Search results for ""university of illinois press""

Transforming Tradition examines the phenomenon of the folk song revival, those vibrant meldings of popular and folk culture that captured public awareness in the 1950s and 1960s. We remember the folk revival as forums for performers like Joan Baez and the Kingston Trio, and as incubators for unlikely radio hits like "Tom Dooley" and "Blowin' in the Wind." But it also gave rise to a bustling and influential subculture of hootenanies, coffeehouses, and blues and bluegrass appreciation, sowing a legacy that remains a vital part of American culture. Many of the contributors to this collection performed during the revival era. Today, their expertise in folklore, ethnomusicology, and cultural history allow them to blend insider knowledge and trained analysis to offer unique perspectives.

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"In its hard headed, richly documented concreteness, it is worth a thousand polemics." -- New York Times, from a review of the first edition "The Curse deserves a place in every women's studies library collection." -- Sharon Golub, editor of Lifting the curse of Menstruation "A stimulating and useful book, both for the scholarly and the general reader." -- Paula A. Treichler, co-author of A Feminist Dictionary

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Vance Randolph has long been an undeniable presence on the American folklore scholarship scene. His Ozark corpus is "the best known single body of regional folklore in the United States," according to Richard Dorson, director of the Folklore Institute at Indiana University. And Gershon Legman, the world's leading scholar of sexual and scatological humor, has called Randolph "the greatest and most successful field collector and regional folklorist that America ever had." In Legman's estimation, "We have no one else like him. He is a national treasure, like Mark Twain. Randolph's reputation rests on the massive accumulation of folksong, folktale, and ballad materials he collected during forty years of living and working in the Ozarks. Unfortunately, in the 1950s when Randolph published several collection of Ozark tales, the material in this volume was considered unprintable.Pissing in the Snow departs from the academic prudery that until recently has restricted the amount of bawdy folklore available for study. It presents a body of material that for twenty years has circulated only in manuscript or microfilm under its present title. When placed in their rightful context alongside Randolph's other collections of folk material, the bawdy tales help provide evidence of what Ozark hill people think about their own lives and language. As Rayna Green writes in her introduction, "The entire body of material . . . offers a picture of expressive behavior unparalleled by any other American region's or group's study." Hoffmann's annotations draw parallels between the erotic narrative tradition of the Ozarks and that in other parts of the country and the world, especially Europe.

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Among the Toraja of highland Sulawesi, Indonesia, mortuary rituals are great performances. Bellowing water buffalo and squealing pigs for sacrifice, colorful displays of ritual architecture, and formal processions of gift-bearing guests set the scene for complex dramas about status, human value, and ties to ancestors, followers, and kin. To Indonesians throughout the archipelago, Toraja rituals have come to represent the cultural identity of this well-known group. Feasts of Honor is an exploration of these rituals, their changing meanings, and the lively dialogues they have sparked within Toraja culture, from the Dutch Colonial period to the recent era of nationalism, tourism, and migration.

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In this prize-winning book Thomas Holt is concerned not only with the identities of the black politicians who gained power in South Carolina during Reconstruction, but also with the question of how they functioned within the political system. Thus, as one reviewer has commented, "he penetrates the superficial preoccupations over whether black politicians were venal or gullible to see whether they wielded power and influence and, if they did, how and to what ends and against what obstacles." "Well crafted and well written, it not only broadens our knowledge of the period, but also deepens it, something that recent books on Reconstruction have too often failed to do." -- Michael Perman, American Historical Review. " . . . a valuable study of post-Civil War black leaders in a state where Negro control came closest to realization during Reconstruction. . . . Effectively merging the techniques of quantitative analysis with those of narrative history, Holt shatters a number of myths and misconceptions. . . . It should be on the reading list of all students of Reconstruction and nineteenth-century black history." -- William C. Harris, Journal of Southern History "Holt presents his work modestly as a state study of reconstruction politics. But this should not obscure a significant intellectual achievement and a contribution of fundamental importance, demonstrating the value of social-class analysis in understanding the politics of the black community." -- Jonathan M. Wiener, Journal of American History.

