Search results for ""Author Potter"

This is the first book to address the collectibility of figural animal pitchers. For many years, ceramics manufacturers have made pitchers in the shapes of animals for the family table, some as part of a cream and sugar set, others created to serve water or juice. Hundreds of pitchers from around the world are shown here in over 200 color photos with descriptions that include measurements, colors, manufacturer, date made, and current market value. Over 30 different animal types are included, from the alligator to the yak, with interesting facts about each. The pitchers represent popular American manufacturers, including American Bisque, Blue Ridge, Brayton Laguna, Fitz & Floyd, Hull, Lenox, McCoy, Rio Hondo Potteries, Shawnee, Spaulding China's Royal Copley line, Stewart Ceramics, and Vallona Starr. Others are from Bavaria, China, Czechoslovakia, England, France, Germany, Holland, Italy, Japan, Mexico, Occupied Japan, and Taiwan. Whatever your interest, there probably are animal pitchers to swell your collection. And collecting them need not be expensive, just pure fun to see how many you can find in your travels.

Read more less

For over a century our knowledge of Egypt’s Western Desert during the Third Intermediate Period relied almost entirely on the Greater and Smaller Dakhleh Stelae. These two significant documents were purchased by Henry Lyons in 1894 in Dakhleh Oasis and indicated the existence of a substantial temple at Mut al-Kharab dedicated to the god Seth. Apart from these sources, very little information from the Western Desert could be dated to this period. Excavations at Mut al-Kharab began in 2000 and in recent years, evidence from the Third Intermediate Period temple has grown considerably. A range of artefacts has been unearthed, including decorated temple blocks, stelae, ostraka, in situ architectural remains, other small finds, and a large collection of well-dated ceramics. The scale of evidence suggests Mut al-Kharab was probably the most significant Third Intermediate Period site in the Western Desert.In light of this new material, a re-examination of activity in the Western Desert during this period has been possible. This volume presents all the available evidence relating to the western oases during the Third Intermediate Period, with a particular focus on the ceramics. Occupation appears to have been more widespread than the limited evidence previously suggested, and these oasis communities were closely connected to the populations in the Nile Valley. The Egyptian central administration continued to be interested in the Western Desert, although political control does not seem to have been consistent. Moreover, subtle yet distinct variations in the material record, including aspects of pottery traditions and religious practices, may reveal the existence of an oasis culture. As such, we are developing a much clearer picture of activity in this region.

Read more less

During the early nineteenth century, the harp was transformed into a sophisticated instrument that became as popular as the piano. This was largely the result of the harp's intensive technical, musical and visual upgrading, which gradually led to the transition from the single- to the double-action pedal harp. A major figure in this process was Sébastien Erard (1752-1831), a tireless inventor and prolific manufacturer of harps and pianos operating branches in Paris and London. With the introduction in 1811 of the so-called 'Grecian' model, the first commercially built double-action harp, the Erard firm managed to establish the harp not only as a novel, state-of-the-art instrument, but also as a powerful symbol of luxury, wealth and status. Drawing upon a wide variety of primary sources, including surviving instruments, archival documents and iconographical evidence, this book provides a comprehensive overview of the development, production and consumption of the Erard Grecian harp in Regency England. The innovative approaches employed by the Erard firm in the manufacture and marketing of harps are measured against competitors but also against the work of leading entrepreneurs in related trades, ranging from the mechanical devices and precision tools of James Watt, Henry Maudslay or Jacques Holtzapffel, through the ornamental pottery of Josiah Wedgwood, to the clocks and watches of George Prior or Abraham-Louis Breguet. In addition, the book examines the omnipresent role of the harp in the education, art, fashion and literature of the Regency era, discussing how the image and perception of the instrument were shaped by groundbreaking advances, such as the Industrial Revolution, Neoclassicism, and the Napoleonic Wars.

Read more less

Studies of Iron Age artefacts from Britain tend to be dominated either by the study of metalwork, or pottery. This book presents a study not only of a different material, but also a different type of object: glass beads. These are found in a range of different sizes, shapes, colours, and employ a variety of different decorative motifs. Through an analysis of glass beads from four key study regions in Britain, the book aims not only to address regional differences in appearance and chronology, but also to explore the role that this object played within the networks and relationships that constructed Iron Age society. It seeks to understand how they were used during their lives and how they came to be deposited within the archaeological record, in order to establish the social processes that glass beads were bound within. The results indicate that glass beads were a strongly regionalised artefact, potentially reflecting differing local preferences for colour and motif. In addition, glass beads, in combination with several other types of object, were integral to Middle Iron Age dress. Given that the first century BC is often seen as a turning point in terms of settlements and material culture, this supports the possibility of strong continental exchange during an earlier period for either glass beads or raw materials. However, by the Late Iron Age in the first century BC and early first century AD, their use had severely diminished.

Read more less

A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Twentieth-century painter, designer and wood engraver Eric Ravilious was responsible for a whole host of different works, including book illustrations, woodcuts and ceramic designs for the Wedgwood pottery firm. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

Read more less

In celebration of Louisiana State University's sesquicentennial, Treasures of LSU trumpets the numerous and diverse riches found throughout the Baton Rouge campus and beyond. The 101 distinguished artworks, architectural gems, research collections, and scientific and cultural artifacts highlighted here represent only a small fraction of the material resources that surround and engage LSU faculty, staff, and students on a daily basis. As LSU chancellor emeritus Paul W. Murrill declares in his foreword, ""All reflect expressions of superb quality. All encourage, in one way or another, the human spirit to soar.""Some of these treasures act as artistic backdrops to everyday campus life. In Unity Ascending, the striking Frank Hayden sculpture, greets all who enter the LSU Student Union. Vibrant Depression-era murals decorate the corridors of Allen Hall. Other treasures reside in out-of-the-way places. The Department of Geology and Geophysics houses the Henry V. Howe Type Collection of shelled microorganisms -- tiny, beautifully varied fossils that frequently aid geologists in determining the ages of rocks and features of ancient environments. The LSU Museum of Natural Science, in Foster Hall, holds one of the largest and most prestigious research collections of bird specimens in the world.An LSU cadet uniform and a hand-spun Acadian quilt from the LSU Textile & Costume Museum; an enchanting silky-camellia specimen from the collections of the LSU Herbarium, founded in 1869; pottery by Walter Anderson and portraits by William Hogarth and Joshua Reynolds from the LSU Museum of Art -- all showcase the immense variety of LSU's assets. Other featured treasures include a historic dogtrot house at the LSU Rural Life Museum, John James Audubon's double elephant folio Birds of America from the E. A. McIlhenny Natural History Collection at Hill Memorial Library, and cherished campus landmarks like the Indian Mounds, the French House, and Mike the Tiger's habitat.Full-page color photographs set off the treasures to stunning effect. Interpretive essays by LSU faculty, staff, and students explain the origins, history, and sometimes myths surrounding each item. Published by LSU Press during its seventy-fifth year of operation, Treasures of LSU is itself a treasure that inspires pleasure and amazement in discovering the wealth and diversity of LSU's resources and affirms the university's numerous cultural contributions to the world community.

Read more less

SUNDAY TIMES BESTSELLER, FEBRUARY 2023'Oh my GOD, it's GORGEOUS. Funny, warm, all about people. Has the same generosity-of-spirit she does. You'll LOVE it!' MARIAN KEYES'This story has Sara's voice ringing true throughout. A fresh, cheeky, insightful take on how change can happen through female friendships.' DAWN FRENCH'So full of humour and heart' RICHARD OSMAN'I absolutely loved it and adore the characters. Read it immediately!' CLAUDIA WINKLEMAN'Brilliant... beautiful slice of escapism.' FEARNE COTTON'A brilliant story of female friendships ... you can't help but hear Cox's voice bounce off the pages.' HEAT'A glorious debut from Sara, with the feel-good factor.' PRIMA 'Riotous, unpredictable and lovely' JO BRAND'It's full of priceless pith and whip-crack observation, but has wonderful warmth at its core too.' MEL GIEDROYCThe wise and gloriously big-hearted debut novel from the much-loved broadcaster, Sara CoxBecky: a single mum who prides herself on her independence. She knows from experience that men are trouble.Louise: a loving husband, gorgeous kids. She ought to feel more grateful.Jameela: all she's ever done is work hard, and try her best. Why won't life give her the one thing she wants?Sheila: the nest is empty, she dreams of escaping to the sun, but her husband seems so distracted.The inhabitants of the Inventor's Housing Estate keep themselves to themselves. There are the friendly 'Hellos' when commutes coincide and the odd cheeky eye roll when the wine bottles clank in number 7's wheelie bin, but it's not exactly Ramsay Street.The dilapidated community centre is no longer the beating heart of the estate that Becky remembers from her childhood. So the new pottery class she's helped set up feels like a fresh start. And not just for her.The assorted neighbours come together to try out a new skill, under the watchful eye of their charismatic teacher, Sasha. And as the soft unremarkable lumps of clay are hesitantly, lovingly moulded into delicate vases and majestic pots, so too are the lives of four women. Concealed passions and heartaches are uncovered, relationships shattered and formed, and the possibility for transformation is revealed.

