Search results for ""jan""

A mansion, a murder and a century-long mystery... Shades of Murder is the thirteenth mystery in the Mitchell & Markby series by Ann Granger, who is highly praised for her strong and appealing characters, wit and engrossing plots. The perfect read for fans of M. C. Beaton, Agatha Christie and ITV's Midsomer Murders.'The narrative keeps the reader gripped until the end' - Wiltshire Times In 1889 Cora Oakley died by inhaling a poisonous gas in her sleep, and her husband William was put on trial for her murder. Over a hundred years later, the only remaining members of the family are two elderly sisters who live in the ancestral home. Unable to maintain the mansion, the sisters decide to sell up and live off the proceeds. Then a young Polish man named Jan appears, claiming to be William Oakley's great-grandson and threatening to ruin the sisters' plans. When he is found dead, it seems that the shadow of murder has returned to haunt the Oakley family again, and Superintendent Markby must look back at the events of a century ago to find the killer...What readers are saying about Shades of Murder:'The characterisation and dialogue are as sharp as ever, and the plot is great!''The characters were well drawn in both past and present strands of the book with some very neat twists''Two separate murder mysteries, unfolding in turn, chapter by chapter, gave me double delight'

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Neighbors is a contemplative picture book about the lives of our neighbors—who are all around us and ever-present, yet somehow surprisingly elusive. They're everywhere: next door, above, and even below. More often than not, they are a mystery, a presence suggested by low hums, footfalls, or perhaps a slammed door. This book explores the ways that we think about those we exist among, but who remain strangers until we make the brave—and affirming—decision to connect. • From debut author-illustrator Kasya Denisevich • An exploration of neighbors coexisting together in one very special apartment building • Dynamic black-and-white illustrations blur the line between imagination, dreams, and reality. As Neighbors illustrates so beautifully, that moment of connection is a portal to a world of possibility. This unique book uses both visual storytelling and compelling text to consider how we map the landscape of the vast world around us, starting with the person just on the other side of the apartment wall. • Explores what it means to exist in a world of strangers, friends, and neighbors who are both alike and completely different from each other • Resonates year-round as a charming and unique gift for birthdays, holidays, and more • Perfect for children ages 3 to 5 years old • Makes a great pick for parents and grandparents, as well as librarians, teachers, and educators • Add it to the shelf with books like Be Kind by Pat Zietlow Miller, The Berenstain Bears Learn About Strangers by Stan and Jan Berenstain, and The Big Umbrella by Amy June Bates.

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Journey through the history of the world, one day at a time!If you ever wondered what happened on your birthday 100 years ago, or on Christmas in the year 800 or even Halloween several years ago, then this history book is perfect for you! Discover what happened on each day of the year with this fascinating visual adventure through time. On This Day is not your ordinary history reference book. Inside the pages, you will find the following exciting things: • Key historical events are arranged by their date in the year. • Mixes serious history with fun facts for kids and bizarre events. • War, peace, inventions, science, sport, people — all in an eclectic, visual mix. • Birthdays that are shared by famous historical figures and modern celebrities. • A fun, accessible way to enjoy history. • Every main story is presented through extraordinary images. Travel back in time and find out all the exciting things that happened around the year from Jan. 1 to Dec. 31. Every day features events that showcase the world’s international diversity, from the Japanese invention of street markings for the blind, to the struggle for racial equality in South Africa. There's something incredible to learn on every page.Unlike other history books, On This Day looks at ancient history and fascinating facts, as well as modern events, so everyone will be entertained. Packed with historical photographs and quirky illustrations that visualize the events of the past on a day-to-day basis, this non-fiction fact book is a fun way for parents and educators to teach kids about historical events.

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Richard Moore Rive (1930–1989) was a writer, scholar, literary critic and college teacher in Cape Town, South Africa. He is best known for his short stories written in the late 1950s and for his second novel, ’Buckingham Palace‘, District Six, in which he depicted the well-known cosmopolitan area of District Six, where he grew up. In this biography Shaun Viljoen, a former colleague of Rive’s, creates the composite qualities of a man who was committed to the struggle against racial oppression and to the ideals of non-racialism but was also variously described as irascible, pompous and arrogant, with a ’cultivated urbanity‘. Beneath these public personae lurked a constant and troubled awareness of his dark skin colour and guardedness about his homosexuality. Using his own and others’ memories, and drawing on Rive’s fiction, Viljoen brings the author to life with sensitivity and empathy. The biography follows Rive from his early years in the 1950s, writing for Drum magazine and spending time in the company of great anti-establishment writers such as Jack Cope, Ingrid Jonker, Jan Rabie, Marjorie Wallace, Es’kia Mphahlele and Nadine Gordimer, to his acceptance at Magdalene College, Oxford, where he completed his doctorate on Olive Schreiner, before returning to South Africa to resume his position as senior lecturer at Hewat College of Education. This biography will resurface Richard Rive the man and the writer, and invite us to think anew about how we read writers who lived and worked during the years of apartheid.

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At the height of the Nazi extermination campaign in the Warsaw Ghetto, a young Jewish woman, Irena, seeks the protection of her former lover, a young architect, Jan Malecki. By taking her in, he puts his own life and the safety of his family at risk. Over a four-day period, Tuesday through Friday of Holy Week 1943, as Irena becomes increasingly traumatized by her situation, Malecki questions his decision to shelter Irena in the apartment where Malecki, his pregnant wife, and his younger brother reside. Added to his dilemma is the broader context of Poles’ attitudes toward the “Jewish question” and the plight of the Jews locked in the ghetto during the final moments of its existence. Few fictional works dealing with the war have been written so close in time to the events that inspired them. No other Polish novel treats the range of Polish attitudes toward the Jews with such unflinching honesty. Jerzy Andrzejewski’s Holy Week (Wielki Tydzien, 1945), one of the significant literary works to be published immediately following the Second World War, now appears in English for the first time. This translation of Andrzejewski’s Holy Week began as a group project in an advanced Polish language course at the University of Pittsburgh. Class members Daniel M. Pennell, Anna M. Poukish, and Matthew J. Russin contributed to the translation; the instructor, Oscar E. Swan, was responsible for the overall accuracy and stylistic unity of the translation as well as for the biographical and critical notes and essays.

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We live in a time when we are overwhelmed with talk and images of violence. Whether on television, the internet, films or the video screen, we can’t escape representations of actual or fictional violence - another murder, another killing spree in a high school or movie theatre, another action movie filled with images of violence. Our age could well be called “The Age of Violence” because representations of real or imagined violence, sometimes fused together, are pervasive. But what do we mean by violence? What can violence achieve? Are there limits to violence and, if so, what are they? In this new book Richard Bernstein seeks to answer these questions by examining the work of five figures who have thought deeply about violence - Carl Schmitt, Walter Benjamin, Hannah Arendt, Frantz Fanon, and Jan Assmann. He shows that we have much to learn from their work about the meaning of violence in our times. Through the critical examination of their writings he also brings out the limits of violence. There are compelling reasons to commit ourselves to non-violence, and yet at the same time we have to acknowledge that there are exceptional circumstances in which violence can be justified. Bernstein argues that there can be no general criteria for determining when violence is justified. The only plausible way of dealing with this issue is to cultivate publics in which there is free and open discussion and in which individuals are committed to listen to one other: when public debate withers, there is nothing to prevent the triumph of murderous violence.

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Fraud in science is not as easy to identify as one might think. When accusations of scientific misconduct occur, truth can often be elusive, and the cause of a scientist's ethical misstep isn't always clear. On Fact and Fraud looks at actual cases in which fraud was committed or alleged, explaining what constitutes scientific misconduct and what doesn't, and providing readers with the ethical foundations needed to discern and avoid fraud wherever it may arise. In David Goodstein's varied experience--as a physicist and educator, and as vice provost at Caltech, a job in which he was responsible for investigating all allegations of scientific misconduct--a deceptively simple question has come up time and again: what constitutes fraud in science? Here, Goodstein takes us on a tour of real controversies from the front lines of science and helps readers determine for themselves whether or not fraud occurred. Cases include, among others, those of Robert A. Millikan, whose historic measurement of the electron's charge has been maligned by accusations of fraud; Martin Fleischmann and Stanley Pons and their "discovery" of cold fusion; Victor Ninov and the supposed discovery of element 118; Jan Hendrik Schon from Bell Labs and his work in semiconductors; and J. Georg Bednorz and Karl Muller's discovery of high-temperature superconductivity, a seemingly impossible accomplishment that turned out to be real. On Fact and Fraud provides a user's guide to identifying, avoiding, and preventing fraud in science, along the way offering valuable insights into how modern science is practiced.

