Search results for ""Author Morris"

One of the most original, moving and beautifully written non-fiction works of recent years, The Missing marked the acclaimed debut of one of Britain's most astute and important writers.In a brilliant merging of reportage, social history and memoir, Andrew O'Hagan clears a devastating path from the bygone Glasgow of the 1970s to the grim secrets of Gloucester in the mid 1990s.'A triumph in words.' Independent on Sunday'The Missing, part autobiography, part old-fashioned pavement-pounding, marks the most auspicious debut by a British writer for some time.' Gordon Burn, Independent'A timely corrective to the idea that nothing profound can be said about now.' Will Self, Observer Books of the Year'His vision of modern Britain has the quality of a poetic myth, with himself as Bunyan's questing Christian and the missing as Dantesque souls in limbo.' Blake Morrison, Guardian

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From 'Best of the Booker' winner Salman Rushdie, an incisive and inspiring collection of non-fiction essays, criticism and speeches that takes readers on a thrilling journey through the evolution of language and culture.'One of the greatest writers of our age' Neil GaimanAcross a wide variety of subjects, Rushdie delves into the nature of storytelling as a deeply human need and what emerges is a love letter to literature itself. Throughout, he shares his personal encounters, on the page and in person, with storytellers from Shakespeare to Toni Morrison and revels in the creative lines that can join art and life. Rushdie considers, too, the nature of truth and looks afresh at migration, multiculturalism and censorship.'Essential reading... Powerful' Financial Times'Rushdie is vital, expansive, the critic as storyteller, championing his subjects with gusto' TLS

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RSVP is a sumptuous family saga, packed with sex, love and betrayal.The Granville Midsummer Ball is always an affair to remember. The who's who of Irish society gather at Carrickcross House - the rural family estate - for a night of revelry. But this year's soiree is extra-special: matriarch Honoria is announcing her grandson Rossa's engagement to Ashling Morrison.Ashling has been swept off her feet. Tall, dark and handsome, Rossa's the perfect catch, but is he too good to be true? Why is Honoria so keen to make Ashling - stepdaughter of her life-long enemy Coppelia - part of the Granville clan? Can Rossa's brother Carrick hold on to his position as rightful heir? And will ruthless Coppelia have her way?With the promise of distinguished company, drinking, dancing and murder...who could possibly refuse this invitation? Repondez s'il vous plait.

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The brand of jazz that developed in the Kansas City area in the period from the late 1920s to the late 1930s is recognised as both a distinct stylistic variation within the larger genre and a transitional stage between earlier forms of African-American music, such as ragtime and blues, and later, more modern forms, up to and including bebop. Kansas City’s brand of jazz has been described as “the most straightforward and direct style which has been developed outside New Orleans,” by Hughues Panassié and Madeleine Gautier in their Dictionary of Jazz. Kansas City jazz has inspired the creation of a museum and has been the subject of a feature-length film, Robert Altman’s 1996 “Kansas City,” and even a sentimental rock song, “Eternal Kansas City” by Van Morrison. The first comprehensive work on the subject in over 15 years, this book draws on new research to delve deeper into music of the American Midwest that evolved into Kansas City jazz, and includes profiles of individual musicians who developed very different styles within or beyond the framework of the sub-genre. Kansas City Jazz focuses on the broader themes and the stories of the major personalities whose individual talents came together to create the larger whole of Kansas City’s distinctive brand of jazz.

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‘Love set you going’. The opening words of Sylvia Plath’s poem for her newborn daughter are true of each one of us. Love is fundamental to our being, our growth, our development and our happiness. Love enables us to make meaning of our lives in the world, and it gives us hope for what lies beyond. It is completely humdrum and ordinary – yet mysterious beyond words. Beginning in the body, it points us to eternity. Life offers, and asks of us, many different kinds of love, and poets have reflected on this truth with insight and acute observation. As Janet Morley explores love ‘up and down the generations’, ‘grown up love’ and love between ‘God and the human heart’, she reveals what our hearts eventually discern – love has its seasons and ambiguities, its certainties and passions. Love is never simple at all. W. H. Auden * Rupert Brooke * Charles Causley * John Clare * Gillian Clarke * Samuel Taylor Coleridge * Christine De Luca * Imtiaz Dharker * Emily Dickinson * John Donne * Carol Ann Duffy * Ruth Fainlight * U. A. Fanthorpe * Seamus Heaney * George Herbert * Gerard Manley Hopkins * Ted Hughes * John of the Cross * Jane Kenyon * D. H. Lawrence * Edwin Morgan * Sinéad Morrissey * Sylvia Plath * Christina Rossetti * Siegfried Sassoon * E. J. Scovell * William Shakespeare * R. S. Thomas * Rosemary Tonks * Andrew Waterhouse * Charles Wesley * Rowan Williams * Thomas Wyatt

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A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition A New York Magazine 2021 holiday gift guide pick What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever. Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright.

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In Millennial Style, Aliyyah I. Abdur-Rahman looks at recent experiments in black expressive culture that begin in the place of ruin. By ruin, Abdur-Rahman means the political terror and social abjection that constitute the ongoing peril of black lives. Whereas earlier black writers and artists have employed realist modes of expression to represent racial harm and to imaginatively remediate it, the black avant-garde of today displays more experimental methods. Abdur-Rahman outlines four widely employed modes in contemporary African diasporic cultural production: Black Grotesquerie, Hollowed Blackness, Black Cacophony, and the Black Ecstatic. Mobilizing black feminist and black radical thought, she considers work by such cultural practitioners as Wangechi Mutu, Marci Blackman, Alexandria Smith, Colson Whitehead, Toni Morrison, Harmony Holiday, and Essex Hemphill. Writerly and experimental, Millennial Style theorizes contemporary black art as the holding (or hoarding) of black mortal and material resources against the injuries of social death, as the fashioning of relational ethics, and as exuberant black world-building in ruinous times.

