Search results for ""author jacob"

Knoydart – the northern edge of the ‘Rough Bounds’ is one of the most evocative names in Scotland. This text offers a history of Knoydart from the earliest times to the present day. A remote and desolate peninsula, its name derives from Viking settlers who only reckoned it worth three ouncelands – compared to five for the island of Eigg. Its warlike but impoverished inhabitants caused endless problems for their neighbours during the 17th century before becoming notorious in the 18th century under the leadership of Coll of Barrisdale. His protection racket has bequeathed the word ‘blackmail’ to the English language and he was notorious across Scotland. For the Jacobites, as well, Knoydart was a fertile recruiting ground. In the 18th and 19th centuries the area suffered large scale emigration, partly as a result of the brutal clearances of 1853. A further long century of decline followed, during which sheep and then deer were preferred to people. In 1948 discontent swelled again and it became the scene of the famous land-raid by the ‘Seven men from Knoydart’. It has changed hands more often in the last 150 years than in the previous 700 years. The land continues to lie at the heart of the Knoydart problem and the book attempts to place events in their larger historical context.

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Taking cross-disciplinary and comparative approaches to the volume’s subject, this exciting collection of essays offers a reassessment of Shakespeare’s erotic and Ovidian mythology within classical and continental aesthetic contexts. Through extensive examination of mythological visual and textual material, scholars explore the transmission and reinvention of Ovidian eroticism in Shakespeare’s plays to show how early modern artists and audiences collectively engaged in redefining ways of thinking pleasure. Within the collection’s broad-ranging investigation of erotic mythology in Renaissance culture, each chapter analyses specific instances of textual and pictorial transmission, reception, and adaptation. Through various critical strategies, contributors trace Shakespeare’s use of erotic material to map out the politics and aesthetics of pleasure, unravelling the ways in which mythology informs artistic creation. Received acceptions of neo-platonic love and the Petrarchan tensions of unattainable love are revisited, with a focus on parodic and darker strains of erotic desire, such as Priapic and Dionysian energies, lustful fantasy and violent eros. The dynamics of interacting tales is explored through their structural ability to adapt to the stage. Myth in Renaissance culture ultimately emerges not merely as near-inexhaustible source material for the Elizabethan and Jacobean arts, but as a creative process in and of itself.

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This textbook offers a concise yet rigorous introduction to calculus of variations and optimal control theory, and is a self-contained resource for graduate students in engineering, applied mathematics, and related subjects. Designed specifically for a one-semester course, the book begins with calculus of variations, preparing the ground for optimal control. It then gives a complete proof of the maximum principle and covers key topics such as the Hamilton-Jacobi-Bellman theory of dynamic programming and linear-quadratic optimal control. Calculus of Variations and Optimal Control Theory also traces the historical development of the subject and features numerous exercises, notes and references at the end of each chapter, and suggestions for further study. * Offers a concise yet rigorous introduction * Requires limited background in control theory or advanced mathematics * Provides a complete proof of the maximum principle * Uses consistent notation in the exposition of classical and modern topics * Traces the historical development of the subject * Solutions manual (available only to teachers) Leading universities that have adopted this book include: * University of Illinois at Urbana-Champaign ECE 553: Optimum Control Systems * Georgia Institute of Technology ECE 6553: Optimal Control and Optimization * University of Pennsylvania ESE 680: Optimal Control Theory * University of Notre Dame EE 60565: Optimal Control

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This study of the life and works of David Mallet (?1705-65) is the first study of Mallet for the past one hundred and fifty years and assesses the poet's significance within his own period, arguing that modern scholarship has unduly neglected this complex personality who represented changing notions in taste and aesthetics, the intersection between literature and politics, and fashioned professional personae for himself as controversial patriot-poet, party writer, historian, editor, dramatist, and spy. An Anglo-Scot, he negotiated national prejudices, Jacobite leanings, and_when he moved to London in the 1750s_adopted the cultural patriotism of the Hanoverians. The post-Union climate enabled him to make influential friends, such as Pope, Lyttleton, Bolingbroke, and Chesterfield, who promoted his works and on whose behalf he wrote (mostly for pay), until his death. The book offers a comprehensive reconsideration of hitherto unknown manuscript material and contributes to dismantling Johnson's prejudiced view of Mallet, which to this day has tainted Mallet's critical reputation.

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When Falstaff calls upon the sky to rain potatoes in The Merry Wives of Windsor, he is highlighting the late sixteenth-century belief that the exotic vegetable, recently introduced to England from the Americas, was an aphrodisiac. In Romeo and Juliet, Lady Capulet calls for quinces to make pies for the marriage feast of her daughter. This fruit was traditionally connected with weddings and fertility, as echoed by John Gerard in his herbal where he also explained that eating quinces would ‘bring forth wise children, and of good understanding’. Taking fifty quotations centring on flowers, herbs, fruit and vegetables, Margaret Willes gives these botanical references their social context to provide an intriguing and original focus on daily life in Tudor and Jacobean England, looking in particular at medicine, cookery, gardening and folklore traditions. Exquisitely illustrated with unique hand-painted engravings from the Bodleian Library’s copy of John Gerard’s herbal of 1597, this book marries the beauty of Shakespeare’s lines with charming contemporary renderings of the plants he described so vividly.

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London, babyFalling for the Foster Mum by Karin BaineBurns specialist Dr Matthew McGrory is finally living the bachelor life after years of raising his siblings alone. But he can't ignore the pull he feels towards beautiful Quinn Grady, foster mum to his favourite young patient. Quinn is very protective of little Simon and her heart. But as Matthew's hero status grows in the eyes of her young charge, she might not be able to stop herself from falling in loveThe Redemption of Darius Sterne by Carole MortimerTycoon Darius Sterne is a man who gets what he wants. Always. And right now he wants ex-ballerina Miranda Jacobsin his bed! Miranda can't resist the allure of the brooding billionaire. But the closer he pulls her, the more Darius threatens the barriers she's carefully constructed to conceal the scars of her past. And Miranda isn't the only one with pain to hide Can her love redeem the dark Darius Sterne?Falling for the Secret Millionaire by Kate HardyAfter her ex's betrayal, Nicole

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This book examines the power of the past upon the present. It shows how generations of Scots have exploited and reshaped history to meet the needs of a series of presents, from the conquest of the Picts to the refounding of Parliament. Dauvit Broun, Fiona Watson, and Steve Boardman explore the violent manipulations of the past in medieval Scotland. Michael Lynch questions well-entrenched assumptions about the Scottish Reformation. Roger Mason looks at the transformation of 'Highland barbarism' into 'Gaelicism'. Ted Cowan examines the 'Killing Times' of the covenanters, and David Allan the seventeenth century fashion for creative family history. Colin Kidd discovers the victims of Pictomania in Scotland and modern Ulster, and Murray Pittock uncovers the comparable mania driving Jacobitism. Richard Finlay links the cult of Victoria with the queen's idea of herself as the heiress of the Scottish monarchy. Catriona MacDonald considers the neglect of women and the dangers of reconstructing history to suit modern sensitivities. Finally David McCrone provides a sociologist's perspective on the continuing dialogue between the past and the present. By exploring how the people of Scotland have variously understood, used and been inspired by the past this book offers a series of insights into the concerns of previous generations and their understanding of themselves and their times. It throws fresh light on the evolution of history in Scotland and on the actions and ambitions of the Scots who have formed and reformed the nation.

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Armies and Political Change in Britain, 1660 -1750 argues that armies had a profound impact on the major political events of late seventeenth- and early eighteenth-century Britain. Beginning with the controversial creation of a permanent army to protect the restored Stuart monarchy, this original and important study examines how armies defended or destroyed regimes during the Exclusion Crisis, Monmouth's Rebellion, the Revolution of 1688-1689, and the Jacobite rebellions and plots of the post-1714 period, including the '15 and '45. Hannah Smith explores the political ideas of 'common soldiers' and army officers and analyses their political engagements in a divisive, partisan world. The threat or hope of military intervention into politics preoccupied the era. Would a monarch employ the army to circumvent parliament and annihilate Protestantism? Might the army determine the succession to the throne? Could an ambitious general use armed force to achieve supreme political power? These questions troubled successive generations of men and women as the British army developed into a lasting and costly component of the state, and emerged as a highly successful fighting force during the War of the Spanish Succession. Armies and Political Change in Britain, 1660 - 1750 deploys an innovative periodization to explore significant continuities and developments across the reigns of seven monarchs spanning almost a century. Using a vivid and extensive array of archival, literary, and artistic material, the volume presents a striking new perspective on the political and military history of Britain.