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The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Claud Lovat Fraser - universally known as Lovat - is one of the great unsung heroes of twentieth-century British design. During his short life of just thirty-one years, five of which were disrupted by the Great War, he achieved an astonishing amount of work as draughtsman, watercolourist, caricaturist, publisher, illustrator, designer of stage-sets, toys and fabrics: he also designed silks for Liberty's, cretonnes for Foxton's, advertising material for Eno's, MacFisheries, Gurr Johns and Atkinson's, and book-jackets for Heinemann and Nelson, among others. His inimitable style and psychedelic palette became the hallmark of both the Curwen Press and the Poetry Bookshop, but he is best remembered today, by those who are aware of him at all, for his poster, costume and set-designs for Nigel Playfair's 1920 production of The Beggar's Opera at the Lyric Theatre, Hammersmith. Also available: GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Jan Le Witt and George Him ISBN: 9781851495665 Paul Nash and John Nash ISBN: 9781851495191 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

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Lose yourself in this classic travelogue evoking the Greek island of Rhodes after World War II by the king of travel writing and real-life family member of The Durrells in Corfu. 'A magician ... Durrell enchants.' The Times 'A lovely book ... Makes people feel happy ... [So] pleasurable.' Observer 'A poet's intoxication with landscape, a humanist's appetite for history, and an eye for character worthy of a novelist . He excites a longing to leave for Rhodes at once.' Sunday TimesWorld War II is finally over, and after four torturous years serving the Crown in Egypt, Lawerence Durrell seeks peace in the landscapes he has loved ever since his youth in Corfu: Mediterranean islands. He is posted to the Greek island of Rhodes, and from his first dip in the dazzling blue Aegean - which jolts his soul awake for the first time in years - he immerses himself in the rhythms and moods of local life, befriending eccentric villagers and quaffing ouzo as through the war was a distant dream. With his dazzling poet's eye and passion for excavating ancient history, Durrell recaptures the mythic Rhodes of legend, of knights and crusades, that lies beneath its war-ravaged surface. It is a place that you will never forget. 'Our last great garlicky master of the vanishing Mediterranean.' Richard Holmes 'Masterly ... Casts a spell.' Jan Morris 'Incandescent.' André Aciman 'Invades the reader's every sense ... Remarkable.' Victoria Hislop 'Like long letters from a civilized and very funny friend - the prose as luminous as the Mediterranean air he loves.' Time

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The Norton Critical Edition is again based on the First Folio (1623), the only authoritative text of the play. The volume includes a revised introduction and new annotations and textual notes. The Second Edition also includes the innovative feature “The Actors’ Gallery,” which presents famous actors and actresses—among them David Garrick, Sarah Siddons, Ian McKellen, Hira Mikijirô, Patrick Stewart, and Kate Fleetwood—reflecting on their roles in major productions of Macbeth for stage and screen. “Sources and Contexts” provides readers with an understanding of Macbeth’s origins in earlier texts, specifically the works of the Roman playwright Seneca, the Tudor historian Raphael Holinshed, and the medieval drama The Slaughter of the Innocents and the Death of Herod. Contexts for the play include contemporary debates on predestination versus free will (Martin Luther versus Erasmus), witchcraft as fiction or fact (Reginald Scott versus King James I), the ethics of regicide (an Elizabethan homily versus Jan de Mariana, S.J.), and the ethics of equivocation (Henry Garnet, S.J., versus—new to the Second Edition—Sir Edward Coke). Eight carefully chosen essays represent four hundred years of critical and theatrical interpretation. Contributors include Simon Forman, Samuel Johnson, Samuel Taylor Coleridge, Thomas De Quincey, Harry Levin, Stephen Orgel, Peter Holland, and, presenting the latest arguments on the authorship controversy, Gary Taylor. Finally, an engaging new selection of Macbeth’s “Afterlives” includes excerpts from Giuseppi Verdi’s Macbeth and related letters, Eugene Ionesco’s Macbett (1972), Bill Cain’s Equivocation (2009), and more. This edition also provides a list of online and print resources.

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A multidisciplinary overview of current research into the enduringly fascinating martial artefact which is the sword. The sword is the most iconic of all weapons. Throughout history, it has connected various, sometimes conflicting, dimensions of human culture: physical combat and representation of political power, definition of gender roles and refinement of body techniques, evolution of craftsmanship and mythological symbolism. The articles collected here explore these dimensions, from a variety of disciplines, among them archaeology, medieval history, museum conservation, and linguistics. They cover topics from the production and combat use of Bronze Age swords via medieval fencing culture to the employment of the sword in modern military. They question traditional sword typologies and wide-spread theories about sword making, discuss medieval sword terminology and the use of swords as royal insignia, and describe the scientific methods for approaching original finds. Arising from an international conference held at Deutsches Klingenmuseum Solingen (the German Blade Museum), the volume provides fresh insights into the forms the sword can take, and the thoughts it inspires. LISA DEUTSCHER and MIRJAM E. KAISER work in prehistoric archaeology, specialising in La Tène and Bronze Age swords, respectively. SIXT WETZLER is the deputy director of the German Blade Museum; his research focuses on the history of edged weapons, and their use. Contributors:Matthias Johannes Bauer, Holger Becker, Jan-Heinrich Bunnefeld, Rachel J. Crellin, Vincenzo D'Ercole, Andrea Dolfini, Raphael Hermann, Daniel Jaquet, Robert W. Jones, Ulrich Lehmann, Claus Lipka, Stefan Maeder, Michael Mattner, Florian Messner, Nicole Mölk, Ingo Petri, Stefan Roth, Fabrizio Savi, Ulrike Töchterle, Iason-Eleftherios Tzouriadis, Marion Uckelmann, Henry Yallop

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With forewords by Jan Bosch, Nokia and Antero Taivalsaari, Sun Microsystems. Learn how to programme the mobile devices of the future! The importance of mobile systems programming has emerged over the recent years as a new domain in software development. The design of software that runs in a mobile device requires that developers combine the rules applicable in embedded environment; memory-awareness, limited performance, security, and limited resources with features that are needed in workstation environment; modifiability, run-time extensions, and rapid application development. Programming Mobile Devices is a comprehensive, practical introduction to programming mobile systems. The book is a platform independent approach to programming mobile devices: it does not focus on specific technologies, and devices, instead it evaluates the component areas and issues that are common to all mobile software platforms. This text will enable the designer to programme mobile devices by mastering both hardware-aware and application-level software, as well as the main principles that guide their design. Programming Mobile Devices: Provides a complete and authoritative overview of programming mobile systems. Discusses the major issues surrounding mobile systems programming; such as understanding of embedded systems and workstation programming. Covers memory management, the concepts of applications, dynamically linked libraries, concurrency, handling local resources, networking and mobile devices as well as security features. Uses generic examples from JavaTM and Symbian OS to illustrate the principles of mobile device programming. Programming Mobile Devices is essential reading for graduate and advanced undergraduate students, academic and industrial researchers in the field as well as software developers, and programmers.

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Today, as we confront an unprecedented environmental crisis of our own making, it is more urgent than ever to consider the notion of nature and our place within it. This book brings together essays that individually and as a whole present a detailed and rigorous multidisciplinary exploration of the concept of nature and its wider ethical and political implications.A distinguished list of scholars take up a broad range of questions regarding the relations between the human subject and its natural environment: when and how the concept of nature gave way to the concept of natural resources; the genealogy of the concept of nature through political economy, theology, and modern science; the idea of the Anthropocene; the prospects for green growth; and the deep alienation of human beings in the modern period from both nature and each other. By engaging with a wide range of scholarship, they ultimately converge on a common outlook that is both capacious and original. The essays together present a revaluation of the natural world that seeks to reshape political and ethical ideals and practice with a view to addressing some of the fundamental concerns of our time.Nature and Value features widely known scholars in a broad swath of disciplines, ranging from philosophy, politics, and political economy to geology, law, literature, and psychology. They include Jonathan Schell, David Bromwich, James Tully, Jedediah Purdy, Robert Pollin, Jan Zalasiewicz, Carol Rovane, Sanjay Reddy, Joanna Picciotto, Anthony Laden, Nikolas Kompridis, Bina Gogineni, Kyle Nichols, and the editor, Akeel Bilgrami.

