Search results for ""author glenn"

In distinctive voice and tone, cultural commentator Glenn W. Olsen presents his latest work on the place of Catholicism in American history. Here he clarifies the meaning of American modernity for Catholics and shows the conflicts and tensions confronting the religious person today. The essays take up such questions as the possibility of a neutral public order, the desirable relation between church and state, the spiritualities suitable to our historical situation, the form the principle of subsidiarity might take, and the range of hopeful possibilities for the future. Olsen defines the current challenge for religious persons as how to be “in” but not “of” the world. Addressing some aspects of being in the world, he traces the historical roots of the idea of Catholic incarnational humanism and analyses the problems specific to Christian faith existing within a larger society of non believers. Olsen suggests that how we address such issues affects the religious and non religious alike, especially in a country of diverse religions.

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Why have some of the most interesting artists of our time committed themselves to some of the most devastating conflicts on Earth? Why are some of the most interesting artists of our time committed to engaging with conflict and exploitation around the world? Beautiful, Gruesome, and True tells the stories of three of them: Amar Kanwar makes riveting films about the destruction of rural India in the drive to extract natural resources. Teresa Margolles creates haunting installations from the traces of crime scenes and drug-related violence in Mexico. The anonymous collective Abounaddara has produced more than four hundred short films chronicling the uprising and civil war in Syria. Drawing on years of research and extensive reporting, Kaelen Wilson-Goldie vividly recounts how a group of “political” artists found ways to produce remarkable works of art that demand deliberate and methodical ways of thinking—works that are contemplative, thoughtful, even redemptive. Named one of the best art books of the year by Holland Cotter of the New York Times “A gifted critic and a compelling journalist, Wilson-Goldie offers many important insights into the challenges these artists face in their confrontation with authority, repressive regimes, death, and violence. The story she tells could not be more timely.” —Glenn D. Lowry, David Rockefeller Director, Museum of Modern Art

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Byzantine Media Subjects invites readers into a world replete with imagesicons, frescoes, and mosaics filling places of worship, politics, and community. Glenn Peers asks readers to think themselves into a world where representation reigned and humans followed, and indeed were formed. Interrogating the fundamental role of representation in the making of the Byzantine human, Peers argues that Byzantine culture was (already) posthuman. The Byzantine experience reveals the extent to which media like icons, manuscripts, music, animals, and mirrors fundamentally determine humans. In the Byzantine world, representation as such was deeply persuasive, even coercive; it had the power to affect human relationships, produce conflict, and form self-perception. Media studies has made its subject the modern world, but this book argues for media having made historical subjects. Here, it is shown that media long ago also made Byzantine humans, defining them, molding them

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From the CWA John Creasey New Blood Dagger shortlisted author‘A dark, haunting tale with an emotional gut punch that stays with you long after the final page. Amanda Cassidy is an unflinching storyteller.’ Lisa Jewell, author of The Family UpstairsWhen she re-lives this night, over and over, Nancy will wonder if she’d just gone upstairs a few minutes earlier, what might have been…A devastating fire.A grieving mother.A picture-perfect village full of dark secrets.And now, a son who has seemingly come back from the dead.A detective called back to her hometown, back to the memories she thought she’d left behind…An electrifying novel from a compelling new voice in Irish crime fiction, perfect for fans of Liz Nugent and Claire Mackintosh.Praise for The Returned ‘A richly layered, intricate plot, wonderfully nuanced characters, and absolutely stunning writing, The Returned packs an incredible emotional punch. One of the best books I’ve read this year.’ Andrea Mara, author of All Her Fault‘A powerfully emotive and carefully layered story about old secrets, motherhood and demons from the past. Amanda’s lyrical and evocative writing underpins a whip cracking plot that simply swept me away!’ Lizzy Barber, author of Out of Her Depth‘Vivid, pacy and gripping, with characters who have real heart, Amanda Cassidy is a brilliant new voice in crime fiction.’ Sam Blake, author of The Mystery of Four‘An emotionally-charged page-turner that won't let you go. I'm still reeling from that stunning ending. I loved it.’ Glenn Meade, author of The Devil's Disciple‘A tightly-woven, well-balanced mystery. Dark, emotive and intricate, The Returned marks an exciting step forward for Cassidy in the Irish crime fiction genre’ Business PostWhat reader's are saying about The Returned ‘When I say my heart was pounding reading this book, I mean it was POUNDING! The Returned is unputdownable and took me on an emotional rollercoaster! Superb, a must read.’ ⭐⭐⭐⭐⭐ Reader review‘This book packs a powerful, emotional punch. The writing is excellent with realistic characterisation and full of tension.’ ⭐⭐⭐⭐⭐ Reader review‘I did not want this book to end. The storyline, characters and emotion of this novel are seriously unmatched. I recommend this book and this author… You will not be disappointed. Bravo!’ ⭐⭐⭐⭐⭐ Reader review

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Glenn Jordan and Chris Weedon look at the role of culture in reproducing and contesting social relations of class, gender and race. They focus on relationships between culture, subjectivity, and power, in what is the first comprehensive introduction to contemporary cultural politics. * Whose culture shall be the official one and whose shall be subordinated? * What cultures shall be regarded as worthy of display and which shall be hidden? * Whose history shall be remembered and whose forgotten? * What images of social life shall be projected and which shall be marginalized? * What voices shall be heard and which shall be silenced? * Who is representing whom and on what basis? * How can marginalized and oppressed people be empowered to change their social position? * What is cultural democracy and how can it be achieved? These key questions are among the radical issues Cultural Politics addresses, through case studies from Britain, North America, Eastern Europe and Australia.