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"If we wish to know the innermost thought and passion of the French peasant, it is very easy. Walk, any Sunday, into the country and follow him." So begins this extraordinary book by the man often called France's greatest historian. After its publication in 1846, Le peuple sold 1,000 copies in a single day in Paris alone, and was soon considered the classic study of French society in the early nineteenth century. John P. McKay's translation makes the book newly available to English-language readers. The People is a moving picture of France on the eve of 1848. Michelet saw tensions, divisions, and hatreds tearing France apart, and he sought to provide a new faith that would unite the conflicting groups in the love of country. This book, Michelet wrote, "is the product of my experience rather than of my studies. I have derived it from my observation and my conversations with friends and neighbors." Because of Michelet's countless discussions with people from all ranks of society and his precise observations, his portrait of France is unsurpassed, and representative of general European problems in a time of rapid social and economic change.

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In 1960, University of Illinois professor Leo Koch wrote a public letter condoning premarital sex. He was fired. Four years later, a professor named Revilo Oliver made white supremacist remarks and claimed there was a massive communist conspiracy. He kept his job.Matthew Ehrlich revisits the Koch and Oliver cases to look at free speech, the legacy of the 1960s, and debates over sex and politics on campus. The different treatment of the two men marked a fundamental shift in the understanding of academic freedom. Their cases also embodied the stark divide over beliefs and values--a divide that remains today. Ehrlich delves into the issues behind these academic controversies and places the events in the context of a time rarely associated with dissent, but in fact a harbinger of the social and political upheavals to come.An enlightening and entertaining history, Dangerous Ideas on Campus illuminates how the university became a battleground for debating America's hot-button issues.

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Women held more positions of power in the silent film era than at any other time in American motion picture history. Marion Leonard broke from acting to cofound a feature film company. Gene Gauntier, the face of Kalem Films, also wrote the first script of Ben-Hur. Helen Holmes choreographed her own breathtaking on-camera stunt work. Yet they and the other pioneering filmmaking women vanished from memory. Using individual careers as a point of departure, Jane M. Gaines charts how women first fell out of the limelight and then out of the film history itself. A more perplexing event cemented their obscurity: the failure of 1970s feminist historiography to rediscover them. Gaines examines how it happened against a backdrop of feminist theory and her own meditation on the limits that historiography imposes on scholars. Pondering how silent era women have become absent in the abstract while present in reality, Gaines sees a need for a theory of these artists' pasts that relates their aspirations to those of contemporary women. A bold journey through history and memory, Pink-Slipped pursues the still-elusive fate of the influential women in the early years of film.

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Contemporary journalism faces a crisis of trust that threatens the institution and may imperil democracy itself. Critics and experts see a renewed commitment to local journalism as one solution. But a lasting restoration of public trust requires a different kind of local journalism than is often imagined, one that engages with and shares power among all sectors of a community.Andrea Wenzel models new practices of community-centered journalism that build trust across boundaries of politics, race, and class, and prioritize solutions while engaging the full range of local stakeholders. Informed by case studies from rural, suburban, and urban settings, Wenzel's blueprint reshapes journalism norms and creates vigorous storytelling networks between all parts of a community. Envisioning a portable, rather than scalable, process, Wenzel proposes a community-centered journalism that, once implemented, will strengthen lines of local communication, reinvigorate civic participation, and forge a trusting partnership between media and the people they cover.

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The Church of Jesus Christ of Latter-day Saints adopted the vocal and theatrical traditions of American musical theater as important theological tenets. As Church membership grew, leaders saw how the genre could help define the faith and wove musical theater into many aspects of Mormon life. Jake Johnson merges the study of belonging in America with scholarship on voice and popular music to explore the surprising yet profound link between two quintessentially American institutions. Throughout the twentieth and twenty-first centuries, Mormons gravitated toward musicals as a common platform for transmitting political and theological ideas. Johnson sees Mormons using musical theater as a medium for theology of voice--a religious practice that suggests how vicariously voicing another person can bring one closer to godliness. This sounding, Johnson suggests, created new opportunities for living. Voice and the musical theater tradition provided a site for Mormons to negotiate their way into middle-class respectability. At the same time, musical theater became a unique expressive tool of Mormon culture.

