Search results for ""Author Morris"

For anyone interested in interiors, there is so much inspiration available online and in magazines these days of carefully curated spaces and contemporary homes. But what sort of spaces do interior designers themselves live in?British Designers at Home is for anyone curious to find out more about designers, and glean ideas and practical information for their own homes. This engaging and visually enticing book profiles over 20 of the most important names in British design and decoration in their own personal spaces.Names include: Alidad; Edward Bulmer; Emma Burns; Nina Campbell; Jane Churchill; Octavia Dickinson; Mike Fisher; Veere Grenney; Beata Heuman; Gavin Houghton; Roger Jones; Kit Kemp; Robert Kime; Rita Konig; Penny Morrison; Paolo Moschino; Wendy Nicholls; Guy Oliver; Colin Orchard; Carlos Sânchez-García; Daniel Slowik; Justin van Breda; Sarah Vanrenen and Philip Vergeylen.Each designer has been profiled and photographed at home – alongside details of their working life and the story of how they became interested in design, they talk at length about the house itself and the thinking behind its design and decoration. From the unexpected to that classic British look, this is an exciting look at modern British interiors.

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'A must read...!!!' will.i.am'Each encounter is framed and presented with enormous literary skill and grace' David OlusogaWITH A FOREWORD FROM BERNARDINE EVARISTOConversations with some of the most extraordinary Black minds of our age, discussing race, decolonisation, systemic inequalities and the climate crisis.In a series of incisive and intimate encounters, Sarah Ladipo Manyika introduces some of the most distinguished Black thinkers of our times, including Nobel Laureates Toni Morrison and Wole Soyinka, and civic leaders first lady Michelle Obama and Senator Cory Booker.She searches for truth with poet Claudia Rankine and historian Henry Louis Gates, Jr. She discusses race and gender with South African filmmaker Xoliswa Sithole and American actor and playwright Anna Deavere Smith. She interrogates the world around us with pioneering publisher Margaret Busby, parliamentarian Lord Michael Hastings and civil rights activist Pastor Evan Mawarire - who dared to take on President Robert Mugabe and has lived to tell the tale. We also meet the living embodiment of the many threads, ideas and histories in this book through the profile of her fabulous 102-year-old friend, Mrs Willard Harris.In journeys that book-end the collection, Sarah Ladipo Manyika reflects on her own experience of being seen as 'oyinbo' in Nigeria, African in England, Arab in France, coloured in Southern Africa and Black in America, while feeling the least Black and most human among her fellow travellers, explorers all, against the sharp white relief of the South Pole.

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For a generation of contemporary Anglo-American novelists, the question "Why write?" has been answered with a renewed will to believe in the ethical value of literature. Dissatisfied with postmodernist parody and pastiche, a broad array of novelist-critics—including J.M. Coetzee, Toni Morrison, Zadie Smith, Gish Jen, Ian McEwan, and Jonathan Franzen—champion the novel as the literary genre most qualified to illuminate individual ethical action and decision-making within complex and diverse social worlds. Key to this contemporary vision of the novel's ethical power is the task of knowing and being responsible to people different from oneself, and so thoroughly have contemporary novelists devoted themselves to the ethics of otherness, that this ethics frequently sets the terms for plot, characterization, and theme. In The Novel and the New Ethics, literary critic Dorothy J. Hale investigates how the contemporary emphasis on literature's social relevance sparks a new ethical description of the novel's social value that is in fact rooted in the modernist notion of narrative form. This "new" ethics of the contemporary moment has its origin in the "new" idea of novelistic form that Henry James inaugurated and which was consolidated through the modernist narrative experiments and was developed over the course of the twentieth century. In Hale's reading, the art of the novel becomes defined with increasing explicitness as an aesthetics of alterity made visible as a formalist ethics. In fact, it is this commitment to otherness as a narrative act which has conferred on the genre an artistic intensity and richness that extends to the novel's every word.

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For a generation of contemporary Anglo-American novelists, the question "Why write?" has been answered with a renewed will to believe in the ethical value of literature. Dissatisfied with postmodernist parody and pastiche, a broad array of novelist-critics—including J.M. Coetzee, Toni Morrison, Zadie Smith, Gish Jen, Ian McEwan, and Jonathan Franzen—champion the novel as the literary genre most qualified to illuminate individual ethical action and decision-making within complex and diverse social worlds. Key to this contemporary vision of the novel's ethical power is the task of knowing and being responsible to people different from oneself, and so thoroughly have contemporary novelists devoted themselves to the ethics of otherness, that this ethics frequently sets the terms for plot, characterization, and theme. In The Novel and the New Ethics, literary critic Dorothy J. Hale investigates how the contemporary emphasis on literature's social relevance sparks a new ethical description of the novel's social value that is in fact rooted in the modernist notion of narrative form. This "new" ethics of the contemporary moment has its origin in the "new" idea of novelistic form that Henry James inaugurated and which was consolidated through the modernist narrative experiments and was developed over the course of the twentieth century. In Hale's reading, the art of the novel becomes defined with increasing explicitness as an aesthetics of alterity made visible as a formalist ethics. In fact, it is this commitment to otherness as a narrative act which has conferred on the genre an artistic intensity and richness that extends to the novel's every word.

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In late August 1776, a badly defeated Continental Army retreated from Long Island to Manhattan. By the end of September, George Washington’s inexperienced army had been forced out of New York into New Jersey and, by the end of the year, into Pennsylvania. During this dark night of the American Revolution—“the times that try men’s souls”—Washington began developing the strategy that would win the war. In this illuminating account, Arthur Lefkowitz reveals how George Washington turned defeat into victory.During his retreat across New Jersey, Washington reconceived the war: keep the army mobile, target small parts of the British Army, rely on surprise and deception, form guerrilla units, and avoid large-scale battles. This new strategy first bore fruit in the crossing of the Delaware on Christmas night 1776 and the attack on the British at Trenton and Princeton. From there, Washington took up winter quarters at Morristown, New Jersey, and moved into the mountains, an ideal position from which to check British movements toward Philadelphia or north up the Hudson. The British tried and failed several times to coax Washington into a decisive battle. Stymied, the British were forced to attack Philadelphia by sea, and they would not be able to seize Philadelphia in time to support the British invasion of upstate New York which ended in defeat at Saratoga.Lefkowitz relies on a lifetime of deep research on the Revolutionary War and close knowledge of New Jersey to tell this exciting, important story whose impact rippled throughout the rest of the war.

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Christian Moraru's new book on postmodernism zeroes in on postmodern representation, which the critic seizes as a literary and cultural memory receptacle - as 'memorious discourse'. He argues that, counter to the orthodoxies that have taken hold in postmodern studies, postmodernism is not ahistorical, without cultural memory, or politically apathetic. With a wink at Borges's short story 'Funes the Memorious', he contends that this kind of representation cannot but operate digressively, and conspicuously so, through other representations, and is a picture that must latch onto other pictures to bring its object to life. While other types of discourse cover up, gloss over, or play down what they have borrowed - and therefore owe - the postmodern eagerly acknowledges its textual and cultural debt. Moreover, it turns this indebtedness into an unexpected source of creativity and originality . In his wide-ranging discussion of contemporary writers and theorists, Moraru notes that postmodernism characteristically re-presents. That is, it actively 'remembers' and, to use a musical term, 'reprises' former representations. These need not be infinite in number, as in Borges, but must be and usually are retrieved with sufficient obviousness. Memorious Discourse is organized into a largely theoretical prologue, five chapters, and an epilogue. The chapters mark off as many areas in recent Continental and American theory and narrative where the discourse apparatus, workings, and individualizing problems of postmodern representation come to light and lend themselves to rethinking through the Borgesian-inspired critical metaphor. To gauge the scope of memorious discourse, Moraru examines theoretical and narrative models developed by such writers and critics as Vladimir Nabokov, Thomas Pynchon, Don DeLillo, Joseph McElroy, Paul Auster, Kathy Acker, Toni Morrison, Philip Roth, William Gibson, Mark Leyner, David Antin, Emmanuel Levinas, Jean-Francois Lyotard, Jean Baudrillard, Michel Foucault, Jean-Luc Nancy, Philippe