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Are most white American Christians actually committed to a Religion of Whiteness?Recent years have seen a growing recognition of the role that White Christian Nationalism plays in American society. As White Christian Nationalism has become a major force, and as racial and religious attitudes become increasingly aligned among whites--for example, the more likely you are to say that the decline of white people as a share of the population is bad for society, the more likely you are to believe the government should support religious values--it has become reasonable to wonder which of the adjectives in the phrase White Christian Nationalism takes precedence. In this book, Michael O. Emerson and Glenn E. Bracey II respond definitively: the answer is white. The majority of white Christians in America, they argue, are believers in a Religion of Whiteness that shapes their faith, their politics, and more. The Religion of Whiteness, they argue, raises the perpetuation of racial inequality to a

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Why the call to Love Thy Body? To counter a pervasive hostility toward the body and biology that drives today's headline stories: Transgenderism: Activists detach gender from biology. Kids down to kindergarten are being taught their bodies are irrelevant. Is this affirming--or does it demean the body? Homosexuality: Advocates disconnect sexuality from biological identity. Is this liberating--or does it denigrate biology? Abortion: Supporters deny the fetus is a person, though it is biologically human. Does this mean equality for women--or does it threaten the intrinsic value of all humans? Euthanasia: Those who lack certain cognitive abilities are said to be no longer persons. Is this compassionate--or does it ultimately put everyone at risk? In Love Thy Body, bestselling author Nancy Pearcey goes beyond politically correct slogans with a riveting expos of the dehumanizing worldview that shapes current watershed moral issues. Pearcey then turns the tables on media boilerplate that misportrays Christianity as harsh or hateful. A former agnostic, she makes a surprising and persuasive case that Christianity is holistic, sustaining the dignity of the body and biology. Throughout she entrances readers with compassionate stories of people wrestling with hard questions in their own lives--their pain, their struggles, their triumphs. "Liberal secularist ideology rests on a mistake and Nancy Pearcey in her terrific new book puts her finger right on it. In embracing abortion, euthanasia, homosexual conduct and relationships, transgenderism, and the like, liberal secularism . . . is philosophically as well as theologically untenable."--Robert P. George, Princeton University "Wonderful guide."--Sam Allberry, author, Is God Anti-Gay? "A must-read."--Rosaria Butterfield, former professor, Syracuse University; author, The Secret Thoughts of an Unlikely Convert "An astute but accessible analysis of the intellectual roots of the most important moral ills facing us today: abortion, euthanasia, and redefining the family."--Richard Weikart, California State University, Stanislaus "Highly readable, insightful, and informative."--Mary Poplin, Claremont Graduate University; author, Is Reality Secular? "Unmasks the far-reaching practical consequences of mind-body dualism better than anyone I have ever seen."--Jennifer Roback Morse, founder and president, The Ruth Institute "Love Thy Body richly enhances the treasure box that is Pearcey's collective work."--Glenn T. Stanton, Focus on the Family "Essential reading . . . Love Thy Body brings clarity and understanding to the multitude of complex and confusing views in discussions about love and sexuality."--Becky Norton Dunlop, Ronald Reagan Distinguished Fellow, The Heritage Foundation "Pearcey gets straight to the issue of our day: What makes humans valuable in the first place? You must get this book. Don't just read it. Master it."--Scott Klusendorf, president, Life Training Institute

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When considering the best dancers in Hollywood's history, some obvious names come to mind - Fred Astaire, Gene Kelly, and Bill Robinson. Yet often overlooked is one of the most gifted and creative dancers of all time, Eleanor Powell. Powell's effervescent style, unmatched technical prowess in tap, and free-flowing musicality led MGM to build top-rate musicals around her unique talents, including Born to Dance (1936) with James Stewart and Broadway Melody of 1940 (1940) with Fred Astaire, in which she became known as the only female tap dancer capable of challenging him. In a male-dominated industry, her fierce drive for perfection, sometimes to her detriment, earned her a place as one of the most accomplished performers in vaudeville, Broadway, and film. Powell's grace, precision, and power established her as one of the greatest American dancers. In 1943, she married actor Glenn Ford and largely stepped away from the spotlight for the duration of their tumultuous marriage. After their divorce, Powell made a courageous comeback, successfully performing in Las Vegas and on the nightclub circuit. Cancer claimed her life at the age of sixty-nine.Eleanor Powell: Born to Dance by Paula Broussard and Lisa Royère is an all-encompassing work following the American dance legend from her premature birth into a single-parent home in Springfield, Massachusetts, to her first Broadway performance at age fifteen, through her days as a blazing icon in the world of Hollywood, and finally, to her inspiring comeback. With access to rare documents, letters, and production files, as well as drawing on the authors' intimate personal relationships with Powell, this is a thoroughly researched, comprehensive, and fascinating look at an incredibly talented and unforgettable woman.

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New Beginnings is the sequel to Eric Koch's landmark work The Golden Years: Glenn Gould, Marshall McLuhan, Lester B. Pearson, Rene Levesque & John G. Diefenbaker published by Mosaic Press in 2013. Once again, Koch is inventing a new literary form that is special and astonishing, crafting five intimate stories of six fascinating and important figures in Canadian history. New Beginnings focuses on key characters in the his- tory of post-World War II Canada Tommy Douglas, Igor Gouzenko, Maurice Duplessis, Mackenzie King, Vincent Massey, and Allan Monk. Koch captures the very essence of these figures through brief and poignant fictional anecdotes. Fascinating, insightful, and informed, these stories appeal to anybody who wants a new take on our Canadian history and its array of characters.

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"Satan’s Dare is different from any other Jim DeMint book, and it very well may be his most important." —Glenn Beck“Satan’s Dare is a powerful story that will confirm the faith of Christians and challenge skeptics to search for real truth." —Dr. M. G. "Pat" RobertsonThe Bible is often presented as an antiquated document filled with mysterious prophesies, unbelievable fables, and arbitrary decisions by a God whose actions range from anger and vengeance to love and forgiveness. The Bible's creation story appears to be at complete odds with more credible scientific explanations of the origins and evolution of life. And believers in Biblical truth are further challenged by haunting questions about why a good God would create a world so full of evil, pain, suffering and death. Satan's Dare takes these issues and questions head on.