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Shakespeare lived at a time when England was undergoing the revolution in ritual theory and practice we know as the English Reformation. With it came an unprecedented transformation in the language of religious life. Whereas priests had once acted as mediators between God and men through sacramental rites, Reformed theology declared the priesthood of all believers. What ensued was not the tidy replacement of one doctrine by another but a long and messy conversation about the conventions of religious life and practice. In this brilliant and strikingly original book, Sarah Beckwith traces the fortunes of this conversation in Shakespeare’s theater. Beckwith focuses on the sacrament of penance, which in the Middle Ages stood as the very basis of Christian community and human relations. With the elimination of this sacrament, the words of penance and repentance—"confess," "forgive," "absolve" —no longer meant (no longer could mean) what they once did. In tracing the changing speech patterns of confession and absolution, both in Shakespeare’s work and Elizabethan and Jacobean culture more broadly, Beckwith reveals Shakespeare’s profound understanding of the importance of language as the fragile basis of our relations with others. In particular, she shows that the post-tragic plays, especially Pericles, Cymbeline, The Winter’s Tale, and The Tempest, are explorations of the new regimes and communities of forgiveness. Drawing on the work of J. L. Austin, Ludwig Wittgenstein, and Stanley Cavell, Beckwith enables us to see these plays in an entirely new light, skillfully guiding us through some of the deepest questions that Shakespeare poses to his audiences.

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"A masterful achievement of historical complexity and scintillating romance sure to thrill readers with its saga of love under siege."--Booklist starred review In 1715, Lady Blythe Hedley's father is declared an enemy of the British crown because of his Jacobite sympathies, forcing her to flee her home in northern England. Secreted to the tower of Wedderburn Castle in Scotland, Lady Blythe awaits who will ultimately be crowned king. But in a house with seven sons and numerous servants, her presence soon becomes known. No sooner has Everard Hume lost his father, Lord Wedderburn, than Lady Hedley arrives with the clothes on her back and her mistress in tow. He has his own problems--a volatile brother with dangerous political leanings, an estate to manage, and a very young brother in need of comfort and direction in the wake of losing his father. It would be best for everyone if he could send this misfit heiress on her way as soon as possible. Drawn into a whirlwind of intrigue, shifting alliances, and ambitions, Lady Blythe must be careful whom she trusts. Her fortune, her future, and her very life are at stake. Those who appear to be adversaries may turn out to be allies--and those who pretend friendship may be enemies. "Frantz explores how faith and love can triumph over most obstacles. Readers who love Celtic settings will rejoice over this offering featuring bonny Scotland."--Library Journal "Frantz carefully unpacks a complicated period of religious persecution, lending this romance depth, fascinating moral stakes, and a palpable sense of suspense."--Publishers Weekly

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Called “the flour of Cities all,” London has long been understood through the poetry it has inspired. Now poet Mark Ford has assembled the most capacious and wide-ranging anthology of poems about London to date, from Chaucer to Wordsworth to the present day, providing a chronological tour of urban life and of English literature. Nearly all of the major poets of British literature have left some poetic record of London: Chaucer, Spenser, Shakespeare, Donne, Milton, Dryden, Pope, Johnson, Wordsworth, Keats, Byron, and T. S. Eliot. Ford goes well beyond these figures, however, to gather significant verse of all kinds, from Jacobean city comedies to nursery rhymes, from topical satire to anonymous ballads. The result is a cultural history of the city in verse, one that represents all classes of London’s population over some seven centuries, mingling the high and low, the elegant and the salacious, the courtly and the street smart. Many of the poems respond to large events in the city’s history—the beheading of Charles I, the Great Fire, the Blitz—but the majority reflect the quieter routines and anxieties of everyday life through the centuries.Ford’s selections are arranged chronologically, thus preserving a sense of the strata of the capital’s history. An introductory essay by the poet explores in detail the cultural, political, and aesthetic significance of the verse inspired by this great city. The result is a volume as rich and vibrant and diverse as London itself.

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The Rawlinson collection of seal matrices in the University of Oxford is the most important early collection of European seal matrices to survive. Created by Dr Richard Rawlinson (1690-1755) in the first half of the eighteenth century, it consists of 830 matrices ranging in date from the 13th to the early 18th century. It includes the collection of seal matrices formed by Giovanni Andrea Lorenzani, a Roman bronze caster, which Rawlinson acquired in Rome together with a catalogue written in 1708. This collection is primarily Italian, but the Rawlinson collection also includes examples from many other countries England, Wales, Scotland, Ireland, France, Germany Spain, and Scandinavia as well as Italy. The study of seals was much neglected in the middle of the twentieth century, but the study now attracts greater interest. This is due to their visual appeal, sense of identity and their representation of symbols. This book will appeal to a wide variety of readers from those interested in collecting, Jacobitism, history of the early eighteenth century, the Grand Tour, antiquaries, and seals and seal matrices. This book has four introductory chapters which set the scene for the collecting of seal matrices, tell the life of Richard Rawlinson and Giovanni Andrea Lorenzani, analyse their collections and relate the history of the collection after Rawlinson's death in 1755. One hundred seals, all illustrated, are described in detail, with much unpublished data, and an indication is given of the contribution they make to the sigillography of the different countries.

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A forgotten episode of mathematical resistance reveals the rise of modern mathematics and its cornerstone, mathematical purity, as political phenomena. The nineteenth century opened with a major shift in European mathematics, and in the Kingdom of Naples, this occurred earlier than elsewhere. Between 1790 and 1830 its leading scientific institutions rejected as untrustworthy the “very modern mathematics” of French analysis and in its place consolidated, legitimated, and put to work a different mathematical culture. The Neapolitan mathematical resistance was a complete reorientation of mathematical practice. Over the unrestricted manipulation and application of algebraic algorithms, Neapolitan mathematicians called for a return to Greek-style geometry and the preeminence of pure mathematics. For all their apparent backwardness, Massimo Mazzotti explains, they were arguing for what would become crucial features of modern mathematics: its voluntary restriction through a new kind of rigor and discipline, and the complete disconnection of mathematical truth from the empirical world—in other words, its purity. The Neapolitans, Mazzotti argues, were reacting to the widespread use of mathematical analysis in social and political arguments: theirs was a reactionary mathematics that aimed to technically refute the revolutionary mathematics of the Jacobins. During the Restoration, the expert groups in the service of the modern administrative state reaffirmed the role of pure mathematics as the foundation of a newly rigorous mathematics, which was now conceived as a neutral tool for modernization. What Mazzotti’s penetrating history shows us in vivid detail is that producing mathematical knowledge was equally about producing certain forms of social, political, and economic order.

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Interest in constitutionalism and in the relationship among constitutions, national identity, and ethnic, religious, and cultural diversity has soared since the collapse of socialist regimes in Eastern Europe and the former Soviet Union. Since World War II there has also been a proliferation of new constitutions that differ in several essential respects from the American constitution. These two developments raise many important questions concerning the nature and scope of constitutionalism. The essays in this volume—written by an international group of prominent legal scholars, philosophers, political scientists, and social theorists—investigate the theoretical implications of recent constitutional developments and bring useful new perspectives to bear on some of the longest enduring questions confronting constitutionalism and constitutional theory. Sharing a common focus on the interplay between constitutional identity and individual or group diversity, these essays offer challenging new insights on subjects ranging from universal constitutional norms and whether constitutional norms can be successfully transplanted between cultures to a consideration of whether constitutionalism affords the means to reconcile a diverse society’s quest for identity with its need to properly account for its differences; from the relation between constitution-making and revolution to that between collective interests and constitutional liberty and equality. This collection’s broad scope and nontechnical style will engage scholars from the fields of political theory, social theory, international studies, and law. Contributors. Andrew Arato, Aharon Barak, Jon Elster, George P. Fletcher, Louis Henkin, Arthur J. Jacobson, Carlos Santiago Nino, Ulrich K. Preuss, David A. J. Richards, Michel Rosenfeld, Dominique Rousseau, András Sajó, Frederick Schauer, Bernhard Schlink, M. M. Slaughter, Cass R. Sunstein, Ruti G. Teitel, Robin West

