Search results for ""Author Ross"

This is a scholarly monograph devoted to Jane Morris, an icon of Victorian art whose face continues to grace a range of Pre-Raphaelite merchandise. Described by Henry James as a 'dark, silent, medieval woman', Jane Burden Morris has tended to remain a rather one-dimensional figure in subsequent accounts. This book, however, challenges the stereotype of Jane Morris as silent model, reclusive invalid, and unfaithful wife. Drawing on extensive archival research as well as the biographical and literary tradition surrounding William Morris and Dante Gabriel Rossetti, the book argues that Jane Morris is a figure who complicates current understandings of Victorian female subjectivity because she does not fit neatly into Victorian categories of feminine identity. She was a working-class woman who married into middle-class affluence, an artist's model who became an accomplished embroiderer and designer, and an apparently reclusive, silent invalid who was the lover of Dante Gabriel Rossetti and Wilfred Scawen Blunt. Jane Morris particularly focuses on textual representations - in letters, diaries, memoirs and novels - from the Victorian period onwards, in order to investigate the cultural transmission and resilience of the stereotype of Jane Morris. Drawing on recent reconceptualisations of gender, auto/biography, and afterlives, this book urges readers to think differently - about an extraordinary woman and about life-writing in the Victorian period. It is the first scholarly study of Jane Morris, which seeks to challenge the stereotype surrounding her as melancholy invalid and Pre-Raphaelite femme fatale. It is an innovative case study of the role of class, gender and sexuality in the formation of Victorian feminine subjectivity. It is a contribution to emerging field of new biography and Victorian afterlives through the inclusion and examination of a wide variety of texts which construct the self. It is an original exploration of feminine creative agency that challenges conventional understandings of masculine artistic autonomy in the Victorian period.

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Making a compelling argument for the continuing relevance of Brechtian film theory and cinema, this book offers new research and analysis of Brecht the film and media theorist, placing his scattered writings on the subject within the lively film theory debates that took place in Europe between the 1920s‐1960s. Furthermore, Angelos Koutsourakis identifies key points of convergence between Brecht’s `unfinished project’ and contemporary film and media theory. With case studies of films ranging from Robert Roberto Rossellini’s `Paisà’ to Bernardo Bertolucci’s `1900’ and Joshua Oppenheimer’s `The Act of Killing’ amongst others, this study challenges many existing preconceptions about Brecht’s theoretical position and invites readers to discover new ways of apprehending and making use of Brecht in film studies.

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A brilliant, dip-in collection of poems to be read aloud, with tips and advice on how to be the best poetry performer! This wonderful anthology is full of poems that are easy to remember and perfect for reciting out loud. It includes new, modern and classic poems, ranging from very short to long and written by a diverse range of poets from Joshua Seigal to Christina Rossetti and from Lewis Carrol to Debjani Chatterjee. The poems are arranged in order of length, making it easy to select the right poem for every level. Featuring tips for readers, teachers and parents on how to memorise poems and on performing them out loud, this book is perfect for the memorising and performance elements in the primary National Curriculum. Book Band: Brown Aimed at readers aged 7+

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In Poems to Live Your Life By, Chris Riddell, political cartoonist for the Observer, has selected his very favourite classic and modern poems about life, death and everything in between.This gorgeously illustrated collection includes forty-six poems and is divided into sections covering: musings, youth, family, love, imaginings, nature, war and endings. Chris Riddell brings them to life with his exquisite, intricate artwork in this beautiful anthology.This perfect gift features famous poems, old and new, and a few surprises. Classic verses from William Shakespeare, Lewis Carroll, W. B. Yeats and Christina Rossetti sit alongside poems from Nick Cave, Leonard Cohen, Carol Ann Duffy, Neil Gaiman and Roger McGough to create the ultimate collection.

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Save water: Drink Prosecco Who doesn't love a chilled glass of Prosecco? Champagne's younger, more affordable Italian cousin is a light, dry sparkling wine, perfect for every occasion. From a summer tipple to a tasty cocktail, dinner accompaniment or festive fizz, you just can't beat it. And as global sales would indicate, Prosecco is the new black.Bubbling with Prosecco-infused wit and wisdom, and mixed with recipes for some of Italy's most iconic Prosecco cocktails – the Spritz, Rossini, Mimosa – The Little Book of Prosecco is a sparkling celebration of one of the world's best-loved wines that will have you reaching for a bottle and popping that cork in no time.Prosecco has only 90 calories per glass – that's less than a banana! 'All you need is love, laughter and Prosecco.' Unknown

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Now available again, this enchanting collection of 50 great poems continues to inspire with pleasure and wonder—a perfect gift.When a group of fifth-grade students asked fifty celebrities what their favorite poem was and why, the answers they received became a beautiful collection of some the world’s most beloved poems, from classic to modern, that continues to offer inspiration, solace, wisdom, and amusement. Each poem is accompanied by the celebrity’s brief letter explaining why they chose it and its resonance for them.Among the celebrities are Yo-Yo Ma, Joyce Carol Oates, Stephen Sondheim, Allen Ginsberg, Angela Lansbury, Kurt Vonnegut, Harolyn Blackwell, Isabella Rossellini, Bill Irwin, E. L. Doctorow, David Mamet, Elie Wiesel, Ally Sheedy, Ved Mehta, Tom Wolfe, David Dinkins, and Susan Minot. The poets include Emily Dickinson, Langston Hughes, Robert Frost, T. S. Eliot, Alice Walker, Mary Oliver, Frank O’Hara, Walt Whitman, William Carlos Williams, W. B. Yeats. and John Keats—not to mention Noel Coward and a ditty by David Mamet himself! Anna Quindlen and verse from Pulitzer Prize–winner Yusef Komunyakaa provide a thoughtful introduction.Royalties from this collection have been donated to charity since its original publication.