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Described as the most exciting batsman to emerge since David Gower retired, Michael Vaughan provides a personal view of his own amazing acheivements during 2002. He also contemplates the controversy that surrounded England's ill-fated World Cup mission, and discusses the real story behind the decision not to go to Zimbabwe. Vaughan's thoughts about Nasser Hussain, the captain he has served most, and his other international and county colleagues are also shared. Every aspect of an intense and exciting year gets Vaughan's complete consideration - from being given out handled ball in India to clean bowling Sachin Tendulkar, from being targeted by Glenn McGrath to winning the Player of the Series award in the Ashes battle, and on to the World Cup fiasco. This is a compelling insight into the world of the 2002 Cricketer of the Year.

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Australia has wildly differing topographies and climates, and its best residential architecture draws on those site conditions in inventive ways. This book illustrates the strength of the country’s shift from British-influenced Georgian-style homes to more indigenous structures attuned to the land—a movement led by Australian architects such as Glenn Murcutt, Richard Leplastrier, and Gabriel Poole in the 1970s. Witness a range of new houses that grapple with the locales in which they are built. Up north, down south, and on the coast, from small and low-budget to multimillion-dollar dwellings, the focus is on the use of raw materials, energy efficiency, adaptable spaces, and embrace of the great outdoors for which the country is known. Drawings and interviews with the architects shed light on how they apply their intelligence and creativity to produce striking buildings that are uniquely Australian.

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Artists on Andy Warhol is the third installment in a series culled from Dia's Artists on Artists lectures, focused on the work of artist Andy Warhol (1928–87). This small-format paperback book delves into Warhol's oft-quoted phrase: "If you want to know all about Andy Warhol, just look at the surface: of my paintings and films and me, and there I am. There's nothing behind it." Artists on Andy Warhol breaks down this iconic phrase to investigate Warhol's relationship with art, culture, language and race with essays that examine the significance of halftones and shadows and look to sources such as Ralph Ellison and Jacques Lacan. Together Robert Buck, Glenn Ligon, Jorge Pardo, Kara Walker and James Welling search beyond the surface of Warhol's work, persona and legacy to better understand the invisible artist.

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The Struggle Over the Past contains essays on three facets of fundamentalist religion: its international character, its American Protestant form, and its appearance in Roman Catholicism. The papers range in methodological perspective from textual commentary, to history, to philosophical and theological argument. They are critical as well as descriptive. The papers that comprise this volume are written by leading scholars in the field: Islamicist John Esposito, R. Scott Appleby of the Fundamentalist Project, theologian Francis Fiorenza of Harvard Divinity School, William Dinges of Catholic University, Mary Jo Weaver of Indiana University, and Terrence Tilley of the Florida State University. Additional commentary by three noted scholars of American evangelical religion-Samuel Hill, Jr., E. Glenn Hinson, and Bernard Ramm-rounds out the examination of modern fundamentalism. Co-published with the College Theology Society.

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Recent developments in Irish literature are largely ignored in existing critical texts on Irish culture. This is the first study to make a detailed examination of the new novelists and themes emerging in the genre, as well as covering the foundations of contemporary Irish fiction. Gerry Smyth provides a broad overview of the forms and theories that comprise the traditional Irish novel and explores the ways in which modern writers challenge established notions of Irish fiction. Focusing on the work of leading contemporary Irish writers – including Roddy Doyle, Glenn Patterson, Emma Donoghue and Patrick McCabe – Smyth employs innovative techniques in his analysis, such as the relevance of post-colonial theory to Irish literature, and the links between literature and wider cultural and political developments. Also included is a previously unpublished interview with Roddy Doyle.

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The behind-the-scenes story of the iconic film, featuring new interviews with the cast and crew. An unflinching confrontation of humanity's dark side, Brian De Palma's crime drama film Scarface gave rise to a cultural revolution upon its release in 1983. Its impact was unprecedented, making globe-spanning waves as a defining portrait of the gritty Miami street life. From Al Pacino's masterful characterization of Tony Montana to the iconic Say hello to my little friend, Scarface maintains its reputation as an unwavering game changer in cult classic cinema. With brand-new interviews and untold stories of the film's production, longtime film critic Glenn Kennytakes us on an unparalleled journey through the making of American depictions of crime.The World Is Yourshighlights the influential characters and themes within Scarface, reflecting on how its storied legacy played such a major role in American culture.

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There was a time when people were committed to working hard and being productive in the work force. Today, however, some workers have an entitlement mentality and the labor pool includes some people who donâ??t want a job - just a paycheck. In response to this trend, Glenn Shepard has written How to Manage Problem Employees. This comprehensive book will tell you how to set new hires up for success, structure compensation packages to maximize their involvement and work ethic, deal with problem areas before they become bad behavior, and motivate slow and often unmotivated employees. You'll learn the different personality types and how to handle specific manifestations of each, including gossiping, back stabbing, direct confrontation, hypochondriacs, breaking the chain of command, and sarcasm, as well as how to terminate employees while staying on solid legal ground.

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Concentrationary Memories has, as its premise, the idea at the heart of Alain Resnais's film Night and Fog (1955) that the concentrationary plague unleashed on the world by the Nazis in the 1930s and 1940s is not simply confined to one place and one time but is now a permanent presence shadowing modern life. It further suggests that memory (and, indeed, art in general) must be invoked to show this haunting of the present by this menacing past so that we can read for the signs of terror and counter its deformation of the human. Through working with political and cultural theory on readings of film, art, photographic and literary practices, Concentrationary Memories analyses different cultural responses to concentrationary terror in different sites in the post-war period, ranging from Auschwitz to Argentina. These readings show how those involved in the cultural production of memories of the horror of totalitarianism sought to find forms, languages and image systems which could make sense of and resist the post-war condition in which, as Hannah Arendt famously stated 'everything is possible' and 'human beings as human beings become superfluous.' Authors include Nicholas Chare, Isabelle de le Court, Thomas Elsaesser, Benjamin Hannavy Cousen, Matthew John, Claire Launchbury, Sylvie Lindeperg, Laura Malosetti Costa, Griselda Pollock, Max Silverman, Glenn Sujo, Annette Wieviorka and John Wolfe Ackerman.

