Search results for ""paperblanks""

This delicate foliage pattern was crafted to adorn a 17th-century binding of the Passion Series, originally created in 1521 by the great engraver Lucas van Leyden. This edition contains Jan Harmensz. Muller’s 17th-century copy of the original work. As an artist, Muller was best known for his skillful reinterpretations of the work of his predecessors. It is only thanks to a small engraving of Muller’s name that we know this is a reproduction.

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Reproducing an original work by designer Pierre Legrain (1889–1929), this cover brings a sense of movement to the heavy geometric elements of its Art Deco influence.Legrain was a key figure in early 20th-century French bookbinding. After leaving the French Army in 1916, Legrain became recognized for his eye for design and was commissioned by Jacques Doucet, a French bibliophile and collector, to create unique bindings for Doucet’s impressive library. Adopting an attitude of experimentation, Doucet encouraged Legrain to be “freely inspired by contemporary artists’ vibrantly coloured mosaics, bold play with geometric forms and straight-lined bands.”

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Our Safavid Indigo design reproduces a leather filigree pattern incorporating handtooled motifs, retaining the elegance and style of the Islamic Golden Age even in our modern context. Originally released in a classic brown leather look, this new deep blue colour scheme pays tribute to the darkest tone of Persian Blue.

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This lovely, organic pattern comes from the illustrious carpet-making traditions of the Moldavian people. By mixing ideals of beauty and harmony with folk mysticism and mythology, Moldavian craftspeople elevate everyday carpets to works of spiritual and cultural expression. This particular design comes from a contemporary rug manufacturer, Floare Carpet, who design their floor coverings in the traditional ways.

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This fiery Baroque-inspired cover comes from a 1725 binding of The Decameron of Giovanni Boccaccio, a masterpiece of Italian literature.Giovanni Boccaccio (1313–1375) was an Italian writer and poet who helped lay the foundations of Renaissance humanism. His defining work, The Decameron, is a collection of novellas, each narrated by one of ten main characters who find shelter from the Black Death in a secluded villa just outside Florence in 1348. With its scope from humour to tragedy and its vivid narrative structure, The Decameron remains an affirmation of humanity and moral values even when read today.

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Ignite your creativity with fiery Fiammetta. This sensuous Baroque-inspired cover comes from a 1725 binding of The Decameron of Giovanni Boccaccio, a masterpiece of Italian literature.Giovanni Boccaccio (1313–1375) was an Italian writer and poet who helped lay the foundations of Renaissance humanism. His defining work, The Decameron, is a collection of novellas, each narrated by one of ten main characters who find shelter from the Black Death in a secluded villa just outside Florence in 1348. There are tales of witty practical jokes, lustful romantic entanglements and tragic, real-life consequences. With its scope from humour to tragedy and its vivid narrative structure, The Decameron remains an affirmation of humanity and moral values even when read today.This 18th-century binding of The Decameron is now held at the Musée Condé in Chantilly, France. With golden flowers and arabesques bursting forth from a rich, red background, our Fiammetta design, named for one of the book’s main characters, is sure to spark your imagination and let your passions flow.

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During the Tang Dynasty (618–907), the Emperor Taizong founded an opera school called Liyuan (Pear Garden). Chinese opera reached its pinnacle under the Qing court (1644–1911), giving birth to what is known as Peking Opera. Reproduced for this colourful hardcover journal is a piece of beautifully embroidered opera skirt from that era.

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During the Tang Dynasty (618–907), the Emperor Taizong founded an opera school called Liyuan (Pear Garden). Chinese opera reached its pinnacle under the Qing court (1644–1911), giving birth to what is known as Peking Opera. Reproduced for this colourful hardcover journal is a piece of beautifully embroidered opera skirt from that era.

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Marie Sklodowska Curie (1867–1934) was a Polish and naturalized French scientist known for her pioneering research on radioactivity. Seemingly contradicting the principle of energy conservation, her discoveries forced a reconsideration of the foundation of physics. For this journal we have reproduced a page from one of Marie’s laboratory notebooks.

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Our Blue Velvet softcover Flexi notebook design is inspired by a piece of a 15th-century velvet dalmatic. It is decorated in brocaded gilt metal thread with a seven-lobed shield, an artichoke-like botanical shape and tiny floral patterns. Creating a velvet design such as this would have been a painstaking procedure, making this a luxury fabric during the Renaissance.

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Our Blue Velvet softcover Flexi notebook design is inspired by a piece of a 15th-century velvet dalmatic. It is decorated in brocaded gilt metal thread with a seven-lobed shield, an artichoke-like botanical shape and tiny floral patterns. Creating a velvet design such as this would have been a painstaking procedure, making this a luxury fabric during the Renaissance.

