Search results for ""the university of chicago press""

Talk of love surrounds us, and romance is a constant concern of popular culture. Ann Swidler's "Talk of Love" is an attempt to discover how people find and sustain real love in the midst of that talk, and how that culture of love shapes their expectations and behaviour in the process. To this end, Swidler conducted extensive interviews with middle Americans and wound up offering us something more than an insightful exploration of love: "Talk of Love" is also a compelling study of how much our culture affects even the most personal of our everyday experiences.

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The promise of a free, high-quality public education is supposed to guarantee every child a shot at the American dream. But our widely segregated schools mean that many children of color do not have access to educational opportunities equal to those of their white peers. In Integrations, historian Zoë Burkholder and philosopher Lawrence Blum investigate what this country’s long history of school segregation means for achieving just and equitable educational opportunities in the United States. Integrations focuses on multiple marginalized groups in American schooling: African Americans, Native Americans, Latinxs, and Asian Americans. The authors show that in order to grapple with integration in a meaningful way, we must think of integration in the plural, both in its multiple histories and in the many possible definitions of and courses of action for integration. Ultimately, the authors show, integration cannot guarantee educational equality and justice, but it is an essential component of civic education that prepares students for life in our multiracial democracy.

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Spare the Rod traces the history of discipline in schools and its ever increasing integration with prison and policing, ultimately arguing for an approach to discipline that aligns with the moral community that schools could and should be. In Spare the Rod, historian Campbell F. Scribner and philosopher Bryan R. Warnick investigate the history and philosophy of America’s punishment and discipline practices in schools. To delve into this controversial subject, they first ask questions of meaning. How have concepts of discipline and punishment in schools changed over time? What purposes are they supposed to serve? And what can they tell us about our assumptions about education? They then explore the justifications. Are public school educators ever justified in punishing or disciplining students? Are discipline and punishment necessary for students’ moral education, or do they fundamentally have no place in education at all? If some form of punishment is justified in schools, what ethical guidelines should be followed? The authors argue that as schools have grown increasingly bureaucratic over the last century, formalizing disciplinary systems and shifting from physical punishments to forms of spatial or structural punishment such as in-school suspension, school discipline has not only come to resemble the operation of prisons or policing, but has grown increasingly integrated with those institutions. These changes and structures are responsible for the school-to-prison pipeline. They show that these shifts disregard the unique status of schools as spaces of moral growth and community oversight, and are incompatible with the developmental environment of education. What we need, they argue, is an approach to discipline and punishment that fits with the sort of moral community that schools could and should be.

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In the study of Shakespeare since the eighteenth century, four key concepts have served to situate Shakespeare in history: chronology, periodization, secularization, and anachronism. Yet recent theoretical work has called for their reappraisal. Anachronisms, previously condemned as errors in the order of time, are being hailed as alternatives to that order. Conversely chronology and periods, its mainstays, are now charged with having distorted the past they have been entrusted to represent, and secularization, once considered the driving force of the modern era, no longer holds sway over the past or the present. In light of this reappraisal, can Shakespeare studies continue unshaken? This is the question Four Shakespearean Period Pieces takes up, devoting a chapter to each term: on the rise of anachronism, the chronologizing of the canon, the staging of plays “in period,” and the use of Shakespeare in modernity’s secularizing project. To read these chapters is to come away newly alert to how these fraught concepts have served to regulate the canon’s afterlife. Margreta de Grazia does not entirely abandon them but deftly works around and against them to offer fresh insights on the reading, editing, and staging of the author at the heart of our literary canon.

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In the year 62, citing health issues, the Roman philosopher Seneca withdrew from public service and devoted his time to writing. His letters from this period offer a window into his experience as a landowner, a traveler through Roman Italy, and a man coping with the onset of old age. They describe the roar of the arena, the festival of Saturnalia, and the perils of the Adriatic Sea, and they explain his thoughts about political power, the treatment of slaves, the origins of civilization, and the key points of Stoic philosophy. This selection of fifty of his letters brings Seneca to readers in a fresh modern voice and shows how, as a philosopher, he speaks to our time. Above all, these letters explore the inner life of the individual: from the life of heedless vanity to the first interest in philosophy, to true friendship, self-determination, and personal excellence.

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In Jennifer Summit's account, libraries are more than inert storehouses of written tradition; they are volatile spaces that actively shape the meanings and uses of books, reading, and the past. Considering the two-hundred-year period between 1431, which saw the foundation of Duke Humfrey's famous library, and 1631, when the great antiquarian Sir Robert Cotton died, "Memory's Library" revises the history of the modern library by focusing on its origins in medieval and early modern England. Summit argues that the medieval sources that survive in English collections are the product of a Reformation and post-Reformation struggle to redefine the past by redefining the cultural place, function, and identity of libraries. By establishing the intellectual dynamism of English libraries during this crucial period of their development, "Memory's Library" demonstrates how much current discussions about the future of libraries can gain by reexamining their past.

