Search results for ""mcgill-queen's university press""

Wherever they settled, immigrants from Ireland and their descendants shaped and reshaped their understanding of being Irish in response to circumstances in both the old and new worlds. In A Land of Dreams, Patrick Mannion analyzes and compares the evolution of Irish identity in three communities on the prow of northeastern North America: St John’s, Newfoundland, Halifax, Nova Scotia, and Portland, Maine, in the late nineteenth and early twentieth centuries. These three port cities, home to diverse Irish populations in different stages of development and in different national contexts, provide a fascinating setting for a study of intergenerational ethnicity. Mannion traces how Irishness could, at certain points, form the basis of a strong, cohesive identity among Catholics of Irish descent, while at other times it faded into the background. Although there was a consistent, often romantic gaze across the Atlantic to the old land, many of the organizations that helped mediate large-scale public engagement with the affairs of Ireland – especially Irish nationalist associations – spread from further west on the North American mainland. Irish ethnicity did not, therefore, develop in isolation, but rather as a result of a complex interplay of local, regional, national, and transnational networks. This volume shows that despite a growing generational distance, Ireland remained “a land of dreams” for many immigrants and their descendants. They were connected to a transnational Irish diaspora well into the twentieth century.

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"Comic book superheroes, fantasy kingdoms, and futuristic starships have become inescapable features of today's pop-culture landscape, and the people we used to deride as "nerds" or "geeks" have ridden their popularity and visibility to mainstream recognition. It seems it's finally hip to be square. Yet these conventionalized representations of geek culture typically ignore the real people who have invested time and resources to make it what it is. Getting a Life recentres our understanding of geek culture on the everyday lives of its participants, drawing on fieldwork in comic book shops, game stores, and conventions, including in-depth interviews with ordinary members of the overlapping communities of fans and enthusiasts. Benjamin Woo shows how geek culture is a set of interconnected social practices that are associated with popular media. He argues that typical depictions of mass-mediated entertainment as something that isolates and pacifies its audiences are flawed because they do not account for the conversations, relationships, communities, and identities that are created by engaging with the products of mass culture. Getting a Life combines engaging interview material with lucid interpretation and a clear, interdisciplinary framework. The volume is both an accessible introduction to this contemporary subculture and an exploration of the ethical possibilities of a life lived with media.

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Since 1950, devolution reforms have been widespread across Western Europe, leading to constitutional transformation in Belgium, Italy, Spain, and the United Kingdom, as well as the potential for state breakup, as witnessed by independence referendums in Scotland and Catalonia. Over the same period, European integration has transferred power upwards to what is now the European Union. The simultaneous occurrence of these seemingly contradictory trends raises fundamental questions. Is state restructuring a uniform process? Has it been fuelled by European integration and, if so, how? Restructuring the European State uses a comparative analysis to present a systematic investigation of the connections between European integration and state restructuring. Paolo Dardanelli argues that there are two distinct dynamics of state restructuring: "bottom up," where one or more regions demand self-government; and "top down," where the central government decides to devolve power. Through quantitative analyses of thirteen key phases of state restructuring in Belgium, Denmark, France, Italy, Spain, and the United Kingdom he shows that European integration has a powerful influence only in bottom up cases. Dardanelli points to a striking paradox of integration, whereby an ethos of Europe growing ever closer to union has become associated with fragmentation, divergence, and increased complexity, rather than a seamless system of multilevel governance. Innovative and rigorously researched, Restructuring the European State marks a major advance in our understanding of contemporary European politics.

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The interplay between violence, religion, and politics is a central problem for societies and has attracted the attention of important philosophers, including Martin Heidegger, Jacques Derrida, and Rene Girard. Centuries earlier during the Italian Renaissance, these same problems drew the interest of Niccolo Machiavelli. In Not Even a God Can Save Us Now, Brian Harding argues that Machiavelli's work anticipates - and often illuminates - contemporary theories on the place of violence in our lives. While remaining cognizant of the historical and cultural context of Machiavelli's writings, Harding develops Machiavelli's accounts of sacrifice, truth, religion, and violence and places them in conversation with those of more contemporary thinkers. Including in-depth discussions of Machiavelli's works The Prince and Discourses on Livy, as well as his Florentine Histories, The Art of War, and other less widely discussed works, Harding interprets Machiavelli as endorsing sacrificial violence that founds or preserves a state, while censuring other forms of violence. This reading clarifies a number of obscure themes in Machiavelli's writings, and demonstrates how similar themes are at work in the thought of recent phenomenologists. The first book to approach both Machiavellian and contemporary continental thought in this way, Not Even a God Can Save Us Now is a highly original and provocative approach to both the history of philosophy and to contemporary debates about violence, religion, and politics.

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Contemporary life is founded on oil - a cheap, accessible, and rich source of energy that has shaped cities and manufacturing economies at the same time that it has increased mobility, global trade, and environmental devastation. Despite oil's essential role, full recognition of its social and cultural significance has only become a prominent feature of everyday debate and discussion in the early twenty-first century. Presenting a multifaceted analysis of the cultural, social, and political claims and assumptions that guide how we think and talk about oil, Petrocultures maps the complex and often contradictory ways in which oil has influenced the public's imagination around the world. This collection of essays shows that oil's vast network of social and historical narratives and the processes that enable its extraction are what characterize its importance, and that its circulation through this immense web of relations forms worldwide experiences and expectations. Contributors' essays investigate the discourses surrounding oil in contemporary culture while advancing and configuring new ways to discuss the cultural ecosystem that it has created. A window into the social role of oil, Petrocultures also contemplates what it would mean if human life were no longer deeply shaped by the consumption of fossil fuels.

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Words are the foundation, the building blocks of language. While an obvious and irreplaceable concept in the minds of non-linguists, the entry "word" does not figure in the indexes of some books on linguistics. Why is there this neglect of the word among many contemporary linguists? Inspired by the work of the French linguist Gustave Guillaume and the last in a series of books, The Word and Its Ways in English is a study of the way the word is configured in English, and an attempt to discern its nature. Walter Hirtle presents the word as the smallest element of meaning in the brain. He also explores how thoughts in the mind of a speaker become a succession of spoken words that are translated back into meaning in the mind of a listener. He examines different categories of words and how grammatical components such as person, case, and gender contribute to a word's meaning and are intimately linked to the mind. A thought-provoking account of the workings of grammar and the semantic notions that underlie grammatical distinctions, The Word and Its Ways in English is essential reading for anyone seeking a deeper understanding of the link between language, meaning, and words.