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A collection of illustrated essays highlights the works of influential Black artists from Washington, DC, from the 1920s to the present In a twentieth century during which modern art largely abandoned beauty as its imperative, a group of Black artists from Washington, DC, made beauty the center of their art making. This book highlights these influential artists, including David C. Driskell, Sam Gilliam, Lois Mailou Jones, and Alma Thomas, in the context of what Jeffrey C. Stewart describes as the Washington Black Renaissance. Vibrant histories of key District institutions and the city’s communities of educators, critics, and collectors animate a nuanced consideration of the evolution of an aesthetic dialectic from the 1920s up to the present day. The 15 essays in the volume are grounded by voices from a live artist panel at the National Gallery of Art in 2017, which included Lilian Thomas Burwell, Floyd Coleman, David C. Driskell, Sam Gilliam, Keith Morrison, Martin Puryear, Sylvia Snowden, and Lou Stovall.Published by the National Gallery of Art, Center for Advanced Study in the Visual Arts/Distributed by Yale University Press

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In Tom Sawyer and Huckleberry Finn, Mark Twain presented for the first time the vernacular of the Mississippi River region, explored the myths and fables of the nation's past, and looked to the choices facing a rapidly changing society. Moving from a discussion of the novels' early receptions, this Columbia Critical Guide explores nineteenth- and twentieth-century criticism by William Dean Howells, T. S. Eliot, Leslie Fiedler, Ralph Ellison, Norman Mailer, and Toni Morrison. In its final section, the book provides students with important material on the contemporary debates about race and gender in these novels so that new perspectives on Twain's place in American literature may be fully understood.

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"[Eleanor's] sense of respect, her tact, her utter lack of obsequiousness ...and her uncanny ability to ask difficult questions ...have endeared her to readers and listeners."-Carol Shields Eleanor Wachtel is one of the English-speaking world's most respected interviewers. This book, celebrating her show's twenty-five-year anniversary, presents her best conversations from the show, including Jonathan Franzen, Alice Munro, J.M. Coetzee, Zadie Smith, W.G. Sebald, Toni Morrison, Seamus Heaney, and nearly a dozen others who share their views on process and the writing life. Eleanor Wachtel has been host of CBC Radio's Writers & Company since its inception in 1990.

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Outlines the key feminist debates on British women's fiction since the 'second wave' and grounds them in examples of women's writingThis book introduces you clearly and succinctly to the ways in which feminist ideas have transformed the form and content of British women's fiction and non-fiction writing. The Introduction sets out the critical background and the main feminist critical approaches to literature. This is followed by 5 chapters which outline feminist engagements with the canon, gender, the body, sexual difference and ethnicity to demonstrate the ways in which feminist ideas have affected the 'content' of women's literature. The next 5 chapters examine types of fiction writing: romance, crime, science fiction, life-writing and historical fiction, to show the effect of feminist ideas on the 'form' of women's literature.The text also provides a wide range of illuminating case studies which include: Virago Modern Classics, The Women Prize for Fiction, Charlotte Perkins Gilman's 'Herland', Angela Carter's 'The Passion of New Eve', Margaret Attwood's 'The Edible Woman', Lucy Ellmann's 'Sweet Desserts', Barbie dolls, French feminism and sexuality, trans identities, feminist publishing and ethnicity, black and minority ethnic women's writing, Zadie Smith's novels, Toni Morrison's 'Beloved', Eimear McBride's 'A Girl is a Half Formed Thing', Val McDermid and lesbian crime writing, Ruth Rendell and the invention of the 'whydunit', Margaret Atwood's 'Maddaddam' sci fi trilogy, Jeanette Winterson's 'Oranges Are Not The Only Fruit' and 'The Passion', Pat Barker's 'Regeneration' trilogy and Hilary Mantel's 'Wolf Hall' and 'Bring Up The Bodies'. Each chapter ends with a list of primary texts and recommended further reading.Key FeaturesProvides a clear overview of changing feminist debates and terms in the 20th and 21st centuriesShows the changing form of women's fiction and non-fiction during this periodAssesses the ways in which literary, political and mainstream cultures, as well as the book industry, have impacted on the work and ideas of female writersIncludes a wide range of case studies as well as recommended further reading and a list of primary texts with each chapter

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Raising the Dead is a groundbreaking, interdisciplinary exploration of death’s relation to subjectivity in twentieth-century American literature and culture. Sharon Patricia Holland contends that black subjectivity in particular is connected intimately to death. For Holland, travelling through “the space of death” gives us, as cultural readers, a nuanced and appropriate metaphor for understanding what is at stake when bodies, discourses, and communities collide.Holland argues that the presence of blacks, Native Americans, women, queers, and other “minorities” in society is, like death, “almost unspeakable.” She gives voice to—or raises—the dead through her examination of works such as the movie Menace II Society, Toni Morrison’s novel Beloved, Leslie Marmon Silko’s Almanac of the Dead, Randall Kenan’s A Visitation of Spirits, and the work of the all-white, male, feminist hip-hop band Consolidated. In challenging established methods of literary investigation by putting often-disparate voices in dialogue with each other, Holland forges connections among African-American literature and culture, queer and feminist theory.Raising the Dead will be of interest to students and scholars of American culture, African-American literature, literary theory, gender studies, queer theory, and cultural studies.

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Interest in the mother-daughter relationship has never been greater, yet there are few books specifically devoted to the relationships between daughters and mothers of color. To fill that gap, this collection of original essays explores the mother-daughter relationship as it appears in the works of African, African American, Asian American, Mexican American, Native American, Indian, and Australian Aboriginal women writers.Prominent among the writers considered here are Toni Morrison, Alice Walker, Maxine Hong Kingston, Cherrie Moraga, Leslie Marmon Silko, and Amy Tan. Elizabeth Brown-Guillory and the other essayists examine the myths and reality surrounding the mother-daughter relationship in these writers' works. They show how women writers of color often portray the mother-daughter dyad as a love/hate relationship, in which the mother painstakingly tries to convey knowledge of how to survive in a racist, sexist, and classist world while the daughter rejects her mother's experiences as invalid in changing social times.This book represents a further opening of the literary canon to twentieth-century women of color. Like the writings it surveys, it celebrates the joys of breaking silence and moving toward reconciliation and growth.

