Search results for ""Author Sly"

SECRETS AND LIES RUIN LIVES'So many twists and thrills I was gripping the sides of the book all the way to the dynamite ending' DAN MALAKIN'A high-paced and relentlessly twisty thriller' L.V. MATTHEWS'An intricately plotted thriller full of deeply flawed yet believable characters. Utterly riveting and clever' CATHERINE COOPER'Fiendishly clever and compulsive - this novel will leave you feeling breathless in the best way' SARAH LAWTON'More twists and turns than a rollercoaster! Superbly plotted, compelling, pacy. Sarah is a tour de force' T ORR MUNROTwo women receive an anonymous note.For one it's a threat.For the other it's an invitation for revenge.Helena is beautiful, successful, and living in married bliss in Exeter. But she's hiding a secret that could tear her perfect life apart. When the notes begin to arrive, she realises someone else must know her secret. But what might her husband and his overbearing family do if they find out the truth?Thea is reeling from her best friend Helena's death. But when she starts digging into the circumstances, she receives a threatening note warning her to stop. She knows her friend's death wasn't an accident. This was murder. And she is determined to get revenge . . .PRAISE FOR SARAH BONNER'S DEBUT HER PERFECT TWIN:'Brilliantly twisty' T. M. Logan'Terrifyingly vivid' Janice Hallett'Made my jaw drop' Samantha Downing'A perfect storm of sly revenge and rivalry' L. V. Matthews

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A great and frequently subversive book by a lyric poet at the height of her craft.Throughout her seven critically acclaimed collections, Sidney Wade has established herself as a poet with a serious but light touch, capable of the clarity and inventiveness it takes to work a problem to both pleasure and resolution. Playing with and challenging form in all directions, the 27 new and 96 selected poems in Deep Gossip bristle with a sly wit that trips and delights the reader. Inspired by landscape, language, music, and living things, as well as the occasional bout of political outrage, Deep Gossip is a smart collection.Praise for Other Books by Sidney Wade"The quick, closely observed poems in Sidney Wade's beguiling Bird Book move from page to page like their subjects—in flight, on air, a murmuration sweeping across the horizon."—William Souder"Sidney Wade's linguistic and philosophical turns in Bird Book confirm that she is both the supreme heir to Wallace Stevens and one of the most original poets in the language."—Randall Mann"This is a beautiful, wise, and timely collection."—Daniel Anderson"As impressive and thrillingly exact as these poems are concerning matters ornithological, it is the exquisite music —'earth-sprung, bright, and resonant'—of Wade's radically short line that so enchants me, the free play of interlinear rhyme, phonemic harmonies, and small bursts of metrical rhythms that yield more vitality and delight than any gathering of poems I have encountered in a very long time."—B. H. Fairchild"Her poems [are] . . . a particular and splendid instance of what Hopkins meant by 'poetry proper, the language of inspiration.' "—Richard Howard

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An enthralling and lyrical fantasy debut, and the first in an incredible new trilogy re-telling The Epic of Gilgamesh. Brimming full of warring gods, rebellious humans, and the goddess of love caught between them whose destiny has the power to transform the shape of the world, this is perfect for readers of Madeline Miller and Jennifer Saint. Stories are sly things...they can be hard to catch and kill. Inanna is an impossibility, the first full Anunnaki born on Earth in Ancient Mesopotamia. Crowned the goddess of love by the twelve immortal Anunnaki who are worshipped across Sumer, she is destined for greatness. But Inanna is born into a time of war. The Anunnaki have split into warring factions, threatening to tear the world apart. Forced into a marriage to negotiate a peace, she soon realises she has been placed in terrible danger. Gilgamesh, a mortal human son of the Anunnaki, and notorious womaniser, finds himself captured and imprisoned by King Akka who seeks to distance himself and his people from the gods. Arrogant and selfish, Gilgamesh is given one final chance to prove himself. Ninshubar, a powerful warrior woman, is cast out of her tribe after an act of kindness. Hunted by her own people, she escapes across the country, searching for acceptance and a new place in the world. As their journeys push them closer together, and their fates intertwine, they come to realise that together, they may have the power to change to face of the world forever. The first novel in the stunning Sumerians Trilogy, this is a gorgeous, epic retelling of one of the oldest surviving works of literature.

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Moby Grape are a genuine cult phenomenon. Their story, a mixture of myth and truth, is a cautionary tale, a triumph, and a tragedy all at once. Though they are seen as a symbol of 1960s San Francisco, Moby Grape were never actually a part of the city s counterculture movement. Yet they were immersed in it, sharing stages with the likes of Aretha Franklin, Jimi Hendrix, Sly Stone, and many more. Moby Grape s five members came together from very different backgrounds, bursting onto the San Francisco scene in the fall of 1966. With their diverse pedigree, they were nothing less than musical alchemists, yet they were also rebels. Their blending of genres within a tight songwriting framework contrasted sharply with that of many of their SF peers. Following the release of the band s debut album in 1967, you could see everyone from Ringo Starr to Jimi Hendrix sporting a `Moby Grape Now! button. But in the months that followed, they were dogged by mismanagement, bad marketing, a scandalous drug bust, and general rock n roll mayhem. It seemed like it was all over in 1969, but in 1971 Moby Grape staged rock s first full-on reunion. Since then, they have fought to retain ownership of their own name, while two members of the band struggled with homelessness and mental illness. Despite all of this, they produced one of the best albums of the era, and today they are heralded by countless luminaries of rock music and rock criticism, from Robert Plant to Robert Christgau, Tom Waits to Greil Marcus. Drawing on extensive interviews with the surviving members of the band, What s Big and Purple and Lives in the Ocean? finally tells the full story of one of the great cult bands of the 60s.

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LONGLISTED FOR THE DESMOND ELLIOTT PRIZESHORTLISTED FOR THE BOLLINGER EVERYMAN WODEHOUSE PRIZE'A writer out to do whatever the hell he wants . . . a grisly, gross-out slice of medieval life and death, it's vigorously, writhingly itself, spilling out of any box you put it in' Observer'A dark and bloody tale, well leavened with bone-dry humour, and with a dramatic climax that has about it the flavour of a Jacobean tragedy' Guardian 'Set to become an Irish cult classic' Sunday Business Post'A tremendously engaging and fun read . . . a crazed, quixotic odyssey' Kevin BarryAn ambitious noble and his three serving men travel through the Irish countryside in the stifling summer of 1348, using the advantage of the plague which has collapsed society to buy up large swathes of property and land. They come upon Nobber, a tiny town, whose only living habitants seem to be an egotistical bureaucrat, his volatile wife, a naked blacksmith, and a beautiful Gaelic hostage. Meanwhile, a band of marauding Gaels are roaming around, using the confusion of the sickness to pillage and reclaim lands that once belonged to them. As these groups converge upon the town, the habitants, who up until this point have been under strict curfew, begin to stir from their dwellings, demanding answers from the intruders. A deadly stand-off emerges from which no one will escape unscathed.'Nobber is hallucinatory and sly, conjuring a densely strange and savagely captivating world. There are lots of novels, and there are lots of novels that are all much alike, but there is nothing like Nobber' Colin Barrett'A skilled storyteller with a rich command of language and rare comedic flair' Irish Times

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The lagahoo is a shapeshifting, trickster figure of Trinidadian legend (and popular belief), a thoroughly creolised werewolf. Like the native American Coyote, he operates at both divine and very human levels, as both a world-creator and an interferer in peoples' affairs. The subject and consciousness of these arresting and truly original poems, Lagahoo is present from the beginnings of time, witness to countless arrivals and still around at the new millennium with his sly rejections of all repressions: sexual, social or political. He is present on a crowded bus, whispering, 'Your feet are bound and laced in leather,/ Your women's breasts are held with wires'. He is the creative, subversive creature of 'deep dark mud-lust and rebellion', who, unlike men, makes no distinction between himself and the earth he lives off ('I wear the red earth by staying low') whilst men live in a state of alienation and ecological enmity until their deaths when ('the earth will stitch their bodies/ With roots and vines, Like stupid little buttons.') Belief in the reality of the lagahoo has featured as a successful defence in the Trinidadian courts where Aboud practices his other occupation as a barrister. There a defendant was acquitted from a wounding charge on the grounds that he believed that his victim, attacked at night, was a lagahoo. The victim, indeed, corroborated this defence by admitting that though he had never seen one, 'Ah does hear dem howling in de night'. In locating his voice in the twilight world between legend and reality, Aboud constantly rearranges the way the world can be perceived.James Christopher Aboud was born in Trinidad in 1956 and educated there, in Canada, and in England. His first collection of poetry, The Stone Rose, was published in 1986. He lives in Port of Spain and is a Barrister-at-Law.

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A loving homage to the era celebrated by the hit Netflix series Bridgerton—and the cocktails that shaped its high society As a society doyenne and undercover libertine, Lady Thornwood knows what makes a drink perfect. In The Regency Book of Drinks: Quaffs, Quips, Tipples, and Tales from Grosvenor Square, this respectable cocktail connoisseur presents a guide of over 75 cocktail recipes shaped by the Regency era in both refinement and ingredients—and served alongside a heaping dose of high-society gossip, scandal, and speculation. Beginning with the gentlewoman's advice on setting up a Regency bar, the best glassware and garnishes, and an overview of the period’s most popular ingredients, the book is then divided into six subsequent recipe chapters drawn from high-society life during the London social season, from occasions such as "The Evening Soirée" to "Delicate Daytime Drinks" to even those rare, deliciously nonalcoholic drinks for "Polite Company." Throughout these chapters, Lady Thornwood weighs in with stylish sidebars and entertaining advice on how to host gatherings that are the talk of the "ton." Amidst all of her sly cheek and drama, our hostess presents readers and cocktail aficionados with an intriguing true history. In Regency England, as Britain’s Empire expanded, cocktails were becoming social currency—a showcase for wealth, trade connections, and even modern marvels like ice. The Regency shaped British high society for a century and helped launch the cocktail revolution we still enjoy today. As Lady Thornwood says, "As the Regency unfolds, ships sail up the Thames from every corner of the globe freighting exotic spices, vibrant fruits, and marvelous elixirs. Let us toast this bounty and craft it to our purpose. Cocktails stiffen the spine, unlock the tongue, and add sheen to even the dullest drawing room. Coupes up!"