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Winner, 2021 AERA Outstanding Book Award Winner, 2021 AERA Division F New Scholar's Book Award Winner, 2020 Mary Kelley Book Prize, given by the Society for Historians of the Early American Republic Winner, 2020 Outstanding Book Award, given by the History of Education Society Uncovers the hidden role of girls and women in the desegregation of American education The story of school desegregation in the United States often begins in the mid-twentieth-century South. Drawing on archival sources and genealogical records, Kabria Baumgartner uncovers the story’s origins in the nineteenth-century Northeast and identifies a previously overlooked group of activists: African American girls and women. In their quest for education, African American girls and women faced numerous obstacles—from threats and harassment to violence. For them, education was a daring undertaking that put them in harm’s way. Yet bold and brave young women such as Sarah Harris, Sarah Parker Remond, Rosetta Morrison, Susan Paul, and Sarah Mapps Douglass persisted. In Pursuit of Knowledge argues that African American girls and women strategized, organized, wrote, and protested for equal school rights—not just for themselves, but for all. Their activism gave rise to a new vision of womanhood: the purposeful woman, who was learned, active, resilient, and forward-thinking. Moreover, these young women set in motion equal-school-rights victories at the local and state level, and laid the groundwork for further action to democratize schools in twentieth-century America. In this thought-provoking book, Baumgartner demonstrates that the confluence of race and gender has shaped the long history of school desegregation in the United States right up to the present.

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In The Afterlife of Reproductive Slavery Alys Eve Weinbaum investigates the continuing resonances of Atlantic slavery in the cultures and politics of human reproduction that characterize contemporary biocapitalism. As a form of racial capitalism that relies on the commodification of the human reproductive body, biocapitalism is dependent upon what Weinbaum calls the slave episteme—the racial logic that drove four centuries of slave breeding in the Americas and Caribbean. Weinbaum outlines how the slave episteme shapes the practice of reproduction today, especially through use of biotechnology and surrogacy. Engaging with a broad set of texts, from Toni Morrison's Beloved and Octavia Butler's dystopian speculative fiction to black Marxism, histories of slavery, and legal cases involving surrogacy, Weinbaum shows how black feminist contributions from the 1970s, 1980s, and 1990s constitute a powerful philosophy of history—one that provides the means through which to understand how reproductive slavery haunts the present.

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The literature of Adrienne Rich, Toni Morrison, Ana Castillo, and Chimamanda Ngozi Adichie teaches a risky, self-giving way of reading (and being) that brings home the dangers and the possibilities of suffering as an ethical good. Working the thought of feminist theologians and philosophers into an analysis of these women's writings, Cynthia R. Wallace crafts a literary ethics attentive to the paradoxes of critique and re-vision, universality and particularity, and reads in suffering a redemptive or redeemable reality. Wallace's approach recognizes the generative interplay between ethical form and content in literature, which helps isolate more distinctly the gendered and religious echoes of suffering and sacrifice in Western culture. By refracting these resonances through the work of feminists and theologians of color, her book also shows the value of broad-ranging ethical explorations into literature, with their power to redefine theories of reading and the nature of our responsibility to art and each other.

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Andrew Morrison sacrificed everything—his childhood, his education, and the girl of his dreams—to look after his alcoholic mother. But enough is enough, and now he’s determined to get out and live his life. That means trading the home he grew up in for a rented room in the house of an old childhood friend— both of which are in sorry shape. The only thing worse than Drew’s squalid new digs and sullen new roommate is the envy he feels for the house next door: a picture-perfect suburban domicile straight out of Norman Rockwell, with a couple of happy householders to match. But the better acquainted he gets with his new neighbors—especially the sweet and sexy Harlow Ward—the more he suspects unspeakable darkness beyond the white picket fence. At the intersection of Blue Velvet and Basic Instinct lies The Neighbors, an insidiously entertaining tale of psychological suspense and mounting terror by the boldest new master of the form, Ania Ahlborn.

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Dedicated to the memory of Oliver Knussen, George Benjamin’s 2021 Concerto for Orchestra premiered at the BBC proms by the Mahler Chamber Orchestra. Benjamin said that the piece attempts “to conjure a trace of the energy, humour, and spirit” of Knussen. It is varied and dynamic across its unbroken 17-minute span – skittish lines play against still, suspended ones – and full of star turns for its various instrumental protagonists. Available here as a full score. Parts available to hire from September 2022. “A terrific 17-minute tour de force, clearly inspired by the virtuosity of the Mahler CO players, but far from being merely a glittering showcase.” The Times (Richard Morrison), August 2021 "As with everything Benjamin writes, the concerto gleams, all the sonic ingredients individuated, clarity and intricate detail turning every player into a soloist. In this composer’s music it’s as if every bar, every idea, is an essence of the whole: an atom, more like the smallest in a set of Russian dolls." The Observer (Fiona Maddocks), September 2021

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Alfredo Häberli, who was born in Buenos Aires in 1964 and has been working from Zurich since the 1980s, is one of the world's most widely acclaimed product designers. Major international brands such as BMW, Camper, Georg Jensen, Iittala, Luceplan, Moroso, Schiffini, or Vitra are among his clients, for whom he has designed furniture, lamps, objects, tableware, or even entire interiors. Häberli''s work has been shown in numerous exhibitions throughout Europe and has earned him many awards over the years.In the first of this book's two volumes, Häberli looks back at the people, places, and objects that have influenced him and shaped his ideas and creative process. He tells of his visits with the great Italian designers, the British and American role models influencing him, and about inspiring exchanges with colleagues such as Konstantin Grcic, Jasper Morrison, or Patricia Urquiola. Moreover, his encounters with visionary entrepreneurs, and the places, locations, and objects that

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This first-person account of a legendary necropolis will delight Francophiles, tourists and armchair travelers, while enriching the experience of taphophiles (cemetery lovers) and aficionados of art and architecture, mystery and romance. Carolyn Campbell's evocative images are complemented by those of renowned landscape photographer Joe Cornish. City of Immortals celebrates the novelty and eccentricity of Pere-Lachaise Cemetery through the engrossing story of the history of the site established by Napoleonic decree along with portraits of the last moments of the cultural icons buried within its walls. In addition to several 'conversations' with some of the high-profile residents, three guided tours are provided along with an illustrated pull-out map featuring the grave sites of eighty-four architects, artists, writers, musicians, dancers, filmmakers and actors, including Oscar Wilde, Jim Morrison of the Doors. Frederic Chopin, Georges Bizet, Edith Piaf, Maria Callas, Isadora Duncan, Eugene Delacroix, Gertrude Stein, Amedeo Modigliani, Sarah Bernhardt, Simone Signoret, Colette and Marcel Proust.

