Search results for ""Author Ross"

De l'autor de L'art de saber escoltar, un llibre sobre l'art de saber estimar. Només pot morir el qui ha viscut, però només viu el qui estima. És veritat que l'amor fa la vida més dolça, però també la fa més aspra, perquè la seva naturalesa és paradoxal. L'amor, com l'ésser, es diu de moltes maneres, però en el fons de tot amor subsisteix una secreta arrel invisible que s'obre camí en els sòls més difícils. L'arrel de l'amor és la gratuïtat. S'estima perquè sí, sense raó utilitària. Una visió de l'amor profunda, espiritual i alhora terrenal: un amor complet. Lluny de la idealització edulcorada que se'ns n'acostuma a oferir avui dia, Francesc Torralba escriu la seva obra més personal. De la mà dels més grans glossadors de l'amor, Llull i Shakespeare, Torralba assumeix en primera persona les contradiccions, els sofriments, els esfoços i els treballs que suposa el sentiment més intens de tots, i ens guia per un camí gens fàcil però al quan no ens podem resistir.

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How do you keep your conversations light and playful yet profound? How do you ask the right questions, with the right words, at the right moment? The Philosophical Conversation teaches you the basics of philosophical skills and instructs how to get started. A philosophical score, which provides you with the right attitude, technique and execution, determines the rhythm. Inside these pages there are all kinds of exercises to help you think more accurately and show you how to share that with others. Discover the joy of making music with words.

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Gaze at the stars no matter where you are with this breathtaking constellation magnet set!- Deluxe Wooden Magnets: This set includes 8 illustrated, glow-in-the-dark wooden magnets, each featuring popular constellations:* Ursa Major & Minor* Orion* Hercules* Pegasus* Leo* Taurus* Andromeda * Gemini- Fold-out, Double-sided Poster: Show off your love for the stars with this 6 3/8 x 7 1/4 inch illustrated, glow-in-the-dark fold-out poster that features both the night sky in the Northern and Southern Hemispheres. - Book Included: Learn some fun facts and myths of some of the most popular constellations in the 48-page, fully-illustrated mini book.- A Unique Gift for Star and Astrology Lovers: Star and astrology lovers of all ages and abilities will love this unique gift set.

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This generously illustrated book provides a complete overview of current knowledge about the sculptures of the Parthenon and suggests new interpretations of the ancient temple's sculptural creations. Margaretha Lagerlöf steps back from viewing the fragments of the sculptures that remain today to focus more clearly on their meanings in the light of classical Athenian knowledge and society. She considers what the sculptures reveal about the Greek sense of democracy and how they characterize women's lives in a warrior culture. Using Plato's philosophy and the visually oriented similes of his myths, Lagerlöf offers a new decoding of the aesthetic structure of the Parthenon's entire sculptural ensemble. The book compares the sculptures of the pediments to those of the metopes and the frieze, uncovering subtle differences in both the nature and the content of their images. Whereas the pediments represent divine elements, for example, the frieze is seen as the domain of human beings, representing events and also the stage of history when humans no longer have direct access to the presence of the gods. The frieze can be interpreted as an invocation of this presence, a means of regaining closeness with the gods. Using a multifaceted and imaginative approach to the sculptures of the Parthenon, Lagerlöf finds powerful new meaning in them as well as an enhanced appreciation of their Athenian creators.

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" . . . the best collection of feminist essays on women poets now available." —Spokeswoman Review"[The essays] form a satisfying whole, stunningly enlightening, important for literature and women's studies. . . . " —Library JournalThe essays in this landmark volume highlight the achievements of "Shakespeare's sisters," including Emily Bronte, Emily Dickinson, Elizabeth Barrett Browning, Christina Rossetti, and others.

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At a time when women were generally excluded from scholarly discourse in the intellectual centers of Europe, four extraordinary female letterate proved their parity as they lectured in prominent scientific and literary academies and published in respected journals. During the Italian Enlightenment, Maria Gaetana Agnesi, Giuseppa Eleonora Barbapiccola, Diamante Medaglia Faini, and Aretafila Savini de Rossi were afforded unprecedented deference in academic debates and epitomized the increasing ability of women to influence public discourse. The Contest for Knowledge reveals how these four women used the methods and themes of their male counterparts to add their voices to the vigorous and prolific debate over the education of women during the eighteenth century. In the texts gathered here, the women discuss the issues they themselves thought most urgent for the equality of women in Italian society specifically and in European culture more broadly. Their thoughts on this important subject reveal how crucial the eighteenth century was in the long history of debates about women in the academy.