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Mosques in the Metropolis offers a unique look into two of Europe’s largest mosques and the communities they support. Elisabeth Becker provides a complex picture of Islam in Europe at a particularly fraught time, shedding light on both experiences of deep and enduring marginalization and the agency of Muslim populaces. She balances individual Muslim voices with the historical and structural forces at play, revealing, in all their complexity, the people for whom the mosques are centers of religion and community life. As her interlocutors come to life in the pages, the metropolis emerges as a space alternative to the nation in which they can contend with degrading images of Islam and Muslims. Ultimately Becker insists that caste is a crucial lens through which to view Muslims in Europe, and through this lens she critiques what she perceives as the failures of European pluralism. To amplify her point, she brings Jewish history and twentieth-century Jewish thought into the conversation directly, drawing on scholars such as Walter Benjamin, Zygmunt Bauman, and Hannah Arendt to describe both Jewish and Muslim life and marginality. By challenging Eurocentric notions, from “progress” to “civility,” “tolerance” to “freedom” and “equality, what is at stake, Becker insists, is the possibility of a truly plural Europe.

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In Guinea’s capital city of Conakry, dance is everywhere. Most neighborhoods boast at least one dance troupe, and members of those troupes animate the city’s major rites of passage and social events. In Infinite Repertoire, Adrienne Cohen shows how dance became such a prominent—even infrastructural—feature of city life in Guinea, and tells a surprising story of the rise of creative practice under a political regime known for its authoritarianism and violent excesses. Guinea’s socialist state, which was in power from 1958 to 1984, used staged African dance or “ballet” strategically as a political tool, in part by tapping into indigenous conceptualizations of artisans as powerful figures capable of transforming the social fabric through their manipulation of vital energy. Far from dying with the socialist revolution, Guinean ballet continued to thrive in Conakry after economic liberalization in the 1980s, with its connection to transformative power retrofitted for a market economy and a rapidly expanding city. Infinite Repertoire follows young dancers and percussionists in Conakry as they invest in the present—using their bodies to build a creative urban environment and to perform and redefine social norms and political subjectivities passed down from the socialist generation before them. Cohen’s inventive ethnography weaves the political with the aesthetic, placing dance at the center of a story about dramatic political change and youthful resourcefulness in one of the least-studied cities on the African continent.

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Rodowick takes after the theories of Hannah Arendt and argues that thinking is an art we practice with and for each other in our communities. In An Education in Judgment, philosopher D. N. Rodowick makes the definitive case for a philosophical humanistic education aimed at the cultivation of a life guided by both self-reflection and interpersonal exchange. Such a life is an education in judgment, the moral capacity to draw conclusions alone and with others, and letting one’s own judgments be answerable to the potentially contrasting judgments of others. Thinking, for Rodowick, is an art we practice with and learn from each other on a daily basis. In taking this approach, Rodowick follows the lead of Hannah Arendt, who made judgment the cornerstone of her conception of community. What is important for Rodowick, as for Arendt, is the cultivation of “free relations,” in which we allow our judgments to be affected and transformed by those of others, creating “an ever-widening fabric of intersubjective moral consideration.” That is a fragile fabric, certainly, but one that Rodowick argues is worth pursuing, caring for, and preserving. This original work thinks with and beyond Arendt about the importance of the humanities and what “the humanities” amounts to beyond the walls of the university.

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This path-breaking book reconceptualizes our understanding of political tolerance as well as of its foundations. Previous studies, the authors contend, overemphasized the role of education in explaining the presence of tolerance, while giving insufficient weight to personality and ideological factors. With an innovative methodology for measuring levels of tolerance more accurately, the authors are able to explain why particular groups are targeted and why tolerance is an inherently political concept. Far from abating, the degree of intolerance in America today is probably as great as it ever was; it is the targets of intolerance that have changed.

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For Prespa Albanians, both at home in Macedonia and in the diaspora, the most significant events of any year are wedding ceremonies. During days and weeks of festivities, wedding celebrants interact largely through singing, defining and renegotiating the structure of their social world and establishing a profound cultural touchstone for Prespa communities around the world. This account of Prespa weddings combines photographs, song texts and recordings of the wedding music. Jane Sugarman focuses her account on notions of gender identity, demonstrating the capacity of singing to generate and transform relations of power within Prespa society. The study offers a considerable contribution to the analysis of music and gender, music in diaspora cultures, and the social constitution of self and subjectivity.

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Means-tested government assistance in the United States requires recipients to meet certain criteria and continue to maintain their eligibility so that benefits are paid to the “truly needy.” Welfare is regarded with such suspicion in this country that considerable resources are spent policing the boundaries of eligibility, which are delineated by an often confusing and baroque set of rules and regulations. Even minor infractions of the many rules can cause people to be dropped from these programs, and possibly face criminal prosecution. In this book, Spencer Headworth offers the first study of the structure of fraud control in the welfare system by examining the relations between different levels of governmental agencies, from federal to local, and their enforcement practices. Policing Welfare shows how the enforcement regime of welfare has been constructed to further stigmatize those already living in poverty and deepens disparities of class, race, and gender in our society. 

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In this study, Franklin Strier proposes reforms for the American trial system. Arguing that lawyers need to share more power with the judge and jury, he recommends ways we can retain and improve our basic adversarial system. The work suggests we eliminate peremptory challenges, give judges the authority to ask questions of witnesses, and limit the number of expert witnesses. Drawing from a wide variety of sources, including case histories, scholarly works, Blackstone's "Commentaries", and "The Federalist Papers", he argues that judicial reform is not only possible, but - because of the increased public coverage of trials and understanding of the need for reform - inevitable. Franklin Strier brings this critical look at trial reform up to date with a new preface in which he discusses how the inordinate amount of public attention of the O.J. Simpson trial, and the power the attorneys had over the court in that case, shed new light on the trial system's weaknesses and inequities.

