Search results for ""jan""

'Jonathan Raban is one of the world's greatest living travel writers.' William Dalrymple 'The best book of travel ever written by an Englishman about the United States' Jan Morris, IndependentNavigating the Mississippi River from Minneapolis to New Orleans, Raban opens himself to experience the river in all her turbulent and unpredictable old glory. Going wherever the current takes him, he joins a coon-hunt in Savana, falls for a girl in St Louis, worships with black Baptists in Memphis, hangs out with the housewives of Pemiscot and the hog-king of Dubuque. Through tears of laughter, we are led into the heartland of America – with its hunger and hospitality, its inventive energy and its charming lethargy – and come to know something of its soul. The journey is as much the story of Raban as it is of the Mississippi. Navigating the dangerous, ever-changing waters in an unsuitably fragile aluminium skiff, he immerses himself with an irresistible emotional intensity as he tries to give shape to the river and the story – finding himself by turns vulnerable, curious, angry and, like all of us, sometimes foolishly in love.

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An abundance of step-by-step fiber art projects to bring Scandinavian style to life in your home. This adventure meets the needs of two passionate audiences: fiber artists and Nordic craft enthusiasts. By exploring the cultures and traditions behind the charm of these crafts, fans can enjoy extra-meaningful making. Step 1: Vivid photos and spirited text explain the values and beliefs core to Scandinavian life—nature, community, craftsmanship, and sustainability. Step 2: For each value, create 4 to 7 thoughtfully designed fiber art projects featuring knitting, felting, and weaving. • Each project's difficulty level is marked (beginner, advanced beginner, and intermediate) • Author is editor emerita of Handwoven, the largest-circulation fiber arts magazine • Projects by respected designers including Becky Ashenden, Laura Berlage, Sara Bixler, Susan J. Foulkes, Lisa Hill, Tom Knisely, Jan Mostrom, and John Mullarkey, to name just a few The 25 projects include these and more: Nature • Nordic Summer and Winter Knitted Throw • Felted Telemark Bouquet Community • Rustic Linen Placemats • Monk’s Belt Towels of Welcome Craftsmanship • Knitted Sølje Curtains to Celebrate the Sun • A Nordic Sweater for Your Laptop Sustainability • Rags-to-Riches Rug • Cup Cozies to Go

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Istanbul, through the mind of its most celebrated writer. ** PRE-ORDER NIGHTS OF PLAGUE, THE NEW NOVEL FROM ORHAN PAMUK **Winner of the Nobel Prize for Literature'A declaration of love.' Sunday Times'A fascinating read for anyone who has even the slightest acquaintance with this fabled bridge between east and west.' The Economist'An irresistibly seductive book' Jan Morris, GuardianIn a surprising and original blend of personal memoir and cultural history, Turkey's most celebrated novelist, Orhan Pamuk, explores his home of more than fifty years.What begins as a portrait of the artist as a young man becomes a shimmering evocation, by turns intimate and panoramic, of one of the world's greatest cities. Beginning in the family apartment building where he was born, and still lives, Pamuk uses his family secrets to show how they were typical of their time and place. He then guides us through Istanbul's monuments and lost paradises, dilapidated Ottoman villas, back streets and waterways, and introduces us to the city's writers, artists and murderers.Like Joyce's Dublin and Borges' Buenos Aires, Pamuk's Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving.

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The text of the Fourth Edition of the Norton Critical Edition of Emma is based on the 1816 edition published by John Murray. George Justice has lightly and judiciously emended the text for faithfulness and clarity. The novel is accompanied by detailed explanatory annotations as well as facsimiles of the 1816 title and dedication pages. “Backgrounds” collects a wealth of source material, much of it new to the Fourth Edition. New material includes Austen’s correspondence with her publisher about the business of writing, revealing Austen’s view of her own writing and career. In addition, there are two sets of verses—“Kitty, A Fair But Frozen Maid” and “Robin Adair”—referenced in Emma as well as responses (1815–1950) to Austen and her writing from, among others, Charlotte Brontë, Juliet Pollock, Virginia Woolf, D. W. Harding, and Edmund Wilson. “Reviews and Criticism” includes twelve major interpretations of the novel, nine of them new to the Fourth Edition. New contributors include Jan Fergus, Patricia Meyer Spacks, Tony Tanner, Maaja Stewart, D. A. Miller, Emily Auerbach, Gabrielle D. V. White, Richard Jenkyns, and David Monaghan. A Chronology and Selected Bibliography are also included.

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The 1980s saw Alice Cooper release arguably his most diverse collection of albums, ranging from new wave to metal to full-on radio-friendly rock. They weren't all commercially successful, but all are worth listening to and some are excellent. This book (which follows on from the author's acclaimed Alice Cooper In The '70s) features all new interview material by the author with 45 musicians and performers who worked with Alice over the decade. Many have never been interviewed before and they offer fascinating insight into working with Alice and each other. Key interviewees include Mike Pinera, Jan Uvena, John Nitzinger, Graham Shaw, Ken Mary, Kip Winger, Kane Roberts, John McCurry and Al Pitrelli. Consequently, the book includes a lot of new facts and information that should please fans. The author adds commentary and opinions on all of the songs from the era, Alice's film work and the five live tours. There is also an appendix on the album that could have been but never was. Alice 'contributes' from the contemporary press of the time are referenced, which became more loquacious as the decade goes on. Alice in the '80s, what a thrill ride that was!

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Young readers will enjoy reading about the Bear family going Christmas caroling on Christmas Eve in Bear Country with their friends in this addition to the Living Lights™ series of Berenstain Bears books. Children will learn about Christmas traditions and the lyrics to special Christmas carols such as “Good King Wenceslas” and “Jingle Bells.” This holiday book also includes four holiday postcards and a holiday door hanger!The Berenstain Bears Go Christmas Caroling—part of the popular Zonderkidz Living Lights series of books with over 13 million copies sold—is perfect for: Early readers ages 4-8 Reading out loud in classrooms, during story time at home, or bedtime Advent and Christmas holiday gift giving, or as an addition to your home library Sparking conversations about old and new Christmas traditions The Berenstain Bears Go Christmas Caroling is an addition to the Living Lights™ series that: Features the artwork of the Berenstain family Continues in the much-loved footsteps of Stan and Jan Berenstain in this Berenstain Bears series of books Is part of one of the bestselling children’s book series ever created, with more than 250 books published and nearly 300 million copies sold to date

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This volume, edited by Joan Piggott (University of Southern California, Los Angeles), includes fourteen essays, originally written in Japanese and here interpreted in English. It introduces readers to a broader array of historical and archaeological research on center-periphery relations than has ever before been available to English readers. Each essay has been translated, annotated, and introduced by a specialist who selected it for its invaluable contribution to his or her own work, and who here renders it into English for a non-specialist audience. The book features thirteen newly created maps, and also includes an exhaustive list of sources (including Chinese characters). Together with its readable and well-annotated text, extensive glossary, rich bibliography, and comprehensive index, these combined tools make for a valuable resource to scholars and students interested in premodern Japan. Researchers whose work has been interpreted include Tsude Hiroshi, Kobayashi Yukio, Hara Hidesaburō, Inoue Tatsuo, Takahashi Tomio, Takeda Sachiko, Hotate Michihisa, Morita Tei, Sasaki Muneo, Toda Yoshimi, Miyazaki Yasumitsu, Motoki Yasuo, Ishimoda Shō, and Koyama Yasunori. Scholar-interpreters include Mikael Adolphson, Michiko Aoki, Bruce Batten, Walter Edwards, Karl Friday, Jan Goodwin, Gustav Heldt, and Joan Piggott.