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An investigation into the mysterious Frisians, drawing together evidence from linguistic, textual and archaeological sources. From as early as the first century AD, learned Romans knew of more than one group of people living in north-western Europe beyond their Empire's Gallic provinces whose names contained the element that gives us modern "Frisian". These were apparently Celtic-speaking peoples, but that population was probably completely replaced in the course of the convulsions that Europe underwent during the fourth and fifth centuries. While the importance of linguistically Germanic Frisians as neighbours of the Anglo-Saxons, Franks, Saxons and Danes in the centuries immediately following the fall of the Roman Empire in the West is widely recognized, these folk themselves remain enigmatic, the details of their culture and organization unfamiliar to many. The Frisian population and their lands, including all the coastal communities of the North sea region and their connections with the Baltic shores, form the focal point of this volume, though viewed often through comparison with, or even through the eyes of, their neighbours. The essays present the most up-to-date discoveries, research and interpretation, combining and integrating linguistic, textual and archaeological evidence; they follow the story of the various Frisians through from the Roman Period to the next great period of disruption and change introduced by the Viking Scandinavians. Contributors: Elzbieta Adamczyk, Iris Aufderhaar, Pieterjan Deckers, Menno Dijkstra, John Hines, Nelleke Ijssennagger, Hauke Jöns, Egge Knol, Jan de Koning, Johan Nicolay, Han Nijdam, Tim Pestell, Peter Schrijver, Arjen Versloot, Gaby Waxenberger, Christiane Zimmermann.

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The history of Wales as a destination and confection of English Romantic writers is well-known, but this book reverses the process, turning a Welsh gaze on the rest of the world. This shift is timely: the severing of Britain from the European Union asks questions of Wales about its relationship to its own past, to the British state, to Europe and beyond, while the present political, public health and environmental crises mean that travel writing can and should never again be the comfortably escapist genre that it was. Our modern anxieties over identity are registered here in writing that questions in a personal, visceral way the meaning of belonging and homecoming, and reflects a search for stability and solace as much as a desire for adventure. Here are lyrical stories refracted through kaleidoscopes of family and world history, alongside accounts of forced displacement and the tenacious love that exists between people and places. Yet these pieces also show the enduring value and joy of travel itself. As Eluned Gramich expresses it ‘It’s one of the pleasures of travel to submit yourself to other people, let yourself be guided and taught’. Taken together, the stories of An Open Door extend Jan Morris’ legacy into a turbulent present and even more uncertain future. Whether seen from Llŷn or the Somali desert, we still take turns to look out at the same stars, and it might be this recognition, above all, that encourages us to hold the door open for as long as we can.

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NEW PAPERBACK EDITION 2015 saw the publication of The Long Gaze Back: An Anthology of Irish Women Writers, edited by Sinéad Gleeson. The Long Gaze Back was widely acclaimed and went on to win Best Irish-published Book of the Year 2015 at the Irish Book Awards. More importantly, it sparked lively discussion and debate about the erasure of women writers from the literary canon. One question kept arising: where was the equivalent anthology for women writers from the north? The Glass Shore, compiled by award-winning editor, broadcaster and critic Sinéad Gleeson, provides an intimate and illuminating insight into a previously underappreciated literary canon. Twenty-four female luminaries — whose lives and works cover three centuries — capture experiences that are both vivid and varied, despite their shared geographical heritage. Unavoidably affected by a difficult political past, this challenging landscape is navigated by characters who are searingly honest, humorous and, at times, heartbreakingly poignant. The result is a collection that is enthralling, stirring and quietly disconcerting. Individually, these intriguing stories make an indelible impact and are cause for reflection and contemplation. Together, they transgress their social, political and gender constraints, instead collectively presenting a distinctive, resolute and impassioned voice worthy of recognition and admiration. Featuring stories by: Rosa Mulholland, Erminda Rentoul Esler, Sarah Grand, Alice Milligan, Eithne Carbery, Margaret Barrington, Janet McNeill, Mary Beckett, Polly Devlin, Frances Molloy, Una Woods, Sheila Llewellyn, Linda Anderson, Anne Devlin, Evelyn Conlon, Mary O’Donnell, Annemarie Neary, Martina Devlin, Rosemary Jenkinson, Bernie McGill, Tara West, Jan Carson, Lucy Caldwell and Roisín O’Donnell.

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Four brand-new full-cast Blake's 7 adventures set during the TV series' third season, following directly on from events in Restoration Part Two. 5.9 PARASITE by TREVOR BAXENDALE. Avon is missing, and Zen has taken control of the Liberator–but can the rest of the crew trust Selene's offer to help, and what is the secret of the doomed planet Tronis? 5.10 FAILSAFE by STEVE LYONS. General Enton Mordekain is trapped underground, badly injured, with no memory of how he came to be here – and he’s manacled to his worst enemy, Del Tarrant. He has to work out who he can trust – and fast. 5.11 REUNION by DAVID BRYHER. A secret lies buried on the prison planet Cygnus Alpha. The Quonar parasite wants it - and so does Zeera Vos. With the Liberator crew caught in the crossfire, Vila and Zeera must face the past if they have any hope of getting out alive...5.12 IMPERIUM by TREVOR BAXENDALE Fighting to save Zen –and prevent the President regaining total control –the crew of the Liberator must rescue Alta-One, the last survivor of the System, and discover the ultimate fate of Avon.This release also includes an additional BEHIND-THE-SCENES CD featuring exclusive interviews with the cast and crew who discuss the making of Restoration – Part Three.Cast: Paul Darrow (Kerr Avon), Michael Keating (Vila Restal), Jan Chappell (Cally), Steven Pacey (Del Tarrant), Yasmin Bannerman (Dayna Mellanby), Alistair Lock (Zen/Orac), Rebecca Crankshaw (Zeera), Evie Dawnay (Selene Shan), Hugh Fraser (The President), John Green (General Mordekain), Trevor Littledale (Valren), Becky Wright (Zoraya).

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Schleiermacher, Hegel und Schelling zählen zu den Klassikern der modernen Religionsphilosophie - einer Disziplin, an deren Gründung sie maßgeblich beteiligt waren. In ihren religionsphilosophischen Werken entwickeln sie nicht nur eine allgemeine Theorie der Religion überhaupt und eine besondere Theorie der christlichen Religion, sondern widmen sich auch und gerade der historischen Vielfalt der Religionen. Sie setzen sich dabei einerseits von Religionstheorien der Aufklärung ab, welche die Religionen auf einen konstanten vernünftigen Kern reduzieren und ihre Unterschiede als zufälliges Beiwerk verbuchen. Zugleich wenden sie sich andererseits gegen eine unkritische Gleichsetzung der christlichen Religion mit dem Wesen der Religion. Im Gegenzug zu beiden Positionen suchen Schleiermacher, Hegel und Schelling vielmehr auf je eigene Weise einen Begriff von Religion zu entwickeln, der dem Reichtum der Religionen, ihren Unterschieden und ihrer Geschichte gerecht wird. Ihr Unternehmen, die Vielfalt der Religionen auf einen angemessenen Begriff zu bringen, stellt für die heutigen Debatten in Philosophie, Theologie und Religionswissenschaft zweifellos eine Herausforderung dar und lädt zur Überprüfung der eigenen Voraussetzungen ein. Denn die drei Klassiker ziehen sich nicht auf Urteilsenthaltung zurück, sondern nehmen die divergierenden Wahrheitsansprüche der Religionen ernst und unterziehen sie einer kritischen Würdigung. Wie sie das tun, wird im vorliegenden Band von international renommierten Experten auf den Gebieten der Schleiermacher-, Hegel- und Schellingforschung rekonstruiert und diskutiert. Mit Beiträgen von:Thomas Buchheim, Richard Crouter, Stefan Gerlach, Wilhelm Gräb, Jens Halfwassen, Friedrich Hermanni, Eilert Herms, Stephen Houlgate, Wilhelm G. Jacobs, Christian König, Amit Kravitz, Thomas A. Lewis, Burkhard Nonnenmacher, Jan Rohls, Friedrike Schick, Ulrich Schlösser, Christoph Schwöbel, Henning Tegtmeyer, Roberto Vinco, Martin Wendte, Paul Ziche

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Chance is a photography magazine and serialized art book that looks at the world through the lens of theater and design. A calm, noise-free place to engage with the aesthetics of design in detail, Chance integrates all of the arts, material and non-material, into a single space where the poetry of human thought can expand our desire for a more provocative and lifted engagement with design. The team at Chance produces an original photo shoot of nearly every production they cover, and believe that a more thorough glimpse into the world of design can change the way people think and write about the theater and the artists who create for it. Started in 2012 by a group of designers, writers and artists, Chance is more than a magazine. As a thoroughly stylized and high-quality publication, Chance is an immersive, image-rich, serialized art-book on contemporary events in performance and design that comprehensively redefines the relationship between theater and print. In Issue 4: Unbound, new spaces mean new ideas, and the reactivation of theatre as a literary contact sport. Chance 4 includes Kathryn Hamilton's Sister Sylvester; the Comedie-Francaise and Virginie Gervaise; The Chekhov Project at Lake Lucille; Rita Ryack's Casa Valentina; Tim Etchells' and Hugo Glendinning's Empty Stages; James Thompson's work in the Democratic Republic of the Congo; Sandrine Philippe's stage-ready couture; design legend Eugene Lee's library; the Toneelgroep's scenographer Jan Versweyveld and video designer Tal Yarden; Hugh Hardy's new buildings for LCT3 and TFANA; Kristen Robinson's broken space for Nora; and Jeff Hinchee's paper theatre kit.