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Copeland Forbes is one of the most consequential figures in the history of modern Jamaican music. Through his roles as personal and tour manager for some of the most iconic personalities in music, Forbes has been a witness to and a participant in some of the most intriguing dramas in the annals of modern popular music. Forbes is a much sought after speaking at music symposia and seminars across the world where his name is often a prime attraction and his vast knowledge a source of enlightenment and entertainment. Forbes has copped numerous awards for his outstanding contribution to the music industry including the Order of Distinction from the Government of Jamaica in 2017. In Reggae My Life Is, Forbes provides riveting accounts of incidents and colorful portraits of personalities that have helped to shape our society and our culture. It is a matter of easy concession that Forbes has led an exciting life. He has seen so many places and has made so many things happen during the 60 years he was entrusted with handling the affairs of some of the most celebrated figures ever to grace our planet. Among some of the fascinating figures making appearances in Forbes’ retrospective Bob Marley, Peter Tosh, Dennis Brown, Jimmy Cliff, Bunny Wailer. Rita Marley, Frankie Crocker, Danny Sims, Marcia Griffiths, Gregory Issacs, Chris Blackwell, Mick Jagger, Mark Zuckerberg, Richard Branson, Don Taylor, Sly and Robbie, Grace Jones and Don King. Forbes, with his prodigious recall, is able to situate some of the more seminal moments in the history of Jamaican music with clarity and humor. His knowledge of venues, dates and personalities is encyclopedic. Yet Forbes’ intention is not to provide fodder for the gossip mill. His aim is, instead, to clarify and contextualize in order to provide important lessons for those who seek to learn from art and life.

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True to Goldoni's mixture of comic wit and farce, the plot is a breathtakingly fast succession of twists and turns which only unravel in the very final lines with a surprise ending. Two friends are in love with the same young woman. Neither wants to place their friendship in jeopardy. How can love triumph without breaking off their friendship? Goldoni explores the conflicts brought about when Florindo has to choose between Lelio, his best friend, and Rosaura, his best friend's fiancee. Added to this conundrum are the issues of whether Ottavio, the old miser, will provide a dowry and the mature Beatrice's unashamed incessant pursuit of Florindo. The play is set in Bologna in Lelio's house. Florindo is a guest along with his faithful manservant. From the opening of the play, Florindo seeks to return home to Venice in order not to damage his friend's relationship. However, his departure is obstructed time and again by his hosts, leading to one complication after another. From the beginning, the plot is intense and fast-moving with inversions fed into the action in quick succession. This creates suspense which continues throughout the play as potential marriage partners are switched back and forth until the very ending when the audience finally discovers what the main characters' destiny will be. Will love or friendship prevail? The Venetian element is brought into this play through Florindo and his manservant, both Venetians. Apart from these two characters, all the others are portrayed as self-seeking, selfish and sly - whether servants or masters. The tension is kept at a constantly high level by the struggles between the characters. These struggles are not just brought about through love and friendship but are also generational and social. Furthermore, there is the added complication in the contrast of the characters' ideas of reality as they deceive one another. This creates dramatic irony and humour as the audience know more than any of the characters on stage.

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A witch struggling to regain what she has lost casts a forbidden spell - only to discover much more than she expected, in this enchanting new rom-com by New York Times bestselling author Lana Harper.Six months after having been hit by a power surge that nearly obliterated her memory, Delilah Harlow is still picking up the pieces. Her once diamond-sharp mind has become shaky and unreliable, and bristly, self-sufficient Delilah is forced to rely on friends, family, and her raven familiar for help. In an effort to reclaim her wits and former independence, she casts a dangerous blood spell meant to harness power with healing capacities.While the spell does restore clarity, it also unexpectedly turns Delilah into an irresistible beacon for the kind of malevolent supernatural creatures that have never before ventured into Thistle Grove. One night - just as things are about to go terribly sideways with a rogue succubus - a mysterious stranger appears in the nick of time to save Delilah's soul.Gorgeous, sultry, and as dangerous as the knives she carries, Catriona Quinn is a hunter of monsters - and half-human, half-fae herself, she is the kind of sly and morally gray creature Delilah would normally find horrifying. Though Delilah balks at the idea of a partnership, she has no choice but to roll the dice on their collaboration. As the two delve deeper into the power that underlies Thistle Grove, they uncover not only the town's hidden history but also a risky attraction that could upend Delilah's entire life.......................................Readers are spellbound by Lana Harper's enchanting rom-coms!'The book I've been waiting for all my life' Emily Henry'Like if Casey McQuiston wrote paranormal' Goodreads'A queer rom com that bewitches from the very first page' Publishers Weekly'John Tucker Must Die but with queer witches' Goodreads'Compulsively fun' Jacqueline Carey'Sexy, charming and completely magical!' Kerry Winfrey'The perfect autumnal witchy romance!' Goodreads'Hilariously funny and glue-you-to-the-page engrossing' Bookpage'I want to go to Thistle Grove' Seanan McGuire'It's basically John Tucker Must Die meets The Craft, with an extra serving of queer relationships' The Lesbrary'Charming, sweet, and magical, the perfect book to enjoy on a cosy autumn night' The Nerd Daily'The kind of book that you just sort of ache to step inside . . . a perfect fall read' Goodreads'The witchy, sapphic, revenge romcom I've been dreaming of' Goodreads......................................Meet the other wonderful Witches of Thistle Grove in Payback's a Witch, From Bad to Cursed, and Back in a Spell - out now!

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The Collected Stories of Lydia Davis is the complete collection of short fiction from the world-renowned Lydia Davis.WINNER OF THE MAN BOOKER INTERNATIONAL PRIZE 2013.'Big rejoicing: Lydia Davis has won the Man Booker International prize. Never did a book award deliver such a true match-winning punch. Best of all, a new audience will read her now and find her wit, her vigour and rigour, her funniness, her thoughtfulness, and the precision of form, which mark Davis out as unique.Daring, excitingly intelligent and often wildly comic [she] reminds you, in a world that likes to bandy its words about, what words such as economy, precision and originality really mean. This is a writer as mighty as Kafka, as subtle as Flaubert and as epoch-making, in her own way, as Proust. A two-liner from Davis, or a seemingly throwaway paragraph, will haunt. What looks like a game will open to deep seriousness; what looks like philosophy will reveal playfulness, tragicomedy, ordinariness; what looks like ordinariness will ask you to look again at Davis's writing. In its acuteness, it always asks attentiveness, and it repays this by opening up to its reader like possibility, or like a bush covered in flowerheads.She's a joy. There's no writer quite like her' Ali Smith'What stories. Precise and piercing, extremely funny. Nearly all are unlike anything you've ever read' Metro'I loved these stories. They are so well-written, with such clarity of thought and precision of language. Excellent' William Leith, Evening Standard'Remarkable. Some of the most moving fiction - on death, marriage, children - of recent years. To read Collected Stories is to be reminded of the grand, echoing mind-chambers created by Sebald or recent Coetzee. A writer of vast intelligence and originality' Independent on Sunday'A body of work probably unique in American writing, in its combination of lucidity, aphoristic brevity, formal originality, sly comedy, metaphysical bleakness, philosophical pressure and human wisdom' New Yorker'Davis is a high priestess of the startling, telling detail. She can make the most ordinary things, such as couples talking, or someone watching television, bizarre, almost mythical. I felt I had encountered a most original and daring mind' Colm Toibin, Daily TelegraphLydia Davis is the author of one novel and seven story collections, the most recent of which was a finalist for the 2007 National Book Award. She is the recipient of a MacArthur Fellowship and was named a Chevalier of the Order of Arts and Letters by the French government for her fiction and her translations of modern writers including Maurice Blanchot, Michel Leiris and Marcel Proust.

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HUSTLERS meets BIG LITTLE LIES in the heist of the summer… A NEW YORK TIMES BESTSELLER ‘Propulsive and captivating’ Vogue ‘Darkly comedic’ Daily Mail Meet Ava: rule-abiding lawyer who has ticked all of life’s boxes. She’s married to a successful surgeon and has just taken an indefinite career break to raise her adorable toddler. A picture-perfect life. Meet Winnie: Ava’s old college roommate. Once awkward, quiet and apparently academically challenged, she left Stanford in a shroud of scandal. But now, she is charismatic, wealthy and has returned to town dripping in designer accessories. An actual perfect life. When the two women bump into one another at a local coffee shop, it seems like fate has intervened: Winnie’s new-found success is courtesy of a shady business and she needs a favour; Ava is realising she is not built for the stay-at-home life. But what starts as one favour turns into two, then three, and soon Ava is in far deeper than she ever imagined. Now Ava has to make the ultimate decision: cut and run, or risk it all? ‘Entertaining, luxurious … innovative and subversive’ NEW YORK TIMES ’Riveting and energetic’ BALLI KAUR JASWAL ’Clever, sharp, and slyly funny’ KIRKUS REVIEWS ’Will keep you breathless to the last page’ CLAIRE MESSUD ’Sly, subversive … incisive’ BOOKLIST _____ NetGalley readers LOVE Counterfeit ‘One of the best books I’ve read all year’ * * * * *‘Gripping … ingenious’ * * * * *‘Amusing, addictive story that kept me reading all night’ * * * * *‘Mysterious, suspenseful and twisty … had me on the edge of my seat’ * * * * * *‘Fresh, observant and somehow … an incredible story without a wasted word’ * * * * *‘I absolutely loved this book … highly recommend’ * * * * *‘Devoured this in a night or two … funny, sad and eye-opening’ * * * * *‘This book refused to allow me to put it down!’ * * * * *‘Amusing, addictive … kept me reading all night’ * * * * *