Read more less

Escape to the Cornish coast with this irresistible summer read, perfect for fans of Jill Mansell and Philippa Ashley. For as long as people can remember, Esme Posorsky has been part of community life in the quaint Cornish fishing village of Tremarnock. She is usually to be found working in her pottery studio or at home with her beloved cat, Rasputin. But when an old school friend turns up with a secret from the past, the villagers begin to wonder if they ever knew her at all. Meanwhile, teenager Rosie is excited to find a bottle washed up on Tremarnock beach with a message from a former German prisoner of war. While the rest of the village is up in arms about a new housing development, she sets out to find him. Little does she know that her discovery will unleash a shocking chain of events that threatens to blow her family apart. Tremarnock may look like a tranquil Cornish village. But as with all villages, tensions swirl beneath the surface. When hidden love blossoms and more secrets come to light, will the community fall apart, or pull together? Reviews for the Tremarnock series: 'A charming, warm-hearted read... Pure escapism' Alice Peterson. 'Burstall is a great writer, and this is not your usual run-of-the-mill chick lit... I was gripped from the start' Daily Mail. 'The literary equivalent of a gin and tonic on a hot summer's day... A delicious, delightful and decadent tale' Bookish Jottings. 'Burstall has created a little sanctuary, which will have readers eager to book a Cornish holiday as soon as possible... A heart-warming, "feel-good" novel that makes you feel warm and fuzzy inside. I can't wait for the next book in the series so that I can return' Bookbag. 'Burstall has a true knack for transporting you to her world, amidst beautiful Cornish countryside' Jane Corry.

Read more less

The KingsHaven Design team is skilled at transforming timeworn interiors and exteriors into breathtaking spaces for inspired living by sharing with their clients the spectacular work of artisans and artworks from around the world, and by developing strong fair-trade relationships with artists that benefit them, their families, and their communities. Be it working with a stonemason to salvage the granite façade of a historic estate, collaborating with blacksmiths on a lighting fixture or custom piece of furniture, meeting with artisans who create gorgeous handcrafted baskets in the designs of their tribal ancestors, or searching hidden markets in Europe and South America for art pottery, antique mirrors, prints, and textiles, Lauren Wylonis and the studio's objective is to reclaim, restore, and revitalise their client's residential interiors and exteriors. In many senses of clever design, they create spaces that reflect a sharp and sophisticated twenty-first-century aesthetic for today's energetic lifestyles, yet never lose sight of the past. Rejuvenation of character, charm and architectural significance combined with the creation of cutting-edge luxury and style are the hallmarks of the design studio's ethos, which also can be seen in the handcrafted light fixtures, furnishings, and accessories found at Wylonis's irresistible retail showroom in Paoli, PA, just outside Philadelphia. The pages of this book are resplendent with luscious photography and insightful texts that together showcase Wylonis's unique practice and meticulous attention to detail in designing lighting, furniture, and home décor that takes each space to a higher level in art, architecture, beauty, and function. The useful tips for use in a new home or renovation are diverse and range from mindful design to achieving authenticity in an older home renovation. A must-have book for a connoisseur of interiors and design, or anyone looking to build or renovate a home or space.

Read more less

Among the stories surrounding the legendary foundation of the city of Rome by the twins, Romulus and Remus, previous scholarly attention has focused primarily on one scene – the depiction of the she-wolf nursing the twins following their miraculous salvation from the floodwaters of the Tiber. This book examines another event in the cycle, the conception of the twins, in which the Vestal Virgin, Rhea Silvia, is visited in her sleep and raped by the god Mars. Some fifty-one examples of the encounter of Mars and Rhea Silvia are analyzed, drawn from coins, relief sculpture, gems, wall painting, mosaics, and pottery, covering a time frame from the motif’s origin in the early 1st century B.C. to its disappearance in the late 4th century A.D. An analysis of the scene's iconographical evolution and its documented periods of popularity, both in the public and private sphere, are associated with contemporary trends in Roman literature, religion, and art. This monograph on the representation of Mars and Rhea Silvia is not simply a self-contained study of a single motif over a specific time frame. Within the realm of Roman art, the book discusses larger issues concerning the relationship between art, myth and religion, and political propaganda, drawing from methodologies of appropriation (Kopienkritik), word and image, semiotics, and memory culture. As such, the book constitutes a case study whose conclusions may serve as guidelines for the study of Roman art in general.

Read more less

This volume, the third in the series of reports on the excavations carried out at the Canhasan I mound in south-central Anatolia in the years 1961-1968, follows the publication of the stratification and structures (Canhasan Sites 1) and of the pottery (Canhasan Sites 2). Here, the primary aim is to present a descriptive account and catalogue of the registered small-finds. The small-finds have been grouped, described and then illustrated according to material, e.g., clay, stone, bone. The separation into discrete groups and the description of individual objects have both been deliberately simplified, the intention being to provide (where possible chronologically) an orderly arrangement from which those interested are able to scan and note the range of materials and, if they wish, to take up relevant aspects or indeed to inspect the objects for further study and research. The location of the site at Canhasan is set unequivocally between East and West, close to, if not on, a major land route from the Near East to the Aegean and to Europe. Inevitably, in this geographical context, some materials, such as obsidian and copper, will catch the eye. These have a utilitarian purpose and introduce the factor of distance between source and Canhasan. One object, however, - an ivory bracelet - not only emphasises, by its presence at Canhasan, the distant source of the material but points directly to the nature and dynamics of trade/transfer/exchange in the 6th millennium. The bracelet documents the role of personal display and human vanity as an incentive for material acquisition.

Read more less

This book is at once a thorough study of the educational system for the Greeks of Hellenistic and Roman Egypt, and a window to the vast panorama of educational practices in the Greco-Roman world. It describes how people learned, taught, and practiced literate skills, how schools functioned, and what the curriculum comprised. Raffaella Cribiore draws on over 400 papyri, ostraca (sherds of pottery or slices of limestone), and tablets that feature everything from exercises involving letters of the alphabet through rhetorical compositions that represented the work of advanced students. The exceptional wealth of surviving source material renders Egypt an ideal space of reference. The book makes excursions beyond Egypt as well, particularly in the Greek East, by examining the letters of the Antiochene Libanius that are concerned with education. The first part explores the conditions for teaching and learning, and the roles of teachers, parents, and students in education; the second vividly describes the progression from elementary to advanced education. Cribiore examines not only school exercises but also books and commentaries employed in education--an uncharted area of research. This allows the most comprehensive evaluation thus far of the three main stages of a liberal education, from the elementary teacher to the grammarian to the rhetorician. Also addressed, in unprecedented detail, are female education and the role of families in education. Gymnastics of the Mind will be an indispensable resource to students and scholars of the ancient world and of the history of education.

Read more less

Includes 224 b/w figures and 3 tables. A Gazeteer of Iron I Sites in the North Central Highlands of Palestine (Daniel Miller, II): An excellent reference source for archaeological sites known through survey and excavation, this gazetteer catalogues all known (360) Iron I sites in the north-central highlands of Palestine, north of Jerusalem. Basic information as to location, water source, occupation before and after Iron I, and finds of the Iron I age are reported, including previously unpublished information. The gazeteer also provides and extensive bibliography for each site. The volume is a required source for doctoral students, professors, and established scholars of Syro-Palestinian archaeology and the Hebrew Bible, particularly for those working in the "settlement" period. Seven Seasons of American Schools of Oriental Research Excavations at Tell Qarqur, Syria: 1993-1999: In this report, Rudolph H. Dornemann, Director of the excavations, presents in preliminary form the resumed work at this site in the Orontes Valley. First excavated by John Lundquist in 1983 and 1984, Tell Qarqur is probably to be identified with Karkara/Qarqar of the Neo-Assyrian texts of the ninth and eighth centuries B.C. After introductory discussions of the historical and archaeological setting of the Tell Qarqur region, Dornemann brings together the seven seasons of discovery, particularly the remains of the Iron and Bronze ages. Some Iron II and Early Bronze age pottery is presented. Sections include preliminary analysis of the botanical and zoological remains and an overview of the faunal material. Many photographs illustrate the report.

Read more less

Step back in time to an ancient world of mythical beasts, bow down to gods and goddesses, and take a trip to the first Olympics in this illustrated guide. Become an eyewitness to the glory of ancient Greece in this picture-led reference guide that will take you on a visual tour of what classical Greece was like. Children will be mesmerised by striking photography, maps, paintings, and lots of artefacts to help understand what life was like at this time.This illustrated guide lets kids aged 9+ experience the significance ancient Greece has had in transforming our world, in this detailed introduction to one of the world's founding nations. Learn why Greek pottery is so famous, discover how children played, and take a look at what people wore.Throughout the pages of this newly-revised book on Ancient Greece, you can expect to find: - A fresh new look; new photographs, updated information, and a new "eyewitness" feature.- Amazing facts, updated diagrams, statistics, and timelines.- Brand new eyewitness accounts from experts in the field.DK Eyewitness Ancient Greece is crammed full of fascinating information, statistics and facts. Meet a fierce minotaur, wage war with Alexander the Great, look inside a temple, and learn how the people of ancient Greece lived their lives. Find out about their religions, their hobbies, and their amazing impact on the rest of our history.So, what's new? Part of DK's best-selling Eyewitness series, this popular title has been reinvigorated for the next generation of information-seekers and stay-at-home explorers, with a fresh new look, up to 20 percent new images, including photography and updated diagrams, updated information, and a new "eyewitness" feature with fascinating first-hand accounts from experts in the field.Explore the series!Globally, the Eyewitness series has sold more than 50 million copies over 30 years. Travel through the solar system with Eyewitness Space, discover the incredible world of creepy-crawlies in Eyewitness Insect, examine precious stones in Eyewitness Crystal & Gem or take a trip aboard the most famous ship in history with Eyewitness Titanic.