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From Joseph Vogelsang and his mysterious peep-box to Hollywood blockbusters and Netflix, R.A. Savoldelli’s survey of cinema and film is based on practical experience – he was once the enfant terrible of Swiss cinema – and years of contemplation and study. He examines the difference between film as the ‘hypnotic monster’ referred to by the Italian director Pier Paolo Pasolini, and the art of film that Rudolf Steiner aspired to. The author depicts the historical development of cinema from its origins, paying particular attention to science fiction – from Star Wars to The Matrix – and influential filmmakers such as Eric Rohmer, Andrei Tarkovsky and Pasolini. As a scholar of anthroposophy, Savoldelli gives a comprehensive assessment of Rudolf Steiner’s attitude to film. In addition to frequenting the silent cinema of his time, Steiner made several statements about the new artform in his lectures, letters and private discussions. The author examines and interprets these and complements them with commentary on Steiner’s attempt to produce a film on the theme of reincarnation and karma as well as his explorations with Jan Stuten of ‘light-show art’. Other topics in this penetrating study include: ‘Basic philosophical stances in the pioneer period of media studies’; ‘Steiner’s prophetic warnings about a technocratic form of civilization that will destroy humanity’; ‘Nostalgia for the art-house cinema that emerged in the 60s’; and ‘The project discussed by Alexander Kluge and Andrei Tarkovsky for a film based on Rudolf Steiner’s From the Akashic Records’. Anyone interested in the cinematic arts will find a treasure of stimulating ideas and new thought in this unique book.

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Essays on women and devotional literature in the Middle Ages in commemoration and celebration of the respected feminist scholar Catherine Innes-Parker. Silence was a much-lauded concept in the Middle Ages, particularly in the context of religious literature directed at women. Based on the Pauline prescription that women should neither preach nor teach, and should at all times keep speech to a minimum, the concept of silence lay at the forefront of many devotional texts, particularly those associated with various forms of women's religious enclosure. Following the example of the Virgin Mary, religious women were exhorted to speak seldom, and then only seriously and devoutly. However, as this volume shows, such gendered exhortations to silence were often more rhetorical than literal. The contributions range widely: they consider the English 'Wooing Group' texts and female-authored visionary writings from the Saxon nunnery of Helfta in the thirteenth century; works by Richard Rolle and the Dutch mystic Jan van Ruusbroec in the fourteenth century; Anglo-French treatises, and books housed in the library of the English noblewoman Cecily Neville in the fifteenth century; and the resonant poetics of women from non-Christian cultures. But all demonstrate the ways in which silence, rather than being a mere absence of speech, frequently comprised a form of gendered articulation and proto-feminist point of resistance. They thus provide an apt commemoration and celebration of the deeply innovative work of Catherine Innes-Parker (1956-2019), the respected feminist scholar and a pioneer of this important field of study.

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Essays examining representations of disaster in German and international contexts, exploring the nexus between disruption and recovery through narrative from the eighteenth century to the present. Destroying human habitat and taking human lives, disasters, be they natural, man-made, or a combination, threaten large populations, even entire nations and societies. They also disrupt the existing order and cause discontinuity in our sense of self and our perceptions of the world. To restore order, not only must human beings be rescued and affected areas rebuilt, but the reality of the catastrophe must also be transformed into narrative. The essays in this collection examine representations of disaster in literature, film, and mass media in German and international contexts, exploring the nexus between disruption and recovery through narrative from the eighteenth century to the present. Topics include the Lisbon earthquake, the Paris Commune, the Hamburg and Dresden fire-bombings in the Second World War, nuclear disasters in Alexander Kluge's films, the filmic aesthetics of catastrophe, Yoko Tawada's lectures on the Fukushima disaster and Christa Wolf's novel Störfall in light of that same disaster, Joseph Haslinger and the tsunami of 2004, traditions regarding avalanche disaster in the Tyrol, and the problems and implications of defining disaster. Contributors: Carol Anne Costabile-Heming, Yasemin Dayioglu-Yücel, Janine Hartman, Jan Hinrichsen, Claudia Jerzak, Lars Koch, Franz Mauelshagen, Tanja Nusser, Torsten Pflugmacher, Christoph Weber. Katharina Gerstenberger is Professor and Chair of the Department of Languages and Literature at the University of Utah. Tanja Nusser is DAAD Visiting Associate Professor of German at the University of Cincinnati.

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In this volume, leading scholars of photography and media examine photography’s vital role in the evolution of media and communication in the nineteenth century.In the first half of the nineteenth century, the introduction of telegraphy, the development of a cheaper and more reliable postal service, the rise of the mass-circulation press, and the emergence of the railway dramatically changed the way people communicated and experienced time and space. Concurrently, photography developed as a medium that changed how images were produced and circulated. Yet, for the most part, photography of the era is studied outside the field of media history. The contributors to this volume challenge those established disciplinary boundaries as they programmatically explore the intersections of photography and “new media” during a period of fast-paced change. Their essays look at the emergence and early history of photography in the context of broader changes in the history of communications; the role of the nascent photographic press in photography’s infancy; and the development of photographic techniques as part of a broader media culture that included the mass-consumed novel, sound recording, and cinema.Featuring essays by noteworthy historians in photography and media history, this discipline-shifting examination of the communication revolution of the nineteenth century is an essential addition to the field of media studies.In addition to the editors, contributors to this volume are Geoffrey Batchen, Geoffrey Belknap, Lynn Berger, Jan von Brevern, Anthony Enns, André Gaudreault, Lisa Gitelman, David Henkin, Erkki Huhtamo, Philippe Marion, Peppino Ortoleva, Steffen Siegel, Richard Taws, and Kim Timby.

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Today, as we confront an unprecedented environmental crisis of our own making, it is more urgent than ever to consider the notion of nature and our place within it. This book brings together essays that individually and as a whole present a detailed and rigorous multidisciplinary exploration of the concept of nature and its wider ethical and political implications.A distinguished list of scholars take up a broad range of questions regarding the relations between the human subject and its natural environment: when and how the concept of nature gave way to the concept of natural resources; the genealogy of the concept of nature through political economy, theology, and modern science; the idea of the Anthropocene; the prospects for green growth; and the deep alienation of human beings in the modern period from both nature and each other. By engaging with a wide range of scholarship, they ultimately converge on a common outlook that is both capacious and original. The essays together present a revaluation of the natural world that seeks to reshape political and ethical ideals and practice with a view to addressing some of the fundamental concerns of our time.Nature and Value features widely known scholars in a broad swath of disciplines, ranging from philosophy, politics, and political economy to geology, law, literature, and psychology. They include Jonathan Schell, David Bromwich, James Tully, Jedediah Purdy, Robert Pollin, Jan Zalasiewicz, Carol Rovane, Sanjay Reddy, Joanna Picciotto, Anthony Laden, Nikolas Kompridis, Bina Gogineni, Kyle Nichols, and the editor, Akeel Bilgrami.