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If Charlie and Sage are meant to be, why can't Sage stop kissing Charlie's brother?And why can't Charlie stop thinking about kissing the new boy at school?Everyone at the Bexley School believes that Sage Morgan and Charlie Carmichael are meant to be. Even though Charlie seems to have a new girlfriend every month, and Sage has never had a real relationship, their friends and family all know it's just a matter of time until they realize that they are actually in love.When Luke Morrissey shows up on campus his presence immediately shakes things up. Charlie and Luke are drawn to each other the moment they meet, giving Sage the opportunity to spend time with Charlie's twin brother, Nick.But Charlie is afraid of what others will think if he accepts that he has much more than a friendship with Luke. And Sage fears that if she lets things with Nick get too serious too quickly, they won't be able to last as a couple outside of high school and miss their chance at forever. The duo will need to rely on each other and their lifelong friendship to figure things out with the boys they love.

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African American Political Thought offers an unprecedented philosophical history of thinkers from the African American community and African diaspora who have addressed the central issues of political life: democracy, race, violence, liberation, solidarity, and mass political action. Melvin L. Rogers and Jack Turner have brought together leading scholars to reflect on individual intellectuals from the past four centuries, developing their list with an expansive approach to political expression. The collected essays consider such figures as Martin Delany, Ida B. Wells, W. E. B. Du Bois, James Baldwin, Toni Morrison, and Audre Lorde, whose works are addressed by scholars such as Farah Jasmin Griffin, Robert Gooding-Williams, Michael Dawson, Nick Bromell, Neil Roberts, and Lawrie Balfour. While African American political thought is inextricable from the historical movement of American political thought, this volume stresses the individuality of Black thinkers, the transnational and diasporic consciousness, and how individual speakers and writers draw on various traditions simultaneously to broaden our conception of African American political ideas. This landmark volume gives us the opportunity to tap into the myriad and nuanced political theories central to Black life. In doing so, African American Political Thought: A Collected History transforms how we understand the past and future of political thinking in the West.

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Esta es la historia (novelada pero real) de las cinco hermanas Salom, familia judía sefardí del Sarajevo mágico de las cuatro religiones, a principios del siglo XX. En ella vemos a cinco mujeres que, envueltas por el calor de la comunidad y las alegrías y tristezas de la vida familiar, aprenderán las reglas de la vida mientras desafían las normas de una sociedad patriarcal y el vendaval de la Historia, para poder llevar una existencia independiente y adelantada a su tiempo.Gordana Kui?, que es hija de una de las cinco heroínas de la novela, traza en esta crónica familiar un vasto fresco, que abarca ambas guerras mundiales, sobre la compleja y trágica Historia de los Balcanes, a través del irrepetible destino de cinco mujeres llenas de fuerza, cariño y humor, una saga que entronca con la gran literatura de Jane Austen, Margaret Mitchell, Toni Morrison, Isabel Allende o Mercè Rodoreda.Aparecido en 1986 en Yugoslavia, el libro recibió los premios literarios más prestigiosos y fue u

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Teaching is tough, yet its rewards are huge. Every teacher wants to carry on getting better and better at what they do, but when you have so much on your plate already and only so many hours in the day, how can you find time for professional development? That’s where 60-Second CPD comes in. This book is a compendium of 239 easily accessible ideas and theories for professional development, each digestible in roughly 60 seconds. It’s a book that every teacher and leader, in every primary and secondary school, can return to again and again as the year moves on and their career progresses. Hanna Beech and Ross Morrison McGill have distilled the million and one ideas out there into one practical, concise and inspiration-packed book designed to build knowledge, provide opportunities for deep thought and reflection, and facilitate the sharing of ideas among colleagues and teams.

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Granta magazine has published some of the best writing about family relationships in the English language. Over the years its writers have dealt with the most difficult, the most important and the most personal relationships of their lives. Granta Books' publication, in 1993, of Blake Morrison's And When Did You Last See Your Father? heralded the huge rise in popularity of the literary memoir, and since then Granta has carried pieces of non-fiction and fiction about the family from writers including Doris Lessing, Jane Anne Phillips, Hanif Kureishi, Jackie Kay, Helen Simpson, Linda Grant, Orhan Pamuk, Graham Swift, Ian Jack, Justine Picardie, Edmund White, Joy Williams, John McGahern, Jon McGregor, Paul Theroux, A. L. Kennedy, Siri Hustvedt and David Goldblatt. The New Granta Book of the Family collects together a stunning variety of pieces about every member of the family.

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'Just cos it's in your imagination doesn't mean it's not real.' Noah and Celeste Quilter met on a blind date organised by a newspaper, fell in love, got married and had a baby. But from the very earliest days of their relationship, they were under surveillance. And when they started a fight for their future, they never guessed it would cost them their lives. In a modern world where reality is whatever we imagine it to be, how do we know the stories we tell ourselves are true? What happens when there's only one person in the whole world you can truly trust? And what if they never take the bins out? Rapture by Lucy Kirkwood is a slippery thriller about love, power and belief which premiered at the Royal Court Theatre, London, in June 2022, directed by Lucy Morrison. It was promoted under the title That Is Not Who I Am, by Dave Davidson, a pseudonym.

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"Wilentz...makes convincing arguments for the connections between African and Afro-American women's culture." -Nellie McKay "Wilentz's jargon-free, intelligent discussion...will appeal to students in African, African American, and women's literature courses, as well as general readers interested in the emerging field." -Choice "Through these works, Wilentz demonstrates the powerful transformation possible through understanding-and embracing-the past, even if that past includes oppression and brutalization." -Belles Lettres Binding Cultures investigates the cultural bonds between African and African-American women writers such as Nigerian Flora Nwapa and Ghanaians Efua Sutherland and Ama Ata Aidoo, writers who focus on the role of women in passing on cultural values to future generations, and African-American writers Alice Walker, Toni Morrison, and Paule Marshall, who self-consciously evoke African culture to help create a more integrated African-American community.