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Samuel Hirszenberg is an artist who deserves to be more widely known: his work intertwined modernism and Jewish themes, and he influenced later artists of Jewish origin.Born into a traditional Jewish family in Łódź in 1865, Hirszenberg gradually became attached to Polish culture and language as he pursued his artistic calling. Like Maurycy Gottlieb before him, he studied at the School of Art in Kraków, which was then headed by the master of Polish painting, Jan Matejko. His early interests were to persist with varying degrees of intensity throughout his life: his Polish surroundings, traditional east European Jews, historical themes, the Orient, and the nature of relationships between men and women. He also had a lifelong commitment to landscape painting and portraiture.Hirszenberg’s personal circumstances, economic considerations, and historical upheavals took him to different countries, strongly influencing his artistic output. He moved to Jerusalem in 1907 and there, as a secular and acculturated Jew who had adopted the world of humanism and universalism, he strove also to express more personal aspirations and concerns. This fully illustrated study presents an intimate and detailed picture of the artist’s development.

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'The only difference between me and the people judging me is they weren't smart enough to do what we did.' One of the most infamous scandals in financial history becomes a theatrical epic. At once a case study and an allegory, the play charts the notorious rise and fall of Enron and its founding partners Ken Lay and Jeffrey Skilling, who became 'the most vilified figure from the financial scandal of the century.' Mixing classical tragedy with savage comedy, Enron follows a group of flawed men and women in a narrative of greed and loss which reviews the tumultuous 1990s and casts a new light on the financial turmoil in which the world finds itself in 2009. The play is Lucy Prebble's first work for the stage since her debut work The Sugar Syndrome, winner of the George Devine and Critic's Circle Awards for Most Promising New Playwright. Produced by Headlong, Enron premiered at Chichester's Minerva Theatre on 11 July 2009 and opened at the Royal Court Theatre, London, in September, before transferring to London's West End Jan - May 2010 and to Broadway April 2010.

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SHORTLISTED FOR THE TA FIRST TRANSLATION PRIZE * SHORTLISTED FOR THE PREMIO VALLE INCLAN SECRETS AND REVENGE CONVERGE IN THIS CHILLING TALE FROM A BREAKOUT NEW LATIN AMERICAN VOICE 'A deliciously menacing read which I just couldn't put down.' Jan Carson, author of The Raptures Many years have passed since Lucas was expelled from his childhood home by Felisberto and Eloy, the two strangers who arrived uninvited and slowly, insidiously, made it their own. Now Lucas is back, fully grown and intent on claiming his rightful inheritance. But he is not interested in the house as it once was, nor in his mother's lovingly planted flowerbeds - now conquered by weeds - nor in the lavish portraits covering every wall. Lucas belongs to a darker world, one crawling with the only creatures he really trusts: insects. As the house crumbles before his eyes, Lucas turns to the allies of his underground kingdom to help him take revenge. Weaving together past and present like a spider's web, This World Does Not Belong to Us is a spine-tingling story of human greed, from a masterful new literary voice.

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This third volume in the pioneering series, International Humanitarian Affairs, goes beyond the practical to address fundamental questions at the heart of humanitarian actions. How do different religious, cultural, and social systems—and the values they support—shape humanitarian action? What are the bases of caring societies? Are there universal values for human well-being? International experts come face to face with the assumptions about human dignity and social justice that guide efforts to rescue and repair communities in crisis. The original essays explore mandates for humanitarian action in religious traditions, and codes of conduct for the media, military, medicine, and the academy in relief efforts. They explore threats to human welfare from terrorism and gender exploitation and assess international law, the media, and the politics of civil society in a world of war, conflict, and strife. The contributors: Kofi Annan, Avery Cardinal Dulles, S.J., Rabbi Harlan J. Wechsler, H.R.H. Prince El Hassan Bin Talal, Francis Mading Deng, Maj. Gen. Timothy Cross, Joseph O’ Hare, S.J., Tom Brokaw, Eoin O’Brien, M.D., Jan Eliasson, Timothy Harding, M.D., Paul Wilkinson, Larry Hollingworth, Nancy Ely-Raphel, John Feerick, Michael Veuthey, Edward Mortimer, Kathleen Newland, Peter Tarnoff, Richard Falk, and the editor.

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The collapse of communism in the Soviet Union and Eastern Europe was supposed to bring about the “end of history” with capitalism and liberal democracy achieving decisive victories. Europe would now integrate and reconcile with its past. However, the aftershocks of the financial crisis of 2008—the rise in right-wing populism, austerity politics, and mass migration—have shown that the ideological divisions which haunted Europe in the twentieth century still remain. It is within this context that Post-Communist Malaise revives discourses of political modernism and revisits debates from Marxism and seventies film theory. Analyzing work of Theo Angelopoulos, Věra Chytilová, Srdjan Dragojević, Jean-Luc Godard, Miklós Jancsó, Emir Kusturica, Dušan Makavejev, Cristi Puiu, Jan Švankmajer, Andrei Tarkovsky, and Béla Tarr, the book focuses on how select cinemas from Eastern Europe and the Balkans critique the neoliberal integration of Europe whose failures fuel the rise of nationalism and right-wing politics. By politicizing art cinema from the regions, Post-Communist Malaise asks fundamental questions about film, aesthetics, and ideology. It argues for the utopian potential of the materiality of cinematic time to imagine a new political and cultural organization for Europe.

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Imaginary Neighbors offers a unique and significant contribution to the contemporary debate concerning Holocaust memory by exploring the most important current political topic in Poland: Jewish-Polish relations during and after World War II. Drawing on the controversy and attention generated by Jan Gross’s landmark book Neighbors, whose description of the brutal Jedwabne massacre reignited the debate over Polish-Jewish relations during the war, this timely volume presents a rich and nuanced examination of the manner in which past and present relations between Poles and Jews are understood in Poland and in the Polish and Jewish diasporas. Rather than revisiting historical details of Jedwabne, this innovative collection uses an interdisciplinary approach to understand the reverberations of the events—and the scholarship that has evolved around them—within the context of the Polish national community. Combining scholarly essays with literary and journalistic accounts, Imaginary Neighbors demonstrates that the Holocaust memory in Poland, together with the memory of Polish Jews and Jewish culture, continues to be engaged in conflict. What emerges is a passionate conversation among cultural critics, philosophers, literary theorists, historians, theologians, and writers on the vexing issues of responsibility, forgiveness, reconciliation, and national and religious identity.