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No Enchanted Palace traces the origins and early development of the United Nations, one of the most influential yet perhaps least understood organizations active in the world today. Acclaimed historian Mark Mazower forces us to set aside the popular myth that the UN miraculously rose from the ashes of World War II as the guardian of a new and peaceful global order, offering instead a strikingly original interpretation of the UN's ideological roots, early history, and changing role in world affairs. Mazower brings the founding of the UN brilliantly to life. He shows how the UN's creators envisioned a world organization that would protect the interests of empire, yet how this imperial vision was decisively reshaped by the postwar reaffirmation of national sovereignty and the unanticipated rise of India and other former colonial powers. This is a story told through the clash of personalities, such as South African statesman Jan Smuts, who saw in the UN a means to protect the old imperial and racial order; Raphael Lemkin and Joseph Schechtman, Jewish intellectuals at odds over how the UN should combat genocide and other atrocities; and Jawaharlal Nehru, India's first prime minister, who helped transform the UN from an instrument of empire into a forum for ending it. A much-needed historical reappraisal of the early development of this vital world institution, No Enchanted Palace reveals how the UN outgrew its origins and has exhibited an extraordinary flexibility that has enabled it to endure to the present day.

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Two great books from the Everyman Chess Library, Fighting the Ruy Lopez by Milos Pavlovic and Open Ruy Lopez by Glenn Flear, brought together in one volume. The Ruy Lopez is a hugely popular opening, and anyone who plays 1 e4 e5 as Black needs to have a reliable answer ready. This book provides a solution. Drawing upon his years of experience facing the Lopez, Grandmaster Milos Pavlovic devises a sound yet ambitious repertoire for Black based on the legendary Marshall Attack. The Marshall is a perfect counter-attacking weapon, as it avoids passive positions and the so-called 'Spanish torture'. Furthermore, Black's tactical and positional goals are usually clear-cut and often involve a direct attack against White's king. The effectiveness of the Marshall is clear if you consider that the last two world champions have both suffered crushing defeats on the white side (Kramnik vs Leko, Brissago 2004; Anand vs Aronian, Morelia 2008) whilst Garry Kasparov always avoided it with White. The Open Ruy Lopez (also known as the Open Spanish) has always been a popular choice at both club level and at grandmaster level, where it has withstood the test of time after decades of close scrutiny. It offers both sides the opportunity for a sharp clash of forces in which the better prepared player will often come out on top. It is therefore no surprise that fighting players such as Victor Korchnoi and Jan Timman have always used the Open Ruy Lopez as an important weapon in their armoury.

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The Sunday Times bestseller THE STORY OF BRITAIN during the long reign of Queen Elizabeth II. Find out how Britain changed in this entrancing, lively portrait of Britain’s Elizabethan Age by bestselling writer and broadcaster Andrew Marr Britain changed fundamentally during the Queen’s long, distinguished reign. So who made modern Britain the country it is today? How do we sum up the kind of people we are? What did it mean to be the new Elizabethans? In this wonderfully told history, spanning back to when Queen Elizabeth became queen in 1953, Andrew Marr traces the people who have made Britain the country it is today. From the activists to the artists, the sports heroes to the innovators, these people pushed us forward, changed the conversation, encouraged us to eat better, to sing, think and to protest. They got things done. How will our generation be remembered in a hundred years’ time? And when you look back at Britain’s toughest moments in the past seventy years, what do you learn about its people and its values? In brilliantly entertaining style and with unexpected insights into some of our sung and unsung heroes, this is our story as Elizabethans – the story of how 1950s Britain evolved into the diverse country we live in today. In short, it is the history of modern Britain. FEATURING: David Attenborough. Marcus Rashford. Jan Morris. Diana Dors. Bob Geldof. David Olusoga. Elizabeth David. Zaha Hadid. Frank Crichlow. Quentin Crisp. Dusty Springfield. Captain Tom – and many others.

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"A triumph of investigative reporting."--Naomi Klein"Of all the insane Bush privatization efforts, none is more frightening than the corporatizing of military combat forces. Jeremy Scahill admirably exposes a devastating example of this sinister scheme."--Michael Moore"Jeremy Scahill's comprehensive research and reporting lifts the veil off the ever-tightening relationship between the federal government and unaccountable private military corporations such as Blackwater USA."--US Representative Jan Schakowsky (D-IL)Meet Blackwater USA, the powerful private army that the US government has made its Praetorian Guard for the global "war on terror." Blackwater has the world's largest private military base, a fleet of twenty aircraft, and twenty thousand contractors at the ready. Run by a multimillionaire Christian conservative who bankrolls President Bush and his allies, its forces are capable of overthrowing governments, and yet most people had never heard of Blackwater until Jeremy Scahill wrote this extraordinary expose."Blackwater "has been featured on "Real Time with Bill Maher," "Fresh Air," "The Daily Show with Jon Stewart," PBS, and major network television. The book also received the prestigious George Polk Award in 2008. The hardcover edition has sold more than one hundred thousand copies and has been optioned for a movie by the producers of "Capote."Jeremy Scahill is a correspondent for "Democracy Now!" and a frequent contributor to "The Nation." He is a Puffin Foundation Writing Fellow at The Nation Institute and lives in Brooklyn.

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Now in its nineteenth edition, the Europa International Foundation Directory 2010 provides an unparalleled guide to the foundations, trusts, charitable and grant-making NGOs, and other similar not-for-profit organizations of the world. It provides a comprehensive picture of third sector activity on a global scale.Presenting names and contact details for over 2,550 institutions world-wide, this new edition has been revised and expanded to include the most comprehensive and up-to-date information on this growing sector.This 19th edition includes: background essays by foundation experts on foundations and the third sector internationally (by Helmut Anheier and Tobias Vahlpahl), civil society and global governance (by Jan Aart Scholte) and the third sector and the global economic downturn (by Helmut Anheier) country chapters containing information on foundation centres and co-ordinating bodies, and on foundations, trusts and non-profit organizations. Entries include, where applicable, full contact address, internet and e-mail details, aims of the organization, activities, financial information, publications and principal staff comprehensive indexes for ease of use. Organizations are listed by name, area of activity (including headings such as education, conservation and the environment, health and welfare, etc.) and geographical area of activity, allowing the reader to find organizations active in Central and South America, the Middle East, Central and South-Eastern Europe, etc. Some 2,550 organizations are listed, giving a comprehensive and up-to-date picture of third sector activity world-wide.

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“Beautiful. The human condition is on full display in these glimpses of our essential connectedness. Perfect for our times.” —Dani Shapiro, author of Inheritance Sixty-five extraordinary writers grapple with this mystery: How can an ephemeral encounter with a stranger leave such an eternal mark? When Colleen Kinder put out a call for authors to write a letter to a stranger about an unforgettable encounter, she opened the floodgates. The responses—intimate and addictive, all written in the second person—began pouring in. These short, insightful essays by a remarkable cast of writers, including Elizabeth Kolbert, Pico Iyer, Lauren Groff, Gregory Pardlo, Faith Adiele, Maggie Shipstead, Lia Purpura, Kiki Petrosino, and Jamil Jan Kochai, are organized around such themes as Gratitude, Wonder, and Farewell and guide us both across the globe and through the mysteries of human connection. Addressed to a first responder after a storm, a gambler encountered on jury duty, a waiter in Istanbul, a taxi driver in Paris, a roomful of travelers watching reality TV in La Paz, and dozens of others, the pieces are replete with observations about how to live and what we seek, and how a stranger’s loaded glance, shared smile, or question posed can alter the course of our lives. Moving and unforgettable, Letter to a Stranger is an irresistible read for the literary traveler and the perfect gift for anyone who is haunted by a person they met once and will remember forever.

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In the late 1950s, Ted Geisel took on the challenge of creating a book using only 250 unique first-grade words, something that aspiring readers would have both the ability and the desire to read. The result was an unlikely children's classic, The Cat in the Hat. But Geisel didn't stop there. Using The Cat in the Hat as a template, he teamed with Helen Geisel and Phyllis Cerf to create Beginner Books, a whole new category of readers that combined research-based literacy practices with the logical insanity of Dr. Seuss. The books were an enormous success, giving the world such authors and illustrators as P. D. Eastman, Roy McKie, and Stan and Jan Berenstain, and beloved bestsellers such as Are You My Mother?; Go, Dog. Go!; Put Me in the Zoo; and Green Eggs and Ham. The story of Beginner Books-and Ted Geisel's role as ""president, policymaker, and editor"" of the line for thirty years-has been told briefly in various biographies of Dr. Seuss, but I Can Read It All by Myself: The Beginner Books Story presents it in full detail for the first time. Drawn from archival research and dozens of brand-new interviews, I Can Read It All by Myself explores the origins, philosophies, and operations of Beginner Books from The Cat in the Hat in 1957 to 2019's A Skunk in My Bunk, and reveals the often-fascinating lives of the writers and illustrators who created them.