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The perfect boredom-busting book for long winter evenings with the family, Richard Herring's Would You Rather? is packed with hundreds of the biggest questions to face us all, including: Would you rather have a conversation with a dolphin or an elephant?Would you rather fall in love or fall into a swimming pool full of your favourite biscuits?Would you rather live in a giant shoe or a giant peach?Would you rather own a car with Jimmy Carr, a lorry with Laurie Anderson or a van with Van Morrison?The questions will have the whole family, whether 6 or 106, debating on car journeys and train journeys, or stuck in on wet days during the school holidays, and will keep you entertained around the table at Christmas lunch (or when you're falling asleep after Christmas lunch...).Fun, family-friendly and often completely bonkers, this book is a perfect gift as well as a game.

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Brian Norman uncovers a curious phenomenon in American literature: dead women who nonetheless talk. These characters appear in works by such classic American writers as Poe, Dickinson, and Faulkner as well as in more recent works by Alice Walker, Toni Morrison, Tony Kushner, and others. These figures are also emerging in contemporary culture, from the film and best-selling novel The Lovely Bones to the hit television drama Desperate Housewives. Dead Women Talking demonstrates that the dead, especially women, have been speaking out in American literature since well before it was fashionable. Norman argues that they voice concerns that a community may wish to consign to the past, raising questions about gender, violence, sexuality, class, racial injustice, and national identity. When these women insert themselves into the story, they do not enter precisely as ghosts but rather as something potentially more disrupting: posthumous citizens. The community must ask itself whether it can or should recognize such a character as one of its own. The prospect of posthumous citizenship bears important implications for debates over the legal rights of the dead, social histories of burial customs and famous cadavers, and the political theory of citizenship and social death.

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A vibrant collection of biographies and illustrated portraits that capture the brilliance of more than thirty American icons, Historically Black is a celebration of Black excellence in fields ranging from politics to STEM, sports to pop culture, and more.From the moment the first HBCU was founded in 1837, Black Americans from all walks of life have created collegiate experiences that enrich and transcend mainstream postsecondary education. Today, more than 100 colleges and universities are registered under the HBCU banner and over 200,000 students are enrolled. With a legacy of marching bands, drill teams, choral ensembles, homecoming, and more, attending an HBCU is an emblem of pride and a source of joy. Historically Black not only documents HBCU cultural traditions but also the remarkable stories of former students.HBCU attendees in the book include: Booker T. Washington, James Weldon Johnson, Ida B. Wells-Barnett, W.E.B. Du Bois, Mary McLeod Bethune, Alice Dunbar Nelson, Zora Neale Hurston, Howard Thurman, Langston Hughes, Thurgood Marshall, Bayard Rustin, Dorothy Vaughan, Katherine Johnson, Mary Jackson, Leontyne Price, Martin Luther King, Jr., Toni Morrison, John Lewis, Bob Hayes, Oprah Winfrey, Kamala Harris, Hakeem M. Oluseyi, Taraji P. Henson, Erykah Badu, Stacey Abrams, Ta-Nehisi Coates, Chadwick Boseman, Hebru Brantley, Ibram X. Kendi, J.R. Smith, Megan Thee Stallion, and Mo’ne Davis.

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'Insightful and ingenious . . . Intrusion is both horrific and comic, and deals movingly with the consequences of genetic fixes' - GUARDIAN'Intrusion is a finely-tuned, in-your-face argument of a novel . . . MacLeod will push your buttons - and make you think' - SFXImagine a near-future city, say London, where medical science has advanced beyond our own and a single-dose pill has been developed that, taken when pregnant, eradicates many common genetic defects from an unborn child. Hope Morrison, mother of a hyperactive four-year-old, is expecting her second child. She refuses to take The Fix, as the pill is known. This divides her family and friends and puts her and her husband in danger of imprisonment or worse. Is her decision a private matter of individual choice, or is it tantamount to willful neglect of her unborn child?A plausible and original novel with sinister echoes of 1984 and Brave New World.Books by Ken MacLeod:Fall RevolutionThe Star FractionThe Stone CanalThe Cassini DivisionThe Sky RoadEngines of LightCosmonaut KeepDark LightEngine CityCorporation Wars TrilogyDissidenceInsurgenceEmergenceNovelsThe Human FrontNewton's WakeLearning the WorldThe Execution ChannelThe Restoration GameIntrusionDescent

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A poet's memoir of his mother that flows backwards through time, through a tumultuous period of European history - a tender and yet unsparing autobiographical journey.**A RADIO 4 BOOK OF THE WEEK**"A truly remarkable book . . . fiercely compelling" EDMUND DE WAAL*WINNER OF THE JAMES TAIT BLACK MEMORIAL PRIZE* *SHORTLISTED FOR THE JEWISH WINGATE PRIZE*"I've read no memoir that moved me more" MIRANDA SEYMOUR"The writing is always scrupulous . . . [a] compelling memoir" BLAKE MORRISON"Beautifully written and utterly compelling" Sunday Times"An original, probingly thoughtful memoir" EVA HOFFMANNIn July 1975, Magda Szirtes died in the ambulance on the way to hospital after she had tried to take her own life. She was fifty-one years old. The Photographer at Sixteen spools into the past, through her exile in England, her flight with her husband and two young boys from Hungary in 1956 and her time in two concentration camps, her girlhood as an ambitious photographer, and the unknowable fate of her vanished family in Transylvania. The woman who emerges - with all her contradictions - is utterly captivating. What were the terrors and obsessions that drove her? The Photographer at Sixteen reveals a life from the depths of its final days to the comparable safety of its childhood. It is a book born of curiosity, of guilt and of love.