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The finest books produced during the quarter century prior to the outbreak of the Great War were almost invariably printed by the private presses, but post-war, with the development of new technology, the accolade of excellence passed into the hands of a small number of commercial firms, with the Curwen Press very much to the fore. Like those earlier printers, Harold Curwen was inspired by the Morrisian ideal, but he did not adhere to the tenet that 'hand made' was necessarily better than 'machine made', which led him to become one of the pioneering figures in the technical revolution that transformed the printing industry. Harold Curwen joined the family firm in 1908 and by 1916 had instigated a general replanning of the works and, aided by the wartime staff shortage, felt able to push ahead with the installation of modern machinery. He was in the forefront of the development of offset lithography, which ensured that the Curwen Press would be in the vanguard of fine colour printing throughout the next decade. Harold also pioneered, as far as England was concerned, the pochoir technique of hand-stencilling. 1922 was the beginning of the Curwen Press's golden decade, during which it produced The Woodcutter's Dog, the English language edition of Julius Meier-Graefe's two volume biography of Van Gogh for the Medici Society, the exhibition catalogue of books and manuscripts for The First Edition Club, Goldoni's Four Comedies and the delightful little pocket engagement book, The Four Seasons, illustrated by Albert Rutherston. Rutherston was later to illustrate Thomas Hardy's Yuletide in a Younger World, the first of the Ariel Poems for Faber & Gwyer which were to become a feature of the collaboration between the two firms. In addition there was the 'Safety First' Calendar, adorned with Lovat Fraser's cautionary illustrations. Following restructuring in 1933 the Curwen Press had a further forty years of distinguished work ahead both in the printing of books, particularly those illustrated by Barnett Freedman, as well as jobbing work, including some of the finest posters for the London Underground by Bawden, Wadsworth, John Banting, Betty Swanwick, Barnett Freedman and others. The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Also available: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Jan Le Witt and George Him ISBN: 9781851495665 Paul Nash and John Nash ISBN: 9781851495191 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

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Most would agree that American culture changed dramatically from the 1960s to the 1980s. Yet the 1970s, the decade “in between,” is still somehow thought of as a cultural wasteland. In The Seventies Now Stephen Paul Miller debunks this notion by examining a wide range of political and cultural phenomena—from the long shadow cast by Richard Nixon and the Watergate scandal to Andy Warhol and the disco scene—identifying in these phenomena a pivotal yet previously unidentified social trend, the movement from institutionalized external surveillance to the widespread internalization of such practices.The concept of surveillance and its attendant social ramifications have been powerful agents in U.S. culture for many decades, but in describing how during the 1970s Americans learned to “survey” themselves, Miller shines surprising new light on such subjects as the women’s movement, voting rights enforcement, the Ford presidency, and environmental legislation. He illuminates the significance of what he terms “microperiods” and analyzes relevant themes in many of the decade’s major films—such as The Deer Hunter, Network, Jaws, Star Wars, and Apocalypse Now—and in the literature of writers including John Ashbery, Toni Morrison, Adrienne Rich, and Sam Shepard. In discussing the reverberations of the 1969 Stonewall riots, technological innovations, the philosophy of Michel Foucault, and a host of documents and incidents, Miller shows how the 1970s marked an important period of transition, indeed a time of many transitions, to the world we confront at the end of the millennium.The Seventies Now will interest students and scholars of cultural studies, American history, theories of technology, film and literature, visual arts, and gay and lesbian studies.

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The first African American fiction writer to earn a national reputation, Charles W. Chesnutt remains best known for his depictions of Southern life before and after the Civil War. But he also produced a large body of what might best be called his “Northern” writings, and those works, taken together, describe the intriguing ways in which America was reshaping itself at the turn of the last century. The Northern Stories of Charles W. Chesnutt collects for the first time eighteen Chesnutt stories—several of them first appearing in Northern magazines or newspapers—that portray life in the North in the period between the Civil War and World War I. Living in Ohio from 1883 until his death in 1932, Chesnutt witnessed and wrote about the social, cultural, and racial upheavals taking place in the North during a crucial period of American history. His Northern stories thus reflect his vision of a newly reconstituted America, one recommitted to the ideals of freedom and economic opportunity inherent in our national heritage. The stories, compiled and edited with critical introductions to each by Professor Charles Duncan, offer a new Chesnutt, one fascinated by the evolution of America into an urban, multiracial, economically driven democracy. The Northern Stories of Charles W. Chesnutt presents richly imagined characters, both black and white, working to make better lives for themselves in the turbulent and stimulating universe of the turn-of-the-century North. Indeed, Chesnutt stands virtually alone as the first African American chronicler of Northern culture, anticipating such figures as James Weldon Johnson, Langston Hughes, Ralph Ellison, James Baldwin, and Toni Morrison. This critical edition of The Northern Stories of Charles W. Chesnutt is a significant addition to the body of African American literature.

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From the brilliantly demented minds behind The Eric Andre Show and Bad Trip, an insane illustrated compendium about the art of pranking. Eric André is a master of the art of pranking—“an Andy Kaufman for the Four Loko generation,” as Spin magazine once hailed him. For over a decade, he and longtime collaborator Dan Curry have dreamed up and performed a cornucopia of outrageous, often illegal, and always death-defying hijinks for the Adult Swim series The Eric Andre Show, as well as in the hit movie Bad Trip. Now, in their very first book, Eric and Dan reveal the secret fuel behind their surrealistic prank machine. Get ready to gorge your thirsty peepers on epic stories of shame, redemption, and glory behind pranks so dumb they’re brilliant…and beyond the realm of criticism. But wait, there’s more! This pranktastic potpourri includes: -Tips for prankers of any skill level, from the importance of a “safe word” to why you should always keep the camera rolling, even after the prank is over. -All new pranks to try at home such as “Jell-O Surprise,” “Benadryl Steaks,” “Amateur Graverobber” and “The Jim Morrison.” -Wild behind-the-scenes stories about the most classic pranks from The Eric Andre Show and Bad Trip. -Learn about the dark existential dread behind everyone’s favorite mac-and-cheese-spurting DJ, Kraft Punk. -Discover how Eric avoided getting stabbed when a penis-in-a-finger-trap prank went horribly wrong. -Exclusive never-before-filmed pranks deemed too hot for TV. -Inspirational quotes from philosophers so obscure that they might not even exist. Artfully designed, loaded with funny photos, and a gracious foreblurb by Jack Black, Dumb Ideas is an essential manual for getting a laugh out of friends, family, and complete strangers—and staying out of jail while doing it.

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Exploring how the figure of the “wild child” in contemporary fiction grapples with contemporary cultural anxieties about reproductive ethics and the future of humanity In the eighteenth century, Western philosophy positioned the figure of “the child” at the border between untamed nature and rational adulthood. Contemporary cultural anxieties about the ethics and politics of reproductive choice and the crisis of parental responsibility have freighted this liminal figure with new meaning in twenty-first-century narratives.In Wild Child, Naomi Morgenstern explores depictions of children and their adult caregivers in extreme situations—ranging from the violence of slavery and sexual captivity to accidental death, mass murder, torture, and global apocalypse—in such works as Toni Morrison’s A Mercy, Cormac McCarthy’s The Road, Lionel Shriver’s We Need to Talk about Kevin, Emma Donoghue’s Room, and Denis Villeneuve’s film Prisoners. Morgenstern shows how, in such narratives, “wild” children function as symptoms of new ethical crises and existential fears raised by transformations in the technology and politics of reproduction and by increased ethical questions about the very decision to reproduce. In the face of an uncertain future that no longer confirms the confidence of patriarchal humanism, such narratives displace or project present-day apprehensions about maternal sacrifice and paternal protection onto the wildness of children in a series of hyperbolically violent scenes.Urgent and engaging, Wild Child offers the only extended consideration of how twenty-first-century fiction has begun to imagine the decision to reproduce and the ethical challenges of posthumanist parenting.