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HUSTLERS meets BIG LITTLE LIES in the heist of the summer… A NEW YORK TIMES BESTSELLER ‘Propulsive and captivating’ Vogue ‘Darkly comedic’ Daily Mail Meet Ava: rule-abiding lawyer who has ticked all of life’s boxes. She’s married to a successful surgeon and has just taken an indefinite career break to raise her adorable toddler. A picture-perfect life. Meet Winnie: Ava’s old college roommate. Once awkward, quiet and apparently academically challenged, she left Stanford in a shroud of scandal. But now, she is charismatic, wealthy and has returned to town dripping in designer accessories. An actual perfect life. When the two women bump into one another at a local coffee shop, it seems like fate has intervened: Winnie’s new-found success is courtesy of a shady business and she needs a favour; Ava is realising she is not built for the stay-at-home life. But what starts as one favour turns into two, then three, and soon Ava is in far deeper than she ever imagined. Now Ava has to make the ultimate decision: cut and run, or risk it all? ‘Entertaining, luxurious … innovative and subversive’ NEW YORK TIMES ’Riveting and energetic’ BALLI KAUR JASWAL ’Clever, sharp, and slyly funny’ KIRKUS REVIEWS ’Will keep you breathless to the last page’ CLAIRE MESSUD ’Sly, subversive … incisive’ BOOKLIST _____ NetGalley readers LOVE Counterfeit ‘One of the best books I’ve read all year’ * * * * *‘Gripping … ingenious’ * * * * *‘Amusing, addictive story that kept me reading all night’ * * * * *‘Mysterious, suspenseful and twisty … had me on the edge of my seat’ * * * * * *‘Fresh, observant and somehow … an incredible story without a wasted word’ * * * * *‘I absolutely loved this book … highly recommend’ * * * * *‘Devoured this in a night or two … funny, sad and eye-opening’ * * * * *‘This book refused to allow me to put it down!’ * * * * *‘Amusing, addictive … kept me reading all night’ * * * * *

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“A woman once rang me up and said, ‘Mr. Escher, I am absolutely crazy about your work. In your print Reptiles, you have given such a striking illustration of reincarnation.’ I replied, ‘Madame, if that’s the way you see it, so be it.’” A fittingly sly comment from renowned Dutch graphic artist Maurits Cornelis Escher (1898–1972), whose complex and ambiguous drawings continue to leave hasty interpretations far behind. Long before the first computer-generated 3-D images, Escher was a master of the third dimension. His lithograph Magic Mirror dates as far back as 1946. By taking such a title for the book, mathematician Bruno Ernst stressed the enrapturing spell Escher’s work invariably casts on those who see it. Ernst visited Escher every week for a year, systematically talking through his entire oeuvre with him. Their discussions resulted in a friendship that gave Ernst intimate access to the life and conceptual world of Escher. Ernst’s account was meticulously scrutinized and made accurate by the artist himself. Escher’s work refuses to be pigeonholed. Scientific, psychological, or aesthetic criteria alone cannot do it justice. The questions remain: Why did he create the pictures? How did he construct them? What preliminary studies were necessary before achieving the final version? And how are his various creations interrelated? This updated and redesigned edition of a true classic—complete with biographical data, 250 illustrations, and a thorough breaking-down of each mathematical problem—offers answers to these and many other lingering mysteries, and is an authentic source text of the first order.

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BOOK OF THE YEAR 2023 ACCORDING TO THE GUARDIAN, SUNDAY TIMES, NEW YORKER Raw and radical, strange and beguiling - a love letter to Britain's breathtaking flatlands, from Orford Ness to Orkney, and a reckoning with the painful, hidden histories they contain'Expansive, arresting, with sly humour... Masud establishes herself as a significant chronicler of personal and national experience' Financial Times'Noreen Masud fathoms the depths of flat landscapes - sharp, subtle and very moving' Robert Macfarlane'Haunting and generous, beautifully written - this book is a gift' Preti Taneja'A Flat Place reminds us that there is hope in the smallest of gestures' Sara AhmedNoreen Masud has always loved flatlands. Her earliest memory is of a wide, flat field glimpsed from the back seat of her father's car in Lahore. As an adult in Britain she has discovered many more flat landscapes to love: Orford Ness, the Cambridgeshire Fens, Morecambe Bay, Orkney. These bare, haunted expanses remind her of the flat place inside herself: the place created by trauma.Noreen suffers from complex post-traumatic stress disorder: the product of a profoundly disrupted and unstable childhood. It flattens her emotions, blanks out parts of her memory, and colours her world with anxiety. Undertaking a pilgrimage around Britain's flatlands, seeking solace and belonging, she weaves her impressions of the natural world with poetry, folklore and history, and with recollections of her own early life.Noreen's British-Pakistani heritage makes her a partial outsider in these landscapes: both coloniser and colonised, inheritor and dispossessed. Here violence lies beneath the fantasy of pastoral innocence, and histories of harm are interwoven with nature's power to heal. Here, as in her own family history, are many stories that resist the telling. She pursues these paradoxes fearlessly across the flat, haunted spaces she loves, offering a startlingly strange, vivid and intimate account of the land beneath her feet.

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How to paint oil portraits like the Old Masters Mona Lisa. Girl with a Pearl Earring. Madame X. The infinite variety and beauty of humankind--like the mysteries behind sparkling eyes, a sly smile or an averted gaze--has captivated artists since the beginning of time. This expanded edition of Chris Saper's best-selling guide, Classic Portrait Painting in Oils, reveals keys for mastering how to paint beautiful portraits in oil to create soulful works of art. Through easy-to-follow lessons and expert oil painting tips and techniques, you'll find secrets for working from life, using reference photos and more to create rich, realistic portraits imbued with timeless character. 14 step-by-step demonstrations teach how to paint 7 diverse subjects of varying skin tones from life and from photographic reference Additional exercises reveal expert oil painting techniques for defining facial details, like eyes, mouths, wrinkles, facial hair and eyeglasses Professional tips for working from life, including ideal session times, posing, seeing and mixing color and even how to work with children The basics of using natural, artificial, creative and "Rembrandt" lighting to light your subject and convey a mood Expanded key concepts of "perfect practice," the importance of regularly painting subjects in real time and an insistence on excellent photographic reference material, including a checklist for how to take--and self-edit--your own quality photos New material on how to approach and execute paid commissions, including step-by-step demonstrations for painting both corporate and family subjects Through Saper's universal techniques, painters of all skill levels will learn to render more realistic portraits of every subject they paint, with predictable and joyful results.

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Through film composer Henry Mancini, mere background music in movies became part of pop culture--an expression of sophistication and wit with a modern sense of cool and a lasting lyricism that has not dated. The first comprehensive study of Mancini's music, Henry Mancini: Reinventing Film Music describes how the composer served as a bridge between the Big Band period of World War II and the impatient eclecticism of the Baby Boomer generation, between the grand formal orchestral film scores of the past and a modern American minimalist approach. Mancini's sound seemed to capture the bright, confident, welcoming voice of the middle class's new efficient life: interested in pop songs and jazz, in movie and television, in outreach politics but also conventional stay-at-home comforts. As John Caps shows, Mancini easily combined it all in his music. Mancini wielded influence in Hollywood and around the world with his iconic scores: dynamic jazz for the noirish detective TV show Peter Gunn, the sly theme from The Pink Panther, and his wistful folk song "Moon River" from Breakfast at Tiffany's. Through insightful close readings of key films, Caps traces Mancini's collaborations with important directors and shows how he homed in on specific dramatic or comic aspects of the film to create musical effects through clever instrumentation, eloquent musical gestures, and meaningful resonances and continuities in his scores. Accessible and engaging, this fresh view of Mancini's oeuvre and influence will delight and inform fans of film and popular music. John Caps is an award-winning writer and producer of documentaries. He served as producer, writer, and host for four seasons of the National Public Radio syndicated series The Cinema Soundtrack, featuring interviews with and music of film composers. He lives in Baltimore, Maryland. A volume in the series Music in American Life

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THE BOOK THAT BROUGHT DOWN RUPERT MURDOCH - AND A NEW YORK TIMES BESTSELLERMeet the Murdochs and the disastrously dysfunctional family of Fox News. Until recently, they formed the most powerful media and political force in America. Now their empire is cracking up and crashing down. In his irresistible trilogy on the chaotic Trump presidency - Fire and Fury, Siege, and Landslide - the journalist Michael Wolff led readers deep into the twisted corridors of the White House. Drawing on years of unprecedented access to the Murdoch family and key players, he plunges us behind the scenes of another empire of influence, and the result is astonishing and unforgettable. Here is Rupert Murdoch, the ninety-two-year-old billionaire - concerned about his legacy, but more concerned about profits. Here are his contentious children, jockeying to take over when the old man is gone. Here is star anchor Tucker Carlson considering a run for the presidency while his bosses have other plans for him. Sean Hannity, the richest man in television, has his own plans: to put Trump back in office. While presenter Laura Ingraham is just trying to survive in a man's world. As the fallout from the 2020 election and the Dominion lawsuit pummels the reputation of the network, the battling Murdoch heirs position themselves for the final act in this riveting drama."Michael Wolff's books were my foundation and port of entry for working on Succession." Jeremy Strong ("Kendall Roy")Praise for Fire and Fury:#1 New York Times bestseller, a Book of the Year in the Guardian, Sunday Times, Observer, Financial Times'The pages of Wolff's book are littered with insults and intrigue, backstabbing and dysfunction' Washington Post'What makes the book significant is its sly, hilarious portrait of a hollow man, into the black hole of whose needy, greedy ego the whole world has virtually vanished' Guardian

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Tirso de Molina's Marta the Divine (c. 1614-15) is a spirited comedy about an ingenious young woman who fakes religious piety in order to avoid an arranged marriage imposed upon her by her father. Marta's false religiosity becomes a cover for sneaking her boyfriend into her house and, to all intents and purposes, having a sexual relationship with him without her credulous father suspecting a thing. The stakes involved in this risky gambit are particularly high because her boyfriend, Felipe, is also the man who has killed her brother. In this fast-moving play that celebrates the victory of youth over age, of love over revenge, little is held sacred, as circumstances spiral to the point of outrageousness. Not surprisingly, Marta has been a controversial play over the years, condemned for immorality and salaciousness by some, championed as an anticlerical tract by others. Readers and audience members over the years have puzzled as to what Tirso wants us to make of the title character and her behaviour. Is she a cautionary example, a sly hypocrite, whom we are to hold at a critical distance? Or she is a sympathetic comic heroine, even a proto-feminist, whose cause we are to embrace? No matter one's perspective, Marta is memorable because of the audaciousness and resourcefulness of the title character. Marta is a great stage creation, and the plot Tirso builds around this trickster has the feel of the archetypal, transcending the time and place of its creation. At the same time, Marta is a surprisingly comprehensive satire of the Spanish empire of its day. Through a variety of subtle touches, Tirso paints a picture of an imperial capital plagued by avarice and hypocrisy. The play has some puzzling elements or 'problems' from a technical point of view, but the irresistible force of its comic energy has appealed to readers and audiences for nearly 400 years. This edition presents the play for the first time ever in English translation. The translation is accompanied by the Spanish text, translators' note and a substantial introduction.