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At a time when women were generally excluded from scholarly discourse in the intellectual centers of Europe, four extraordinary female letterate proved their parity as they lectured in prominent scientific and literary academies and published in respected journals. During the Italian Enlightenment, Maria Gaetana Agnesi, Giuseppa Eleonora Barbapiccola, Diamante Medaglia Faini, and Aretafila Savini de Rossi were afforded unprecedented deference in academic debates and epitomized the increasing ability of women to influence public discourse. The Contest for Knowledge reveals how these four women used the methods and themes of their male counterparts to add their voices to the vigorous and prolific debate over the education of women during the eighteenth century. In the texts gathered here, the women discuss the issues they themselves thought most urgent for the equality of women in Italian society specifically and in European culture more broadly. Their thoughts on this important subject reveal how crucial the eighteenth century was in the long history of debates about women in the academy.

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In the past three years, the Kunsthalle Bega Box in Timișoara, Romania, successively became a laboratory and experimental space for young and mid-career Romanian artists, showcasing comprehensive projects involving research and representation and engaging the audience in a phenomenological cultural experience. The book offers an overview of the projects that have taken place at Kunsthalle Bega Box since its opening. Texts by the curators and artists provide insights into the theoretical discourses underlying the exhibitions. Artists: Dorian Bolca, Irina Bujor, Dreaming About my Unborn Child Group, Oláh Gyárfás, Tijana Kačarević, Lera Kelemen, Bogdan Matei, Mihai Mihalcea, Adrian Oncu, Teo Papadopol, Gavril Pop, Laurian Popa, Nicoló Filippo Rosso, George Roșu, Șerban Savu, Ioana Maria Sisea, Ana Maria Szöllösi, Ioana Terheș, Miki Velciov, Dan Vezentan, Mihai Zgondoiu. Text by Horea Avram, Kilobase Bucharest, Alina Cristescu, Dana Diminescu, Anca Verona Mihuleț, Iris Ordean, Mihai Pop, Laurian Popa, Maria Orosan Telea, Dan Vezentan. Text in English and Romanian.

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Whither Quo Vadis? offers an engaging account of how the Roman world and its history are represented in film and the way in which the different adaptations reflect the shifting historical situations and ideological concerns of their own times. Explores five surviving film adaptations – Guazzoni's of 1912; D’Annunzio/Jacoby of 1925; Mervyn LeRoy's of 1951; the Italian TV mini-series of 1985 by Franco Rossi; and Kawalerowicz’s 2001 Polish version Examines how these different versions interpret, select from, and modify the novel and the ancient sources on which it is based Offers an exceptionally clear view of how films have presented ancient Rome and how modern conditions determine its reception Looks at rare and archival material which has not previously received close scholarly attention

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Dark Nights: Metal: Dark Knights Rising introduces: The Batman Who Laughs: a lunatic driven mad by his world's Joker. The Red Death: a thief who stole his reality's Speed Force power. The Drowned: a female, amphibious Batman. The Dawnbreaker: a twisted Green Lantern. The Murder Machine: a deranged, deadly cyborg. The Merciless: a warrior who wears the helmet of Ares. The Devastator: a part-human, part-Doomsday monster. Featuring stories from Scott Snyder, James Tynion IV, Peter J. Tomasi, Grant Morrison, Joshua Williamson, Ethan Van Sciver, Philip Tan, Tyler Kirkham, Francis Manapul, Riley Rossmo, Tony S. Daniel, Howard Porter, Doug Mahnke and many more! Collects the seven Dark Nights: Batman tie-in one-shots and Dark Knights Rising: The Wild Hunt #1.

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An exotic saga set in post-war Hong Kong and Korea, where Dr Rowena Rossiter longs to follow her heart, and her love, but the shadows of a violent past threaten to engulf her.

