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Hockey magnate Conn Smythe, Trudeau cabinet minister Gilles Lamontagne, and the composer and former conductor of the Toronto Symphony Orchestra, Sir Ernest MacMillan, share something other than their fame: they all have the dubious distinction of having been captured by the enemy during Canada’s wars of the twentieth century. Like some 15,000 other Canadians, Smythe, Lamontagne, and MacMillan experienced the bewilderment that accompanied the moment of capture, the humiliation of being completely in the captor’s power, and the sense of stagnating in a backwater while the rest of the world moved forward.From prison camps in Eire, where POWs were allowed to keep pets and to be members of the local tennis clubs, to camps in Japan, where prisoners were often severely beaten, systematically starved, and overworked, Canadian prisoners of war throughout the twentieth century have faced a variety of conditions and experiences. But they did not fight their war alone and isolated. On the home front, many other people attempted to help them. Against the backdrop of the POW experience, Jonathan Vance provides the first comprehensive account of how the Canadian government and non-governmental organizations such as the Red Cross have dealt with the problems of prisoners of war.Beginning in the nineteenth century, Vance traces the growth of Canadian interest in the plight of POWs. He goes on to examine the measures taken to assist Canadian POWs during the two world wars and the Korean war. The book focuses in particular on the campaigns to ship relief supplies to prison camps and on attempts to secure the prisoners’ release.POWs have sometimes been seen as forgotten casualties whose privations were misunderstood during war and whose needs were neglected afterwards. This perception developed out of a tradition in POW memoirs which paid little attention to the efforts of politicians, civil servants, and individuals who devoted considerable time and energy to their cause. Vance argues that this impression is wrong and that, in fact, every effort was made to ameliorate conditions for men and women in captivity. In his book, he outlines the difficulties and confusion that arose from jurisdictional squabbling and lack of clear communication. Ironically, Vance concludes, obstacles were more often created by an overabundance of enthusiasm than by a lack of interest in the prisoners’ fate. Canada’s wartime bureaucracy, often praised by historians, is revealed as needlessly complex and, in many ways, hopelessly inefficient.In Objects of Concern, Jonathan Vance examines Canada’s role in the formation of an important aspect of international law, traces the growth and activities of a number of national and local philanthropic agencies, and recounts the efforts of ex-prisoners to secure compensation for the long-term effects of captivity. In doing so, he reminds Canadians of an aspect of war that has often been overlooked in conventional military history.

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Modern international business has its origins in the overseas trade of the Middle Ages. Of the various communities active in trade in the Islamic countries at that time, records of only the Jewish community survive. Thousands of documents were preserved in the Cairo Geniza, a lumber room attached to the synagogue where discarded writings containing the name of God were deposited to preserve them from desecration. From them Professor Goitein has selected eighty letters that provide a fascinating glimpse into the world of the medieval Jewish traders. As the letters vividly illustrate, international trade depended on a network of personal relationships and mutual confidence. Organization was largely through partnerships, based usually on ties of common religion but often reinforced by family connections. Sometimes the partners of Jews were Christians or Muslims, and the letters show these merchants working together in greater harmony than has been thought, even in partnerships that lasted through generations. The services rendered to a friend or partner and those expected from him were great, and the book opens with an angry letter from a merchant who believed he had been let down by his friend. The life of a trader was full of dangers, as the letter describing a shipwreck illustrates, and put great strain on personal relationships. One of the most moving letters is that written to his wife by a man absent in India for many years while endeavoring to make the family's fortunes. Although never ceasing to love her and longing to be with her, he offers to divorce her if she feels she can wait for him no longer. A decisive event in the life of the great Jewish philosopher, Moses Maimonides, was the death of his brother David, who drowned in the Indian Ocean. Printed here is the last letter David wrote, describing his safe crossing of the desert and announcing his intention to go on to India, against his brother's instructions. Professor Goitein has provided an introduction and notes for each letter, and a general introduction describing the social and spiritual world of the writers, the organization of overseas trade in the Middle Ages, and the goods traded. The letters demonstrate that although it reached from Spain to India, the traders' world was a cohesive one through which these men could move freely and always feel at home. Originally published in 1974. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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It is 1842—a dramatic year in the history of Texas-Mexican relations. After five years of uneasy peace, of futile negotiations, of border raids and temporary, unofficial truces, a series of military actions upsets the precarious balance between the two countries. Once more the Mexican Army marches on Texas soil; once more the frontier settlers strengthen their strongholds for defense or gather their belongings for flight. Twice San Antonio falls to Mexican generals; twice the Texans assemble armies for the invasion of Mexico. It is 1842—a year of attack and counterattack. This is the story that Joseph Milton Nance relates, with a definitiveness and immediacy which come from many years of meticulous research. The exciting story of 1842 is a story of emotions which had simmered through the long, insecure years and which now boil out in blustery threats and demands for vengeance. The Texans threaten to march beyond the Sierra Madres and raise their flag at Monterrey; the Mexicans promise to subdue this upstart Texas and to teach its treacherous inhabitants their place. With communications poor and imaginations fertile, rumors magnify chance banditry into military raids, military raids into full-scale invasions. Newspapers incite their readers with superdramatic, intoxicating accounts of the events. Texans and Mexicans alike respond with a kind of madness that has little or no method. Texas solicits volunteers, calls out troops, plans invasions, and assembles her armies, completely disregarding the fact that her treasury is practically empty—there is little money to buy guns. Meanwhile, in Mexico, where gold and silver are needed for other purposes, “invasions” of Texas are launched—but they are only brief forays more suitable for impressive publicity than for permanent gains. Still, the conflicts of threat and retaliation, so often futile, are frequently dignified by idealism, friendship, courage, and determination. Both Mexicans and Texans are fighting and dying for liberty, defending their homes against foreign invaders, establishing and maintaining friendships that cross racial and national boundaries, struggling with conflicting loyalties, and—all the while—striving to wrest a living for themselves and their families from the grudging frontier. Attack and Counterattack, continuing the account which was begun in After San Jacinto, tells from original sources the full story of Texas-Mexican relations from the time of the Santa Fe Expedition through the return of the Somervell Expedition from the Rio Grande. These books examine in great detail and with careful accuracy a period of Texas history that had not heretofore been thoroughly studied and that had seldom been given unbiased treatment. The source materials compiled in the notes and bibliography—particularly the military reports, letters, diaries, contemporary newspapers, and broadsides—will be a valuable tool for any scholar who wishes to study this or related periods.

