the enemy.

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In the popular literature and scholarship of the Civil War, the days immediately after the surrender at Fort Sumter are overshadowed by the great battles and seismic changes in American life that followed. The twelve days that began with the federal evacuation of the fort and ended with the arrival of the New York Seventh Militia Regiment in Washington were critically important. The nation’s capital never again came so close to being captured by the Confederates. Tony Silber’s riveting account starts on April 14, 1861, with President Lincoln’s call for seventy-five thousand militia troops. Washington, a Southern slaveholding city, was the focal point: both sides expected the first clash to occur there. The capital was barely defended, by about two thousand local militia troops of dubious training and loyalty. In Charleston, less than two days away by train, the Confederates had an organized army that was much larger and ready to fight. Maryland’s eastern sections were already reeling in violent insurrection, and within days Virginia would secede. For half of the twelve days after Fort Sumter, Washington was severed from the North, the telegraph lines cut and the rail lines impassable, sabotaged by secessionist police and militia members. There was no cavalry coming. The United States had a tiny standing army at the time, most of it scattered west of the Mississippi. The federal government’s only defense would be state militias. But in state after state, the militia system was in tatters. Southern leaders urged an assault on Washington. A Confederate success in capturing Washington would have changed the course of the Civil War. It likely would have assured the secession of Maryland. It might have resulted in England’s recognition of the Confederacy. It would have demoralized the North. Fortunately, none of this happened. Instead, Lincoln emerged as the master of his cabinet, a communications genius, and a strategic giant who possessed a crystal-clear core objective and a powerful commitment to see it through. Told in real time, Twelve Days alternates between the four main scenes of action: Washington, insurrectionist Maryland, the advance of Northern troops, and the Confederate planning and military movements. Twelve Days tells for the first time the entire harrowing story of the first days of the Civil War.

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A tour diary of life on the road with one of Minnesota’s greatest bands—with nearly 100 never-before-seen photographs “Don’t bore us, get to the chorus” is Bill Sullivan’s motto, which will come as no surprise to anyone who opens Lemon Jail. A raucous tour diary of rock ’n’ roll in the 1980s, Sullivan’s book puts us in the van with the Replacements in the early years. Barreling down the highway to the next show through quiet nights and hightailing it out of scandalized college towns, Sullivan—the young and reckless roadie—is in the middle of the joy and chaos, trying to get the band on stage and the crowd off it and knowing when to jump in and cover Alice Cooper. Lemon Jail shows what it’s like to keep the band on the road and the wheels on the van—and when to just close your eyes and hit the gas. That first van, dubbed the Lemon Jail by Bill, takes the now legendary Replacements from a south Minneapolis basement to dive bars and iconic rock clubs to college parties and eventually an international stage. It’s not a straight shot or a smooth ride, and there’s never a dull moment, whether Bob Stinson is setting a record for the quickest ejection from CBGB in NYC or hiding White Castle sliders around a hotel room or whether Paul Westerberg is sneaking gear out of a hostile venue or saving Bill’s life at a brothel in New Jersey. With growing fame (and new vans) come tours with REM and X (what happens when the audience isn’t allowed to stand?), Tom Petty and the Heartbreakers and the Violent Femmes (against their will), and Saturday Night Live, where the band’s televised antics earn the edict You’ll never play on NBC again. Fast forward: You’ll never play Washington, D.C., again. Or Moorhead.Hiding in fans’ backyards while the police search the streets and pelted with canned goods at a Kent State food drive, the Replacements hit rough patches along with sweet spots, and Lemon Jail reveals the grit and glory both onstage and off, all told in the irrepressible, full-throttle style that makes Bill Sullivan an irresistible guide on this once-in-a-lifetime road trip with a band on the make.