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Lose yourself in the thrilling political intrigue and tangled love affairs of wartime Egypt: Durrell's epic modern classic, introduced by Alaa Al Aswany (bestselling author of The Yacoubian Building).Every interpretation of reality is based upon a unique position ...As the threat of world war looms over the city of Alexandria, an exiled Anglo-Irish schoolteacher unravels his erotic obsession with two women: Melissa, a fragile dancer, and Justine, a glamorous married Egyptian woman. Through conversations with Balthazar, a doctor and mystic, these intricate love affairs are cast in an ominous, sinister new light, as his private fixations become entangled with a mysterious murder plot ... One of the twentieth century's greatest masterpieces, rich in political and sexual intrigue, Lawrence Durrell's 'investigation of modern love' in the Alexandria Quartet set the world alight. Published in 1958, a year after the sensational Justine, the kaleidoscopic Balthazar burns just as brightly today.'Legendary ... Casts a spell ... A fine storyteller. Reader, watch out!' Jan Morris, Guardian'A brave and brazen work ... Lush and grandiose.' Independent 'One of the very best novelists of our time ... [such] beauty.' New York Times Book ReviewVOLUME TWO OF LAWRENCE DURRELL'S ALEXANDRIA QUARTET

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The twentieth century was one of profound transformation in rural America. Demographic shifts and economic restructuring have conspired to alter dramatically the lives of rural people and their communities. Challenges for Rural America in the Twenty-First Century defines these changes and interprets their implications for the future of rural America. The volume follows in the tradition of "decennial volumes" co-edited by presidents of the Rural Sociological Society and published in the Society's Rural Studies Series. Essays have been specially commissioned to examine key aspects of public policy relevant to rural America in the new century. Contributors include:Lionel Beaulieu, Alessandro Bonnano, David Brown, Ralph Brown, Frederick Buttel, Ted Bradshaw, Douglas Constance, Steve Daniels, Lynn England, William Falk, Cornelia Flora, Jan Flora, Glenn Fuguitt, Nina Glasgow, Leland Glenna, Angela Gonzales, Gary Green, Rosalind Harris, Tom Hirschl, Douglas Jackson-Smith, Leif Jensen, Ken Johnson, Richard Krannich, Daniel Lichter, Linda Lobao, Al Luloff, Tom Lyson, Kate MacTavish, David McGranahan, Diane McLaughlin, Philip McMichael, Lois Wright Morton, Domenico Parisi, Peggy Petrzelka, Kenneth Pigg, Rogelio Saenz, Sonya Salamon, Jeff Sharp, Curtis Stofferahn, Louis Swanson, Ann Tickameyer, Leanne Tigges, Cruz Torres, Mildred Warner, Ronald Wimberley, Dreamal Worthen, and Julie Zimmerman.

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This is the first comprehensive English-language account of the Polish avant-garde film, from its beginnings in the early decades of the last century to the collapse of communism in 1989. Taking a broad understanding of avant-garde film, this collection includes writings on the pioneering work of the internationally-acclaimed Franciszka and Stefan Themerson; the Polish Futurists' (Jalu Kurek, Anatol Stern) engagement with film; the Thaw and animation (Jan Lenica and Walerian Borowczyk, Andrzej Pawlowski, Zbigniew Rybczynski); documentary (Natalia Brzozowska, Kazimierz Karabasz, Wojciech Wiszniewski), Polish emigre filmmakers (Roman Polanski, Jerzy Skolimowski, Andrzej Zulawski) as well as essays and documentation on the highly influential Film Form Workshop (Jozef Robakowski, Ryszard Wasko, Wojciech Bruszewski). Including a mix of historical writings from early film magazines with commissioned essays, this book constitutes an important source on the rich, complex and diverse history of the Polish film avant-garde, which is presented from the perspective of both British (A. L. Rees, Jonathan Owen, Michael O'Pray) and Polish (Marcin Gizycki, Ryszard Kluszczynski, Kamila Kuc) authorities on the subject. This book is thus an indispensable introduction to the theories and practices of critically important avant-garde artists and filmmakers.

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When Joseph Smith ran for president as a radical protest candidate in 1844, Mormons were a deeply distrusted group in American society, and their efforts to enter public life were met with derision. When Mitt Romney ran for president as a Republican in 2008 and 2012, the public had come to regard Mormons as consummate Americans: patriotic, family-oriented, and conservative. How did this shift occur? In this collection, prominent scholars of Mormonism, including Claudia L. Bushman, Richard Lyman Bushman, Jan Shipps, and Philip L. Barlow, follow the religion's quest for legitimacy in the United States and its intersection with American politics. From Brigham Young's skirmishes with the federal government over polygamy to the Mormon involvement in California's Proposition 8, contributors combine sociology, political science, race and gender studies, and popular culture to track Mormonism's rapid integration into American life. The book takes a broad view of the religion's history, considering its treatment of women and African Americans and its portrayal in popular culture and the media. With essays from both Mormon and non-Mormon scholars, this anthology tells a big-picture story of a small sect that became a major player in American politics.

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An innovative examination of sixteenth-century Netherlandish drawing against the backdrop of the urban economic boom, the Protestant Reformation, and the Eighty Years’ War Featuring works by Hieronymus Bosch (c. 1450–1516), Jan Gossaert (c. 1478–1532), Maarten van Heemskerck (1498–1574), Pieter Bruegel the Elder (c. 1525–1569), Hendrick Goltzius (1558–1617), and others, this book positions drawing in the Low Countries in the sixteenth century as a dynamic, multifaceted practice. Drawings played roles as varied as the artists who made them: they were designs for prints, paintings, stained glass windows, decorative objects, and tapestries, as well as tools for presentation, translation, and the display of knowledge and virtuosity. The artists’ diversified urban communities shaped their drawing practices, as did shifting cultural and political circumstances surrounding Protestant Reform and the Eighty Years’ War. In addition to the book’s four illuminating essays, many of the more than eighty catalogue entries—selected from the holdings of The Albertina Museum and the Cleveland Museum of Art—present new research.Distributed for the Cleveland Museum of ArtExhibition Schedule:The Cleveland Museum of Art (October 9, 2022–January 8, 2023)The Albertina Museum, Vienna (2023)

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In reaction to the widespread pursuit of Abstract Expressionism in the late 1940s and early 1950s, Paul Wonner and William “Theophilus” Brown were among the artists in the San Francisco Bay Area who began to re-engage with the visible world, applying the gestural style of action painting to depictions of people, landscapes, and still lifes. Together, the couple aligned themselves with this new direction and became leading practitioners of the style known today as Bay Area Figuration. Over time, both artists’ works became less gestural and more overtly representational. Brown became known for his psychologically evocative landscapes with classic bathers, as well as for his lonely urban scenes. Wonner received greatest acclaim for his “baroque” still lifes laden with everyday objects, animals, and flowers. Published to accompany the most comprehensive exhibition of the artists’ work ever mounted, this exquisite publication offers an in-depth study of these trailblazing artists. Exhibition at the Crocker Art Museum, Sacramento, CA (30 April-27 August 2023) travels to the Laguna Art Museum, Laguna Beach, CA (14 October 2023-7 Jan 2024); and the Dixon Gallery and Gardens, Memphis, TN (28 January-30 March 2024).