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This book explores the origins and history of the modern American movement for homosexual rights, which originated in Los Angeles in the late 1940s and continues today. Part ethnography and part social history, it is a detailed account of the history of the movement as manifested through the emergence of four related organizations: Mattachine, ONE Incorporated, the Homosexual Information Center (HIC), and the Institute for the Study of Human Resources (ISHR), which began doing business as ONE Incorporated when the two organizations merged in 1995. Pre-Gay L.A. is a chronicle of how one clandestine special interest association emerged as a powerful political force that spawned several other organizations over a period of more than sixty years.Relying on extended interviews with participants as well as a full review of the archives of the Homosexual Information Center, C. Todd White unearths the institutional histories of the gay and lesbian rights movement and the myriad personalities involved, including Mattachine founder Harry Hay; ONE Magazine editors Dale Jennings, Donald Slater, and Irma Wolf; ONE Incorporated founder Dorr Legg; and many others. Fighting to decriminalize homosexuality and to obtain equal rights, the viable organizations that these individuals helped to establish significantly impacted legal policies not only in Los Angeles but across the United States, affecting the lives of most of us living in America today.

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Traces the conceptual lineage of modernism, examining its evolution in Western art and literature through empiricism, idealism, and romanticism. Berman demonstrates how modern social, political, and scientific developments -- including capitalism, socialism, humanism, psychoanalysis, fascism, and modernism itself -- have altered attitudes toward time, space, self, creativity, the natural world, and community. "Deserves careful study." -- Choice

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Democracy enjoys unparalleled prestige at the beginning of the twenty-first century as a form of government. Some of the world's prosperous nations are democracies, and an array of nations in Europe, Africa, and South America have adopted the system. This volume engages the key questions about how far and how fast democracy can spread.

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Examines how sports map the social, political, and cultural landscapes of the modern South. This title explores the symbols that have shaped southern regional identities since the Civil War. It tackles gender and race relations in intercollegiate athletics and addresses the popularity of NASCAR in the southern states.

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Raised by devout Mormon parents, Vardis Fisher drifted from the faith after college. Yet throughout his long career, his writing consistently reflected Mormon thought. Beginning in the early 1930s, the public turned to Fisher's novels like Children of God to understand the increasingly visible Church of Jesus Christ of Latter-day Saints. His striking works vaulted him into the same literary tier as William Faulkner while his commercial success opened the New York publishing world to many of the founding figures in the Mormon literary canon. Michael Austin looks at Fisher as the first prominent American author to write sympathetically about the Church and examines his work against the backdrop of Mormon intellectual history. Engrossing and enlightening, Vardis Fisher illuminates the acclaimed author's impact on Mormon culture, American letters, and the literary tradition of the American West.

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Why do people go to zoos? Is the role of zoos to entertain or to educate? In this provocative book, the authors demonstrate that zoos tell us as much about humans as they do about animals and suggest that while animals may not need zoos, urban societies seem to. A new introduction takes note of dramatic changes in the perceived role of zoos that have occurred since the book's original publication. "Bob Mullan and Garry Marvin delve into the assumptions about animals that are embedded in our culture. . . . A thought-provoking glimpse of our own ideas about the exotic, the foreign." -- Tess Lemmon, BBC Wildlife Magazine "A thoughtful and entertaining guided tour." -- David White, New Society "[An] unusual and intriguing combination of historical survey, psychological enquiry, and compendium of fascinating facts." -- Evening Standard

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An interdisciplinary investigation of the co-creation of gender and technology

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Acts of remembering offer a path to decolonization for Indigenous peoples forcibly dislocated from their culture, knowledge, and land. Susy J. Zepeda highlights the often overlooked yet intertwined legacies of Chicana feminisms and queer decolonial theory through the work of select queer Indígena cultural producers and thinkers. By tracing the ancestries and silences of gender-nonconforming people of color, she addresses colonial forms of epistemic violence and methods of transformation, in particular spirit research. Zepeda also uses archival materials, raised ceremonial altars, and analysis of decolonial artwork in conjunction with oral histories to explore the matriarchal roots of Chicana/x and Latina/x feminisms. As she shows, these feminisms are forms of knowledge that people can remember through Indigenous-centered visual narratives, cultural wisdom, and spirit practices. A fascinating exploration of hidden Indígena histories and silences, Queering Mesoamerican Diasporas blends scholarship with spirit practices to reimagine the root work, dis/connection to land, and the political decolonization of Xicana/x peoples.