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One of the BBC's '100 Novels That Shaped Our World'A worldwide bestseller and the first part of Achebe's African Trilogy, Things Fall Apart is the compelling story of one man's battle to protect his community against the forces of changeOkonkwo is the greatest wrestler and warrior alive, and his fame spreads throughout West Africa like a bush-fire in the harmattan. But when he accidentally kills a clansman, things begin to fall apart. Then Okonkwo returns from exile to find missionaries and colonial governors have arrived in the village. With his world thrown radically off-balance he can only hurtle towards tragedy. First published in 1958, Chinua Achebe's stark, coolly ironic novel reshaped both African and world literature, and has sold over ten million copies in forty-five languages. This arresting parable of a proud but powerless man witnessing the ruin of his people begins Achebe's landmark trilogy of works chronicling the fate of one African community, continued in Arrow of God and No Longer at Ease.'His courage and generosity are made manifest in the work' Toni Morrison'The writer in whose company the prison walls fell down' Nelson Mandela'A great book, that bespeaks a great, brave, kind, human spirit' John UpdikeWith an Introduction by Biyi Bandele

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Haunted by representations of black women that resist the reality of the body's vulnerability, Kimberly Juanita Brown traces slavery's afterlife in black women's literary and visual cultural productions. Brown draws on black feminist theory, visual culture studies, literary criticism, and critical race theory to explore contemporary visual and literary representations of black women's bodies that embrace and foreground the body's vulnerability and slavery's inherent violence. She shows how writers such as Gayl Jones, Toni Morrison, Audre Lorde, and Jamaica Kincaid, along with visual artists Carrie Mae Weems and María Magdalena Campos-Pons, highlight the scarred and broken bodies of black women by repeating, passing down, and making visible the residues of slavery's existence and cruelty. Their work not only provides a corrective to those who refuse to acknowledge that vulnerability, but empowers black women to create their own subjectivities. In The Repeating Body, Brown returns black women to the center of discourses of slavery, thereby providing the means with which to more fully understand slavery's history and its penetrating reach into modern American life.

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The sequel to I KNOW WHY THE CAGED BIRD SINGS'A brilliant writer, a fierce friend and a truly phenomenal woman' Barack ObamaMaya Angelou's volumes of autobiography are a testament to the talents and resilience of this extraordinary writer. Loving the world, she also knows its cruelty. As a black woman she has known discrimination and extreme poverty, but also hope, joy, achievement and celebration. In the sequel to her bestselling I Know Why The Caged Bird Sings, Maya Angelou is a young mother in California, unemployed, embarking on brief affairs and transient jobs in shops and night-clubs, turning to prostitution and the world of narcotics. Maya Angelou powerfully captures the struggles and triumphs of her passionate life with dignity, wisdom, humour and humanity.'She moved through the world with unshakeable calm, confidence and a fierce grace . . . She will always be the rainbow in my clouds' OPRAH WINFREY 'She was important in so many ways. She launched African American women writing in the United States. She was generous to a fault. She had nineteen talents - used ten. And was a real original. There is no duplicate' TONI MORRISON

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This timely and incisive Handbook provides critical contemporary insights into the theory and practice of entrepreneurship and marketing in the twenty-first century. Bringing together rich and varied contributions from prominent international researchers, it offers a reflective synthesis of scholarship at the interface between marketing and entrepreneurship. Emphasising the need for contextual analysis of marketing and entrepreneurial practices, this Handbook explores the effectiveness of a variety of behaviours, supporting its insights with relevant theory. Chapters cover areas such as innovation, strategy and networking for SMEs, social media and crowdfunding, and entrepreneurial marketing in the arts, including a focus on the growing phenomenon of cultural entrepreneurship. Scholars and postgraduate students in entrepreneurship and marketing, and particularly those working on the intersections between them, will find this Handbook an invaluable read. Its examination of the efficacy of various practices will also be of great interest to marketing professionals and entrepreneurs themselves. Contributors include: C. Ball, A. Bayraktar, S. Brown, D. Cummins, J.H. Deacon, N. Dennis, E. Erdogan, I. Fillis, J.B. Ford, I.S. Fraser, P.J. Fraser, L. Frondigoun, E. Gallagher, A. Gilmore, V. Gustafsson, B. Hynes, B. Jones, R. Jones, M. Kelly, F. Kerrigan, A. Kincaid, T.A. Kirchner, O.F. Lee, K. Lehman, E. Lloyd-Parkes, S. Loane, M. Macaulay, S. Mawson, M.P. Miles, S. Mirvahedi, S.C. Morrish, T. Morrow, S. Mottner, E.L. Ngan, K. Nightingale, R. Noorda, A. Patterson, C. Preece, E. Ramsey, R. Rentschler, E. Ritch, V.L. Rodner, J.E. Schroeder, Z. Sethna, R. Shannon, A.M.J. Smith, R. Smith, M. Suoranta, N. Telford, P. Tjabbes, C. Uslay

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'WHO KNEW MY ANXIETY COULD BE SO FUNNY?' Amy Morrison, founder of Pregnant ChickenFeeling anxious? Who isn't! Your most irrational (and sometimes rational) fears are hilarious fodder for this sharp and relatable activity book.These days, anxiety is simply part of the human experience. Part journal, part coloring book, part weird coping mechanisms, and part compendium of soothing facts, The Big Activity Book for Anxious Peoplewill be an outlet for anyone who wants to take a break from reality, laugh through her fears, and realize with every page that she is not alone--and to help her figure out what to do when it's 3AM and she's wide awake worrying about whether she cc'ed the right "Bob" on that email. (Probably.)Activities include: * Fun Facts about Aging!* Public Speaking: A Diagram* Your Hotel Room Carpet: A Petri Dish of Horrors* Obscure Diseases You Probably Don't Have* Zen Mantras For The Anxiously Inclined* Soothing Facts about Hand SanitizerOn a bad day, try coloring in the soothing grandma. On a really bad day, find step-by-step instructions on how to build an underground bunker. Reid and Williams want everyone to remember that they're in good company: anxious people are some of the funniest and most interesting and creative humans on the planet. (They know, because they are two of them.)