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City State showcases the work of twenty-seven London writers between the ages of 16 and 36. From hyperlinked walks of Battersea bombsites and guerilla gardening projects to jagged urban lyrics and dark hymns to the East End, City State presents a confident, entertaining and truly diverse snapshot of the best new poetry from London.Featuring poems by: Jay Bernard, Caroline Bird, Ben Borek, Siddhartha Bose, Tom Chivers, Swithun Cooper, Alex Davies, Inua Ellams, Laura Forman, Wayne Holloway-Smith, Christopher Horton, Kirsten Irving, Annie Katchinska, Amy Key, Chris McCabe, Marianne Munk, Holly Pester, Heather Phillipson, Nick Potamitis, Imogen Robertson, Jacob Sam-La Rose, Ashna Sarkar, Jon Stone, Barnaby Tidman, Ahren Warner, James Wilkes, Steve Willey"We are offered London as a test case for a new diversity of means and manner, from sassy performance scripts to the solid blocks of densely disjunctive language characterised as innovative or avant-garde. [City State proposes] a central space that is also the meeting place of many edges."Philip Gross, Poetry London"City State is [a] journey across the metropolis in rush hour: a journey that by turns bewilders, delights and throws up unpalatable truths. The anthology showcases a real range of styles, from Jacob Sam-La Rose's heartfelt verse, to Chris McCabe's complex, darkly witty observations. Though diverse, the poets featured here often seem to riff around several themes that are associated with London itself: dislocation, escapism, breathlessness."Helen Mort"Performance poets are wedged side by side with the new crop of post-langpo practitioners and sculptors of sound; formalism and new narrative jostle for position with cut-ups, found poems and the inheritors of a confessional poetics [...] What seems to unit the best of the poets here is a quality of looking outward: they are aware of, and play with, the possibilities of language and form; they draw on a recognisable tradition but refresh it, linguistically and subjectively [...] There is a great deal of vitality and versatility among the younger generation of emerging poets in the country's capital."Simon Turner"Here is a good, deep shaft drilled into the poetry of the capital. [...] What I like about this anthology is its range. There are poets here who, I guess, could fit into the latest Bloodaxe catalogue with relative ease. There are others, like Nick Potamitis or Steve Wiley and Alex Davies, who are much more experimental and are carrying on the work of poets such as Allen Fisher and Iain Sinclair. And there are poets coming out of a more performance-oriented stream such as Jacob Sam-La Rose, whose wonderfully ironic 'How to be Black' is one of the many highlights of this collection.[...] A true anthology of what's going on in poetry now."Steven WalingTom Chivers (editor) was born in 1983 in South London. A writer, editor and promoter of poetry, his publications include The Terrors (Nine Arches Press, 2009) and How To Build A City (Salt Publishing, 2009). A winner of the inaugural Crashaw Prize, he is Associate Editor of Tears in the Fence, was Poet in Residence at The Bishopsgate Institute, London, and has appeared on BBC Radio 3 and 4. Tom is Director of Penned in the Margins and Co-Director of London Word Festival.

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Lonely Planet's Fijian Phrasebook and Dictionary is your handy passport to culturally enriching travels with the most relevant and useful Fijian phrases and vocabulary for all your travel needs. Book hikes along inland trails and order local cuisine with ease and all with your trusted travel companion.With language tools in your back pocket, you can truly get to the heart of wherever you go, so begin your journey now!Get More From Your Trip with Easy-to-Find Phrases for Every Travel Situation!Feel at ease with essential tips on culture, manners, idioms and multiple meaningsOrder with confidence, explain food allergies, and try new foods with the menu decoderSave time and hassles with vital phrases at your fingertipsNever get stuck for words with the 3500-word two-way, quick-reference dictionaryBe prepared for both common and emergency travel situations with practical phrases and terminologyMeet friends with conversation starter phrasesGet your message across with easy-to-use pronunciation guidesInside Lonely Planet's Fijian Phrasebook and Dictionary:Full-colour throughoutUser-friendly layout organised by travel scenario categoriesSurvival phrases inside front cover for at-a-glance, on-the-fly cuesConvenient features5 Phrases to Learn Before You Go10 Ways to Start a Sentence10 Phrases to Sound like a LocalListen For - phrases you may hearLook For - phrases you may see on signsShortcuts - easy-to-remember alternatives to the full phrasesQandA - suggested answers to questions askedCoversBasics - time, dates, numbers, amounts, pronunciation, reading tips, grammar rulesPractical - travel with kids, disabled travellers, sightseeing, business, banking, post office, internet, phones, repairs, bargaining, accommodation, directions, border crossing, transportSocial - meeting people, interests, feelings, opinions, going out, romance, culture, activities, weatherSafe Travel - emergencies, police, doctor, chemist, dentist, symptoms, conditionsFood - ordering, at the market, at the bar, dishes, ingredientsThe Perfect Choice: Lonely Planet's Fijian Phrasebook and Dictionary, a pocket-sized comprehensive language guide, provides on-the-go language assistance; great for language students and travellers looking to interact with locals and immerse themselves in local culture.Check out our Fast Talk Phrasebook mobile app for on-the-go language needs. (Available languages: German, Latin Spanish, European Spanish, French, and Italian.)About Lonely Planet: Lonely Planet is a leading travel media company, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and phrasebooks for 120 languages, and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, videos, 14 languages, armchair and lifestyle books, ebooks, and more, enabling you to explore every day.'Lonely Planet guides are, quite simply, like no other.' New York Times'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' Fairfax Media (Australia)