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The European railway sector has gone through profound, yet mostly institutional, changes over the past 20 years, owing mainly to the initiatives of the European Commission. This book constitutes a first systematic account and assessment of the recent transformations of the European railway sector, whilst also covering the main segments such as passenger transport, high speed and freight.The expert contributors have been charting these developments over the past five years. They provide a critical analysis of relevant, yet contentious, issues such as competition, unbundling, regulation, access charging, standards and interoperability, and public-private partnerships.Practically-minded academics, as well as academically-oriented practitioners, interested in the railway sector and other public transport sectors will find this book to be a crucial read. It will also be of use to postgraduates studying infrastructure economics, policy and regulation.Contributors: N. Baron, A.S. Bergantino, J. Dehornoy, M. Dillon, N. Fearnley, M.Finger, R. Gevaers, T. Holvad, A. Jan, N. Keogh, G. Knieps, J. Maes, A. Meaney, P. Messulam, F. Mizutani, C. Nash, S. Olsen, J. Runde Krogstad, M. Sanchez-Borras, D. van de Velde, E. Van de Voorde, T. Vanelslander

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Traversing is about our ways of seeing, experiencing, and moving through the world and how they shape the kinds of people we become. Drawing from concepts developed by two phenomenological philosophers, Martin Heidegger and Jan Patočka, and putting them in conversation with ethnographic analysis of the lives of contemporary Czechs, Susanna Trnka examines how embodiment is crucial for understanding our being-in-the-world. In particular, Traversing scrutinizes three kinds of movements we make as embodied actors in the world: how we move through time and space, be it by walking along city streets, gliding across the dance floor, or clicking our way through digital landscapes; how we move toward and away from one another, as erotic partners, family members, or fearful, ethnic "others"; and how we move toward ourselves and the earth we live on. Above all, Traversing focuses on tracing the ways in which the body and motion are fundamental to our lived experience of the world, so we can develop a better understanding of the empirical details of Czech society and what they can reveal to us about the human condition.

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Situated in a Mediterranean landscape, the Maeght Foundation is a unique Modernist museum, product of an extraordinary collaboration between the architect, José Luis Sert, and the artists whose work was to be displayed there. The architecture, garden design and art offer a rare opportunity to see work in settings conceived in active collaboration with the artists themselves. By focusing on the relationship between this art foundation and its Arcadian setting, including Joan Miró's labyrinth, George Braque's pool, Tal-Coat's mosaic wall and Giacometti's terrace, Jan K. Birksted demonstrates how the building articulates many of the ideas that preoccupied this group of artists during the culminating years of their lives. The study pays special attention to the ways in which architecture can shape the experience of time, and addresses the Modernist desire for wilderness and its problematic roots in the classical Mediterranean ideal. In showing how the design of the Maeght Foundation is a Modernist representation of Mediterranean culture, the author has developed an interpretation of architecture that accommodates not only the architect's handling of material or function, but shows as well how it can be the embodiment of a particular vision of space and time.

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The 1970s brought a new understanding of the biological and intellectual impact of environmental crises on human beings. As efforts to prevent ecological and bodily injury aligned, a new literature of sickness emerged. "Ecosickness fiction" imaginatively rethinks the link between these forms of threat and the sick body to bring readers to environmental consciousness. Tracing the development of ecosickness through a compelling archive of contemporary U.S. novels and memoirs, Ecosickness in Contemporary U.S. Fiction establishes that we cannot comprehend environmental and medical dilemmas through data alone and must call on the sometimes surprising emotions that literary metaphors, tropes, and narratives deploy. In chapters on David Foster Wallace, Richard Powers, Leslie Marmon Silko, Marge Piercy, Jan Zita Grover, and David Wojnarowicz, Heather Houser shows how narrative affects such as wonder and disgust organize perception of an endangered world and orient us ethically toward it. The study builds the connective tissue between contemporary literature, ecocriticism, affect studies, and the medical humanities. It also positions ecosickness fiction relative to emergent forms of environmentalism and technoscientific innovations such as regenerative medicine and alternative ecosystems. Houser models an approach to contemporary fiction as a laboratory for affective changes that spark or squelch ethical projects.

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A city of immense literary mystique, Prague has inspired writers across the centuries with its beauty, cosmopolitanism, and tragic history. Envisioning the ancient city in central Europe as a multilayered text, or palimpsest, that has been constantly revised and rewritten - from the medieval and Renaissance chroniclers who legitimized the city's foundational origins to the modernists of the early twentieth century who established its reputation as the new capital of the avant-garde - Alfred Thomas argues that Prague has become a paradoxical site of inscription and effacement, of memory and forgetting, a utopian link to the prewar and pre-Holocaust European past and a dystopia of totalitarian amnesia. Considering a wide range of writers, including the city's most famous son, Franz Kafka, Prague Palimpsest reassesses the work of poets and novelists such as Bohumil Hrabal, Milan Kundera, Gustav Meyrink, Jan Neruda, Vitezslav Nezval, and Rainer Maria Rilke and engages with other famous authors who 'wrote' Prague, including Guillaume Apollinaire, Ingeborg Bachmann, Albert Camus, Paul Celan, and W. G. Sebald. The result is a comparative, interdisciplinary study that helps to explain why Prague - more than any other major European city - has haunted the cultural and political imagination of the West.

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The Ghent Altarpiece or the Adoration of the Mystic Lamb, by the Van Eyck brothers (1432), is recognised worldwide as a great work of art, and one of the most influential paintings ever made. It was the world's first major oil painting, and it is laced with religious mysticism. The work almost reads like an A to Z of Christianity - from the Annunciation to the symbolic sacrifice of Christ, with the 'Mystic Lamb' on an altar in a heavenly meadow, bleeding into the Holy Grail. For the first time, this book gathers together diverse insights on the Ghent Altarpiece, the monumental poliptych that the brothers Hubert and Jan van Eyck realised with the assistance of a large workshop and advisers on the painting's subject matters. This book has the same aim: to bring together experts from the most diverse disciplines. Only by combining the perspectives of (art) historians, philosophers, religious studies scholars, mathematicians and specialists in optics can one fully understand the riches and depth of this masterpiece. Lavishly illustrated, including details that have come to light using state-of-the-art techniques during the current conservation project and are not always visible to the naked eye.