Read more less

The excavations at South Witham in Lincolnshire produced the most complete archaeological plan of the preceptory of the Military Orders so far seen in Britain. Before 1965 there had been only limited investigation of Knights Templar houses and evidence for day-to-day activities was almost non-existent. Never before had the different components of a preceptory been examined in detail using modern archaeological techniques. This monograph presents the final publication of results, beginning with separate chapters dedicated to the three main phases of occupation.Land in South Witham was first acquired by the Templars between 1137 and 1185 and thereafter a series of buildings was constructed throughout the late 12th and 13th centuries. The preceptory may already have been in decline before the final arrest and dissolution of the Order in the early 14th century. All the well-preserved buildings are described in detail by the excavation director, including the barns, blacksmith's forge, brewhouse, chapel, gateshouse, granaries, Great Hall, kitchen ranges, watermill and workshops.The text is enriched by many photomosaics and aerial photographs. This archaeological evidence then provides the basis for a well-illustrated discussion of architectural reconstructions by John Smith while the documentary background is summarised by Eileen Gooder. Among the finds discussed by a range of specialists are coins (Rigold), metalwork (Goodall), a prehistoric flat axe (Davey), objects of bone and antler (MacGregor), pottery (Johnson), architectural fragments (Gee) and painted wall plaster (Rouse). Environmental and industrial evidence are also considered, including animal bone (Harcourt), metal-working residues (Morgan) and human skeletal remains (Manchester).

Read more less

The compelling life story of Armenian ceramicist David Ohannessian, whose work changed the face of Jerusalem—and a granddaughter's search for his legacy. Along the cobbled streets and golden walls of Jerusalem, brilliantly glazed tiles catch the light and beckon the eye. These colorful wares—known as Armenian ceramics—are iconic features of the Holy City. Silently, these works of ceramic art—art that also graces homes and museums around the world—represent a riveting story of resilience and survival: In the final years of the Ottoman Empire, as hundreds of thousands of Armenians were forcibly marched to their deaths, one man carried the secrets of this age-old art with him into exile toward the Syrian desert. Feast of Ashes tells the story of David Ohannessian, the renowned ceramicist who in 1919 founded the art of Armenian pottery in Jerusalem, where his work and that of his followers is now celebrated as a local treasure. Ohannessian's life encompassed some of the most tumultuous upheavals of the modern Middle East. Born in an isolated Anatolian mountain village, he witnessed the rise of violent nationalism in the waning years of the Ottoman Empire, endured arrest and deportation in the Armenian Genocide, founded a new ceramics tradition in Jerusalem under the British Mandate, and spent his final years, uprooted, in Cairo and Beirut. Ohannessian's life story is revealed by his granddaughter Sato Moughalian, weaving together family narratives with newly unearthed archival findings. Witnessing her personal quest for the man she never met, we come to understand a universal story of migration, survival, and hope.

Read more less

Although lowland Britain in 300 CE had been as Roman as any province in the empire, in the generations on either side of 400, urban life, the money economy, and the functioning state collapsed. Many of the most quotidian and fundamental elements of Roman-style material culture ceased to be manufactured. Skills related to iron and copper smelting, wooden board and plank making, stone quarrying, commercial butchery, horticulture, and tanning largely disappeared, as did the knowledge standing behind the production of wheel-thrown, kiln-fired pottery and building in stone. No other period in Britain's prehistory or history witnessed the loss of so many classes of once-common skills and objects. While the reasons for this breakdown remain unclear, it is indisputable the collapse was foundational in the making of a new world we characterize as early medieval. The standard explanation for the emergence of the new-style material culture found in lowland Britain by the last quarter of the fifth century is that foreign objects were brought in by "Anglo-Saxon" settlers. Marshalling a wealth of archaeological evidence, Robin Fleming argues instead that not only Continental immigrants, but also the people whose ancestors had long lived in Britain built this new material world together from the ashes of the old, forging an identity that their descendants would eventually come to think of as English. As with most identities, she cautions, this was one rooted in neither birth nor blood, but historically constructed, and advanced and maintained over the generations by the shared material culture and practices that developed during and after Rome's withdrawal from Britain.

Read more less

Shaping Regionality in Socio-Economic Systems: Late Hellenistic-Late Roman Ceramic Production, Circulation, and Consumption in Boeotia, Central Greece (c. 150 BC-AD 700) sheds some necessary light on local economies from the (late) Hellenistic to the Late Roman period. The concepts of regions and regionality are employed to explore the complexity of ancient economies and (ceramic) variability and change in Boeotia (Central Greece), largely on the basis of the survey data generated by the Boeotia Project for Thespiae, Askra, Hyettos, Tanagra and their surroundings. The analysis illustrates the existence of a range of (micro-)regions within Boeotia that are characterised by patterns and differences in ceramic production, variable intensities of interaction in larger networks, and consumer preferences and/or variability in aspects of consumption. By putting this patterning in a broader context, this study shows that spatio-temporal differences in the production and circulation of pottery (as well as differences in something which might be called the ‘performance’ of ancient economies) are shaped by geographical factors, by the ways in which communities and interaction were organised institutionally, by aspects of agency and by the unfolding of history. Although we can observe these three main factors that contributed to the shaping of regional differences, such processes were contextually-embedded and took root on a very local scale through various forms of agency and consumption practices. The book shows that we can gain a better understanding of the ways in which regions emerged, were articulated, and maintained, and how regions and local economies functioned from within through the detailed study of ceramics and other relevant data on Boeotia and the wider ancient world.

Read more less

Theater, spectacle, and performance played significant roles in the political and social structure of the Roman Empire, which was diverse in population and language. A wide and varied range of entertainment was available to a Roman audience: the traditional festivals with their athletic contests and dramatic performances, pantomime and mime, the chariot races of the circus, and the gladiatorial shows and wild beast hunts of the arena. In Theater and Spectacle in the Art of the Roman Empire, which is richly illustrated in color throughout, Katherine M. D. Dunbabin emphasizes the visual evidence for these events.Images of spectacle appear in a wide range of artistic media, from the mosaics and paintings that decorated wealthy private houses to the sculpture of tomb monuments, and from luxury objects such as silver tableware to more humble ceramic lamps and pottery vessels. Dunbabin places the information derived from this visual material into the wider context provided by the written sources, both literary and epigraphic. This allows us to understand the functions that these images served in the social rituals of public and domestic life. By explicating both the social and cultural role of the spectacles themselves and the nature of their representation in art, Dunbabin provides a comprehensive portrait of the popular culture of the period.

Read more less

Winner of the 2012 Melville J. Herskovits award (African Studies Association)Throughout southwestern Nigeria, Yoruba men and women create objects called aale to protect their properties—farms, gardens, market goods, firewood—from the ravages of thieves. Aale are objects of such unassuming appearance that a non-Yoruba viewer might not register their important presence in the Yoruba visual landscape: a dried seedpod tied with palm fronds to the trunk of a fruit tree, a burnt corncob suspended on a wire, an old shoe tied with a rag to a worn-out broom and broken comb, a ripe red pepper pierced with a single broom straw and set atop a pile of eggs. Consequently, aale have rarely been discussed in print, and then only as peripheral elements in studies devoted to other issues. Yet aale are in no way peripheral to Yoruba culture or aesthetics.In Vigilant Things, David T. Doris argues that aale are keys to understanding how images function in Yoruba social and cultural life. The humble, often degraded objects that comprise aale reveal as eloquently as any canonical artwork the channels of power that underlie the surfaces of the visible. Aale are warnings, intended to trigger the work of conscience. Aale objects symbolically threaten suffering as the consequence of transgression—the suffering of disease, loss, barrenness, paralysis, accident, madness, fruitless labor, or death—and as such are often the useless residues of things that were once positively valued: empty snail shells, shards of pottery, fragments of rusted iron, and the like. If these objects share “suffering” and “uselessness” as constitutive elements, it is because they already have been made to suffer and become useless. Aale offer would-be thieves an opportunity to recognize themselves in advance of their actions and to avoid the thievery that would make the "useless" people.

Read more less

The second in a series of final publications of the Apollonia-Arsuf excavations, this volume reports the finds from the 1996, 2002, 2006, 2012, 2013, and 2017 seasons. The main topics are the excavation of areas to the east of the Apollonia National Park, outside the walled medieval town; the excavations carried out within and just outside the perimeter of the Park; skeletal remains; faunal remains; and a variety of finds, including pottery, glass, stone, metal, and bone objects as well as numerous coins.The analysis of the finds discussed in this report contribute to our understanding of the site during the Byzantine and early medieval occupation. Byzantine Apollonia, called Sozousa, was unwalled and extended over an area of some 280 dunams. Among its architectural remains are a church and industrial quarters with wine and oil presses, plastered pools, and raw glass furnaces. In the days of the Umayyad Caliph ‘Abd al-Malik (685–705), the site, at that point called Arsuf, was fortified by a wall that encompassed some seventy-seven dunams. By the end of the Early Islamic period, it became a ribbat (fort) where Muslim philosophers resided. In 1101, the site was conquered by the Crusaders. Towards the mid-twelfth century, ownership was transferred to a Crusader noble family, and the site became the center of a feudal seigneury. Construction of the castle in the northern sector began in 1241, and in 1261 administration of it, the town, and the seigneury of Arsur, as it was then called, passed to the Knights Hospitaller. By the end of the Mamluk siege in 1265, the town and castle were destroyed and never again settled.

