Search results for ""recoil""

Ex-special forces soldier Nick Stone is recuperating in Switzerland. His latest mission cost the life of one of his closest friends. And the woman he went to bed with last night has left without saying goodbye. When she fails to reappear, Stone begins his quest to find her. Once in Africa and in the heart of a very dirty Congo war, it isn't long before the past comes knocking on the door. One bloody twist leads to another and Stone finds himself catapulted into the dark, brutal world he thought he's managed to leave behind.

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In these times of health emergency, economic collapse, populist anger and ecological threat, societies are forced to turn inward in search of protection. Neoliberalism, the ideology that presided over decades of market globalisation, is on trial, while state intervention is making a spectacular comeback amid lockdowns, mass vaccination programmes, deficit spending and climate planning. This is the Great Recoil, the era when the neo-statist endopolitics of national sovereignty, economic protection and democratic control overrides the neoliberal exopolitics of free markets, labour flexibility and business opportunity.Looking back to the role of the state in Plato, Machiavelli, Hobbes, Hegel, Gramsci and Polanyi, and exploring the discourses, electoral programs and class blocs of the nationalist right and socialist left, Paolo Gerbaudo fleshes out the contours of the different statisms and populisms that inform contemporary politics. The central issue in dispute is what mission the post-pandemic state should pursue: whether it should protect native workers from immigration and the rich against redistributive demands, as proposed by the right's authoritarian protectionism; or reassert social security and popular sovereignty against the rapacity of financial and tech elites, as advocated by the left's social protectivism. Only by addressing the widespread sense of exposure and vulnerability may socialists turn the present phase of involution into an opportunity for social transformation.

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In his figurative painting, Tim Sandow (*1988) brings together the imagined cliché of a type of person with a superabundance of details. Situations that seem to come from day-to-day life appear perplexing at second glance. The paintings give the impression that they are inviting us into their world and ultimately cause us to recoil again and again from the vacant stares of the people who populate the pictures. Text in English and German.

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WITH AN INTRODUCTION BY DAVID BRADSHAWAnthony Beavis is a man inclined to recoil from life. His past is haunted by the death of his best friend Brian and by his entanglement with the cynical and manipulative Mary Amberley. Realising that his determined detachment from the world has been motivated not by intellectual honesty but by moral cowardice, Anthony attempts to find a new way to live. Eyeless in Gaza is considered by many to be Huxley's definitive work of fiction.

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In 2012, philosopher and public intellectual Slavoj Žižek published what arguably is his magnum opus, the one-thousand-page tome Less Than Nothing: Hegel and the Shadow of Dialectical Materialism. A sizable sequel appeared in 2014, Absolute Recoil: Towards a New Foundation of Dialectical Materialism. In these two books, Žižek returns to the German idealist G. W. F. Hegel in order to forge a new materialism for the twenty-first century. Žižek’s reinvention of Hegelian dialectics explores perennial and contemporary concerns: humanity’s relations with nature, the place of human freedom, the limits of rationality, the roles of spirituality and religion, and the prospects for radical sociopolitical change.In A New German Idealism, Adrian Johnston offers a first-of-its-kind sustained critical response to Less Than Nothing and Absolute Recoil. Johnston, a leading authority on and interlocutor of Žižek, assesses the recent return to Hegel against the backdrop of Kantian and post-Kantian German idealism. He also presents alternate reconstructions of Hegel’s positions that differ in important respects from Žižek’s version of dialectical materialism. In particular, Johnston criticizes Žižek’s deviations from the secular naturalism and Enlightenment optimism of his chosen sources of inspiration: not only Hegel, but Karl Marx and Sigmund Freud too. In response, Johnston develops what he calls transcendental materialism, an antireductive and leftist materialism capable of preserving and advancing the core legacies of the Hegelian, Marxian, and Freudian traditions central to Žižek.