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This book is above all a commitment to encounter. Is the research result of a Working Group (Grupo de Trabajo) of the Latin American Council of Social Sciences (CLACSO), which brings together people who study and research, but who, above all, carry out collective actions from social organizations to transform the reality of our continent. This character of thinking doing, or rather, of doing thinking, of the Grupo de Trabajo gives this text a peculiar cadence. A cadence that demands a collective and cooperative authorship. It is also a recovery of the struggles that precede us, the sutures of the loom of memory that patriarchal and colonial capitalism strives to pierce, and that is another of the powers of this book. The book invites to dismantle the patriarchal and colonial legacies embedded in the very foundations of hegemonic academic thought, and demonstrates the urgent need to understand this as a political task of the moment. It is organized into three main stations, which, like a train journey, can be travelled through sequentially from beginning to end, or entered randomly, stopping at one or another section according to the interests and concerns of the moment. The volumes contributors are Alicia Migliaro Gonzaìlez, Ana Luciìa Ramazzini, Colectivo Magdalenas UruguayTeatro de las oprimidas, Cristina Cucuriì, Cristina Vega, Delmy Tania Cruz Hernaìndez, Dina Mazariegos Garciìa, Elvira Cuadra Lira, Eva Vaìzquez, Gabriela Ruales, Gabriela Veras Iglesias, Giulia Marchese, Inþigo Arrazola, Ivonne Yaìnez, Jonatan Rodas, Juliana Diìaz Lozano, Lisset Coba, Lorena Rodriìguez Lezica, Manuel Bayoìn, Mariano Feìliz, Mauricio Arellano Nucamendi, Melissa Moreano, Miriam Garciìa-Torres, Miriam Lang, Rosa H.G. Govela Gutieìrrez (), Rossana Cantieri Cagnone, Sofiìa Zaragocin, and Walda Barrios-Klee (). Rosa Govela Gutiérrez and Walda Barrios-Klee died while the book was being edited.

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[Beaumarchais'] fame rests on Le Barbier de Seville (1775) and Le Mariage de Figaro (1784), the only French plays which his stage-struck century bequeathed to the international repertoire. But his achievement has been adulterated, for ‘Beaumarchais’ has long been the brand name of a product variously reprocessed by Mozart, Rossini, and the score or so librettists and musicians who have perpetuated his plots, his characters, and his name. The most intriguing question of all has centered on his role as catalyst of the Revolution. Was his impertinent barber the Sweeney Todd of the Ancien Régime, the true begetter of the guillotine? . . . Beaumarchais' plays have often seemed to need the same kind of shoring up as his reputation, as though they couldn't stand on their own without a scaffolding of good tunes. Yet, as John Wells' lively and splendidly speakable translations of the Barber, the Marriage, and A Mother's Guilt demonstrate, they need assistance from no one. [Beaumarchais] thought of the three plays as a trilogy. Taken together, they reflect, as John Leigh’s commentaries make clear, the Ancien Régime’s unstoppable slide into revolution. --David Coward in The London Review of Books

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From the 1850s to the 1920s, laws regulating the industrial labor process, pensions for the elderly, unemployment insurance, and measures to educate and ensure the welfare of children were enacted in many industrializing capitalist nations. This same period saw the development of modern social sciences. The eight essays collected here examine the reciprocal influence of social policy and academic research in comparative context, ranging across policy areas and encompassing developments in Britain, the United States, Germany, France, Canada, Scandinavia, and Japan. Introduced by the editors, the essays include Part I on the emergence of modern social knowledge by Ira Katznelson, Anson Rabinbach, and Bjorn Wittrock and Peter Wagner; Part II on reformist social scientists and public policymaking by Dietrich Rueschemeyer and Ronan Van Rossem, Libby Schweber, and John R. Sutton; Part III on state managers and the uses of social knowledge by Stein Kuhnle and Sheldon Garon, and a conclusion by Rueschemeyer and Theda Skocpol. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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'This is the night mail crossing the border,Bringing the cheque and the postal order...' -- W.H. AudenWordsworth was the first laureate of locomotives: in fact he railed against them, and against the consequent opening up of the Lakes to holiday hordes ('On the Projected Kendal and Windermere Railway'). His dismay was echoed down the decades by disturbed ruralists, and yet the train has become part of our psychic landscape: some of the best-loved English poems - Edward Thomas's 'Adlestrop', or Philip Larkin's 'Whitsun Weddings' - have celebrated carriages, platforms and waiting rooms, while locomotion has inspired some of the most characteristic poetry of Dante Gabriel Rossetti and Stevenson, Hardy and MacNeice, Betjeman and Auden (whose 'Night Mail' was written to accompany a 1930s GPO documentary about the postal express from Euston to Glasgow).Co-edited by two of our most distinguished poets, Train Songs offers a round tour - from Wordsworth to Hugo Williams and beyond - starting from the poetry of departures and brief encounters, but taking in the American Blues, the troop trains of two world wars, and the addiction to speed which characterised the European revolutions. Trains have carried the freight of history from the Industrial Revolution onwards - the Armstice in 1918 was signed in a railway carriage, the death camps were organised around train timetables - and this new anthology shows how the train in all its forms has exercised a unique hold upon our collective unconscious.

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This follow-up to the smash hit Cats Galore dives deeper into the world of Susan Herbert, whose delightful re-imaginings of some of the best-known and best-loved works of art have won her a devoted international following. Herbert’s first book, The Cats Gallery of Art, was published in 1990, and since then her work has appeared in numerous books, featuring cats in iconic works of art, as well as scenes from opera, Shakespearean plays and the movies – all with her trademark blend of humour and ability to capture those essential feline characteristics so instantly recognizable to cat lovers everywhere. In this new compilation, furry felines take over yet more of the world’s most famous masterpieces. They crowd into the pages of the 15th-century Très Riches Heures, zoom through the air as cherubic blindfolded Cupids in Renaissance masterworks, and pose stiffly in royal portraits, before loosening things up in the 19th century as artists take paint and palette out into the countryside. Ranging from medieval illuminated manuscripts to Old Master stalwarts such as Rembrandt and Vermeer, through to the likes of Monet and Rossetti, this second helping of cats in art will delight fans everywhere of a beloved artist.With 140 illustrations in colour

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The first full revision of the first of the volumes for the Buildings of Scotland series This is the first fully revised and expanded guide to the buildings of Lothian since Colin McWilliam’s pioneering volume of 1978, with new colour photography, maps, and plans to accompany the unrivalled coverage of the area. Lothian surrounds the capital city of Edinburgh, which has done much to influence the character of its buildings. Among these are some important medieval relics, including the internationally famous Rosslyn Chapel, the royal Renaissance palace at Linlithgow, and the ruins of great castles and tower houses. Among major country houses, none are more splendid than Hopetoun and the ducal seat of Dalkeith Palace but Lothian also has the extraordinarily well-preserved Newhailes and mighty Gosford House. This is also an area of picturesque small towns and resorts along the Firth of Forth with outstanding villas for the Edwardian elite, and rural villages of unspoiled character, preserving remains of their agricultural heritage. The industrial legacy is important, including not only one of the most complete collieries in Scotland but also the world-famous Forth Rail Bridge. This volume is an essential reference for visitors and residents alike.