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In Civil War, Peter Ackroyd continues his dazzling account of England's history, beginning with the progress south of the Scottish king, James VI, who on the death of Elizabeth I became the first Stuart king of England, and ends with the deposition and flight into exile of his grandson, James II. The Stuart dynasty brought together the two nations of England and Scotland into one realm, albeit a realm still marked by political divisions that echo to this day. More importantly, perhaps, the Stuart era was marked by the cruel depredations of civil war, and the killing of a king.Ackroyd paints a vivid portrait of James I and his heirs. Shrewd and opinionated, the new King was eloquent on matters as diverse as theology, witchcraft and the abuses of tobacco, but his attitude to the English parliament sowed the seeds of the division that would split the country in the reign of his hapless heir, Charles I. Ackroyd offers a brilliant – warts and all – portrayal of Charles's nemesis Oliver Cromwell, Parliament's great military leader and England's only dictator, who began his career as a political liberator but ended it as much of a despot as 'that man of blood', the king he executed.England's turbulent seventeenth century is vividly laid out before us, but so too is the cultural and social life of the period, notable for its extraordinarily rich literature, including Shakespeare's late masterpieces, Jacobean tragedy, the poetry of John Donne and Milton and Thomas Hobbes' great philosophical treatise, Leviathan. Civil War also gives us a very real sense of the lives of ordinary English men and women, lived out against a backdrop of constant disruption and uncertainty.

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Unravel the history, themes, and language of Shakespeare's plays, poems, and sonnets with this beautifully illustrated guide to his life and works.Comedy and romance, history, and tragedy, Shakespeare's canon has it all. Some 400 years after they were written and first performed, his works still remain fresh and relevant today. Discover the work of the world's most celebrated playwright with:- A clear and accessible format- Act-by-act plot summaries of all of his 39 plays with lists of characters- Guidance on how to read and interpret his great sonnets and narrative poems- Plays ordered by time and genre, helping readers to trace the development of Shakespeare's topics, themes, and artistry- Sidebars that clarify the mythological, geographical, and historical context of each play and decode its language, dramatic action, and themesShakespeare fans will revel in the marvellous depiction of the Stratford-upon-Avon-born Bard himself! His drama book allows you to dive into famous works like Hamlet, Romeo and Juliet, and A Midsummer Nights Dreams and explore Shakespeare's sources and inspirations for each! Themes, plots, characters, and language are brought to life with act-by-act plot summaries, resumes of main characters, and in-depth analysis of Shakespeare's use of the English language. Shakespeare: His Life and Works is a wonderful exploration of plays, poems, and sonnets in the context of his life and the Elizabethan and Jacobean theatre further enriching your experience on, on the page, stage, or screen. It's the perfect gift for existing fans of Shakespeare, and anyone looking to find out more about the work of the world's most celebrated playwright.

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In the rank of great Danish designers, Finn Juhl (1912–1989) is mentioned in the same breath with Hans J. Wegner and Arne Jacobsen. He became particularly well known for his sculptural, seemingly organic tables, chairs, and sofas. However, the complex interior designs he developed in the forties and fifties were also enormously successful. These include the Danish Embassy in Washington, D. C., or the conference room of the United Nations Trusteeship Council in New York. Only the most adept would be aware of the fact that Finn Juhl was also a talented watercolor painter. For the first time, this publication allows readers to take a unique look at the designer’s working method. More than 125 subtle works on paper communicate the ingenuity of their creator: Finn Juhl’s furniture classics, living concepts, and interior designs can finally be experienced in all their complexity, as one can trace their development from the beginning onwards.

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Dr. Zanardi approaches the development of psychoanalytic theories of women on two fronts: the psychoanalytic and the political. The first part includes papers by Ruth Mack Brunswick, Melanie Klein, Janine Chasseguet-Smirgel, D. W. Winnicott, Joyce Macdougal, Edith Jacobsen, Annie Reich, and Judith Kestenberg, among others, illustrating the psychoanalytic development concerning female sexuality from the 1940s on. the different views - Freudian, Kleinian, Horneyan, object relation, and Lacanian - are presented, showing both American and European views to underline their theoretical differences. Controversial issues - phallocentrism, penis envy, homosexuality, masochism, wish for a child - are brought into focus and analyzed from different theoretical and clinical points of view. The second part draws attention to the influence of the Women's Liberation Movement on psychoanalytic theory. The papers included show attempts to integrate psychoanalysis into the ideological political discourse. It includes the work of leading feminists and psychoanalysts in the United States and Europe, including Carol Gilligan, Dorothy Dinnerstein, Jean Baker Miller, Juliet Mitchell, Luce Irigaray, and Julia Kristeva.

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'Witty, original and clever, this tale of Jacobean power and lust is a blast' THE TIMES, Best Historical Fiction of the YearFrancis Bacon, philosopher, politician, writer, is an outsider at the court of King James I. He is clever but not aristocratic, has ambition but no money. So when his political enemies form a deadly alliance against him, centred around the King's poisonous lover Robert Carr, Bacon has no choice but to fight for his survival.Together with the neglected Queen, Bacon resolves to find a beguiling young man who can supplant Carr in the King's bed. But as Bacon soon discovers, desire is not something that can be controlled.Bold, irreverent and utterly original, The Dangerous Kingdom of Love is a darkly witty satire about power, and a moving queer love story that resonates through time.'An entertaining and very funny read with something to say about both the love of power and the power of love' SUNDAY TIMES'Brilliant ... Like Wolf Hall meets Succession ... Scandalous, politically perceptive and unexpectedly heartfelt' APPLE

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Historian, revolutionary and cricket writer, CLR James was one of the truly radical voices of the twentieth century. Born in Trinidad in the final days of the Victorian era, he debated with Trotsky, played cricket with Constantine, was published by Leonard and Virginia Woolf, inspired Kwame Nkrumah, and was a profound influence on the British Black Power movement. And yet by the late 1970s, CLR James was all but forgotten. The books he had written over the past half century were nearly all out of print. There were a few circles in which his name rang a bell: serious students of Black history; obsessive cricket fans. But that was it.When he died in Brixton in 1989, CLR James was internationally famous - lauded as the greatest of Black British intellectuals: the 'Black Plato', according to The Times.The ideas he put forward in his own time - of the importance of identity alongside class, of rebellion coming from below, of the leading roles of Black people, women and youth in political struggle - have gradually made their way to the forefront of our political thinking. His two great books, The Black Jacobins and Beyond a Boundary, still have the power to change readers' understanding of the world today.But while CLR James's work has been much examined, his long and remarkable life story has often been overlooked. For the first time, in a biography full of original research, human drama and keen insight, John L. Williams unveils the rich and compelling story of an intellectual giant. In doing so, he firmly establishes the importance of CLR James for the twenty-first century - if Black Britain has had a presiding genius, it remains CLR James.

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For fans of Tina Fey, Amy Poehler, Amy Schumer—and every other “funny woman”—comes a candid feminist comedy manifesto exploring the sisterhood between women’s comedy and women’s liberation.“I’m not funny at all. What I am is brave.” —Lucille BallFrom female pop culture powerhouses dominating the entertainment landscape to memoirs from today’s most vocal feminist comediennes shooting up the bestseller lists, women in comedy have never been more influential.Marking this cultural shift, The Girl in the Show provides an in-depth exploration of how comedy and feminism have grown hand in hand to give women a stronger voice in the ongoing fight for equality. From I Love Lucy to SNL to today’s rising cable and web-series stars, Anna Fields’ entertaining retrospective combines amusing and honest personal narratives with the historical, political, and cultural contexts of the feminist movement.With interview subjects like Abbi Jacobson, Molly Shannon, Mo Collins, and Lizz Winstead among others—as well as actresses, stand-up comics, writers, producers, and female comedy troupes—Fields shares true stories of wit and heroism from some of our most treasured (and under-represented) artists. At its heart, The Girl in the Show captures the urgency of our continued struggle towards equality, allowing the reader to both revel in—and rebel against—our collective ideas of “women’s comedy.”