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The military intervention by NATO in Kosovo was portrayed in American media as a necessary step to prevent the Serbian armed forces from repeating the ethnic cleansing that had so deeply damaged the former Yugoslavia. Serbia trained its military on Kosovo because of an ongoing armed struggle by ethnic Albanians to wrest independence from Serbia. Warfare in the Balkans seemed to threaten the stability of Europe, as well as the peace and security of Kosovars, and yet armed resistance seemed to offer the only possibility of future stability. Leading the struggle against Serbia was the Kosovo Liberation Army, also known as the KLA.Kosovo Liberation Army: The Inside Story of an Insurgency provides a historical background for the KLA and describes its activities up to and including the NATO intervention. Henry H. Perritt Jr. offers firsthand insight into the motives and organization of a popular insurgency, detailing the strategies of recruitment, training, and financing that made the KLA one of the most successful insurgencies of the post-cold war era. This volume also tells the personal stories of young people who took up guns in response to repeated humiliation by "foreign occupiers," as they perceived the Serb police and intelligence personnel. Perritt illuminates the factors that led to the KLA's success, including its convergence with political developments in eastern Europe, its campaign for popular support both at home and abroad, and its participation in international negotiations and a peace settlement that helped pave the long road from war to peace.

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In the twentieth century, Appalachian migrants seeking economic opportunities relocated to southwestern Ohio, bringing their music with them. Between 1947 and 1989, they created an internationally renowned capital for the thriving bluegrass music genre, centered on the industrial region of Cincinnati, Dayton, Hamilton, Middletown, and Springfield. Fred Bartenstein and Curtis W. Ellison edit a collection of eyewitness narratives and in-depth analyses that explore southwestern Ohio’s bluegrass musicians, radio broadcasters, recording studios, record labels, and performance venues, along with the music’s contributions to religious activities, community development, and public education. As the bluegrass scene grew, southwestern Ohio's distinctive sounds reached new fans and influenced those everywhere who continue to play, produce, and love roots music. Revelatory and multifaceted, Industrial Strength Bluegrass shares the inspiring story of a bluegrass hotbed and the people who created it.Contributors: Fred Bartenstein, Curtis W. Ellison, Jon Hartley Fox, Rick Good, Lily Isaacs, Ben Krakauer, Mac McDivitt, Nathan McGee, Daniel Mullins, Joe Mullins, Larry Nager, Phillip J. Obermiller, Bobby Osborne, and Neil V. Rosenberg.

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Political Writings offers an abundance of newly translated essays by Simone de Beauvoir that demonstrate a heretofore unknown side of her political philosophy. The writings in this volume range from Beauvoir's surprising 1952 defense of the misogynistic eighteenth-century pornographer, the Marquis de Sade, to a co-written 1974 documentary film, transcribed here for the first time, which draws on Beauvoir's analysis of how socioeconomic privilege shapes the biological reality of aging. The volume traces nearly three decades of Beauvoir's leftist political engagement, from exposés of conditions in fascist Spain and Portugal in 1945 and hard-hitting attacks on right-wing French intellectuals in the 1950s, to the 1962 defense of an Algerian freedom fighter, Djamila Boupacha, and a 1975 article arguing for what is now called the "two-state solution" in Israel.Together these texts prefigure Beauvoir's later feminist activism and provide a new interpretive context for reading her multi-volume autobiography, while also shedding new light on French intellectual history during the turbulent era of decolonization.

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The philosopher's writings on, and engagement with, twentieth century feminism By turns surprising and revelatory, this sixth volume in the Beauvoir Series presents newly discovered writings and lectures while providing new translations and contexts for Simone de Beauvoir's more familiar writings. Spanning Beauvoir's career from the 1940s through 1986, the pieces explain the paradoxes in her political and feminist stances, including her famous 1972 announcement of a "conversion to feminism" after decades of activism on behalf of women.Feminist Writings documents and contextualizes Beauvoir's thinking, writing, public statements, and activities in the services of causes like French divorce law reform and the rights of women in the Iranian Revolution. In addition, the volume provides new insights into Beauvoir's complex thinking and illuminates her historic role in linking the movements for sexual freedom, sexual equality, homosexual rights, and women's rights in France.