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Arguably one of the most important economists who has lived, Ricardo's impact on the economics profession is immense. This unique and comprehensive Companion elucidates his significance and continuing legacy. Ricardo made major contributions to all fields of the subject, from monetary issues to value and income distribution, from capital accumulation, technical progress and economic growth to foreign trade and international specialization, and from taxes to public debt. What he called the main problem of political economy, the distribution of income and wealth, is again back on the political and economic agenda with a vengeance. Leading experts in the field explore his influence and offer novel interpretations of received doctrines.The concise yet comprehensive entries are arranged alphabetically for ease of use with cross references and suggestions for further reading. The Companion will serve as the standard reference work for all those engaged in the field of classical economics. It will also be essential reading for scholars and researchers interested in the history of economic thought, macroeconomics and political economy.Contributors include: R. Arena, T. Aspromourgos, M.S. Aßländer, R.E. Backhouse, I. Barens, E. Bellino, C. Bidard, S. Blankenburg, C. Casarosa, R. Ciccone, S. Cremaschi, M. Dardi, G. Deleplace, T. Dome, G. Erreygers, G. Faccarello, R. Faucci, D. Fiaschi, S. Fratini, G. Freni, C. Gehrke, A.F. Gilbert, G. Gilibert, P. Groenewegen, D. Haas, H. Hagemann, A. Heertje, J.E. King, H. Klausinger, H.D. Kurz, A. Maneschi, M.C. Marcuzzo, F. Meacci, M. Milgate, G. Mongiovi, F. Moseley, D.P.O'Brien, A. Opocher, A. Palumbo, S. Parrinello, C. Perrotta, M. Pivetti, P.L. Porta, A. Quadrio Curzio, S.A.T. Rizvi, A. Rosselli, C. Rotondi, N. Salvadori, R. Signorino, N. Sigot, M. Smith, A. Stirati, R. Sturn, P. Trabucchi, H.-M. Trautwein, P. Tubaro, K. Watarai

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This comprehensive Handbook presents the current state of art in the theory and methodology of macroeconomic data analysis. It is intended as a reference for graduate students and researchers interested in exploring new methodologies, but can also be employed as a graduate text. The Handbook concentrates on the most important issues, models and techniques for research in macroeconomics, and highlights the core methodologies and their empirical application in an accessible manner. Each chapter is largely self-contained, whilst the comprehensive introduction provides an overview of the key statistical concepts and methods. All of the chapters include the essential references for each topic and provide a sound guide for further reading.Topics covered include unit roots, non-linearities and structural breaks, time aggregation, forecasting, the Kalman filter, generalized method of moments, maximum likelihood and Bayesian estimation, vector autoregressive, dynamic stochastic general equilibrium and dynamic panel models. Presenting the most important models and techniques for empirical research, this Handbook will appeal to students, researchers and academics working in empirical macroeconomics and econometrics.Contributors: B.H. Baltagi, L. Bauwens, O. Boldea, J. Breitung, C. Cantore, M.J. Chambers, I. Choi, J. Davidson, V.J. Gabriel, R. Giacomini, P. Gomme, J. Gonzalo, P.A. Guerrón-Quintana, N. Haldrup, A.R. Hall, N. Hashimzade, M. Karanasos, L. Kilian, S. Kim, D. Korobilis, R. Kruse, P. Levine, D. Lkhagvasuren, A. Luati, H. Lütkepohl, J. Madeira, T.C. Mills, J.M. Nason, K. Patterson, J. Pearlman, J.-Y. Pitarakis, D.S.G. Pollock, T. Proietti, B. Rossi, F.J. Ruge-Murcia, T. Teräsvirta, M.A. Thornton, R.T. Varneskov, B. Yang, N. Zeng

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A paragon of cinema criticism for decades, Roger Ebert—with his humor, sagacity, and no-nonsense thumb—achieved a renown unlikely ever to be equaled. His tireless commentary has been greatly missed since his death, but, thankfully, in addition to his mountains of daily reviews, Ebert also left behind a legacy of lyrical long-form writing. And with Two Weeks in the Midday Sun, we get a glimpse not only into Ebert the man, but also behind the scenes of one of the most glamorous and peculiar of cinematic rituals: the Cannes Film Festival. More about people than movies, this book is an intimate, quirky, and witty account of the parade of personalities attending the 1987 festival—Ebert’s twelfth, and the fortieth anniversary of the event. A wonderful raconteur with an excellent sense of pacing, Ebert presents lighthearted ruminations on his daily routine and computer troubles alongside more serious reflection on directors such as Fellini and Coppola, screenwriters like Charles Bukowski, actors such as Isabella Rossellini and John Malkovich, the very American press agent and social maverick Billy “Silver Dollar” Baxter, and the stylishly plunging necklines of yore. He also comments on the trajectory of the festival itself and the “enormous happiness” of sitting, anonymous and quiet, in an ordinary French café. And, of course, he talks movies. Illustrated with Ebert’s charming sketches of the festival and featuring both a new foreword by Martin Scorsese and a new postscript by Ebert about an eventful 1997 dinner with Scorsese at Cannes, Two Weeks in the Midday Sun is a small treasure, a window onto the mind of this connoisseur of criticism and satire, a man always so funny, so un-phony, so completely, unabashedly himself.

