Search results for ""WW Norton Co""

Police are nine times more likely to kill African-American men than they are other Americans—in fact, nearly one in every thousand will die at the hands, or under the knee, of an officer. As eminent constitutional scholar Erwin Chemerinsky powerfully argues, this is no accident, but the horrific result of an elaborate body of doctrines that allow the police and, crucially, the courts to presume that suspects—especially people of color—are guilty before being charged. Today in the United States, much attention is focused on the enormous problems of police violence and racism in law enforcement. Too often, though, that attention fails to place the blame where it most belongs, on the courts, and specifically, on the Supreme Court. A “smoking gun” of civil rights research, Presumed Guilty presents a groundbreaking, decades-long history of judicial failure in America, revealing how the Supreme Court has enabled racist practices, including profiling and intimidation, and legitimated gross law enforcement excesses that disproportionately affect people of color. For the greater part of its existence, Chemerinsky shows, deference to and empowerment of the police have been the modi operandi of the Supreme Court. From its conception in the late eighteenth century until the Warren Court in 1953, the Supreme Court rarely ruled against the police, and then only when police conduct was truly shocking. Animating seminal cases and justices from the Court’s history, Chemerinsky—who has himself litigated cases dealing with police misconduct for decades—shows how the Court has time and again refused to impose constitutional checks on police, all the while deliberately gutting remedies Americans might use to challenge police misconduct. Finally, in an unprecedented series of landmark rulings in the mid-1950s and 1960s, the pro-defendant Warren Court imposed significant constitutional limits on policing. Yet as Chemerinsky demonstrates, the Warren Court was but a brief historical aberration, a fleeting liberal era that ultimately concluded with Nixon’s presidency and the ascendance of conservative and “originalist” justices, whose rulings—in Terry v. Ohio (1968), City of Los Angeles v. Lyons (1983), and Whren v. United States (1996), among other cases—have sanctioned stop-and-frisks, limited suits to reform police departments, and even abetted the use of lethal chokeholds. Written with a lawyer’s knowledge and experience, Presumed Guilty definitively proves that an approach to policing that continues to exalt “Dirty Harry” can be transformed only by a robust court system committed to civil rights. In the tradition of Richard Rothstein’s The Color of Law, Presumed Guilty is a necessary intervention into the roiling national debates over racial inequality and reform, creating a history where none was before—and promising to transform our understanding of the systems that enable police brutality.

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At Christmas time, post-war America’s dreams and desires were on full display, from shopping centre Santas to shiny aluminium Christmas trees, from the Grinch to Charlie Brown’s beloved spindly Christmas tree. Now design maven Sarah Archer tells the story of how Christmas time in America rocketed from the Victorian period into Space Age thanks to the new technologies and unprecedented prosperity that shaped the era. This book features icons of that time: a visual feast of Christmas eats and recipes, from magazines and food and appliance makers; Christmas cards from artists and designers of the era; and vintage how-to templates and instructions for Chirstmas decorations from Good Housekeeping and the 1960’s craft craze.

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In a country called Town, a doctor named Su is found dead in an abandoned car. There is only one place the police intend to look for her suspected killer: the Saha Estates. Controlled by a secretive organization of ministers, Town is the safest, richest nation in the world. But it is a society clearly divided into the haves and have-nots, and those who have the very least—who aren’t even considered citizens—live on the Saha Estates. Residents of Saha must squat in moldy units without plumbing or electricity and can only find work doing harsh labor. For many, the apartment complex is a bleak haven for escaping even bleaker pasts—as it was for Jin-kyung and her brother, Do-Kyung, who showed up one day sopping wet and shivering. No one is shocked when a lowlife like Do-Kyung becomes the main suspect in Su’s—a citizen’s—murder. But then Do-Kyung disappears. Isolated in a barren Saha unit, Jin-Kyung makes a choice: she will finally confront a system hellbent on erasing her brother’s existence. To find him, she must rely on her tightlipped neighbors, from the mysterious janitor known as “Old Man,” to Granny Konnim, the community gardener and reluctant midwife, to Woomi, an unwitting test subject at the local clinic. On her quest for the truth, Jin-kyung will uncover a reality far darker than she could have imagined. Written in Cho Nam-Joo’s signature sharp prose, brilliantly translated by Jamie Chang, Saha is a chilling portrait of what happens when we finally unmask our oppressors.