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In 1732, a blasphemous burlesque of the Christian Atonement was published in England without comment from the government or the Church of England. In Hogarth's Harlot, Ronald Paulson explains this absence of official censure through a detailed examination of the parameters of blasphemy in eighteenth-century England and the changing attitudes toward the central tenets of the Christian Church among artists in this period. Discerning a profound spiritual and cultural shift from atonement and personal salvation to redemption, incarnation, and acts of charity and love, Paulson focuses on such influential factors as English antipopery and anti-Jacobitism, as well as the ideas of the English Enlightenment. Offering imaginative and deeply informed readings of a wide range of artistic works-engravings by Hogarth; poems by Milton, Pope, Christopher Smart, and Blake; plays by Nicholas Rowe and George Lillo; paintings and sculptures by Benjamin West, John Zoffany, Joseph Wright of Derby, and Louis-Francois Roubiliac; and oratorios by George Frederic Handel-Paulson explores the significance of the medium in which artists produced "sacred parody" and how these works both reflected and influenced attitudes toward the nature of Christianity in England. As England's faithful began to worry less about everlasting felicity in heaven and more about life on earth, these diverse artists provided them with new ways of thinking about both their spiritual and their social existence.

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What does it mean to have an emotional response to poetry and music? And, just as important but considered less often, what does it mean not to have such a response? What happens when lyric utterances—which should invite consolation, revelation, and connection—somehow fall short of the listener’s expectations? As Seth Lerer shows in this pioneering book, Shakespeare’s late plays invite us to contemplate that very question, offering up lyric as a displaced and sometimes desperate antidote to situations of duress or powerlessness. Lerer argues that the theme of lyric misalignment running throughout The Tempest, The Winter’s Tale, Henry VIII, and Cymbeline serves a political purpose, a last-ditch effort at transformation for characters and audiences who had lived through witch-hunting, plague, regime change, political conspiracies, and public executions. A deep dive into the relationship between aesthetics and politics, this book also explores what Shakespearean lyric is able to recuperate for these “victims of history” by virtue of its disjointed utterances. To this end, Lerer establishes the concept of mythic lyricism: an estranging use of songs and poetry that functions to recreate the past as present, to empower the mythic dead, and to restore a bit of magic to the commonplaces and commodities of Jacobean England. Reading against the devotion to form and prosody common in Shakespeare scholarship, Lerer’s account of lyric utterance’s vexed role in his late works offers new ways to understand generational distance and cultural change throughout the playwright’s oeuvre.

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PoDIA 10 features articles presenting the results from archaeological sites in Cyprus and at Sikyon, Greece, the activities of Danish philhellenes, and a re-evaluation of the significance of an archaic Attic Sphinx in the Ny Carlsberg Glyptotek in Copenhagen. Kristina Winther-Jacobsen analyses and discusses the ceramics and associated burial customs from two tombs in Cyprus from the Hellenistic-Roman period. Silke Müth and her team of researchers offer a preliminary report on the excavations and accompanying research in Old Sikyon 2018-2019. It is in the same connection that M. Arenfeldt Christensen presents a case study of human skeletal material from an Archaic grave in Sikyon, uncovered in 2019. Annette Højen Sørensen and Helge Wiingaard discuss the role of the Danish diplomat and minority expert as a Philhellene and present his collection of antiquities at Haderslev Cathedral School in Denmark in the light of the extraordinary circumstances in the first half of the 20th century which formed the borderland not only between Denmark and Germany but also between Greece and Turkey. John Lund discusses the activities of Frederik Scholten in Greece and the Greek world during the period around the Greek Revolution and presents his drawings from this period. Finally, Ingrid Strøm makes a case for adding the Ny Carlsberg Glyptotek marble sphinx to the oeuvres of the Moscophoros Master and for rendering it a more central position in the studies of Early Attic marble sculpture.

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Focusing on the past, present, and future of American eighteenth-century studies.In a section commemorating the fiftieth anniversary of the American Society for Eighteenth-Century Studies, Howard D. Weinbrot, Felicity A. Nussbaum, and Heather McPherson trace the history of the Society. Logan J. Connors, Jason H. Pearl, Jessica Zimble, Adam Schoene, Rebecca Messbarger, and Morgan Vanek then assess the disciplinary divides that still stymie the field. Melissa Hyde's Presidential Address recovers the lives and careers of two female artists in Paris. Laurent Dubois's Clifford Lecture examines the centrality of theater to political action in Saint-Domingue.In the next section, "Consumption and Remediation," Alison DeSimone, Amy Dunagin, Erica Levenson, and Julia Hamilton consider the reception in England of foreign music and theater, including Italian opera, French comic troupes, and abolitionist "African" songs. These are followed by Michael Edson's investigation of marginalia in Anne Hamilton's Epics of the Ton and Anaclara Castro-Santana's rethinking of the relation between Sophia Western and the Jacobite celebrity Jenny Cameron in Tom Jones.In "Teaching Tough Texts," Anne Greenfield, Holly Faith Nelson and Sharon Alker, and W. Scott Howard offer innovative tactics for engaging students. The penultimate section, "Eighteenth-Century Bodies," features essays by Olivia Carpenter on the politics of The Woman of Colour and Meghan Kobza on masquerade costumes. The final section, "Disability in the Eighteenth Century," assembles work by Travis Chi Wing Lau, Madeline Sutherland-Meier, D. Christopher Gabbard, Jason S. Farr, Hannah Chaskin, and Declan Kavanagh that aims to push the field forward toward more historically nuanced interpretations of disability.

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How Christian leaders adapted the governmental practices and political thought of their Muslim rulers in the Abbasid caliphateThe Imam of the Christians examines how Christian leaders adopted and adapted the political practices and ideas of their Muslim rulers between 750 and 850 in the Abbasid caliphate in the Jazira (modern eastern Turkey and northern Syria). Focusing on the writings of Dionysius of Tel-Mahre, the patriarch of the Jacobite church, Philip Wood describes how this encounter produced an Islamicate Christianity that differed from the Christianities of Byzantium and western Europe in far more than just theology. In doing so, Wood opens a new window on the world of early Islam and Muslims’ interactions with other religious communities.Wood shows how Dionysius and other Christian clerics, by forging close ties with Muslim elites, were able to command greater power over their coreligionists, such as the right to issue canons regulating the lives of lay people, gather tithes, and use state troops to arrest opponents. In his writings, Dionysius advertises his ease in the courts of ʿAbd Allah ibn Tahir in Raqqa and the caliph al-Ma’mun in Baghdad, presenting himself as an effective advocate for the interests of his fellow Christians because of his knowledge of Arabic and his ability to redeploy Islamic ideas to his own advantage. Strikingly, Dionysius even claims that, like al-Ma’mun, he is an imam since he leads his people in prayer and rules them by popular consent.A wide-ranging examination of Middle Eastern Christian life during a critical period in the development of Islam, The Imam of the Christians is also a case study of the surprising workings of cultural and religious adaptation.

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“Impressive…[Readers] will be rewarded with greater understanding of historical developments that changed the relationship between consumers and producers in a global economy in ways that reverberate to this day.”—Wall Street Journal“Everill repositions West Africa as central to the broader Atlantic story of 18th and 19th century economic morality, its relationship with commercial ethics, and the expansion of capitalism.”—Financial Times“Offers a penetrating new perspective on abolition in the British Empire by spotlighting a particular cast of characters: the commercial abolitionists in West Africa who fashioned a consumer-focused, business-friendly antislavery ethics. These figures sought to prove the moral and economic superiority of non-slave labor while profiting from the transition away from slavery…Impressive.”—Jacobin“East India Sugar Not Made By Slaves.” With these words inscribed on a sugar bowl, nineteenth-century consumers were reminded of their power to change the global economy. Determined to strike at the heart of the slave trade, abolitionist businesses throughout the Atlantic used new ideas of supply and demand, consumer credit, and branding to make the case for ethical capitalism.Consumers became the moral compass of capitalism as companies in West Africa, including Macaulay & Babington and Brown & Ives, developed clever new tactics to make “legitimate” commerce pay. Yet ethical trade was not without its problems. The search for goods “not made by slaves” unwittingly expanded the reach of colonial enterprises in the relentless pursuit of cheap labor. Not Made by Slaves captures the moral dilemmas roiling the early years of global consumer society and is a stark reminder of the unintended consequences of relying on consumer self-interest to transform global capitalism.