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Benjamin Morrison is about to start junior year of high school and while his family is challenging, he is pretty content with his life, with his two best friends, and being a part of the robotics club. Until an experiment at science camp has completely unexpected consequences. He is going to be a father. Something his mother was not expecting after he came out as gay and she certainly wasn’t expecting that he would want to raise the baby as a single father. But together they come up with a plan to prepare Ben for fatherhood and fight for his rights. The weight of Ben’s decision presses down on him. He’s always tired, his grades fall, and tension rises between his mum and stepfather. He’s letting down his friends in the robotics club whose future hinges on his expertise. If it wasn’t for his renewed friendship (and maybe more) with a boy from his past, he wouldn’t be able to face the daily ridicule at school or the crumbling relationship with his best friends. With every new challenge, every new sacrifice he has to make, Ben questions his choice. He’s lived with a void in his heart where a father’s presence should have been, and the fear of putting his own child through that keeps him clinging to his decision. When the baby might be in danger, Ben’s faced with a heart-wrenching realisation: sometimes being a parent means making the hard choices even if they are the choices you don't want to make...

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In this brilliantly combative study, Robyn Wiegman challenges contemporary clichés about race and gender, a formulation that is itself a cliché in need of questioning. As part of what she calls her "feminist disloyalty," she turns a critical, even skeptical, eye on current debates about multiculturalism and "difference" while simultaneously exposing the many ways in which white racial supremacy has been reconfigured since the institutional demise of segregation. Most of all, she examines the hypocrisy and contradictoriness of over a century of narratives that posit Anglo-Americans as heroic agents of racism’s decline. Whether assessing Uncle Tom’s Cabin, lynching, Leslie Fiedler’s racialist mapping of the American novel, the Black Power movement of the 60s, 80s buddy films, or the novels of Richard Wright and Toni Morrison, Wiegman unflinchingly confronts the paradoxes of both racism and antiracist agendas, including those advanced from a feminist perspective. American Anatomies takes the long view: What epistemological frameworks allowed the West, from the Renaissance forward, to schematize racial and gender differences and to create social hierarchies based on these differences? How have those epistemological regimes changed—and not changed—over time? Where are we now? With painstaking care, political passion, and intellectual daring, Wiegman analyzes the biological and cultural bases of racial and gender bias in order to reinvigorate the discussion of identity politics. She concludes that, for very different reasons, identity proves to be dangerous to minority and majority alike.

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The Thirteenth Amendment to the United States Constitution, passed in 1865, has long been viewed as a definitive break with the nation’s past by abolishing slavery and ushering in an inexorable march toward black freedom. Slaves of the State presents a stunning counterhistory to this linear narrative of racial, social, and legal progress in America. Dennis Childs argues that the incarceration of black people and other historically repressed groups in chain gangs, peon camps, prison plantations, and penitentiaries represents a ghostly perpetuation of chattel slavery. He exposes how the Thirteenth Amendment’s exception clause—allowing for enslavement as “punishment for a crime”—has inaugurated forms of racial capitalist misogynist incarceration that serve as haunting returns of conditions Africans endured in the barracoons and slave ship holds of the Middle Passage, on plantations, and in chattel slavery. Childs seeks out the historically muted voices of those entombed within terrorizing spaces such as the chain gang rolling cage and the modern solitary confinement cell, engaging the writings of Toni Morrison and Chester Himes as well as a broad range of archival materials, including landmark court cases, prison songs, and testimonies, reaching back to the birth of modern slave plantations such as Louisiana’s “Angola” penitentiary. Slaves of the State paves the way for a new understanding of chattel slavery as a continuing social reality of U.S. empire—one resting at the very foundation of today’s prison industrial complex that now holds more than 2.3 million people within the country’s jails, prisons, and immigrant detention centers.

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With the United Kingdom’s exit from the European Union now confirmed, this new Special Report provides a practical explanation of data protection laws as they will exist in a post-EU environment. GDPR will continue, and will be known as UK GDPR, reinforced by additional legislation specific to UK circumstances. Data Protection: The New UK GDPR Landscape takes the reader through the key principles of data protection law and explores the scope of UK legislation and how to assure compliance with the law. Also featured are important recent developments including the Morrisons data breach case and the ECJ judgment on data transfers under the US/UK Privacy Shield. Chapters will cover: a brief history of UK data protection law understanding terminology and how it is used the key data protection principles what it means to be a data controller or data processor transparency – how to draft privacy policies what is special about ‘special category data’? children’s data – duties reflecting the position of children international data transfers – the new UK approach information governance – what the law expects managing subject access rights artificial intelligence and data protection – the tension between innovation and privacy the likely future pathway for data protection in the UK Each topic is illustrated with case studies and references to relevant case law. This Special Report will be of interest to in-house counsel and individuals responsible for personal data management and governance, including data protection officers and anyone with responsibility for data systems and infrastructure at a senior level.

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CONTENTS:Preface by Anders Ahlqvist & Pamela O'NeillOld Irish no· by Anders AhlqvistIn Pursuit of the Hand of Madeleine de Valois: The European Marriage Negotiations of James V of Scotland I517-1536 by Lorna G. BarrowScottish Migration to Ulster during the 'Seven III Years' of the 1690s by Karen J. CullenIrish suide / -side 'the aforementioned' by Aaron GriffithThe Murder of the Archbishop of St Andrews and its Place in the Politics of Religion in Restoration Scotland and England by Marcus K. HarmesTwo Fragments of Auraicept na nÉces in the Irish Franciscan Archive: Context and Content by Deborah HaydenAn Examination of the Recent Reconceptualising of Woodlands in Scotland from the Last Ice Age to the Present by Sybil M. JackCelticity in the Works of William Shakespeare by Charles W. MacquarrieÓn and airliciud: Loans in Medieval lrish Law by Neil McLeod'What are you talking about?' Tochmarc Ailbe and Courtship Flytings by Daniel F. Melia'The Canny Scot' Rev. John Dunmore Lang and the Largs Controversy by Tessa MorrisonThe Meaning of Muirbolc: A Gaelic Toponymic Mystery by Pamela O'NeillWilliam Cobbett's Scotophobia by Gordon Pentland'The Original of the Portrait' Irish Gothic and the Painted Image by Julie-Ann RobsonFrom Synthetic to Analytic? The Changing Use of Diminutive Expressions in Welsh by Karolina RosiakThe Iconography of Sovereignty and Dynasty in Early Renaissance Britain by Katie StevensonLaoidh an Táilleir 'The Ballad of the Tailor': Sartorial Satire and Social Change in Eighteenth-Century Scotland by Natasha SumnerLost - and some Found: Scottish Gaelic Manuscripts in New South Wales by Alasdair & Brian TaylorSt Carthage in Australasia by Chris Watson

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WINNER OF THE WRITERS' GUILD FIRST NOVEL AWARD 2020ELLE ONES TO WATCH 2019'Terribly moving. A clear-sighted, poignant rumination on loneliness, love, the melancholy of age and of youth' China Mieville 'An imaginative, atmospheric and original novel that lingers in the memory long after reading' Bernadine Evaristo 'A sad, funny, highly original novel' Blake Morrison'Wholeheartedly enjoy(able)' Lauren Wilkinson, The Millions 'Season Butler is an extraordinary writer. Like Colson Whitehead, her work is fearless in its inventiveness' Julia Bell__________________________________________________________It's too hot for most of the clothes I packed to come here, when I thought this would only be for a week or two. My mother kissed me with those purple-brown lips of hers and said, we'll be back, hold tight.The Kid doesn't know where her parents are. They left with a promise to come back months ago, and now their seventeen-year-old daughter is stranded on Swan Island. Swan isn't just any island; it is home to an eccentric old age separatist community who have shunned life on the mainland for a haven which is rapidly sinking into the ocean. The Kid's arrival threatens to burst the idyllic bubble that the elderly residents have so carefully constructed - an unwelcome reminder of the life they left behind, and one they want rid of.Cygnet is the story of a young woman battling against the thrashing waves of loneliness and depression, and how she learns to find hope, laughter and her own voice in a world that's crumbling around her.