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A nostalgic and subversive trip rife with sly nods to H. P. Lovecraft and pop culture, in the vein of It and Stranger Things. An exuberant and wickedly entertaining celebration of horror, love, friendship, and many-tentacled, interdimensional demon spawn. SUMMER 1977. The Blyton Summer Detective Club (of Blyton Hills, a small mining town in Oregon’s Zoinx River Valley) solved their final mystery and unmasked the elusive Sleepy Lake monster—another low-life fortune hunter trying to get his dirty hands on the legendary riches hidden in Deboën Mansion. And he would have gotten away with it too, if it weren’t for those meddling kids. 1990. The former detectives have grown up and apart, each haunted by disturbing memories of their final night in the old haunted house. There are too many strange, half-remembered encounters and events that cannot be dismissed or explained away by a guy in a mask. And Andy, the once intrepid tomboy now wanted in two states, is tired of running from her demons. She needs answers. To find them she will need Kerri, the one-time kid genius and budding biologist, now drinking her ghosts away in New York with Tim, an excitable Weimaraner descended from the original canine member of the club. They will also have to get Nate, the horror nerd currently residing in an asylum in Arkham, Massachusetts. Luckily Nate has not lost contact with Peter, the handsome jock turned movie star who was once their team leader… which is remarkable, considering Peter has been dead for years. The time has come to get the team back together, face their fears, and find out what actually happened all those years ago at Sleepy Lake. It’s their only chance to end the nightmares and, perhaps, save the world.

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'Furious and addictive' New York Times 'Urgent, deeply moving, wholly original' GEORGE SAUNDERS'A dazzling lightning bolt of a novel' JENNY OFFILL'Fiercely funny and deliciously subversive' YIYUN LI'Wayward reads like a burning fever dream. A virtuosic, singular and very funny portrait of a woman seeking sanity and purpose in a world gone mad' NEW YORK TIMES BOOK REVIEW'***** If there's any justice in the world, Spiotta's firecracker of a novel, Wayward, will bring her the attention she very much deserves' Lucy Scholes, SUNDAY TELEGRAPHSamantha Raymond's life has begun to come apart: her mother is ill, her teenage daughter is increasingly remote, and she finds herself staring into 'the Mids' - hours of supreme wakefulness when women of a certain age contemplate their lives. For Sam, this means motherhood, mortality and the state of an unravelling nation. When Sam falls in love with a decrepit Arts and Crafts house on the wrong side of town, she buys it on a whim and flees her suburban life, attempting to find beauty in the ruins. 'One of the most wildly talented writers in America. This is Spiotta's best book yet' GEORGE SAUNDERS 'A slyly funny, clever and compelling story about the righteous (and rarely irrational) rage of women of a certain age' SARRA MANNING, RED magazine'A piercing novel about what we lose and gain by when we step out of life's deepest worn grooves' VOGUE'She writes with sly humour and utter seriousness; a rare articulation of midlife now' CLAIRE MESSUD'What begins as a vertiginous leap into hilarious rabbit holes ends as a brilliant meditation on mortality and time. How does she do it? Only Dana Spiotta knows. I'm just happy to see her work her magic' JENNY OFFILL

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Well before Andy Warhol’s rise to the pinnacle of Pop Art, he created and exhibited seductive drawings celebrating male beauty. Andy Warhol Love, Sex, & Desire: Drawings 1950-1962 features over three hundred drawings rendered primarily in ink on paper portraying young men, many of them nude, some sexually charged, and occasionally adorned with whimsical black hearts and delightful embellishments. They lounge or preen, proud of or even bored by their beauty, while the artist sketches them, rapt. They rarely engage with their keen observer, and likewise Warhol’s focus is on their form, their erotic qualities, and unbridled sexuality. If his subjects are content to revel in their attractiveness, so too is Warhol. His confident hand illustrates a multitude of colorful characters, yet also reveals much about this enigmatic artist. Warhol was already a booming commercial illustrator when he exhibited studies from this body of work at the Bodley Gallery on New York’s Upper East Side in 1956. He mistakenly saw these illustrations as his way of breaking into the New York art scene, underestimating the pervading homophobia of the time. While he never saw through his plan to publish the drawings as a monograph, he did produce more than a thousand elegant, seemingly effortless drawings from life. This volume finally brings his project to fruition by gathering his most striking images, published here for the first time in a comprehensive book and chosen by the Andy Warhol Foundation for the Visual Arts. Edited and featuring an introduction by the Foundation’s Michael Dayton Hermann, and essays by Warhol biographer Blake Gopnik and art critic Drew Zeiba. The inclusion of poems by James Baldwin, Thom Gunn, Harold Norse, Essex Hemphill and Allen Ginsberg create moments of introspection, which expand on the themes and moods present in the drawings. In style, the drawings evoke the sketches of Jean Cocteau and even Matisse: highly distilled and sure of line, yet loose. The sly voyeurism, meanwhile, is entirely Warhol’s own, and even the most risqué drawings contain a kind of droll humor—a sense of ironic detachment—that would become a Warhol trademark.

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The last the boy Papa saw of his Momma, she was galloping away on her horse Precious in the saddle her father took from a dead Mexican officer after the Battle of San Jacinto, fleeing from his Daddy, Old Karl, a vicious, tight-fisted horse trader. Momma’s flight sets Papa on a relentless quest to find her that thrusts him and his scrappy little dog Fritz into adventures all across the wild and woolly Hill Country of Central Texas, down to Mexico, and even into the realm of the ghostly “Shimmery People.” In The Devil’s Backbone, master storyteller Bill Wittliff takes readers on an exciting journey through a rough 1880s frontier as full of colorful characters and unexpected turns of events as the great American quest novel Adventures of Huckleberry Finn.Wittliff grew up listening to stories and memories like these in his own family, and in this imaginative novel, they come to vivid life, creating an engrossing story of a Texas Huck Finn that brims with folk wisdom and sly humor. A rogue’s gallery of characters thwart and aid Papa’s path—Old Karl, hell-bent on bringing the boy back to servitude on his farm, and Herman, Papa’s brother who’s got Old Karl’s horse-trading instincts and greed; Calley Pearsall, an enigmatic cowboy with “other Fish to Fry” who might be an outlaw or a trustworthy “o’Amigo”; o’Jeffey, a black seer who talks to the spirits but won’t tell Papa what she has divined about his Momma; Mister Pegleg, a three-legged coyote with whom Papa forms a poignant, nearly tragic friendship; the “Mexkins” Pepe and Peto and their father Old Crecencio, whose longing for his lost family is as strong as Papa’s; and blind Bird, a magical “blue baby” who can’t see with his eyes but who helps other people see what they hold in their hearts. Papa’s adventures draw him ever nearer to a mysterious cave that haunts his dreams—an actual cave that he discovers at last in the canyons of the Devil’s Backbone—but will he find Momma before Old Karl finds him?

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This book presents an ethnopoetic translation and an interpretation of an evening of story­telling which took place in rural Afghanistan in 1975. Three years before the Marxist coup, two Muslim elders from Herat province were asked by a Marxist subgovernor to spend an evening telling traditional stories to an American woman. The storytellers wittily integrated themes of sense and nonsense, gender and sexuality, religion and public and private social control in thirteen recorded stories, here translated in full. In interpreting texts, Margaret A. Mills argues for a rhetorical sophistication among adept traditional performers which enables them to mount performances of traditional materials which are highly, and in this case slyly, sensitive to the political and social identities of self and audience. Such identities are in part negotiated and constructed via the performances. Noting that Afghan culture has traditionally posited noninstitutional religious authority against central government institutions, Mills points out certain ironies and tensions which recur as the stories unfold in the presence of the government bureaucrat. Using this evening of stories as an example, the author asserts that the creation of narrative meaning makes use of both intertextual and interpersonal relationships. This extended performance suggests Afghan perspectives on the integration of narrative and social critique, of religious authority and private ethics, of the real and the fantastic, the serious and the ludicrous, which challenge common western notions about genres of literary production (written and oral) and social interaction.