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These centuries, as the author demonstrates, were the era in which the most deeply rooted of ancient institutions disappeared for all time. By 476 the Roman empire had vanished from western Europe; by 655 the Persian empire had vanished from the Near East. Mr. Brown, Professor of History at Princeton University, examines these changes and men's reactions to them, but his account shows that the period was also one of outstanding new beginnings and defines the far-reaching impact both of Christianity on Europe and of Islam on the Near East. The result is a lucid answer to a crucial question in world history; how the exceptionally homogeneous Mediterranean world of c. 200 A.D. became divided into the three mutually estranged societies of the Middle Ages: Catholic Western Europe, Byzantium, and Islam. We still live with the results of these contrasts.

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Engaging, hands-on, and visual-the geology manual that helps your students think like a geologist.

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Short of near disaster or the sublime, what are our most memorable outdoor moments made of? The totally surprising, sometimes bizarre oddball moments that catch our psyches off guard and strike our funny bones to the core. Call it the wild side factor. The editors of Outside proudly present outstanding images gleaned from 300 issues of their back-page "Parting Shots" photo feature. It's their way of celebrating the pratfalls and singular coincidences of an outdoor life—the comic circumstances of relatively tame mammals (us) spending more and more time closer and closer to large, wild animals. These images are a rare chance to look into the wide world outside and laugh at both ourselves and that infinitely wondrous, entertaining three-ring circus we call the universe.

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Ellen Greenberg sets the stage for both the House of Representatives and the Senate, explaining what the mace and hopper are, how the chambers are laid out, who the onstage actors are and what they do. Her section on the jargon--the most common phrases used--goes far beyond mere description to show how our government operates. She also explains how business is done: what happens on a daily basis and during the weekly schedule and how a bill becomes a law--or doesn't. The House and Senate Explained includes a chapter on using the Internet to access information about the House, the Senate, and the White House, from getting around Washington to accessing proposed bills to sending E-mail to your congressional representatives. In addition, you'll learn how to be heard by your representatives and how to take a more active role in committee hearings. A listing of all the congressional committees and subcommittees lets you know where your special concerns are being addressed. Whether a C-SPAN addict, a concerned citizen, or a general reader watching the nightly news, this hands-on manual will help you understand Congress and how to make it work for you.

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A while ago, DDT and the antimalarial drug chloroquine seemed sure to make us all safe from such invisible assault. It was not to be. The mosquito has become resistant to DDT; malaria is on the rise; although tapeworms rarely turn up any longer in the most lovingly prepared New York City gefilte fish, a worm may inhabit your sashimi; some strains of gonorrhea actually thrive on penicillin; there is even a parasite for the higher tax brackets—the "nymph of Nantucket"; and there are new ailments—legionnaire's disease, Lassa fever, and new strains of influenza. In the long run, one might bet on the insects and the germs. Meanwhile Dr. Robert Desowitz has written a delightful and instructive book.

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Before the United States' invasion, a million Soviet troops fought a devastating war in Afghanistan that claimed 50,000 casualties—and the youth and humanity of many tens of thousands more. The Soviet Union talked about a "peacekeeping" mission, while the dead were shipped back in zinc-lined coffins. In this new translation, Zinky Boys weaves together the candid and affecting testimony of the officers and grunts, doctors and nurses, mothers, sons, and daughters who describe the war and its lasting effects. A "masterpiece of reportage" (Timothy Snyder, New York Review of Books) emerges of harrowing and unforgettable insight into war.

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Although new technologies appear poised to alter it, the library remains a powerful site for discovery, and its form is still determined by the geometry of the book and the architectural spaces devised to store and display it. American Libraries provides a history and panorama of these much-loved structures, inside and out, encompassing the small personal collection, the vast university library, and everything in between. Through 500 photographs and plans selected from the encyclopedic collections of the Library of Congress, Kenneth Breisch traces the development of libraries in the United States, from roots in such iconic examples as the British Library and Paris’s Bibliotheque-Ste.-Genevieve to institutions imbued with their own American mythology. Starting with the private collections of wealthy merchants and landowners during the eighteenth century, the book looks at the Library of Congress, large and small public libraries, and the Carnegie libraries, and it ends with a glimpse of modern masterworks.

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American Small Sailing Craft (originally published 1951) is considered the classic among small-boat builders and historians. In it Chapelle has documented many fast-vanishing working boats, making this the authoritative history of a passing maritime fleet.

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This groundbreaking book explores the recent revolution in psychotherapy that has brought an understanding of the social nature of people’s brains to a therapeutic context. Louis Cozolino is a master at synthesising neuroscientific information and demonstrating how it applies to psychotherapy practise. New material on altruism, executive function, trauma and change round out this essential book.