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The Many Half-Lived Lives of Sam Sylvester explores healing in the aftermath of trauma and the fullness of queer joy. In this queer contemporary YA mystery, a nonbinary autistic teen realizes they must not only solve a 30-year-old mystery but also face the demons lurking in their past in order to live a satisfying life. Sam Sylvester has long collected stories of half-lived lives—of kids who died before they turned nineteen. Sam was almost one of those kids. Now, as Sam’s own nineteenth birthday approaches, their recent near-death experience haunts them. They’re certain they don’t have much time left. . . . But Sam's life seems to be on the upswing after meeting several new friends and a potential love interest in Shep, their next-door neighbour. Yet the past keeps roaring back—in Sam’s memories and in the form of a thirty-year-old suspicious death that took place in Sam’s new home. Sam can’t resist trying to find out more about the kid who died and who now seems to guide their investigation. When Sam starts receiving threatening notes, they know they’re on the path to uncovering a murderer. But are they digging through the past or digging their own future grave? “Look no further for your next favourite read, because The Many Half-Lived Lives of Sam Sylvester has it all: a gripping murder mystery that will keep you turning pages, ghosts, romance, and a treasure trove of queer characters with depth and heart. Here’s something rare—a suspenseful story that also feels like a hug.” —Sarah Glenn Marsh, author of the Reign of the Fallen series

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“You must read this book. Everett Piper is a man of courage and conviction. He stands nearly alone as an academic leader confronting the ideological fascism of the snowflake rebellion. His call for intellectual freedom must be heard.” --Glenn Beck, founder of The Blaze Network "While others run from the battle Piper shows over and over again at least one person is willing was to run toward it... Finally, a voice of sanity in the halls of the ivory tower..." —Josh McDowell "Finally, some clarity in our murky times! Everett Piper exposes the shallowness and tragedy of so much of modern education." —Sean McDowell Dr. Piper is a dose of reality in a world of college fantasies. He says and does whatever college president ought to say, but won’t. — Jim Garlow What has happened to the American spirit? We've gone from "Give me liberty, or give me death!" to "Take care of me, please." Our colleges were once bastions of free speech; now they're bastions of speech codes. Our culture once rewarded independence; now it rewards victimhood. Parents once taught their kids how to fend for themselves; now, any parent who tries may get a visit from the police. In Not a Day Care, Dr. Everett Piper, president of Oklahoma Wesleyan University and author of the viral essay, "This Is Not a Day Care. It's a University!," takes a hard look at what's happening around the country--including the demand for "safe spaces" and trigger warnings at universities like Yale, Brandeis, and Oberlin--and digs in his heels against the sad and dangerous infantilization of the American spirit.

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From Henri Fabre's first successful take off from water and landing near Marseilles, to the introduction of a hull rather than floats by American Glenn Curtiss, to the world-wide development of huge, ocean-crossing flying boats on both sides of the Atlantic - the passenger flying boat era continues to fascinate aviation enthusiasts and historians alike. Wartime necessity for paved runways to support long-range, high flying land-planes and the faster movement of airmail, overcame in peacetime the unique ability enjoyed by such craft to economically utilise the natural waterways of the world, thus depriving passengers of the ability to enjoy the panorama unfolding below in luxurious accommodation and ease. A sadly missed epoch of flight: though related in clear and vivid detail by Leslie Dawson in his account of a pre-war Imperial Airways flight from Southampton to South Africa. This extended pictorial edition of the author's previous book Fabulous Flying Boats, A History Of The World's Passenger Flying Boats provides a fast-moving journey from the first pioneers to the very last use of such craft in regions still reliant on waterborne communication with the outside world. From the Americas and the United Kingdom, to France, Germany and Italy, and on to Australia and New Zealand. Supported by world-wide private, public and corporate images, the work boasts a comprehensive and well-researched Appendix.

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Lavishly illustrated, this is the first book on the world s most famous cognac producer. Considered a benchmark of excellence, its blends have become icons of refinement and luxury. In Pass the Henny, renowned writer Glenn O Brien invites the reader to discover the history of cognac. The highly entertaining text, filled with extraordinary events and O Brien s irresistible humour, is married with classic cocktail recipes and evocative imagery that conveys the lifestyle of the Hennessy connoisseur through the ages, including the Mad Men of the 1960s and today s stars of hip-hop. Featuring contributions from such cultural luminaries as Shepard Fairey, Nas, Futura, Fab 5 Freddy, and Todd Selby as well as never-before-seen images from the Hennessy archive, Pass the Henny is an informative and engaging account of the world s most revered brandy and a book that belongs on every cognac enthusiast s shelf.

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The NASM's 60,000 objects comprise the world's largest collection of historic aircraft and spacecraft. The content is culled from the museum's two public display facilities, one on the National Mall in Washington, D.C. and the second at the museum's Steven F. Udvar-Hazy Center in Chantilly, Virginia.Among the 100 artifacts profiled are the original 1903 Wright Flyer; Charles Lindbergh's Spirit of St. Louis; Chuck Yeager's Bell X-1; John Glenn's Friendship 7 spacecraft; the Apollo 11 command module; Lockheed SR-71 Blackbird; the Boeing B-29 Superfortress Enola Gay; the Dash 80 prototype for the 707; the sole-surviving Boeing 307 Stratoliner; and space shuttle Discovery.

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“This is a threat.” That’s how Hackers, Swedish writer Aase Berg’s seventh book of poetry, begins. Hackers is a furious, feminist book about wanting to “hack” the patriarchal system—both in the physically violent sense and in the sense of computer hacking. But Berg also reveals the ‘hag’ behind the ‘hack,’ channeling the non-compliant rage of Glenn-Close-as-bunny-boiler from Fatal Attraction. The world Berg “hags” back at is a world of sexist, capitalist, environmental, globalized violence. The fury of the hacker/hag/captive/revenger is constantly boiling up on the edges of Berg’s compounds and highways, threatening to infiltrate the center. In these spectacular battle scenes and hacked pastorals, where nature is besieged by the highways of progress and the animals don’t give a damn about the humans, the hag rises.