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ÊKeyboard Presents: Classic RockÊ brings out the stories behind the hits on drive-time radio as told by the keyboard-playing artists and sidemen who created them. What was Billy Joel thinking when he wrote Piano Man ? Who played the pounding piano on the Doobie Brothers' China Grove ? What was it like to back up Jim Morrison in the Doors? How did synthesizers create the sound of Genesis? It's all here: the gear the songs the road stories and the inspiration behind some of the greatest songs of the '60s '70s and '80s by Chicago Deep Purple Tom Petty & the Hearbreakers Blood Sweat & Tears Steve Winwood the Grateful Dead and many more.

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Toddlers learning to identify numbers will love this charming and funny book, while music-savvy parents will enjoy the artistic representation of some of their favorite song titles from some of their favorite musical artists.The book includes the following song titles:ONE Fine Day (The Chiffons)It Takes TWO (Rob Base & DJ EZ Rock)THREE Little Birds (Bob Marley)FOUR Strong Winds (Neil Young)High FIVE (Beck)SIX Weeks (James Morrison)SEVEN SEAS OF RHYE (Queen)EIGHT Days a Week (The Beatles)Love Potion No. 9 (The Clovers)TEN Feet Tall (Various)A follow-up to Running Press Kids's SOMEWHERE OVER THE RAINBOW: COLORS IN MUSIC, this will be an ideal gift for the music-loving kid or family.

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Una novela de la vida, así la hubiera descrito Katherine Mansfield. Una novela breve y exacta sobre una mujer de este tiempo, sobre una no-madre de este tiempo que vive, reflexiona y escribe sobre ella y sobre nosotras. Sobre todos nosotros, en realidad. Mujeres y hombres.Martín Gaite, Lessing, Garro, Colette, Lispector, Walker, Morrison, Ginzburg, Woolf, Mansfield, Plath, Welty, Munro, Nin, Duras, Sexton. Apellidos sin necesidad de nombre propio. No sólo una tradición, sino muchas tradiciones, todas las tradiciones. Intensidad, emociones contenidas o desbordadas. Inteligencia narrativa.Quiero comenzar, no cuando sentí que podía tener una enfermedad, sino cuando pude nombrarla.

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The United States Military Academy at West Point houses more than cadets; there are ghosts aplenty to stir your imagination and peak your curiosity about the country’s oldest continuously running military school. This collection of 13 spooky ghost stories is focused on apparitions that make their home at West Point, right along with the living souls who march the halls of patriotism everyday. Within these pages meet Vivian, a mourning ghost at the Morrison House, but be careful not to lose your head over her (literally). The playful, but lazy, spirit maid at Washington Hall may take your wallet or you may be surprised to see the Lady in White at the Catholic Chapel floating at nearly 100 feet above your head–just before she plunges to the ground and disappears. What will frighten you at West Point?

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In this Research Handbook, today's leading experts on the law and economics of corporate bankruptcy address fundamental issues such as the efficiency of bankruptcy, the role and treatment of creditors - particularly secured creditors - in the bankruptcy process, the allocation of going-concern surplus among claimants, the desirability of liquidation in the absence of such surplus, the role of contract in bankruptcy resolution, the role of derivatives in the bankruptcy process, the costs of the bankruptcy system, and the special case of financial institutions, among other topics. Chapters trace the historical path of both law and policy analysis, with a focus on how the bankruptcy process serves underlying policy objectives. Proposals to reform corporate bankruptcy are presented. Research Handbook on Corporate Bankruptcy Law includes policy analysis by both lawyers and economists and is thus an invaluable resource to law scholars and students interested in the economic analysis of corporate bankruptcy law, as well as to economics and business scholars and students studying the law of corporate bankruptcy. These pages will prove equally valuable to lawmakers and judges who are interested in policy analysis of corporate bankruptcy. Contributors include: K. Ayotte, D.G. Baird, A.J. Casey, T.H. Jackson, M.B. Jacoby, E.J. Janger, S.J. Lubben, E.R. Morrison, J.A.E. Pottow, R.K. Rasmussen, M.J. Roe, A. Schwartz, M. Simkovic, D. Skeel, R. Squire, G. Triantis, M.J. White, T.J. Zywicki

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How do we perdure when we and everything around us are caught up in incessant change? But the course of this change does not seem to be haphazard and we may seek the modalities of its Logos in the transformations in which it occurs. The classic term "Metamorphosis" focuses upon the proportions between the transformed and the retained, the principles of sameness and otherness. Applied to life and its becoming, metamorphosis pinpoints the proportions between the vital and the aesthetic significance of life. Where could this metaphysical in-between territory come better to light than in the Fine Arts? In this collection are investigated the various proportions between the vital significance of the constructivism of life and a specifically human contribution made by the creative imagination to the transformatory search for beauty and aesthetic values. Papers by: Lawrence Kimmel, Mark L. Brack, Sheryl Tucker de Vazquez, William Roberts, Jadwiga Smith, Victor Gerald Rivas, Max Statkiewicz, Matti Itkonen, George R. Tibbetts, Linda Stratford, Jorella Andrews, Ingeborg M. Rocker, Stephen J. Goldberg, Leah Durner, Donnalee Dox, Catherine Schear, Samantha Henriette Krukowski, Gary Maciag, Kelly Dennis, Wanda Strukus, Magda Romanska, Patricia Trutty-Coohill, Ellen Burns, Tessa Morrison, Sabine Coelsch-Foisner, Gary Backhaus, Daniel M. Unger, Howard Pearce.