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It started with a question about the blues: what makes the music of the downtrodden black man so alluring to white middle-class ears? And that’s where it gets interesting. Because blues is more than a musical genre: it’s a cultural phenomenon that spans several centuries on both sides of the Atlantic, from slavery to Black Lives Matter, from Jan van Riebeeck to Fees Must Fall, from Robert Johnson to Abdullah Ibrahim. In Blues for the White Man, Fred de Vries looks for answers in America’s Deep South, drawing historical parallels with South Africa’s experience of colonialism, slavery, racism, civil war, segrega¬tion and protest. Travelling to Atlanta, Memphis, Nashville, New Orleans and the Mississippi Delta, De Vries speaks to musicians, Black Lives Matter activists and Trump supporters. He continues the conversation in South Africa, interviewing student protesters, white farmers and political thought-leaders to develop an understanding of white supremacy and black anger, white fear and black pain. A fascinating, insightful journey through time and space, Blues for the White Man is a cele¬bration of multiculturalism and a plea for white people to do some ‘second line dancing’ for a change.

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Jimmy Bullard may not have had the perfect hair-do, his Granada Ghia may not have been the flashiest of cars, and he definitely didn't have a string of Page 3 girls trying to sell kiss and tell stories about him to the tabloids. But what he has in spades is a genuine love for The Beautiful Game that few of his peers can match. One of the last graduates from football's old school, Jimmy actually worked in the real world - including as a painter and decorator - before turning pro. Maybe that's why he played football with a smile on his face, always says what's on his mind, and is no stranger to a spot of mischief.Having played under the likes of Barry Fry, Harry Redknapp and Phil Brown, appeared alongside names as diverse as Neil Ruddock and Paolo di Canio, and as long as Jan Vennegoor of Hesselink, Jimmy has racked up an amazing collection of tales and pranks both on and off the football front-line. Told with candour, Bend It Like Bullard is the extraordinary story of his journey from cable TV fitter to cult hero. It will make you smile, chuckle and, occasionally, ROFL.

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"Boelsums’ interplay of sky and light and land, her overwhelming and yet intimate photos add a magnificent touch to what might initially appear nondescript."– Manon Uphoff Quotes from the jury who selected Saskia Boelsums as the Dutch Artist of the Year in 2020: "Vivid photography worthy of the old Dutch masters!" "Exceptionally beautiful landscape photos: Saskia introduces a completely new style to this discipline." "Her work moves me and repeatedly renders me speechless." "Then I see Saskia Boelsums’ landscape photos on display. A shiver of pleasure runs through me." Joyce Roodnat - NRC Handelsblad Saskia Boelsums dramatic photographs of Dutch landscapes reflect on the atmospheric paintings of the Golden Age painters such as Jacob van Ruisdael and Jan van Goyen, but her work is clearly seeped in her own experience of nature. Lashing rain over the sea, sun breaking through storm clouds, and fields of flowers bathed in an otherworldly light: these images are the result of hours and days of waiting to capture the perfect moment. In this, her second book of landscape photographs, she presents not only Dutch landscapes and seascapes, but also landscapes photographed on visits to Germany, Switzerland, and New York.

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In the fifteenth century, a number of master painters, including Jan van Eyck and Roger Campin, flourished in the Netherlands. However, by the early nineteenth century many of their works had been dispersed by the upheavals of the French Revolution. Any contemporary understanding of these artists and their paintings must take into account that historical data about them remains fragmentary and that art historians from different disciplines have approached them in varying ways. Rather than offering a chronological discussion, this book presents early Netherlandish paintings as individual objects that have confronted scholars with countless interpretive challenges. Part One analyzes the style and provenance of each work, the insights gained from it, and the questions that remain, while Part Two is devoted to the history of collecting and of art historical research and interpretation during the nineteenth and first half of the twentieth century. Part Three addresses how three fields of modern art-historical research - technical examination, archival research into patronage, and iconology - have produced analyses of these artworks. "Early Netherlandish Painting" advances the scholarly dialogue about an important period in European art by assembling the current scholarly research in the field and underscoring the common ground among scholars from different disciplines.

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Comparative studies of a number of mixed prose-and-verse literatures, from Europe to the Orient, from classical culture to the 19th century. In virtually all the literary traditions of the world there are works of verbal art that depend for part of their effect on the juxtaposition of prose and verse. This volume takes the first step towards a comparative study of "prosimetrum", the mixture of prose and verse, with essays by leading linguists and literary scholars of a selection of prosimetrical traditions. The nature of what constitutes verse or prose is one underlying question addressed. An outline of historical developments emerges, especially for Europe and the Near East, with articles on classical, medieval and nineteenth-century literatures. Oriental prosimetrical literatures discussed include that of Vedic Indiaand the old literary cultures of China and Japan; also represented are oral and oral-derived folk literatures of recent centuries in Africa, the West, and Inner Asia. Professor KARL REICHL teaches in the English Department at the University of Bonn; Professor JOSEPH HARRIS teaches in the English Department at Harvard University. Contributors: KRISTIN HANSON, PAUL KIPARSKY, JAN ZIOLKOWSKI, ARDIS BUTTERFIELD, PROINSIAS Mac CANA, JOSEPH HARRIS, JUDITH RYAN, W.F.H. NICOLAISEN, LEE HARING, STEVEN WEITZMAN, WOLFHART HEINRICHS, DWIGHT REYNOLDS, JULIE SCOTT MEISAMI, KARL REICHL, WALTHER HEISSIG

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Self-portraiture shows no sign of losing its ability to capture the public imagination. Given our current proclivity to snap and share ‘selfies’ in seconds, it is unsurprising to find a renewed interest in the genre among general audiences and students. Self-portraits have the power to illuminate a range of universal concerns, from identity, purpose and authenticity, to frailty, futility and mortality. In this volume, curator Natalie Rudd expertly casts fresh light on the self-portrait and its international appeal, exploring the historical contexts within which self-portraits have proliferated and considering the meanings they hold today. With commentaries on works by artists ranging from Jan van Eyck and Artemisia Gentileschi to Francisco Goya, Pablo Picasso, Frida Kahlo and Jenny Saville, the book explores the emotive and expressive potential of self-portraiture, and its capacities to distance or to demystify. Can self-portraits offer windows into artistic process? Is there ever a singular identity to be captured? Is it necessary for a self-portrait to depict the human form? In her vibrant and timely discussion, Rudd dissects these and other important questions, revealing the shifting faces of individuality and selfhood in an age where we are interrogating notions of personal identity more than ever before.With 97 illustrations in colour