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When we think of the world's great sporting events, we tend to focus on spectacles such as the World Cup, the Olympics, the Derby, the Monaco Grand Prix or the University Boat Race. Yet there is also an alternative world of competition where participants risk life, limb and often dignity for meagre rewards in truly weird sporting pursuits. Step forward the Indonesian sport of sepak bola api, a variation of football in which the barefoot players kick a ball that is on fire; Germany's Mud Olympics, at which competitors play soccer, volleyball and handball while knee-deep in mud; yak racing from Mongolia; Oregon's Pig-N-Ford Races where drivers speed around the track while carrying a live pig under one arm; and Australia's variation of the Boat Race, the Henley-on-Todd Regatta, where, instead of rowing, teams carry their boats along the dry bed of the River Todd. This book lists geographically the world's 100 weirdest sports events, giving full details of their rules and colourful history. They include the grotesque (the national sport of Afghanistan is buzkashi, in which riders on horseback aim to drag the headless carcass of a dead goat towards their opponents' goal), the dangerous (Japanese hardcore wrestlers batter each other with glass fluorescent light tubes instead of their bare hands), and the downright daft in the form of the World Black Pudding Throwing Championships, the World Flounder Tramping Championships, the World Gravy Wrestling Championships and the World Shin-Kicking Championships. Races are staged in all kinds of transportation. Canada is home to the Great Klondike Outhouse Race (for portable toilets), the Vancouver Bathtub Race, and the Windsor Pumpkin Regatta; Colorado hosts the annual Emma Crawford Coffin Races; and the pride of Yorkshire is the Great Knaresborough Bed Race, where teams push a bed (containing human occupant) along a 2.4-mile course that requires a wet crossing of the River Nidd. Animals feature heavily, too. As well as traditional races for ostriches (complete with jockeys), cockroaches (no jockey required), armadillos, sheep, and Oklahoma City's splendid Dachshund Dash, rubber-duck racing is one of the fastest growing sports of recent years with events being held in several countries. Other competitions test an animal's ability to do more than just run or float, such as elephant polo, dog surfing, camel wrestling, rabbit show jumping and pig diving. It is not beyond the realms of possibility that in the near future we may even be treated to synchronized pig diving. Although the plunging porkers might disagree, the appeal of many of these sports is enhanced by taking part. If cheese rolling or volcano boarding are too energetic for your taste, ice golf or underwater hockey too uncomfortable, and lingerie football wouldn't show off your legs to best effect, you could always enjoy more leisurely pursuits like the world championships in rock, paper, scissors or pooh sticks. If, on the other hand, you prefer a watching brief, you could try your hand at cow patty bingo, a North American contest where a field is divided into numbered squares, and contestants bet on which square the cow will take a poop. It is probably the only occasion in life when you can make money from one number two on top of another.

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'Magisterial . . . [a] fine, balanced and superb account. It deserves to be read for many years to come.' TELEGRAPHMarch 1945. Allied troops are poised to cross the Rhine and sweep on into Germany. Victory is at last within their grasp. But if they believe this victory can be easily won, they face swift disillusionment. The final I00 days of the Second World War will prove to be bitterly and bloodily fought, village by village, town by town.This is the extraordinary and gripping story of those final I00 days._________________________________________________'Superbly written and full of wisdom and deep understanding, this will stand as a defining work on these darkest months of the conflict.' JAMES HOLLAND'This is the most vivid and detailed narrative of the subject that we are likely to see.' MILITARY HISTORY MAGAZINE'An impressive work. Lively, informative and comprehensively researched.' CAROLINE MOOREHEAD, SPECTATOR'An important contribution to military history. A great read and powerful reminder of how the Second World War in Europe was definitely not over until the final surrender.' BBC HISTORY MAGAZINE

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Angels Over Moscow is an inspirational, first-person account of the life of American physician, Dr. Juliette Engel, who founded the non-profit MiraMed Institute to devote her energy and resources to helping reform maternal and infant healthcare in Russia. During a mission to improve medical care for children in orphanages, she discovered a link between the State institutions and an international network that trafficked young Russian girls to Scandinavia for prostitution. She followed their trail north into Norway, where she ran headlong into the international slave trade of the 20th Century—human trafficking. From that point forward, there was no turning back for the determined doctor, as she traveled throughout the former USSR, often at great personal peril, building a network of villagers, educators, police, media, and government officials called the Angel Coalition who committed their talents and resources to fighting human trafficking, and bringing thousands of Russian trafficking victims safely home. As a result of her work, she became eyewitness to the collapse of an empire as the USSR broke apart, and the Russian people struggled to find their identity without losing their humanity. Her strength and personal commitment saved thousands of lives and has helped heal the wounds of a broken nation. In Angels Over Moscow, Dr. Engel describes her journey as the “gift of an unexpected life.” More than that, it is a tribute to American ideals, and to idealists like Dr. Engel, who put her life and freedom on the line to fight the good fight for all of us. Every human being encounters crossroads on the path of life that require fate-altering decisions with unknowable outcomes. Selling my medical practice to live and work in Russia wasn’t among my life plans when I first set out to explore what lay beyond the boundaries of my familiar world. How could I anticipate that I’d be drawn down the harder, darker, unexplored road into the tumultuous disorder of Russia? I look back and wonder if I might have been more cautious had I known the magnitude of the winds that were gathering outside my door, waiting for me to step beyond the limits of safety. I did not know. Instead, I engaged the opportunity for exploring new cultures without hesitation. It was 1990 when I first flew to Moscow. The Berlin Wall had just been torn down as the Evil Empire capitulated to the forces of greater good. The ideals of democracy and freedom could now be realized for all people. Like many Americans, I saw only optimism for the future, and it was in that heady atmosphere of the Age of Aquarius that I set out to explore the world behind the Iron Curtain. Do I regret it? No. My path became a difficult, frustrating and often tragic one but I was gifted with a rarified view into other dimensions and joined by a cast of characters that enriched my life even if they didn’t have a kopek between them. The takeaway for readers of Angels Over Moscow? You cannot anticipate the unexpected. Instead, open your arms. Embrace all that life has to offer. Drink it in. Celebrate every moment. Do not be afraid of tears.