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'Reminded me of Gorky Park, only I liked this tense, complex thriller even better' JAMES PATTERSON *Shortlisted for the 2021 CWA Gold Dagger and the John Creasey 'New Blood' Dagger* 'Brilliantly orchestrated and totally engrossing' THE CRIME WRITERS' ASSOCIATION ______Leningrad, Russia, 1951.The shadow of war lingers. Revol Rossel – once a virtuoso violinist with a glittering future – is now a humble state militia cop, forced to investigate desperate crimes in this desperate era.But when five frozen corpses are found neatly arranged between railway lines, Rossel is faced with the most puzzling – and most dangerous – case of his career. His hunt for the truth leads him to the dark heart of Leningrad's musical establishment, and, ultimately, to the highest levels of the Kremlin itself.It's a world he knows intimately. A world where his dreams were shattered.A world where a killer may now be hiding...'A highly assured and entertaining debut . . . Martin Cruz Smith's Gorky Park [...] may have a true heir' THE TIMES'A worthy successor to Cruz Smith's Arkady Renko . . . A fine and often moving thriller' FINANCIAL TIMES'Gripping . . . with historical heft, plenty of twists along the way, and a uniquely ingenious code left behind by our murderer. An excellent start to a new historical crime series' VASEEM KHAN

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Fanny Cornforth was a Victorian supermodel whose face epitomised the vision and life of the Pre-Raphaelite artist Dante Gabriel Rossetti. In their twenty-five years together, she played many parts from muse, medium and lover to housekeeper and nurse. Due to her care of the artist, he was able to create some of the best known and celebrated art works of the nineteenth century, however at his death Fanny became an outcast, accused of stealing, lying and even murder. Her journey from rural poverty to celebrated beauty gave her a life she could never have dreamed of, but her choice of love above security saw her end her days in an asylum. Her afterlife, in the imagination of those who knew her and those that followed saw her cast as a villainess; Rossetti’s folly, an illiterate prostitute who could crack walnut shells in her teeth. It’s finally time that the truth is separated from the swirl of lies and that the life of one of the most infamous women of Bohemian London is told, from canvas to asylum.

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Dante’s best friend and a major exponent of the dolce stil novo, Guido Cavalcanti has had a lasting influence upon Italian poetry and is best known to English readers through the essays, translations and adaptations of Ezra Pound. Born from the cultural ferment of thirteenth- century Florence, Cavalcanti’s poetry is an extraordinary blend of unorthodox philosophy, sharp psychological insight and dazzling formal mastery. Anthony Mortimer, acclaimed for his versions of Petrarch and Michelangelo, provides a new verse translation complete with notes, critical comment and biographical material: following in the footsteps of Rossetti and Pound, he presents a Cavalcanti who speaks for his own time and to ours.

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The contributors to Assembly Codes examine how media and logistics set the conditions for the circulation of information and culture. They document how logistics—the techniques of organizing and coordinating the movement of materials, bodies, and information—has substantially impacted the production, distribution, and consumption of media. At the same time, physical media, such as paperwork, along with media technologies ranging from phone systems to software are central to the operations of logistics. The contributors interrogate topics ranging from the logistics of film production and the construction of internet infrastructure to the environmental impact of the creation, distribution, and sale of vinyl records. They also reveal how logistical technologies have generated new aesthetic and performative practices. In charting the specific points of contact, dependence, and friction between media and logistics, Assembly Codes demonstrates that media and logistics are co-constitutive and that one cannot be understood apart from the other. Contributors Ebony Coletu, Kay Dickinson, Stefano Harney, Matthew Hockenberry, Tung-Hui Hu, Shannon Mattern, Fred Moten, Michael Palm, Ned Rossiter, Nicole Starosielski, Liam Cole Young, Susan Zieger

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A fresh perspective on British landscape drawing in the Victorian and Modern eras. The attempts by artists of the Victorian and early Modern period to convey not merely the physical properties of a landscape but also its emotional and spiritual impact – landscape as ‘places of the mind’, as the critic Geoffrey Grigson put it – is the focus of this fascinating new study of British watercolours produced between 1850 and 1950. Drawing on the British Museum’s impressive collection, this book explores artists’ spiritual quests to capture the essence of landscape and convey a sense of place. Artists of the later nineteenth and early twentieth centuries drew on earlier traditions but developed and extended the genre through their imaginative, personal responses to the artistic, cultural and social upheavals of the time. The book includes works by Victorian artists Edward Burne-Jones, Dante Gabriel Rossetti and Edward Poynter and by many well known twentieth-century artists, such as John and Paul Nash, Ben Nicholson and Henry Moore, some of which have never previously been published.