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Though often overlooked in conventional accounts, women with myriad backgrounds and countless talents have made an impact on Polish and Polish American history. John J. Bukowczyk gathers articles from the journals Polish Review and Polish American Studies to offer a fascinating cross-section of readings about the lives and experiences of these women. The first section examines queens and aristocrats during the Polish-Lithuanian Commonwealth, but also looks at the life of the first Polish female doctor. In the second section, women of the diaspora take center stage in articles illuminating stories that range from immigrant workers in Europe and the United States to women's part in Poland’s nationalist struggle. The final section concentrates on image, identity, and consciousness as contributors examine the stereotyping and othering of Polish women and their portrayal in ethnic and émigré fiction. A valuable and enlightening resource, Through Words and Deeds offers an introduction to the many facets of Polish and Polish American womanhood.Contributors: Laura Anker, Robert Blobaum, Anna Brzezińska, John J. Bukowczyk, Halina Filipowicz, William J. Galush, Rita Gladsky, Thaddeus V. Gromada, Bożena Karwowska, Grażyna Kozaczka, Lynn Lubamersky, Karen Majewski, Nameeta Mathur, Lori A. Matten, Jan Molenda, James S. Pula, Władysław Roczniak, and Robert Szymczak

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A fascinating exploration of the role of music in the art of Vermeer and many of his contemporaries Johannes Vermeer (1632–1675) is one of the world’s most captivating artists. Renowned for his sublimely beautiful depictions of everyday Dutch life, Vermeer created exquisite paintings that are sought out by any art lover. Music was a key facet of 17th-century Dutch life, in both public and private. Of Vermeer’s thirty-six surviving paintings, twelve depict musical themes or a musical instrument. These include the magnificent Young Woman Standing at a Virginal, Young Woman Seated at a Virginal, The Music Lesson, and The Guitar Player, all featured in this book.The book also includes paintings by Vermeer’s contemporaries, such as Gerard ter Borch (1617–1681), Gabriel Metsu (1629–1667), and Jan Steen (c. 1626–1679). Vermeer and Music provides new insight into the cultural significance of these images. A historical overview of musical instruments and entertainment in the Dutch Republic, including the abundant publication of songbooks filled with love songs and poems, some richly illustrated, contextualizes the fascinating relationship between music and the visual arts.Published by National Gallery Company/Distributed by Yale University PressExhibition Schedule:The National Gallery, London(06/26/13–09/08/13)

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Euro Noir by Britain's leading crime fiction expert Barry Forshaw (author of Nordic Noir) examines the astonishing success of European fiction and drama. This is often edgier, grittier and more compelling than some of its British or American equivalents, and the book provides a highly readable guide for those wanting to look further than the obvious choices. The sheer volume of new European writers and films is daunting but Euro Noir provides a roadmap to the territory and is also a perfect travel guide to the genre. Barry Forshaw covers influential Italian authors, such as Andrea Camilleri and Leonardo Sciascia and Mafia crime dramas Romanzo Criminale and Gomorrah, along with the gruesome Gialli crime films. He also considers important French and Belgian writers such as Maigret's creator Georges Simenon to today's Fred Vargas, cult television programmes Braquo and Spiral, and films, from the classic heist movie Rififi to modern successes such as Hidden, Mesrine and Tell No One. German and Austrian greats are covered including Jakob Arjouni and Jan Costin Wagner, and crime films such as Run Lola Run and The Lives of Others. Euro Noir also covers the best crime writing and filmmaking from Spain, Portugal, Greece, Holland and other European countries and celebrates the wide scope of European crime fiction, films and TV.

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I don’t recall if I saw my first gunman in my childhood nightmares or on my childhood streets. There were plenty in both and they looked very much like each other. So begins Reggie Chamberlain-King’s introduction to The Black Dreams, a thrilling and compelling collection of specially commissioned stories that explore the emotional geography of growing up and living in Northern Ireland. The fourteen stories gathered here criss-cross coast, border and city as they map a ‘strange’ territory of in-between states and unstable realities in which understanding is unreliable. Obsessions, death and rebirth, violence, sexuality, retribution and apocalypse are all part of the rich fabric of The Black Dreams. Bringing together some of Northern Ireland’s finest writers, along with some of the best new talents, The Black Dreams celebrates and extends the rich tradition of the weird, surreal and dream-like in Northern Irish writing. It is also a powerful act of imagining and storytelling – a vibrant, vivid and exhilarating exploration of a world we cannot, or choose not, to see. Contributors: Jo Baker, Jan Carson, Reggie Chamberlain-King, Aislínn Clarke, Emma Devlin, Moyra Donaldson, Michelle Gallen, Carlo Gébler, John Patrick Higgins, Ian McDonald, Gerard McKeown, Bernie McGill, Ian Sansom, Sam Thompson

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'Nothing short of a masterpiece' JAN MORRIS'[This] gloriously ornate account of that epic journey is a classic' ROBERT MACFARLANE'Not only is this journey one of physical adventure but of cultural awakening. Architecture, art, genealogy, quirks of history and language are all devoured -- and here passed on -- with a gusto uniquely his' COLIN THUBRON, Sunday Times'One of the most romantic books of the twentieth century, Patrick Leigh Fermor's account of a long walk across Europe is also a literary treasure, a rich blend of action and observation' GuardianIn 1933, at the age of 18, Patrick Leigh Fermor set out on an extraordinary journey by foot - from the Hook of Holland to Constantinople. A Time of Gifts is the first volume in a trilogy recounting the trip, and takes the reader with him as far as Hungary.It is a book of compelling glimpses - not only of the events which were curdling Europe at that time, but also of its resplendent domes and monasteries, its great rivers, the sun on the Bavarian snow, the storks and frogs, the hospitable burgomasters who welcomed him, and that world's grandeurs and courtesies. His powers of recollection have astonishing sweep and verve, and the scope is majestic.