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An incisive, thought-provoking, and timely meditation, at once panoramic and synoptic, on American literature for an age of xenophobia, heightened nationalism, and economic disparity. The distinguished cultural critic Ilan Stavans explores the nation's identity through the prism of its books, from the indigenous past to the early settlers, the colonial period, the age of independence, its ascendance as a global power, and its shallow, fracturing response to the COVID-19 pandemic. The central motives that make the United States a flawed experiment--its celebration of do-it-yourself individualism, its purported exceptionalism, and its constitutional government based on checks and balances--are explored through canonical works like Mark Twain's The Adventures of Huckleberry Finn, Walt Whitman's Leaves of Grass, Emily Dickinson's poetry, F. Scott Fitzgerald's The Great Gatsby, the work of Langston Hughes, Zora Neale Hurston, and Toni Morrison, and immigrant voices such as those of Américo Paredes, Henry Roth, Saul Bellow, Isaac Bashevis Singer, Jhumpa Lahiri, and others. This is literary criticism at its best-informed: broad-ranged yet pungent and uncompromising.

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Roger Robinson’s range is wide: the joys and pains of family life; observations on the threatening edge of violence below the surface energies of Black British territories in London; memories of an older Trinidad and visits that tell him both how he and the country have changed; emblematic poems on the beauty and often bizarre strangeness of the world of animals; quizzical responses to the strange, the heartening, and the appalling in incidents encountered in daily life; reflections on the purposes and costs of making art, as in fine poems on a George Stubbs’ painting, cocaine and Coltrane’s Ascension, and questioning thoughts on the ideologies of Toni Morrison and John Milton. The poems express a fierce anger against injustice, but also convey the irrepressible sense that Roger Robinson cannot help but love people for their humour, oddity and generosity of spirit.'With A Portable Paradise, Roger Robinson shows us that he can be the voice of our communal consciousness, while at the same time always subverting, playing and beguiling with his beautiful verse' Afua Hirsch

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Exploring the forces that keep black people vulnerable even amid economically privileged lives At a moment in U.S. history with repeated reminders of the vulnerability of African Americans to state and extralegal violence, Black Bourgeois is the first book to consider the contradiction of privileged, presumably protected black bodies that nonetheless remain racially vulnerable. Examining disruptions around race and class status in literary texts, Candice M. Jenkins reminds us that the conflicted relation of the black subject to privilege is not, solely, a recent phenomenon.Focusing on works by Toni Morrison, Spike Lee, Danzy Senna, Rebecca Walker, Reginald McKnight, Percival Everett, Colson Whitehead, and Michael Thomas, Jenkins shows that the seemingly abrupt discursive shift from post–Civil Rights to Black Lives Matter, from an emphasis on privilege and progress to an emphasis on vulnerability and precariousness, suggests a pendulum swing between two interrelated positions still in tension. By analyzing how these narratives stage the fraught interaction between the black and the bourgeois, Jenkins offers renewed attention to class as a framework for the study of black life—a necessary shift in an age of rapidly increasing income inequality and societal stratification.Black Bourgeois thus challenges the assumed link between blackness and poverty that has become so ingrained in the United States, reminding us that privileged subjects, too, are “classed.” This book offers, finally, a rigorous and nuanced grasp of how African Americans live within complex, intersecting identities.

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How to Read African American Literature offers a series of provocations to unsettle the predominant assumptions readers make when encountering post-Civil Rights black fiction. Foregrounding the large body of literature and criticism that grapples with legacies of the slave past, Aida Levy-Hussen’s argument develops on two levels: as a textual analysis of black historical fiction, and as a critical examination of the reading practices that characterize the scholarship of our time. Drawing on psychoanalysis, memory studies, and feminist and queer theory, Levy-Hussen examines how works by Toni Morrison, David Bradley, Octavia Butler, Charles Johnson, and others represent and mediate social injury and collective grief. In the criticism that surrounds these novels, she identifies two major interpretive approaches: “therapeutic reading” (premised on the assurance that literary confrontations with historical trauma will enable psychic healing in the present), and “prohibitive reading” (anchored in the belief that fictions of returning to the past are dangerous and to be avoided). Levy-Hussen argues that these norms have become overly restrictive, standing in the way of a more supple method of interpretation that recognizes and attends to the indirect, unexpected, inconsistent, and opaque workings of historical fantasy and desire. Moving beyond the question of whether literature must heal or abandon historical wounds, Levy-Hussen proposes new ways to read African American literature now.

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Simone C. Drake spent the first several decades of her life learning how to love and protect herself, a black woman, from the systems designed to facilitate her harm and marginalization. But when she gave birth to the first of her three sons, she quickly learned that black boys would need protection from these very same systems systems dead set on the static, homogenous representations of black masculinity perpetuated in the media and our cultural discourse. In When We Imagine Grace, Drake borrows from Toni Morrison's Beloved to bring imagination to the center of black masculinity studies allowing individual black men to exempt themselves and their fates from a hateful, ignorant society and open themselves up as active agents at the center of their own stories. Against a backdrop of crisis, Drake brings forth the narratives of black men who have imagined grace for themselves. We meet African American cowboy, Nat Love, and Drake's own grandfather, who served in the first black military unit to fight in World War II. Synthesizing black feminist and black masculinity studies, Drake analyzes black fathers and daughters, the valorization of black criminals, the denigration and celebration of gay men, Cornelius Eady, Antoine Dodson, and Kehinde Wiley. With a powerful command of its subjects and a passionate dedication to hope, When We Imagine Grace gives us a new way of seeing and knowing black masculinity sophisticated in concept and bracingly vivid in telling.

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Combining the haunting power of Toni Morrison’s Beloved with the evocative atmosphere of Phillippa Gregory’s A Respectable Trade, Dahlma Llanos-Figueroa’s groundbreaking novel illuminates a little discussed aspect of history—the Puerto Rican Atlantic Slave Trade—witnessed through the experiences of Pola, an African captive used as a breeder to bear more slaves.A Woman of Endurance, set in nineteenth-century Puerto Rican plantation society, follows Pola, a deeply spiritual African woman who is captured and later sold for the purpose of breeding future slaves. The resulting babies are taken from her as soon as they are born. Pola loses the faith that has guided her and becomes embittered and defensive. The dehumanizing violence of her life almost destroys her. But this is not a novel of defeat but rather one of survival, regeneration, and reclamation of common humanity. Readers are invited to join Pola in her journey to healing. From the sadistic barbarity of her first experiences, she moves on to receive compassion and support from a revitalizing new community. Along the way, she learns to recognize and embrace the many faces of love—a mother’s love, a daughter’s love, a sister’s love, a love of community, and the self-love that she must recover before she can offer herself to another. It is ultimately, a novel of the triumph of the human spirit even under the most brutal of conditions.