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From the Real Housewives of New Jersey star, an unfiltered memoir chronicling Jackie's harrowing eighteen-year battle with anorexia and her journey to recovery in the public eye, for readers of Unbearable Lightness by Portia de Rossi.

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National Poetry Day is a chance for everyone everywhere to read, share and enjoy poetry. This special anthology features poems by the National Poetry Day Ambassadors, a top team of fantastic poets who bring poetry alive all year round. Includes new poems by Deborah Alma, Joseph Coelho, Sally Crabtree, Jan Dean, Marjorie Lotfi Gill, Chrissie Gittins, Matt Goodfellow, Sophie Herxheimer, Michaela Morgan, Brian Moses, Abigail Parry, Rachel Piercey, Rachel Rooney, Joshua Siegal and Kate Wakeling (winner of the CLiPPA, 2017). And each poet has chosen a favourite poem to share, so look out for classics by Chistina Rossetti, WB Yeats, Shakespeare and Keats among others. Take a look, and be part of the celebration!

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Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cello bag, and are themed with our art calendars, foiled notebooks and illustrated art books.William Morris was inspired a great deal by nature, as can be seen here in Compton. This love for flora and fauna came about as a result of following the doctrines of the Pre-Raphaelite Brotherhood, which Morris became drawn to, developing close friendships with its founders, Dante Gabriel Rossetti (1828–82), William Holman Hunt (1827–1910) and John Everett Millais (1829–96).

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Das Sammeln ist als produktives Werkzeug des Entwerfens in der Architektur bislang kaum erforscht worden. Dabei kennt die Architekturgeschichte zahlreiche Formen wie Muster-, Vorbild- oder Objektsammlungen, die immer neue Wissens- und Materialgrundlagen zugänglich machten. In diesem Buch gelingt erstmals eine fundierte Aufarbeitung dieses besonderen Entwurfswerkzeugs und seiner Operativität, theoretisch begründet und an Fallbeispielen der Geschichte und der Gegenwart belegt. Im Zentrum stehen dingliche Sammlungsgegenstände, die auf jeweils eigene Weise zu Referenzobjekten werden. Die Einzeldarstellungen widmen sich dem Sammeln im Entwurfsvorgang bei Ernö Goldfinger, Renaat Braem, Rudolf Olgiati und Aldo Rossi sowie bei AFF Architekten und Vogt Landschaftsarchitekten.

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Mentre el seu amic Bartomeu agonitza al sanatori del Brull, en Salvador rememora l?amistat que els ha unit. Encara no han fet els vint-i-cinc anys, i tenen molt en comú: són intellectualment brillants i ambiciosos; estimen l?art i la literatura; són insolents, provocadors i senten l?exaltació de la joventut; els agrada riure i parlar durant hores, s?admiren mútuament i han navegat plegats d?una punta a l?altra de la Mediterrània. Tot ho han compartit i celebrat, i és possible que s?hagin enamorat de la mateixa noia. Però aquest enamorament i les divergències ideològiques els han acabat allunyant. Som a l?any 1938, en plena guerra civil.Basada en la relació entre els poetes Salvador Espriu i Bartomeu Rosselló-Pòrcel, Dos amics de vint anys és una novella de celebració de la joventut i l?amistat, però també és un relat sobre la fragilitat de la bellesa, que quan sucumbeix deixa el seu lloc a l?enyorança i a l?alegria d?haver-la coneguda.

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Senza data (Undated), an exhibition at the Stefano Bardini Museum in Florence, presents a series of works by Italian artist Luca Pignatelli painted on railway tarpaulins, wood, paper, sheet metal, and Persian carpets from the early 20th century. The painted carpets stand out immediately for their size and their link with the vast collection of carpets in the museum. Luca Pignatelli studied architectural composition during the period influenced by the theories of Aldo Rossi and the idea of the sedimentary growth of history. He is an artist able to accept the challenge of large-scale paintings, working with unusual supports on which he overlays his own selection of images, icons of collective memory like trains, planes, machines, and relics of classical culture. This catalogue includes an interview with the artist and an essay by director of the Museo Novecento in Florence.

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Navigate through the alphabet effortlessly and become the brunchtime hero and sparkling star of your soirées with this easy-to-follow recipe card deck.Elevate your celebrations with the Bubbly Cocktail Cards A­-Z—an effervescent journey through 75 delightful and bubbly concoctions. This comprehensive deck is your passport to mastering the art of crafting sparkling wine-based cocktails, ensuring that every sip is a toast to sophistication. Pop a bottle and pick a card with this fun way to select this evening’s—or morning’s—drink of choice. From classics to contemporary delights, Bubbly Cocktail Cards A­­-Z brings the world of effervescent mixology to your fingertips. Indulge in recipes such as: -Rhubarb Strawberry Rossini -Cranberry Holiday Bubbly -Classic Bellini -Berry-Lemonade Sparking Sangria -And more! Whether you’re commemorating milestones or simple adding a to

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Join Corrine Kenner as she recounts gentle hauntings of her Florida antique shop. Meet the ghost of Annette Dennis, who holds everyone in the shop to her high musical standards and the spirits of Jim and Rossie Hearne, who possess the store s newlywed dolls. Whether they are attracted to the century-old bungalow or the collectables sold within it, these spirits interact with the living to show us life s joys. In addition to hopeful stories, this book provides numerous tips for using psychometry, pendulums, dowsing rods, and tarot cards to help you reach out to friendly shadows of the past. Corrine s experiences with objects that appear out of nowhere, move on their own, and radiate psychic energy reassure us that we can still connect to loved ones on the other side.