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From leading thinker Danielle Allen, a bold and urgent articulation of a new political philosophy: power-sharing liberalism. At a time of great social and political turmoil, when many residents of the leading democracies question the ability of their governments to deal fairly and competently with serious public issues, and when power seems more and more to rest with the wealthy few, this book reconsiders the very foundations of democracy and justice. Scholar and writer Danielle Allen argues that the surest path to a just society in which all are given the support necessary to flourish is the protection of political equality; that justice is best achieved by means of democracy; and that the social ideals and organizational design principles that flow from recognizing political equality and democracy as fundamental to human well-being provide an alternative framework not only for justice but also for political economy. Allen identifies this paradigm-changing new framework as “power-sharing liberalism.” Liberalism more broadly is the philosophical commitment to a government grounded in rights that both protect people in their private lives and empower them to help govern public life. Power-sharing liberalism offers an innovative reconstruction of liberalism based on the principle of full inclusion and non-domination—in which no group has a monopoly on power—in politics, economy, and society. By showing how we all might fully share power and responsibility across all three sectors, Allen advances a culture of civic engagement and empowerment, revealing the universal benefits of an effective government in which all participate on equal terms.

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The City and Man consists of provocative essays by the late Leo Strauss on Aristotle's Politics, Plato's Republic, and Thucydides' Peloponnesian Wars. Together, the essays constitute a brilliant attempt to use classical political philosophy as a means of liberating modern political philosophy from the stranglehold of ideology. The essays are based on a long and intimate familiarity with the works, but the essay on Aristotle is especially important as one of Strauss's few writings on the philosopher who largely shaped Strauss's conception of antiquity. The essay on Plato is a full-scale discussion of Platonic political philosophy, wide in scope yet compact in execution. When discussing Thucydides, Strauss succeeds not only in presenting the historian as a moral thinker of high rank, but in drawing his thought into the orbit of philosophy, and thus indicating a relation of history and philosophy that does not presuppose the absorption of philosophy by history.

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A synthesis of the ecological information on 4037 species of birds found from Mexico south to Tierra del Fuego. This work summarizes details on 40 key ecological parameters for each bird species. Additional data and further analyses are provided for migratory species. Because bird communities are good indicators of habitat type and condition, and because extensive bird surveys can be done quickly, bird communities are critical to rapid evaluations of an ecosystem's biological value and integrity. The authors analyze the bird species of major habitats from a conservation perspective, and develop specific guidelines to illustrate how governments, conservation organizations, and wildlife managers can use this ecological information to anchor conservation strategies on sound biological reality.

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Despite popular perceptions, presidents rarely succeed in persuading either the public or members of Congress to change their minds and move from opposition to particular policies to support of them. As a result, the White House is not able to alter the political landscape and create opportunities for change. Instead, successful presidents recognize and skillfully exploit the opportunities already found in their political environments. If they fail to understand their strategic positions, they are likely to overreach and experience political disaster. Donald Trump has been a distinctive president, and his arrival in the Oval Office brought new questions. Could someone with his decades of experience as a self-promoter connect with the public and win its support? Could a president who is an experienced negotiator obtain the support in Congress needed to pass his legislative programs? Would we need to adjust the theory of presidential leadership to accommodate a president with unique persuasive skills? Building on decades of research and employing extensive new data, George C. Edwards III addresses these questions. He finds that President Trump has been no different than other presidents in being constrained by his environment. He moved neither the public nor Congress. Even for an experienced salesman and dealmaker, presidential power is still not the power to persuade. Equally important was the fact that, as Edwards shows, Trump was not able to exploit the opportunities he had. In fact, we learn here that the patterns of the president’s rhetoric and communications and his approach to dealing with Congress ultimately lessened his chances of success. President Trump, it turns out, was often his own agenda’s undoing.

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"A comprehensive inquiry into the attitudes and ambitions that characterized the documentary impulse of the thirties. The subject is a large one, for it embraces (among much else) radical journalism, academic sociology, the esthetics of photography, Government relief programs, radio broadcasting, the literature of social work, the rhetoric of political persuasion, and the effect of all these on the traditional arts of literature, painting, theater and dance. The great merit of Mr. Stott's study lies precisely in its wide-ranging view of this complex terrain."—Hilton Kramer, New York Times Book Review "[Scott] might be called the Aristotle of documentary. No one before him has so comprehensively surveyed the achievement of the 1930s, suggesting what should be admired, what condemned, and why; no one else has so persuasively furnished an aesthetic for judging the form."—Times Literary Supplement

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The most prolific ethnographic filmmaker in the world, a pioneer of cinema verite; and one of the earliest ethnographers of African societies, Jean Rouch (1917-) remains a controversial and often misunderstood figure in histories of anthropology and film. By examining Rouch's neglected ethnographic writings, Paul Stoller seeks to clarify the filmmaker's true place in anthropology. A brief account of Rouch's background, revealing the ethnographic foundations and intellectual assumptions underlying his fieldwork among the Songhay of Niger in the 1940s and 1950s, sets the stage for his emergence as a cinematic griot, a peripatetic bard who "recites" the story of a people through provocative imagery. Against this backdrop, Stoller considers Rouch's writings on Songhay history, myth, magic and possession, migration, and social change. By analyzing in depth some of Rouch's most important films and assessing Rouch's ethnography in terms of his own expertise in Songhay culture, Stoller demonstrates the inner connection between these two modes of representation. Stoller, who has done more fieldwork among the Songhay than anyone other than Rouch himself, here gives the first full account of Rouch the griot, whose own story scintillates with important implications for anthropology, ethnography, African studies, and film.