Read more less

To rise from humble beginnings in the Potteries to become a hugely successful barrister involved in many high profile cases would be enough to satisfy the ambitions of many. But Bob Alexander's life took him from the law to be chairman of the Takeover Panel and the NatWest Bank at a critical time when the impact of 'Big Bang' demanded huge changes from many staid financial institutions. Add to that his passion for cricket which led to him being elected chairman of the MCC, and his chairmanship of the Royal Shakespeare Company, and his elevation to the peerage, and you have the extraordinarily full life of a man who rose to the very top of the British establishment. What distinguishes these memoirs from many is the candour with which Lord Alexander describes his wealth of experiences. His accounts of his famous cases - GCHQ, Ken Livingstone, 'Spycatcher,' the Summerfields Fire, Jeffrey Archer - are masterpieces of clarity and concision. But he is never afraid to express his opinions of people and events - and this is particularly so when he describes his efforts to reform the NatWest Bank. His account will surely be of great value to financial historians for years to come. Behind this remarkable success there is a continuing modesty and an openness to argument and opinion, characteristics that made him such a revered and popular figure in so many different worlds. Lord Alexander, who died in 2005 before he was able to complete his memoir, has left us a vivid and revealing personal account of a brilliant career. His wisdom, kindness and mastery of the law touched the lives of so many.

Read more less

CONTENTS: Abdol Rauh Yaccob, British policy on Arabia before the First World War: an internal argument; Adrian G. Parker &. Jeffrey I. Rose, Climate change and human origins in southern Arabia; Alexandrine Guérin & Faysal Abdallah al-Na’imi, Nineteenth century settlement patterns at Zekrit, Qatar: pottery, tribes and territory; Anthony E. Marks, Into Arabia, perhaps, but if so, from where?; Audrey Peli, A history of the Ziyadids through their coinage (203– 442/818–1050); Aurelie Daems & An De Waele, Some reflections on human-animal burials from pre-Islamic south-east Arabia (poster); Brian Ulrich, The Azd migrations reconsidered: narratives of ‘Amr Muzayqiya and Mālik b. Fahm in historiographic context; Christian Darles, Derniers résultats, nouvelles datations et nouvelles données sur les fortifications de Shabwa (Hadramawt); Eivind Heldaas Seland, The Indian ships at Moscha and the Indo-Arabian trading circuit; Fabio Cavulli & Simona Scaruffi, Stone vessels from KHB-1, Ja’lān region, Sultanate of Oman (poster); Francesco G. Fedele, Wādī al-Tayyilah 3, a Neolithic and Pre-Neolithic occupation on the eastern Yemen Plateau, and its archaeofaunal information; Ghanim Wahida, Walid Yasin al-Tikriti & Mark Beech, Barakah: a Middle Palaeolithic site in Abu Dhabi Emirate; Jeffrey I. Rose & Geoff N. Bailey, Defining the Palaeolithic of Arabia? Notes on the Roundtable Discussion; Jeffrey I. Rose, Introduction: special session to define the Palaeolithic of Arabia; Julie Scott-Jackson, William Scott-Jackson, Jeffrey Rose & Sabah Jasim, Investigating Upper Pleistocene stone tools from Sharjah, UAE: Interim report; Krista Lewis & Lamya Khalidi, From prehistoric landscapes to urban sprawl: the Masn’at Māryah region of highland Yemen; Michael J. Harrower, Mapping and dating incipient irrigation in Wadi Sana, Hadramawt (Yemen); Mikhail Rodionov, The jinn in Hadramawt society in the last century; Mohammed A.R. al-Thenayian, The Red Sea Tihami coastal ports in Saudi Arabia; Mohammed Maraqten, Women’s inscriptions recently discovered by the AFSM at the Awām temple/Mahram Bilqīs in Marib, Yemen; Nasser Said al-Jahwari & Derek Kennet, A field methodology for the quantification of ancient settlement in an Arabian context; Rémy Crassard, The “Wa’shah method”: an original laminar debitage from Hadramawt, Yemen; Saad bin Abdulaziz al-Rāshid, Sadd al-Khanaq: an early Umayyad dam near Medina, Saudi Arabia; Ueli Brunner, Ancient irrigation in Wādī Jirdān; Vincent Charpentier & Sophie Méry, A Neolithic settlement near the Strait of Hormuz: Akab Island, United Arab Emirates; Vincent Charpentier, Hunter-gatherers of the “empty quarter of the early Holocene” to the last Neolithic societies: chronology of the late prehistory of south-eastern Arabia (8000–3100 BC); Yahya Asiri, Relative clauses in the dialect of Rijal Alma’ (south-west Saudi Arabia); Yosef Tobi, Sālôm (Sālim) al-Sabazī’s (seventeenth-century) poem of the debate between coffee and qāt; Zaydoon Zaid & Mohammed Maraqten, The Peristyle Hall: remarks on the history of construction based on recent archaeological and epigraphic evidence of the AFSM expedition to the Awām temple in Mārib, Yemen

Read more less

Frank Waters, whose work has spanned half a century, has continually attempted to depict the reconciliation of opposites, to heal the national wounds of polarization. Flight From Fiesta, Waters’ first novel in nearly two decades, is testimony to that aspiration, emerging as a moving and masterfully–told story of two characters who must discover the potential for common ground between their personalities. Set in Santa Fe in the mid–fifties, the story itself is deceptively simple. Elsie, a spoiled, self–centered ten–year–old Anglo tourist girl, has come to the annual Fiesta with her divorced mother and her mother’s lover. When Elsie runs away from her hotel, she encounters Inocencio, an old alcoholic Pueblo Indian now reduced to selling pottery beneath the portal of the Palace of the Governors. With childish cunning she maneuvers Inocencio into taking her away with him. In the wake of the child’s disappearance, as the local posse–mentality intensifies and Inocencio is suspected of kidnapping and perhaps molesting her, the frightened Indian flees to the hills, taking Elsie with him on a week–long odyssey through the mountains, towns, and pueblos of New Mexico. Waters’ eye is precise, providing sharp visual detail on very page. His ear is flawless, especially in his rendering of the laconic and stolid Indian speech patterns. All through his book there is an immediacy and a feel for place and culture that cannot be fabricated but must be gained, as Waters himself has gained it, through a lifetime among these people, these towns, and these mountains. The reconciliation of the two fugitives of Flight From Fiesta serves to point, not didactically or allegorically, but emotionally and spiritually, but emotionally and spiritually, to the possibility of the grander reconciliation that Waters envisions.

Read more less

This study (the second volume in the Archaeopress series devoted to the publication of ceramics in the Roman Mediterranean and outlying territories from the late Republic to late Antiquity) addresses the level of interregional trade of ceramic building material (CBM), traditionally seen as a high bulk low value commodity, within the ancient Mediterranean between the third century BC and the seventh century AD. It examines the impact of different modes of production, distribution and consumption of CBM and how archaeological assemblages differ from what is predicted by current models of the ancient economy. It also explores how CBM can be used to investigate cultural identity and urban form. CBM has great potential in investigating these topics. It survives in large quantities in the archaeological record; it is transported as a commodity in its own right, not as a container for other products like amphorae. The amount of CBM used in a building can be estimated, and this can be extrapolated to urban centres to model consumption in ways that are not possible for other goods. This allows the potential derivation of economic information to a higher level of precision than is the case for other materials. The material used in this study derives from stratified assemblages from two major ports of the ancient Mediterranean: Carthage and Beirut. CBM as a material is comparable to pottery, only it does not exhibit the same range of forms. This leaves fabric as a major means of analysing CBM samples. For this reason a programme of petrological thin sectioning has been carried out on these assemblages. These data have been combined with the taphonomic and dating evidence from the excavations. The results showed that the levels of imports of CBM into these two cities were much higher than would normally be expected from the orthodox model of the consumer city. They also suggest that CBM can be used as a tool to investigate cultural identity.

Read more less

Step back in time to an ancient world of mythical beasts, bow down to gods and goddesses, and take a trip to the first Olympics in this illustrated guide. Become an eyewitness to the glory of ancient Greece in this picture-led reference guide that will take you on a visual tour of what classical Greece was like. Children will be mesmerized by striking photography, maps, paintings, and lots of artefacts to help understand what life was like at this time.This illustrated guide lets kids aged 9+ experience the significance ancient Greece has had in transforming our world, in this detailed introduction to one of the world's founding nations. Learn why Greek pottery is so famous, discover how children played, and take a look at what people wore.Throughout the pages of this newly-revised book on Ancient Greece, you can expect to find: - A fresh new look; new photographs, updated information, and a new “eyewitness” feature.- Amazing facts, updated diagrams, statistics, and timelines.- Brand new eyewitness accounts from experts in the field.DK Eyewitness Ancient Greece is crammed full of fascinating information, statistics and facts. Meet a fierce minotaur, wage war with Alexander the Great, look inside a temple, and learn how the people of ancient Greece lived their lives. Find out about their religions, their hobbies, and their amazing impact on the rest of our history.So, what’s new? Part of DK’s best-selling Eyewitness series, this popular title has been reinvigorated for the next generation of information-seekers and stay-at-home explorers, with a fresh new look, up to 20 percent new images, including photography and updated diagrams, updated information, and a new “eyewitness” feature with fascinating first-hand accounts from experts in the field.Explore the series!Globally, the Eyewitness series has sold more than 50 million copies over 30 years. Travel through the solar system with Eyewitness Space, discover the incredible world of creepy-crawlies in Eyewitness Insect, examine precious stones in Eyewitness Crystal & Gem or take a trip aboard the most famous ship in history with Eyewitness Titanic.