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The contributors to Assembly Codes examine how media and logistics set the conditions for the circulation of information and culture. They document how logistics—the techniques of organizing and coordinating the movement of materials, bodies, and information—has substantially impacted the production, distribution, and consumption of media. At the same time, physical media, such as paperwork, along with media technologies ranging from phone systems to software are central to the operations of logistics. The contributors interrogate topics ranging from the logistics of film production and the construction of internet infrastructure to the environmental impact of the creation, distribution, and sale of vinyl records. They also reveal how logistical technologies have generated new aesthetic and performative practices. In charting the specific points of contact, dependence, and friction between media and logistics, Assembly Codes demonstrates that media and logistics are co-constitutive and that one cannot be understood apart from the other. Contributors Ebony Coletu, Kay Dickinson, Stefano Harney, Matthew Hockenberry, Tung-Hui Hu, Shannon Mattern, Fred Moten, Michael Palm, Ned Rossiter, Nicole Starosielski, Liam Cole Young, Susan Zieger

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'She turned into a frog, into a lizard, into all kinds of other reptiles and then into a spindle'In these tales, young women go on long and difficult quests, wicked stepmothers turn children into geese and tsars ask dangerous riddles, with help or hindrance from magical dolls, cannibal witches, talking skulls, stolen wives, and brothers disguised as wise birds. Half the tales here are true oral tales, collected by folklorists during the last two centuries, while the others are reworkings of oral tales by four great Russian writers: Alexander Pushkin, Nadezhda Teffi, Pavel Bazhov and Andrey Platonov. In his introduction to these new translations, Robert Chandler writes about the primitive magic inherent in these tales and the taboos around them, while in the afterword, Sibelan Forrester discusses the witch Baba Yaga. This edition also includes an appendix, bibliography and notes. 'This is a unique, beautifully edited book: an essential addition to the library of any Russophile' - Spectator *Longlisted for the Rossica Translation Prize 2014*Translated by Robert Chandler and Elizabeth ChandlerWith Sibelan Forrester, Anna Gunin and Olga Meerson

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Why do so many operas end in suicide, murder, and death? Why do many characters in large-scale operas exhibit neurotic behaviours worthy of psychoanalysis? Why are the legendary "grands operas" so seldom performed today? Anselm Gerhard argues in this text that such questions can only be answered by recognizing that daily life in rapidly urbanized mid-19th-century Paris introduced not just new social forces, but also new modes of perception and expectations of art. He attempts to provide a realistic portrayal of life in a metropolic, librettists and composers of "grand opera" developed new forms and conventions, as well as new staging performance practices. For example, the "tableau", in which the chorus typically plays the role of a destructive mob. These larger urban and social concerns are brought to bear in Gerhard's discussions of eight operas, composed by Rossini, Auber, Meyebeer, Verdi, and Louise Bertin.

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Since 2014, CARTHA has provided a platform for critical thinking on architecture and society. Each year, CARTHA initiates research and publishes issues on a topic in its online magazine, which are then brought together in an annual book. In 2016, CARTHA was invited to participate in the Lisbon Architecture Triennale. Adopting the Triennale's topic, 'The Form of Form', the three issues that comprise CARTHA on the Form of Form explore the topic of form through different, yet complementary, lenses. The first issue, How to Learn Better, was edited by Bureau A and discusses pedagogical approaches to architecture. The second issue, The Architecture of the City: A Palimpsest, edited by Victoria Easton, Matilde Cassani, and Noura Al Sayeh, revisits and reinterprets Aldo Rossi's writings on the form of the city. Published during the Triennale, the third issue, Lisboa Paralela, was edited by the CARTHA editorial board and expands on urban forms by questioning the status quo of natural and social laws and speculating on these through essays and a design exercise by some of the most interesting voices of the current architectural scene.

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"Untendentious and highly informative . . . " —Virginia Quarterly Review" . . . extremely useful and intellectually stimulating . . . " —SeminarZeitgeist in Babel vividly displays the confluence of discourse-formations concerning postmodernism as they take shape in the different disciplines of aesthetic mediums and philosophical discourse. The twenty contributors include Umberto Eco, Jacques Derrida, Clement Greenberg, Martin Jay, Charles Jencks, Susan Rubin Suleiman, and Richard Rorty.Other contributors are Charles Boone, Matei Calinescu, C. Barry Chabot, Erika Fischer-Lichte, David Hayman, Jost Hermand, Ingeborg Hoesterey, Peter Koslowski, Rosalind E. Krauss, Donald B. Kuspit, Stefano Rosso, Maureen Turim, and Gianni Vattimo.

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Italian architecture has long exerted a special influence on the evolution of architectural ideas elsewhere - from the Beaux-Arts academy’s veneration of Rome, to modernist and postmodern interest in Renaissance proportion, Baroque space, and Mannerist ambiguity. This book critically examines this enduring phenomenon, exploring the privileged position of Italian architects, architecture, and cities in the architectural culture of the past century. Questioning the deep-rooted myth of Italy within architectural history, the book presents case studies of Italy’s powerful yet problematic position in 20th-century architectural ideologies, at a time when established Eurocentric narratives are rightly being challenged. It reconciles the privileged position of Italian architecture and design with the imperative to write history across a more global, diverse, heterogenous cultural geography. Twenty chapters from distinguished international scholars cover subjects and architects ranging from Alberti to Gio Ponti, Aldo Rossi, Manfredo Tafuri, Vittorio Gregotti; cities from Rome and Venice to Milan; and an array of international architects, movements, and architectural ideas influenced by Italy. The chapters each question where, how, and why the disciplinary edifice of 20th-century architecture—its canon of built, visual, textual, and conceptual works—relied on Italian foundations, examining where and how those foundations have become insecure. Indispensable for students and scholars of both Italian and global architectural history, Italian Imprints on Twentieth-Century Architecture provides an opportunity to consider the architectural and urban landscape of Italy from substantially new points of view.

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The animations of Japan's Studio Ghibli are among the most respected in the movie industry. Their films rank alongside the most popular non-English language films ever made, with each new release a guaranteed box office hit. Yet this highly profitable studio has remained fiercely independent, producing a stream of imaginative and individual animations. The studio's founders, Hayao Miyazaki and the late Isao Takahata, have created timeless masterpieces. Their films are distinctly Japanese but the themes are universal: humanity, community and a love for the environment. Studio Ghibli outlines the history of the studio and explores the early output of its founders. It examines all the studio's major works including Laputa: Castle in the Sky, Grave of the Fireflies, My Neighbour Totoro, Kiki's Delivery Service, Only Yesterday, Porco Rosso, Pom Poko, Whisper of the Heart, Princess Mononoke and Howl's Moving Castle, as well as the Oscar-winning Spirited Away. Also included are the more recent animations: Hayao Miyazaki's Oscar-nominated masterpiece The Wind Rises, Isao Takahata's The Tale of Princess Kaguya, Gor? Miyazaki's Earwig and the Witch and Hayao Miyazaki's latest box office success, The Boy and the Heron.