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This Colossal Project presents an absorbing epic on the building of the fourth Welland Canal, which connects Lake Ontario and Lake Erie and allows ships to bypass Niagara Falls. An immense undertaking, the canal is a vital part of North America's infrastructure and still functions as an essential part of the St Lawrence Seaway. Emphasizing the role that vivid personalities - including engineers John Laing Weller and Alex Grant as well as contractors and labourers - played in the construction of the canal, Roberta Styran and Robert Taylor use archival sources, government documents, newspapers, maps, and original plans to describe a saga of technological, financial, geographical, and social obstacles met and overcome in an accomplishment akin to the building of the Canadian Pacific Railway. A story of Canadian skill, courage, vision, and hardship, This Colossal Project details the twenty-year excavation of the giant channel and the creation of huge concrete locks amidst war, the Great Depression, political change, and labour unrest. Building on the work presented in Styran and Taylor's This Great National Object, which told the story of the first three Welland canals built in the nineteenth century, This Colossal Project chronicles an impressive milestone in the history of Canadian technological achievement and nation building.

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Much of the history of Western ethical thought has revolved around debates about what constitutes a good life, and claims that a good life is achievable only by certain human beings. In Feminist Philosophies of Life, feminist, new materialist, posthumanist, and ecofeminist philosophers challenge this tendency, approaching the question of life from alternative perspectives. Signalling the importance of distinctively feminist reflections on matters of shared concern, Feminist Philosophies of Life not only exposes the propensity of discourses to normalize and exclude differently abled, racialized, feminized, and gender nonconforming people, it also asks questions about how life is constituted and understood without limiting itself to the human. A collection of articles that focuses on life as an organizing principle for ontology, ethics, and politics, chapters of this study respond to feminist thinkers such as Gloria Anzaldua, Judith Butler, Adriana Cavarero, Simone de Beauvoir, Luce Irigaray, and Soren Kierkegaard. Divided into three parts, the book debates the question of life in and against the emerging school of new feminist materialism, provides feminist phenomenological and existentialist accounts of life, and focuses on lives marked by a particular precarity such as disability or incarceration, as well as life in the face of a changing climate. Calling for a broader account of lived experience, Feminist Philosophies of Life contains persuasive, original, and diverse analyses that address some of the most crucial feminist issues. Contributors include Christine Daigle (Brock University), Shannon Dea (University of Waterloo), Lindsay Eales (University of Alberta), Elizabeth Grosz (Duke University), Lisa Guenther (Vanderbilt University), Lynne Huffer (Emory University), Ada Jaarsma (Mount Royal University), Stephanie Jenkins (Oregon State University), Ladelle McWhorter (University of Richmond), Jane Barter Moulaison (University of Winnipeg), Astrida Neimanis (University of Sydney), Danielle Peers (University of Alberta), Stephen Seely (Rutgers University), Hasana Sharp (McGill University), Chloe Taylor (University of Alberta), Florentien Verhage (Washington and Lee University), Rachel Loewen Walker (Out Saskatoon), and Cynthia Willett (Emory University).

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Forums such as commissions, courtroom trials, and tribunals that have been established through the second half of the twentieth century to address aboriginal land claims have consequently created a particular way of presenting aboriginal, colonial, and national histories. The history that emerges from these land-claims processes is often criticized for being "presentist" - inaccurately interpreting historical actions and actors through the lens of present-day values, practices, and concerns. In Aboriginal Rights Claims and the Making and Remaking of History, Arthur Ray examines how claims-oriented research is often fitted to the existing frames of indigenous rights law and claims legislation and, as a result, has influenced the development of these laws and legislation. Through a comparative study encompassing the United States, Canada, South Africa, Australia and New Zealand, Ray also explores the ways in which various procedures and settings for claims adjudication have influenced and changed the use of historical evidence, made space for indigenous voices, stimulated scholarly debates about the cultural and historical experiences of indigenous peoples at the time of initial European contact and afterward, and have provoked reactions from politicians and scholars. While giving serious consideration to the flaws and strengths of presentist histories, Aboriginal Rights Claims and the Making and Remaking of History provides communities with essential information on how history is used and how methods are adapted and changed.

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In spite of the many historical studies of Irish Protestant migration to America in the eighteenth century, there is a noted lack of study in the transatlantic migration of Irish Protestants in the nineteenth century. The main hindrance in rectifying this gap has been finding a method with which to approach a very difficult historiographical problem. The Invisible Irish endeavours to fill this blank spot in the historical record. Rankin Sherling imaginatively uses the various bits of available data to sketch the first outline of the shape of Irish Presbyterian migration to America in the nineteenth century. Using the migration of Irish Presbyterian ministers as "tracers" of a larger migration, Sherling demonstrates that eighteenth-century migration of Protestants reveals much about the completely unknown nineteenth-century migration. An original and creative blueprint of Irish Presbyterian migration in the nineteenth century, The Invisible Irish calls into question many of the assumptions that the history of Irish migration to America is built upon.

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For centuries before the 1789 revolution, ballet was a source of great cultural pride for France, but by the twentieth century the art form had deteriorated along with France's international standing. It was not until Serge Diaghilev's Ballets Russes found success in Paris during the first decade of the new century that France embraced the opportunity to restore ballet to its former glory and transform it into a hallmark of the nation. In When Ballet Became French, Ilyana Karthas explores the revitalization of ballet and its crucial significance to French culture during a period of momentous transnational cultural exchange and shifting attitudes towards gender and the body. Uniting the disciplines of cultural history, gender and women's studies, aesthetics, and dance history, Karthas examines the ways in which discussions of ballet intersect with French concerns about the nation, modernity, and gender identities, demonstrating how ballet served as an important tool for France's project of national renewal. Relating ballet commentary to themes of transnationalism, nationalism, aesthetics, gender, and body politics, she examines the process by which critics, artists, and intellectuals turned ballet back into a symbol of French culture. The first book to study the correlation between ballet and French nationalism, When Ballet Became French demonstrates how dance can transform a nation's cultural and political history.

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The federal government and its policies transform Canadian cities in myriad ways. Canada in Cities examines this relationship to better understand the interplay among changing demographics, how local governments and citizens frame their arguments for federal action, and the ways in which the national government uses its power and resources to shape urban Canada. Most studies of local governance in Canada focus on politics and policy within cities. The essays in this collection turn such analysis on its head, by examining federal programs, rather than municipal ones, and observing how they influence local policies and work with regional authorities and civil societies. Through a series of case studies - ranging from federal policy concerning Aboriginal people in cities, to the introduction of the federal gas tax transfer to municipalities, to the impact of Canada's emergency management policies on cities - the contributors provide insights about how federal politics influence the local political arena. Analyzing federal actions in diverse policy fields, the authors uncover meaningful patterns of federal action and outcome in Canadian cities. A timely contribution, Canada in Cities offers a comprehensive study of diverse areas of municipal public policy that have emerged in Canada in recent years.