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Game-theoretic probability and finance come of age Glenn Shafer and Vladimir Vovk’s Probability and Finance, published in 2001, showed that perfect-information games can be used to define mathematical probability. Based on fifteen years of further research, Game-Theoretic Foundations for Probability and Finance presents a mature view of the foundational role game theory can play. Its account of probability theory opens the way to new methods of prediction and testing and makes many statistical methods more transparent and widely usable. Its contributions to finance theory include purely game-theoretic accounts of Ito’s stochastic calculus, the capital asset pricing model, the equity premium, and portfolio theory. Game-Theoretic Foundations for Probability and Finance is a book of research. It is also a teaching resource. Each chapter is supplemented with carefully designed exercises and notes relating the new theory to its historical context. Praise from early readers “Ever since Kolmogorov's Grundbegriffe, the standard mathematical treatment of probability theory has been measure-theoretic. In this ground-breaking work, Shafer and Vovk give a game-theoretic foundation instead. While being just as rigorous, the game-theoretic approach allows for vast and useful generalizations of classical measure-theoretic results, while also giving rise to new, radical ideas for prediction, statistics and mathematical finance without stochastic assumptions. The authors set out their theory in great detail, resulting in what is definitely one of the most important books on the foundations of probability to have appeared in the last few decades.” – Peter Grünwald, CWI and University of Leiden “Shafer and Vovk have thoroughly re-written their 2001 book on the game-theoretic foundations for probability and for finance. They have included an account of the tremendous growth that has occurred since, in the game-theoretic and pathwise approaches to stochastic analysis and in their applications to continuous-time finance. This new book will undoubtedly spur a better understanding of the foundations of these very important fields, and we should all be grateful to its authors.” – Ioannis Karatzas, Columbia University

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This hybrid book examines the art and politics of “The Nude” in various cultural contexts, featuring books of canonical western art pirated and either digitally- or hand-censored in Iran by anonymous government workers. Author Glenn Harcourt uses several case studies brought to the fore by American painter Pamela Joseph in her recent “Censored” series. Harcourt’s rigorous, culturally-measured and art historical approach complements Joseph’s appropriation of these censored images as feminist critique. Harcourt argues that her work serves as a window toward larger questions in art. These include an examination of the evolution of abstraction; the role of women in western society, as seen through the history of painting the body; the effects of western art on cultures outside the west (sometimes referred to in Iran as “west-toxication”); and how artists in non-western countries, specifically those in Iran living under rules of censorship that specifically prohibit representation of the body, engage with the history of western art found in the censored books. Harcourt’s discussion of Iranian contemporary artists focuses on censorship tropes in portraiture, including works by Aydin Aghdashloo, Gohar Dashti, Katayoun Karami, Daryoush Qarezad, Manijeh Sehhi, Newsha Tavakolian, and others. Issues of privacy and security prevent some Iranian artist insiders from being named, but studio images as well as recipes for removal of the censored marks along with testimony from artists who are now living outside Iran provide reference for many English-speaking readers who don’t otherwise have knowledge of the country’s strict policies. Image reproductions ranging from the pages of the censored books themselves, to Joseph’s paintings, to artwork by contemporary Iranian artists, make the book visually intriguing, timely, and visually fascinating reading.

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Glenn Richardson provides the first history in more than four decades of a major Tudor event: an extraordinary international gathering of Renaissance rulers unparalleled in its opulence, pageantry, controversy, and mystery. Throughout most of the late medieval period, from 1300 to 1500, England and France were bitter enemies, often at war or on the brink of it. In 1520, in an effort to bring conflict to an end, England’s monarch, Henry VIII, and Francis I of France agreed to meet, surrounded by virtually their entire political nations, at “the Field of Cloth of Gold.” In the midst of a spectacular festival of competition and entertainment, the rival leaders hoped to secure a permanent settlement between them, as part of a European-wide “Universal Peace.” Richardson offers a bold new appraisal of this remarkable historical event, describing the preparations and execution of the magnificent gathering, exploring its ramifications, and arguing that it was far more than the extravagant elitist theater and cynical charade it historically has been considered to be.

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‘If you want to know anything about how music surfaces today, how to find it, or how to create it, you will find what you need right here.’ Joseph Menn, Washington Post writer For the first time in history, almost every song ever recorded is available instantly. Everywhere. This book charts what music’s dazzling digital revolution really means for fans and artists. As a former data guru at the world’s biggest streaming service, Spotify, Glenn McDonald reveals: What the tech giants know about you How they serve up your next song Whether fans can cheat the algorithm Whether jazz is dead and ASMR is the new punk Your chances of becoming a rock star Having analysed the streams of 500 million people, McDonald explores what the data tells us about music and about ourselves, from the secrets of russelåter in Norway to Christmas in the Philippines. Statistically, you have not ye

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"I was born in a land of bayous, raised between rivers," writes Glenn Blake in his latest collection of short stories. "There is a place in Southeast Texas where two rivers meet and become one. There is a long bridge over these waters, and as you drive across, you can look to the south and see where the Old River and the Lost River become the Old and the Lost. You can look out as far as you can see and watch this wide water become the bay." The stories in Return Fire are set in the swamps, bayous, and sloughs of Southeast Texas, a region that is subsiding-sinking inches every year beneath the encroaching tides. The characters who inhabit Blake's Southern landscape struggle to salvage what they can of their hopes and dreams. They are the walking wounded-cautious, crippled, capable of any act. Magnolias, water, mescal, stars, and fire return again and again in these seven sparse-yet tightly written-vignettes.