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An Open Letters Review Best Book of the Year“Grafton presents largely unfamiliar material…in a clear, even breezy style…Erudite.”—Michael Dirda, Washington PostIn this celebration of bookmaking in all its messy and intricate detail, Anthony Grafton captures both the physical and mental labors that went into the golden age of the book—compiling notebooks, copying and correcting proofs, preparing copy—and shows us how scribes and scholars shaped influential treatises and forgeries.Inky Fingers ranges widely, from the theological polemics of the early days of printing to the pathbreaking works of Jean Mabillon and Baruch Spinoza. Grafton draws new connections between humanistic traditions and intellectual innovations, textual learning and the delicate, arduous, error-riddled craft of making books. Through it all, he reminds us that the life of the mind depends on the work of the hands, and the nitty gritty labor of printmakers has had a profound impact on the history of ideas.“Describes magnificent achievements, storms of controversy, and sometimes the pure devilment of scholars and printers…Captivating and often amusing.”—Wall Street Journal“Ideas, in this vivid telling, emerge not just from minds but from hands, not to mention the biceps that crank a press or heft a ream of paper.”—New York Review of Books“Grafton upends idealized understandings of early modern scholarship and blurs distinctions between the physical and mental labor that made the remarkable works of this period possible.”—Christine Jacobson, Book Post“Scholarship is a kind of heroism in Grafton’s account, his nine protagonists’ aching backs and tired eyes evidence of their valiant dedication to the pursuit of knowledge.”—London Review of Books

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Black Cosmopolitans examines the lives and thought of three extraordinary black men—Jacobus Capitein, Jean-Baptiste Belley, and John Marrant—who traveled extensively throughout the eighteenth-century Atlantic world. Unlike millions of uprooted Africans and their descendants at the time, these men did not live lives of toil and sweat in the plantations of the New World. Marrant was born free, while Capitein and Belley became free when young, and this freedom gave them not only mobility but also the chance to make significant contributions to print culture. As public intellectuals, Capitein, Belley, and Marrant developed a cosmopolitan vision of the world anchored in the republican ideals of civic virtue and communal life, and so helped radicalize the calls for freedom that were emerging from the Enlightenment.Relying on sources in English, French, and Dutch, Christine Levecq shows that Calvinism, the French Revolution, and freemasonry were major inspirations for this republicanism. By exploring these cosmopolitan men's connections to their black communities, she argues that the eighteenth-century Atlantic world fostered an elite of black thinkers who took advantage of surrounding ideologies to spread a message of universal inclusion and egalitarianism.

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The third volume in BHRS's series of poll books and covers the years from the fall of Walpole to the rise of William Pitt the younger. This is the third volume in BHRS's series of poll books and covers the years from the fall of Walpole to the rise of William Pitt the younger. It was a period when Britain was constantly at war, when it suffered a dangerous Jacobite rebellion and when the American colonies were lost. Yet this constant warfare did not produce the revolutionary changes to the national and local economy that the Napoleonic wars subsequently created. There is only one complete poll book for the county (1774) but surviving lists from Bedford borough, including a partial poll book of 1747, enable political allegiance to be gauged. Lack of contested elections does not mean an absence of political activity. Detectable trends are illustrated from the Duke of Bedford's archives and the Hardwicke manuscripts in the British Library. They include the attempts of the Duke to increase his powers, which were successfully challenged by Bedford borough by the creation in 1769 of many new out-of-town freemen to detach it from his influence; the decline of formerly prominent political families; and, from the 1760s, the rise of the Whitbreads. The volume also details the political dimensions of the litigation over the appointment of the rector of St John's, Bedford; the administration of the Harpur Trust; and turnpike and enclosure acts.

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The Bush aboon Traquair, like Allan Ramsay's The Gentle Shepherd, is a pastoral drama with songs, and in this play Hogg celebrates the life of the people of his native community in Ettrick Forest. At times earthy and at times hilarious, The Bush focuses on rural courtship, and it derives part of its energy from its presentation of a contrast between the old ways and an emerging (but not always admirable) modernity. Here, as elsewhere in Hogg's writings, the shepherds and ewe-milkers of Ettrick Forest operate in a pastoral world that is noticeably realistic and convincing. They pursue their love adventures as ardently as if they were inhabitants of the more literary pastoral world of the Forest of Arden, but as they do so they also have to cope with some very unpoetical and very troublesome sheep. It appears that The Bush was first drafted around 1813, but the first publication of Hogg's play came when a bowdlerised version was included in his posthumous Tales and Sketches (1837). Douglas Mack's edition includes the first-ever publication of the unbowdlerised version of The Bush aboon Traquair. Written on the occasion of George IV's famous royal visit to Edinburgh in 1822, The Royal Jubilee is another pastoral drama with songs. In this 'Scottish Mask', Hogg brings a group of representative Scottish spirits to a 'romantic dell' on Arthur's Seat. The spirits (including an Ossianic Highlander who has suffered dispossession, and the ghost of an old Covenanter) give expression to past Scottish grievances against royalty, while indicating their hope that the King's visit will bring renewal and a fresh start. This potentially ambiguous expression of loyalty is further complicated by various Jacobite references and echoes as the spirits prepare to welcome a Hanoverian king, returning to the ancient kingdom of his Stuart ancestors.

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Build resilience in your company to weather the greatest crises.If you read nothing else on organizational resilience, read these 10 articles. We've combed through hundreds of Harvard Business Review articles and selected the most important ones to help your company prepare for and overcome disruption, social upheaval, and disaster.This book will inspire you to: Reposition your core business while launching a separate, disruptive business Build the ability to continually anticipate and adjust to emerging trends Prepare for the business implications of climate change Learn about the risks of hyperefficient businesses Develop organizational grit Rebound from a recession faster than your competitors Lead your company through any kind of crisis This collection of articles includes "How Resilience Works" by Diane Coutu; "The Quest for Resilience" by Gary Hamel and Liisa Valikangas; "Disruptive Technologies: Catching the Wave" by Joseph L. Bower and Clayton M. Christensen; "Organizational Grit" by Thomas H. Lee and Angela L. Duckworth; "Leading in Times of Trauma" by Jane E. Dutton, Peter J. Frost, Monica C. Worline, Jacoba M. Lilius, and Jason M. Kanov; "Learning from the Future" by J. Peter Scoblic; "Leading a New Era of Climate Action" by Andrew Winston; "The High Price of Efficiency" by Roger L. Martin; "Reigniting Growth" by Chris Zook and James Allen; "Global Supply Chains in a Post-Pandemic World" by Willy C. Shih; and "Roaring Out of Recession" by Ranjay Gulati, Nitin Nohria, and Franz Wohlgezogen.HBR's 10 Must Reads paperback series is the definitive collection of books for new and experienced leaders alike. Leaders looking for the inspiration that big ideas provide, both to accelerate their own growth and that of their companies, should look no further. HBR's 10 Must Reads series focuses on the core topics that every ambitious manager needs to know: leadership, strategy, change, managing people, and managing yourself. Harvard Business Review has sorted through hundreds of articles and selected only the most essential reading on each topic. Each title includes timeless advice that will be relevant regardless of an ever‐changing business environment.

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WINNER OF THE BRITISH ACADEMY BOOK PRIZE A SPECTATOR, WATERSTONES, BBC HISTORY MAGAZINE, PROSPECT AND HISTORY TODAY BOOK OF THE YEAR A profound and ground-breaking new history of one of the most important encounters in the history of colonialism: the British arrival in India in the early seventeenth century. ‘A triumph of writing and scholarship. It is hard to imagine anyone ever bettering Das's account of this part of the story’ - William Dalrymple, Financial Times ‘A fascinating glimpse of the origins of the British Empire . . . drawn in dazzling technicolour’ - Spectator ‘Beautifully written and masterfully researched, this has the makings of a classic’ - Peter Frankopan SHORTLISTED FOR THE POL ROGER DUFF COOPER PRIZE LONGLISTED FOR THE CUNDILL HISTORY PRIZE SHORTLISTED FOR THE HWA CROWN AWARDS When Thomas Roe arrived in India in 1616 as James I’s first ambassador to the Mughal Empire, the English barely had a toehold in the subcontinent. Their understanding of South Asian trade and India was sketchy at best, and, to the Mughals, they were minor players on a very large stage. Roe was representing a kingdom that was beset by financial woes and deeply conflicted about its identity as a unified ‘Great Britain’ under the Stuart monarchy. Meanwhile, the court he entered in India was wealthy and cultured, its dominion widely considered to be one of the greatest and richest empires of the world. In Nandini Das's fascinating history of Roe's four years in India, she offers an insider's view of a Britain in the making, a country whose imperial seeds were just being sown. It is a story of palace intrigue and scandal, lotteries and wagers that unfolds as global trade begins to stretch from Russia to Virginia, from West Africa to the Spice Islands of Indonesia. A major debut that explores the art, literature, sights and sounds of Jacobean London and Imperial India, Courting India reveals Thomas Roe's time in the Mughal Empire to be a turning point in history – and offers a rich and radical challenge to our understanding of Britain and its early empire.