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A rare look at the life and music of renowned Russian composer Nikolai Rimsky-KorsakovDuring his lifetime, Nikolai Rimsky-Korsakov (1844–1908) was a composer whose work had great influence not only in his native Russia but also internationally. While he remains well-known in Russia—where many of his fifteen operas and various orchestral pieces are still in the standard repertoire—very little of his work is performed in the West today beyond Scheherezade and arrangements of The Flight of the Bumblebee. In Western writings, he appears mainly in the context of the Mighty Handful, a group of five Russian composers to which he belonged at the outset of his career. Rimsky-Korsakov and His World finally gives the composer center stage and due attention.In this collection, Rimsky-Korsakov’s major operas, The Snow Maiden, Mozart and Salieri, and The Golden Cockerel, receive multifaceted exploration and are carefully contextualized within the wider Russian culture of the era. The discussion of these operas is accompanied and enriched by the composer’s letters to Nadezhda Zabela, the distinguished soprano for whom he wrote several leading roles. Other essays look at more general aspects of Rimsky-Korsakov’s work and examine his far-reaching legacy as a professor of composition and orchestration, including his impact on his most famous pupil Igor Stravinsky.The contributors are Lidia Ader, Leon Botstein, Emily Frey, Marina Frolova-Walker, Adalyat Issiyeva, Simon Morrison, Anna Nisnevich, Olga Panteleeva, and Yaroslav Timofeev.The Bard Music FestivalBard Music Festival 2018Rimsky-Korsakov and His WorldBard CollegeAugust 10–12 and August 17–19, 2018

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A rare look at the life and music of renowned Russian composer Nikolai Rimsky-KorsakovDuring his lifetime, Nikolai Rimsky-Korsakov (1844–1908) was a composer whose work had great influence not only in his native Russia but also internationally. While he remains well-known in Russia—where many of his fifteen operas and various orchestral pieces are still in the standard repertoire—very little of his work is performed in the West today beyond Scheherezade and arrangements of The Flight of the Bumblebee. In Western writings, he appears mainly in the context of the Mighty Handful, a group of five Russian composers to which he belonged at the outset of his career. Rimsky-Korsakov and His World finally gives the composer center stage and due attention.In this collection, Rimsky-Korsakov’s major operas, The Snow Maiden, Mozart and Salieri, and The Golden Cockerel, receive multifaceted exploration and are carefully contextualized within the wider Russian culture of the era. The discussion of these operas is accompanied and enriched by the composer’s letters to Nadezhda Zabela, the distinguished soprano for whom he wrote several leading roles. Other essays look at more general aspects of Rimsky-Korsakov’s work and examine his far-reaching legacy as a professor of composition and orchestration, including his impact on his most famous pupil Igor Stravinsky.The contributors are Lidia Ader, Leon Botstein, Emily Frey, Marina Frolova-Walker, Adalyat Issiyeva, Simon Morrison, Anna Nisnevich, Olga Panteleeva, and Yaroslav Timofeev.The Bard Music FestivalBard Music Festival 2018Rimsky-Korsakov and His WorldBard CollegeAugust 10–12 and August 17–19, 2018

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Dmitri Shostakovich (1906-1975) has a reputation as one of the leading composers of the twentieth century. But the story of his controversial role in history is still being told, and his full measure as a musician still being taken. This collection of essays goes far in expanding the traditional purview of Shostakovich's world, exploring the composer's creativity and art in terms of the expectations--historical, cultural, and political--that forged them. The collection contains documents that appear for the first time in English. Letters that young "Miti" wrote to his mother offer a glimpse into his dreams and ambitions at the outset of his career. Shostakovich's answers to a 1927 questionnaire reveal much about his formative tastes in the arts and the way he experienced the creative process. His previously unknown letters to Stalin shed new light on Shostakovich's position within the Soviet artistic elite. The essays delve into neglected aspects of Shostakovich's formidable legacy. Simon Morrison provides an in-depth examination of the choreography, costumes, decor, and music of his ballet The Bolt and Gerard McBurney of the musical references, parodies, and quotations in his operetta Moscow, Cheryomushki. David Fanning looks at Shostakovich's activities as a pedagogue and the mark they left on his students' and his own music. Peter J. Schmelz explores the composer's late-period adoption of twelve-tone writing in the context of the distinctively "Soviet" practice of serialism. Other contributors include Caryl Emerson, Christopher H. Gibbs, Levon Hakobian, Leonid Maximenkov, and Rosa Sadykhova. In a provocative concluding essay, Leon Botstein reflects on the different ways listeners approach the music of Shostakovich.

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Contributions by Simone A. Alexander, José Felipe Alvergue, Valerie Babb, Pamela Bordelon, Taylor Hagood, Joyce Marie Jackson, Delia Malia Konzett, Jane Landers, John Wharton Lowe, Gary Monroe, Noelle Morrissette, Paul Ortiz, Lyrae Van Clef-Stefanon, Genevieve West, and Belinda Wheeler The state of Florida has a rich literary and cultural history, which has been greatly shaped by many different ethnicities, races, and cultures that call the Sunshine State home. Little attention has been paid, however, to the key role of African Americans in Floridian history and culture. The state’s early population boom came from immigrants from the US South, and many of them were African Americans. Interaction between the state’s ethnic communities has created a unique and vibrant culture, which has had, and continues to have, a significant impact on southern, national, and hemispheric life and history. Black Hibiscus: African Americans and the Florida Imaginary begins by exploring Florida’s colonial past, focusing particularly on interactions between maroons who escaped enslavement, and on Albery Whitman’s The Rape of Florida, which also links Black people and Native Americans. Contributors consider film, folklore, and music, as well as such key Black writers as Zora Neale Hurston, James Weldon Johnson, Gwendolyn Bennett, Colson Whitehead, and Edwidge Danticat. The volume features Black Floridians’ role in the civil rights movement and Black contributions to the celebrated Florida Writers’ Project. Contributors include literary scholars, historians, film critics, art historians, anthropologists, musicologists, political scientists, artists, and poets.

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The New York Times bestselling Cork O’Connor Mystery Series returns with this “genuinely thrilling and atmospheric novel” (The New York Times Book Review) as Cork races against time to save his wife, a mysterious stranger, and an Ojibwe healer from bloodthirsty mercenaries. The ancient Ojibwe healer Henry Meloux has had a vision of his death. As he walks the Northwoods in solitude, he tries to prepare himself peacefully for the end of his long life. But peace is destined to elude him as hunters fill the woods seeking a woman named Dolores Morriseau, a stranger who had come to the healer for shelter and the gift of his wisdom. Meloux guides this stranger and his great niece, Cork O’Connor’s wife, to safety deep into the Boundary Waters, his home for more than a century. On the last journey he may ever take into this beloved land, Meloux must do his best to outwit the deadly mercenaries who follow. Meanwhile, in Aurora, Cork works feverishly to identify the hunters and the reason for their relentless pursuit, but he has little to go on. Desperate, Cork begins tracking the killers but his own skills as a hunter are severely tested by nightfall and a late season snowstorm. He knows only too well that with each passing hour time is running out. But his fiercest enemy in this deadly game of cat and mouse may well be his own deep self-doubt about his ability to save those he loves. New and longtime “fans will be enthralled” (Publishers Weekly, starred review) by this gripping and richly told addition to a masterful series.

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A vital contribution to environmental humanities that explores artistic responses to the plastic age Since at least the 1960s, plastics have been a defining feature of contemporary life. They are undeniably utopian—wondrously innovative, cheap, malleable, durable, and convenient. Yet our proliferating use of plastics has also triggered catastrophic environmental consequences. Plastics are piling up in landfills, floating in oceans, and contributing to climate change and cancer clusters. They are derived from petrochemicals and enmeshed with the global oil economy, and they permeate our consumer goods and their packaging, our clothing and buildings, our bodies and minds. Plastic reshapes our cultural and social imaginaries. With impressive breadth and compelling urgency, the essays in Life in Plastic examine the arts and literature of the plastic age. Focusing mainly on post-1960s North America, the collection spans a wide variety of genres, including graphic novels, superhero comics, utopic and dystopic science fiction, poetry, and satirical prose, as well as vinyl records and visual arts. Essays by a remarkable lineup of cultural theorists interrogate how plastic—as material and concept—has affected human sensibilities and expression. The collection reveals the place of plastic in reshaping how we perceive, relate to, represent, and re-imagine bodies, senses, environment, scale, mortality, and collective well-being.Ultimately, the contributors to Life in Plastic think through plastic with an eye to imagining our way out of plastic, moving toward a postplastic future.Contributors: Crystal Bartolovich, Syracuse U; Maurizia Boscagli, U of California, Santa Barbara; Christopher Breu, Illinois State U; Loren Glass, U of Iowa; Sean Grattan, U of Kent; Nayoung Kim, Brandeis U; Jane Kuenz, U of Southern Maine; Paul Morrison, Brandeis U; W. Dana Phillips, Towson U in Maryland and Rhodes U in Grahamstown, South Africa; Margaret Ronda, UC-Davis; Lisa Swanstrom, U of Utah; Jennifer Wagner-Lawlor, Pennsylvania State U; Phillip E. Wegner, U of Florida; Daniel Worden, Rochester Institute of Technology.