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It is the anthropologist's fate to always be between things: countries, languages, cultures, even realities. But rather than lament this, anthropologist Paul Stoller here celebrates the creative power of the between, showing how it can transform us, changing our conceptions of who we are, what we know, and how we live in the world.Beginning with his early days with the Peace Corps in Africa and culminating with a recent bout with cancer, "The Power of the Between" is an evocative account of the circuitous path Stoller's life has taken, offering a fascinating depiction of how a career is shaped over decades of reading and research. Stoller imparts his accumulated wisdom not through grandiose pronouncements but by drawing on his gift for storytelling. Tales of his apprenticeship to a sorcerer in Niger, his studies with Claude Levi-Strauss in Paris, and his friendships with West African street vendors in New York City accompany philosophical reflections on love, memory, power, courage, health, and illness.Graced with Stoller's trademark humor and narrative elegance, "The Power of the Between" is both the story of a distinguished career and a profound meditation on coming to terms with the impermanence of all things.

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In February 1999 the tragic New York City police shooting of Amadou Diallo, an unarmed street vendor from Guinea, brought into focus the existence of West African merchants in urban America. In Money Has No Smell, Paul Stoller offers us a more complete portrait of the complex lives of West African immigrants like Diallo, a portrait based on years of research Stoller conducted on the streets of New York City during the 1990s. Blending fascinating ethnographic description with incisive social analysis. Stoller shows how these savvy West African entrepreneurs have built cohesive and effective multinational trading networks, in part through selling a simulated Africa to African Americans. These and other networks set up by the traders, along with their faith as devout Muslims, help them cope with the formidable state regulations and personal challenges they face in America. As Stoller demonstrates, the stories of these West African traders illustrate and illuminate ongoing debates about globalization, the informal economy, and the changing nature of American communities.

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Issa Boureima is a young, hip African street vendor who sells knock-off designer bags and hats in an open-air market on 125th street in Harlem. His goal is to become a "Jaguar"—a West African term for a keen entrepreneur able to spot trends and turn a profit in any marketplace. This dynamic world, largely invisible to mainstream culture, is the backdrop of this timely novel.Faced with economic hardship in Africa, Issa has left his home in Niger and his new wife, Khadija, to seek his fortune in America. Devout Muslims, the couple has entered into a "modern" marriage: Khadija is permitted to run her own business, and Issa has agreed not to take additional wives. Issa quickly adapts to his new surroundings, however, and soon attracts several girlfriends. Aided by a network of immigrants, he easily slips through gaps in the "system" and extends his stay in America indefinitely. Following a circuit of African-American cultural festivals across America, he marvels at African-Americans' attitudes toward Africa, and wonders if he'll ever return to Niger. Meanwhile, Khadija also struggles to make it—to become a "Jaguar"—as she combats loneliness, hostile in-laws, and a traditional, male-dominated society. The eventual success of her dry goods shop and her growing affection for a helpful Arab merchant make her wonder if she'll ever join Issa in America.Drawing on his own decades of experience among Africans both in Niger and in New York, Paul Stoller offers enormous insight into the complexities of contemporary Africa. Alive with detail, Jaguar is a story of triumph and disappointment, of dislocation and longing, and of life lived in a world that no longer recognizes boundaries.

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At the heart of "The Republic of Love" are the voices of three musicians - queer nightclub star Zeki Muren, arabesk originator Orhan Gencebay, and pop diva Sezen Aksu - who collectively have dominated mass media in Turkey since the early 1950s. Their fame and ubiquity have made them national icons - but, Martin Stokes here contends, they do not represent the official version of Turkish identity propagated by anthems or flags; instead, they evoke a much more intimate and ambivalent conception of Turkishness. Using these three singers as a lens, Stokes examines Turkey's repressive politics and civil violence as well as its uncommonly vibrant public life, in which music, art, literature, sports, and journalism have flourished. However, Stokes's primary concern is how the music and careers of Muren, Gencebay, and Aksu can be understood in light of theories of cultural intimacy. In particular, he considers their contributions to the development of a Turkish concept of love, analyzing the ways these singers explore the private matters of intimacy, affection, and sentiment on the public stage.

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This series is designed to provide a detailed account of one of the major problems in the teaching of a second language—the interference caused by structural differences between the native language of the learner and the foreign language he is studying. The similarities and differences between English and the language being taught are described in two volumes, one on the sound systems and one on the grammatical systems, for some of the foreign languages most in demand in the United States today.

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Why, even in the same high-crime neighborhoods, do robbery, drug dealing, and assault occur much more frequently on some blocks than on others? One popular theory is that a weak sense of community among neighbors can create conditions more hospitable for criminals, and another proposes that neighborhood disorder - such as broken windows and boarded-up buildings - makes crime more likely. But in his innovative new study, Peter K. B. St. Jean argues that we cannot fully understand the impact of these factors without considering that, because urban space is unevenly developed, different kinds of crimes occur most often in locations that offer their perpetrators specific advantages. Drawing on Chicago Police Department statistics and extensive interviews with both law-abiding citizens and criminals in one of the city's highest-crime areas, St. Jean demonstrates that drug dealers and robbers, for example, are primarily attracted to locations with businesses like liquor stores, fast food restaurants, and check-cashing outlets. By accounting for these important factors of spatial positioning, he expands upon previous research to provide the most comprehensive explanation available of why crime occurs where it does.