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Even though the canonical Jesus' infancy stories have always provoked great interest in popular culture and in the arts, they have been neglected in research during the last decades due to the relatively late date of their redaction. Since the monograph by Raymond Brown, The Birth of the Messiah, the researchers working on this topic have not attempted to consider its historical impact. In this volume, an international team of scholars proposes firstly a reconsideration of the historical background of these stories in terms of early Jewish and Christian identity quests. Secondly, they deal with early Christian questions on Jesus' infancy and childhood through canonical and apocryphal Gospels including information from Patristic and documentary literature. On the theological level, this volume illustrates the impact that these apocryphal texts, recognized as "useful for the soul" (a phrase coined by François Bovon), have had on the Christian faith.Contributors: Philip Alexander, Frédéric Amsler, Daniel Barbu, Simon Butticaz, Valentina Calzolari, Claire Clivaz, José Costa, Elian Cuvillier, Adriana Destro, Luc Devillers, Jörg Frey, Daniel Gerber, Christian Grappe, Christophe Guignard, Jean-Daniel Kaestli, Ursula Ulrike Kaiser, Moisés Mayordomo, Simon Claude Mimouni, Enrico Norelli, David Pastorelli, Mauro Pesce, Francesca Prescendi, François Rosset, Anders Runesson, Andrea Taschl-Erber, Geert van Oyen, Joseph Verheyden, Benedict Viviano, Sever J. Voicu, Lily Vuong

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The Archaeology of Death: Proceedings of the Seventh Conference of Italian Archaeology held at the National University of Ireland, Galway, April 16-18, 2016 includes more than 60 papers, with contributors from the British Isles, Italy and other parts of continental Europe, and North and South America, which consider recent developments in Italian archaeology from the Neolithic to the modern period. Each region of Italy is represented, with specific sections of the volume devoted to Etruria, South Italy, and Sicily. Other sections have a chronological focus, including Italian Prehistory, the Roman period, and Post Antiquity. Following the primary theme of the meeting, the majority of papers revolve around the archaeology of death; numerous contributions analyse the cultural significance of death through examinations of funerary rituals and mortuary practices, while others analyse burial data for evidence of wider social and political change. Various papers consider new and recent discoveries in Italian archaeology, while others ask fresh questions of older datasets. In addition, a number of contributions showcase their employment of new methodologies deriving from technological innovations. The volume opens with a dedicatory section to mark the achievements of the Accordia Research Institute, and to celebrate the careers of two of its founders, Ruth Whitehouse and John Wilkins. The following paper(s) are available to download in Open Access: Cremation structures and funerary dynamics in Roman Veneto. New perspectives from Padua/Patavium – Cecilia Rossi and Irene Marini: Download

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La pastoral juvenil, tal como estábamos acostumbrados a desarrollarla, ha sufrido el embate de los cambios sociales. Los jóvenes, en las estructuras habituales, no suelen encontrar respuestas a sus inquietudes, necesidades, problemáticas y heridas. A los adultos nos cuesta escucharlos con paciencia, comprender sus inquietudes o sus reclamos, y aprender a hablarles en el lenguaje que ellos comprenden. Por esa misma razón, las propuestas educativas no producen los frutos esperados (EG 105). No es casualidad que parte de este párrafo haya sido repetido literalmente en el n. 202 de la Christus vivit.Aquí recogemos los trabajos publicados en la revista Misión Joven de julio-agosto de 2019. Por su importancia y actualidad, nos ha parecido conveniente reunirlos en formato de libro dentro de la colección Agentes PJ de EDITORIAL CCS. Añadimos una colaboración de Rossano Sala que no se encuentra en el citado número de la revista.Corremos el peligro de poner de moda palabras sin conocer su

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In this Journal, we feature the work of Graphis Masters and Graphis Platinum and Gold award winners in Design, Advertising, Photography, Art/Illustration, and Education, as well as the latest in product design and architecture. These talents are Graphis Masters designer Holger Matthies (DE) and advertiser Robert Talarczyk (US). We also feature design firm Jones Knowles Ritchie (US) and design expert Steven Heller (US); photographers Takahiro Igarashi (US), Cameron Davidson (US), and Felix Holzer (DE), illustrator Daren Lin (US), and professor Josh Ege (US). Lastly, we feature the latest in product and architecture design with the Piper M600/SLS by Piper Aircraft Inc. (US), Jetson ONE by Jetson (SE), No Stress by Rossinavi (IT), RÄVIK Electric Surfboards by Awake (SE), Casa Flotanta by Studio Saxe (CR), and MarAlto La Loica and La Tagua Cabins by Croxatto y Opazo Arquitectos (CL).

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David and Stephen Flynn, a.k.a the Happy Pear twins, are back with their simplest cookbook yet!The perfect collection for vegans, vegetarians, or anyone looking to eat more plant-based recipes - 'This book is awesome' Chris EvansAUBERGINE - BEETROOT - BROCCOLI - CABBAGE - CARROT - CAULIFLOWER - COURGETTE - LEEK - MUSHROOMS - POTATOESTen vegetables, ten ways, The Veg Box makes cooking veg easier and tastier than ever before! This vibrant book is packed with over 100 new recipes that use just ten ingredients or less and showcase the delicious and diverse ways you can enjoy each vegetable.Take carrots for example. Learn how to transform this simple produce into:Carrot and Sesame BurgersRoasted Carrot TagineChewy Flapjacks with Carrot and PistachioOr how about courgettes? Watch them become:Easy One-Pan Courgette PizzaCourgette Crepes with Spinach and RicottaCourgette and Lemon Loaf Cake with a Lemon Curd Building tips on eating more sustainably into family-friendly meals, quick weeknight dinners and sweet treats, this is healthy eating for our planet, our bodies and our tastebuds.'Proper good food, less waste and very simple, delicious plant-based recipes' Joe Wicks'Super practical and full of great recipes for eating more plants and reducing food waste' Fearne Cotton 'The lads have done it again! A great concept and a beautiful book to help us all cook more delicious veg' BOSH!'A delicious celebration of plants and all that they have to offer' Megan Rossi 'Their recipes are fantastic and you will love this book' Dr Rupy Aujla 'Delicious, sustainable meals everyone will enjoy' Dr Gemma Newman