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In Autochthonomies, Myriam J. A. Chancy engages readers in an interpretive journey. She lays out a radical new process that invites readers to see creations by artists of African descent as legible within the context of African diasporic historical and cultural debates. By invoking a transnational African/diasporic lens and negotiating it through a lakou or ”yard space,” we can see such identities transfigured, recognized, and exchanged. Chancy demonstrates how the process can examine the salient features of texts and art that underscore African/diasporic sensibilities and render them legible. What emerges is a potential for richer readings of African diasporic works that also ruptures the Manichean binary dynamics that have dominated previous interpretations of the material. The result: an enriching interpretive mode focused on the transnational connections between subjects of African descent as the central pole for reader investigation.A bold challenge to established scholarship, Autochthonomies ranges from Africa to Europe and the Americas to provide powerful new tools for charting the transnational interactions between African cultural producers and sites.

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During the early twentieth century, a diverse group of African American women carved out unique niches for themselves within New York City's expansive informal economy. LaShawn Harris illuminates the labor patterns and economic activity of three perennials within this kaleidoscope of underground industry: sex work, numbers running for gambling enterprises, and the supernatural consulting business. Mining police and prison records, newspaper accounts, and period literature, Harris teases out answers to essential questions about these women and their working lives. She also offers a surprising revelation, arguing that the burgeoning underground economy served as a catalyst in working-class black women ™s creation of the employment opportunities, occupational identities, and survival strategies that provided them with financial stability and a sense of labor autonomy and mobility. At the same time, urban black women, all striving for economic and social prospects and pleasures, experienced the conspicuous and hidden dangers associated with newfound labor opportunities.

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This book examines the history of Black Hand crime in Chicago primarily from 1905 to 1920 and challenges the belief that the Black Hand was an extension of the Sicilian Mafia. A crude method of extorting money from primarily wealthy Italians, the Black Hand involved sending victims a letter stating that they would come to harm if the blackmailers' demands were not met; the threatening letter often included a drawing of a black hand or other frightening symbols.While many criminologists and scholars believe that Black Hand crime originated in Italy, that only Southern Italians and Sicilians committed Black Hand crime, and that only Southern Italians and Sicilians were Black Hand victims, Robert M. Lombardo argues that Black Hand crime actually evolved as the result of social conditions within American society such as the isolation of the Italian community, political corruption, and an ineffective criminal justice system. He shows that this association of the Black Hand and the Sicilian Mafia is a media construction, resulting from a narrative created by the news media despite the fact that many non-Italians also committed Black Hand crimes. Looking at the Black Hand from a sociological perspective, the book discusses the "news-making criminology" that tied Black Hand crime to the Sicilian Mafia and Neapolitan Camorra and the evolution of traditional organized crime in Chicago and elsewhere.

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This fascinating compendium explains the most unusual, obscure, and curious words and expressions from vintage blues music. Utilizing both documentary evidence and invaluable interviews with a number of now-deceased musicians from the 1920s and '30s, blues scholar Stephen Calt unravels the nuances of more than twelve hundred idioms and proper or place names found on oft-overlooked "race records" recorded between 1923 and 1949. From "aggravatin' papa" to "yas-yas-yas" and everything in between, this truly unique, racy, and compelling resource decodes a neglected speech for general readers and researchers alike, offering invaluable information about black language and American slang.

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Bringing sex and philosophy together on a blind date, Anne Dufourmantelle\u2019s provocative study uses this analogy to uncover and examine philosophy\u2019s blind spot. Delightful and startling comparisons spring from the date: both sex and philosophy are dangerous, both are socially subversive, and both are obsessions. Although sex and philosophy have much in common, however, they have scarcely known one another until now. Socrates and Diogenes had little to say about sex, and although it was notoriously explored by the Marquis de Sade, this study explains why philosophy has never been fully sexualized nor sex really philosophized. Blind Date highlights the marked deletion of sexual topics and themes from philosophical works, while also opening doors for their union. Inviting readers to remember that thought does not require repressed desire, Dufourmantelle argues that sex is everywhere, and it affects all kinds of thinking.