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The definitive book on judicial review in Athens from the 5th through the 4th centuries BCE.The power of the court to overturn a law or decree—called judicial review—is a critical feature of modern democracies. Contemporary American judges, for example, determine what is consistent with the Constitution, though this practice is often criticized for giving unelected officials the power to strike down laws enacted by the people's representatives. This principle was actually developed more than two thousand years ago in the ancient democracy at Athens. In Control of the Laws in the Ancient Democracy at Athens, Edwin Carawan reassesses the accumulated evidence to construct a new model of how Athenians made law in the time of Plato and Aristotle, while examining how the courts controlled that process. Athenian juries, Carawan explains, were manned by many hundreds of ordinary citizens rather than a judicial elite. Nonetheless, in the 1890s, American apologists found vindication for judicial review in the ancient precedent. They believed that Athenian judges decided the fate of laws and decrees legalistically, focusing on fundamental text, because the speeches that survive from antiquity often involve close scrutiny of statutes attributed to lawgivers such as Solon, much as a modern appellate judge might resort to the wording of the Framers. Carawan argues that inscriptions, speeches, and fragments of lost histories make clear that text-based constitutionalism was not so compelling as the ethos of the community. Carawan explores how the judicial review process changed over time. From the restoration of democracy down to its last decades, the Athenians made significant reforms in their method of legislation, first to expedite a cumbersome process, then to revive the more rigorous safeguards. Jury selection adapted accordingly: the procedure was recast to better represent the polis, and packing the court was thwarted by a complicated lottery. But even as the system evolved, the debate remained much the same: laws and decrees were measured by a standard crafted in the image of the people. Offering a comprehensive account of the ancient origins of an important political institution through philological methods, rhetorical analysis of ancient arguments, and comparisons between models of judicial review in ancient Greece and the modern United States, Control of the Laws in the Ancient Democracy at Athens is an innovative study of ancient Greek law and democracy.

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'The last line will make you literally shout with shock' Good Housekeeping'Terrifically twisty ... hooks from the first page' Sunday TimesOn a bright morning in the London suburbs, a family moves into the house they’ve just bought on Trinity Avenue. Nothing strange about that. Except it's your house. And you didn’t sell it.FOR BETTER, FOR WORSE. When Fi Lawson arrives home to find strangers moving into her house, she is plunged into terror and confusion. She and her husband Bram have owned their home on Trinity Avenue for years and have no intention of selling. How can this other family possibly think the house is theirs? And why has Bram disappeared when she needs him most?FOR RICHER, FOR POORER. Bram has made a catastrophic mistake and now he is paying. Unable to see his wife, his children or his home, he has nothing left but to settle scores. As the nightmare takes grip, both Bram and Fi try to make sense of the events that led to a devastating crime. What has he hidden from her – and what has she hidden from him? And will either survive the chilling truth – that there are far worse things you can lose than your house? TILL DEATH US DO PART.Praise for Our House: 'If 2018 brings a better book than Our House I will eat my hat. Addictive, twisty and oh so terrifyingly possible’ Clare Mackintosh ‘I raced through it this weekend. Such a smart idea. Twisty, warped, credible. Brilliantly plotted and compelling. Deserves to be such a hit’ Sarah Vaughan ‘Louise Candlish is a great writer;she inhaled me into her nightmarish world where everything we think we know is ripped from under our feet’ Fiona Barton ''A masterfully plotted, compulsive page-turner' Guardian 'Keeps you guessing to the end - and beyond' Stylist 'Whip-smart, knowing and brilliantly plotted' India Knight 'A corker' Evening Standard 'Terrific premise' New York Times 'Wonderfully plotted' Jane Garvey, Woman's Hour 'A blood pressure-raising thriller' Red ‘Gripping and heartbreaking with an undercurrent of unease running through it’ Louise Jensen ‘What a book! Fast, edge-of-your-seat stuff. Each time I set the book down I had to remind myself to breathe’ broadbeanbooks ‘Oh Louise Candlish, you are a genius! Our House is just brilliant. Scarily believable with the BEST ending I have read in a long time. I devoured it!’ Claire Frost, Fabulous magazine