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Successful strategies for high long-term returnsThe long-term benefits of investing in the stock market are clear. For periods of ten years upwards, equities have delivered higher returns than any other non-physical UK asset class. Those investing for the long term should put their money to work in the stock market.In this easy-to-follow practical guide, Glenn Martin introduces seven strategies for index investment in the FTSE 100 and FTSE 250. These strategies can be followed by anyone willing to adopt a systematic approach and accept short-term risk in exchange for long-term rewards. Incredibly, even the most advanced strategy requires no more than an hour per week of your time.The seven strategies involve varying levels of risk. For those who want to commit the minimum time and take on less risk, there are two passive buy-and-hold strategies. Those wanting to commit a little more effort and take on higher risk - with the potential for higher rewards - can

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Countering conventional accounts of art history, which have often overlooked the artistic contributions of women of color, the exhibition “Out of Easy Reach” presents the work of twenty-four US-based, female-identifying artists from the black and Latina diasporas. The exhibition proposes myriad ways that artists are employing abstraction as a tool to explore histories both personal and universal, with focuses on mapping, migration, archives, landscape, vernacular culture, language, and the body. This catalog—which accompanies an exhibition opening in April 2018 at the DePaul Art Museum, Gallery 400 at the University of Illinois at Chicago, and Stony Island Arts Bank—includes full-color plates of the works on view; commissioned essays by exhibition curator Allison Glenn, and Cameron Shaw, executive director and founding editor of Pelican Bomb; and short-form contributions about each artist featured in the exhibition written by invited scholars, curators, writers, and artists.

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Gottfried Wilhelm Leibniz was one of the central figures of seventeenth-century philosophy, and a huge intellectual figure in his age. This book from Glenn A. Hartz (editor of the influential Leibniz Review) is an advanced study of Leibniz's metaphysics. Hartz analyzes a very complicated topic, widely discussed in contemporary commentaries on Leibniz, namely the question of whether Leibniz was a metaphysical idealist, realist, or whether he tried to reconcile both trends in his mature philosophy. Because Leibniz is notoriously unclear about this, much has been written on the subject. In recent years, the debate has centered on whether it is possible to maintain compatibility between the two trends. In this controversial book, Hartz demonstrates that it is not possible to maintain compatibility of idealist and realist views - they must be understood as completely separate theories. As the first major work on realism in Leibniz's metaphysics, this key text will interest international Leibniz scholars, as well as students at the graduate level.

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For decades, the U.S. invested ever-growing fortunes into its antiquated K-12 education system in exchange for steadily worse outcomes. At the same time, Americans spent more than they could afford on higher education, driven by the kind of cheap credit that fueled the housing crisis. The graduates of these systems were left unprepared for a global economy, unable to find jobs, and on the hook for student loans they could never repay. Economist Herb Stein famously said that something that can't go on forever, won't. In the case of American education, it couldn't--and it didn't. In The Education Apocalypse, Glenn Harlan Reynolds explains how American education as we knew it collapsed -- and how we can all benefit from unprecedented power and freedom in the aftermath. From the advent of online education to the rebirth of forgotten alternatives like apprenticeships, Reynolds shows students, parents, and educators how--beyond merely surviving the fallout--they can rethink and rebuild American education from the ground up.

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With Stanley Crouch’s untimely death in 2020, American literature lost “a critic without peer” (Ta-Nehisi Coates). Born in Los Angeles in 1945, Crouch—a towering stylist, fearless columnist, and without question, one of the finest jazz critics of all time—was Rabelaisian both in stature and in intellectual appetite. Beloved yet cantankerous, Crouch delighted and enflamed the passions of his readers in equal measure, whether writing about race, politics, literature, or music. In these essays—some discovered on his computer, unpublished until now—Crouch tackles subjects ranging from Malcolm X (“a thorned bud standing in the shadow of sequoias”) to the films of Quentin Tarantino (“With Django, Tarantino has slipped down . . . into a shallow and bloodstained hip-hop turn that his own best work has well-refuted”). Introduced by Jelani Cobb, with an afterword by Wynton Marsalis, and collected by his longtime editor Glenn Mott, Victory Is Assured canonizes the legacy of an inimitable, indispensable American critic.

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This engaging collection of essays discusses the complexities of “being” indigenous in public spaces. Laura R. Graham and H. Glenn Penny bring together a set of highly recognized junior and senior scholars, including indigenous scholars, from a variety of fields to provoke critical thinking about the many ways in which individuals and social groups construct and display unique identities around the world. The case studies in Performing Indigeneity underscore the social, historical, and immediate contextual factors at play when indigenous people make decisions about when, how, why, and who can “be” indigenous in public spaces. Performing Indigeneity invites readers to consider how groups and individuals think about performance and display and focuses attention on the ways that public spheres, both indigenous and nonindigenous ones, have received these performances. The essays demonstrate that performance and display are essential to the creation and persistence of indigeneity, while also presenting the conundrum that in many cases “indigeneity” excludes some of the voices or identities that the category purports to represent.

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This engaging collection of essays discusses the complexities of “being” indigenous in public spaces. Laura R. Graham and H. Glenn Penny bring together a set of highly recognized junior and senior scholars, including indigenous scholars, from a variety of fields to provoke critical thinking about the many ways in which individuals and social groups construct and display unique identities around the world. The case studies in Performing Indigeneity underscore the social, historical, and immediate contextual factors at play when indigenous people make decisions about when, how, why, and who can “be” indigenous in public spaces. Performing Indigeneity invites readers to consider how groups and individuals think about performance and display and focuses attention on the ways that public spheres, both indigenous and nonindigenous ones, have received these performances. The essays demonstrate that performance and display are essential to the creation and persistence of indigeneity, while also presenting the conundrum that in many cases “indigeneity” excludes some of the voices or identities that the category purports to represent.

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Did you know that Santa Claus returns to the North Pole 1,756 times during Christmas Eve? Or that he averages about 75 million miles over the course of 31 hours? Back in 1000 AD his sleigh was originally made of bone and ivory, but now it's entirely constructed of graphite and stainless steel, even providing a durable swivel seat!Indeed, there has never been anything quite like Flight of the Reindeer. Most, if not all writers, have approached the adored Santa Claus tale in a variety of ways, but none have tried to explore the reasons behind it. Robert Sullivan provides documentation from Santalogists, historians, zoologists, and Arctic explorers to confirm that flying reindeer are anything but a myth, and that Santa Claus does, in fact, make his trek around the globe each Christmas Eve. Glenn Wolff's insightful and profoundly detailed illustrations impeccably coincide with Sullivan's comprehensive research to provide a classic for children and their parents. A must-have for the holiday season!