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In this innovative exploration of the concept of formality, or governing by abstraction, Arthur Stinchcombe breathes new life into an idea that scholars have all but ignored in recent years. We have come to assume that governing our social activities by advance planning—by creating abstract descriptions of what ought to happen and adjusting these descriptions as situations change—is not as efficient and responsive as dealing directly with the real substance of the situation at hand. Stinchcombe argues the opposite. When a plan is designed to correct itself and keep up with the reality it is meant to govern, it can be remarkably successful. He points out a wide range of examples where this is the case, including architectural blueprints, immigration law, the construction of common law by appeals courts, Fannie Mae's secondary mortgage market, and scientific paradigms and programs.Arguing that formality has been misconceived as consisting mainly of its defects, Stinchcombe shows how formality, at its best, can serve us much better than ritual obedience to poorly laid plans or a romantic appeal to "real life."

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Arthur L. Stinchcombe has earned a reputation as a leading practitioner of methodology in sociology and related disciplines. Throughout his distinguished career he has championed the idea that to be an effective sociologist, one must use many methods. This incisive work introduces students to the logic of those methods. The Logic of Social Research orients students to a set of logical problems that all methods must address to study social causation. Almost all sociological theory asserts that some social conditions produce other social conditions, but the theoretical links between causes and effects are not easily supported by observation. Observations cannot directly show causation, but they can reject or support causal theories with different degrees of credibility. As a result, sociologists have created four main types of methods that Stinchcombe terms quantitative, historical, ethnographic, and experimental to support their theories. Each method has value, and each has its uses for different research purposes. Accessible and astute, The Logic of Social Research offers an image of what sociology is, what it's all about, and what the craft of the sociologist consists of.

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Poets often have responded vitally to the art of their time, and ever since Susan Stewart began writing about art in the early 1980s, her work has resonated with practicing artists, curators, art historians, and art critics. Rooted in a broad and learned range of references, Stewart's fresh and independent essays bridge the fields of literature, aesthetics, and contemporary art.Gathering most of Stewart's writing on contemporary art—long and short pieces first published in small magazines, museum and gallery publications, and edited collections—The Open Studio illuminates work ranging from the installation art of Ann Hamilton to the sculptures and watercolors of Thomas Schütte, the prints and animations of William Kentridge to the films of Tacita Dean. Stewart's essays are often the record of studio conversations with living artists and curators, and of the afterlife of those experiences in the solitude of her own study. Considering a wide variety of art forms, Stewart finds pathbreaking ways to explore them. Whether she is following central traditions of painting, drawing, sculpture, film, photography, and printmaking or exploring the less well-known realms of portrait miniatures, collecting practices, doll-making, music boxes, and gardening, Stewart speaks to the creative process in general and to the relation between art and ethics.The Open Studio will be read eagerly by scholars of art, poetry, and visual theory; by historians interested in the links between contemporary and classic literature and art; and by teachers, students, and practitioners of the visual arts.

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"There is no question that a well-defined 'Chicago School' of political economy has emerged, built largely around the work of George J. Stigler and his colleagues. Chicago Studies in Political Economy brings together the key works in this field, works that have been extremely influential among economists who study political processes. It is a collection of enormous value."—Roger G. Noll

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The Eyes of the World focuses on the lives and experiences of Eastern Congolese people involved in extracting and transporting the minerals needed for digital devices. The digital devices that, many would argue, define this era exist not only because of Silicon Valley innovations but also because of a burgeoning trade in dense, artisanally mined substances like tantalum, tin, and tungsten. In the tentatively postwar Eastern DR Congo, where many lives have been reoriented around artisanal mining, these minerals are socially dense, fueling movement and innovative collaborations that encompass diverse actors, geographies, temporalities, and dimensions. Focusing on the miners and traders of some of these “digital minerals,” The Eyes of the World examines how Eastern Congolese understand the work in which they are engaged, the forces pitted against them, and the complicated process through which substances in the earth and forest are converted into commodified resources. Smith shows how violent dispossession has fueled a bottom-up social theory that valorizes movement and collaboration—one that directly confronts both private mining companies and the tracking initiatives implemented by international companies aspiring to ensure that the minerals in digital devices are purified of blood.

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Based on exclusive interviews, Breakout tells the often riveting personal stories of fourteen popular musicians--some well known, others not--from Zaire, Ghana, Nigeria and Sierra Leone. The first book on African pop music to look closely at the lives of the musicians themselves, Breakout deals with four African musical genres: soukous, highlife, afro-beat, and palm wine. Amid Africa's deepening economic and political crises of the last two decades, African musicians who developed these genres faced the need to cross cultural boundaries, or "break out," and achieve a hit in the international marketplace. Challenging conventional assumptions, Gary Stewart demonstrates for the first time the true dimensions of this struggle to create music that will qualify as both an authentic cultural expression and an export commodity. From accounts of the outrageous Fela, who snipes at African leaders and recounts his days with Isis in ancient Egypt, to S. E. Rogie, who lurches from the pinnacle of stardom in West Africa to delivering pizzas in California, to Olatunji, who finds new life with the Grateful Dead, these are the stories of Africans straddling traditional life and an encroaching modernity--and also the stories of third world musicians surmounting political and economic chaos at home and carrying their music to a world dominated by Western cultural and economic power.