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The Operational Risk Handbook for Financial Companies is a groundbreaking new book. It seeks to apply for the first time a range of proven operational risk techniques from other industries and disciplines to the troubled territory of financial services. Operational risk expert Brian Barnier introduces a range of sophisticated, dependable and - crucially - approachable tools for risk evaluation, risk response and risk governance. He provides a more robust way of gaining a better picture of risks, shows how to build risk-return awareness into decision making, and how to fix (and not just report) risks. The practical importance of fully understanding and acting on risk to the business begins in the foreword on plan-B thinking, penned by Marshall Carter, chairman of the NYSE and deputy chairman of NYSE Euronext. The book is unique because: - It is not just about modeling and a few basic tools derived from regulatory requirements. Instead, it looks at management of risk to operations across industries, professional disciplines and history to help ops risk leaders become aware of the entire landscape of proven experience, not just their own conference room.- It is not just about compliance. Instead, it looks to operations as part of performance - managing risk to return for shareholders and other interests (e.g. guarantee funds). - It is not content to look at risk in stand-alone segments or silos; instead it takes a systems approach. - It is not just about ops risk leaders sharing war stories at a conference. Instead, it introduces a panel of six financial institution board members who get risk management and provide their perspectives throughout the book to encourage/demand more from ops risk to meet the needs of the institution in the world. - It is not a semi-random collection of tips and tricks. Instead, it is grounded in a risk-management process flow tailored to financial companies from a range of proven experience, providing tools to help at each step. Suitable for companies of all sizes, this book is of direct relevance and use to all business managers, practitioners, boards and senior executives. Key insights from and for each are built into every chapter, including unique contributions from board members of a range of companies.The Operational Risk Handbook for Financial Companies is an essential book for making better decisions at every level of a financial company; ones that measurably improve outcomes for boards, managers, employees and shareholders alike.

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With start-up templates for projects ranging from Windows applications to web services, and extensive help and on-line documentation, Visual Studio .NET might be mistaken for a tool for unsophisticated users. It's true that most developers soon discover that the basic operation of Visual Studio is fairly self-explanatory; less obvious are some of the suite's more advanced built-in features. Visual Studio .Net includes a wealth of little-used capabilities, is very customizable, has a complete automation model, and much more. On top its regular feature set, there are hosts of free add-ins, macros, and power toys that can further enhance the functionality of Visual Studio. This book is all about exploring these things, and in doing so, becoming a better and more efficient developer. Developers will learn how to: * Get the most out of projects and solutions, including getting down and dirty with the undocumented format of project and solution files * Use these editor features to the fullest, and add additional functionality to the editor through the use of third-party add-ins * Learn smarter ways to navigate the application and your own source code * Customize shortcut keys, toolbars, menus, the toolbox, and much more * Use the debugger successfully not only on your source code, but with T-SQL and scripting languages as well * Automatically generate code * Learn how the server can be used to interface with databases, services, and performance counters, as well as WMI * Use and create Visual Studio add-ins to extend its functionality Offering valuable tips, tools, and tricks, Visual Studio Hacks takes you far beyond the suite's usual capabilities. You can read this book from cover to cover or, because each hack stands its own, you can feel free to browse and jump to the different sections that interest you most. If there's a prerequisite you need to know about, a cross-reference will guide you to the right hack. If you want to experience the full spectrum of Visual Studio's functionality and flexibility, you'll find the perfect guide for exploration in Visual Studio Hacks. Once the final page is turned, you can confidently say that you've been exposed to everything that Visual Studio .NET is capable of doing.

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Humankind: Ruskin Spear is the first book on the painter Ruskin Spear RA (1911-1990) since a brief monograph in 1985. It uses Spear’s career to unlock the coded standards of the 20th-century art world and to look at class and culture in Britain and at notions of ‘vulgarity’. The book takes in popular press debates linked to the annual Royal Academy Summer Exhibition; the changing preferences of the institutionalized avant-garde from the Second World War onwards; the battles fought within colleges of art as a generation of post-war students challenged the skills and commitment of their tutors; and the changing status of figurative art in the post-war period. Spear was committed to a form of social realism but the art he produced for left-wing and pacifist exhibitions and causes had a sophistication, authenticity and humour that flowed from his responses to bravura painting across a broad historical swathe of European art, and from the fact that he was painting what he knew. Spear’s geography revolved around the working class culture of Hammersmith in West London and the spectacle of pub and street life. This was a metropolitan life little known to, and largely unrecorded by, his contemporaries. Tracking Spear also illuminates the networks of friendship and power at the Royal College of Art, at the Royal Academy of Arts and within the post-war peace movement. As the tutor of the generation of Kitchen Sink and of future Pop artists at the Royal College of Art, and with friendships with figures as diverse as Sir Alfred Munnings and Francis Bacon, Spear’s interest in non-elite culture and marginal groups is of particular interest. Spear’s biting satirical pictures took as their subject matter political figures as diverse as Khrushchev and Enoch Powell, the art of Henry Moore and Reg Butler and, more generally, the structures of leisure and pleasure in 20th-century Britain. Humankind: Ruskin Spear has an obvious interest for art historians, but it also functions as a social history that brings alive aspects of British popular culture from tabloid journalism to the social mores of the public house and the snooker hall as well as the unexpected functions of official and unofficial portraiture. Written with general reader in mind, it has a powerful narrative that presents a remarkable rumbustious character and a diverse series of art and non-art worlds.