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A new scholarly edition of an Ohio boy soldier’s revealing post-Civil War memoir. This annotated edition of Holliday’s recollections—known primarily among historians of the American West—re-contextualizes his memoir to include his boyhood in southern Ohio and the largely untold story of the hundreds of Buckeyes who crossed the Ohio River to serve their country in Virginia (later West Virginia) regiments, ultimately traveling across Kansas, Nebraska, Colorado, and Wyoming to safeguard mail and stage routes along the celebrated Oregon Trail during a pivotal time in American history. Glenn Longacre’s extensive research in federal, state, and local archives, manuscript collections, and period newspapers complements his correspondence with the living descendants of Holliday and other soldiers. His research integrates this story deservedly as part of Appalachian history before, during, and after the Civil War. From this perspective it addresses an entirely new audience of Appalachian studies scholars, Civil War and frontier history enthusiasts, students, and general readers.

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Military advantage, scientific knowledge, and commerce have thus far been the main motives to human exploration of outer space. Touching the Face of the Cosmos explores what may be the best motive of all, largely untapped: the desire of every human being, essentially spiritual, to understand more about our place in the universe, how our lives on Earth are inextricably part of that bigger picture. Drawing on leading scientists,religious thinkers, and science fiction writers—including a new interview with John Glenn and an essay by Director of the Vatican Observatory Guy Consolmagno, S.J.—Paul Levinson and Michael Waltemathe have assembled a volume that puts space travel and religion on the map for anyone interested in outer space, theology, and philosophy.

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Newbery Honor–winning Kathryn Lasky, author of the bestselling Guardians of Ga’Hoole and Bears of Ice series, delivers a sweeping middle grade animal adventure with loyal beavers, a cultured swan, and ominous lynxes around every turn—a captivating story about heroism, loyalty, and the courage to speak truth to power."Draws readers deeply into a mystical world and leaves them wishing for more." —Kirkus (starred review)“A marvelous adventure…an enchanting introduction to a wonderful, new natural world.” —Booklist (starred review)“Themes of belonging and friendship are well conveyed… as are the complexities of this industrious world of creatures.” —Publishers WeeklyDeep in the wilds of Scotland, land of ancient warrior kings and myths, there is a deep secret. The secret is a colony of beavers, a species that is craved for their fur pelts, but vilified for what humans consider to be the destruction of their land. No beaver has been spotted in Scotland or England for over five hundred years, until the young beaver, Dunwattle, is sighted!Dunwattle’s flight is driven by the presence of a ghostly figure, a figure of a mysterious young girl who is almost one thousand years old. And now Dunwattle is destined to be destroyed for revealing the hidden colony, but his best friend Locksley is determined to save him. Will their ancient beaver colony survive?

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An intimate conversation about music and creativity, between the internationally bestselling writer Haruki Murakami and world-class conductor, Seiji Ozawa. Haruki Murakami's passion for music runs deep. Before turning his hand to writing, he ran a jazz club in Tokyo, and the aesthetic and emotional power of music permeates every one of his much-loved books. Now, in Absolutely on Music, Murakami fulfills a personal dream, sitting down with his friend, acclaimed conductor Seiji Ozawa, to talk about their shared interest. They discuss everything from Brahms to Beethoven, from Leonard Bernstein to Glenn Gould, from record collecting to pop-up orchestras, and much more.'Absolutely on Music is an unprecedented treasure... Talking about music is like dancing about architecture, it's often said, but what joy to watch these two friends dance.' Guardian

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Shortlisted for the CWA John Creasey New Blood Dagger 2023‘A rich, gut-punch of a crime thriller’ Ashley Audrain, Sunday Times bestselling author of The PushIt’s every mother’s worst fearOn a sun-hazed afternoon in the Florida Keys, a child goes missing from the beach. Dr Mirren Fitzpatrick appeals to the world to help find her eight-year-old adopted daughter. The family are on holiday from Ireland, far from home and desperate to return there as they arrived – together.Yet the police are immediately suspicious of Mirren. She was drinking at a bar – alone – shortly before reporting that her youngest child had disappeared. As rumours abound about Mirren’s past a trial-by-media ensues, and she is turned from a figure of pity to the villain of the piece.And then a small body is found dumped in the ocean. Is Mirren a heartbroken mother, or the architect of her daughter’s fate?A stunning debut from a brilliant new voice in Irish crime fiction, perfect for fans of Gillian Flynn and Ashley Audrain. Breaking will see readers question their own notions of motherhood, guilt and the inescapable consequences of the past.Praise for Breaking ‘This story draws you in immediately… There is a real freshness to Cassidy’s approach to storytelling. And the ending is as disturbing and moving as those opening beach-scene pages.’ Daily Mail‘Another great debut, this twisty crime thriller had me gripped from the very first page! A new voice in Irish crime fiction – an author to watch.’ Prima‘Delivers a confronting examination of maternal love and the expectations that weigh so heavily on women, even in their most unthinkably dark moments. In both pace and prose, Breaking is a hugely satisfying debut.’ Ashley Audrain‘I LOVED the story and the twists! Expert plotting and great characters made it an emotional read. It had me guessing throughout and kept me turning the pages at speed.’ Patricia Gibney, author of The Guilty Girl‘Wonderfully compelling and at times, painfully sharp. A searing interrogation of motherhood and media... this is a beautifully constructed and beguiling debut novel.’ Andrea Mara, author of All Her Fault‘Amanda Cassidy captures a mother’s guilt perfectly... this a compelling, intriguing and thoroughly engaging read. Amanda is a very talented new voice in Irish writing.’ Liz Nugent, author of Our Little Cruelties‘A contender for thriller of the year. Breaking dazzles from the opening line. Powerful, sharp and moving, with an ending that flabbergasts.’ Glenn Meade, author of Unquiet Ghosts‘Wonderfully tense and uneasy, Breaking is a complex exploration of what it means to be a mother and the history that haunts us. A gripping read.’ Louisa Scarr, author of Blink of an Eye‘This dazzling debut takes us inside a parent’s worst nightmare. Masterful story-telling, breakneck pacing and compelling characters kept me glued all the way to the explosive final pages and their disturbing revelations. Addictive, unnerving and utterly unmissable.’ Sophie White, author and Sunday Independent columnist‘Outstanding debut… What a brilliant novel.’ Sheila Bugler, author of You Were Always Mine