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Photography might be called the lost cause of cinema, gone in projection and too soon forgotten. But what is the mysterious region between photography and narrative cinema, between the photogram - a single film frame - and the illusion of motion one recognizes as the movies? In this study, Garrett Stewart discusses the photogram not only as the undertext of screen images but also in its unexpected links to the early modernist writings of James, Conrad, Forster, Joyce and others. Engaging the work of such media theorists as Eisenstein, Benjamin, Kracauer, Bazin, Baudry, Cavell, Deleuze and Jameson, this study pursues the suppressed photogram as it ripples the narrative surface of several dozen films from Lang and Chaplin through Bergman, Coppola and beyond. To locate the exact repercussions of such effects, Stewart includes over 300 frame enlargements drawn from genres as different as science fiction, film noir and recent Victorian costume drama.

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Bookwork takes our passion for books to its logical extreme - by studying artists who employ found or simulated books as a sculptural medium and investigating the conceptual labor behind this proliferating international art practice. Garrett Stewart looks at hundreds of book-like objects, alone or as part of gallery installations, in this original account of works that force attention upon a book's material identity and cultural resonance. Less an inquiry into the artist's book than an exploration of the book's contemporary objecthood, Stewart's stimulating blend of visual theory and bibliophilia traces the lineage of these aggressive artifacts from the 1919 Unhappy Readymade of Marcel Duchamp down to the current crisis of paper-based media in the digital era. Ranging from appropriated to fabricated book forms, from hacksawed discards to the giant lead folios of Anselm Kiefer, the unreadable books illustrated and discussed in Bookwork offer timely lessons in the history of reading, writing, and art making.

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Because autism is an increasingly common diagnosis, North Americans are familiar with its symptoms and treatments. But what we know and think about autism is shaped by our social relationship to health, disease, and the medical system. In The Western Disease Claire Laurier Decoteau explores the ways that recent immigrants from Somalia to Canada and the US make sense of their children’s diagnosis of autism. Having never heard of autism before migrating to North America, they often determine that it must be a Western disease. Given its apparent absence in Somalia, they view it as Western in nature, caused by environmental and health conditions unique to life in North America. Following Somali parents as they struggle to make sense of their children's illness and advocate for alternative care, Decoteau unfolds how complex interacting factors of immigration, race, and class affect Somalis’ relationship to the disease. Somalis’ engagement with autism challenges the prevailing presumption among Western doctors that their approach to healing is universal. Decoteau argues that centering an analysis on autism within the Somali diaspora exposes how autism has been defined and institutionalized as a white, middle-class disorder, leading to health disparities based on race, class, age, and ability. The Western Disease asks us to consider the social causes of disease and the role environmental changes and structural inequalities play in health vulnerability.

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Our era is defined by the model. From Victoria's Secret and America's Next Top Model to the snapshots we post on Face-book and Twitter, our culture is fixated on the pose, the state of existing simultaneously as artifice and the real thing. In this bold view of contemporary culture, Wendy Steiner shows us the very meaning of the arts in the process of transformation. Her story begins at the turn of the last century, as the arts abandoned the representation of the world for a heady embrace of the abstract, the surreal, and the self-referential. Today though, this 'separate sphere of the aesthetic' is indistinguishable from normal life. Media and images overwhelm us: we gingerly negotiate a real-virtual divide that we suspect no longer exists, craving contact with what J. M. Coetzee has called 'the real real thing.' As the World Wide Web renders the lower-case world in ever-higher definition, the reality-based genres of memoir and documentary are displacing fiction, and novels and films are depicting the contemporary condition through model-protagonists who are half-human, half-image. Steiner shows the arts searching out a new ethical potential through this figure: by stressing the independent existence of the model, they welcome in the audience in all its unpredictability, redefining aesthetic experience as a real-world interaction with the promise of empathy, reciprocity, and egalitarian connection. A masterly performance by a penetrating, inquisitive mind, "The Real Real Thing" is that rarest of books, one whose provocations will inspire readers to take a new - and nuanced - look at the world around them.

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An award-winning biologist and writer applies queer feminist theory to developmental genetics, arguing that individuals are not essentially male or female. The idea that gender is a performance—a tenet of queer feminist theory since the nineties—has spread from college classrooms to popular culture. This transformative concept has sparked reappraisals of social expectations as well as debate over not just gender, but sex: what it is, what it means, and how we know it. Most scientific and biomedical research over the past seventy years has assumed and reinforced a binary concept of biological sex, though some scientists point out that male and female are just two outcomes in a world rich in sexual diversity. In Performance All the Way Down, MacArthur Fellow and Pulitzer Prize finalist Richard O. Prum brings feminist thought into conversation with biology, arguing that the sexual binary is not essential to human genes, chromosomes, or embryos. Our genomes are not blueprints, algorithms, or recipes for the physical representation of our individual sexual essences or fates. In accessible language, Prum shows that when we look closely at the science, we see that gene expression is a material action in the world, a performance through which the individual regulates and achieves its own becoming. A fertilized zygote matures into an organism with tissues and organs, neurological control, immune defenses, psychological mechanisms, and gender and sexual behavior through a performative continuum. This complex hierarchy of self-enactment reflects the evolved agency of individual genes, molecules, cells, and tissues. Rejecting the notion of an intractable divide between the humanities and the sciences, Prum proves that the contributions of queer and feminist theorists can help scientists understand the human body in new ways, yielding key insights into genetics, developmental biology, physiology. Sure to inspire discussion, Performance All the Way Down is a book about biology for feminists, a book about feminist theory for biologists, and a book for anyone curious about how our sexual bodies grow.