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'Riveting, twisty, page-turning stuff' GuardianA 'best books of 2020' pick for BBC Radio 4 Open Book, the Guardian, the Telegraph and Good Housekeeping'The page turner you've been looking for. Sly, witty and gripping . . . I devoured it' Naomi Alderman'An utter joy . . . wonderfully skilled' Sarah Perry'Beguiling, brilliantly creepy, and an utterly compelling read' Claire Fuller'Tender, creepy and gripping' Sunday Times'Spellbinding and spooky . . . a dazzling high wire act, superbly absorbing' Sunday MirrorWhen the eight-year-old daughter of an Oxford College Master vanishes in the middle of the night, police turn to the Scottish nanny, Dee, for answers.As Dee looks back over her time in the Master's Lodging - an eerie and ancient house - a picture of a high achieving but dysfunctional family emerges: Nick, the fiercely intelligent and powerful father; his beautiful Danish wife Mariah, pregnant with their child; and the lost little girl, Felicity, almost mute, seeing ghosts, grieving her dead mother.But is Dee telling the whole story? Is her growing friendship with the eccentric house historian, Linklater, any cause for concern? And most of all, why is Felicity silent?Roaming Oxford's secret passages and hidden graveyards, Magpie Lane explores the true meaning of family - and what it is to be denied one.'Enthralling . . . creepy and compelling' The Times'Deliciously dark' Alexandra Shulman'A gorgeously satisfying triumph' Lucy Mangan'A rare thing . . . simply stunning' Daily Express'I was gripped . . . highly original' Alex Clark'Creepy, suspenseful' Independent'One of the most intriguing narrators since Notes on a Scandal' Sara Collins'Grown-up and cleverly written . . . a dizzying sense of uncertainty' Literary Review'Keeps you guessing . . . a real sense of menace' Good Housekeeping'Wholly beguiling' Mick Herron'Dazzlingly good' Diane Setterfield'Beautiful writing' Polly Samson'Clever, tense and twisty' Amanda Craig'Highly intelligent' Sarah Vaughan'Simply brilliant!' JP Delaney'Darkly atmospheric' Jane Fallon'Clever and creepy' Erin Kelly'Highly recommended' Louise Candlish

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Just before the 2002 season opens, the Oakland Athletics must relinquish its three most prominent (and expensive) players and is written off by just about everyone—but then comes roaring back to challenge the American League record for consecutive wins. How did one of the poorest teams in baseball win so many games? In a quest to discover the answer, Michael Lewis delivers not only “the single most influential baseball book ever” (Rob Neyer, Slate) but also what “may be the best book ever written on business” (Weekly Standard). Lewis first looks to all the logical places—the front offices of major league teams, the coaches, the minds of brilliant players—but discovers the real jackpot is a cache of numbers?numbers!?collected over the years by a strange brotherhood of amateur baseball enthusiasts: software engineers, statisticians, Wall Street analysts, lawyers, and physics professors. What these numbers prove is that the traditional yardsticks of success for players and teams are fatally flawed. Even the box score misleads us by ignoring the crucial importance of the humble base-on-balls. This information had been around for years, and nobody inside Major League Baseball paid it any mind. And then came Billy Beane, general manager of the Oakland Athletics. He paid attention to those numbers?with the second-lowest payroll in baseball at his disposal he had to?to conduct an astonishing experiment in finding and fielding a team that nobody else wanted. In a narrative full of fabulous characters and brilliant excursions into the unexpected, Michael Lewis shows us how and why the new baseball knowledge works. He also sets up a sly and hilarious morality tale: Big Money, like Goliath, is always supposed to win . . . how can we not cheer for David?

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KSAN!: The Hippie Radio Revolution that Rocked America is an oral history of America’s first hippie underground FM station which broadcasted the countercultural consciousness of the ‘60s and ‘70s to a new generation. A communal radio band of intrepid hellraisers, pranksters, and drug-enlightened geniuses defined this psychedelic era, from the Summer of Love in Golden Gate Park, to the rebellion and bitter end of the late 1970s, which launched the Reagan Revolution.Founded in San Francisco by Tom Donahue, a 1996 inductee into the Rock & Roll Hall of Fame, an entire generation of Americans discovered a new musical universe among dance clubs, light shows and street fests––the original pop-ups. Almost overnight, KSAN became an audio clubhouse, where anyone could belong with friends and the cool cats and hipsters they just met.Rock gods, political stars, and literary celebrities, including Jerry Garcia, Ken Kesey, Sly Stone, and John Lennon were all interviewed by founder Tom Donahue and his cohorts, whose listeners “tuned in and turned on” to bands like Jefferson Airplane, The Grateful Dead, Janis Joplin, Quicksilver, Country Joe and the Fish, Hot Tuna, The Beatles and Santana, among others.Folk journalist Hank Rosenfeld was there during those final years––writing, producing, and announcing. His warm, funny voice presents a behind-the-mic experience at KSAN, the beloved, “Jive 95,” whose delicious dose of enlightened sunshine and 33 rpm LP dreamscapes ignited a radio explosion from coast to coast.So, how did KSAN go from a liberating voice to a corporate cliché? It’s all here in Rosenfeld’s insightful, hilarious account, which includes countless exclusive interviews with iconic performers and never before available in print or audio form.

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Villains are at the heart of every great adventure—scheming, plotting, and causing mayhem—but creating a convincing and detailed group of antagonists is no easy task. Pathfinder RPG Villain Codex serves up 20 groups of vile miscreants waiting to menace your player characters and foil their every plan. Inside this time-saving tome, you will find a wide variety of foes, from a scheming regal court to a sinister doomsday cult, ready to challenge characters of any level. These villains come equipped with a host of new rules elements to give them the edge against players and fit into nearly any campaign! Villain Codex is an essential addition to the Pathfinder Roleplaying Game. This imaginative tabletop game builds on more than 15 years of system development and an open playtest featuring more than 50,000 gamers to create a cutting-edge RPG experience that brings the all-time best-selling set of fantasy rules into a new era. Pathfinder RPG Villain Codex includes: • Complete sections for 20 villainous organizations, including a power- hungry arcane society, a greedy merchant caravan, a fleet of scandalous pirates, a creepy secret society, and a wily thieves’ guild. Trade blows with the serpentfolk-worshiping monks of Fang Monastery, match wits with the sly bandits of the Merry Outlaws, or defend civilization from the wild druids of Nature’s Scourge! • Information on each organization’s history and structure, along with plot hooks to get the players interested in confronting the group. • New rules in each villain section, including feats, spells, and magic items. • A wide variety of new stat blocks for all organization members, using each villain section’s new rules. • Premade encounter groups, allowing Game Masters to quickly make use of the villains in every section. • ... And much, much more!

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'Rich in charm and surprises' GUARDIAN'A transporting and entertaining read' THE TIMES'A triumph. Funny, mysterious, moving and ingenious - a Shakespearian knot of happiness all round' PHILIP PULLMAN One night in a remote hunting lodge with a Hollywood director causes an international scandal that wrecks Astrid's glittering stage career, and her marriage. Her ex-husband, the charismatic Scottish actor Magnus Fellowes, goes on to find global fame, while Astrid retreats to a disintegrating Sussex windmill. Now 82, she lives there still, with a troupe of dachshunds and her long-suffering friend, Mrs Baker, who came to clean twenty years ago and never left. But the past is catching up with them. There has been an 'Awful Incident' at the windmill; the women are in shock. Then Astrid hears that Magnus, now on his death bed, is writing a tell-all memoir. Outraged, she sets off for Scotland, determined to stop him. Windmill Hill is the story of two very different women, both with painful pasts, and their eccentric friendship - deep, enduring, and loyal to the last. Praise for Lucy Atkins:'Brilliantly observed. I loved it' CLAIRE FULLER'A truly memorable story, I loved it' JOANNA CANNON'An intriguing, brilliantly told story' NINA STIBBE'Charming and shocking . . . Never fails to delight' MICK HERRON'A deft display of Lucy Atkins's talents as a delicate observer of human nature' ARIFA AKBAR'Compulsive and skilfully woven' CLARE CHAMBERS'Intelligent and gripping' GOOD HOUSEKEEPING'Mesmerising . . . beautifully written' LITERARY REVIEW'Cleverly constructed' WOMAN & HOME'It was an utter joy to relish Atkins's wonderfully skilled and unobtrusive writing' SARAH PERRY 'Sly, witty and gripping . . . I loved it' NAOMI ALDERMAN 'A sinewy, supple and gorgeously satisfying triumph' LUCY MANGAN

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Welcome to Cross River, Maryland. Established by the leaders of the country's only successful slave revolt in the mid-nineteenth century, its residents thump out a beat that echoes its violent founding. Among them – spanning decades, perspectives, and species – are David Sherman, a struggling musician who just happens to be God's last son; Tyrone, a ruthless Ph.D student channelling the insurrections of his forebears through a childhood game; Jim, a Robot Personal Helper desperate to escape the master who enslaves him; and James-my-man, who travels the path of the Underground Railroad year after year.Not to forget the water women who lure men to their watery graves and the screecher birds who cry out for sacrificial flesh...Contemporary and essential, The World Doesn't Require You announces the arrival of a generational talent, as Rion Amilcar Scott shatters rigid genre lines to explore larger themes of race, violence, and love – all told with sly humour and a dash of magical realism.PRAISE FOR THE WORLD DOESN'T REQUIRE YOU: 'I wandered into Cross River, not knowing a damn thing. Now I'm shuddering, gasping in wonder, reading stories over and over, and doing just about anything so that I never leave' MARLON JAMES'A musical and visceral explosion. The book makes you laugh even as it stabs. The truth told in a completely new way' NANA KWAME ADJEI-BRENYAH'Flat-out unputdownable' LAURA VAN DEN BERG'Rion Amilcar Scott doesn't hold back or tiptoe around issues about race. He's the most courageous writer I know; and this collection is an excellent example and significant achievement. He's now made his mark as a force to reckon with' NICOLE DENNIS-BENN'Surreal, intertextual, and darkly comical ... With breathtaking cruelty and devastating humor, Scott adduces the whole world in one community' NAFISSA THOMPSON-SPIRES

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For the past 50 years, Mircea Dinescu has been one of Romanian poetry's most provocative and obstinately singular poets. After starting out as a writer of highly musical poetry that he spun round in his fingers with the aplomb of a magician who refuted reality, he ended up stuck in free verse, impelled mainly because of the surrealism of a world in which the label and the content of any box seldom matched. After his first gratuitous exercises when he was 22 and striving to commit himself to love poetry, he was surprised to discover that he had created a poetry of sly political allusion. He was like that communist worker employed in a factory producing bicycle parts who, stealing a tiny wheel one day, a few nuts and bolts on another, a gear, then taking home a chain and a length of pipe, until finally realising to his amazement that however he assembled these parts, instead of a bicycle the result was a Russian machine gun. The dictator at whom Dinescu shot his metaphors was eventually shot with real bullets by his own henchmen. Unlike Dinescu, those men were able to see the difference between a bicycle and a machine gun: later on, disguising themselves as anti-communists, they pedalled their bicycles into the brave new consumer society. A quarter of a century and more since the fall of communism, Mircea Dinescu still hesitates to think of himself as witness, judge or defendant. Like an agile monkey, he jumps into and out of the handbook of literature, just as into and out of the handbook of history, where he is mentioned on page 16, in the chapter entitled Revolutions. In 1989, Dinescu was liberated from house arrest by a large crowd in Bucharest who carried him triumphantly to the national television building. There he announced to his country and the world, with actor Ion Caramitru, that the dictator had fled. The country changed almost overnight from communist to capitalist, but Dinescu carried on doing what he'd always done: writing necessary poems that challenge all systems.