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Does the fact that everything has a cause imply that all events are causally determined? Drawing on discussions from the history of philosophy, John Burbidge's Cause for Thought captures the diverse dynamics found in physics, chemistry, biology, animal psychology, and rational action. At each level, forms of activity emerge that cannot be reduced to the functioning of simpler, more elementary components. By exploring the logic of what happens when two causal conditions reciprocally interact, Burbidge develops a concept of complex cause in which an agent generates effects not simply because of the action of its constituent components, but also because of the way those components mutually supplement and reinforce one another. By extending this to the interaction of agents with their environment, Burbidge throws light on the structure of organisms, on the distinctive contributions of consciousness and rationality, and on the quest for a comprehensive explanation of the cosmos. Recovering the force and legitimacy of metaphysical inquiry by focusing on the concept of cause and causality, Cause for Thought offers a new way of understanding natural processes, the role of consciousness and free will, and the significance of rational explanation.

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As a life-giving but also potentially destructive substance, water occupies a prominent place in the imagination. At the same time, water issues are among the most troubling ecological and social concerns of our time. Water is often studied only as a "resource," a quantifiable and instrumentalized substance. Thinking with Water instead invites readers to consider how water - with its potent symbolic power, its familiarity, and its unique physical and chemical properties - is a lively collaborator in our ways of knowing and acting. What emerges is both a rich opportunity to encourage more thoughtful environmental engagement and a challenge to common oppositions between nature and culture. Drawing from a pool of contributors with diverse backgrounds, Thinking with Water presents the work of critics, scholars, artists, and poets in an invitation to pay more attention to the aqueous aspects of our lives. Contributors include: Aelab (Gisele Trudel, UQAM and Stephane Claude, Oboro), Stacy Alaimo (University of Texas at Arlington), Andrew Biro (Acadia University), Mielle Chandler (York University), Cecilia Chen (Concordia University), Dorothy Christian (University of British Columbia), Adam Dickinson (poet, Brock University), Max Haiven (Nova Scotia College of Art and Design), Janine MacLeod (York University), Daphne Marlatt (poet, British Columbia), Don McKay (poet, Newfoundland), Emily Rose Michaud (Artist, Wakefield, Qc.), Astrida Neimanis (Linkoping University), Sarah Renshaw (artist, Rhode Island), Shirley Roburn (Concordia University), Melanie Siebert (poet, University of Victoria), Jennifer B. Spiegel (Concordia University), Veronica Strang (Durham, UK), Rae Staseson (Concordia University), Rita Wong (Emily Carr University of Art and Design), and Peter C. van Wyck (Concordia University).

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In the tapestry of global queer cultures Africa has long been neglected or stereotyped. In Hungochani, Marc Epprecht seeks to change these limited views by tracing Southern Africa's history and traditions of homosexuality, modern gay and lesbian identities, and the vibrant gay rights movement that has emerged since the 1980s. Epprecht explores the diverse ways African cultures traditionally explained same-sex sexuality and follows the emergence of new forms of gender identity and sexuality that evolved with the introduction of capitalism, colonial rule, and Christian education. Using oral testimony, memoirs, literature, criminal court records, and early government enquiries from the eighteenth century to the present, he traces the complex origins of homophobia. By bringing forth a wealth of evidence about once-hidden sexual behaviour, Epprecht contributes to the honest, open discussion that is urgently needed in the battle against HIV/AIDS. Homosexuality - or hungochani as it is known in Zimbabwe - has been denounced by many politicians and church leaders as an example of how Western decadence has corrupted African traditions. However, a bold, new gay rights movement has emerged in several of the countries of the region since the 1980s, offering an exciting new dimension in the broad struggle for human rights and democracy unfolding on the continent. In a new preface to this edition, Epprecht considers the recent advances of equality on the continent such as the legalization of same-sex marriage in South Africa, as well as discriminatory setbacks such as Uganda's anti-homosexuality legislation.

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In recent decades, popular culture - from television and film to newspapers, magazines, and best-selling fiction - has focused an enormous amount of attention on mothers. Through feminist, psychoanalytic, sociological, literary, and cultural studies perspectives, the twenty chapters in this book examine an array of current and relevant contemporary topics related to maternal identities such as working, stay-at-home, ambivalent, absent, good, bad, single, teen, elder, celebrity, and lesbian mothers; and issues such as the mommy wars, self-care, pregnancy, abortion, contraception, infanticide, adoption, sex and sexuality, breastfeeding, post-partum depression, fertility, genetics, and reproductive technologies. Contributors from Canada, the United States, Britain, and Australia engage critically and theoretically with stereotypes perpetuated by popular culture media, and chart some of the provocative and liberating ways that we can use and interpret this media to encourage and promote alternative and transformative maternal readings, identities, and practices. Mediating Moms looks at mothers as imaged by and in the media; how mothers mediate or negotiate these images according to their historical, corporeal, and lived personhoods; and how scholars mediate the popular and academic discourses of motherhood as a way of registering, strengthening, and alleviating the tensions between representation and reality. Mediating Moms engages critically with stereotypes perpetuated by popular culture, while mapping some of the provocative and liberating ways that mothers can use the media to transform and reaffirm their identities. Contributors include Jennifer Bell (Alberta), H. Louise Davis (Miami), Irene Gammel (Ryerson), Nicola Goc (Tasmania), Fiona Joy Green (Winnipeg), Latham Hunter (Mohawk), Joanne Ella Johnson, Hosu Kim (Staten Island), Beth O'Connor (Ontario Ministry of Municipal Affairs and Housing), Debra Langan (Wilfrid Laurier), Sally Mennill (British Columbia), Stuart J. Murray (Ryerson), Kathryn Pallister (Red Deer), Maud Perrier (Bristol), Lenora Perry (Texas), Dominique Russell, Jocelyn Stitt (Minnesota), Stephanie Wardrop (Western New England), Imelda Whelehan (Tasmania).