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A heavily illustrated history of two centuries of male beauty in British culture. Spanning the decades from the rise of photography to the age of the selfie, this book traces the complex visual and consumer cultures that shaped masculine beauty in Britain, examining the realms of advertising, health, pornography, psychology, sport, and celebrity culture. Paul R. Deslandes chronicles the shifting standards of male beauty in British culture—from the rising cult of the athlete to changing views on hairlessness—while connecting discussions of youth, fitness, and beauty to growing concerns about race, empire, and degeneracy. From earlier beauty show contestants and youth-obsessed artists, the book moves through the decades into considerations of disfigured soldiers, physique models, body-conscious gay men, and celebrities such as David Beckham and David Gandy who populate the worlds of television and social media. Deslandes calls on historians to take beauty and gendered aesthetics seriously while recasting how we think about the place of physical appearance in historical study, the intersection of different forms of high and popular culture, and what has been at stake for men in “looking good.”

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Science and religion have long been thought incompatible. But nowhere has this apparent contradiction been more fully resolved than in the figure of A. S. Eddington (1882-1944), a pioneer in astrophysics, relativity, and the popularization of science, and a devout Quaker. "Practical Mystic" uses the figure of Eddington to show how religious and scientific values can interact and overlap without compromising the integrity of either. Eddington was a world-class scientist who not only maintained his religious belief throughout his scientific career but also defended the interrelation of science and religion while drawing inspiration from both for his practices. For instance, at a time when a strict adherence to deductive principles of physics had proved fruitless for understanding the nature of stars, insights from Quaker mysticism led Eddington to argue that an outlook less concerned with certainty and more concerned with further exploration was necessary to overcome the obstacles of incomplete and uncertain knowledge. By examining this intersection between liberal religion and astrophysics, "Practical Mystic" questions many common assumptions about the relationship between science and spirituality. Matthew Stanley's analysis of Eddington's personal convictions also reveals much about the practice, production, and dissemination of scientific knowledge at the beginning of the twentieth century.

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The idea that we might be robots is no longer the stuff of science fiction; decades of research in evolutionary biology and cognitive science have led many esteemed thinkers and scientists to the conclusion that, following the precepts of universal Darwinism, humans are merely the hosts for two replicators (genes and memes) that have no interest in us except as conduits for replication. Accepting and now forcefully responding to this disturbing idea that precludes the possibilities of morality or free will, among other things, Keith Stanovich here provides the tools for the "robot's rebellion," a program of cognitive reform necessary to advance human interests over the limited interest of the replicators. He shows how concepts of rational thinking from cognitive science interact with the logic of evolution to create opportunities for humans to structure their behavior to serve their own ends. These evaluative activities of the brain, he argues, fulfill the need that we have to ascribe significance to human life. Only by recognizing ourselves as robots, argues Stanovich, can we begin to construct a concept of self based on what is truly singular about humans: that they gain control of their lives in a way unique among life forms on Earth - through rational self-determination.

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Throughout his career, Robert B. Pippin has examined the relationship between philosophy and the arts. With his writings on film, literature, and visual modernism, he has shown that there are aesthetic objects that cannot be properly understood unless we acknowledge and reflect on the philosophical concerns that are integral to their meaning. His latest book, Philosophy by Other Means, extends this trajectory, offering a collection of essays that present profound considerations of philosophical issues in aesthetics alongside close readings of novels by Henry James, Marcel Proust, and J. M. Coetzee. The arts hold a range of values and ambitions, offering beauty, playfulness, and craftsmanship while deepening our mythologies and enriching the human experience. Some works take on philosophical ambitions, contributing to philosophy in ways that transcend the discipline’s traditional analytic and discursive forms. Pippin’s claim is twofold: criticism properly understood often requires a form of philosophical reflection, and philosophy is impoverished if it is not informed by critical attention to aesthetic objects. In the first part of the book, he examines how philosophers like Kant, Hegel, and Adorno have considered the relationship between art and philosophy. The second part of the book offers an exploration of how individual artworks might be considered forms of philosophical reflection. Pippin demonstrates the importance of practicing philosophical criticism and shows how the arts can provide key insights that are out of reach for philosophy, at least as traditionally understood.

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Barbara Maria Stafford is a pioneering art historian whose research has long helped to bridge the divide between the humanities and cognitive sciences. In "A Field Guide to a New Meta-Field", she marshals a distinguished group of thinkers to forge a groundbreaking dialogue among the emerging brain sciences, the liberal arts, and social sciences. Stafford's book examines meaning and mental function from this dual experimental perspective. The wide-ranging essays included here - from Frank Echenhofer's foray into shamanist hallucinogenic visions to David Bashwiner's analysis of emotion and danceability - develop a common language for implementing programmatic and institutional change. Demonstrating how formerly divided fields are converging around shared issues, "A Field Guide to a New Meta-Field" maps a high-level, cross-disciplinary adventure from one of our leading figures in visual studies.