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Our Golden Trefoil design is inspired by a 16th-century French binding that originally housed a printing of the Opera Omnia of Giovanni Pontano (1426–1503). The design, thought to be created by Claude de Picques, features a classic trefoil (clover) motif, popularly found in some of the world’s most iconic logos, crests, insignias and flags.

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Nineteen Eighty-Four, George Orwell’s dystopian piece of science fiction, introduced terms such as “Big Brother” and “thoughtcrime” into our social lexicon and is still widely read today. Only one handwritten copy of Nineteen Eighty-Four survives, and we are honoured to partner with Brown University to reproduce it on this journal cover.

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Brilliant fireworks are conjured up by this magnificent journal cover which reproduces the binding La Déclamation Théâtrale (1766), a didactic poem by Claude J. Dorat. Scorned by critics, Dorat persisted in writing an explosion of works. Though his legacy is not that of a major master, one cannot help but admire his incandescent desire to create.

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From sunlight sparkling on water to the startling hues of incomparable architecture, Venice enchants the eye. We have captured some of the splendid daybreak palette of the ancient city with this striking journal. Our Fiamma cover is inspired by a 1600s Renaissance binding which was crafted from red morocco leather with fine gold borders.

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In our Moonlight Stories journal, we feature classical characters from children’s literature drawn by artist Tim Bowers. With his bold and timeless use of colour and line, Bowers captures the charm of these iconic characters. Tim Bowers’ art has found a place in countless hearts, young and old.

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Frederick Douglass (1818–1895) was a former slave who became a leading abolitionist and social reformer. When too ill to continue his speaking engagements, he wrote letters of support for the anti-lynching activist and investigative journalist Ida B. Wells (1862–1931) to take his place. With the letter reproduced here, we celebrate the legacies of Douglass and Wells – two of the most revered leaders in African American history.

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A lifelong artist, Gary Grayson’s affinity for both antique prints and modern graphic design is on display in the digital artwork behind this cover. His distinctive style is an eclectic mix of vintage vector, impressionism and pop art.

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Marie Sklodowska Curie (1867–1934) was a Polish and naturalized French scientist best known for her pioneering research on radioactivity. Seemingly contradicting the principle of energy conservation, her discoveries forced a reconsideration of the foundation of physics. For this book cover we have reproduced a page from one of Marie’s notebooks containing her calculations precisely measuring the radium and thorium content of minerals.

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This cover design is based on a binding originally published by Salel Binder in Paris in 1514. The tome, Chroniques, was created at a time when books were evolving and binders were using smaller formats that were easier to bind. Pasteboards replaced wood covers and gold tooling grew in popularity. The exuberance of the Chroniques design reflects the sheer splendour of the Renaissance approach to decoration that influenced architecture, art and all facets of cultural life.

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Laurel Burch was a self-taught artist who created brilliantly coloured, vibrant and moving themes. In this design, her original characters, foliage and other details have been adapted by a Japanese artisan to create a new watercolour painting.

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Nobility and grace are restored in our filigreed cover design. Originally crafted in 1675 by the Queens’ Binder “A,” the balance of open space and intricate elements make it a shining jewel of the period. The binding was created to hold The Government of the Tongue by Richard Allestree, provost of Eton College.

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This cover design is based on a binding originally published by Salel Binder in Paris in 1514. The tome, Chroniques, was created at a time when books were evolving and binders were using smaller formats that were easier to bind. Pasteboards replaced wood covers and gold tooling grew in popularity. The exuberance of the Chroniques design reflects the sheer splendour of the Renaissance approach to decoration that influenced architecture, art and all facets of cultural life.

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Virginia Woolf wrote with insight about the uncertainty of everyday life. Her novel The Waves, drafted in a series of notebooks including the one reproduced here, is made up of soliloquies spoken by the main characters. Today, the notebooks are a part of The New York Public Library’s Henry W. and Albert A. Berg Collection of English and American Literature and are featured in the Polonsky Exhibition of The New York Public Library’s Treasures.

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Photographer Gérard Degeorge has travelled the world, capturing grand pieces of architectural design through the scope of his lens. This cover design comes from his vast collection of photography and is reminiscent of the Alhambra in Granada, Spain. The geometric pattern, floral design and arabesque setting are all suggestive of the art and architecture styles found in the western Islamic world.

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Laurel Burch was a self-taught artist who created brilliantly coloured, vibrant and moving themes with paint and paper, exquisitely embellished with gold and silver. Her celestial theme has evolved over the years in a brilliant colour palette emblazoned with shimmering details of silver and gold, including rainbow-hued fish and sprays of colourful flowers cavorting with her suns, moons and stars.

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