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Andre Bazin's What Is Cinema? (volumes I and II) have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism. Although Bazin made no films, his name has been one of the most important in French cinema since World War II. He was co-founder of the influential Cahiers du Cinema, which under his leadership became one of the world's most distinguished publications. Championing the films of Jean Renoir (who contributed a short foreword to Volume I), Orson Welles, and Roberto Rossellini, he became the protege of Francois Truffaut, who honors him touchingly in his forword to Volume II. This new edition includes graceful forewords to each volume by Bazin scholar and biographer Dudley Andrew, who reconsiders Bazin and his place in contemporary film study. The essays themselves are erudite but always accessible, intellectual, and stimulating. As Renoir puts it, the essays of Bazin "will survive even if the cinema does not."

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Get your hands on the must-have guide for all things, QUICK, EASY AND VEGAN'These speedy, fuss-free plant-based dinners use ingredients already in your cupboard' Take a BreakSO VEGAN’s Roxy Pope and Ben Pook believe the food we choose to eat can have a positive impact on our planet and our health. But not just any old food. They’re talking about simple and speedy plant-based meals, which you’ll find right here in EASY – a collection of 100 irresistible vegan recipes designed to be nutritious, delicious and totally fuss-free.- Creamy Pesto Rosso Gnocchi- Teriyaki Meatball Ramen- Barbecued Mushroom Tacos- Lemongrass + Coconut Curry- Harissa Bolognese- Red Pepper Tapenade Baguette Pizzas- Sloppy Joe Quesadillas- Gooey Chocolate BrowniesWith chapters covering speedy midweek meals, healthy but hearty weekend dinners and indulgent desserts, discover the EASY way to eat mouth-watering, plant-based meals every day of the week.

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Unscrupulous, devilishly ambitious and undeniably charismatic, Domenico Barbaja was the most celebrated Italian impresario of the early 1800s and one of the most intriguing characters to dominate the operatic empire of the period. Dubbed the 'Viceroy of Naples', Barbaja managed both the Teatro di San Carlo in Naples and La Scala in Milan. He was the influential force behind the careers of a plethora of artists including Vincenzo Bellini, Gioachino Rossini and the great mezzo-soprano Isabella Colbran, who became Barbaja's lover before eventually deserting him to marry Rossini. Most vitally, Barbaja's vision had an irrevocable impact on the history of Italian opera; determined to create a lucrative business, he cultivated an energetic environment of new artists producing innovative, exciting opera that people would flock to hear. Philip Eisenbeiss brilliantly pieces together the forgotten story of a tireless tyrant who began life as a barely educated coffee waiter, yet grew to be one of the richest and most potent men in Italy. A natural entrepreneur, Barbaja had the ability to predict a sensation; a skill he exploited his entire life, forging his fortune as a cafe-owner, arms profiteer, gambling tycoon and eventually, opera magnate. Eisenbeiss unlocks the enigma of this eccentric and fascinating personality that has been hitherto neglected.

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Descripción: 21x14 cm .Encuadernacion:Rustica con solapa.Colección: Serendipity,135.Las personas nos hallamos inmersas en un compendio de múltiples relaciones interpersonales. Toda nuestra vida consiste en una vida en relación. Nos relacionamos con la pareja, con nuestros hijos e hijas, con amistades, con compañeros de trabajo, con nuestros vecinos. en fin; vivimos en un mundo interaccional. En realidad estamos destinados a relacionarnos con los demás y estas interacciones son, para muchos de nosotros, causa de grandes encuentros y momentos de plenitud, pero también fuente de conflictos y preocupaciones. Para aprender a relacionarnos más satisfactoriamente con la gente precisamos comprender cómo están configuradas nuestras interacciones y permanecer abiertos a cambiar aquello que no nos satisface, para vivir mejor en un mundo en el que no podemos dejar de interactuar.Los grandes maestros de la filosofía experiencial y centrada en las personas han intuido lo que está implí

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La entrevista es una de las herramientas básicas en el campo de las ciencias sociales. Los sociólogos, los asistentes sociales y los psicólogos hacen un uso constante de ella, pero a menudo se olvidan de los aspectos psicodinámicos de la entrevista,

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