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Being of Two Minds examines the place that early modern literature held in Modernist literary criticism. For T. S. Eliot, Virginia Woolf, and William Empson, the early modern period helps model a literary future. At stake in their engagements across time were ontological questions about literature and its ability to mediate between the one and the many, the particular and the general, life and death, the past and the present. If reading and writing literature enables the mind to be in two places at once, creative experience serves as a way to participate in an expanded field of consciousness alongside mortality. Goldberg reads the readings that these modernists performed on texts that Eliot claimed for the canon like the metaphysical poets and Jacobean dramatists, but also Shakespeare, Milton, Montaigne, and Margaret Cavendish. Ontological concerns are reflected in Eliot’s engagement with Aristotle’s theory of the soul and Empson’s Buddhism. These arguments about being affect minds and bodies and call into question sexual normativity: Eliot glances at a sodomitical male-male mode of literary transmission; Woolf produces a Judith Shakespeare to model androgynous being; Empson refuses to distinguish activity from passivity to rewrite gender difference. The work of one of our leading literary and cultural critics, Being of Two Minds spans centuries to show how the most compelling and surprising ideas about mind, experience, and existence not only move between early modernity, high modernism, and our own moment, but are also constituted through that very movement between times and minds.

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Britain's defeat of Napoleon is one the great accomplishments in our history. And yet it was by no means certain that Britain itself would survive the revolutionary fervour of the age, let alone emerge victorious from such a vast conflict. From the late 1790s, the country was stricken by naval mutinies, rebellion in Ireland, and riots born of hunger, poverty and grinding injustice. As the new century opened, with republican graffiti on the walls of the cities, and revolutionary secret societies reportedly widespread, King George III only narrowly escaped assassination. Jacobin forces seemed to threaten a dissolution of the social order. Above all, the threat of French invasion was ever-present. Yet, despite all this, and new threats from royal madness and rampant corruption, Britain did not become a revolutionary republic. Her elites proved remarkably resilient, and drew on the power of an already-global empire to find the strength to defeat Napoleon abroad, and continued popular unrest at home. In this brilliant, sweeping history of the period, David Andress fuses two hitherto separate historical perspectives - the military and the social - to provide a vivid portrait of the age. From the conditions of warfare faced by the British soldier and the great battles in which they fought, to the literary and artistic culture of the time, The Savage Storm is at once a searing narrative of dramatic events and an important reassessment of one of the most significant turning points in our history.

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A beautifully illustrated examination of the women artists whose inspired search for artistic integrity and equality influenced Expressionist avant-garde cultureWomen Artists in Expressionism explores how women negotiated the competitive world of modern art during the late Wilhelmine and early Weimar periods in Germany. Their stories challenge predominantly male-oriented narratives of Expressionism and shed light on the divergent artistic responses of women to the dramatic events of the early twentieth century.Shulamith Behr shows how the posthumous critical reception of Paula Modersohn-Becker cast her as a prime agent of the feminization of the movement, and how Käthe Kollwitz used printmaking as a vehicle for technical innovation and sociopolitical commentary. She looks at the dynamic relationship between Marianne Werefkin and Gabriele Münter, whose different paths in life led them to the Blaue Reiter, a group of Expressionist artists that included Wassily Kandinsky and Paul Klee. Behr examines Nell Walden’s role as an influential art dealer, collector, and artist, who promoted women Expressionists during the First World War, and discusses how Dutch artist Jacoba van Heemskerck’s spiritual abstraction earned her the status of an honorary German Expressionist. She demonstrates how figures such as Rosa Schapire and Johanna Ey contributed to the development of the movement as spectators, critics, and collectors of male avant-gardism.Richly illustrated, Women Artists in Expressionism is a women-centered history that reveals the importance of emancipative ideals to the shaping of modernity and the avant-garde.

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The Battle of Culloden has gone down in history as the last major battle fought on British soil: a vicious confrontation between Scottish forces supporting the Stuart claim to the throne and the English Royal Army. But this wasn't just a conflict between the Scots and the English, the battle was also part of a much larger campaign to protect the British Isles from the growing threat of a French invasion. In Trevor Royle's vivid and evocative narrative, we are drawn into the ranks, on both sides, alongside doomed Jacobites fighting fellow Scots dressed in the red coats of the Duke of Cumberland's Royal Army. And we meet the Duke himself, a skilled warrior who would gain notoriety due to the reprisals on Highland clans in the battle's aftermath. Royle also takes us beyond the battle as the men of the Royal Army, galvanized by its success at Culloden, expand dramatically and start to fight campaigns overseas in America and India in order to secure British interests; we see the revolutionary use of fighting techniques first implemented at Culloden; and the creation of professional fighting forces. Culloden changed the course of British history by ending all hope of the Stuarts reclaiming the throne, cementing Hanoverian rule and forming the bedrock for the creation of the British Empire. Royle's lively and provocative history looks afresh at the period and unveils its true significance, not only as the end of a struggle for the throne but the beginning of a new global power.

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A forgotten episode of mathematical resistance reveals the rise of modern mathematics and its cornerstone, mathematical purity, as political phenomena. The nineteenth century opened with a major shift in European mathematics, and in the Kingdom of Naples, this occurred earlier than elsewhere. Between 1790 and 1830 its leading scientific institutions rejected as untrustworthy the “very modern mathematics” of French analysis and in its place consolidated, legitimated, and put to work a different mathematical culture. The Neapolitan mathematical resistance was a complete reorientation of mathematical practice. Over the unrestricted manipulation and application of algebraic algorithms, Neapolitan mathematicians called for a return to Greek-style geometry and the preeminence of pure mathematics. For all their apparent backwardness, Massimo Mazzotti explains, they were arguing for what would become crucial features of modern mathematics: its voluntary restriction through a new kind of rigor and discipline, and the complete disconnection of mathematical truth from the empirical world—in other words, its purity. The Neapolitans, Mazzotti argues, were reacting to the widespread use of mathematical analysis in social and political arguments: theirs was a reactionary mathematics that aimed to technically refute the revolutionary mathematics of the Jacobins. During the Restoration, the expert groups in the service of the modern administrative state reaffirmed the role of pure mathematics as the foundation of a newly rigorous mathematics, which was now conceived as a neutral tool for modernization. What Mazzotti’s penetrating history shows us in vivid detail is that producing mathematical knowledge was equally about producing certain forms of social, political, and economic order.

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A fearsome young woman stormsinger and pirate hunter join forces against a deathless pirate lord in this swashbuckling Jacobean adventure on the high-seas. Launching the Winter Sea series, full of magic, betrayal and redemption, for readers of Adrienne Young, R. J. Barker and Naomi Novik Mary Firth is a Stormsinger: a woman whose voice can still hurricanes and shatter armadas. Faced with servitude to pirate lord Silvanus Lirr, Mary offers her skills to his arch-rival in exchange for protection - and, more importantly, his help sending Lirr to a watery grave. But her new ally has a vendetta of his own, and Mary's dreams are dark and full of ghistings, spectral creatures who inhabit the ancient forests of her homeland and the figureheads of ships. Samuel Rosser is a disgraced naval officer serving aboard The Hart, an infamous privateer commissioned to bring Lirr to justice. He will stop at nothing to capture Lirr, restore his good name and reclaim the only thing that stands between himself and madness: a talisman stolen by Mary. Finally, driven into the eternal ice at the limits of their world, Mary and Samuel must choose their loyalties and battle forces older and more powerful than the pirates who would make them slaves. Come sail the Winter Sea, for action-packed, high-stakes adventures, rich characterisation and epic plots full of intrigue and betrayal.