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Apart from herpes and Lulu - everything is eventually swept away Just one shimmering pearl of wisdom from popstar and polymath James Maker, whose worldly observations will (like herpes) once again be on everyone's lips thanks to his award-winning memoir, remastered with new chapters. If you hadn't heard of rock bands Raymonde or RPLA - fronted by James in the 80s and 90s - you might be forgiven for mistaking AutoFellatio for fiction. But here fact is more fantastical than any novel, as we follow our hero from Bermondsey enfant terrible to Valencian grande dame, a scenic journey that stops off variously at Morrissey confidant, dominatrix, singer, songwriter and occasional actor, and is literally littered with memorable bons mots and hilarious anecdotes that make you feel like you've hit the wedding-reception jackpot of being unexpectedly seated next to the groom's flamboyant uncle. According to Wikipedia, very few men can perform the act of autofellatio. We never discover whether James is one of them but certainly, as a storyteller, he is one in a million. WINNER OF THE POLARI FIRST BOOK PRIZE 2011 'Bloody Brilliant' JULIE BURCHILL 'Glitteringly epigrammatic, it's a glam-rock Naked Civil Servant in court shoes. But funnier. And tougher.' MARK SIMPSON 'Pistol sharp, loaded with witty one-liners and peppered with Maker's scatter gun observations on life, music and the meaning of good hair.' PAUL BURSTON

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Refiguring in Black is a meditation on black life, and a meditation on the questions and concerns with which black life is confronted. It takes the form of a critical engagement with the thought of Frederick Douglass, Toni Morrison, Hortense Spillers, and Charles Mingus – key figures in the black radical tradition. Sithole does not reduce these thinkers to biographical subjects but examines them as figures of black thought in ways that are creative and generative. Erudite and passionate, this book is a statement of and testimony to refiguring as a form of critical practice by those who are engaged in a radical refusal, and thus part of the long arc of the black radical tradition. As a way of understanding the contemporary moment and unmasking antiblackness in all its forms and guises, Sithole’s work brings the annals of black thought into being in order to think differently and necessitate rupture, refusing to concede to the order of things and refusing to be complicit in the dehumanization that has marked the black condition.

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In Black Aliveness, or A Poetics of Being, Kevin Quashie imagines a Black world in which one encounters Black being as it is rather than only as it exists in the shadow of anti-Black violence. As such, he makes a case for Black aliveness even in the face of the persistence of death in Black life and Black study. Centrally, Quashie theorizes aliveness through the aesthetics of poetry, reading poetic inhabitance in Black feminist literary texts by Lucille Clifton, Audre Lorde, June Jordan, Toni Morrison, and Evie Shockley, among others, showing how their philosophical and creative thinking constitutes worldmaking. This worldmaking conceptualizes Blackness as capacious, relational beyond the normative terms of recognition—Blackness as a condition of oneness. Reading for poetic aliveness, then, becomes a means of exploring Black being rather than nonbeing and animates the ethical question “how to be.” In this way, Quashie offers a Black feminist philosophy of being, which is nothing less than a philosophy of the becoming of the Black world.

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The third volume in the Beazley Designs of the Year catalogue series, offering a snapshot of the most exciting things happening in design today. Now in its thirteenth year, the Design Museum’s Beazley Designs of the Year award and exhibition showcase the most innovative, relevant and thought-provoking projects in contemporary design. From the first iPhone to Zaha Hadid’s final building, the nominations for the award have spanned the fields of architecture, digital, fashion, graphics, product and transport. Introduced by Tim Marlow and Emily King, this illustrated book brings together all the nominated designs for 2020, along with the reasons for their selection by an international group of design experts, practitioners and critics. It is the definitive record of the year in design. Past nominees and winners include: Zaha Hadid, Gucci, SpaceX, Nike, Foster + Partners, Shepard Fairey, Comme des Garçons, Apple, OMA, Barber & Osgerby, Jasper Morrison, Thomas Heatherwick, Kanye West and David Adjaye.

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In Black Aliveness, or A Poetics of Being, Kevin Quashie imagines a Black world in which one encounters Black being as it is rather than only as it exists in the shadow of anti-Black violence. As such, he makes a case for Black aliveness even in the face of the persistence of death in Black life and Black study. Centrally, Quashie theorizes aliveness through the aesthetics of poetry, reading poetic inhabitance in Black feminist literary texts by Lucille Clifton, Audre Lorde, June Jordan, Toni Morrison, and Evie Shockley, among others, showing how their philosophical and creative thinking constitutes worldmaking. This worldmaking conceptualizes Blackness as capacious, relational beyond the normative terms of recognition—Blackness as a condition of oneness. Reading for poetic aliveness, then, becomes a means of exploring Black being rather than nonbeing and animates the ethical question “how to be.” In this way, Quashie offers a Black feminist philosophy of being, which is nothing less than a philosophy of the becoming of the Black world.

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'A woman's defiant fight to write.' ObserverBeing categorised as black and female does not constrain my writing. Writing assures me that I am more the merely blackness and femaleness. Writing assures me I am.This paradigm shifting essay collection weaves the personal and political in an illuminating exploration of internationally acclaimed novelist Tsitsi Dangarembga's complex relationship with race and gender. At once philosophical, intimate and urgent, Dangarmebga's landmark essays address the profound cultural and political questions that underpin her novels for the first time. From her experience of life with a foster family in Dover and the difficulty of finding a publisher as a young Zimbabwean novelist, to the ways in which colonialism continues to disrupt the lives and minds of those subjugated by empire, Dangarembga writes to recenter marginalised voices.Black and Female offers a powerful vision toward re-membering - to use Toni Morrison's word - those whose identities and experiences continue to be fractured by the intersections of history, race and gender.

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In this ground-breaking work, Paul Gilroy proposes that the modern black experience can not be defined solely as African, American, Carribean or British alone, but can only be understand as a Black Atlantic culture that transcends ethnicity or nationality. This culture is thorough modern and, often, overlooked but can deeply enriches our understanding of what it means to be modern.This condition comes out of historical transoceanic experience, established first with the slave trade but later seen in the development of a transatlantic culture. And Gilroy takes us on a tour of the music that, for centuries, has transmitted racial messages and feeling around the world, from the Jubilee Singers in the nineteenth century to Jimi Hendrix to rap. He also explores this internationalism as it is manifested in black writing from the "double consciousness" of W. E. B. Du Bois to the "double vision" of Richard Wright to the compelling voice of Toni Morrison. As a consequence, Black Atlantic charts the formation of a nationalism, if not a nation, within this shared, disasporic culture.