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In paperback for the first time, From Racism to Genocide is an explosive, richly detailed account of how Nazi anthropologists justified racism, developed practical applications of racist theory, and eventually participated in every phase of the Holocaust. Using original sources and previously unpublished documentation, Gretchen E. Schafft shows the total range of anti-human activity from within the confines of a particular discipline. Based on seven years of archival research in the United States and abroad, the work includes many original photos and documents, most of which have never before been published. It uses primary data and original texts whenever possible, including correspondence written by perpetrators. The book also reveals that the United States was not merely a bystander in this research, but instead contributed professional and financial support to early racial research that continued through the first five years of Hitler’s regime.

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This essential summation of Palisca's life work was nearly finished by his death in 2001, and it was brought to completion by Thomas J. Mathiesen.

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Hailed as a pioneering work of "total history" when it was published in France in 1966, Le Roy Ladurie's volume combines elements of human geography, historical demography, economic history, and folk culture in a broad depiction of a great agrarian cycle, lasting from the Renaissance to the Enlightenment. It describes the conflicts and contradictions of a traditional peasant society in which the rise in population was not matched by increases in wealth and food production. "It presents us with a great study of rural history, an analysis of economic change and a description of a society in movement that has few equals." -- Washington Post Book World "It is without any doubt one of the most important, if not the most important, monograph of the French Annales school of socio-economic historians written in the last decade." -- Canadian Historical Review

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Business leaders, conservative ideologues, and even some radicals of the early twentieth century dismissed working people's intellect as stunted, twisted, or altogether missing. They compared workers toiling in America's sprawling factories to animals, children, and robots. Working people regularly defied these expectations, cultivating the knowledge of experience and embracing a vibrant subculture of self-education and reading. Labor's Mind uses diaries and personal correspondence, labor college records, and a range of print and visual media to recover this social history of the working-class mind. As Higbie shows, networks of working-class learners and their middle-class allies formed nothing less than a shadow labor movement. Dispersed across the industrial landscape, this movement helped bridge conflicts within radical and progressive politics even as it trained workers for the transformative new unionism of the 1930s. Revelatory and sympathetic, Labor's Mind reclaims a forgotten chapter in working-class intellectual life while mapping present-day possibilities for labor, higher education, and digitally enabled self-study.

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A city's infrastructure influences the daily life of residents, neighborhoods, and businesses. But uniting the hard infrastructure of roads and bridges with the soft infrastructure of parks and public art creates significant political challenges. Planners at all stages must work at an intersection of public policy, markets, and aesthetics--while also accounting for how a project will work in both the present and the future. The latest volume in the Urban Agenda series looks at pressing infrastructure issues discussed at the 2017 UIC Urban Forum. Topics include: competing notions of the infrastructure ideal; what previous large infrastructure programs can teach the Trump Administration; how infrastructure influences city design; the architecture of the cities of tomorrow; who benefits from infrastructure improvements; and evaluations of projects like the Chicago Riverwalk and grassroots efforts to reclaim neighborhood parks from gangs.Contributors: Philip Ashton, Beverly S. Bunch, Bill Burton, Charles Hoch, Sean Lally, and Sanjeev Vidyarthi

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Shattering the myth of the color-blind society, the essays in Skin Deep examine skin tone stratification in America, which affects relations not only among different races and ethnic groups but also among members of individual ethnicities. Written by some of the nation's leading thinkers on race and colorism, these essays ask whether skin tone differentiation is imposed upon communities of color from the outside or is an internally-driven process aided and abetted by community members themselves. They also question whether the stratification process is the same for African Americans, Hispanics, and Asian Americans. Skin Deep addresses such issues as the relationship between skin tone and self esteem, marital patterns, interracial relationships, socioeconomic attainment, and family racial identity and composition. The essays also grapple with emerging issues such as biracialism, color-blind racism, and 21st century notions of race.