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As a child, Michael Charles Tobias encountered a wolf caged in a zoo. Gazing upon the pacing, desperate animal, Tobias asked his Father, "Why is he in jail?" For over half a century, Tobias has roamed the earth in search of an answer. This memoir is a testimony to Tobias' field research, expeditions, deliberations, and some answers to that haunting question. Systems ecologist, philosopher, historian of ideas, anthropologist, ethicist and philanthropist, Tobias has emerged as one of the most influential and far-reaching ecological philosophers of this generation. The Earth in Fragments: A Memoir by Michael Charles Tobias chronicles many of his most incisive areas of research, activism and philosophical inflections. Much of the data, conveyed in a personal and enlightening series of recollections, lends incisive clarity to the emergence and escalating challenges of the environmental and life sciences fields. Tobias shares glimpses into many of the often ethically-harrowing research conundrums confronting him and his wife, Jane Gray Morrison, as they have effectively endeavoured throughout the globe, focusing upon animal rights and conservation biology initiatives. Their more than 50 books and 75 films have shed a powerful spotlight on many of the most pressing issues of our time. The anecdotes pour forth, from an ancient monastery in the Sinai, across the Himalayas, to the Arctic and Antarctic, where Tobias was among the first to draw global attention to the crises mounting across the Last Continent. We see him behind the scenes, directing the ambitious ten-hour drama, "Voice of the Planet" in two-dozen countries, examining the Gaia Hypothesis; conducting a project in the heart of the 1989 catastrophic oil spill in Alaska; his irrepressible quest to understand the runaway train of human overpopulation across the planet in his book and accompanying PBS film "World War III." We follow his probing philosophical meditations-in-action as an animal liberationist from California, Mali, Kenya, China, Greece and Russia. We see his appeal for a "new human nature" in cutting-edge scientific research calling for an interspecies revolution that is at once pantheistic, ethically holistic, and as imaginative and ecologically paradoxical as it is pragmatic. The reader is led through a dazzling and provocative labyrinth of deeply moving eco-science in countries like New Zealand, Madagascar, Brazil, Chile's Rapa Nui, and throughout Europe, West Africa and Asia. From the Ecuadorian Amazon to Haiti; from Mozambique, Yemen, and Namibia to Borneo, Tobias and Morrison have worked to bring critical conservation strategies and policy priorities to government leaders and scientists throughout the world. With insights from palaeontology, Renaissance art history, deep demography, and the most recent advances in biodiversity conservation and biosemiotics, Tobias leads readers on an exquisite and uplifting journey that, while describing much devastation, provides hopeful glimpses into a near future that is not only possible, but essential for the well-being of the world, as viewed, lived and chronicled by one man at the heart of the Anthropocene.

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When bad behaviour threatens to derail lessons and undermine teaching, it’s easy to feel like you’ve run out of solutions. Enter: Nikki Cunningham-Smith. With her comforting sense of humour, wealth of experience and ability to see positives in even the most nightmarish of classroom scenarios, Nikki encourages early career teachers to reflect on their practice, take care of their mental health and implement behaviour management strategies that really work. Feel Free to Smile draws on anecdotes from Nikki's time as a teacher in alternative provision settings, as well as contributions from fellow professionals and current NQTs such as Ross Morrison McGill, Vivienne Porritt, Kemi Oloyede and Sarah Mullin. It provides practical strategies, tips and quick fixes for dealing with difficult behaviour and keeping your cool in testing situations. With advice on all aspects of behaviour, as well as reflective questions and space to jot down your thoughts, this book is the perfect companion if you’re feeling daunted by challenging behaviour and looking for an experienced voice to help lead the way.

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THE NEW YORK TIMES #1 BESTSELLER OPRAH BOOK CLUB PICK'One of the best books I have ever read in my entire life. I haven't felt this way since I first read Beloved . . .' Oprah Winfrey Lose yourself in the stunning debut novel everyone is talking about - the unmissable historical story of injustice and redemption that resonates powerfully todayHiram Walker is a man with a secret, and a war to win. A war for the right to life, to family, to freedom.Born into bondage on a Virginia plantation, he is also born gifted with a mysterious power that he won't discover until he is almost a man, when he risks everything for a chance to escape. One fateful decision will carry him away from his makeshift plantation family and into the heart of the underground war on slavery... 'A transcendent work from a crucial political and literary artist' Diana Evans 'I've been wondering who might fill the intellectual void that plagued me after James Baldwin died. Clearly it is Ta-Nehisi Coates' Toni Morrison

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Give this beautiful set as a thoughtful gift for anyone looking to improve their mood, reduce stress, and live each day with gratitude.This gift set includes: Gratitude: A Day and Night Reflection Journal: This 90-day journal will help center your day around positive feelings and gratitude. It’s the perfect place to record and celebrate anything that you are grateful for and to preserve important memories. Mini Book of Gratitude: With over 150 quotes, inspirations, and contemplations on gratitude from writers and speakers ranging from the Buddha to Toni Morrison to Oscar Wilde, this mini book is lovely inspiration to stop and savor each moment. Gratitude 3 oz Scented Tin Candle: Scented with essential oils of grapefruit and rose, the delicate and inviting aroma of this candle will fill your senses and heart with happiness and gratitude. This hand-poured candle is filled with the finest ingredients of soy and coco wax, which provide an even, clean 18-hour burn and an enhanced aromatherapy experience. With a compact size and lid, it is ideal for use in smaller spaces or as a travel candle.

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Two missing persons. One apparent suicide. Three cases pushing PI Jessie Cole and crime reporter Ben Morrison closer to the edge. Lacey Geiger could be a very rich woman. If Jessie Cole can find her. The beneficiary of a sizable estate, Lacey vanished years ago after escaping an abusive childhood and is veiled now behind a new identity. Jessie has two weeks to find her. It’s enough time to discover that Lacey is hiding from so much more than anyone realized. But she isn’t the only one with secrets. And Jessie’s not the only one searching for the truth. A concerned daughter has asked for help finding her mother—a woman said to have been murdered thirty years ago. And Jessie’s colleague Ben, an amnesiac still struggling with the bloody memories of a shattered life, is nearer to piecing together a very dark picture. Especially when someone he detests is found dead, hanging from a tree by a riverbank. Now as the mysteries, puzzles, and lies of three investigations are unearthed, Jessie and Ben will risk everything to bring all that is hidden into the light.

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Birth is one of the most fraught and polarized issues of our time, at the center of debates on abortion, gender, work, and medicine. But birth is not solely an issue; it is a fundamental part of the human condition, and, alongside death, the most consequential event in human life. Yet it remains dramatically unexplored. Although we have long intellectual traditions of wrestling with mortality, few have ever heard of natality, the term political theorist Hannah Arendt used to describe birth’s active role in our lives. In this ambitious, revelatory book, Jennifer Banks begins with Arendt’s definition of natality as the “miracle that saves the world” to develop an expansive framework for birth’s philosophical, political, spiritual, and aesthetic significance. Banks focuses on seven renowned western thinkers—Arendt, Friedrich Nietzsche, Mary Wollstonecraft, Mary Shelley, Sojourner Truth, Adrienne Rich, and Toni Morrison—to reveal a provocative countertradition of birth. She narrates these writers’ own experiences alongside the generative ways they contended with natality in their work. Passionately intelligent and wide-ranging, Natality invites readers to attend to birth as a challenging and life-affirming reminder of our shared humanity and our capacity for creative renewal.