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Covering an array of evidence-based content, including aphasia, traumatic brain injury, dementia, and language in aging, Aphasia and Other Acquired Neurogenic Language Disorders: A Guide for Clinical Excellence, Second Edition is a must-have textbook for clinicians and students studying to be speech-language pathologists. This clinical guide strategically addresses scientific foundations, service delivery, international and multicultural perspectives, assessment, and treatment. Organized to maximize adult learning, the book is adaptable for multiple pedagogic methods for classroom-based courses, independent study, and online learning. The second edition of Aphasia and Other Acquired Neurogenic Language Disorders: A Guide for Clinical Excellence provides clinicians and students a clear pathway for quality and effectiveness in clinical practice. New to the Second Edition Expanded content to reflect important recent developments throughout, with findings from over 500 new studies A thoroughly updated chapter on primary progressive aphasia and other neurodegenerative conditions Inclusion of additional voices of people with neurogenic conditions to highlight person-centered strengths and needs Updated attention to culturally responsive terminology and content throughout to promote diversity, equity, and inclusion Improved information flow based on reviewers' feedback, while maintaining structure to ease transitions in course design for instructors who used the first edition Enhanced and updated foci on cognitive-communicative challenges associated with dementia, traumatic brain injury, and right brain injury Many new images and illustrations to support learning Abundant resources to encourage research collaboration and career development, and to promote supportive networks for people affected by neurogenic communication disorders Expanded foci on evidence-based practice, practice-based evidence, participatory research, and implementation science Key Features A rigorous approach to the art and science of clinical practice, integrating diverse theoretical perspectives for a global readership Guidance on advocacy, ethics, reimbursement, legal aspects, and counseling An emphasis on person-centered, empowering approaches to maximize life participation Extensive assessment resources and a process analysis approach for analyzing communicative performance and interpreting assessment results How-to content on more than 50 intervention approaches Diagrams, charts, illustrations, summary tables, a substantial glossary, a detailed index, and rich up-to-date references Content design applying adult learning research to maximize deep learning Systematic queries that enliven clear objectives for knowledge, skills/application, and values A PluralPlus companion website with materials for students and instructors Pedagogy Includes Extensive assessment resources and a process analysis approach for analyzing communicative performance and interpreting assessment results Clear clinical examples to ensure relevance of information based on realistic scenarios Systematic queries that enliven clear learning objectives Diagrams, charts, illustrations, summary tables, a substantial glossary, a detailed index, and rich up-to-date references Key terms in bold within the chapter and listed in a glossary Ancillary materials available via PluralPlus companion website Videos to complement each chapter PowerPoint materials to guide discussions pertaining to content in each chapter Additional discussion points and learning activities for each chapter designed to encourage learn-by-doing rather than just a learn-by-reading modes Editable in-class handouts to guide discussions and hands-on learning activities A terminology guide with sound files for practice with pronunciation and definitions Links to video examples and additional helpful online resources A test bank that includes multiple-choice, fill-in-the blank, matching, true/false, short-answer, and essay items, all cross-referenced to the content areas addressed A concise review of pedagogic methods for instructors, aimed at enhancing engaged learning

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"Surprisingly readable and studded with nuggets of insight." —The Daily Yomiuri "This insightful, well-written, fascinating book offers new understandings, not only of Japan, but also of American culture. It is essential for those in anthropology, psychology, sociology, and psychiatry who are interested in culture, as well as those in law and the business community who deal with Japan." —Paul Ekman, Ph.D.,Director, Human Interaction Laboratory, Langley Porter Institute, University of California, San Francisco "[A] thoughtful cross-cultural study of development...His work can only enhance the still evolving psychoanalytic theory of preoedipal development as it is being derived mostly from psychoanalytic research on child-parent interaction in American families." —Calvin F. Settlage, M.D. "Johnson's ambitious and exhaustive synthesis of anthropological and psychological treatments of dependency raises interesting questions. . . Johnson alerts the reader to issues of universalism and relativity and leads us to ask, 'What would psychoanalysis be like, if it had originated in Japan?'" —Merry I. White, Edwin O. Reischauer Institute of Japanese Studies, Harvard University ". . . Johnson's erudite and critical re-examination of human dependence succeeds to re-profile dependence meaningfully and revives our interest in this major aspect of human experience. Indeed, much food for thought for both psychoanalysts and anthropologists." —Henri Parens, M.D., Philadelphia Psychoanalytic Institute Western ideologies traditionally emphasize the concepts of individualism, privacy, freedom, and independence, while the prevailing ethos relegates dependency to a disparaged status. In Japanese society, the divergence from these western ideals can be found in the concept of amae (perhaps best translated as indulgent dependency) which is part of the Japanese social fiber and pervades their experience. For the Western reader, the concept of amae is somewhat alien and unfamiliar, but in order to understand the Japanese fully, it is essential to acquire a familiarity with the intensity that accompanies interdependent affiliations within their culture. To place amae in the proper context, Johnson critically examines the western attitudes toward dependency from the perspectives of psychoanalysis, psychiatry, developmental psychology, and anthropology. Johnson traces the development of the concept and uses of the term dependency in academic and developmental psychology in the West, including its recent eclipse by more operationally useful terms attachment and interdependency. This timely books makes use of the work of Japanese psychiatrist Takeo Doi, whose book The Anatomy of Dependence introduced the concept of amae to the West. Johnson goes on to illuminate the collective manner in which Japanese think and behave which is central to their socialization and educational practices, especially as seen in the stunning success of Japanese trading practices during the past twenty years. A major emphasis is placed upon the positive aspects of amae, which are compared and contrasted with attitudes toward dependency seen among other nationalities, cultures, and groups in both Western and Asian societies. Complete with a glossary of Japanese terms, Dependency and Japanese Socialization provides a comprehensive investigation into Japanese behavior.