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Patrons and collectors Barbara and James Palmer have long played a vital role in the museum that bears their name. A Gift from the Heart: American Art from the Collection of James and Barbara Palmer documents in its entirety what is arguably one of the finest private collections of American art in the country. Amassed over more than three decades, the collection features notable works by well-known nineteenth-century artists and boasts strengths in Ashcan realism and Stieglitz-circle modernism, as well as works by noted artists of the mid- to late twentieth century.Much of the book comprises thematic essays written by invited scholars—university professors, museum and gallery professionals, and independent curators—who consider the broader sociohistorical context of American art and culture as they delve into the particulars of the collection. Interspersed throughout the book are a series of short “In Focus” essays, highlighting a number of the most notable works in the collection. The remainder of the book is an extensive, fully illustrated catalogue of the 200+ paintings, works on paper, sculptures, and ceramics collected by the Palmers, including works that have already been donated to the museum and the remaining works, all of which will be gifted in the future. Aside from the editor, the contributors are Robert Cozzolino, John Driscol, Randall R. Griffey, Molly S. Hutton, Lauren Lessing, G. Daniel Massad, Leo G. Mazow, Patrick J. McGrady, Jan Keene Muhlert, Marshall N. Price, Sarah Rich, and Elizabeth Hutton Turner.

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Debates over the economic, social, and political meaning of slavery and the slave trade have persisted for over two hundred years. The Atlantic Slave Trade brings clarity and critical insight to the subject. In fourteen essays, leading scholars consider the nature and impact of the transatlantic slave trade and assess its meaning for the people transported and for those who owned them.Among the questions these essays address are: the social cost to Africa of this forced migration; the role of slavery in the economic development of Europe and the United States; the short-term and long-term effects of the slave trade on black mortality, health, and life in the New World; and the racial and cultural consequences of the abolition of slavery. Some of these essays originally appeared in recent issues of Social Science History; the editors have added new material, along with an introduction placing each essay in the context of current debates. Based on extensive archival research and detailed historical examination, this collection constitutes an important contribution to the study of an issue of enduring significance. It is sure to become a standard reference on the Atlantic slave trade for years to come.Contributors. Ralph A. Austen, Ronald Bailey, William Darity, Jr., Seymour Drescher, Stanley L. Engerman, David Barry Gaspar, Clarence Grim, Brian Higgins, Jan S. Hogendorn, Joseph E. Inikori, Kenneth Kiple, Martin A. Klein, Paul E. Lovejoy, Patrick Manning, Joseph C. Miller, Johannes Postma, Woodruff Smith, Thomas Wilson

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Die Diskussionen um Kontinuitäten und Umbrüche zwischen dem späten Mittelalter und der Reformationszeit nötigen zu einer Klärung der historiographischen Stellung der Reformation. Im Zentrum der einzelnen Studien dieses Buches steht die Frage nach dem "Anfang" der Reformation als eines in sich komplexen Ereignisses. Dabei zeigt sich, dass die literarischen Akteure der reformatorischen Bewegung, allen voran Luther, Traditionen konstruierten, in denen sie ihre Anliegen legitimierten und plausibilisierten. An den "Anfängen" der Reformation stehen auch bestimmte Traditionskonstruktionen der vorreformatorischen Ketzergeschichte, des Bibelgebrauchs und der reform- und der politiktheoretischen Literatur des 15. Jahrhunderts.Ein weiterer Schwerpunkt in Thomas Kaufmanns Studien liegt auf den Kommunikationsdynamiken, die die Reformation mittels "neuer Medien" über den Bereich der akademischen Diskussionen in eine breitere Öffentlichkeit getragen haben. Lehrbildungen und Identitätsentwürfe, die den inneren Zusammenhang und die Dissoziationsprozesse der reformatorischen Bewegung darstellen, bilden einen weiteren Fokus. Dem Verfasser geht es im Kern darum, Luther und die unterschiedlichen Rezeptionen, die ihm zuteilwurden, aufeinander zu beziehen. Dies wird vornehmlich an Texten und Sachverhalten der frühen 1520er Jahre aufgezeigt."Ein unglaublich gelehrtes, in viele Einzelheiten der frühen Neuzeit einführendes Buch, weit über theologische Fragen hinausgehend und doch immer nach der Relevanz für die Theologie fragend. […] Der Stand der Forschung, die Fülle der Quellen, spannende Ergebnisse. Spitzenforschung."Christoph Auffarth auf http://buchempfehlungen.blogs.rip-virtuell.net (02/2013)"Ein großes Werk des Göttinger Kirchenhistorikers Thomas Kaufmann."Karl-Friedrich Wiggermann in PV-aktuell Nr. 3 (2012), S. 9"Mit diesem Werk legt Kaufmann erneut ein sorgfältig recherchiertes Buch vor, das zahlreiche Anknüpfungspunkte für eine fruchtbringende Diskussion bietet."Jan Martin Lies in Ebernburg-Hefte 48 (2014), S. 318-320

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Metaphysics, the science of being as being, is the subject of this volume composed in honour of John F. Wippel, the Theodore Basselin Professor of Philosophy at the Catholic University of America, and an internationally prominent metaphysician and expert in medieval philosophy. Scholars present studies on key philosophical and historical issues in the field. Though varied, the investigations address three major metaphysical themes: the subject matter of metaphysics, metaphysical aporiae, and philosophical theology.Robert Sokolowski considers the historical recapitulation of the phrase ""the science of being as being""; Dominic O'Meara focuses on the development of this science in late antiquity; Jan A. Aertsen asks why the medievals called it ""First Philosophy""; and Andreas Speer returns to the origins of metaphysical discourse for a better understanding of contemporary metaphysical issues. Gregory T. Doolan examines difficulties concerning Aquinas's metaphysics of substance; Jorge Gracia looks to the tradition of scholastic philosophy to examine the individuality and individuation of race; and James Ross argues against the modal ontologies of the twentieth century, showing that metaphysical possibility depends on the existence of a free, divine creator. Stephen F. Brown considers Godfrey of Fontaines on the role of metaphysics in revealed theology; John F. Wippel examines Aquinas on the ""preambles of faith,"" those doctrines presupposed by faith that can also be proven philosophically; Brian J. Shanley addresses Aquinas's philosophical views on providence; Eleonore Stump, looking to Aquinas as well, shows how God can be personally present to human beings; and Marilyn McCord Adams offers a metaphysical consideration of the Christian doctrine of resurrection.

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We live in a time when we are overwhelmed with talk and images of violence. Whether on television, the internet, films or the video screen, we can’t escape representations of actual or fictional violence - another murder, another killing spree in a high school or movie theatre, another action movie filled with images of violence. Our age could well be called “The Age of Violence” because representations of real or imagined violence, sometimes fused together, are pervasive. But what do we mean by violence? What can violence achieve? Are there limits to violence and, if so, what are they? In this new book Richard Bernstein seeks to answer these questions by examining the work of five figures who have thought deeply about violence - Carl Schmitt, Walter Benjamin, Hannah Arendt, Frantz Fanon, and Jan Assmann. He shows that we have much to learn from their work about the meaning of violence in our times. Through the critical examination of their writings he also brings out the limits of violence. There are compelling reasons to commit ourselves to non-violence, and yet at the same time we have to acknowledge that there are exceptional circumstances in which violence can be justified. Bernstein argues that there can be no general criteria for determining when violence is justified. The only plausible way of dealing with this issue is to cultivate publics in which there is free and open discussion and in which individuals are committed to listen to one other: when public debate withers, there is nothing to prevent the triumph of murderous violence.