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Overshadowed by the high-profile splendors of Italy and France, and studied and chronicled almost entirely in Swedish, Sweden’s majestic palaces, stately manor houses, and tapestry-like gardens have seemed as remote as the Nordic country itself. On the pages of Classical Swedish Architecture and Interiors 1650–1840, meet such pathbreakers as Nicodemus Tessin the Younger and Carl Harleman and the ambitious, discerning monarchs and aristocrats who commissioned their work. Learn how Sweden’s architects and designers mined antique and contemporary southern Europe for styles, techniques, and even artisans; how such marvels as the Royal Palace in Stockholm, Drottningholm, and King Gustav III’s beloved Haga took shape and acquired their uniquely Swedish stamp. Step into the rich interiors where Sweden’s kings and their consorts received state visitors, stored and displayed treasures, wrote letters and studied science, and laid their heads to sleep. The path of visitors to Sweden—scholars and laymen, travelers and armchair explorers alike—will be forever changed and expanded by this book. Stops at the more familiar sites will be informed with knowledge of the who, when, why, and how of each antechamber and pavilion, while the lucid text and abundance of brilliant photographs, complementing such historical documents as engravings and architectural renderings, will open roads to rural corners and coastal retreats where Swedish royals, nobles, and privileged commoners basked in the calm of their country mansions and warmed themselves before their handsome Swedish tile stoves.

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He pays particular attention to the causes of loneliness and isolation, and to our search for stability in an age of anxiety.

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Three years in the making, written by a licensed pharmacist and expert healthcare professional, this book contains not only more than 100 easy, all-natural recipes for face, hair and body, it also offers help on determining if a shop-bought product is truly organic or natural by reviewing and explaining ingredients found in most of them.

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George March’s latest novel is a smash. No one could be prouder than his dutiful wife, Mrs. March, who revels in his accolades. A careful creature of routine and decorum, she lives a precariously controlled existence on the Upper East Side until one morning, when the shopkeeper of her favorite patisserie suggests that her husband’s latest protagonist—a detestable character named Johanna—is based on Mrs. March herself. Clutching her ostrich leather pocketbook and mint-colored gloves, she flees the shop. What could have merited this humiliation? That one casual remark robs Mrs. March of the belief that she knew everything about her husband—and herself—thus sending her on an increasingly paranoid journey that begins within the pages of a book. While snooping in George’s office, Mrs. March finds a newspaper clipping about a missing woman. Did George have anything to do with her disappearance? He’s been going on a lot of “hunting trips” up north with his editor lately, leaving Mrs. March all alone at night with her tormented thoughts, and the cockroaches that have suddenly started to appear, and strange breathing noises . . . As she begins to decode her husband’s secrets, her deafening anxiety and fierce determination threaten everyone in her wake—including her stoic housekeeper, Martha, and her unobtrusive son, Jonathan, whom she loves so profoundly, when she remembers to love him at all. Combining a Hitchcockian sensibility with wickedly dark humor, Virginia Feito, a brilliantly talented and, at times, mischievous newcomer, offers a razor-sharp exploration of the fragility of identity. A mesmerizing novel of psychological suspense and casebook insecurity turned full-blown neurosis, Mrs. March will have you second-guessing your own seemingly familiar reflection in the mirror.

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Compared to the Puritans, Mormons have rarely gotten their due, treated as fringe cultists at best or marginalized as polygamists unworthy of serious examination at worst. In Kingdom of Nauvoo, the historian Benjamin E. Park excavates the brief life of a lost Mormon city, and in the process demonstrates that the Mormons are, in fact, essential to understanding American history writ large. Drawing on newly available sources from the LDS Church—sources that had been kept unseen in Church archives for 150 years—Park recreates one of the most dramatic episodes of the 19th century frontier. Founded in Western Illinois in 1839 by the Mormon prophet Joseph Smith and his followers, Nauvoo initially served as a haven from mob attacks the Mormons had endured in neighboring Missouri, where, in one incident, seventeen men, women, and children were massacred, and where the governor declared that all Mormons should be exterminated. In the relative safety of Nauvoo, situated on a hill and protected on three sides by the Mississippi River, the industrious Mormons quickly built a religious empire; at its peak, the city surpassed Chicago in population, with more than 12,000 inhabitants. The Mormons founded their own army, with Smith as its general; established their own courts; and went so far as to write their own constitution, in which they declared that there could be no separation of church and state, and that the world was to be ruled by Mormon priests. This experiment in religious utopia, however, began to unravel when gentiles in the countryside around Nauvoo heard rumors of a new Mormon marital practice. More than any previous work, Kingdom of Nauvoo pieces together the haphazard and surprising emergence of Mormon polygamy, and reveals that most Mormons were not participants themselves, though they too heard the rumors, which said that Joseph Smith and other married Church officials had been “sealed” to multiple women. Evidence of polygamy soon became undeniable, and non-Mormons reacted with horror, as did many Mormons—including Joseph Smith’s first wife, Emma Smith, a strong-willed woman who resisted the strictures of her deeply patriarchal community and attempted to save her Church, and family, even when it meant opposing her husband and prophet. A raucous, violent, character-driven story, Kingdom of Nauvoo raises many of the central questions of American history, and even serves as a parable for the American present. How far does religious freedom extend? Can religious and other minority groups survive in a democracy where the majority dictates the law of the land? The Mormons of Nauvoo, who initially believed in the promise of American democracy, would become its strongest critics. Throughout his absorbing chronicle, Park shows the many ways in which the Mormons were representative of their era, and in doing so elevates nineteenth century Mormon history into the American mainstream.