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"Unapologetic about the cross-over of cultures, it’s bright, vibrant and dynamic." — Vivek Singh"Packed full of approachable and inspiring recipes . . . thoroughly modern and highly rewarding." — Ravinder Bhogal"Every recipe is packed with flavour." — Dan LepardSanjana Feasts is a collection of dazzling recipes of modern Indian diaspora vegetarian and vegan food.Sanjana Modha’s flavourful and vibrant recipes are rooted in her Indian heritage, East African family background, and Yorkshire childhood. This book showcases the varied ingredients and unique combinations that are authentic to Sanjana’s upbringing, and includes signature dishes such as Ruffled Biryani, Madras Mac and Cheese with Naan Crumbs, Desi-inspired French Bread Pizza and Sticky Toffee Gulab Jamun, as well as delicious Indian classics.Over the last few years Sanjana has s

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The award-winning architectural practice Hawkins\Brown, founded in 1988, is well-known for its thoughtful, innovative and sustainable new buildings and refurbishments of all types. The practice prides itself on bringing a fresh and collaborative approach, creating places that are well-made, well-used and well-loved. This new book examines 14 of its projects in detail, interspersed with essays on various themes by members of the practice. The book begins with an examination by the eminent architecture journalist Hugh Pearman of the founding, history and approach of Hawkins\Brown, based on personal interviews with the practice’s two founding principals, Roger Hawkins and Russell Brown. A full discussion of the projects follows, each comprehensively illustrated with photographs, plans and renderings. The Bartlett School of Architecture in London had been outgrown by the School; it has been stripped back and reconfigured to create a building that staff and students alike are delighted to use. The Corby Cube is a well-equipped, multi-purpose civic and cultural centre that is beloved of this East Midlands town’s inhabitants. Here East, the repurposing of the Olympic press and broadcast centres in east London into space for creative and digital industries, is an excellent example of collaboration between client, architect and stakeholders. At Hilden Grange Preparatory School in Kent, Hawkins\Brown slotted exemplary new teaching spaces into natural woodland in a sustainable and sympathetic way. The University of East Anglia’s Bob Champion Building is part of the Norwich Medical School’s vision to become a world leader in clinical research and teaching, and was completed in less than a year. Park Hill housing estate in Sheffield has been updated with a charismatic new facade treatment and revitalized flats, taking it from eyesore to icon. Another housing estate, Peabody Burridge Gardens in southwest London, has been rebuilt completely, and is now more pleasant and better integrated. Tottenham Court Road station in central London – part of the enormous Crossrail project – has been sympathetically but radically redesigned to provide for the extra people who will use it, and includes artworks by Daniel Buren, Richard Wright and Douglas Gordon. At Hackney Town Hall in east London, the refurbishment of an important art deco building required all numerous skills, from reuse and repair to conversion and conservation. A combined refurbishment and new building on Great Suffolk Street just south of the river in central London, meanwhile, has created an expanded commercial building that sits comfortably in its semi-industrial setting. For the City of London Freemen’s School in Surrey, Hawkins\Brown created a new swimming pool that is simultaneously functional, beautiful and sympathetic to its rural location. With the University of Oxford Beecroft Building – where environment is also deeply important – the practice produced a new Physics research facility that both satisfies the city’s stringent historical and conservation controls and is a genuinely groundbreaking scientific building. East Village Plot No. 6 is a `build-to-rent’ development in Stratford, east London, where architecture has been used to create community. Finally, the Thames Tideway Tunnel is a crucial yet little-known infrastructure project that will extend and modernize London’s sewerage system to cope with future demand. The visible architecture here involves various surface points along the river, including at Chelsea Embankment and at Blackfriars. The essays demonstrate Hawkins\Brown’s pride in the input of its staff. Seth Rutt explains the architect’s desire for creative autonomy and wish to follow the process of creating a new building all the way from designing it to supervising the construction. Darryl Chen explains the importance of taking time away from day-to-day work to focus on broader themes, and introduces the practice’s own think tank. Nicola Rutt discusses the importance of refurbishment in the output of the practice, emphasizing its importance to the urban fabric and to the people who inhabit our towns and cities. Morag Morrison writes about the integration of art with architecture, and Katie Tonkinson examines mixed-use architecture in the context of the architect’s approach rather than the client’s brief. Harbinder Birdi explains the importance of urban planning and considering the human context for all projects, and, finally, Oliver Milton and Jack Stewart celebrate the opportunities afforded by new technology.