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This Handbook strives to enhance knowledge and application within sustainability in management education (SiME) across different academic programs, geographic regions and personal/professional contexts. Cross-disciplinary and boundary spanning, this book focuses on specific themes and is therefore split into four distinct sections: one on theory and practice, one on transformational interventions in business programs, one on the role of external agents and the last on innovative approaches in SiME. The co-editors expertly provide a roadmap for sustainability in management education while discussing key implications, applications and utilities that explore motivations and project possible outcomes for advances and integration of SiME. In addition to identifying new discursive strategies in SiME research, the co-editors provide a critical narrative and discussion on newly identified commonalities and connections within the Handbook's chapters. This content assessment highlights prevalent intersections for advancing, challenging, and questioning how to implement SiME in various programs. Management scholars, researchers, educators and practitioners as well as current, emerging and future leaders in various academic and private sectors will find this Handbook invaluable. It will serve as a key reference for more advanced studies in this rapidly developing field.Contributors include: F. Ahen, M. Albert, J.A. Arevalo, K.R. Bandyopadhyay, L. Barin Cruz, R.G. Bell, S. Benn, M. Bidart Carneiro de Novaes, N. Boyd, J. Bressler, M. Brueckner, J. Brunstein, T. Bunn Hiller, N. Christopher, M. Edwards, Q. Evansluong, D. Fodness, C.J. Fox, A. Girardi, T.A. Hart, J.R. Hendry, S. Hüsig, P.R. Jacobi, Y. Jakobcic, S. Klomp, J. Korstad, L. Krzykowski, R. Mahajan, S.L. Manring, E. Martin, E. Meliou, P. Miesing, R. Miller, S.F. Mitchell, E.E. Nill, F.S. Nobre, E.E. Nordman, M. Paull, M. Pozzebon, M. Ramirez Pasillas, E. Raufflet, E. Rich, A.J. Richardson, I. Rimanoczy, M.F. Sambiase, P. Schmitt Figueiró, S. Schutel, C.A. Simmers, S. Soderstrom, R. Spencer, R. Sroufe, M. Starik, A. Sulkowski, D. Vazquez-Brust, A. Vidal da Silva Martins, J.L. Whittington, J. Williams, L.T. Wong, N. Yakovleva

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Ledbury lies in a quiet corner of Herefordshire, just about equidistant from the cities of Hereford, Gloucester and Worcester. Remote, but not isolated, the town is surrounded by ancient wooded hills, while the River Leadon, from which the town is thought to take its name, meanders slowly through the meadows to the west. Visitors and inhabitants alike can empathise with Ledbury-born Poet Laureate John Masefield, who 'felt the beauty of the place and the mystery of its past … through century after century'.Ledbury: a Market Town and its Tudor Heritage tells the story of this ancient town from 1558, when Elizabeth I confiscated the bishop's manor and estate, through a period of great prosperity in the 16th century to the present day. During the Tudor period the town's cloth trade flourished and the market which served the rural parishes surrounding the town thrived. The resulting physical transformation, including the wide market place and streets lined with timber-framed buildings, still attracts visitors today. The story extends from the reign of the first Elizabeth to the present day. It traces the ups and downs of a market town which has benefited from its location on the route between Hereford and Worcester but remains a small town.Ledbury has enjoyed its share of changes in trade, transport, social provision, architecture, industry and leisure, developments which have individually and collectively helped to shape the town today. But what strikes the visitor is its Tudor heritage, which continues to reflect the unexpected and untold riches generated, albeit for such a short time, in the later Tudor and early Jacobean decades.

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The iconic first novel in the bestselling Outlander series, as seen on Amazon Prime.'Scotland's answer to Game of Thrones' Herald'So intricately plotted and peopled that one is amazed she could conceive and write it in only seven years' Independent'Gabaldon is a gifted world-builder' Daily Telegraph______________What if your future lay in the past?1946, and Claire Randall goes to the Scottish Highlands with her husband Frank. It's a second honeymoon, a chance to re-establish their loving marriage. But one afternoon, Claire walks through a circle of standing stones and vanishes into 1743, where the first person she meets is a British army officer - her husband's six-times great-grandfather.Unfortunately, Black Jack Randall is not the man his descendant is, and while trying to escape him, Claire falls into the hands of a gang of Scottish outlaws, and finds herself a Sassenach - an outlander - in danger from both Jacobites and Redcoats.Marooned amid danger, passion and violence, her only chance of safety lies in Jamie Fraser, a gallant young Scots warrior. What begins in compulsion becomes urgent need, and Claire finds herself torn between two very different men, in two irreconcilable lives.______________With more than 20,000 5-star ratings on Amazon and 25 million copies sold worldwide, OUTLANDER is among the most popular book series of all time. Begin your journey into the Highland past here...***** 'Read on, GR friends, this series is epic and you won't regret it!!!'***** 'my favourite book of all time <3'***** 'This series changed my life. I cannot even begin to go into the details of how much I fell in love with the main characters'***** 'If you like historical fiction, time travel, and/or romance, PICK THIS UP.'***** 'Anyone who's known me longer than 5 minutes knows this is my favourite book.'

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LONGLISTED FOR THE DESMOND ELLIOTT PRIZESHORTLISTED FOR THE BOLLINGER EVERYMAN WODEHOUSE PRIZE'A writer out to do whatever the hell he wants . . . a grisly, gross-out slice of medieval life and death, it's vigorously, writhingly itself, spilling out of any box you put it in' Observer'A dark and bloody tale, well leavened with bone-dry humour, and with a dramatic climax that has about it the flavour of a Jacobean tragedy' Guardian 'Set to become an Irish cult classic' Sunday Business Post'A tremendously engaging and fun read . . . a crazed, quixotic odyssey' Kevin BarryAn ambitious noble and his three serving men travel through the Irish countryside in the stifling summer of 1348, using the advantage of the plague which has collapsed society to buy up large swathes of property and land. They come upon Nobber, a tiny town, whose only living habitants seem to be an egotistical bureaucrat, his volatile wife, a naked blacksmith, and a beautiful Gaelic hostage. Meanwhile, a band of marauding Gaels are roaming around, using the confusion of the sickness to pillage and reclaim lands that once belonged to them. As these groups converge upon the town, the habitants, who up until this point have been under strict curfew, begin to stir from their dwellings, demanding answers from the intruders. A deadly stand-off emerges from which no one will escape unscathed.'Nobber is hallucinatory and sly, conjuring a densely strange and savagely captivating world. There are lots of novels, and there are lots of novels that are all much alike, but there is nothing like Nobber' Colin Barrett'A skilled storyteller with a rich command of language and rare comedic flair' Irish Times

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Robert Louis Stevenson's Kidnapped is at once a rollicking adventure story and an earnest political allegory. This Penguin Classics edition is edited with an introduction and notes by Donald McFarlan and a foreword by Alasdair Gray.Orphaned and penniless, David Balfour sets out to find his last living relative, miserly and reclusive Uncle Ebenezer. But Ebenezer is far from welcoming, and David narrowly escapes being murdered before he is kidnapped and imprisoned on a ship bound for the Carolinas. When the ship is wrecked, David, along with the fiery rebel Alan Breck, makes his way back across the treacherous Highland terrain on a quest for justice. Through his powerful depiction of the two very different central characters - the romantic Breck and the rational Whig David - Stevenson dramatized a conflict at the heart of Scottish culture in the aftermath of the Jacobite rebellion, as well as creating an unforgettable adventure story.This new edition includes a foreword by Alasdair Gray discussing Stevenson's life and literary career and how he came to write Kidnapped. In his introduction, Donald McFarlan considers the novel's realism and a depiction of Scotland. This volume also includes a historical note, a map, notes, new further reading and a glossary.Robert Louis Stevenson (1850-1894) was born in Edinburgh, the son of a prosperous civil engineer. Although he began his career as an essayist and travel writer, the success of Treasure Island (1883) and Kidnapped (1886) established his reputation as a writer of tales of action and adventure. Stevenson's Calvinist upbringing lent him a preoccupation with predestination and a fascination with the presence of evil, themes he explored in The Strange Case of Dr Jekyll and Mr Hyde (1886), and The Master of Ballantrae (1893).If you enjoyed Kidnapped, you might like Jack London's The Call of the Wild, White Fang, and Other Stories, also available in Penguin Classics.