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A comprehensive introduction to professional student services that support student success in Canada's post-secondary institutions

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A comparative analysis of eleven federal countries through case studies illustrating federalism

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A passionate literary biography of the Belarusan anti-war and dissident writer who is universally acknowledged as the conscience of his nation

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He suggests that the mafia emerged only in some parts of Sicily and was never a single overarching criminal organization. It arose, in fact, from a self-help tradition that eventually became corrupted and ultimately a burden on most villagers - land workers and proprietors alike. The local antimafia forces also became a drain on village life and by the middle of the 1950s both the mafia and the antimafia, far from destroying one another, had vanquished themselves. The first study to extend rational choice institutionalism to Italian history and politics, Village Politics and the Mafia in Sicily offers an in-depth analysis of the impact of the abolition of feudalism in 1812, the unification of Italy in 1860, and subsequent regime changes on village politics in Sicily. Sabetti details the emergence, evolution, and collapse of a local mafia and antimafia in a historical, "before-after," perspective. Refocusing the study of village politics and the mafia, he also suggests what can happen when those acting for the state regard ordinary people as passive voices in the game of life.

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The Future of NATO looks at the conceptual and theoretical approaches that underlie the question of enlarging NATO's membership and the consequences of enlargement on international relations. It examines the policies of some of NATO's leading member states - including Canada, which has recently begun a two-year term on the security council - and deals with the issue of enlargement from the point of view of the East European candidates, focusing on Russia and its opposition to the current process. Contributors include Andras Balogh (Loran Eotvos University), Martin Bourgeois, Charles-Philippe David (UQAM), Andre P. Donneur (UQAM), David G. Haglund (Queen's), Philippe Hebert (Montreal), Stanislav J. Kirschbaum (Glendon College), Richard L. Kugler (RAND, National Defence University), David Law (Queen's), Paul Letourneau (Montreal), Jacques Levesque (UQAM), Gale Mattox (U.S. Naval Academy), Marie-Claude Plantin (Lumiere Lyon 2), Sergei Plekhanov (York), Jane M.O. Sharp (Kings College, London).

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The world of philanthropy and private foundations remains mysterious to most Canadians. Memorably likened to giraffes, foundations are creatures that should not exist, but they do, surrounded by a certain mystique.In From Charity to Change Hilary Pearson demystifies the world of Canadian philanthropy, offering a portrait of today’s foundation landscape and highlighting organizations that are acting with purpose on some of the most pressing social and economic challenges of our time: climate change, the future of cities, education and the evolving workforce, housing, and the urgent need to repair and build new relationships with Indigenous Peoples. Pearson, who for two decades worked with leaders of foundations across Canada, provides an insider’s perspective on the ways these organizations continue to evolve. Through personal interviews with private funders – large and small, long established and newly formed – Pearson describes their strategies and the varied roles they play, whether as convenors, advocates, brokers, or partners.A timely contribution to the current debate on the legitimacy of organized philanthropy in an era of increasing social division and inequality, From Charity to Change makes a compelling case for the valuable role private philanthropy plays in addressing the challenges of our rapidly changing times.

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“Paris is the centre of the cult,” wrote Robert Hichens in Felix, his 1902 novel on the rising number of morphine addictions in Europe. In Paris, artists depicted the morphine addict numerous times, yet they disregarded the reality of France’s addiction problem: male medical professionals made up the highest proportion of people who used morphine habitually. In oil paintings, caricatures, and lithographs, artists such as Pablo Picasso, Eugène Grasset, and Théophile Steinlen almost always depicted the morphine addict as a deviant female figure.Artists sensationalized addiction to elicit shock and stand out in the crowded Parisian art market. Their artworks show influences from contemporary medical texts on addiction and artistic depictions of sex workers, lesbians, and other women deemed socially deviant. These images proliferated in French society, creating false narratives about who was or could become addicted to drugs and setting a precedent for the visualization of drug addiction. Hannah Halliwell links the feminization of addiction to broader anxieties in late nineteenth-century France – the defeat by Prussia in 1871, concerns about social decadence, a declining population, and a rising feminist movement.Art, Medicine, and Femininity presents a new understanding of the history of addiction and substance use and its intersection with art and gender.

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The political theory of Richard Vernon has been a guiding light for students of politics for over five decades. From the situated ethics of shared citizenship to the normative character of individuals’ connections to members of other societies and generations, Vernon has cleared a distinctive course in his contributions to the many complex dimensions of political morality.Justice, Rights, and Toleration centres on the core ideas that animate Vernon’s approcach to political theory. Contributors to this volume – all former students and colleagues of Vernon – offer critical engagement with the fundamental themes threaded throughout the thinker’s work on the perennial political challenges in liberal democratic societies, including the understanding of citizenship and political membership, justice within and between nations and generations, the rights of children and parents, and the idea of toleration. Vernon articulated a clear vision of the nature of these problems as well as a nuanced approach to addressing them, one rooted in the ideas of democratic dialogue and justice. The essays in this volume are a testament to the breadth of the pressing issues on which Vernon’s work continues to advance critical insights.Justice, Rights, and Toleration provides a worthy tribute to the wide range of Richard Vernon’s interests and the inspiration still to be found in his deep yet subtle body of work in political theory.

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Pourquoi des étudiants en médecine ont-ils enlevé des cadavres dans les lieux de sépulture durant près de six décennies (c. 1820-1883) au Québec ? Cette science nécessaire fait la lumière sur une histoire originale et méconnue, en nous plongeant dans l’univers macabre des étudiants en médecine du XIXe siècle.On y croise religieuses hospitalières, chiens protégeant les tombes, juges, patients d’institutions psychiatriques, policiers, évêques, ainsi qu’un grand nombre de médecins. Anglophones ou francophones, tous s’animent autour d’une même question : quels morts peut-on disséquer pour apprendre l’anatomie humaine et devenir un médecin compétent ? Écrit dans un style accessible, à partir de sources fascinantes et souvent inédites, Cette science nécessaire montre l’essor de la profession médicale au Québec en expliquant, par exemple, comment une émeute d’étudiants à coups de fémurs transforme la médecine canadienne, comment Trois-Rivières devient une plaque tournante du transport ferroviaire de cadavres, ou encore pourquoi les squelettes fument la pipe sur les images de salles de dissection de l’époque. Le rôle majeur des organisations catholiques et protestantes dans l’enseignement médical au Québec est mis en évidence : Montréal au XIXe siècle devient un environnement médical hybride où coexistent des établissements francophones et anglophones, ayant peu d’équivalents au monde.Cette science nécessaire est une lecture essentielle, tant pour mieux comprendre l’histoire de la formation médicale au Québec et dans le monde, que pour mettre en contexte les débats actuels sur le respect et la dignité dans les pratiques médicales et funéraires.