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This book examines the multi-media art patronage of three generations of the Tornabuoni family, who commissioned works from innovative artists, such as Sandro Botticelli and Rosso Fiorentino. Best known for commissioning the fresco cycle in Santa Maria Novella by Domenico Ghirlandaio, a key monument of the Florentine Renaissance, the Tornabuoni ordered a number of still-surviving art works, inspired by their commitment to family, knowledge of ancient literature, music, love, loss, and religious devotion. This extensive body of work makes the Tornabuoni a critically important family of early modern art patrons. However, they are further distinguished by the numerous objects they commissioned to honor female relations who served in different family roles, thus deepening understanding of Florentine Renaissance gender relations. Maria DePrano presents a comprehensive picture of how one Florentine family commissioned art to gain recognition in their society, revere God, honor family members

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A sister volume to the poetry collection She is Fierce this is a stunning gift book featuring 130 poems written by women. With poems from classic, well loved poets as well as innovative and bold modern voices, She Will Soar is a stunning collection and an essential addition to any bookshelf.From the ancient world right up to the present day, it includes poems on wanderlust, travel, daydreams, flights of fancy, escaping into books, tranquillity, courage, hope and resilience. From frustrated housewives to passionate activists, from servants and suffragettes to some of today’s most gifted writers, here is a bold choir of voices demanding independence and celebrating their hard-won power.Compiled by Ana Sampson, immerse yourself in poems by Carol Ann Duffy, Christina Rossetti, Stevie Smith, Sarah Crossan, Emily Dickinson, Salena Godden, Mary Jean Chan, Charly Cox, Nikita Gill, Fiona Benson, Hollie McNish and Grace Nichols to name but a few.

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Parents and carers of young children will find a relaxing dayful of gentle play for babies and toddlers in this full colour picture songbook. Eight double-spread pictures tell baby''s day from start to finish - waking, dressing, going out, in the park, bathtime, massage and bedtime.Parents and carers of young children will find a relaxing dayful of gentle play for babies and toddlers in this full colour picture songbook. Eight double-spread pictures tell baby''s day from start to finish - waking, dressing, going out, in the park, bathtime, massage and bedtime. Interleaved are songs and rhymes for each stage of the day, all with actions for interactive fun, relaxation and lullaby.The CD is performed by international folk artists, Sandra Kerr, Leon Rosselson and Janet Russell. All the instruments and sounds are acoustic (non-electronic) - soothing listening for everyone.

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A spectacular advent calendar book filled with festive poems, hidden surprises and a magical fold-out frieze!Count down to Christmas with well-loved poets, including Ogden Nash, Nikki Giovanni, John Agard and Christina Rossetti and joyful artwork from Richard Jones. Peek inside the windows of the house to find a family wrapping presents, take a look behind a holly bush to find a little mouse and see what's happening in the town behind a glittering Christmas tree!This classic Christmas collection has a flap to lift alongside a special poem for every day of advent and a fold-out concertina displaying a beautiful snowy landscape. With sturdy flaps, sparkling foil and a ribbon tie closure, this beautiful gift book from the National Trust is designed to be shared together as the days get closer to Christmas - filling your family with festive cheer, year after year.

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The wonder of flight has long captured the human imagination. In this beguiling history – ranging from the first aircraft to astronauts and beyond – David Darling tells the stories of the true life adventurers whose wonder has translated into bizarre contraptions, magnificent achievements and, sometimes, startling folly. Discover outrageous attempts to fly like a bird and fall from the edge of space. Meet Napoleonic ballooniste Sophie Blanchard and her daredevil husband; the real “X-Men” who flew the supersonic experimental “X-planes” for the US Air Force; stuntman Lincoln Beachey, looping-the-loop in a pinstripe suit; and, of course, The Rocket Man himself: Yves Rossy, who in 2006 was the first person to cross the English Channel using a jet-pack. Eccentric and reckless, Darling’s daring cast of dreamers is guaranteed to entertain and inspire.

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What does Francis Rossi of Status Quo think about global warming? Does Ian Gillan of Deep Purple think we’re doing a good job of caring for the planet? These questions and more are tackled by going to the source and asking them. Suzi Quatro, Don McLean, Kenney Jones, Marcella Detroit, Simon Kirke and many more: Over eighty music stars, past and present, are quizzed on their opinions about religion, aliens, politics and of course, the issues of climate change. Why? To raise awareness about the plight the planet is in. Nothing speaks to humans more than music and the influence these legends of rock and pop have is immense. Funny, thought provoking and eye opening, Minds Behind the Music is a book unlike any other. So settle down with a nice environmentally friendly cup of tea and enjoy.

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Born in Doncaster in the 1950s, Peter Tuffrey grew up with the collieries around him: Yorkshire Main at Edlington, Denaby, Cadeby, Rossington and Askern. Although it might have seemed that things would never change, they did, and Peter has now compiled Doncaster's Collieries to commemorate this once-vital part of the town's heritage. Using photographs from his own collection and the archives of local newspapers, Peter examines the histories of thirteen of the pits that once surrounded his home town, from the elaborate ceremonies which were staged to mark the start of work through to the acrimonious disputes with British Coal and the government of Margaret Thatcher, which so often marked the closure of the Doncaster collieries. The result is a fascinating view of a now-lost but widely remembered industry sure to appeal to those with an interest in the area.

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'A touching, funny, optimistic book full of wonderful, well observed characters' Daily Mail'Maeve Binchy at her best' ChoiceEverything is changing in small Irish town of Rossmore - and when a new road threatens to cut through Whitethorn Woods, everyone has a passionate opinion about whether the town will benefit or suffer. At the heart of the conflict is the fate of St. Ann's Well. People have been coming to St. Ann's for generations to share their dreams and fears. Some believe it to be a place of true spiritual power, demanding protection; others think it's a mere magnet for superstitions, easily sacrificed. When one man is offered compensation for his land - but has a personal reason to save the well - and a childless London woman comes to Whitethorn Woods, begging the saint for help, the consequences are not as anyone anticipated . . .