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Introduced by newsreader, presenter, and Barnardo's president Natasha Kaplinsky, Letters From Lockdown features 100+ letters from celebrity names, COVID heroes, and a diverse range of members of the public, all answering the question - 'What was lockdown like for you?'Contributors include: Paul McCartney · Joe Wicks · Malala Yousafzai · Ed Sheeran · Helen Mirren · Cressida Cowell · Mary Berry · Richard Branson · Peppa Pig · Andy Murray · Helena Bonham Carter · Lenny Henry · Bruno Tonioli · Romesh Ranganathan · The family of Captain Tom · Bear Grylls · Charly Cox · Dr Alex George · Jacqueline Wilson · Matt Lucas · Monica Galetti · Kelly Holmes · Bill Gates· Sir Mo Farah and many more.The publisher will donate all profits, which will be a minimum of £1.50 for each copy of the book sold, to Barnardo's (registered charity in England and Wales no. 216250), who do important work to protect and support the UK's most vulnerable children, more in need now than ever.The letter writers include doctors and nurses, care home staff and vaccinators, train drivers and hairdressers, teachers and environmentalists - people who have been on the frontline in tackling the pandemic, or in trying to get the world back on its feet. Other letters document the unforgettable lighter moments of the past year: interviews crashed by children, TikTok triumphs and disasters, and Goats joining Zoom meetings. Each offers their unique perspective on the year everything changed.Other contributors include: Al Gore; Alexandra Shulman, Davina McCall, Toby Regbo, Trevor McDonald, Jo Malone, Keir Starmer, Boris Johnson, Mark Ronson, Maro Itoje, Nicola Adams, Raymond Blanc, Richard Curtis and Emma Freud, Chris Van Dusen, Sita Brahmachari, Sophie Gonzales, Hayden Kays, Tim Peake, Sean Fitzpatrick, and Joan Collins.The idea for the book came from Natasha Kaplinsky's children, Arlo and Kika. They wrote an open letter, wanting to understand other people's experiences of lockdown. Their question, 'What was lockdown like for you?' is the prompt; the collection of letters in response form the book. As we keep our fingers crossed that this summer will bring a safe end to restrictions, this mixture of funny, sad, heart-warming, surprising, heroic and honest experiences will mark the start of a period of reflection.Adrian Packer, Al Gore, Alex George, Alexandra Shulman, Ali Mercer, Alice M Greenwald, Ali Joy, Andy Murray, Antony Cauvin, Anushua Gupta, Bear Grylls, Benjie and Georgia Ingram-Moore, Bill Gates and Melinda French Gates, Bob Wilson, Boris Johnson, Bruno Tonioli, Buckingham Palace, Charly Cox, Chimwemwe Chiweza, Chris and Vicki Agar, Chris Van Dusen, Clare Wenham, Colette Moreira-Henocq, Cressida Cowell, Davey Glover, Davina McCall, Dawn Bilbrough, Dot McCarthy, Ed Balls, Ed Sheeran, Elliot Jacobs, Emma Freud and Richard Curtis, Fergus Llewellyn, George Alagiah, Gill Edwards, Hayden Kays, Helen Mirren, Helena Bonham Carter, Hollie Long, HRH The Duchess of Cornwall, Hugh Fearnley-Whittingstall, Jacqueline Wilson, Jacquie Jenkins, James Graham, Javed Khan, Jenny Messenger, Jo Malone, Joan Collins, Joe Wicks, John Vincent, Josie Naughton, Kathryn England, Karen Pollock, Karl Jones, Keir Starmer, Kelly Holmes, Laura Elliott, Lenny Henry, Lindsay Hoyle, Maff Potts, Maia Elliott, Malala Yousafzai, Margaret Keenan, Marie Benton, Mark Ronson, Maro Itoje, The Marsh Family, Mary Berry, Matt Lucas, Meggie Foster, Michele Walter, Mo Farah, Monica Galetti, Mr Men's Mr Happy, Neera Butt, Nicola Adams, Nina Raingold, Patricia Daley, Paul Atherton, Paul McCartney, Paul Morrison, Paula Talman, Peppa Pig, Philippa Craddock, Raymond Blanc, Rene Germain, Richard Branson, Roja Dove, Romesh Ranganathan, Rosie Jones, Rosie Mitchell, Sandi Procter, Scott Evans, Sean Fitzpatrick, Sharna Jackson, Sita Brahmachari, Sophie Gonzales, Tamara Rojo, Tanni Grey-Thompson, Tessa Mattholie Butunoi, Tim Peake, Tim Steiner, Toby Regbo, Trevor McDonald, Will Shu, Woody, Zoe Burke

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Selected as a 2012 Outstanding Title by AAUP University Press Books for Public and Secondary School Libraries The history of how six Latin American countries acknowledge—or deny—their African past 12.5 million Africans were shipped to the New World during the Middle Passage. While just over 11.0 million survived the arduous journey, only about 450,000 of them arrived in the United States. The rest—over ten and a half million—were taken to the Caribbean and Latin America. This astonishing fact changes our entire picture of the history of slavery in the Western hemisphere, and of its lasting cultural impact. These millions of Africans created new and vibrant cultures, magnificently compelling syntheses of various African, English, French, Portuguese, and Spanish influences. Despite their great numbers, the cultural and social worlds that they created remain largely unknown to most Americans, except for certain popular, cross-over musical forms. So Henry Louis Gates, Jr. set out on a quest to discover how Latin Americans of African descent live now, and how the countries acknowledge—or deny—their African past; how the fact of race and African ancestry play themselves out in the multicultural worlds of the Caribbean and Latin America. Starting with the slave experience and extending to the present, Gates unveils the history of the African presence in six Latin American countries—Brazil, Cuba, the Dominican Republic, Haiti, Mexico, and Peru—through art, music, cuisine, dance, politics, and religion, but also the very palpable presence of anti-black racism that has sometimes sought to keep the black cultural presence from view. In Brazil, he delves behind the façade of Carnaval to discover how this ‘rainbow nation’ is waking up to its legacy as the world’s largest slave economy. In Cuba, he finds out how the culture, religion, politics and music of this island is inextricably linked to the huge amount of slave labor imported to produce its enormously profitable 19th century sugar industry, and how race and racism have fared since Fidel Castro’s Communist revolution in 1959. In Haiti, he tells the story of the birth of the first-ever black republic, and finds out how the slaves’s hard fought liberation over Napoleon Bonaparte’s French Empire became a double-edged sword. In Mexico and Peru, he explores the almost unknown history of the significant numbers of black people—far greater than the number brought to the United States—brought to these countries as early as the sixteenth and seventeenth centuries, and the worlds of culture that their descendants have created in Vera Cruz on the Gulf of Mexico, the Costa Chica region on the Pacific, and in and around Lima, Peru. Professor Gates’ journey becomes ours as we are introduced to the faces and voices of the descendants of the Africans who created these worlds. He shows both the similarities and distinctions between these cultures, and how the New World manifestations are rooted in, but distinct from, their African antecedents. “Black in Latin America” is the third instalment of Gates’s documentary trilogy on the Black Experience in Africa, the United States, and in Latin America. In America Behind the Color Line, Professor Gates examined the fortunes of the black population of modern-day America. In Wonders of the African World, he embarked upon a series of journeys to reveal the history of African culture. Now, he brings that quest full-circle in an effort to discover how Africa and Europe combined to create the vibrant cultures of Latin America, with a rich legacy of thoughtful, articulate subjects whose stories are astonishingly moving and irresistibly compelling.