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A new, definitive English translation of the celebrated story collection regarded as a landmark of Norwegian literature and culture The extraordinary folktales collected by Peter Christen Asbjørnsen and Jørgen Moe began appearing in Norway in 1841. Over the next two decades the publication of subsequent editions under the title Norske folkeeventyr made the names Asbjørnsen and Moe synonymous with Norwegian storytelling traditions. Tiina Nunnally’s vivid translation of their monumental collection is the first new English translation in more than 150 years—and the first ever to include all sixty original tales.Magic and myth inhabit these pages in figures both familiar and strange. Giant trolls and talking animals are everywhere. The winds take human form. A one-eyed old woman might seem reminiscent of the Norse god Odin. We meet sly aunts, resourceful princesses, and devious robbers. The clever and fearless boy Ash Lad often takes center stage as he ingeniously breaks spells and defeats enemies to win half the kingdom. These stories, set in Norway’s majestic landscape of towering mountains and dense forests, are filled with humor, mischief, and sometimes surprisingly cruel twists of fate. All are rendered in the deceptively simple narrative style perfected by Asbjørnsen and Moe—now translated into an English that is as finely tuned to the modern ear as it is true to the original Norwegian.Included here—for the very first time in English—are Asbjørnsen and Moe’s Forewords and Introductions to the early Norwegian editions of the tales. Asbjørnsen gives us an intriguing glimpse into the actual collection process and describes how the stories were initially received, both in Norway and abroad. Equally fascinating are Moe’s views on how central characters might be interpreted and his notes on the regions where each story was originally collected. Nunnally’s informative Translator’s Note places the tales in a biographical, historical, and literary context for the twenty-first century.The Norwegian folktales of Asbjørnsen and Moe are timeless stories that will entertain, startle, and enthrall readers of all ages.

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'Truly brilliant, sexy and sly storytelling' Deesha Philyaw'Intoxicating' Claire Fuller'Everything you could want in a book, delivered when you least expect it' Diane Cooke'I f***ing loved this. Thrilling and gorgeously observed' A.E. OsworthToday, she walks in on her husband and best friend having an affair. Tomorrow, her body is found.Seven years ago, Theresa and Jackie meet in a maternity ward. Sleep-deprived new mothers; instant friends.Then they become neighbours on Hot Springs Drive - a nice street in a nice neighbourhood, filled with flower boxes and emerald lawns.The story ends like this: in the depths of a sweltering heatwave, Theresa discovers that her husband and Jackie are having an affair. The next day, Theresa's body is found.The truth lies somewhere between the picket fences and pink blossoms, where friendships twist into tragic jealousies and barbecues hide bed hopping and bloodshed. By summer's end, the residents of Hot Springs Drive will never be the same...An unputdownable, unmissable, vicious blade of a novel that peels back the fragile veneer of two suburban families and the deadly secrets roiling between them.Readers are obsessed with Hot Springs Drive:'FIVE HUNDRED STARS ... I lost my goddamn mind ... I LOVED THIS BOOK SO MUCH and am incapable of doing it justice without sounding like an absolute f***ing maniac, so I will leave it at: this is one of my favourite books of the year. READ IT' *****'Incredible ... I kept making my friend take her headphones off so I could read her a line or paragraph' *****'So compelling I read it in one sitting. The writing makes this such a thrilling, engrossing read - my heart was in my throat the entire time' *****'I'm utterly enraptured ... I'm wowed' *****'A real page-turner that keeps you guessing ... I couldn't put it down!' *****'Definitely in my top ten reads of the year ... Everyone is going to love this' *****'This novel is really oh so good. A compulsively readable, can't-put-it-down story that manages to be super sharp and smart. Such fascinating character studies, such subtle but piercing insight on the way our society sees mothers, such a sucker punch' *****

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'Dan is a national treasure and one of America s great songwriters. Elvis Costello. 'Dan s songs were funny, serious, and entertaining, and the combo of old-timey folk, country, and jazz knocked me out. Matt Groening, creator of The Simpsons. 'Dan Hicks is like lightning in a bottle. Bette Midler. Dan Hicks didn t have his heart set on a career in music. It all just sort of happened to him. It didn t hurt, of course, that he was in the right place at the right time San Francisco, 1966 and had a front-row seat for the birth and death of the counterculture. Among other things, this is a classic story of the 60s. More importantly, it s a story of musical genius. By the time the Summer of Love limped to a close in the fall of 67, Hicks had quit the Charlatans the pioneering psych-rock band with whom he played the drums and turned to jazz, the music he d secretly loved all along, as he began building his own band, the Hot Licks. 'I just started taking ingredients I liked and putting them together to see what came out, Hicks writes. What came out was an amazing blend of complex time signatures, unusual instrumentation, and intricate vocal harmonies that took him to the top of the 70s rock world but also into a downward spiral of drink and drug abuse. Emerging from a long wilderness, which he writes about here with wit and candour, the man described by Tom Waits as 'fly, sly, wily, and dry eventually returned to recording and performing, making a number of acclaimed albums, including Beatin The Heat, a set of duets with Waits, Costello, Rickie Lee Jones, and more. Along the way, his music continued to subtly permeate the culture, turning up everywhere from The Sopranos to commercials for Levi s and Bic. Hicks passed away in early 2016, but his music, and the stories he tells here, remain as fresh and irresistible as ever. I Scare Myself takes readers on a journey behind the music, and into the life and mind of the fantastic artist who created it.

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A playful, form-bending novel from the Booker Prize-shortlisted, Women's Prize-winning author of How to be both and the critically acclaimed Seasonal quartet 'Playful and audacious' Independent Narrated by a character who is haunted - literally - by a former lover, Artful slips slyly between fiction and essay, guiding the reader thrillingly through a sequence of ideas on art and literature. With Smith's trademark humour, inventiveness, poignancy and critical insight, this is unique experiment in form, style, life, love, death, immortality and what art can mean. Based on four electrifying lectures given by the author at Oxford University, and exploring the explosive connections between art, story, memory and grief - Artful is a tidal wave of ideas to blast away the cobwebs and change how you see the world. *****'Artful is a revelation; a new kind of book altogether . . . makes you glad to be alive' Jackie Kay 'Powerful and moving' London Review of Books 'Blending of criticism and fiction, Artful belongs in a genre of its own . . . Joyful for anyone interested in the art of writing, and living, well' Anita Sethi, New Statesman

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I practise my shock-horror face in the mirror for the seventh time. 'My husband, he's . . . dead.' Bethan Phillips has only one thing on her mind: killing her rich and elderly husband for his fortune. But after several thwarted attempts, it is a horrific accident while holidaying together in Snowdonia that takes Humphrey down. Now she must pretend he's alive, continuing social gatherings alone under the guise he is undertaking business abroad. Because someone witnessed her leaving Humphrey to die, and should the police investigate his death they'll discover the series of 'accidents' he's survived in the previous few days... and it won't take them long to connect the dots. There are many reasons Bethan would rather the police didn't look too closely at her. Or the life she lived before becoming Bethan Philips. Unfortunately for her, DI Emma Locke is on the case. A gripping new psychological thriller, Kiss Me, Kill Me is smart, sly and unforgettable. You won't be able to put it down. What readers are saying about Kiss Me, Kill Me: 'Kiss Me, Kill Me is fantastic! Strong characters and a story with some laugh out loud moments!' - 5* reader review 'OH baby!!! This was a great psychological thriller! It had a strong female lead and will leave you wanting more!' - 5* reader review 'Wow this book will take you on a twisty road of physiological turns and murder. It was perfect from start to finish' - 4* reader review 'Oh this was a good read! Murder, mystery and intrigue just oozes out the pages' - 5* reader review 'An excellent psychological thriller that will leave you on the edge of your seat until the last page' - 5* reader review 'An in-your-face thriller. Great book that really gets in your head' - 5* reader review 'This was a fast paced read with lots of amazing twists... A great psychological thriller that will keep you gripped from the first page until the end!' - 4* reader review

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Sydney Morning Herald Best Young Australian Novelist 2022 SHORTLISTED for the INDIE AWARD for BEST FICTION SHORTLISTED for the ABIA for Literary Fiction LONGLISTED for the BookPeople Book of the Year for Fiction ‘This! Was! So! Good! ... Diana Reid you are in a total league of your own.’ - Zara McDonald, Shameless Podcast ‘Seeing Other People will be the book of the summer.’ - PedestrianTV‘An extraordinary new voice in Aussie lit.’ ― Zoë Foster Blake ‘a captivating read that feels made for racing through while lying on the beach.’ ― Vogue AustraliaCharlie’s skin was stinging. Not with heat or sweat, but with that intense, body-defining self-consciousness—that sense of being watched. She lowered her eyes from Eleanor’s loving gaze. Her throat taut with tears, she swallowed. ‘You’re a good sister, Eleanor.’‘Don’t say that.’ After two years of lockdowns, there’s change in the air. Eleanor has just broken up with her boyfriend, Charlie’s career as an actress is starting up again. They’re finally ready to pursue their dreams—relationships, career, family—if only they can work out what it is they really want. When principles and desires clash, Eleanor and Charlie are forced to ask: where is the line between self-love and selfishness? In all their confusion, mistakes will be made and lies will be told as they reckon with the limits of their own self-awareness.Seeing Other People is the darkly funny story of two very different sisters, and the summer that stretches their relationship almost to breaking point. PRAISE FOR SEEING OTHER PEOPLE: ‘a great summer read.’ - The Guardian ‘The prose sparkles on the page, as effervescent and drinkable as a glass of prosecco on a warm summer's evening.’ - The Australian ‘We absolutely adored this hotly-anticipated novel’ - The Shameless Bookclub ‘If you tore through Love & Virtue last year, you'll want to add Diana Reid's second novel to the top of your reading bucket list.’ - Marie Claire ‘I enjoyed this funny, charming and enormously readable novel a great deal, in large part due to the wit and authenticity with which Reid represents her characters and their world.’ - The West Australian ‘Reid hasn’t lost her skewering wit.’ - Sydney Morning Herald 'a compulsive read’ - Primer 'funny and engaging’ - ArtsHub ‘Reid's witty and insightful social observation is something to relish’ - ABC Radio National, The Bookshelf ‘There is a genuine warmth as well as capacious intelligence and sly humour to Reid’s writing, and a dynamic energy to the novel that’s always compelling’ - The Guardian