Read more less

This book is also available as an ebook: buy it from Amazon here.Byrne's poetry sparkles with wit and irony, and Blood / Sugar is his long-awaited first collection. The editor of a highly-regarded poetry magazine, Byrne maintains great technical proficiency in his structuring of verse, moving effortlessly between the traditional and the innovative to shape poems that brim with lyricism and confidence."James Byrneís second collection, Blood / Sugar is packed, ambitious and absorbing... The comparison that comes to mind is with Christopher Middleton, with whom Byrne shares a restless hunger."Sean O'Brien, Poetry Review"His poetry is clean, clear and contemporary; it cuts to the bone of the beast every time."Keith Richmond, Tribune"In Blood Sugar James Byrne's fine poems explore a variety of themes, combining light and shadow, tenderness and wit."Wayfarers "The way the Peruvian avant-gardist poet Cesar Vallejo described language as being the ëdark nebulae of life that dwells on the turn of a sentence...í can be applied here to the irrefutable poetics of James Byrne. For he has constructed a collection of poems of considerable imaginative pressure, a vice-like poetical ethos... poems of such exactitude and accuracy that it is almost as if Byrne is attempting to replicate and reconstruct his own jaw at the potterís wheel of his imagining... According to Geoffrey Hill, 'difficult poetry is the most democratic, because you are doing your audience the honour of supposing that they are intelligent human beings', and this can most definitely be said of the requirements of the reader facing these innovative poems."Paul StubbsJames Byrne was born in 1977 and is the editor and co-founder of The Wolf poetry magazine. His debut collection, Passages of Time, was published in 2003. In 2008 he won the prestigious Treci Trg poetry prize in Serbia. Since 2006 James has taught Wolf Workshops, which have helped many students with first book and pamphlet publications.

Read more less

The Jewish Journey is unique in three respects. First, it is a short, accessible, affordable and illustrated history of the Jewish people. Most books of this kind are heavy, unwieldy, expensive coffee-table books. Secondly, the book is absolutely unique in highlighting Jewish objects from the standing collection of a world-renowned public museum. Jewish history is more normally confined to dedicated Jewish museums. This book breaks new ground by showing Jewish history in its wider historical, social and cultural context, and presents objects that reflect on daily life over the centuries, e.g. family, marriage, trade and travel, rather than the much more common depictions of artefacts for sacred and religious use. Thirdly, the Jewish significance of these particular 22 objects has until now been overlooked. This book draws them together for the first time to tell their specifically Jewish story, highlighting both the distinctive features of Jewish experience and the long history of close interaction with other cultures and religions. The 22 objects include pottery, coins, jewellery, household artefacts, sacred items, musical instruments and paintings.Together they bring to life the experiences of the real men and women who owned, made and used them, from kings, courtiers and scholars to guerrilla fighters, musicians and market stall holders. Individually and collectively, the objects vividly document dark periods of persecution and forced migration, whilst highlighting the astonishing resilience and diversity of Jewish life, revealing centuries of two-way interaction with many other cultures and religions. Through the histories of each of the objects, the reader is guided on a double journey. One path leads through the galleries of the Ashmolean; the other accompanies the Jewish people across the centuries. The Jewish Journey brings to light for the first time the amazing Jewish treasures in the Ashmolean Museum, explaining their specifically Jewish significance in a direct, accessible style for the general reader.

Read more less

The city on the Kerkenes Dağ in the high plateau of central Turkey was a new Iron Age capital, very probably Pteria. Founded in the later seventh century BC, the city was put to the torch in the mid-sixth century and then abandoned. Excavations at what we have identified as the Palatial Complex were conducted between 1999 and 2005. The stone glacis supporting the Fortified Structure at the eastern end of the complex was revealed in its entirety while the greater portion of the Monumental Entrance was uncovered. Portions of buildings within the complex were also excavated, notably one-half of the heavily burned Ashlar Building, one corner of the Audience Hall, and parts of other structures. This volume documents as fully as possible the results of those excavations with the exception of sculpture, some bearing Paleo-Phrygian inscription, already published (OIP 135). The location of the complex, its development from foundation to destruction, and its architecture are discussed and illustrated. Within the Monumental Entrance were extraordinary, unexpected, semi-iconic stone idols, and other embellishments that include stone blocks with bolsters, bases for large freestanding wooden columns, and stone plinths. Extensive use was made of iron in combination with timber-framed façades and large double-leafed doors. Objects of gold, silver, copper alloys, and iron attest to former splendor. Organization of the volume is roughly chronological, beginning with the Fortified Structure, and concluding with the Monumental Entrance. Presentation of material culture is organized with an emphasis on context. Specialist chapters report on alphabetic and nonalphabetic graffiti and masons' marks, animal bones among which was found the jawbone of a dolphin, and a Byzantine-period burial. This volume provides further dramatic and surprising new evidence for the power, wealth, and sophistication of an eastward expansion of Phrygian culture exemplified by architecture, cultic imagery, Paleo-Phrygian inscriptions and graffiti, pottery, and artifacts. The brief existence of this extraordinary city, hardly more than one hundred years, together with the excellent stratigraphic context provided by the destruction level, offer an unparalleled window onto the first half of the sixth century BC on the Anatolian Plateau.

Read more less

Table of Contents Preface and Acknowledgments Abbreviations KEYNOTE ADDRESS - Yannis HAMILAKIS, Time, Performance, and the Production of a Mnemonic Record: From Feasting to an Archaeology of Eating and Drinking I. FEASTS FOR THE GODS: FEASTING PRACTICES AND RELIGIOUS ASPECTS - Jennifer WILSON, What Were the Women Doing While the Men Were Eating and Drinking? The Evidence of the Frescoes - Anna SIMANDIRAKI, The Minoan Body as a Feast - Bernice JONES, Anthropomorphic Vessels at the Feast: Evidence for Dress or Ornament? - Brent DAVIS, Libation and the Minoan Feast - David COLLARD, Possible Alternatives to Alcohol: The Contextual Analysis of Poppy-shaped Jugs from Cyprus and the Aegean - Dora CONSTANTINIDIS, From Fields to Feasts: Interpreting Aegean Architecture and Iconography in Relation to Feast Preparations - Janice L. CROWLEY, In Honour of the Gods ' But Which Gods? Identifying Deities in Aegean Glyptic - Helene WHITTAKER, The Role of Drinking in Religious Ritual in the Mycenaean Period - Elizabeth SHANK, Decorated Dining Halls - Gullog NORDQUIST, Feasting: Participation and Performance II. FEASTS FOR THE HUMANS: COOKING, FOOD AND WINE - Sarah P. MORRIS, Wine and Water in the Bronze Age: Fermenting, Mixing and Serving Vessels - Thomas M. BROGAN and Andrew J. KOH, Feasting at Mochlos? New Evidence for Wine Production, Storage and Consumption from a Bronze Age Harbor Town on Crete? - Rachel FOX, Tastes, Smells and Spaces: Sensory Perceptions and Mycenaean Palatial Feasting - Bartlomiej LIS, Cooked Food in the Mycenaean Feast ' Evidence from the Cooking Pots - Julie HRUBY, You Are How You Eat: Mycenaean Class and Cuisine IIIa. FEASTS IN THE AEGEAN LANDSCAPE: THE EVIDENCE FROM CRETE - Philip P. BETANCOURT, David S. REESE, Louise L. VERSTEGEN, and Susan C. FERRENCE, Feasts for the Dead: Evidence from the Ossuary at Hagios Charalambos - Luca GIRELLA, Feasts in 'transition'? An overview of feasting practices during MM III in Crete - Loeta TYREE, Athanasia KANTA and Harriet Lewis ROBINSON, Evidence for Ritual Eating and Drinking: A View from Skoteino Cave - Judith REID, Dinnertime at Kato Zakro - Jan DRIESSEN, Alexandre FARNOUX and Charlotte LANGOHR, Favissae. Feasting Pits in LM III - Quentin LETESSON and Jan DRIESSEN, From 'Party' to 'Ritual' to 'Ruin' in Minoan Crete: The Spatial Context of Feasting IIIb. FEASTS IN THE AEGEAN LANDSCAPE: THE EVIDENCE FROM THE MAINLAND - Jennifer O'NEILL, Utility and Metaphor: The Design of The House of Tiles at Lerna - Kim S. SHELTON, Drinking, Toasting, Consumption and Libation: Late Helladic IIIA Pottery and a Cup for Every Occasion - Salvatore VITALE, Ritual Drinking and Eating at LH IIIA2 Early Mitrou, East Lokris. Evidence for Mycenaean Feasting Activities? - Gisela WALBERG and David S. REESE, Feasting at Midea IV. IMAGES OF THE FEAST: ICONOGRAPHY - Ingo PINI, Are there any Representations of Feasting in the Aegean Bronze Age? - Fritz BLAKOLMER, Processions in Aegean Iconography II: Who are the Participants? - Susan C. FERRENCE, Is There Iconography of the Minoan Feast? - Marcia NUGENT, Picturing the Feast ' Recipes as Art. Botanic Motifs of the Late Bronze Age Cycladic Islands V. FEASTS ABROAD: COMPARATIVE EVIDENCE FROM THE EASTERN MEDITERRANEAN - Jennifer M. WEBB and David FRANKEL, Fine Ware Ceramics, Consumption and Commensality: Mechanisms of Horizontal and Vertical Integration in Early Bronze Age Cyprus - Kathryn O. ERIKSSON, Feasting as Part of the Multiculturalism of Late Bronze Age Cyprus - Alison SOUTH, Feasting in Cyprus: a View from Kalavasos - Louise A. HITCHCOCK, Architectures of Feasting - Karen Polinger FOSTER, A Taste for the Exotic - Ann E. KILLEBREW and Justin LEV-TOV, Early Iron Age Feasting and Cuisine: an Indicator of Philistine-Aegean Connectivity? - Aren M. MAEIR, Aegean Feasting and other Indo-European Elements in the Philistine Household -Assaf YASUR-LANDAU, Hard to Handle: Aspects of Organization in Aegean and Near Eastern Feasts VI. FEASTS IN THE TEXTS: THE WRITTEN RECORD - John G. YOUNGER, Food Rations and Portions in Cretan Hieroglyphic Documents - Ioannis FAPPAS, The Use of Perfumed Oils during Feasting Activities: A Comparison of Mycenaean and Near Eastern Written Sources - Stavroula NIKOLOUDIS, Bulls and Belonging: Another Look at PY Cn 3 - Thomas G. PALAIMA, The Significance of Mycenaean Words Relating to Meals, Meal Rituals, and Food - Vassilis P. PETRAKIS, E-ke-ra2-wo A wa-na-ka: The Implications of a Probable Non-Identification for Pylian Feasting and Politics - Cynthia W. SHELMERDINE, Host and Guest at a Mycenaean Feast - Jorg WEILHARTNER, Some Observations on the Commodities in the Linear B Tablets Referring to Sacrificial Banquets AFTERTHOUGHT - Thomas G. PALAIMA, A New Linear B Inscription from the Land Down Under: AUS HO(ME) Bo 2008