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Fully revised and updated, the RIBA Domestic Building Contract is specifically designed to be a simple, clear and easy to understand and use contract between a client and a contractor. Endorsed and supported by the HomeOwners Alliance, the RIBA Domestic Building Contract can be used on all domestic (non-commercial) projects, including renovations extensions, maintenance and new buildings. Key benefits Written in plain English that is simple to understand Guidance notes to help complete the contract Provides an effective way of managing payments to the contractor Gives you control over the timely completion of the project Provisions for collaborating with the contractor over events that may delay completion or add costs to the project Other features Collaboration provisions: advance warnings, joint resolution of delay, proposals for improvements and cost savings Flexible payment options Provision for contractor design, with ‘fit for purpose’ liability option Optional provisions for a contractor programme Optional provisions for client-selected suppliers and sub-contractors Mechanisms for dealing with changes to the project which allow for agreement and include specified timescales Option for commencement and completion in stages Terms compliant with the Unfair Terms in Consumer Contracts Regulations 1999 Guidance notes on use and completion are included. Key changes in the 2018 edition: The contract has been fully updated to comply with the CDM Regulations 2015. The Guidance Notes include detailed advice for clients with regards to their particular duties under the Regulations. The guidance on Insurance and Insuring the Works has been expanded and is clearer and easier to understand. Further explanation is given on the process for ensuring that adequate insurance is obtained and the importance of notifying the property’s building and contents insurer if the work is to an existing building. Emphasis is given to the need for whoever takes out the insurance to provide written confirmation of the extent of cover provided in respect of the works. The Consents, Fees and Charges item has been expanded so that it now clearly states what regulatory and statutory consents, fees and charges need to be obtained and who is taking on the ether the responsibility for obtaining and paying for them, either the client or the contractor. The guidance on Dispute Resolution has been expanded but also simplified. Mediation and adjudication are now highlighted as the initial/preferred forms of settling any dispute in the contract, but the client retains the right to refer any dispute to the courts, as the courts will often make it a precondition to hearing a case that the parties have attempted an alternative dispute resolution method. The Programme optional item has been simplified. The contract have retained the requirement for a contractor to indicate the activities they will carry out to complete the works, including the start and finish times of each activity and the relationship of each activity to the others. However, the obligation on the contractor to submit a Programme prior to the commencement of the works, and any financial penalties for not doing so (perceived as too confrontational), have been removed. The Contractor Design optional item has been retained, so that, if it is agreed that the contractor is to design part of the Works, a detailed and accurate description can be provided of the parts that the contractor will design. However, this optional item now also allows a level of professional indemnity insurance to be specified. The Required Specialists optional item has been amended so that while clients can still request that specific subcontractors and suppliers be used for parts of the Works, details of those parts of the works are now to be identified at the tender stage and listed in the Contract Documents. The contract now includes a Contract Checklist which both parties should review and answer ‘yes’ to the questions provided before signing the contract. This is to ensure that the client is fully aware of what they are agreeing to, that all of the appropriate documents and information has been provided and that all of the provisions – such as: scope of the works; start and completion dates of the works; contract price; payment of fees; access to the site and working hours; insurance; and the process for dispute resolution – have been adequately completed. Easy to understand The RIBA Domestic Building Contract is written in plain English, which provides three key benefits: the language used in the contract is simple and easy to understand, compared to other standard forms of contracts; the clause structure used in the contract avoids the use of large numbers of sub-sub clauses and too much cross-referencing between provisions; and Where common construction terminology is used, it has been simplified so that less-experienced users can understand it. Copies required for each Party It is legally advisable that both parties to the contract each have an original signed version. Therefore you should purchase two copies of the contract, so that both the client and contractor has an original signed copy. Alternatively prepare your contract online enabling you to issue final copies of the contract to each party at no extra cost. Integration with other RIBA documents The RIBA Building Contracts have been specifically written to integrate with the RIBA suite of professional services contracts (RIBA Agreements) and the RIBA Plan of Work 2013. Create your RIBA Building Contract online – it is quick, simple and straightforward Generating your building contract online allows you to create, alter, manage and view all of your contracts in one secure location before printing the final contract. For further details, go to: www.ribacontracts.com.