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Murray Bowen (1931–1990) was the first to study the family in a live-in setting and describe specific details about how families function as systems. Despite Bowen theory being based on research begun more than seventy years ago, the value of viewing human beings as profoundly emotionally-driven creatures and human families functioning as emotional units is more relevant than ever. This book, written by one of his closest collaborators, updates his still-radical theory with the latest approaches to understanding emotional development. Reduced to its most fundamental level, Bowen theory explains how people begin a relationship very close emotionally but become more distant over time. The ideas also help explain why good people do bad things, and bad people do good things, and how family life strengthens some members while weakening others. Gaining knowledge about previously unseen specifics of family interactions reveals a hidden life of families. The hidden life explains how the best of intentions can fail to produce the desired result, thus providing a blueprint for change. Part I of the book explains the core ideas in the theory. Part II describes the process of differentiation of self, which is the most important application of Bowen theory. People sometimes think of theories as "ivory tower" productions: interesting, but not necessarily practical. Differentiation of self is anything but; it has a well-tested real-world application. Part II includes four long case presentations of families in the public eye. They help illustrate how Bowen theory can help explain how families—three of which appear fairly normal and one which does not—unwittingly produce an offspring that chronically manifests some time of severely aberrant behavior. Finally, the book proposes a new "unidisease" concept—the idea that a wide range of diseases have a number of physiological processes in common. In an Epilogue, Kerr applies Bowen theory to his family to illustrate how changes in a family relationship system over time can better explain the clinical course of a chronic illness than the diagnosis itself. With close to four thousand hours of therapy conducted with about thirty-five hundred families over decades, Michael Kerr is an expert guide to the ins and outs of this most influential way of approaching clinical work with families.

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Poems and photographs collide in this intimate collection, challenging the invisible, indefinable ways mourning takes up residence in a body, both before and after life-altering loss. In radiant poems—set against the evocative and desperate backdrop of contemporary events, pop culture, and politics—Rachel Eliza Griffiths reckons with her mother’s death, aging, authority, art, black womanhood, memory, and the American imagination. The poems take shape in the space where public and private mourning converge, finding there magic and music alongside brutality and trauma. Griffiths braids a moving narrative of identity and its possibilities for rebirth through image and through loss. A photographer as well as a poet, Griffiths accompanies the fierce rhythm of her verses with a series of ghostly, imaginative self-portraits, blurring the body’s internal wilderness with landscapes alive with beauty and terror. The collision of text and imagery offers an associative autobiography, in which narratives of language, absence, and presence are at once saved, revised, and often erased. Seeing the Body dismantles personal and public masks of silence and self-destruction to visualize and celebrate the imperfect freedom of radical self-love.

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Written exercises—The Second Edition includes new exercises for each chapter that reflect changes in the text, in particular changes in the chapters on fundamentals and diatonic harmony. Exercises require students to fill in short harmonic progressions, complete sequential patterns, realize figured basses, harmonize melodies, analyze excerpts from music literature, and compose original music. Keyboard exercises—Professor Gauldin’s keyboard exercises help students make the transition from theory to ear training and performance. Students learn to hear various intervals, chords, and harmonic progressions and to master transposition, figured bass, and melody harmonization. All keyboard exercises have been collected in a separate section at the end of the text.

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This Norton Critical Edition has been carefully edited to make The Merchant of Venice, its surrounding history, and the history of its critical reception and rewritings accessible to readers. The text of this edition is based on the 1600 First Quarto, with light editing and substantial explanatory annotations by Leah S. Marcus. "Sources and Contexts" largely focuses on the character of Shylock and the issue of anti-Semitism in the play. Materials included are diverse, and at times contradictory, allowing readers to draw their own conclusions. Examples include seventeenth-century anti-Semitic literature, an essay from the same period defending Jews and arguing for their repatriation in England, an examination of the Christian theology of the play, and readings of The Merchant of Venice as exclusionary for Jews, women, and people of color. "Criticism" collects twenty-one diverse interpretations. In addition to Shylock and the question of anti-Semitism, these essays address The Merchant of Venice in the context of postcolonial, feminist, and queer theory and explore relevant issues of economic status and organization. "Rewritings and Appropriations" includes excerpts from dramatic, musical, and other literary adaptations of The Merchant of Venice, as well as a selection of poems, most of them from the twentieth century, on the character of Shylock. A Selected Bibliography is also included.