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'Riveting, twisty, page-turning stuff' GuardianA 'best books of 2020' pick for BBC Radio 4 Open Book, the Guardian, the Telegraph and Good Housekeeping'The page turner you've been looking for. Sly, witty and gripping . . . I devoured it' Naomi Alderman'An utter joy . . . wonderfully skilled' Sarah Perry'Beguiling, brilliantly creepy, and an utterly compelling read' Claire Fuller'Tender, creepy and gripping' Sunday Times'Spellbinding and spooky . . . a dazzling high wire act, superbly absorbing' Sunday MirrorWhen the eight-year-old daughter of an Oxford College Master vanishes in the middle of the night, police turn to the Scottish nanny, Dee, for answers.As Dee looks back over her time in the Master's Lodging - an eerie and ancient house - a picture of a high achieving but dysfunctional family emerges: Nick, the fiercely intelligent and powerful father; his beautiful Danish wife Mariah, pregnant with their child; and the lost little girl, Felicity, almost mute, seeing ghosts, grieving her dead mother.But is Dee telling the whole story? Is her growing friendship with the eccentric house historian, Linklater, any cause for concern? And most of all, why is Felicity silent?Roaming Oxford's secret passages and hidden graveyards, Magpie Lane explores the true meaning of family - and what it is to be denied one.'Enthralling . . . creepy and compelling' The Times'Deliciously dark' Alexandra Shulman'A gorgeously satisfying triumph' Lucy Mangan'A rare thing . . . simply stunning' Daily Express'I was gripped . . . highly original' Alex Clark'Creepy, suspenseful' Independent'One of the most intriguing narrators since Notes on a Scandal' Sara Collins'Grown-up and cleverly written . . . a dizzying sense of uncertainty' Literary Review'Keeps you guessing . . . a real sense of menace' Good Housekeeping'Wholly beguiling' Mick Herron'Dazzlingly good' Diane Setterfield'Beautiful writing' Polly Samson'Clever, tense and twisty' Amanda Craig'Highly intelligent' Sarah Vaughan'Simply brilliant!' JP Delaney'Darkly atmospheric' Jane Fallon'Clever and creepy' Erin Kelly'Highly recommended' Louise Candlish

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This is an award-winning exploration of both the histories and personal stories of fourteen ethnic minority groups living within the boundaries of present-day Ukraine: Czechs and Slovaks, Meskhetian Turks, Swedes, Romanians, Hungarians, Roma, Jews, Liptaks, Gagauzes, Germans, Vlachs, Poles, Crimean Tatars, and Armenians. Based on a combination of academic research, fieldwork, and interviews, Olesya Yaremchuks literary reportages paint realistic, thoughtful, and historically informed depictions of how these various groups arrived in Ukraine and how they have fared within the countrys borders. Accompanied by vivid photographs that bring the reportages to life, Our Others is in some respects a chronicle of the myriad voluntary and forced migrations that have rolled through Ukraine for centuries. Simultaneously, the book offers a tender -- and timely -- study of the little islands of cultural diversity in Ukraine that have survived the Soviet steamroller of planned linguistic, cultural, and religious unification and that deserve acknowledgement in Ukraines broader cultural identity. The volumes contributors are: Marta Barnych (contributing co-author), Anton Semyzhenko (contributing co-author), Ostap Slyvynsky (foreword)

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From the acclaimed author of The Foundling Boy, The Great and the Good is a 1950s American classic about a tranformative journey by sea. ''Slyly funny, yet still touching'' The Sunday Times Arthur Morgan is aboard the Queen Mary bound for the United States, where a scholarship at an Ivy League university awaits him, along with the promise of a glittering future. But the few days spent on the ship will have a defining effect on the young Frenchman, when he encounters the love of his life. 

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"This sweet, humorous tale conveys the meaning of this important Jewish holiday in a way that’s understandable for children. Its premise proves it’s easy to err on the side of good; each of us has kindness within, and it’s satisfying to let it show." --Kirkus ReviewsIn this fractured fairy tale mash-up that explains the Jewish holiday of Yom Kippur, Bid Bad Wolf struggles to understand whether he has the capacity for change, and in the process discovers friendship among those he once thought of only as tasty snacks.When Racoon invites the Big Bad Wolf to Yom Kippur services, Wolf agrees to go. While he is there, he hears how everyone can use Yom Kippur as a day to become better and brighter. Wolf’s not so sure…a big bad wolf can’t become good! Can he? Will helping the girl in a red hood, her granny, and the three little pigs show him the way?It is a regular morning, and Big Bad Wolf is just getting ready for another day full of bad, when something very different happens. Raccoon knocks on his door to apologize for rummaging through his garbage and invites him to synagogue services. What first appears to Wolf as an opportunity for a giant lunch buffet becomes, instead, an opportunity for Wolf to experience a change of heart. Warmly welcomed by the rabbi, who claims anyone can become better and brighter just like the leaves in the forest as they change color in the fall, Wolf, wrapped in a peaceful moment, begins to wonder if he could do the same. He spends the day helping Little Red Riding Hood take care of her sick grandmother (even though he’d rather eat them both) and showing the three little pigs how to make their houses stronger. Despite the new feelings these kindnesses give him, deep down he doesn’t believe a wolf can change, because he keeps making mistakes. But as the day ends, his new friends arrive with a feast to break their Yom Kippur fast and they want to share it with their helper, partner and friend, a Big GOOD Wolf.Sharp, sly illustrations envelop this gently fractured fairy tale in humor and warmth, while the story includes many details that help explain Yom Kippur practices to young readers as they discover we can all return to our best selves, beginning with kindness and heartfelt apologies.

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The gripping new thriller from the Sunday Times bestseller! ‘I adored this twisty thriller… Thoroughly entertaining – I’d love to see this on our TV screens!’ PRIMA Book of the Month The perfect escape, or the perfect trap? When a select group of influencers and journalists receive an exclusive invitation to a luxury resort in the Maldives, it seems like the ultimate press trip. But when the island is cut off during a storm and people start dying, it looks like someone has murder in mind. Are the guests really who they seem to be, or does each one of them have a secret to hide? Something they would kill for? Lose yourself in the latest twisty page-turner from the queen of glamorous crime, Catherine Cooper. Love for The Island: ‘An eerily perfect location but paradise turns into a claustrophobic nightmare … An absolute page-turner’ Michelle Frances ‘Cooper’s darkest, most devious thriller yet. Utterly unputdownable!’ A.A. Chaudhuri 'I love Catherine Cooper's wonderfully twisty destination mysteries. Appointment reading in my thriller calendar' Barnaby Walter ‘Fizzing with tension – I couldn’t turn the pages fast enough’ Lucy Martin ‘The queen of luxurious crime does it again! I was totally gripped throughout’ Sophie Flynn ‘Murder has never been so glamorous! … fast, thrilling, fun’ Barbara Copperthwaite ‘My favourite Catherine Cooper read yet! An absolute page-turner of a thriller’ JM Hewitt ‘A great cast of characters … a fantastic luxury beach setting and a twisty plot all make for a fabulous read’ Joy Kluver ‘It is the ultimate beach read – I loved it!’ Emily Freud 'Skulduggery, secrets and sly ways to bump someone off … fasten your seatbelt for your visit to The Island. It's going to be a thrilling, bumpy ride!' Penny Batchelor ‘Luxury, murder and 90's nostalgia, The Island has it all! An addictive page turner with a fast-moving plot and brilliant cast of nefarious characters’ Sarah Clarke-Wareham ‘I inhaled The Island. This is Catherine Cooper’s best yet! … I dare you to pick it up and try to put it down before you’re finished’ Rachel Wolf

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Why has Serge Gainsbourg crossed over to the English-speaking world when so many of his contemporaries have remained largely confined to the Francosphere? What is it about this unshaven provocateur that so appeals to us? And who was the real Serge Gainsbourg anyway? Was he the sensitive seducer and songwriting colossus of the 60s and 70s? Was he Lucien Ginsburg, the son of Russian Jewish refugees who had to wear a yellow star during the Nazi Occupation of Paris? Or was he Gainsbarre, the deplorable, attention-seeking drunk who shamelessly propositioned Whitney Houston on live TV? Gainsbourg s cult has only grown since his death in 1991, and Histoire de Melody Nelson is now regarded as a classic in France and internationally. The 1971 album had only sold eighty thousand copies by 1986 when it finally went gold fifteen years after its release; its canonical elevation is a remarkable story, and there are many more remarkable stories attached to all of Gainsbourg s genre-defying, transgressive long-players. In Relax Baby Be Cool, writer Jeremy Allen takes each studio album in turn while exploring themes pertinent to Gainsbourg s life and music: jazz, performance, provocation, appropriation, postmodernism, aesthetics, metamorphosis, muses, Nazis, film and TV, Surrealism, fame, and decline. French pop music is more popular than it s been since the mid-90s, when the French touch was breaking. Gainsbourg s influence has also been huge on alternative music: from Pulp to Massive Attack, De La Soul to Danger Mouse, Black Grape to Iggy Pop, Luke Vibert to Die Antwoord, Air to Kylie Minogue. This book is full of new interviews from people who knew him, as well as younger artists who ve discovered him long after his death. Contributors include Jane Birkin, Charlotte Gainsbourg, Jacqueline Ginsburg (Gainsbourg s sister), Anna Karina, Mike Patton, Etienne Daho, Sly Dunbar, Alan Hawkshaw, Alan Parker, Jean-Claude Vannier, Tony Frank, Tony Allen, Mick Harvey, Bertrand Burgalat, Acid Arab, Jehnny Beth, Alain Chamfort, Metronomy, David Holmes, Blonde Redhead, Air, Sparks, Will Oldham, and many more.