Read more less

The Oriental Institute initiated the first two excavation seasons based at Tell Atchana, ancient Alalakh, in the Amuq Valley, east of Antakya, Turkey with a team from the University of Chicago under the directorship of Prof. Kutlu Aslihan Yener.The Oriental Institute initiated the first two excavation seasons based at Tell Atchana, ancient Alalakh, in the Amuq Valley, east of Antakya, Turkey with a team from the University of Chicago under the directorship of Prof. Kutlu Aslihan Yener. The Tell Atchana/Alalakh Excavations are presently under the auspices of the Turkish Ministry of Culture. Institutional support is provided by Koc University in Istanbul with the continuing collaboration of the Antakya Mustafa Kemal University. This volume with specialist reports presents the first two seasons (2003-2004) of the new round of ongoing excavations at the site after a pause of 54 years. Archaeological and textual evidence from the earlier 1930-1940’s excavations has defined this important site as the regional capital (Alalakh) of a small territorial state, Mukiš, which existed during the 2nd millennium BC. Deposits from the Late Bronze Age occupations were identified above an extensive Middle Bronze Age settlement with evidence of site-wide destruction and reorganization of the settlement at the turn of the 13th-14th centuries BC. The publication of the 2003-2004 results represents the first volume in a monograph series of the team’s continued systematic work at the site. Subsequent volumes will specifically target the Late Bronze Age levels and the Middle Bronze Age city. A separate volume on ceramics will present the relative sequences, technical analyses, and experimental procedures on pottery. Earlier references pertaining to Leonard Woolley’s operations, the excavation results and ongoing interpretations of these materials prior to the team’s new excavations are listed in the bibliography. Further references for the 2003-2004 seasons can be found in the bibliography and on the project website www.alalakh.org.

Read more less

Depuis 2001, des recherches archéologiques sont menées dans l’archipel de Molène. Ce secteur s’avère particulièrement riche en vestiges du Néolithique et de l’Age du Bronze. Une concentration exceptionnelle de monuments mégalithiques y a été mise en évidence.Plusieurs habitats sont attestés par la présence de dépotoirs domestiques. A la pointe de Beg ar Loued (île Molène), l’un de ses amas coquilliers fit l’objet d’un premier sondage en 2003 marquant le début d’une série de campagnes de fouilles. Dès la deuxième année, celle-ci prit un tournant décisif avec la reconnaissance des premiers murs en pierres sèches, correspondant à un bâtiment conservé sous la dune. Pendant près d’une décennie, ce site fit l’objet de fouilles par une équipe interdisciplinaire. Les données obtenues par l’étude de l’habitat renseignent sur la chronologie des différentes occupations du site et permettent de documenter la transition IIIe-IIe millénaire avant notre ère, fourchette chronologique encore très mal connue dans la moitié nord de la France.Outre l’apport d’une chronologie relative, l’approche architecturale donne une meilleure compréhension des choix ayant présidé aux différentes phases de construction du bâtiment occupé pendant plus de trois siècles. Les éléments de la culture matérielle (céramique, lithique, métallurgie) viennent aussi soulever le voile sur une période essentiellement connue en Bretagne à travers les monuments funéraires.Pour la première fois dans cette région, grâce à la conservation des vestiges organiques, il est permis d’esquisser l’économie (élevage, agriculture pêche, collecte des coquillages, etc.) des hommes ayant occupé les rivages de la mer d’Iroise. Leur mode de vie suggère une communauté sédentaire à économie vivrière, exploitant l’ensemble des ressources insulaires sans pour autant être coupée du continent (style céramique, métallurgie).Afin de mieux comprendre l’évolution globale de cet environnement insulaire, de nouvelles recherches ont été menées sur les variations du niveau marin corrélées à l’étude du paysage végétal, de la géomorphologie, de la géologie et de la faune.English abstractSince 2001, archaeological research has been conducted in the Molène Archipelago, an area that is particularly rich in remains from the Neolithic and the Bronze Age, with an exceptional concentration of megalithic monuments. Several settlements are attested by the presence of domestic refuse dumps. At the point of Beg ar Loued (Molène Island), one of those shell middens was the object of an initial sondage in 2003, and that marked the beginning of a long series of excavations. Fieldwork took a decisive turn during the second year with the recognition of the first dry stone walls, belonging to a building preserved within the sand dunes. For nearly a decade, this site has been excavated by an interdisciplinary team. The data that have been obtained from this fieldwork provide information on the chronology of the various periods of occupation of the site and help to document the 3rd–2nd millennium BC transition, a period still largely unknown in the northern half of France. In addition to providing a relative chronology, the architectural approach gives us a better understanding of the choices that governed the different construction phases of the building, which was occupied for over three centuries. The elements of material culture (pottery, lithics, metalwork) also shed light on a period essentially known in Brittany through its funerary monuments. For the first time in this region, thanks to the preservation of organic remains, it is possible to sketch the lifestyle (livestock management, agriculture, fishing, shell gathering, etc.) of the people who occupied the shores of the Iroise Sea. In order to understand better the overall trends in this insular environment, new researches have been carried out on sea level changes in tandem with the study of the palaeoenvironment, geomorphology, geology and wildlife.

Read more less

The architecture of the temple at Baitokaike shares the characteristics that are typical of the Phoenician region especially during the imperial era. Baitokaike corresponds to that Phoenician tradition, but our knowledge about the foundation of these shrines and their development is still limited. This study aims to deepen this topic, while proposing new chronological phases of the site, starting from the time when it was an open cult place, through the architectural analysis of its buildings. In addition, it reexamines the Seleucid and Roman privileges of the sanctuary in order to extend our understanding of the territory of Baitokaike: agriculture, production and trade, the connecting roads and transport to nearby urban centers. Finally, the study of the iconography of the Greco-Latin inscriptions on site reveal the nature of the Zeus cult at Baitokaike as well as the rituals and processions that took place in the sanctuary. This monograph also contains three appendices. The first is a collection of the Greek-Latin inscriptions found on the site, and includes an unpublished inscription found on an altar in the sanctuary. The second appendix constitutes a numismatic study of 46 coins uncovered during the excavation of 2004. Finally, the last appendix presents a catalogue of selected archaeological finds like pottery sherds, bronze and bones objects; Il complesso di Baitokaike (Hoson Sulaiman) è considerato uno degli esempi più peculiari di santuari rurali romani in Siria che pongono la problematica relativa alla creazione dei luoghi di culto extraurbani e il loro sviluppo architettonico durante il periodo classico. Questo lavoro si propone di affrontare tale problematica su un piano archeologico e storico esaminando nel dettaglio la morfologia spaziale e architettonica del complesso di Baitokaike tramite un’analisi comparata dei suoi edifici con altre strutture religiose siriane e dell’Asia Minore, e mediante una accurata classificazione delle sue evidenze epigrafiche, numismatiche e di altri materiali archeologici, per lo più inediti, provenienti dai recenti scavi nel sito. Il libro è teso a discutere anche lo status politico e amministrativo di Baitokaike e il suo territorio sacro durante l’epoca ellenistica e romana tramite uno studio epigrafico delle sue iscrizioni, soprattutto quelle relative ai privilegi concessi dai Seleucidi e confermati successivamente dagli imperatori romani. Il fulcro di questo lavoro, dunque, è quello di riesaminare l’architettura del complesso monumentale di Baitokaike e di proporre un suo nuovo inquadramento cronologico.