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Niall Ferguson's acclaimed bestseller on the highs and lows of Britain's empireOnce vast swathes of the globe were coloured imperial red and Britannia ruled not just the waves, but the prairies of America, the plains of Asia, the jungles of Africa and the deserts of Arabia. Just how did a small, rainy island in the North Atlantic achieve all this? And why did the empire on which the sun literally never set finally decline and fall? Niall Ferguson's acclaimed Empire brilliantly unfolds the imperial story in all its splendours and its miseries, showing how a gang of buccaneers and gold-diggers planted the seed of the biggest empire in all history - and set the world on the road to modernity.'The most brilliant British historian of his generation ... Ferguson examines the roles of "pirates, planters, missionaries, mandarins, bankers and bankrupts" in the creation of history's largest empire ... he writes with splendid panache ... and a seemingly effortless, debonair wit' Andrew Roberts 'Dazzling ... wonderfully readable' New York Review of Books'A remarkably readable précis of the whole British imperial story - triumphs, deceits, decencies, kindnesses, cruelties and all' Jan Morris 'Empire is a pleasure to read and brims with insights and intelligence' Sunday Times

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**Winner of the 2022 Sunday Times Charlotte Aitken Young Writer of the Year Award** **A Sunday Times Paperback of the Year** **Longlisted for the CWA Gold Dagger 2023** **Longlisted for the Gordon Burn Prize 2022** ‘Oxblood shows us that there are few places literature can’t take us, if the writer is brave enough, and gifted enough’ FRANCIS SPUFFORD 'The master of northern noir' SUNDAY TIMES 'Brilliant' DENISE MINA 'An absolute triumph' GUARDIAN 'Powerful and so beautifully written' HARRIET TYCE, Sunday Times-bestselling author of BLOOD ORANGE ________________________________________________________________ Wythenshawe, South Manchester. 1985. The Dodds family once ruled Manchester’s underworld; now the men are dead, leaving three generations of women trapped in a house haunted by violence, harbouring an unregistered baby and the ghost of a murdered lover. Over the course of a few days, Nedra, Carol and Jan must each confront the true legacy of the men who have defined their lives; and seize the opportunity to break the cycle for good. _______________________________________________________________ ‘If I read a better novel than Oxblood in 2022, it’ll be a blinding year for fiction’ JOSEPH KNOX 'A propulsive, bountiful, fearless work of art' OYINKAN BRAITHWAITE 'One of the most powerful and urgent writers of our times' DAVID PEACE

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For 250 years the State Hermitage has been one of Europe's most palatial museums. The Hermitage collections were developed beginning in 1764 by Catherine the Great, Empress of Russia, and now encompass more than three million works of art and artifacts displayed within a spectacular architectural ensemble, the heart of which is the famed Winter Palace. Now, on this important anniversary, this stunning volume captures the masterpieces that make this world-famous institution a cultural destination and a global treasure. 250 Masterpieces explores this sumptuous collection in the manner of a private tour showcasing works by Italian Renaissance artists including Leonardo da Vinci, Michelangelo, and Titian; Spanish artists such as Velazquez, Ribera, and Murillo; Flemish Baroque artists from van Dyck, Rubens, Rembrandt, and Jan Brueghel the Elder; Impressionist and post-Impressionist works from Renoir, Monet, Van Gogh, Gauguin, Cezanne, and Degas; and modern painting by Matisse, Picasso, Malevich, and Kandinsky. Priceless antiquities, feats of mechanical engineering, such as the famous Peacock Clock, and works of sculpture and decorative arts will also be shown both in situ and as works in focus. With lavish reproductions accompanied by texts from the museum's leading curators, this amazing volume is sure to become an instant classic, cherished by art lovers around the world.

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The first comprehensive look at the origins and diffusion across Europe of the etched print during the late 15th and early 16th centuries The etching of images on metal, originally used as a method for decorating armor, was first employed as a printmaking technique at the end of the 15th century. This in-depth study explores the origins of the etched print, its evolution from decorative technique to fine art, and its spread across Europe in the early Renaissance, leading to the professionalization of the field in the Netherlands in the 1550s. Beautifully illustrated, this book features the work of familiar Renaissance artists, including Albrecht Dürer, Jan Gossart, Pieter Breughel the Elder, and Parmigianino, as well as lesser known practitioners, such as Daniel Hopfer and Lucas van Leyden, whose pioneering work paved the way for later printmakers like Rembrandt and Goya. The book also includes a clear and fascinating description of the etching process, as well as an investigation of how the medium allowed artists to create highly detailed prints that were more durable than engravings and more delicate than woodblocks.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (October 23, 2019–January 19, 2020)

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How do we live in and with empire? The contributors to Ethnographies of U.S. Empire pursue this question by examining empire as an unequally shared present. Here empire stands as an entrenched, if often invisible, part of everyday life central to making and remaking a world in which it is too often presented as an aberration rather than as a structuring condition. This volume presents scholarship from across U.S. imperial formations: settler colonialism, overseas territories, communities impacted by U.S. military action or political intervention, Cold War alliances and fissures, and, most recently, new forms of U.S. empire after 9/11. From the Mohawk Nation, Korea, and the Philippines to Iraq and the hills of New Jersey, the contributors show how a methodological and theoretical commitment to ethnography sharpens all of our understandings of the novel and timeworn ways people live, thrive, and resist in the imperial present. Contributors: Kevin K. Birth, Joe Bryan, John F. Collins, Jean Dennison, Erin Fitz-Henry, Adriana María Garriga-López, Olívia Maria Gomes da Cunha, Matthew Gutmann, Ju Hui Judy Han, J. Kēhaulani Kauanui, Eleana Kim, Heonik Kwon, Soo Ah Kwon, Darryl Li, Catherine Lutz, Sunaina Maira, Carole McGranahan, Sean T. Mitchell, Jan M. Padios, Melissa Rosario, Audra Simpson, Ann Laura Stoler, Lisa Uperesa, David Vine

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Victorian Jamaica explores the extraordinary surviving archive of visual representation and material objects to provide a comprehensive account of Jamaican society during Queen Victoria's reign over the British Empire, from 1837 to 1901. In their analyses of material ranging from photographs of plantation laborers and landscape paintings to cricket team photographs, furniture, and architecture, as well as a wide range of texts, the contributors trace the relationship between black Jamaicans and colonial institutions; contextualize race within ritual and performance; and outline how material and visual culture helped shape the complex politics of colonial society. By narrating Victorian history from a Caribbean perspective, this richly illustrated volume—featuring 270 full-color images—offers a complex and nuanced portrait of Jamaica that expands our understanding of the wider history of the British Empire and Atlantic world during this period. Contributors. Anna Arabindan-Kesson, Tim Barringer, Anthony Bogues, David Boxer, Patrick Bryan, Steeve O. Buckridge, Julian Cresser, John M. Cross, Petrina Dacres, Belinda Edmondson, Nadia Ellis, Gillian Forrester, Catherine Hall, Gad Heuman, Rivke Jaffe, O'Neil Lawrence, Erica Moiah James, Jan Marsh, Wayne Modest, Daniel T. Neely, Mark Nesbitt, Diana Paton, Elizabeth Pigou-Dennis, Veerle Poupeye, Jennifer Raab, James Robertson, Shani Roper, Faith Smith, Nicole Smythe-Johnson, Dianne M. Stewart, Krista A. Thompson