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This stylish journal created exclusively for book lovers includes custom reading lists, charming literary quotes, and plenty of room to record what you’ve read and what you’d love to read. “Books are knowledge. Books are reflection. Books change your mind.”—Toni Morrison Designed by a book lover for book lovers, My Reading Life is the ideal companion for all your literary adventures. Anne Bogel, creator of the Modern Mrs. Darcy blog, provides you with insightful reading lists for every popular genre and each season. She even helps you determine the kinds of books you’d most like to read based on your interests. You’ll also appreciate the sleek, compact design, perfect for taking on the go to the library, bookstore, or your next book club gathering. So much more than just a journal, this book is a joyful celebration of the written word, one that will significantly enrich every day of your reading life.

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Social and political change is impossible in the absence of gifted male charismatic leadership—this is the fiction that shaped African American culture throughout the twentieth century. If we understand this, Erica R. Edwards tells us, we will better appreciate the dramatic variations within both the modern black freedom struggle and the black literary tradition.By considering leaders such as Marcus Garvey, Martin Luther King Jr., Malcolm X, and Barack Obama as both historical personages and narrative inventions of contemporary American culture, Edwards brings to the study of black politics the tools of intertextual narrative analysis as well as deconstruction and close reading. Examining a number of literary restagings of black leadership in African American fiction by W. E. B. Du Bois, George Schuyler, Zora Neale Hurston, William Melvin Kelley, Paul Beatty, and Toni Morrison, Edwards demonstrates how African American literature has contested charisma as a structuring fiction of modern black politics. Though recent scholarship has challenged top-down accounts of historical change, the presumption that history is made by gifted men continues to hold sway in American letters and life. This may be, Edwards shows us, because while charisma is a transformative historical phenomenon, it carries an even stronger seductive narrative power that obscures the people and methods that have created social and political shifts.

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Winner of the 2015 LGBT Studies Award presented by the Lambda Literary Foundation Unearths connections between homoeroticism, cannibalism, and cultures of consumption in the context of American literature and US slave culture that has largely been ignored until now Scholars of US and transatlantic slavery have largely ignored or dismissed accusations that Black Americans were cannibalized. Vincent Woodard takes the enslaved person’s claims of human consumption seriously, focusing on both the literal starvation of the slave and the tropes of cannibalism on the part of the slaveholder, and further draws attention to the ways in which Blacks experienced their consumption as a fundamentally homoerotic occurrence. The Delectable Negro explores these connections between homoeroticism, cannibalism, and cultures of consumption in the context of American literature and US slave culture. Utilizing many staples of African American literature and culture, such as the slave narratives of Olaudah Equiano, Harriet Jacobs, and Frederick Douglass, as well as other less circulated materials like James L. Smith’s slave narrative, runaway slave advertisements, and numerous articles from Black newspapers published in the nineteenth century, Woodard traces the racial assumptions, political aspirations, gender codes, and philosophical frameworks that dictated both European and white American arousal towards Black males and hunger for Black male flesh. Woodard uses these texts to unpack how slaves struggled not only against social consumption, but also against endemic mechanisms of starvation and hunger designed to break them. He concludes with an examination of the controversial chain gang oral sex scene in Toni Morrison’s Beloved, suggesting that even at the end of the twentieth and beginning of the twenty-first century, we are still at a loss for language with which to describe Black male hunger within a plantation culture of consumption.

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Would British scientists really test sarin never poison on young volunteers and tell them it was research for a cure for colds? Would they really release E coli in Swindon and Southampton to try out germ warfare techniques? Even 50 years on, on-one's telling the whole story. Conspiracies and cover-ups, real or imagined, have shaped our world. Now leaked cables and declassified papers are rewriting the history of our times. More information must be good, but how do you tell truth from fiction? In this fresh, readable look at 50 conspiracy theories, Ian Shircore cuts through the fog and misinformation to deliver a balance analysis of the key facts behind the unsettling suspicions that litter our recent past. Today's new evidence - from WikiLeaks, freedom of information requests and declassified archives - has solved some classic mysteries. Yet it raises more questions than ever about the assassinations of the 1960s, the dirty secrets of the late 20th century and the earth-shaking events of recent years. Once you've see what WikiLeaks has revealed about the radioactive poisoning of Alexander Litvinenko, you won't be so sure about the British secret service. Once you've weighed the evidence yourself, you may well decide there was a Second Yorkshire Ripper, that cricketing hero Bob Woolmer was murdered and that rock icon Jim Morrison's death in Paris was anything but straightforward.

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'The authentic inside track... Gripping' Lemn Sissay'An important and hugely powerful book... So inspiring, I loved The State of It' Neil Morrissey'Incredibly compelling' Denise WelchCAN WE FIX HOW WE LOOK AFTER CHILDREN IN CARE?Government cuts, unregulated care homes, inadequate staff training - campaigner and care home consultant Chris Wild has seen it all. The low standards and frequent abuse of children in care has long been a focal point of his loud message: we are failing our young people and something needs to change.Chris delves deep into the lives of care home kids, from experiences with county lines, drugs, trafficking, knife crime, gang violence to child exploitation and sexual abuse. He tells the stories of the voiceless, the children who have been left behind, compounded by his own experiences of growing up in care.How is the care system failing our young people and controlling just who and what they can become? What help do we really give children after their time in care is over, left to fend for themselves? Is it too late to fix the state of it?URGENT AND CRITICAL, THE STATE OF IT WILL BE THE MOST IMPORTANT BOOK YOU READ THIS YEAR.In support of Become, the charity for children in care and young care leavers, a charity registered in England and Wales, charity number 1010518.

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