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Beginning with a poem about the teenage dawning of sexuality, Vertigo & Ghost pitches quickly into a fierce, electrifying, riveting sequence that exposes Zeus as a serial rapist, for whom women are prey and sex is weaponized. As unflinching, devastating poems of vulnerability and anger confront Zeus with aggressions both personal and historical, his house comes crumbling down. In its place, acclaimed poet Fiona Benson reveals a disturbing contemporary world in which violent acts against women continue to be perpetrated on a daily, even hourly, basis. In the volume’s second half, Benson shifts to an intimate and lyrical document of depression and family life. These moving poems probe the ambivalent terrain of early motherhood—its anxieties and claustrophobias as well as its gifts of tenderness and love—reclaiming the sanctuary of domestic private life and the right to raise children in peace and safety. Together, these two halves form a complex portrait of modern womanhood. Dynamic in its range and risk, Vertigo & Ghost introduces an important British voice to an American audience, a voice that speaks out with clarity, grace, and bravery against abuse of power.

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An award-winning poet and former infantry team leader in Iraq, Brian Turner combines his devastating recollections as “Sergeant Turner” with his visions of the experiences of generations of warriors in his family—and even those of the enemy—in a work of profound understanding and shocking beauty.

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Nearly a century after his wrenching death, the Portuguese poet Fernando Pessoa (1888–1935) remains one of our most enigmatic writers. Believing he could do “more in dreams than Napoleon,” yet haunted by the specter of hereditary madness, Pessoa invented dozens of alter egos, or “heteronyms,” under whose names he wrote in Portuguese, English, and French. Unsurprisingly, this “most multifarious of writers” (Guardian) has long eluded a definitive biographer—but in renowned translator and Pessoa scholar Richard Zenith, he has met his match. Relatively unknown in his lifetime, Pessoa was all but destined for literary oblivion when the arc of his afterlife bent, suddenly and improbably, toward greatness, with the discovery of some 25,000 unpublished papers left in a large, wooden trunk. Drawing on this vast archive of sources as well as on unpublished family letters, and skillfully setting the poet’s life against the nationalist currents of twentieth-century European history, Zenith at last reveals the true depths of Pessoa’s teeming imagination and literary genius. Much as Nobel laureate José Saramago brought a single heteronym to life in The Year of the Death of Ricardo Reis, Zenith traces the backstories of virtually all of Pessoa’s imagined personalities, demonstrating how they were projections, spin-offs, or metamorphoses of Pessoa himself. A solitary man who had only one, ultimately platonic love affair, Pessoa used his and his heteronyms’ writings to explore questions of sexuality, to obsessively search after spiritual truth, and to try to chart a way forward for a benighted and politically agitated Portugal. Although he preferred the world of his mind, Pessoa was nonetheless a man of the places he inhabited, including not only Lisbon but also turn-of-the-century Durban, South Africa, where he spent nine years as a child. Zenith re-creates the drama of Pessoa’s adolescence—when the first heteronyms emerged—and his bumbling attempts to survive as a translator and publisher. Zenith introduces us, too, to Pessoa’s bohemian circle of friends, and to Ophelia Quieroz, with whom he exchanged numerous love letters. Pessoa reveals in equal force the poet’s unwavering commitment to defending homosexual writers whose books had been banned, as well as his courageous opposition to Salazar, the Portuguese dictator, toward the end of his life. In stunning, magisterial prose, Zenith contextualizes Pessoa’s posthumous literary achievements—especially his most renowned work, The Book of Disquiet. A modern literary masterpiece, Pessoa simultaneously immortalizes the life of a literary maestro and confirms the enduring power of Pessoa’s work to speak prophetically to the disconnectedness of our modern world.

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As a poet, Cummings was a pioneer not only in linguistic and typographic inventions, but also in sound and concrete poetry. But his prose is no less experimental; he wrote memoirs, essays, and fiction that are constantly provocative and often radically experimental. To read the avant-garde Cummings is to read a writer who consistently broke with established norms, "never to rest and never to have: only to grow." To not read the avant-garde Cummings is to not read Cummings.

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