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Released in 1919, Anders als die Andern (Different from the Others) stunned audiences with its straightforward depiction of queer love. Supporters celebrated the film’s moving storyline, while conservative detractors succeeded in prohibiting public screenings. Banned and partially destroyed after the rise of Nazism, the film was lost until the 1970s and only about one-third of its original footage is preserved today.Directed by Richard Oswald and co-written by Oswald and the renowned sexologist Magnus Hirschfeld, Anders als die Andern is a remarkable artifact of cinema culture connected to the vibrant pre-Stonewall homosexual rights movement of early-twentieth-century Germany. The film makes a strong case for the normalization of homosexuality and for its decriminalization, but the central melodrama still finds its characters undone by their public outing. Ervin Malakaj sees the film’s portrayal of the pain of living life queerly as generating a complex emotional identification in modern spectators, even those living in apparently friendlier circumstances. There is a strange comfort in knowing that we are not alone in our struggles, and Malakaj recuperates Anders als die Andern’s mournful cinema as an essential element of its endurance, treating the film’s melancholia both as a valuable feeling in and of itself and as a springboard to engage in an intergenerational queer struggle.Over a century after the film’s release, Anders als die Andern serves as a stark reminder of how hostile the world can be to queer people, but also as an object lesson in how to find sustenance and social connection in tragic narratives.

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and it was in these bare sands / that you fell, / beloved.When John Baglow's partner Marianne MacKinnon died in 2006, he decided to assemble a new collection of poems in her memory. No one else knew of what proved to be a slow-moving ambition, but a member of the family mentioned one evening that Marianne had appeared in a dream, saying, “Tell John to finish my book.” After that, what choice did he have?In a famous photograph by James Crombie, a murmuration of starlings takes, for a magical moment, the shape of a giant bird. This is the metaphor that best describes the collection: individual poems moving together in liquid formation, arcing and swooping as they will, and for perhaps just a singular moment assuming the outline of the author, helplessly ever-changing. Some of these poems, inspired by love, grief, and wonder, have been tucked away for years; others are freshly written. All here find their place.There is no narrative in Murmuration, no chronology. Nor are the many personal remembrances and representations in the book confined to one person. Nevertheless, together they are one way of seeing, one way of being. Marianne would approve.

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Kim Thúy is a literary phenomenon, rising in her first decade of writing to a level of international recognition that few Québécois writers ever attain. The Vietnamese-born author’s novels have garnered literary prize recognition and have been translated from French into twenty-nine languages in nearly forty countries.Touching Beauty is the first collection to focus solely on Thúy and her economical yet poetic storytelling style that expresses both the traumatic and the beautiful. Her writings, which manage to be culturally specific all while speaking to the fundamentals of the human condition, are examined within the context of what is known as migrant literature in Canada and are situated within the history of Vietnamese literature in French that grew out of the colonial period. Chapters explore food, identity, gender, and the role of writing in Thúy’s life and work. Thúy herself contributes an unpublished poem and an extended interview that focus on her ongoing struggle to find, and write, beauty amidst war, migration, poverty, and loss. Touching Beauty maps the themes that have, to date, animated a literary career of global relevance and enduring value and encourages a deeper appreciation of Thúy’s writing.

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Zygmunt Bauman was both an outsider of Western modernity and one of its foremost interpreters. He was an exemplary figure in twentieth-century intellectual work on exile who experienced both Nazi and Soviet forms of totalitarianism.The first work to draw extensively on Bauman’s personal archive, Zygmunt Bauman and the West argues that the distinctive social thought that sprang from Bauman’s lived experiences of exile amounts to a sustained, sophisticated, and hitherto unappreciated problematization of Eurocentrism and the West. Through an overview of the intellectual’s thought and his contribution to sociology, Jack Palmer explores Bauman’s experience and interpretation of the West and seeks to understand his work in a broader context, outside of the Eurocentric environment from which it was born. Intervening in a resurgent sociology of intellectuals, Zygmunt Bauman and the West re-evaluates the place of the West in social and political thought.

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Pentecostalism is one of the fastest-growing religious movements in the world. In Canada, it is the most rapidly growing Christian group among Indigenous people, with approximately one in ten Pentecostals in the country being Indigenous. Pentecostalism has become a religious force in many Indigenous communities, where congregations are most often led by Indigenous ministers – an achievement that took many decades. The Holy Spirit and the Eagle Feather traces the development of Indigenous Pentecostalism in Canada. Exploring the history of twentieth-century missionization, with particular attention to the Pentecostal Assemblies of Canada’s Northland Mission, founded in 1943, Aaron Ross shows how the denomination’s Euro-Canadian leaders, who believed themselves to be supporters of Indigenous-led churches, struggled to relinquish control of mission management and finances. Drawing on interviews with contemporary figures in the movement, he describes how Indigenous Pentecostals would come to challenge the mission’s eurocentrism over decades, eventually entering positions of leadership in the church. This process required them to confront the painful vestiges of colonialism and to grapple with the different philosophies and theologies of Pentecostalism and Indigenous traditional spiritualities. In doing so they indigenized the movement and forged a new identity, as Indigenous and Pentecostal.Indigenous Pentecostals now occupy key roles in the church and serve as political, cultural, and economic leaders in their communities. The Holy Spirit and the Eagle Feather tells the story of how they overcame the church’s colonial impulses to become religious leaders, as well as agents for decolonization and reconciliation.

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Growing up on St Lawrence Boulevard, Phil Gold never aspired to be a doctor. But working as an encyclopedia salesman, a bottle washer at Molson, and a fur-coat schlepper in textile factories helped him realize and embrace his parents’ desire for him to follow that path.Looking back at his short wander from the Main to nearby McGill University and the Montreal General Hospital, Gold coins a new word, fortunome, to evoke his sense of a lucky life: “Our genome comes from our parents; our environment or epigenome shapes the expression of who we are; but without a good fortunome, life’s odds turn against us.” A born storyteller, Gold recounts the sights and sounds of a bygone era – horse-drawn milk carts, Yiddish neighbourhoods full of Holocaust survivors, furniture chopped up to keep the home fires burning, sacks of grain lugged off ships in the harbour, antisemitism and ethnic street-fighting, the padlocked doors of the Red Scare, his father’s first car. Gold tells the story of dating and marrying the love of his life, Evelyn, studying under the brilliant Sir Arnold Burgen, and his discovery of CEA (carcinoembryonic antigen) in a clear, fast-moving narrative that grips and fascinates. Gold’s Rounds also includes unforgettable stories from six decades of treating patients at the General, scenes from the founding of the famous Goodman Cancer Institute, and reflections on the physician's role and the meaning of a good death. By turns funny, wise, and heartrending, Gold’s memoir of a life well lived will be cherished by both medical professionals and general readers.