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High Praise for High Impact Philanthropy "Successful navigation through today's changing world of philanthropy requires greater understanding by nonprofits and donors. High Impact Philanthropy meets this need."-Roberta W. Gutman, Executive Director, Motorola Foundation "At a time when the terrain of American philanthropy is so rapidly shifting in new and unprecedented ways, this bright and focused analysis stands as a beacon of innovative thinking for donors and community organizers alike. By sketching in bold strokes the case for more effective collaborative giving, this book may well help transform our communities in the twenty-first century."-Peter deCourcy Hero,President, Community Foundation Silicon Valley "High Impact Philanthropy provides a thoughtful analysis of how venture philanthropy is changing the way nonprofits run and how philanthropists give. Important parallels are made to the business world, demonstrating how nonprofits and donors can both benefit from putting their business hats on and running their organizations and giving programs like businesses."-Jan D'Alessandro Wadsworth, Vice President, AOL Foundation "High Impact Philanthropy is an effective and articulate guide to planning a major gifts strategy, soliciting major gifts from individuals in a personable and efficient manner, and integrating this essential task into the very structure of a nonprofit organization."-Claude Rosenberg, Founder, New Tithing Group

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Praise for IT Best Practices "The work of the financial manager revolves around a company's financial systems. Ms. Roehl-Anderson's latest offering addresses the two key aspects of these systems—how to buy and install them. The book covers every conceivable aspect of these systems, including ERP, software as a service, shared services, and supporting controls. As a bonus, the book contains substantial coverage of information technology considerations in an acquisition. This is a definitive desk reference." —Steve Bragg, CFO, XeDAR Corporation, and author of Accounting Best Practices "Sage advice from one of the most adept project managers in the industry! Jan and team have delivered a practical, yet comprehensive guidebook for software selection, implementation, rollout, and ongoing updates. This guidebook will become a valuable reference for every financial manager and IT project manager undertaking ERP implementation."—Valerie Borthwick, former senior vice president, Oracle Consulting "Written by one of the best in the IT business, this book is a must-read for all CFOs and controllers. In one volume, it addresses everything a financial executive needs to know about IT and its impact on the financial function, while also featuring practical guidelines, current hot topics, and IT best practices. This book covers it all."—Jo Marie Dancik, Regional Managing Partner (Retired), Ernst & Young

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Painting and Politics in Northern Europe offers a chronological account of political engagement in works by the early modern Northern European painters Jan van Eyck, Pieter Bruegel the Elder, Peter Paul Rubens, and Frans Snyders. Offering fresh interpretations of canonical paintings, Margaret Carroll illustrates how these artists registered their pictorial responses to the political events and debates of their day. The imagery of gender and power was often intertwined with these debates. Considering a range of works, including Van Eyck’s Arnolfini Portrait, Bruegel’s Netherlandish Proverbs, and Rubens’s Life of Marie de Médicis series, Carroll examines the ways in which these Netherlandish painters seized on that imagery and creatively transformed it into the materials of art.The narrative follows the way painters responded to the emergence of “modern” theories of politics and natural law from the classical and medieval tradition. Carroll begins by addressing paintings that identify the natural order with consensual social relations in a stable political hierarchy, then turns to paintings that stress the struggle for mastery in a perilous and unstable world. These paintings may be valued not merely as historical artifacts of a bygone era but as interventions in a cultural discourse that continues to this day.

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** Cahokia Jazz, the new novel from Francis Spufford, is available for preorder now. ** 'Best book of the century.' Richard Osman'Just wonderful.' Jan Morris'A marvel.' Zadie Smith 'Every bit as superb as everyone says.' Sarah PerryWinner of the Costa First Novel Award 2016Winner of the RSL Ondaatje Prize 2017Winner of the Desmond Elliott Prize 2017Shortlisted for the Walter Scott Prize for Historical Fiction 2017Shortlisted for the Rathbones Folio Prize 2017Shortlisted for the Authors' Club Best First Novel Award 2017Shortlisted for the British Book Awards Debut Novel of the Year 2017A SUNDAY TIMES TOP 100 NOVEL OF THE TWENTY-FIRST CENTURYNew York, a small town on the tip of Manhattan Island, 1746. One rainy evening, a charming and handsome young stranger fresh off the boat from England pitches up to a counting house on Golden Hill Street, with a suspicious yet compelling proposition -- he has an order for a thousand pounds in his pocket that he wishes to cash. But can he be trusted? This is New York in its infancy, a place where a young man with a fast tongue can invent himself afresh, fall in love, and find a world of trouble . . .

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'Highly recommended' John Gwynne 'Madson is an exciting new author in fantasy' Mark Lawrence'A complex tale of war, politics and lust for power' Guardian AS AN EMPIRE DIES, THREE WARRIORS WILL RISE. THEY MUST RIDE THE STORM OR DROWN IN ITS BLOOD.The kingdom of Kisia is divided, held together only by the will of the god-emperor. When an act of betrayal shatters an alliance with the neighbouring land of Chiltae, all that has been won comes crashing down.Now, as the fires of war spread, a warrior, an assassin and a princess must chase their ambitions, no matter the cost.War built the Kisian Empire. And now war will tear it down.'A visceral, intriguing, intense and emotionally charged ride'Grimdark Magazine'Breathtakingly triumphant . . . it has become one of my favourite books of all time'Novel Notions'Buckle your seatbelts and prepare for a hell of a ride' Fantasy Book Critic'Complex and immersive . . . doesn't let go until the final electrifying pages' Fantasy Book Review Books by Devin MadsonThe Reborn Empire We Ride the Storm We Lie with Death (coming Jan '21)The Vengeance TrilogyThe Blood of Whisperers The Gods of ViceThe Grave at Storm's End

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The foundations for a world-class public art collection in Berlin were laid in 1821: This was the year the Kingdom of Prussia acquired on behalf of the museum to be established in Berlin the painting collection of English merchant Edward Solly (1776-1844). Between 1815 and 1820 this cosmopolitan lover of the arts living in Berlin amassed thousands of paintings above all from Italy, Germany and the Netherlands. Many of the works were by artists little known at the time but who subsequently came to be greatly appreciated and are still renowned today. The exhibition and the accompanying catalogue showcase a representative selection of masterpieces, rediscoveries, and "historical peculiarities", and provide an insight into an age that on the one hand shaped our concepts of art and museums and on the other hand had an entirely different view of the works than we have today. Detailed insights into the history of the Berlin Gemäldegalerie Exhibition: Gemäldegalerie, Berlin, 2022 Artists i.e.: Wilhelm Hensel, Meister der Dossali Veneziani, Puccio di Simone, Giotto, Meister des San Niccolò-Altares, Domenico und Davide Ghirlandaio, Raffael, Girolamo Figino, Johannes Hispanus, Girolamo Romanino, Giovanni Battista Benvenuti, Goossen van der Weyden, Hans Holbein der Jüngere, Hans Maler, Ambrosius Benson, Jan Gossart, Rembrandt, Cornelis Cornelisz van Haarlem, Gian Domenico Cerrini

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