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En aquestes quatre noves històries, la Cira descobrirà que el nyanyo que s'ha fet és poqueta cosa comparat amb el que es va fer el seu avi de jove i que li va servir per guanyar una copa de futbol. També marxarà a buscar bolets i trobarà un rossinyol ferit que, finalment, anirà a viure a casa de la Cira. En els altres dos contes s'adonarà que comprar un gelat a l'estiu no és tan senzill i que visitar l'hort de la tieta pot ser molt divertit.

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Los dos relatos que hoy presentamos se gestaron a finales de 1912, uno de los períodos más productivos de la vida de Kafka, durante el cual compuso además La transformación. Su editor Kurt Wolff le propuso publicarlos en un volumen que debería haberse titulado Los hijos, puesto que entre los tres relatos existía, según le había confesado Kafka, un evidente nexo secreto . En La condena, Georg Bendemann, un joven comerciante, comunica que acaba de prometerse a su anciano padre, pero el encuentro se transforma en una pesadilla repleta de reproches. El fogonero?primer capítulo de la novela El desaparecido, publicada póstumamente?trata las peripecias de Karl Roßmann a bordo del transatlántico que lo conduce a Nueva York, adonde lo han enviado sus padres, tras un escándalo, en busca de fortuna.

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Mary Robson is a young Yorkshire woman, married to her solid, unromantic cousin, John. Together they battle to preserve Mary's neglected inheritance: their beloved farm, Anderby Wold. This labour of love - and the benevolent tyranny of traditional Yorkshire ways - has made Mary old before her time. Then into her purposeful life comes David Rossitur. Young, red-haired, charming, eloquent: how can she help but love him? But David is from a different England - radical and committed to social change. As their confrontation and its consequences inevitably unfold, Mary's life and that of the calm village of Anderby are changed forever.

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Wer ein Intellektueller ist, ist umstritten. In einem aber gleichen sich die Studien zur Geschichte der Intellektuellen: Sie blenden Frauen aus. Dieser Band gibt Frauen ein Forum, die als Kulturproduzentinnen im 20. und 21. Jahrhundert mit öffentlichen Stellungnahmen in die politische Arena eingegriffen und damit die Rolle der Intellektuellen wahrgenommen haben. Was forderte ihre Einmischungen heraus? Wie griffen sie ein? Orientierten sie sich an männlichen Vorbildern? Oder begründeten sie eigene Formen gesellschaftspolitischen Engagements? Die Autoren der Studien untersuchen Interventionsstrategien weiblicher Intellektueller in Konstellationsanalysen und entfalten das facettenreiche Rollenrepertoire und die Waffen der Kritik von 14 "Eingreifenden Denkerinnen": Käthe Kollwitz, Erika Mann, Margarete Buber-Neumann, Hannah Arendt, Simone de Beauvoir, Rita Levi Montalcini, Rossana Rossanda, Carla Lonzi, Susan Sontag, Yoko Ono, Jeanne Hersch, Elfriede Jelinek, Judith Butler und Naomi Klein. Als widerständige Zeitdiagnostikerinnen stellten sie, sich einmischend in die Politik, etablierte Weltanschauungen, Wahrnehmungsschemata, Werte und Einstellungen in Frage, um einen 'neuen'' 'anderen' Blick auf die Gesellschaft freizulegen. Sie ergriffen das Wort in Verteidigung der Rechte anderer. Sie artikulierten Unbehagen, klagten Missstände an, deckten Diskriminierungen und Menschenrechtsverletzungen auf. Sie provozierten durch Widerspruch, Dissens, Eigensinn. Das gesellschaftspolitische Engagement Eingreifender Denkerinnen überdauerte, wie die Studien zeigen, den vermeintlichen "Tod des intellektuellen" (Lyotard) in den 1980er Jahren. Es zeigt vielmehr Kontinuitäten und Wandel in der Wahrnehmung der Rolle der Intellektuellen im 20. und 21. Jahrhundert auf.

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In May of 1868, Elizabeth Bingham Young and her husband of only fivemonths, Egerton Ryerson Young, began a long journey from Hamilton,Ontario, to the Methodist mission of Rossville, at Norway House. Overthe next eight years, Elizabeth supported her husband’s work atRossville and then at the newly founded mission of Berens River, on theeast shore of Lake Winnipeg. In these remote outposts, she gave birthto four children, one of whom died in infancy, acted as a nurse anddoctor, and applied both perseverance and determination to learningCree, while also coping with poverty and a chronic shortage ofsupplies, both in the mission and in the community it served. WhenElizabeth died, in 1935, she left behind various reminiscences, notablyan extended account of her experiences at Norway House and BerensRiver, evidently written in 1927. Her memoirs offer an exceedingly rareportrait of mission life as seen through the eyes of a woman. Elizabeth’s first child and only surviving son, also namedEgerton Ryerson Young but known in his youth as “Eddie,”was born at Norway House in 1869. Cared for by a Cree woman almost frominfancy, Eddie spent his early childhood immersed in local Cree andOjibwe life, culture, and language, in many ways exemplifying theprocess of reverse acculturation often in evidence among the childrenof missionaries. He, too, left behind hitherto unpublishedreminiscences, one composed around 1935 and a second dictated shortlybefore his death. Like those of his mother, Eddie’s memoriescapture the sensory and emotional texture of mission life, a life inwhich the Christian faith is implicit rather than prominently ondisplay, while also providing an intriguing counterpoint to hismother’s recollections. Like all memoirs, these are refractedthrough the prism of time, and yet they remain startling in theirimmediacy. Together, the writings of mother and son—conjoinedhere with a selection of archival documents that supplement the mainnarratives, with the whole meticulously edited by Jennifer S. H.Brown—afford an all too uncommon opportunity to contemplatemission life from the ground up.

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