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In 2014–15, the Ethiopian government, together with many academics and observers, was surprised by the outbreak of anti-government protests, as large-scale public contestation of the Ethiopian People’s Revolutionary Democratic Front (EPRDF) had been largely absent in the regime’s history. The dominant narrative about the EPRDF regime was that it was a top-down government, using authoritarian methods to ensure the population abided by its visions and directives, and describing its role in paternalistic ways, such as being the protector and guardian of the people.Changing this narrative, Citizens, Civil Society, and Activism under the EPRDF Regime in Ethiopia considers how citizens and civil society expressed their interests and exerted their agency in an authoritarian setting. Focusing on the EPRDF regime over a period of three decades up to 2019, the book explores civic activism in Ethiopia, presenting diverse examples of how citizens have (re)shaped the country. Challenging state-centric readings of state-society relations under EPRDF governance, this collection provides a counternarrative that emphasizes the role and agency of citizens and civil society. The contributing authors draw on a heuristic analytical framework that examines different types of interactions between civil society and state actors (co-optation, co-operation, coexistence, and contestation) and captures the ways in which civil society actors make their voices heard.At a time when authoritarian forms of governance are increasingly prevalent across the world, this critically important collection offers insight into how citizens claim their agency and challenge state power in apparently top-down contexts.

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Concern over ecological and environmental problems grows daily, and many believe we’re at a critical tipping point. Scientists, social thinkers, public officials, and the public recognize that failure to understand the destructive impact of industrial society and advanced technologies on the delicate balance of organic life in the global ecosystem will result in devastating problems for future generations. In The Domination of Nature William Leiss argues that this global predicament must be understood in terms of deeply rooted attitudes towards nature. He traces the origins, development, and social consequences of an idea whose imprint is everywhere in modern thought: the idea of the domination of nature. In part 1 Leiss traces the idea of the domination of nature from the Renaissance to the nineteenth century. Francis Bacon’s seminal work provides the pivotal point for this discussion, and through an original interpretation of Bacon’s thought, Leiss shows how momentous ambiguities in the idea were incorporated into modern thought. By the beginning of the twentieth century the concept had become firmly identified with scientific and technological progress. This fact defines the task of part 2. Using important contributions by European sociologists and philosophers, Leiss critically analyzes the role of science and technology in the modern world. In the concluding chapter he puts the idea of mastery over nature into historical perspective and explores a new approach, based on the possibilities of the liberation of nature.Originally published in 1972, The Domination of Nature was part of the first wave of widespread interest in environmental issues. In a new preface Leiss explores the concept of eco-dominion and the moral obligations of human citizens of the twenty-first century.

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Concern over ecological and environmental problems grows daily, and many believe we’re at a critical tipping point. Scientists, social thinkers, public officials, and the public recognize that failure to understand the destructive impact of industrial society and advanced technologies on the delicate balance of organic life in the global ecosystem will result in devastating problems for future generations. In The Domination of Nature William Leiss argues that this global predicament must be understood in terms of deeply rooted attitudes towards nature. He traces the origins, development, and social consequences of an idea whose imprint is everywhere in modern thought: the idea of the domination of nature. In part 1 Leiss traces the idea of the domination of nature from the Renaissance to the nineteenth century. Francis Bacon’s seminal work provides the pivotal point for this discussion, and through an original interpretation of Bacon’s thought, Leiss shows how momentous ambiguities in the idea were incorporated into modern thought. By the beginning of the twentieth century the concept had become firmly identified with scientific and technological progress. This fact defines the task of part 2. Using important contributions by European sociologists and philosophers, Leiss critically analyzes the role of science and technology in the modern world. In the concluding chapter he puts the idea of mastery over nature into historical perspective and explores a new approach, based on the possibilities of the liberation of nature.Originally published in 1972, The Domination of Nature was part of the first wave of widespread interest in environmental issues. In a new preface Leiss explores the concept of eco-dominion and the moral obligations of human citizens of the twenty-first century.

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Si la devise du Québec sombre parfois dans l’oubli, ce livre s’impose tel un véritable devoir de mémoire envers les pionniers du cinéma de fiction LGBTQ+ québécois : « Je me souviens » de ce premier et courageux aveu queer de Claude Jutra dans À tout prendre, ainsi que de l’exploration par André Brassard et Michel Tremblay dans Il était une fois dans l’Est d’une faune colorée affirmant son existence dans un quartier modeste de l’est de Montréal. Ce livre commémore et conjugue ces deux fleurons de la cinématographie québécoise qui mettent en scène des représentations gaies, lesbiennes et trans pionnières dans les années 1960 et 1970.Malgré une réception critique empreinte parfois d’homophobie au Québec et un relatif silence à l’intérieur d’un Canada majoritairement anglophone, ce cinéma francophone fera néanmoins entendre sa voix à l’international, en Europe comme aux États-Unis, impressionnant des cinéastes comme Truffaut et Cassavetes. Ces films passent ainsi à l’histoire. Sous la loupe de la sociologie, Julie Vaillancourt analyse ces films au rythme d’événements sociopolitiques marquants, de la Révolution tranquille à la révolution sexuelle, des mouvements de libération homosexuels à ceux des femmes, sans oublier la question identitaire nationale. L’ouvrage présente également un état des lieux plus de cinquante ans après la décriminalisation de l’homosexualité au Canada. Vu l’influence de ces cinéastes auprès de la jeune génération, dont Xavier Dolan, les legs sont nombreux et invitent les comparaisons réaffirmant le caractère novateur de ces deux films pionniers. Ce livre revisite À tout prendre et Il était une fois dans l’Est pour démontrer leur importance artistique et sociale au moment de leur création ainsi que leur héritage durable dans le contexte du cinéma queer mondial.

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The Cossack revolution of 1648 redrew the map of Eastern Europe and established a new social and political order that endured until the early nineteenth century, with the full integration of Ukraine into imperial states. It was an era when Ukrainian Cossack statehood was established, when a country called Ukraine appeared for the first time on European maps, and new, diverse identities emerged.Eighteenth-Century Ukraine provides an innovative reassessment of this crucial period in Ukrainian history and reflects new developments in the study of eighteenth-century Ukrainian history. Written by a team of primarily Ukrainian historians, the volume covers a wide range of topics: social history, demographics, history of medicine, religious culture, education, symbolic geography, the transformation of collective identities, and political and historical thought. Special attention is paid to Ukrainian-Russian relations in the context of eighteenth-century Russian imperial unification. Eighteenth-Century Ukraine is the most comprehensive guide to new visions of early-modern Ukrainian history.