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Lubet's Nothing But The Truth presents a novel and engaging analysis of the role of storytelling in trial advocacy. The best lawyers are storytellers, he explains, who take the raw and disjointed observations of witnesses and transform them into coherent and persuasive narratives. Critics of the adversary system, of course, have little patience for storytelling, regarding trial lawyers as flimflam artists who use sly means and cunning rhetoric to befuddle witnesses and bamboozle juries. Why not simply allow the witnesses to speak their minds, without the distorting influence of lawyers' stratagems and feints? But Lubet demonstrates that the craft of lawyer storytelling is a legitimate technique for determining the truth andnot at all coincidentallyfor providing the best defense for the attorney's client. Storytelling accomplishes three important purposes at trial. It helps to establish a "theory of the case," which is a plausible and reasonable explanation of the underlying events, presented in the light most favorable to the attorney's client. Storytelling also develops the "trial theme," which is the lawyer's way of adding moral force to the desired outcome. Most importantly, storytelling provides a coherent "story frame," which organizes all of the events, transactions, and other surrounding facts into an easily understandable narrative context. As with all powerful tools, storytelling may be misused to ill purposes. Therefore, as Lubet explains, lawyers do not have carte blanche to tell whatever stories they choose. It is a creative process to be sure, but every story must ultimately be based on "nothing but the truth." There is no room for lying. On the other hand, it is obvious that trial lawyers never tell "the whole truth," since life and experience are boundless and therefore not fully describable. No lawyer or court of law can ever get at the whole truth, but the attorney who effectively employs the techniques of storytelling will do the best job of sorting out competing claims and facts, thereby helping the court arrive at a decision that serves the goals of accuracy and justice. To illustrate the various challenges, benefits, and complexities of storytelling, Lubet elaborates the stories of six different trials. Some of the cases are real, including John Brown and Wyatt Earp, while some are fictional, including Atticus Finch and Liberty Valance. In each chapter, the emphasis is on the narrative itself, emphasizing the trial's rich context of facts and personalities. The overall conclusion, as Lubet puts it, is that "purposive storytelling provides a necessary dimension to our adversary system of justice."

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One woman's secret is her neighbour's opportunity.'Masterly' Louise Candlish'Incredible!' Lucy Atkins'Riveting' Clare Mackintosh'Extraordinary' Mark Edwards'Intelligent, twisty' OBSERVER'Accomplished and addictive' SUNDAY TIMESVerity Baxter has lived - quietly, carefully - in Trinity Fields all her life. Then Ailsa and Tom Tilson move in next door and everything changes. Can Verity trust what she hears through the walls?And what about the Tilsons: should they pity their eccentric neighbour and her messy house? Or should they fear her?Either way, like the ivy that creeps through their shared garden fence, their lives are entwined now. And the knots can only get tighter . . .'Seriously superior psychological thriller' Star pick, Sunday Times Crime Club'Stupendously addictive' Deborah Moggach'A smart, compelling and thoroughly haunting read' Mail on Sunday'Pace, place, characters, plot ... it's a masterclass' Gill Hornby'Hard to put down' EVENING STANDARD'The language is honed as sharp as a stiletto. The murder mystery is teased out to the very last compelling page' Star pick, Sunday Times Crime Club'You think you know what's going on in this brilliant read, then you realise you so don't!' FABULOUS'Deliciously sly and profoundly moving' JP Delaney'Elegant and astute' Louise O'Neill'A masterfully plotted page-turner' Erin Kelly'Engrossing, astute, disturbing and so believable' Sarah Hilary'I loved it' Sarah Vaughan'This well-paced, intelligent mystery benefits from finely-drawn characters and convincing psychological tension ... take a peek at the raging traumas behind the calm masks of suburban respectability' Daily Mail'A compelling read that strikes a chill straight into your heart' Dinah Jefferies'A delicious study in dark psychology with a narrator who constantly keeps you guessing. This tale serves up a real emotional punch' SUNDAY MIRROR'A taut thriller with layer upon layer of suspense and twists right to the very last page' Red'Sucks you in and keeps you wanting more. Just when you think you know someone, think again...' HEAT'One not to miss' WOMAN'Chilling' The I'Durrant builds a sense of menace and the ending is satisfying, with a believable twist' Good Housekeeping'Spine-tingling' Crime Monthly'Engrossing psychological crime' LITERARY REVIEW

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'sense too definite cancels your indistinct literature' Stéphane Mallarmé was the most radically innovative of nineteenth-century poets. His writings, with their richly sensuous texture and air of slyly intangible mystery, perplexed or outraged many early readers; yet no writer has more profoundly influenced the course of modern poetry - in English as well as in French. In both form and content, his poems created new ways of conveying existential doubt, fragmentation, and discontinuity. This is the fullest collection of Mallarmé's poetry ever published in English, and the only edition in any language that presents his Poésies in the last arrangement known to have been approved by the author. Apart from verse, it includes all the prose poems and the unique, unclassifiable Un Coup de dés... (A Dice Throw...). The lucid, wide-ranging introduction and invaluable notes help an understanding of this astonishing poet's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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PRE-ORDER EVERYTHING YOU HAVE, THE THRILLING NEW PAGE-TURNER BY KATE RUBY, COMING AUGUST 2024.A RICHARD & JUDY BOOK CLUB PICK 'I couldn’t bear it to end' LOUISE CANDLISH 'A gripping page-turner' LAURA MARSHALL 'Chilling . . . Fast-paced and twisting' SARAH VAUGHAN 'Deliciously twisted' JP DELANEYYou think she wants to help. You're wrong. Lily Appleby will do anything to protect the people she loves. She’s made ruthless choices to make sure their secrets stay buried, and she’s not going to stop now. When her party-animal daughter, Rachel, spins out of control, Lily hires a renowned therapist and healer to help her. Amber is the skilled and intuitive confidante that Rachel desperately needs. But as Rachel falls increasingly under Amber’s spell, she begins to turn against her parents, and Lily grows suspicious. Does Amber really have Rachel’s best interests at heart or is there something darker going on? Only one thing is clear: Rachel is being lied to. Never quite knowing who to believe, her search for the truth will reveal her picture-perfect family as anything but flawless.Loosely based on a true story, this is perfect for fans of Sabine Durrant, Teresa Driscoll and Kate Riordan - a gripping read to be devoured in one sitting, bursting with tension, layered characters and relationships which are never as simple as they first seem . . . 'A parable for our times: accomplished, eloquent and quite terrifying' DAILY MAIL 'Dark and addictive' HEAT 'Chilling in its depiction of manipulation and the impact of childhood trauma; fast-paced and twisting' SARAH VAUGHAN 'A brilliantly constructed tale of rivalry, manipulation and revenge' LOUISE CANDLISH 'Subtle, sly and suspenseful' JP DELANEY ‘What a deliciously dark domestic horror this is, as it picks away at the damage family members do to each other in the name of love . . . Such a clever, nuanced story of revenge, self-destruction, and everyday cruelty’ RUSS THOMAS ‘Superbly dark and glittering with menace, Tell Me Your Lies is not only an absolute gift of a thriller, but a sharp, unflinching take on the long-term consequences of buried trauma and shame’ CAZ FREAR ‘I absolutely loved it. Raced through to the end, totally invested in all the characters, and fascinated by Amber' AMANDA REYNOLDS ‘Expertly paced and beautifully written - but above all a damn juicy read’ CELIA WALDEN

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Lubet's Nothing But The Truth presents a novel and engaging analysis of the role of storytelling in trial advocacy. The best lawyers are storytellers, he explains, who take the raw and disjointed observations of witnesses and transform them into coherent and persuasive narratives. Critics of the adversary system, of course, have little patience for storytelling, regarding trial lawyers as flimflam artists who use sly means and cunning rhetoric to befuddle witnesses and bamboozle juries. Why not simply allow the witnesses to speak their minds, without the distorting influence of lawyers' stratagems and feints? But Lubet demonstrates that the craft of lawyer storytelling is a legitimate technique for determining the truth andnot at all coincidentallyfor providing the best defense for the attorney's client. Storytelling accomplishes three important purposes at trial. It helps to establish a "theory of the case," which is a plausible and reasonable explanation of the underlying events, presented in the light most favorable to the attorney's client. Storytelling also develops the "trial theme," which is the lawyer's way of adding moral force to the desired outcome. Most importantly, storytelling provides a coherent "story frame," which organizes all of the events, transactions, and other surrounding facts into an easily understandable narrative context. As with all powerful tools, storytelling may be misused to ill purposes. Therefore, as Lubet explains, lawyers do not have carte blanche to tell whatever stories they choose. It is a creative process to be sure, but every story must ultimately be based on "nothing but the truth." There is no room for lying. On the other hand, it is obvious that trial lawyers never tell "the whole truth," since life and experience are boundless and therefore not fully describable. No lawyer or court of law can ever get at the whole truth, but the attorney who effectively employs the techniques of storytelling will do the best job of sorting out competing claims and facts, thereby helping the court arrive at a decision that serves the goals of accuracy and justice. To illustrate the various challenges, benefits, and complexities of storytelling, Lubet elaborates the stories of six different trials. Some of the cases are real, including John Brown and Wyatt Earp, while some are fictional, including Atticus Finch and Liberty Valance. In each chapter, the emphasis is on the narrative itself, emphasizing the trial's rich context of facts and personalities. The overall conclusion, as Lubet puts it, is that "purposive storytelling provides a necessary dimension to our adversary system of justice."

Read more less