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Design a completely unique quilt using a library of over 6,000+ blocks with the Electric Quilt 8 Quilt Design Software. Electric Quilt 8 (EQ8) is the most user-friendly quilt design software on the market! It's redesigned from previous versions with a friendly new look that includes large interface elements for faster, more intuitive learning. EQ8 comes with more than 40 new and updated features, including thousands of new block designs and fabrics. With EQ8, you can design your own quilts using the 6,000+ included blocks and fabrics (or add your own!). Print your fabric yardage, rotary-cutting charts, templates, or foundation patterns and sew your unique masterpiece! In EQ8, you can Design quilts at any size – Start with a layout from the library, or choose a pre-designed Quick Quilt project for instant inspiration. For complete control, design your layout from scratch! Draw block patterns of all sizes and styles – EQ8 has full drawing capabilities to create any kind of block. Draft your block from scratch, use the built-in grids or import a photo or sketch to trace. The Block Library is full of over 6,000 pre-drawn designs ready for you to use in your quilt designs. Use these blocks as they are, or edit them to add your own touch. Scan and import fabric – Scan your fabric or take a picture of it, then import the image into EQ8. Use the scaling, straightening and cropping tools to make sure your fabric looks as accurate as possible. You can also add fabrics from the web! The EQ8 Fabric Library comes pre-loaded with 6,200 fabrics from top manufacturers! Calculate yardage – Get yardage estimates for your quilt, including borders! You choose the appropriate fabric width to get the most accurate requirements. Using fat quarters? No problem! If you make changes to your quilt, your yardage automatically updates. Print patterns – Print patterns for the blocks in your quilt. EQ8 uses the sizes you defined for the blocks and adds the seam allowance, where necessary. Choose to print templates, foundation patterns, rotary cutting charts and pictures of your blocks and quilts. Export images – Are you submitting your quilt design to a magazine? EQ8 exports high-resolution images perfect for print publications. Export web images to post on your blog, website or on social media. Link your Facebook account to EQ8 so you can easily share images of your designs with your friends and followers. The EQ8 package contains a software download licence. The licence is used to claim, download and install the software from ElectricQuilt.com. Users can choose the Mac or PC version during the claim process. Complete instructions are included. System Requirements: Minimum System Requirements DISCLAIMER: EQ8 will not run on Chromebooks or any devices running Android or iOS. EQ8 requires Windows or Mac operating systems, as listed below. Windows 11, Windows 10, Windows 8.1, or Windows 7 with Service Pack 1 macOS Monterey (12), Big Sur (11) Intel and M1 processors, Catalina (10.15), Mojave (10.14), High Sierra (10.13) If you want to run EQ8 on BOTH platforms, you must purchase the EQ8 Migration Kit to get the installation files for the second platform. Internet Access Required Internet access required for downloading, activating, periodic validation and accessing the support materials. You can be disconnected from the internet for general use of the software. Activation Unlimited installations. Two (2) computers may be simultaneously active. Activations can be easily transferred between computers. Activations are done through electricquilt.com Space Requirements 850 MB of available hard-disk space for installation; additional free space required during installation. Recommended Resolution Screen resolution of 1280 x 1024 or greater. (A Minimum of 1024 x 768 is required).

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Fully revised and updated, the RIBA Concise Building Contract is specifically designed to be a simple, clear and easy to understand and use contract between a client and a contractor, and can be used on all types of simple commercial building work. It can be used in both the private and public sectors, as it includes optional provisions dealing with official secrets, transparency, discrimination and bribery as normally required by public sector clients. Key benefits Written in plain English that is succinct and easy to understand Fair and equitable terms for all parties Facilitates good management of the project from start to completion Allows effective collaboration between the employer and contractor Gives control over the timely completion of the building project Allows the contractor to design parts of the building project Other features Collaboration provisions: advance warnings, joint resolution of delay, proposals for improvements and cost savings Management provisions: pre-start meeting and progress meetings Flexible payment options Provision for contractor design, with ‘fit for purpose’ liability option Optional provisions for a contractor programme Optional provisions for client-selected suppliers and sub-contractors Mechanisms for dealing with changes to the project which allow for agreement and include specified timescales Option for commencement and completion in stages Guidance notes on use and completion are included. Key changes in the 2018 edition: The contract has been fully updated to comply with the CDM Regulations 2015. The Guidance Notes include detailed advice for clients with regards to their particular duties under the Regulations. The guidance on Insurance and Insuring the Works has been expanded and is clearer and easier to understand. Further explanation is given on the process for ensuring that adequate insurance is obtained and the importance of notifying the property’s building and contents insurer if the work is to an existing building. Emphasis is given to the need for whoever takes out the insurance to provide written confirmation of the extent of cover provided in respect of the works. The Consents, Fees and Charges item has been expanded so that it now clearly states what regulatory and statutory consents, fees and charges need to be obtained and who is taking on the ether the responsibility for obtaining and paying for them, either the client or the contractor. The guidance on Dispute Resolution has been expanded but also simplified. Adjudication is still the default option, as the parties to the contract are legally obliged to have access to this method for resolving their dispute, however, the contract advocates that the parties to the contract choose mediation as an initial step in the process, as mediation can be less expensive than other methods, and is therefore encouraged by the courts. The Programme optional item has been simplified. The contract have retained the requirement for a contractor to indicate the activities they will carry out to complete the works, including the start and finish times of each activity and the relationship of each activity to the others. However, the obligation on the contractor to submit a Programme prior to the commencement of the works, and any financial penalties for not doing so (perceived as too confrontational), have been removed. The Contractor Design optional item has been retained, so that, if it is agreed that the contractor is to design part of the Works, a detailed and accurate description can be provided of the parts that the contractor will design. However, this optional item now also allows a level of professional indemnity insurance to be specified. The Required Specialists optional item has been amended so that while clients can still request that specific subcontractors and suppliers be used for parts of the Works, details of those parts of the works are now to be identified at the tender stage and listed in the Contract Documents. The contract now includes a Contract Checklist which both parties should review and answer ‘yes’ to the questions provided before signing the contract. This is to ensure that the client is fully aware of what they are agreeing to, that all of the appropriate documents and information has been provided and that all of the provisions – such as: scope of the works; start and completion dates of the works; contract price; payment of fees; access to the site and working hours; insurance; and the process for dispute resolution – have been adequately completed. Easy to understand The RIBA Concise Building Contract is written in plain English, which provides three key benefits: the language used in the contract is simple and easy to understand, compared to other standard forms of contracts; the clause structure used in the contract avoids the use of large numbers of sub-sub clauses and too much cross-referencing between provisions; and Where common construction terminology is used, it has been simplified so that less-experienced users can understand it. Copies required for each Party It is legally advisable that both parties to the contract each have an original signed version. Therefore you should purchase two copies of the contract, so that both the client and contractor has an original signed copy. Alternatively prepare your contract online enabling you to issue final copies of the contract to each party at no extra cost. Integration with other RIBA documents The RIBA Concise Building Contract have been specifically written to integrate with the RIBA suite of professional services contracts (RIBA Agreements) and the RIBA Plan of Work 2013. Create your RIBA Building Contract online – it is quick, simple and straightforward Generating your building contract online allows you to create, alter, manage and view all of your contracts in one secure location before printing the final contract. For further details, go to: www.ribacontracts.com.

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