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Inspired by the Encyclopedia of Statistical Sciences, Second Edition, this volume outlines the statistical tools for successfully working with modern life and health sciences research Data collection holds an essential part in dictating the future of health sciences and public health, as the compilation of statistics allows researchers and medical practitioners to monitor trends in health status, identify health problems, and evaluate the impact of health policies and programs. Methods and Applications of Statistics in the Life and Health Sciences serves as a single, one-of-a-kind resource on the wide range of statistical methods, techniques, and applications that are applied in modern life and health sciences in research. Specially designed to present encyclopedic content in an accessible and self-contained format, this book outlines thorough coverage of the underlying theory and standard applications to research in related disciplines such as biology, epidemiology, clinical trials, and public health. Uniquely combining established literature with cutting-edge research, this book contains classical works and more than twenty-five new articles and completely revised contributions from the acclaimed Encyclopedia of Statistical Sciences, Second Edition. The result is a compilation of more than eighty articles that explores classic methodology and new topics, including: Sequential methods in biomedical research Statistical measures of human quality of life Change-point methods in genetics Sample size determination for clinical trials Mixed-effects regression models for predicting pre-clinical disease Probabilistic and statistical models for conception Statistical methods are explored and applied to population growth, disease detection and treatment, genetic and genomic research, drug development, clinical trials, screening and prevention, and the assessment of rehabilitation, recovery, and quality of life. These topics are explored in contributions written by more than 100 leading academics, researchers, and practitioners who utilize various statistical practices, such as election bias, survival analysis, missing data techniques, and cluster analysis for handling the wide array of modern issues in the life and health sciences. With its combination of traditional methodology and newly developed research, Methods and Applications of Statistics in the Life and Health Sciences has everything students, academics, and researchers in the life and health sciences need to build and apply their knowledge of statistical methods and applications.

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A unique tribute to often overlooked women who have left an indelible mark on Gospel Music—powerful talents who overcame racism and sexism to define the genre, establish its sound, and set the standard for good sangin’ for generations.Nothing in the world soothes the soul better than Gospel music. From the foot-stomping, hand-clapping melodies of yesterday to the head-bobbing, bass-thumping hits of today, Gospel music ignites the spirit and delivers the inspiration that takes us from the rough side of the mountain to the peak of God’s love and grace. That feeling of joy, peace, love, and contentment is amplified when it’s ringing through the voice of a sister who can SANG, Cheryl Wills reminds us. The remedy for a tough day at work can be alleviated with Mary Mary’s uplifting jam Shackles, the answer to your heart’s desires can be found in the harmonies of The Clark Sisters Name It, Claim It, and if you need a reminder of God’s love, there is nothing more timeless that Aretha Franklin’s stirring rendition of Amazing Grace.Some talented performers, like Sister Rosetta Tharpe have faded from history, while singers like Yolanda Adams are at the top of her game. During the twentieth century, Willie Mae Ford spent most of her life encouraging and uplifting Christians both in church and on stage and composed more than 100 Gospel songs, yet it was men like her co-writer, Thomas A. Dorsey, who received the accolades and fame. Many women in the Gospel music industry go unnoticed, unpaid, and under-appreciated for their contributions, yet it is these women who are often the bedrock for songwriting, arranging, directing, and developing singers. Cheryl Wills, the granddaughter of a Gospel singer, at last shines a spotlight on these spectacular women of song. The only book of its kind, Isn’t Her Grace Amazing! showcase the talents, gifts, and skills of women in the Gospel music industry. It celebrates these heroines, chronicles their journeys from the choir loft to the world’s largest stages, and reveals how they revolutionized this sacred music that is beloved worldwide. From the matriarchs of this movement to today’s chart-topping divas, Wills offers in-depth portraits of twenty-five amazing women of Gospel music—based on interviews and extensive research—behind-the-scenes stories of favorite gospel hits, and illuminates what makes each of them shine.

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