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Wildlife management specialists and landscape ecologists offer a new perspective on the important intersection of these fields in the twenty-first century.It's been clear for decades that landscape-level patterns and processes, along with the tenets and tools of landscape ecology, are vitally important in understanding wildlife-habitat relationships and sustaining wildlife populations. Today, significant shifts in the spatial scale of extractive, agricultural, ranching, and urban land uses are upon us, making it more important than ever before to connect wildlife management and landscape ecology. Landscape ecologists must understand the constraints that wildlife managers face and be able to use that knowledge to translate their work into more practical applications. Wildlife managers, for their part, can benefit greatly from becoming comfortable with the vocabulary, conceptual processes, and perspectives of landscape ecologists.In Wildlife Management and Landscapes, the foremost landscape ecology experts and wildlife management specialists come together to discuss the emerging role of landscape concepts in habitat management. Their contributions• make the case that a landscape perspective is necessary to address management questions• translate concepts in landscape ecology to wildlife management• explain why studying some important habitat-wildlife relationships is still inherently difficult• explore the dynamic and heterogeneous structure of natural systems• reveal why factors such as soil, hydrology, fire, grazing, and timber harvest lead to uncertainty in management decisions• explain matching scale between population processes and management• discuss limitations to management across jurisdictional boundaries and balancing objectives of private landowners and management agencies• offer practical ideas for improving communication between professionals• outline the impediments that limit a full union of landscape ecology and wildlife managementUsing concrete examples of modern conservation challenges that range from oil and gas development to agriculture and urbanization, the volume posits that shifts in conservation funding from a hunter constituent base to other sources will bring a dramatic change in the way we manage wildlife. Explicating the foundational similarity of wildlife management and landscape ecology, Wildlife and Landscapes builds crucial bridges between theoretical and practical applications.Contributors: Jocelyn L. Aycrigg, Guillaume Bastille-Rousseau, Jon P. Beckmann, Joseph R. Bennett, William M. Block, Todd R. Bogenschutz, Teresa C. Cohn, John W. Connelly, Courtney J. Conway, Bridgett E. Costanzo, David D. Diamond, Karl A. Didier, Lee F. Elliott, Michael E. Estey, Lenore Fahrig, Cameron J. Fiss, Jacqueline L. Frair, Elsa M. Haubold, Fidel Hernández, Jodi A. Hilty, Joseph D. Holbrook, Cynthia A. Jacobson, Kevin M. Johnson, Jeffrey K. Keller, Jeffery L. Larkin, Kimberly A. Lisgo, Casey A. Lott, Amanda E. Martin, James A. Martin, Darin J. McNeil, Michael L. Morrison, Betsy E. Neely, Neal D. Niemuth, Chad J. Parent, Humberto L. Perotto-Baldivieso, Ronald D. Pritchert, Fiona K. A. Schmiegelow, Amanda L. Sesser, Gregory J. Soulliere, Leona K. Svancara, Stephen C. Torbit, Joseph A. Veech, Kerri T. Vierling, Greg Wathen, David M. Williams, Mark J. Witecha, John M. Yeiser

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'This innovative collection of essays offers a uniquely comprehensive exploration of the way in which the EU engages with other international organizations and bodies. While both EU law and international law perspectives are examined, this book goes beyond mere legal analysis to address political and practical issues the EU encounters on the internal and the external fronts. It forms a major contribution to the literature on the relationship between the EU legal order and public international law and on the EU's role in international relations more generally.' - Geert De Baere, General Court of the EU and KU Leuven, Belgium 'As the European Union assumes an ever more prominent role as a global actor, there is a growing need to understand the ways and means of the EU's engagement with other international institutions. This volume, with contributions from renowned experts and scholars, is the first comprehensive study to address the various relationships in that category. It is the essential companion for practitioners and scholars in the fields of European law and international organization.' - Catherine Brölmann, University of Amsterdam, the Netherlands 'This is a commendable and timely Research Handbook, published in an era in which forces of nationalism and populism question the benefits of globalization and existing mechanisms of global governance. In this rich collection of studies, Wessel and Odermatt bring together some 50 experts from academia and practice, to analyze the multifarious interrelationships between the EU and other international institutions (from the UN to the G20, from the WTO to Regional Fisheries Management Organizations, from NATO to the Council of Europe).' - Niels Blokker, Leiden University, the Netherlands The European Union has established relationships with other international organizations and institutions, mainly as a result of its increasingly active role as a global actor and the transfer of competences from the Member States to the EU. Containing chapters by leading scholars, this Research Handbook presents a comprehensive and critical assessment of these relationships, examining both the EU's representation and cooperation as well as the influence of these external bodies on the development of EU law and policy. Insightful and analytical, the Research Handbook explores the interaction of the EU with both formal and informal international institutions as it seeks to become more visible and active within these. The many challenges associated with the limits set by the EU and by international law and politics in relation to EU participation and the 'state-centred' international legal system are assessed. This unique Research Handbook will be a key resource for scholars and students of international and European law and political science, providing a unique overview of the less well-known international organizations in addition to the large institutions. The examination of the development of law and policy will also be of interest to the practitioners of these organizations and those at national ministries. Contributors include: F. Amtenbrink, A. Andrione-Moylan, J. Beqiraj, S. Blockmans, F. Bontekoe, G. Butler, M. Cantero Gamito, E. Castellarin, A.-L. Chané, C. Cinelli, S. Coban, L. de Almeida, R. Delarue, S. Donnelly, T. Emmerling, E. Fahey, J.-P. Gauci, P. Heckler, J. Jacobsson, K.E. Jørgensen, R. Kamphof, A. Khalfaoui, M. Killander, J. Klabbers, K. Laatikainen, E. Lannon, R. Lawson, L. Lourenço, C. Matera, H.-W. Micklitz, J. Odermatt, E. Paasivirta, E. Pichot, T. Peri in, T. Ramopoulos, R. Repasi, J. Selleslaghs, A. Södersten, H. Suzen, B. van der Meulen, P. Van Elsuwege, M. Vaugeois, F. Vlastou-Dimopoulou, M. Wallot, B. Wernaart, R.A. Wessel, J. Wouters, C.-H. Wu, F. Yilmaz

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The Elizabethan age was a tumultuous time, when long-cherished certainties were crumbling and life was exhilaratingly uncertain. Shakespeare's Restless World uncovers the extraordinary stories behind twenty objects from the period to re-create an age at once distant and yet surprisingly familiar. From knife crime to belief in witches, religious battles to the horizons of the New World, Neil MacGregor brings the past to life in a fresh, unexpected portrait of a dangerous and dynamic era.'Fascinating ... filled with anecdotes and insights, eerie, funny, poignant and grotesque ... another brilliant vindication of MacGregor's understanding of physical objects to enter deep into our fore­fathers' mental and spiritual world' Christopher Hart, Sunday Times'Enjoyable and intriguing, an absorbing evocation ... he draws us into the minds of the Elizabethan and Jacobean audience. Next time you see one of the plays reading this book will make those first audiences seem real to you' Peter Lewis, Daily Mail'How gripping are these tales from a lost world. And what a world Shakespeare's was - adventurous, melancholy, rich and plagued by beggary, courteous and quarrelsome, sceptical and credulous' Daily Telegraph 'Elegant, informative ... provides stimulating insights' Anne Somerset, Spectator

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A stylish and informative guide to the best of Midcentury Modern chair design. These are the top 100 most interesting, most controversial, or simply most beautiful chairs from the period spanning 1930–1970, according to expert curator and chair addict Lucy Ryder Richardson. Get to know the designers of the Modern era, and find out about the controversies, drama, gossip and intrigue that accompanied these fascinating figures. Featuring a range of top international names, including Robin Day, Charles and Ray Eames, Ernest Race, Arne Jacobsen, Pierre Paulin, Finn Juhl, Harry Bertoia, Ero Saarinen and Norman Cherner. There is also an exploration into materials and manufacturing processes, plus lots of information about the manufacturers that brought chair designs to the masses, such as Knoll, Herman Miller, Fritz Hansen and Asko. Packed full of design details, historical facts, quotes and anecdotes – you can even find out the position in which the designers intended you to sit in their chairs! With a ‘chair timeline’, showcasing the very best of European, Scandinavian, Japanese and American design, this is the perfect book for collectors, enthusiasts and design junkies alike. Word count: 50,000

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