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The Unofficial Guide to Prescribing lays out the practical steps of how to assess, investigate and manage a patient, with a focus on what to prescribe and how to prescribe it. Its aim is to empower newly graduated junior doctors to excel at dealing with emergencies and handling complex prescribing scenarios. Prescribing errors cost healthcare systems millions annually, so early training in prescribing has become an urgent priority of medical education and now forms an essential part of teaching and assessment. The Unofficial Guide to Prescribing (from the same stable as The Unofficial Guide to Passing OSCEs) is a new book designed to address this requirement. It is written by junior doctors still close to the transition from theory to practice, overseen by a review panel of senior clinicians to ensure accuracy, and designed to help medical students practise and learn as much as possible about prescribing, in actual clinical scenarios, before they have to do it for real. Each scenario is presented as you would see it in the hospital setting and covers: Initial step-by-step assessment of the patient: how to assess, assessment findings, and immediate management Initial investigations Initial management Reassessment Treatment Handing over the patient# "As part of 'The Unofficial Guide to.' series, this excellent book is a must have for all students, as well as professionals involved in prescribing and hospital care"Reviewed by: Dr Irfan Rashid on behalf of the International Journal of Clinical Skills, Jan 2015 'Prescribe' alerts throughout Written-up drug charts Blank drug charts for copying and practice

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In this volume, leading scholars of photography and media examine photography’s vital role in the evolution of media and communication in the nineteenth century.In the first half of the nineteenth century, the introduction of telegraphy, the development of a cheaper and more reliable postal service, the rise of the mass-circulation press, and the emergence of the railway dramatically changed the way people communicated and experienced time and space. Concurrently, photography developed as a medium that changed how images were produced and circulated. Yet, for the most part, photography of the era is studied outside the field of media history. The contributors to this volume challenge those established disciplinary boundaries as they programmatically explore the intersections of photography and “new media” during a period of fast-paced change. Their essays look at the emergence and early history of photography in the context of broader changes in the history of communications; the role of the nascent photographic press in photography’s infancy; and the development of photographic techniques as part of a broader media culture that included the mass-consumed novel, sound recording, and cinema.Featuring essays by noteworthy historians in photography and media history, this discipline-shifting examination of the communication revolution of the nineteenth century is an essential addition to the field of media studies.In addition to the editors, contributors to this volume are Geoffrey Batchen, Geoffrey Belknap, Lynn Berger, Jan von Brevern, Anthony Enns, André Gaudreault, Lisa Gitelman, David Henkin, Erkki Huhtamo, Philippe Marion, Peppino Ortoleva, Steffen Siegel, Richard Taws, and Kim Timby.

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'Superb, beautifully written, touching and occasionally very funny' Andrew RobertsDavid Gilmour's superb biography of Rudyard Kipling is the first to show how the life and work of the great writer mirrored the trajectory of the British Empire, from its zenith to its final decades. His famous poem 'Recessional' celebrated Queen Victoria's Diamond Jubilee in 1897, but his last poems warned of the dangers of Nazism, and in those intervening years Kipling, himself an icon of the Empire, was transformed from an apostle of success to a prophet of national decline. As Gilmour makes clear, Kipling's mysterious stories and poetry deeply influenced the way his readers saw both themselves and the British Empire, and they continue to challenge us today.'A fine, fair and generous work ... Gilmour's celebrated life of Curzon demonstrated his mastery of imperial nuance and esoteric character, and he brings to this book just the right combination of empathy, distaste andfastidious detachment ... there is never a flaccid line, and never a hasty judgement' Jan Morris, New Statesman'Every now and again a book comes along that sheds new light on a life we thought we knew. David Gilmour's beautifully-written biography of Rudyard Kipling is just such a work ... This is literary biography at its very finest' George Rosie, Sunday Herald'An enthralling biography of a mind ... essential reading for anyone who cares about how a writer finds, and passionately lives, his subject' Ruth Padel, Daily Telegraph'The best Kipling biography yet written ... Gilmour's account of this driven man shines with intelligence' J. B. Pick, Scotsman

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This book looks back on 25 years of pioneering EU trade mark practice, as viewed by various experts from all over Europe. EU trade mark law - and by extension, trade mark law of the EU Member States - has substantially evolved during these past 25 years. The success of the EU trade mark resulted in a shift from a 'bottom-up' harmonization of national trade mark systems to a 'top-down' approach, based on the EU trade mark system. The first two contributions focus on the EUIPO's convergence efforts with the national trade mark offices and the impact of EU case law on national trade mark practice, respectively. Further on the evolution of the EU trade mark system is addressed through a wide variety of subjects of substantive law. The last chapter offers and analysis of the impact of Brexit on EU trade marks. Flip Petillion (editor) is a leading domestic and international dispute resolution counsel and arbitrator and regularly publishes on various topics related to intellectual property and arbitration (PETILLION, Belgium). With contributions by Ana-Maria Baciu and Andreea Bende (Simion & Baciu, Rumania), Alexander Schnider (GEISTWERT, Austria), Claus Barrett Christiansen and Maria Rose Kristensen (Bech-Bruun Law Firm, Denmark), Diego Noesen (PETILLION, Belgium), Gerard Kelly and Jane Bourke (Mason Hayes & Curran LLP, Ireland), Jan Peter Heidenreich (Preu Bohlig, Germany), Eva Lachmannova (Sindelka & Lachmannova, Czech Republic), Matthew Harris (Waterfront Solicitors LLP, UK), Paul Micallef Grimaud and Nikolai Lubrano (Ganado Advocates, Malta), Richard Wessman, Stojan Arnerstal and Sofia Bergenstrahle (Vinge, Sweden)

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Selected by editor John Barton, the 2023 edition of Best Canadian Poetry showcases the best Canadian poetry writing published in 2021.“My goal,” writes guest editor John Barton of his long career as a literary magazine editor, “was always to be jostled awake, and I soon realized that I was being jostled awake for two—myself and the reader … I came to understand that my job description included an obligation to expose readers to wide varieties of poetry, to challenge their assumptions while expanding their taste.” In selecting this year’s edition of Best Canadian Poetry, Barton brings the same catholic spirit to his survey of Canadian poems published by magazines and journals in 2021. From new work by Canadian favourites to exciting new talents, this year’s anthology offers fifty poems to challenge and enlarge your sense of the power and possibility of Canadian poetry.Featuring:Leslie Joy Ahenda • Billy-Ray Belcourt • Bertrand Bickersteth • Tawahum Bige • Stephanie Bolster • Susan Braley • Moni Brar • Jake Byrne • Helen Cho • Conyer Clayton • Lucas Crawford • Sophie Crocker • Michael Dunwoody • Evelyna Ekoko-Kay • Tyler Engström • Triny Finlay • Elee Kraljii Gardiner • Lise Gaston • Susan Gillis • Beth Goobie • Patrick Grace • Laurie D. Graham • River Halen • Eva H.D. • Louise Bernice Halfe—Skydancer • Sarah Hilton • Karl Jirgens • Mobólúwajídìde D. Joseph • Penn Kemp • Jeremy Loveday • Randy Lundy • Helen Han Wei Luo • Colin Morton • Jordan Mounteer • Samantha Nock • Kathryn Nogue • Michelle Porter • Rebekah Rempel • Armand Garnet Ruffo • Richard Sanger • Nedda Sarshar • K.R. Segriff • Christina Shah • Sandy Shreve • Adrian Southin • J.J. Steinfeld • Sarah Yi-Mei Tsiang • Eric Wang • Tom Wayman • Jan Zwicky

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A thoroughly updated and substantially expanded edition of an acclaimed anthologyThis is a thoroughly updated and substantially expanded new edition of one of the most popular, wide-ranging, and engaging anthologies of Western political thinking, one that spans from antiquity to the twenty-first century. In addition to the majority of the pieces that appeared in the original edition, this new edition features exciting new selections from more recent thinkers who address vital contemporary issues, including identity, cosmopolitanism, global justice, and populism. Organized chronologically, the anthology brings together a fascinating array of writings—including essays, book excerpts, speeches, and other documents—that have indelibly shaped how politics and society are understood. Each chronological section and thinker is presented with a brief, lucid introduction, making this a valuable reference as well as an essential reader. A thoroughly updated and substantially expanded edition of an acclaimed anthology of political thought Features a wide range of thinkers, including Thucydides, Plato, Aristotle, Cicero, Augustine, Aquinas, Christine de Pizan, Machiavelli, Luther, Calvin, Hobbes, Spinoza, Locke, Swift, Hume, Rousseau, Adam Smith, Jefferson, Burke, Olympes de Gouges, Wollstonecraft, Kant, Hegel, Bentham, Mill, de Tocqueville, Frederick Douglass, Lincoln, Marx, Nietzsche, Lenin, John Dewey, Gaetano Mosca, Roberto Michels, Weber, Emma Goldman, Freud, Einstein, Mussolini, Arendt, Hayek, Franklin D. Roosevelt, T. H. Marshall, Orwell, Leo Strauss, de Beauvoir, Fanon, Martin Luther King Jr., Malcolm X, Havel, Fukuyama, Habermas, Foucault, Rawls, Nozick, Walzer, Iris Marion Young, Martha Nussbaum, Peter Singer, Amartya Sen, and Jan-Werner Müller Includes brief introductions for each thinker