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Evangelical Christianity is known for its defence of traditional Christian teachings and resistance to liberalizing trends. Many Western evangelicals themselves do not yet realize how their faith is being reshaped by the modern zeitgeist. Caught in the Current explores how and why Western evangelicals are changing. Church attendance is declining, conservative moral positions are unpopular, and young people are drifting away from the faith. Evangelism is avoided, so few are joining congregations. Yet these surface changes are only symptoms of a more profound shift that church leaders have not fully apprehended. Drawing upon 125 interviews with British and Canadian clergy and active laity, Sam Reimer argues that evangelicals have been deeply influenced by a post-Christian culture that has rejected institutional religious authority and embraced self-spirituality. As individual evangelicals struggle to navigate these waters, and to distance themselves from politicized evangelicalism in the United States, they are caught between conformity and resistance, between faithfulness to church moral teachings and accommodation of secular values. Many are responding by turning inward to define their Christian beliefs for themselves. The ironic result is that the decline of institutional religious authority is not happening just in Western culture, but within evangelical churches as well. Caught in the Current is an insightful and nuanced assessment of how British and Canadian evangelicals are navigating a post-Christian culture, often in ways that are distinct from how their counterparts in the United States approach it.

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The catastrophic terror Soviet power unleashed on the Ukrainian countryside in the early 1930s altered every aspect of village life. Based on extensive interviews with villagers throughout Ukraine, The Transformation of Civil Society provides an oral history of the material and cultural destruction sustained in rural Ukraine throughout the Stalinist era. Beginning with wholesale deportations and evictions, followed by the process of collectivization in Ukraine, the Soviet state’s impact on peasant life extended deep into the fabric of society. Targeting the cultural life of these Ukrainians, the 1930s began with the physical repression of religious institutions and personnel, the repression of church ritual, and later, the repression of entertainment and expressive culture such as music making. By bringing to light the experiences of more than four hundred Ukrainians who witnessed the terror of the Stalinist era, William Noll privileges villagers' points of view on the near total destruction of their world and preserves the memory of their civil society. Almost twenty-five years after its Ukrainian publication, The Transformation of Civil Society makes this classic available in English for the first time.

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While Canada is home to one of the largest Ukrainian diasporas in the world, little is known about the life and culture of Ukrainians living in the country’s rural areas and their impact on Canadian traditions.Drawing on more than ten years of interviews and fieldwork, Ukrainian Ritual on the Prairies describes the culture of Ukrainian Canadians living in the prairie provinces of Alberta and Saskatchewan. Despite powerful pressure to assimilate, these Ukrainians have managed both to preserve their sense of themselves as Ukrainian and to develop a culture sensitive to the realities of prairie life, creating their own uniquely Ukrainian Canadian traditions. The Ukrainian church, an iconic though now rapidly disappearing feature of the prairie landscape, takes centre stage as an instrument for the retention of Ukrainian identity and the development of a new culture. Natalie Kononenko explores the cultural elements of Ukrainian Canadian ritual practice, with an emphasis on family traditions surrounding marriage, birth, death, and religious holidays.Ukrainian Ritual on the Prairies gives voice to a group of everyday people who are too often overlooked, highlighting their accomplishments and their contributions to Canadian life.

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Imagine a house whose wiring is spliced and patchy with knob and tube, coiled like a serpent ready to strike and spark at any moment. Even if you have a fire trap behind your walls, the lights will turn on. In her memoir of a life lived in physical pain, Karen Engle asks whether and how language can capture what it’s like to be in a body that appears to work from the outside, when its internal systems operate through an ad hoc assemblage of garbled messaging, reroutings, and shaky foundations. A series of narrative reflections capture the myriad ways in which the chronic conditions its suffering subject. Contrary to claims that pain obliterates language – long a trope of writing about illness – Engle contends that the person with chronic pain is not hampered by a scarcity of language, but rather its excess: enervation by the unending waves of utterance. From a history of the word chronic and its shifting significance to meditations on multiple diagnoses and interactions with medical personnel, Chronic Conditions is a doctor’s case file through the looking glass of a creative writer, scholar, and patient. Engle explores, through medical research, literature, and art, how it feels to become attuned to the rhythms of perpetual and mysterious physical pain. At stake here is the search for a kind of writing that does not instrumentalize pain for allegorical or transcendental purposes. Chronic pain is not a sign of weakness, nor is it an opportunity for personal growth, Engle argues. Instead, it is entirely ordinary and deeply affecting.

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Hugo von Hofmannsthal (1874–1929) is frequently portrayed in cultural histories as an aloof writer with a precious style, out of step with modern sensibilities. In Aesthetic Dilemmas Marlo Burks reassesses Hofmannsthal’s oeuvre and its place in twentieth-century European modernist aesthetics.Through an examination of a diverse range of Hofmannsthal’s ekphrastic writings – including poetry, essays, opera libretti, fiction, and letters – Burks argues that Hofmannsthal’s work aims to engage the consciousness and sensibility of readers, listeners, and viewers by way of dynamic encounters with works of art. Aesthetic Dilemmas thereby corrects a long-standing, flawed characterization of Hofmannsthal’s work as escapist and demonstrates how his place in the Modernist movement has been misunderstood in most scholarship. The book is in dialogue with a broad range of critical voices and treats a variety of themes, from aestheticism to money, interpersonal relationships, suffering, poverty, labour, futurity, legacy, and hope. Translating numerous passages into English for the first time, Aesthetic Dilemmas gives English-speaking readers the chance to evaluate Hofmannsthal’s literary merit and his contributions to the enduring conversation about art’s relation to ethics.

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Redirecting examinations of the culture of the city away from its customs, art, and amenities to focus on the mental life of modern society, Alan Blum explores the methods cities and their subjects use to find meaning in the context of urban life, in particular the city’s relationships to social change and what has traditionally been identified as justice.The Material City pictures the city as a landscape of diverse clashes over beliefs, a site that exhibits interpretive collisions over globalization, gentrification, innovation, preservation, market value, popular culture, crowds, consumption, urban governance, and different strategies for healing the democratic city’s ever-present conflicts over these concerns. Each chapter uses a problem of urban life to observe and analyze assumptions and values that are typically taken for granted and unspoken, using elements of the philosophy of Plato as well as the work of modern thinkers such as Georg Simmel, Gertrude Stein, Ludwig Wittgenstein, Virginia Woolf, Hannah Arendt, and Jacques Lacan.The Material City translates contested views of everyday life and its management into a deeper reflection on urbanity as a system of desire. The historical and the contemporary metropolis alike are shown to be sites where the enigma of mortality – and its relation to pleasure, comedy, and fate – plays out.