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A radical defense of a solitary life What single person hasn't suffered? Everyone, it seems, must be (or must want to be) in a couple. To exist outside of the couple is to assume an antisocial position that is ruthlessly discouraged because being in a couple is the way most people bind themselves to the social. Singles might just be the single most reviled sexual minorities today. Single: Arguments for the Uncoupled offers a polemic account of this supremacy of the couple form, and how that supremacy blocks our understanding of the single. Michael Cobb reads the figurative language surrounding singleness as it traverses an eclectic set of literary, cultural, philosophical, psychoanalytical, and popular culture objects from Plato, Freud, Ralph Ellison, Herman Melville, Virginia Woolf, Barack Obama, Emily Dickinson, Morrissey, Georgia O'Keeffe, and Hannah Arendt to the Bible, Sex and the City, Bridget Jones' Diary, Beyoncé's “Single Ladies (Put a Ring On It),” and HBO's Big Love. Within these flights of fancy, poetry, fiction, strange moments in film and video, paintings made in the desert, bits of song, and memoirs of hiking in national parks, Cobb offers an inspired, eloquent rumination on the single, which is guaranteed to spark conversation and consideration.

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A radical defense of a solitary life What single person hasn't suffered? Everyone, it seems, must be (or must want to be) in a couple. To exist outside of the couple is to assume an antisocial position that is ruthlessly discouraged because being in a couple is the way most people bind themselves to the social. Singles might just be the single most reviled sexual minorities today. Single: Arguments for the Uncoupled offers a polemic account of this supremacy of the couple form, and how that supremacy blocks our understanding of the single. Michael Cobb reads the figurative language surrounding singleness as it traverses an eclectic set of literary, cultural, philosophical, psychoanalytical, and popular culture objects from Plato, Freud, Ralph Ellison, Herman Melville, Virginia Woolf, Barack Obama, Emily Dickinson, Morrissey, Georgia O'Keeffe, and Hannah Arendt to the Bible, Sex and the City, Bridget Jones' Diary, Beyoncé's “Single Ladies (Put a Ring On It),” and HBO's Big Love. Within these flights of fancy, poetry, fiction, strange moments in film and video, paintings made in the desert, bits of song, and memoirs of hiking in national parks, Cobb offers an inspired, eloquent rumination on the single, which is guaranteed to spark conversation and consideration.

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The first in-depth biography of one of music's most fascinating, colourful and innovative characters. This book is the most comprehensive history yet of the life, music and cultural significance of the last of the great black music pioneers and the era which spawned him. Clinton stands alongside James Brown, Jimi Hendrix and Sly Stone as one of the most influential black artists of all time who, along with his vast P-Funk army took black funk into the US charts and sold out stadiums by the mid 1970s with his mind-blowing shows and legendary Mothership extravaganzas. The book contains first hand interview material with Clinton, Bootsy Collins, Jerome "Bigfoot" Brailey, Junie Morrison, Bobby Gillespie, Afrika Bambaataa, Jalal Nuriddin (Last Poets), Juan Atkins, John Sinclair, Rob Tyner (MC5), Ed Sanders (The Fugs), Chip Monck ("The Voice of Woodstock") plus other P-Funk associates and friends. The book presents an insiders' view of the rise of Parliament and Funkadelic from the doowop era and LSD-crazed early shows through to P-Funk's huge rise, the era of the Mothership and beyond.

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A FINALIST FOR THE 2022 PULITZER PRIZE FOR FICTIONPalmares hails the return of a major voice in literature - 'the best American novelist whose name you may not know' (Atlantic). Gayl Jones was first discovered and edited by Toni Morrison, and her talent was praised by writers including Maya Angelou, James Baldwin and John Updike. After a handful of acclaimed novels, she withdrew from the publishing world. Now Jones returns with her first new novel in over two decades.AN EPIC TALE OF LOVE AND LIBERATION SET IN SEVENTEENTH-CENTURY COLONIAL BRAZILFrom plantation to plantation, Almeyda, a young slave girl, hears whispers, rumours of Palmares, a hidden settlement where fugitive slaves live free. But can this promised land exist? And what price is paid for 'freedom'?In Palmares, Gayl Jones brings to life a world full of unforgettable characters, reimagining extraordinary historical events and combining them with mythology and magic. The result is a sweeping saga spanning a quarter of a century. Of Gayl Jones, the New Yorker noted, '[Her] great achievement is to reckon with both history and interiority, and to collapse the boundary between them.' Like nothing else before it, Palmares embodies this gift.

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From the esteemed President of Hampton University, an insider account that reveals the secret to HBCU graduates’ remarkable success—a distinguished honor roll which includes Vice President Kamala Harris, Dr. Martin Luther King Jr., Oprah Winfrey, Zora Neale Hurston, Toni Morrison, Ruth Carter, Ta-Nehisi Coates, and many others.In his more-than-four-decade tenure as the President of Hampton University—one of 107 Historically Black Colleges and Universities in America—Dr. William R. Harvey has been a champion of the cultural impact and value of HBCUs, demonstrated by the achievements of their numerous notable alumni. Their success is no coincidence. It is the result of a faultless formula that sets HBCUs apart and helps their students thrive—a formula built on core tenets, including displaying moral and wholesome values at all times, continuously pursuing character growth, and embracing communal responsibilities whenever possible.The mission of Dr. Harvey is to represent Blackness to its highest degree at every opportunity. He is a passionate believer in the remarkability of the Black diaspora in all its complexity and beauty. That conviction drives the timeless lessons he’s adhered to and has instilled in his students: the power of dress to establish respect; the importance of integrity; financial accountability; reverence for elders. It is these tried-and-true lessons and others that have uniquely prepared and propelled HBCU students to success for generations. The Historically Black Colleges and Universities' Guide to Excellence is a thoughtful and knowledgeable account of what it truly takes to successfully navigate a white world as a Black person while retaining one’s core Blackness. Practical and proven, it lays the groundwork for individual and communal Black prosperity.

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Drawing on sources as diverse as Supreme Court decisions, nightclub comedy, congressional records, and cultural theory, Obscene Gestures explores the many contradictory vectors of twentieth-century moralist controversies surrounding literary and artistic works from Henry Miller’s Tropic of Cancer to those of Toni Morrison, Alice Walker, Kathy Acker, Robert Mapplethorpe, 2 Live Crew, Tony Kushner, and others. Patrick S. Lawrence dives into notorious obscenity debates to reconsider the divergent afterlives of artworks that were challenged or banned over their taboo sexual content to reveal how these controversies affected their critical reception and commercial success in ways that were often determined at least in part by racial, gender, or sexual stereotypes and pernicious ethnographic reading practices. Starting with early postwar touchstone cases and continuing through the civil rights, feminist, and LGBTQ+ movements, Lawrence demonstrates on one level that breaking sexual taboos in literary and cultural works often comes with cultural cachet and increased sales. At the same time, these benefits are distributed unequally, leading to the persistence of exclusive hierarchies and inequalities. Obscene Gestures takes its bearings from recent studies of the role of obscenity in literary history and canon formation during the late nineteenth and early twentieth centuries, extending their insights into the postwar period when broad legal latitude for obscenity was established but when charges of obscenity still carried immense symbolic and political weight. Moreover, the rise of social justice movements around this time provides necessary context for understanding the application of legal precedents, changes in the publishing industry, and the diversification of the canon of American letters. Obscene Gestures, therefore, advances the study of obscenity to include recent developments in the understanding of race, gender, and sexuality while refining our understanding of late-twentieth-century American literature and political culture.

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