Search results for ""Palgrave Macmillan""

A study of how English legal culture, with its strong emphasis on common law, engaged with the new ideas of the Enlightenment. This book explores how English legal culture, deeply imbued with the ideas and practices of common law, engaged with the new intellectual, institutional and cultural changes of the Enlightenment. It argues that common law survivedas an important part of English legal culture because it was able to meet the various challenges posed by Enlightenment rationalism and civic and commercial discourse. Drawing on works of jurisprudence, legal histories, manuals of law and notebooks of legal practice, and looking in detail at four pivotal, widely-discussed cases, the book illuminates the ways in which common law custom and tradition continued to be valued foundations for the authority of law, even during a period of political change, commercial growth and philosophical rationalism. Exploring the challenges to and adaptations within common law thinking in England in the late seventeenth and early eighteenth centuries, the book reveals that the common law played a much wider role beyond the legal world in shaping Enlightenment concepts. JULIA RUDOLPH is Associate Professor of History at North Carolina State University. She is the author of Revolution by Degrees: James Tyrrell and Whig Political Thought in the Late Seventeenth Century (Palgrave Macmillan, 2002), and of various articles on gender, crime, and the history of the book in early modern England. She has also edited a collection of theoretical and interdisciplinary essays entitled History and Nation (Bucknell University Press, 2006).

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Kopenhaga is the first comprehensive collection of prose poetry by Grzegorz Wróblewski, one of Poland’s leading contemporary writers. The book offers a series of vignettes from the crossroads of politics and culture, technology and ethics, consumerism and spirituality. It combines two tropes: the emigrant’s double identity and the ethnographer’s search for patterns. While ostensibly focused on Denmark, it functions as an investigation of alterity in the post-cold war era of ethnic strife and global capitalism. Whether he writes about refugees in Copenhagen (one of Europe’s major transnational cities), or the homeless, or the mentally ill, or any other marginalized group, Wróblewski points to the moral contradictions of a world supposedly without borders. There is something strange and indecent about people who suddenly dispose of their libraries. Recently, the well-off R. appeared at my door with a carton of books; he is moving and there is no space for them in his new apartment (which is probably bigger than the previous one). This is how Formy by Tadeusz Rózewicz (Czytelnik, Warsaw, 1958, 1st edition) ended up in Christianshavn. Last sentence of the volume: Amid all this din we walk toward silence, toward explanation. Grzegorz Wróblewski, born in 1962 in Gdansk and raised in Warsaw, has been living in Copenhagen since 1985. He has published ten volumes of poetry and three collections of short prose pieces in Poland; three books of poetry, a book of poetic prose and an experimental novel in Denmark; a book of selected poems in Bosnia-Herzegovina; and a selection of plays. His work has been translated into fifteen languages. His poems in English translation appear in many journals, anthologies, and chapbooks, as well as in two collections Our Flying Objects (Equipage Press, 2007) and A Marzipan Factory (Otoliths, 2010). Translator Piotr Gwiazda has published two books of poetry, Messages (Pond Road Press, 2012) and Gagarin Street (Washington Writers’ Publishing House, 2005). He is also the author of James Merrill and W.H. Auden: Homosexuality and Poetic Influence (Palgrave Macmillan, 2007). He is an Associate Professor of English at the University of Maryland Baltimore County (UMBC). "Alien to Joycean effulgence, Kopenhaga is nonetheless a book of silence, exile, and cunning: silence instead of moralizing in the face of modernity’s indignities; exile from native land and language; cunning in cajoling these conditions to sing a new song, one lacking in all jubilation, still somehow victorious in the absolute character of defeat. Grim, glancingly beautiful, always necessary." —Joshua Clover " Wróblewski is the true poetic chronicler of our 21st century diaspora in all its absurdities and anxieties. Kopenhaga, his book of aphoristic prose poems, pulls out all the rhetorical stops to present us with a relentless, sardonic, and hilarious picture of a culture (at once highly particular and yet anyculture) as insane as it is public-spirited and kindly. Kopenhaga is a journey to the end of the night that always makes a U-turn in the middle, to take in the latest folly—and also self-rescue mission—of the transplant. Read it and weep—and then laugh!" —Marjorie Perloff "Wróblewski has written one of the most important books of our time: these are at once unsettling and comforting, timely and wryly moving poems about the laughable annoyances, limited joys, and the never fully present sorrows of cosmopolitanism, the life of the citizens of the world. Gwiazda has rendered this study in a language full of 'water and shouting and whalers.' I can think at the moment of no better book for you to read in this our immense and always new Copenhagen." —Gabriel Gudding

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