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In the “post-truth” era, the question of how people perceive things to be real, even when they are not based in fact, preoccupies us. Lessons learned in the theatre – about how emotion and affect produce an experience of realness – are more relevant than ever.Real-ish draws on extensive interviews with audience members about their perceptions of realness in documentary, participatory, historical, and immersive performances. In studying these forms that make up the theatre of the real, Kelsey Jacobson considers how theatrical experiences of realness not only exist as a product of their real-world source material but can also unfurl as real products in their own right. Using the concept of real-ish-ness – which captures the complex feeling that is generated by engaging with elements of reality – the book examines how audiences experience the apparently real within the time and space of a performance, and how it is closely tied to the immediacy and intimacy experienced in relation to others.When feeling – rather than fact –becomes a way of knowing truths about the world, understanding the cultivation and circulation of such feelings of realness is paramount. In exploring this process, Real-ish centres audience voices and, perhaps most importantly, audience feelings during performance.

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In the Québécois political vision of the twentieth century, sovereignty became synonymous with mastery. French Canadians sometimes claimed solidarity with racialized and Indigenous peoples, yet they saw their liberation as a matter of taking their rightful place in the seat of the oppressors. The idea of mastery has prevented the Québécois from seeing that their liberation is bound up with that of other groups oppressed by colonial powers. The Eye of the Master confronts the missed opportunities for a decolonial version of indépendance in Quebec by examining the quest for mastery that has been at the root of every version of independence offered to the people of Quebec since the mid-twentieth century. Exploring political discourse, popular culture, and the family photo album, Dalie Giroux revisits the mythology of being “masters in our own house” and identifies the obstacles blocking a more comprehensive version of liberation based on solidarity. Drawing from the living forces of Indigenous thought and anti-racist, ecological, and feminist movements, Giroux envisions life without conquest, domination, exploitation, and surveillance. Making the case for a different future, beginning in the here and now, The Eye of the Master offers a major new intervention in contemporary political thought to Canadian readers and all those who imagine a different North America.

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We are living in a time of acute vulnerability. From climate change to drone warfare, terrorist attacks to mass shootings, safe spaces to trigger warnings, not to mention the COVID-19 pandemic, homo vulnerabilis is once again coming to terms with the fact that it can be wounded, or even killed.Against such finitude, sovereignty is now reasserting itself as a political power that might save us from our ontological state. The irony is, of course, that such sovereignty – for example through camps, walls, police violence, or drones – is also the underlying, historical cause of many of our most intense contemporary experiences of vulnerabilization. Interrupting the dialectic by which sovereignty manages to be both the cause of our vulnerabilization and the phantasmatic tool of its prevention, in Being Vulnerable Arne De Boever explores how today’s experiences of vulnerabilization can be translated into a collective human power that dismantles the form of sovereignty that is producing this state of affairs. Focused on theories, paradigms, and alternative formations of sovereignty, Being Vulnerable reconsiders the tradition of thinking through a political concept in order to approach it anew.

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At the turn of the millennium Canadian cinema appeared to have reached an apex of aesthetic and commercial transformation. Domestic filmmaking has since declined in visibility: the sense of celebrity once associated with independent directors has diminished, projects garner less critical attention, and concepts that made late-twentieth-century Canadian film legible have been reconsidered or displaced. Canadian Cinema in the New Millennium examines this dramatic transformation and revitalizes our engagement with Canadian cinema in the contemporary moment, presenting focused case studies of films and filmmakers and contextual studies of Canadian film policy, labour, and film festivals. Contributors trace key developments since 2000, including the renouveau or Quebec New Wave, Indigenous filmmaking, i-docs, and diasporic experimental filmmaking. Reflecting the way film in Canada mediates multiple cultures, forging new affinities among anglophone, francophone, and Indigenous-language examples, this book engages familiar figures, such as Denis Villeneuve, Xavier Dolan, Sarah Polley, and Guy Maddin, in the same breath as small-budget independent films, documentaries, and experimental works that have emerged in the Canadian scene. Fuelled by close attention to the films themselves and a desire to develop new scholarly approaches, Canadian Cinema in the New Millennium models a renewed commitment to keeping the conversation about Canadian cinema vibrant and alive.

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James Tully is one of the world’s most influential political philosophers at work today. Over the past thirty years – first with Strange Multiplicity (1995), and more fully with Public Philosophy in a New Key (2008) and On Global Citizenship (2014) – Tully has developed a distinctive approach to the study of political philosophy, democracy, and active citizenship for a deeply diverse world and a de-imperializing age. Civic Freedom in an Age of Diversity explores, elucidates, and questions Tully’s innovative approach, methods, and concepts, providing both a critical assessment of Tully’s public philosophy and an exemplification of the dialogues of reciprocal elucidation that are central to Tully’s approach. Since the role of public philosophy is to address public affairs, the contributors consider public philosophy in the context of pressing issues and recent civic struggles such as: crises of democracy and citizenship in the Western world; global citizenship; civil disobedience and non-violence; Indigenous self-determination; nationalism and federalism in multinational states; protest movements in Turkey and Quebec; supranational belonging in the European Union; struggles over equity in academia; and environmental decontamination, decolonization, and cultural restoration in Akwesasne.Offering a wide-ranging analytical discussion of Tully’s work by leading scholars from various fields of study, with an extensive reply by Tully himself, Civic Freedom in an Age of Diversity provides a rich perspective on the full extent of his contribution.

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Digital media technologies have provided an occasion not only for novel ways to display and exhibit collections, but also for new politics to arise as museums and urban settings change. While some believe these changes are driven by humans, others see digital media technologies at the heart of these changes. Reconfiguring the Museum offers a third explanation that considers both the social and technical together and thereby captures the experimental nature of introducing novel digital media technologies to museums, and the uncertainty, messiness, contingency, and complexity involved. In this sociotechnical case study of a novel augmented reality app – first designed to exhibit collections from the Museum of London across the sprawling capital city, and later remade for the McCord Museum to display collections throughout Montreal – Ana-Maria Herman reveals how the app introduced unexpected new relations between the museums, their collections, advertising agencies, sponsors, technology companies, corporations, urban spaces, and end users. She shows how museum practices related to curating, designing, building, visiting, and modifying exhibitions were transformed, and how, in such unsettled arrangements, what we think of as old cultural politics can unexpectedly re-emerge, while new digital politics – related to big data, surveillance, and automated processes – may not necessarily materialize.A detailed account of emerging actors and practices involved in making digital exhibitions, Reconfiguring the Museum offers practical considerations for museum, culture, and heritage practitioners charged with creating digital displays and accounting for their success or failure.

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