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Objects: USA 2020 hails a new generation of artist-craftspeople by revisiting a groundbreaking event that redefined American art. In 1969, an exhibition opened at the Smithsonian Institution that redefined American art. Objects: USA united a cohort of artists inventing new approaches to art-making by way of craft media. Subsequently touring to twenty-two museums across the country, where it was viewed by over half a million Americans, and then to eleven cities in Europe, the exhibition canonized such artists as Anni Albers, Sheila Hicks, Wharton Esherick, Wendell Castle, and George Nakashima, and introduced others who would go on to achieve widespread art-world acclaim, including Dale Chihuly, Michele Oka Doner, J. B. Blunk, and Ron Nagle. Objects: USA 2020 revisits this revolutionary exhibition and its accompanying catalog - which has become a bible of sorts to curators, gallerists, dealers, craftspeople, and artists - by pairing fifty participants from the original exhibition with fifty contemporary artists representing the next generation of practitioners to use - and upend - the traditional methods and materials of craft to create new forms of art. Published to coincide with an exhibition of the same title at the renowned gallery R & Company, and featuring essays by some of the foremost authorities on craft at the intersection of art, including Glenn Adamson, curator and former director of the Museum of Arts & Design; James Zemaitis, curator and former head of twentieth-century design at Sotheby's; and Lena Vigna, curator of exhibitions at the Racine Art Musuem; an interview with Paul J. Smith, the cocurator of Objects: USA 2020 is an essential art historical reference that traces how craft was elevated to the status of museum-quality art, and sets its trajectory forward.

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One in five of the population suffer from lack of sleep - don't be one of them!In this revolutionary, easy-to-follow six-stage programme, clinical hypnotherapist Glenn Harrold reveals how you can truly revolutionise the way you sleep.By rethinking basic lifestyle choices and using 100% natural remedies, including self-hypnosis, Harrold shows that a good night's sleep is only a step away. Sleep Well Every Night will give you the tools and knowledge to:- Understand what sleep is and why it's so important- Identify common problems and know how to tackle them- Make simple but powerful changes that will drastically improve your quality of sleep- Eliminate the hidden causes of insomniaWith practical exercises, top tips and easy-to-follow techniques, this invaluable programme will help you sleep easier, better and longer. It's time to take back control of your day and night, reclaiming your right to a good night's sleep.

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Available in one volume for the first time: Yesterday’s Hero and White Lace and Promises, two of Debbie Macomber’s classic novels about finding love in the most unexpected places.Yesterday’s Hero: Nothing is going to keep marine biologist Leah Talmadge or world-famous photographer Cain Hawkins from the chance to study the rare whales of the Diamantina Islands. But the traditional governor of the islands won’t permit two unmarried people to live together, even for a once-in-a-lifetime expedition. The two refuse to miss out and decide to get married on paper only. And why not? They both desperately want to document the whales, and a pretend marriage won’t have any effect on their lives after this, right? But when the lines of their relationship begin to blur, the two must reevaluate what they want.White Lace and Promises: Marrying Glenn Lambert was either the smartest thing Maggie Kingsb

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An eclectic collection by writers who have lived, worked, and played in Key West, Florida. Key West has long been America’s most vibrant writers' colony, tracing its writerly roots to Ernest Hemingway, Tennessee Williams, Robert Frost, John Hersey, Richard Wilbur, James Merrill, and Elizabeth Bishop. More recently, Thomas McGuane, Robert Stone, Judy Blume, Robert Richardson, Ann Beattie, Philip Caputo, Alison Lurie, and Meg Cabot have added their luster to the island’s literary heritage. This collection includes a treasure trove of more than sixty essays, reminiscences, musings, and poems about Key West. It features the town’s best-known writers: Lurie, Blume, Caputo, Cabot, McGuane, Beattie, Shames, Lee Smith, Frank Deford, Phyllis Rose, Glenn Frankel, Joy Williams, Barbara Ehrenreich, Billy Collins, and on and on.

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Fourteen Ashes legends come together to tell the stories behind their most thrilling triumphs in the historic series - enabling cricket fans to relive these magic moments through the eyes and emotions of the men in the middle of the field, playing their hearts out for England and Australia in one of the sporting world's most intense rivalries. All the drama and intrigue of more than half a century of Ashes action is captured, from Sir Donald Bradman in the 1940s via Geoffrey Boycott and Jeff Thomson, Merv Hughes and Mark Taylor and into the new millennium, recreating all the excitement of Shane Warne and Glenn McGrath taking on Michael Vaughan's England. Each player winds back the clock to reveal the tension, controversy, sledging, humour and passion involved in pursuit of glory - and the true cricketing greatness which can only ever be grasped within an Ashes series.

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Reminiscent of Dan Brown''s work but with a tone and momentum all its own, Kelly''s yarn will delight thriller fans looking for an exciting read. - Kirkus Reviews Rich in culture, themes of belief, and the grand implications of its relic, The Malachi Covenant exemplifies its genre, blending brisk plotting, action-packed sequences, and jolting betrayals with thoughtful spiritual inquiry, keeping the suspense potent up to a satisfying conclusion. - BookLife Dee Kelly, Jr. is a master wordsmith. The Malachi Covenant is a propulsive thriller that takes the reader on an electrifying adventure. The characters are fully drawn and his research is on broad display. This story will draw you in and not let you go until the heart pounding ending. Even then, the story will stay with you. -Glenn Dye

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