Read more less

For more than forty years William Watson has occupied a unique place in the study and teaching of Chinese art in Great Britain. Professor Watson's publications cover a wide field, his command of Chinese, Japanese, Russian and western languages giving access to the fullest literature on his subjects. The colloquies he organized at the Percival David Foundation achieved international repute, with results that remain on record. At the Royal Academy of Arts he took a leading part in the Chinese archaeological exhibition of 1972 which reinstated cultural relations between Britain and China. Also at the Royal Academy he was the instigator and chief organizer of the Japanese exhibition of 1982, in which for the first time the art of the Tokugawa period was comprehensively presented outside of Japan as enshrining the national genius. The present two volumes collect Professor Watson's main smaller publications made in the course of museum and university careers. Many are specific studies of works in terms of cultural context, dating and historical significance. They contain mainly writing on Chinese, Japanese and Korean subjects, in particular the bronze art, ceramics and sculpture of the T'ang and earlier periods. Painting is treated in some closely defined topics. Contents: Preface The Lathe in Antiquity Ancient Khorezm The Seligman Gift A Grave Guardian from Ch'ang Sha A Bronze Mirror from Shao Hsing Recent Discoveries in Chinese Archaeology I & II A Buddhist Patron of the Refectory Chinese Lacquered Wine-cups The Earliest Buddhist Images of Korea Sung Bronzes A Dated Buddhist Image of the Northern Wei Period A Jade Hatstand An Inscribed Jade Cup from Samarqand A Chinese Bronze Bell of the Fifth Century BC A Chinese Bronze Figure of the Fourth Century BC The Kingdom of Tien and the Dong Son Culture Inner Asia and China in the pre-Han Period Overlay and p'ing-t'o in T'ang Silverwork On T'ang Soft-glazed Pottery The Thai-British Archaeological Expedition Chinese Ceramics from Neolithic to T'ang History and Technological History Traditions of Material Culture in the Territory of Ch'u The Chinese Contribution to Nomad Culture in the pre-Han and early Han Periods

Read more less

This book comprises twenty-two articles devoted to First Millennium Egypt, all intended to honour Antony Leahy, whose interest in this period is well known to scholars of this period. Both archaeology and philology are represented in this volume as well as studies on history and material culture. The interlocking interpretation of texts and objects is also noteworthy. The paper by Karl Jansen-Winkeln re-examines the question of the Libyan or Egyptian nature/origin/ethnic identity of the Third Intermediate Period, whilst others are more specific in their scope. Chronological discussions concerning the order of the kings of the 25th Dynasty in Egypt and Nubia are presented by Gerard Broekman and Roberto Gozzoli. Several objects belonging to a king Djehutyemhat are described by Troy Sagrillo. Statues belonging to the Memphite governor, chancellor and scribe to the king Horsematuyemhat; the Theban governor Nesptah A; the admiral Hor, who presumably lived in Tell el Yahudiya; and the royal tutor Ankhefensenmut from Permanu are discussed by Mélanie Cressent, Frédéric Payraudeau, Campbell Price and Oliver Perdu respectively, with the latter arguing for an identification of Permanu with Kom Firin. The Theban choachytes of the Third Intermediate Period are studied by Cynthia Sheikoleslami, whilst Maria Cannata reports on the remains of an embalmer’s cache from the Saite Period. The minor arts of the First Millenium BC are addressed by Claus Jurman, who writes on a number of seals, Julia Budka, who deals with Twenty-fifth Dynasty votive pottery from Abydos, Benjamin Hinson, who reports on the presence of bells in First Millennium private tombs, and John Taylor, who discusses two lost Twenty-second Dynasty Theban cartonnages. Other studies examine the possibility of a third large Twenty-first dynasty cache at Thebes (David Aston); the possible location of the tomb of Osorkon III at Thebes (Michinori Ohshiro); the use of Pyramid texts in Twenty-fifth and Twenty-sixth Dynasty tombs (Antonio Morales); Saite warfare (Alan Lloyd) and Thirtieth Dynasty Apis burials (Didier Devauchelle). The volume also comprises philologically orientated contributions on Glorification Texts (Martin Bommas) and the Horus Throne in djet and neheh (Stephen Gregory). The collection of articles is rounded off by Günter Vittmann’s account of a previously unpublished letter written in abnormal hieratic from Amheida in the Dakhleh Oasis.

Read more less

The Art of Discovery. The Discovery of Art. The History of Art! Warhol, Michelangelo, and da Vinci. Picasso, Monet, and Rembrandt, Ai WeiWei and Jenny Holzer. What were they thinking when they created their masterworks? While we can't always know an artist's exact thoughts, The Handy Art History Answer Book examines their benefactors, their wealth or poverty, their passions, the politics, and the world events that inspired and influenced them. Explore their techniques and materials, the forms, colors and styles, the movements and schools of thoughts, and discover the varied forms and nature of artistic expression. Tracing art history from cave paintings to contemporary installations, along with Romanticism, Impressionism and the numerous “isms” in-between, The Handy Art History Answer Book guides you through the major art movements, artists, and important art pieces from 35,000 B.C.E. to today. This fascinating book provides an overview of art from its history and basic principles to its evolution, philosophy, and the masters who created groundbreaking works that changed its course forever. Accessible and entertaining, this captivating book answers over 600 questions, such as … What is beauty? What tools did Paleolithic artists use? Why do Egyptian figures have two left feet? What is the difference between weaving and tapestry? What happened to the Venus de Milo's arms? Why is Emperor Comoodus dressed as Hercules? What are the Classical Greek Orders of Architecture? What do the Yoruba consider beautiful? What was the first Gothic cathedral? How was single-point perspective invented? What makes the Mona Lisa such a great work of art? What is the difference between Art Nouveau and Art Deco? What is a Zen garden? Why wasn’t photography considered art in the 19th century? How did Cezanne “astonish Paris with apples”? Why did Jackson Pollock splatter paint all over his canvases? Why do Jeff Koons’ balloon animals sell for millions of dollars? Who is Ai Weiwei? The Handy Art History Answer Book covers not only paintings, but every medium imaginable, including sculpture, architecture, pottery, photography, installation art, and even video games. The concise and clearly written text is enhanced by nearly 150 color images illustrating artistic concepts and highlighting important and memorable artworks. Its helpful bibliography and extensive index add to its usefulness.

Read more less

Excavations at Dryslwyn between 1980 and 1995 uncovered a masonry castle, founded in the late 1220s by Rhys Gryg for his son Maredudd ap Rhys, the first Lord of Dryslwyn. The first castle was a simple round tower and polygonal walled enclosure, within which were constructed a kitchen, prison and wood-framed, clay-floored great chamber beside a great hall. In the mid 13th century a second ward was added and the great chamber rebuilt in stone. This castle was greatly expanded in the period 1283-87 by Rhys ap Maredudd, the second and final Lord of Dryslwyn, who built an Outer Ward and gatehouse. He also rebuilt much of the Inner Ward, adding an extra storey to the great hall and great chamber, apartments and a chapel. At the end of the 13th century a large three-ward castle stretched along the eastern and southern edge of the hill while the rest of the hilltop was occupied by a settlement defended by a wall and substantial ditch with access through a gatehouse. This castle and its associated settlement were besieged and captured in 1287 by an English royal army of over 11,000 men following damage inflicted by a trebuchet and mining of the walls. Throughout the 14th century the English Crown garrisoned and repaired the castle, supervised by an appointed constable, before it was surrendered to Owain Glyn Dwr in 1403. During the early to mid 15th century the castle was deliberately walled up to deny its use to a potential enemy and it was subsequently looted and demolished. By the late 13th century, the castle had a white rendered and lime-washed appearance, creating a very dramatic and highly visible symbol of lordship. Internally, the lord's and guest apartments had decorative wall paintings and glazed windows. Evidence from charred beams still in situ, the sizes, shapes and distribution of nails, sheet lead, slates and postholes recovered during excavation has enabled some of the wooden as well as masonry buildings to be reconstructed. Waterlogged deposits had preserAt just 132 hectares (325 acres) the parish of Caldecote is one of the smallest parishes in Hertfordshire. Today the settlement comprises the manor house, until recently surrounded by a range of traditional farm buildings, together with six labourer's cottages and the church. To the north lies the site of the old rectory and the earthworks of a medieval settlement. In 1973 the Department of Environment and the Deserted Medieval Village Research Group arranged a rescue excavation to examine the earthworks of the medieval village before they were levelled and ploughed. Five crofts, the old rectory site and much of the moated enclosure were investigated in one of the largest excavations ever conducted on a later medieval rural site in Britain. Though the excavations did recover a Bronze Age beaker burial and small quantities of Roman and Iron Age pottery, the medieval settlement at Caldecote was probably founded in the 10th century, and by the time of the Domesday Survey there was a church, a priest and nine villeins. A moated site was added in the 13th century. A century later, Caldecote was granted to the abbots of the Benedictine monastery in St Albans, at a time when there were seventeen householders. Early in the second half of the 14th century, the estate and demesne were subdivided into six farms, each complete with a hall-house and two or more barns. Following the dissolution of the monastery in 1539, the manor was again held by an absentee lord and the farms continued to prosper. However, the late 16th and early 17th centuries, for which there are several surviving wills and inventories, saw their gradual abandonment.After the desertion of Caldecote Marish in 1698, Caldecote was farmed as a single unit until 1970, when the estate was attached to that adjoining the manor of Newnham. Of particular importance from Caldecote is the archaeological evidence for medieval peasant structures, the development of the later medieval domestic plan and the structural tra