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Activist, labor scholar, and organizer Ernesto Galarza (1905–1984) was a leading advocate for Mexican Americans and one of the most important Mexican American scholars and activists after World War II. This volume gathers Galarza's key writings, reflecting an intellectual rigor, conceptual clarity, and a constructive concern for the working class in the face of America's growing influence over Mexico's economic system. Throughout his life, Galarza confronted and analyzed some of the most momentous social transformations of the twentieth century. Inspired by his youthful experience as a farm laborer in Sacramento, he dedicated his life to the struggle for justice for farm workers and urban working-class Latinos and helped build the first multiracial farm workers union, setting the foundation for the emergence of the United Farm Workers Union. He worked to change existing educational philosophies and curricula in schools, and his civil rights legacy includes the founding of the Mexican American Legal Defense Fund (MALDEF) and the National Council of La Raza (NCLR). In 1979, Galarza was the first U.S. Latino to be nominated for the Nobel Prize in Literature, for works such as Strangers in Our Fields, Merchants of Labor, Barrio Boy, and Tragedy at Chualar.

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Numbering over a third of California's population and thirteen percent of the U.S. population, people of Mexican ancestry represent a hugely complex group with a long history in the country. Contributors explore a broad range of issues regarding California's ethnic Mexican population, including their concentration among the working poor and as day laborers; their participation in various sectors of the educational system; social problems such as domestic violence; their contributions to the arts, especially music; media stereotyping; and political alliances and alignments.Contributors are Brenda D. Arellano, Leo R. Chavez, Yvette G. Flores, Ramón A. Gutiérrez, Aída Hurtado, Olga Nájera-Ramírez, Chon A. Noriega, Manuel Pastor Jr., Armida Ornelas, Russell W. Rumberger, Daniel Solórzano, Enriqueta Valdez Curiel, and Abel Valenzuela Jr.

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Rich with the insights of prominent Catholic and Jewish commentators and religious leaders, Catholics and Jews in Twentieth-Century America recounts the amazing transformation of a relationship of irreconcilable enmity to one of respectful coexistence and constructive dialogue. Focusing primarily on the Catholic doctrinal view of the Jews and its ramifications, Egal Feldman traces the historicalroots of anti-Semitism, examining tenacious Catholic beliefsincluding the idea that the Jews lost their place as the chosen people with the coming of Christianity, deicide, and the conviction that their purported responsibility for the Crucifixion justified subsequent Jewish misery.A new era of Catholic-Jewish relations opened in 1962 with Vatican II’s Declaration on the Jews, reversing the theology of contempt. Feldman explores the strides made in improving relations, such as the Vatican’s diplomatic recognition of the Jewish state, as well as a number of recent issues.

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The Tanner lectures, now firmly entrenched as an institution at the annual Mormon History Association meetings, were established in 1980 as a means of providing scholars of Mormonism with a valuable new perspective for their historical record. All twenty-

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Edna Ferber, Pulitzer Prize-winning author of Show Boat and Giant, achieved her first great success with a series of stories she published in American Magazine between 1911 and 1913. The stories featured Emma McChesney: smart, savvy, stylish, divorced mother, and Midwest traveling sales representative for T. A. Buck's Featherloom skirts and petticoats. With one hand on her sample case and the other fending off advances from salesmen, hotel clerks, and other predators, Emma holds on tightly to her reputation: honest, hardworking, and able to outsell the slickest salesman. Like her compact bag of traveling necessities, Emma has her life boiled down to essentials: her work and her seventeen-year-old son, Jock. Her experience has taught her that it's best to stick to roast beef, medium--avoiding both physical and moral indigestion--rather than experiment with fancy sauces and exotic dishes. Yet she never shies away from a challenge, and her sharp instincts and common sense serve her well in dealing with the likes of Ed Meyer, a smooth-talking, piano-playing salesman; Blanche LeHay, prima donna of the Sam Levin Crackerjack Belles; and T. A. Buck Jr., the wet-behind-the-ears son of the founder of Featherloom. Roast Beef, Medium is the first of three volumes chronicling the travels and trials of Emma McChesney. The illustrations by James Montgomery Flagg, one of the most highly regarded book illustrators of the period, enhance both the humor and the vivid characterization in this wise and high-spirited tale.