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Sadness has come to live with me and I am building it a shelter. I am building a shelter for my sadness and welcoming it inside. A small boy creates a shelter for his sadness, a safe space where Sadness is welcome, where it can curl up small, or be as big as it can be, where it can be noisy or quiet, or anything in between. The boy can visit the shelter whenever he needs to, every day, sometimes every hour, and the two of them will cry and talk or just sit, saying nothing. And the boy knows that one day Sadness may come out of the shelter, and together they will look out at the world, and see how beautiful it is. A poignant and heart-warming picture book exploring the importance of making space and time for our own griefs, small or large, sensitively visualized with David Litchfield's stunning illustration. Anne Booth was inspired to write this book by the words of Etty Hillesum, a Holocaust victim who wrote: 'Give your sorrow all the space and shelter in yourself that is its due, for if everyone bears grief honestly and courageously, the sorrow that now fills the world will abate. But if you do instead reserve most of the space inside you for hatred and thoughts of revenge-from which new sorrows will be born for others-then sorrow will never cease in this world. And if you have given sorrow the space it demands, then you may truly say: life is beautiful and so rich.' (Esther 'Etty' Hillesum (15 Jan 1914 - 30 Nov 1943)

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An excellent introduction to the work of two British designers Edward Bawden (1903-1989) and Eric Ravilious (1903-1942). This fascinating book illustrates every aspect of their creativity, featuring designs for wallpaper, posters, book jackets, trade cards and Wedgwood ceramics, to name but a few. Design opens with an informed and engaging essay by Peyton Skipwith, who, from the late 1960s, acted as Edward Bawden's principal dealer. Bawden and Ravilious both attended the Design School of the Royal College of Art. It was here that they met and started to experiment with print-making - marking the beginning of an extremely creative but tragically short-lived friendship. Ravilious was killed at the age of thirty-nine in an air-sea rescue mission during the Second World War; Edward Bawden survived him by forty-six years. 'Exquisite ... Design is a treat' - Sunday Telegraph 'A neat little scrapbook ... beautifully laid out' - Antiques Magazine The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Also available: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Jan Le Witt and George Him ISBN: 9781851495665 Paul Nash and John Nash ISBN: 9781851495191 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

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I have been seeking P.F. Sloan, but no one knows where he's gone. -from the song 'P.F. Sloan' by Jimmy Webb. Absolutely none of 'em could beat ol' P.F. -Lester Bangs, Rolling Stone magazine. What's Exactly The Matter With Me? is a first-person account of an extraordinary life and pilgrimage through the most fascinating years of American and English musical culture. This is a story of dreams, success, destruction, and miraculous resurrection; the incredible, heartbreaking, and ultimately inspiring story of one of the greatest songwriters in American music-and also one of the most elusive and mysterious. P.F. Sloan was one of the most prolific and influential geniuses to emerge from the golden age of the 60s, and a pioneer of folk-rock. Between 1965 and 1967, 150 of his songs were recorded by major acts, and 45 of those made the charts. No other songwriter has ever come close to achieving so great number of hits in such a short period of time. From his little studio at Dunhill Records, P.F. Sloan was a veritable hit-machine, writing for The Mamas and The Papas (that's Sloan's infectious guitar lick on 'California Dreamin"), Jan and Dean (the falsetto you hear on most of their hits is Sloan's), Barry McGuire (the brilliant and controversial 'Eve Of Destruction'), Johnny Rivers ('Secret Agent Man'), The Turtles, The Fifth Dimension, and many, many more. He wrote so many songs, in fact, that Dunhill sold him as seven different acts. Unsurprisingly, he wound up exhausted and broken, thus beginning a long journey into the wilderness-a journey of UFOs and psychiatric hospitals, healing and survival, and, ultimately, redemption.

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The Golden City of Prague has long been an intellectual centre of the western world. The writers collected here range from the early nineteenth century to the present and include both Prague natives and visitors from elsewhere. Here are stories, legends, and scenes from the city's past and present, from the Jewish fable of the golem, a creature conjured from clay, to tales of German and Soviet invasions. The international array of writers ranges from Franz Kafka to Ivan Klíma to Bruce Chatwin, and includes the award-winning British playwright Tom Stoppard and former American Secretary of State Madeleine Albright, both of whom have Czech roots. Covering the city's venerable Jewish heritage, the glamour of the belle-époque period, World War II, Communist rule, the Prague Spring, the Velvet Revolution, and beyond, Prague Stories weaves a remarkable selection of fiction and nonfiction into a literary portrait of a fascinating city.Richard Bassett, former Central European correspondent for The Times, knows his subject inside out. Here is Prague in all its brilliance, a city rich in folklore both Slavic and Jewish, whose history is the stuff of legend - Jan Hus, Charles IV and his eponymous bridge, serial defenestrations; Prague in the dark years of World War II, in the grey years of Communism, in the excitement of the Velvet Revolution. And here is today's Prague, a vibrant cosmopolitan capital where a new generation of Czech writers - Sylva Fischerova, Daniela Hodrova and others - explores its identity in new and exciting ways.A unique collection of fiction and non-fiction to delight and stimulate travellers and stay-at-homes alike.

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'Epic... Wilson writes captivatingly with humour...anyone with an interest in eastern European sport will be consulting this book for years to come' FINANCIAL TIMES'This fascinating and perceptive travelogue includes a fine collection of anecdotes too colourful for fiction' SUNDAY TIMES'A blissful book, lovingly and stylishly written' DAILY TELEGRAPHFrom the war-ravaged streets of Sarajevo, where turning up for training involved dodging snipers' bullets, to the crumbling splendour of Budapest's Bozsik Stadium, where the likes of Puskás and Kocsis masterminded the fall of England, the landscape of Eastern Europe has changed immeasurably since the fall of communism. Jonathan Wilson has travelled extensively behind the old Iron Curtain, viewing life beyond the fall of the Berlin Wall through the lens of football. Where once the state-controlled teams of the Eastern bloc passed their way with crisp efficiency - a sort of communist version of total football - to considerable success on the European and international stages, today the beautiful game in the East has been opened up to the free market, and throughout the region a sense of chaos pervades. The threat of totalitarian interference no longer remains; but in its place mafia control is generally accompanied with a crippling lack of funds. In BEHIND THE CURTAIN Jonathan Wilson goes in search of the spirit of Hungary's 'Golden Squad' of the early fifties, charts the disintegration of the footballing superpower that was the former Yugoslavia, follows a sorry tale of corruption, mismanagement and Armenian cognac through the Caucasuses, reopens the case of Russia's greatest footballer, Eduard Streltsov, and talks to Jan Tomaszewski about an autumn night at Wembley in 1973...

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Contested, multiparty elections are conventionally viewed as either an indicator of the start of democracy or a measure of its quality. In practice, the role that elections play in the transition from authoritarian rule is much more significant. Using as a starting point Guillermo O'Donnell and Phillipe C. Schmitter's 1986 classic, Transitions from Authoritarian Rule, and Robert Dahl's original formulation of democratization as the outcome of increasing the costs of repression while decreasing the costs of toleration, this volume subjects to critical empirical tests the thesis that repeated elections positively affect democratic rights and processes. The first section uses global and quantitative regional studies based on new and unique data sets to present and rigorously evaluate the debate on the democratizing power of elections. The second section looks closely at specific electoral mechanisms and types of elections in Africa, post-Communist Europe and Eurasia, Latin America, the Middle East, and North Africa to uncover those that support the long-term institutionalization of a democratic transition. The concluding section develops and formalizes a theory of democratization by elections. Each chapter includes in-depth discussions of policy implications and a wealth of statistical information. Featuring contributions by leading scholars of democracy, original research, and worldwide and country-specific data on elections and democracy, this collaborative exploration of the effect of elections on democratic transitions represents the cutting edge of comparative democratization studies. Contributors: Jason Brownlee, Valerie J. Bunce, Larry Diamond, Axel Hadenius, Jonathan Hartlyn, Marc M. Howard, Staffan I. Lindberg, Jennifer L. McCoy, Bryon Moraski, Pippa Norris, Ellen Lust-Okar, Lise Rakner, Philip G. Roessler, Andreas Schedler, Jan Teorell, Nicolas van de Walle, Sharon L. Wolchik

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