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Chronicles the productive scientific career of Subrahmanyan Chandrasekhar, one of the 20th-century's distinguished astrophysicists. Among Chandrasekhar's many discoveries were the critical mass that makes a star too massive to become a white dwarf and the mathematical theory of black holes. In 1983 he shared the Nobel Prize for Physics for these and other achievements. Over the course of more than six decades of active research Chandrasekhar investigated a dizzying array of subjects. In this collection, ten eminent scientists evaluate Chandrasekhar's contributions to their own fields of specialization. Donald E. Osterbrock closes the volume with a historical discussion of Chandrasekhar's interactions with graduate students during his more than quarter century at Yerkes Observatory.

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Between 1948 and 1955, nearly two-thirds of all American families bought a television set—and a revolution in social life and popular culture was launched. In this fascinating book, Lynn Spigel chronicles the enormous impact of television in the formative years of the new medium: how, over the course of a single decade, television became an intimate part of everyday life. What did Americans expect from it? What effects did the new daily ritual of watching television have on children? Was television welcomed as an unprecedented "window on the world," or as a "one-eyed monster" that would disrupt households and corrupt children? Drawing on an ambitious array of unconventional sources, from sitcom scripts to articles and advertisements in women's magazines, Spigel offers the fullest available account of the popular response to television in the postwar years. She chronicles the role of television as a focus for evolving debates on issues ranging from the ideal of the perfect family and changes in women's role within the household to new uses of domestic space. The arrival of television did more than turn the living room into a private theater: it offered a national stage on which to play out and resolve conflicts about the way Americans should live. Spigel chronicles this lively and contentious debate as it took place in the popular media. Of particular interest is her treatment of the way in which the phenomenon of television itself was constantly deliberated—from how programs should be watched to where the set was placed to whether Mom, Dad, or kids should control the dial. Make Room for TV combines a powerful analysis of the growth of electronic culture with a nuanced social history of family life in postwar America, offering a provocative glimpse of the way television became the mirror of so many of America's hopes and fears and dreams.

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In West Java, Indonesia, all it takes is a woman's voice and a drumbeat to make a man get up and dance. Every day, men there - be they students, pedicab drivers, civil servants, or businessmen - breach ordinary standards of decorum and succumb to the rhythm at village ceremonies, weddings, political rallies, and nightclubs. The music the men dance to varies from traditional gong ensembles to the contemporary pop known as dangdut, but they consistently dance with great enthusiasm. In "Erotic Triangles", Henry Spiller draws on decades of ethnographic research to explore the reasons behind this phenomenon, arguing that Sundanese men use dance to explore and enact contradictions in their gender identities. Framing the three crucial elements of Sundanese dance - the female entertainer, the drumming, and men's sense of freedom - as a triangle, Spiller connects them to a range of other theoretical perspectives, drawing on thinkers from Eve Kosofsky Sedgwick, Levi-Strauss, and Freud to Euclid. By granting men permission to literally perform their masculinity, Spiller ultimately concludes, dance provides a crucial space for both reinforcing and resisting orthodox gender ideologies.

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"Disciplining the Poor" lays out the underlying logic of contemporary poverty governance in the United States. The authors argue that poverty governance - how social welfare policy choices get made, how authority gets exercised, and how collective pursuits get organized - has been transformed in the United States by two significant developments. The rise of paternalism has promoted a more directive and supervisory approach to managing the poor. This has intersected with a second development: the rise of neoliberalism as an organizing principle of governance. Neoliberals have redesigned state operations around market principles; to impose market discipline, core state functions - from war to welfare - have been contracted out to private providers. The authors seek to clarify the origins, operations, and consequences of neoliberal paternalism as a mode of poverty governance, tracing its impact from the federal level, to the state and county level, down to the differences in ways frontline case workers take disciplinary actions in individual cases. The book also addresses the complex role race has come to play in contemporary poverty governance.

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This text offers an explanation of why boredom both haunts and motivates the literary imagination. Moving from Samuel Johnson and Jane Austen to Donald Barthelme and Anita Brookner, the author shows us how we arrived in a postmodern world where boredom is the all-encompassing name we give our discontent.

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In this landmark publication, the most comprehensive study written on Haydn's keyboard sonatas, a leading Haydn scholar presents novel ideas, corrects misconceptions, and offers new hypotheses on long-debated issues of early music research. Laszlo Somfai begins with a thorough study of Haydn's keyboard instruments and their development. After recommending instruments appropriate for modern use, he discusses performance practice and style, explains the peculiarities of Haydn's manuscripts in the context of eighteenth-century notation, and provides specific suggestions for playing ornaments, improvising, slurring, and dynamics. He also investigates Haydn's sonata genres within their historical context and discusses the problems of establishing a chronology of their composition. Finally, Somfail analyzes the organization and style of each musical form. The book includes an index listing the sonatas by date of first publication and an extensive bibliography.

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The newly born League of Nations confronted the post-WWI world—from growing stateless populations to the resurgence of right-wing movements—by aiming to create a transnational, cosmopolitan dialogue on justice. As part of these efforts, a veritable army of League personnel set out to shape “global public opinion,” in favor of the postwar liberal international order. Combining the tools of global intellectual history and cultural history, A Violent Peace reopens the archives of the League to reveal surprising links between the political use of modern information systems and the rise of mass violence in the interwar world. Historian Carolyn N. Biltoft shows how conflicts over truth and power that played out at the League of Nations offer broad insights into the nature of totalitarian regimes and their use of media flows to demonize a whole range of “others.” An exploration of instability in information systems, the allure of fascism, and the contradictions at the heart of a global modernity, A Violent Peace paints a rich portrait of the emergence of the age of information—and all its attendant problems.

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