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Contemporary Mormonism is the first collection of sociological essays to focus exclusively on Mormons. Featuring the work of the major scholars conducting social science research on Mormons today, this volume offers refreshing new perspectives not only on Mormonism but also on the nature of successful religious movements, secularization and assimilation, church growth, patriarchy and gender roles, and other topics. This first paperback edition includes a new introduction assessing the current state of Mormon scholarship and the effect of the globalization of the LDS Church on scholarly research about Mormonism.

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For years recognized as the world's best-known athlete, Muhammad Ali played a fascinating role in American culture, with an influence that reached far beyond sports and, in many ways, defined his times. Ali the boxer stood side by side with Ali the vocal Black Muslim, Ali the cultural force, Ali the anti-war protestor, Ali the celebrity, Ali the narcissist, and more. In Muhammad Ali, the People's Champ, experts unpack Ali's various incarnations to build a vivid portrait of an iconic figure in the ring of public history and reveal how he touched people's lives in ways unprecedented by any sports figure before or since.

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Marc Shell is Irving Babbitt Professor of Comparative Literature and professor of English at Harvard University. He is the author of many books, including The Economy of Literature, Money, Language, and Thought, and Art and Money.

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One of the most important American novels of the twentieth century, The Jungle shocked a nation with its horrifying depiction of the meatpacking industry and the dangerous labor performed by its impoverished, exploited workers. In this first annotated edition of Upton Sinclair's muckraking classic, James Barrett provides students and scholars with a broader understanding of the events and the milieu that led Sinclair to write the book.

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The iconic leader of one of America’s most powerful unions, Harry Bridges put an indelible stamp on the twentieth century labor movement. Robert Cherny’s monumental biography tells the life story of the figure who built the International Longshore and Warehouse Union (ILWU) into a labor powerhouse that still represents almost 30,000 workers. An Australian immigrant, Bridges worked the Pacific Coast docks. His militant unionism placed him at the center of the 1934 West Coast Waterfront Strike and spurred him to expand his organizing activities to warehouse laborers and Hawaiian sugar and pineapple workers. Cherny examines the overall effectiveness of Bridges as a union leader and the decisions and traits that made him effective. Cherny also details the price paid by Bridges as the US government repeatedly prosecuted him for his left-wing politics. Drawing on personal interviews with Bridges and years of exhaustive research, Harry Bridges places an extraordinary individual and the ILWU within the epic history of twentieth-century labor radicalism.

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How fan passion and technology merged into a new subculture Long before internet archives and the anytime, anywhere convenience of streaming, people collected, traded, and shared radio and television content via informal networks that crisscrossed transnational boundaries. Eleanor Patterson’s fascinating cultural history explores the distribution of radio and TV tapes from the 1960s through the 1980s. Looking at bootlegging against the backdrop of mass media’s formative years, Patterson delves into some of the major subcultures of the era. Old-time radio aficionados felt the impact of inexpensive audio recording equipment and the controversies surrounding programs like Amos ‘n’ Andy. Bootlegging communities devoted to buddy cop TV shows like Starsky and Hutch allowed women to articulate female pleasure and sexuality while Star Trek videos in Australia inspired a grassroots subculture built around community viewings of episodes. Tape trading also had a profound influence on creating an intellectual pro wrestling fandom that aided wrestling’s growth into an international sports entertainment industry.

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Lieder and the rise of song recital in the United States, 1850–1914 Though viewed as quintessentially German, lieder became a centerpiece of nineteenth century song recitals in the United States. By the 1890s, these songs, which were often sung in English, were a sensation among tutored and untutored music lovers alike. Heather Platt examines the varied supporters and singers who both established the lied as a concert repertoire and shaped a new kind of recital dedicated to art songs. Lieder were embraced and spread by performers like Max Heinrich and advocates like John Sullivan Dwight, as well as by the women’s clubs that flourished nationwide. At the same time as examining the critical reception of the artists and songs, Platt reveals ways in which US recital programs anticipated trends in European recitals. She also places lieder against the backdrop of the time, when factors like the growth in the sheet music industry, the evolution of American art song, and emerging anti-German feeling had a profound impact on the genre’s popularity.

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