Read more less

The central position of the province of Cuenca, Spain, was a decisive factor in its relationship with Toledo, the capital of the Visigothic kingdom. Also, its location meant that, from the middle of the 6th Century, it was directly affected by some of the most relevant historical episodes of those times: the foundation of the royal city of Reccopoli, the establishment of the Servitanus monastery, the transformation of Toledo as the metropolitan seat of the Carthaginian province and the military campaigns against the imperial forces. Parallel to this, archaeological excavations document a process of disrupting the old urban centres in favour of small populations within their municipal territory. This process was resolved with a shift of power centres towards other cities supported by the political power of Toledo: Toledo itself in the case of Segobriga, Reccopoli in the Arcavica’s case and Illunum to the detriment of Valeria. In this way, the ancient Roman cities were reduced to serve as a symbolic reference of the small villages that developed in the shadow of the old urban centres. This volume presents a historical and archaeological study of the province of Cuenca in Late Antiquity. The study concludes with an examination of the archaeological collection from the province, which has been divided into three large groups: monumental sculpture and epigraphic items, ceramic productions and metalwork arts. The first group is mainly constituted by the findings made in the excavations of Cabeza de Griego (Segobriga). Most of the pottery productions correspond to vessels placed as funerary deposits. Due to the absence of excavations, the ceramics for kitchen and storage use are hardly represented, whereas there is an overrepresentation of types destined for use as libations or offerings. Finally, most of the elements of industrial arts correspond to elements of the Latin-Mediterranean fashion or Byzantine style of the 7th Century. The almost total absence of materials corresponding to the Pontic-Danubian fashion also should be noted. | La posición central de la provincia de Cuenca ha sido el factor determinante en su relación con Toledo, la capital del reino visigodo. Esta situación fue la causa también de que, desde mediados del siglo VI, se viera directamente afectada por algunos de los episodios históricos más relevantes del momento: la fundación de la ciudad regia de Recópolis, el establecimiento del monasterio Servitano, la transformación de Toledo en sede metropolitana de la provincia cartaginesa y las campañas militares contra los ejércitos imperiales. De forma paralela, las excavaciones arqueológicas documentan un proceso de desestructuración de los antiguos centros urbanos a favor de pequeñas poblaciones de su territorio. Este proceso se resolvió con un cambio de centros de poder hacia otras ciudades apoyadas por el poder político de Toledo: Toledo mismo en el caso de Segóbriga, Recópolis en el caso de Arcávica e Illunum en detrimento de Valeria. De este modo, las ciudades romanas quedaron reducidas servir como referentes simbólicos de las pequeñas poblaciones que se desarrollaron a la sombra de los antiguos centros urbanos. El presente trabajo se completa con el estudio de la colección arqueológica procedente de la provincia, que se ha dividido en tres grandes grupos: escultura monumental y epigrafía, producciones cerámicas y artes industriales. El primer grupo está constituido principalmente por los hallazgos realizados en las excavaciones de Cabeza de Griego (Segóbriga). Por otro lado, la mayoría de las producciones de cerámica corresponden a vasijas colocadas como depósitos funerarios. Debido a la ausencia de excavaciones, la cerámica de cocina y de almacenamiento apenas aparece representada, mientras que hay una sobrerrepresentación de tipos destinados a libaciones u ofrendas. Finalmente, la mayoría de los materiales de las artes industriales corresponden a elementos de la moda latino-mediterránea o del estilo bizantino del siglo VII. La ausencia casi total de materiales correspondientes a la moda póntico-danubiana es sumamente significativa.

Read more less

Contents: 1) New perspectives on Minaean expiatory texts (Alessio Agostini); 2) Investigating an early Islamic landscape on Kuwait Bay: the archaeology of historical Kadhima (Andrew Blair, Derek Kennet & Sultan al-Duwīsh); 3) The early settlement of HD-5 at Ras al-Дadd, Sultanate of Oman (fourth–third millennium BCE) (Federico Borgi, Elena Maini, Maurizio Cattani & Maurizio Tosi); 4) Known and unknown archaeological monuments in the Dūmat al-Jandal oasis in Saudi Arabia: a review (Guillaume Charloux); 5) Prehistory and palaeo-geography of the coastal fringes of the Wahiba Sands and Bar al-Hikman, Sultanate of Oman (Vincent Charpentier, Jean-François Berger, Rémy Crassard, Marc Lacaze & Gourguen Davtian); 6) Unlocking the Early Bronze Age: attempting to extract Umm an-Nar tombs from a remotely sensed Hafit dataset (poster) (William Deadman); 7) Iron Age impact on a Bronze Age archaeological landscape: results from the Italian Mission to Oman excavations at Salūt, Sultanate of Oman (Michele Degli Esposti & Carl Phillips); 8) Late Palaeolithic core-reduction strategies in Dhofar, Oman (Yamandú Hilbert, Jeffrey Rose & Richard Roberts); 9) Réflexions sur les formes de l’écrit à l’aube de l’Islam (Frédéric Imbert); 10) Getting to the bottom of Zabid: the Canadian Archaeological Mission in Yemen, 1982–2011 (Edward J. Keall); 11) New perspectives on regional and interregional obsidian circulation in prehistoric and early historic Arabia (Lamya Khalidi, Krista Lewis & Bernard Gratuze); 12) The Saudi-Italian-French Archaeological Mission at Dūmat al-Jandal (ancient Adumatu). A first relative chronological sequence for Dūmat al-Jandal. Architecture and pottery (Romolo Loreto); 13) Excavation at the ‘Tree of Life’ site (Mohammed Redha Ebrahim Hasan Mearaj); 14) The origin of the third-millennium BC fine grey wares found in eastern Arabia (S. Méry, R. Besenval, M.J. Blackman & A. Didier); 15) Building H at Mleiha: new evidence of the late pre-Islamic period D phase (PIR.D) in the Oman peninsula (second to mid-third century AD) (M. Mouton, M. Tengberg, V. Bernard, S. Le Maguer, A. Reddy, D. Soulié, M. Le Grand & J. Goy); 16) An overview of archaeology and heritage in Qatar (Sultan Muhesen, Faisal al-Naimi & Ingolf Thuesen); 17) The construction of Medina’s earliest city walls: defence and symbol (Harry Munt); 18) Landscape signatures and seabed characterization in the marine environment of north-west Qatar (poster) (Faisal al-Naimi, Richard Cuttler, Ibrahim Ismail Alhaidous, Lucie Dingwall, Garry Momber, Sadd al-Naimi, Paul Breeze & Ahmed Ali al-Kawari); 19) Towards an annotated corpus of Soqotri oral literature: the 2010 fieldwork season (Vitaly Naumkin, Leonid Kogan & Dmitry Cherkashin (Moscow); AΉmad Īsā al-Darhī & Īsa Gumān al-Darhī (Soqotra, Yemen); 20) Palace, mosque, and tomb at al-RuwayΡah, Qatar (Andrew Petersen & Tony Grey); 21) The origin and development of the oasis landscape of al-ΚAin (UAE) (Timothy Power & Peter Sheehan); 22) Evidence from a new inscription regarding the goddess ΚΕ(t)rm and some remarks on the gender of deities in South Arabia (Alessia Prioletta); 23) Archaeological excavations at the settlement of al-FurayΉah (Freiha), north-west Qatar (Gareth Rees, Faysal al-Naimi, Tobias Richter, Agnieszka Bystron & Alan Walmsley); 24) The 2010–2011 excavation season at al-Zubārah, north-west Qatar (poster) (Tobias Richter, Faisal Abdulla al-Naimi, Lisa Yeomans, Michael House, Tom Collie, Pernille Bangsgaard Jensen, Sandra Rosendahl, Paul Wordsworth & Alan Walmsley); 25) The Great Mosque of Qalhāt rediscovered. Main results of the 2008–2010 excavations at Qalhāt, Oman (Axelle Rougeulle, Thomas Creissen & Vincent Bernard); 26) A new stone tool assemblage revisited: reconsidering the ‘Aterian’ in Arabia (Eleanor M.L. Scerri); 27) Egyptian cultural impact on north-west Arabia in the second and first millennia BC (Gunnar Sperveslage & Ricardo Eichmann); 28) The Neolithic site FAY-NE15 in the central region of the Emirate of Sharjah (UAE) (Margarethe Uerpmann, Roland de Beauclair, Marc Händel, Adelina Kutterer, Elisabeth Noack & Hans-Peter Uerpmann); 29) KāΞimah remembered: historical traditions of an early Islamic settlement by Kuwait Bay (Brian Ulrich); 30) Yemeni opposition to Ottoman rule: an overview (Abdol Rauh Yaccob).

Read more less