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Much has been written about the use of tanks in battle. Little, however, has appeared about the gunnery systems that are at their core. This book describes and examines the main gun systems of medium and heavy tanks from first use in 1916 in World War I to those fielded in numbers to the end of World War II in 1945, including tanks of the interwar period. Specifically considered are guns of a calibre greater than 35 mm, which have been deployed in numbers greater than 100\. The emphasis is on guns mounted in turrets on heavier tracked armoured fighting vehicles (greater than 15 tonnes) which were considered tanks. There are, though, exceptions, in that the naval 6 pounder guns in First World War British tanks, as well as the 75 mm guns in French medium tanks of the same period (all turretless) are included. The treatment of gun systems includes sighting and fire control equipment, gun laying equipment, mounts and the array of munitions fired, as well as the actual gun, including its, barrel, cradle, breech, firing mechanism, sights and recoil system. Related to this are issues of gun handling (loading and unloading), ammunition design and rates of fire. Also examined are the maximum impulse and energy generated by firing some of the munitions available that must be absorbed by the gun recoil system.

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The road was a ribbon of moonlight over the purple moor, And the highwayman came riding- Riding-riding- The highwayman came riding, up to the old inn-door. In Alfred Noyes's thrilling poem, charged with drama and tension, we ride with the highwayman and recoil from the terrible fate that befalls him and his sweetheart Bess, the landlord's daughter. The vivid imagery of the writing is matched by Charles Keeping's haunting illustrations which won him the Kate Greenaway Medal. This new edition features rescanned artwork to capture the breath-taking detail of Keeping's illustrations and a striking new cover.

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In 2012, philosopher and public intellectual Slavoj Žižek published what arguably is his magnum opus, the one-thousand-page tome Less Than Nothing: Hegel and the Shadow of Dialectical Materialism. A sizable sequel appeared in 2014, Absolute Recoil: Towards a New Foundation of Dialectical Materialism. In these two books, Žižek returns to the German idealist G. W. F. Hegel in order to forge a new materialism for the twenty-first century. Žižek’s reinvention of Hegelian dialectics explores perennial and contemporary concerns: humanity’s relations with nature, the place of human freedom, the limits of rationality, the roles of spirituality and religion, and the prospects for radical sociopolitical change.In A New German Idealism, Adrian Johnston offers a first-of-its-kind sustained critical response to Less Than Nothing and Absolute Recoil. Johnston, a leading authority on and interlocutor of Žižek, assesses the recent return to Hegel against the backdrop of Kantian and post-Kantian German idealism. He also presents alternate reconstructions of Hegel’s positions that differ in important respects from Žižek’s version of dialectical materialism. In particular, Johnston criticizes Žižek’s deviations from the secular naturalism and Enlightenment optimism of his chosen sources of inspiration: not only Hegel, but Karl Marx and Sigmund Freud too. In response, Johnston develops what he calls transcendental materialism, an antireductive and leftist materialism capable of preserving and advancing the core legacies of the Hegelian, Marxian, and Freudian traditions central to Žižek.

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Cannibalism is unquestionably one of the oldest and deepest-seated taboos. Even in an age when almost nothing is sacred, religious, moral and social prohibitions surround the topic. But even as our minds recoil at the mention of actual acts of cannibalism there is some dark fascination with the subject. Appalling crimes of humans eating other humans are blown into major news stories and gory movies: both Hitchcock's 'Psycho' and 'The Texas Chainsaw Massacre' were based on the crimes of Ed Gein, who is profiled, along with others, in this book. In 'Eat Thy Neighbour' the authors put the subject of cannibalism into its social and historical perspective.

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Dominic Pattison's life is one of level contentment: his marriage has proved happy and durable; his business, too, is successful.And then Sam Williams, a builder and ex-squaddie, enters his life. Sam claims to be his son. Yet is Sam who he says he is? After almost thirty years, Dominic can remember little of the affair with Sam's mother. His instinct is to recoil from this aggressive and volatile stranger, who could, with just a few words, take his life apart. But Sam refuses to be dismissed. With its deft switches of sympathy between menaced 'father' and rebuffed 'son' and its exploration of the intricacies of memory, Contact will resonate long with its readers.

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A new collection from Glyn Maxwell – one of the great poetic stylists of the era, and one of its leading dramatic voices – is always a cause for celebration. Here, there are squibs and satires, lyrics and songs, poems written to family members and in memory of loved ones, a series of poems written by an artificial intelligence that will thrill and disturb in equal measure, and a chance for the blank page to finally speak for itself. But How The Hell Are You is, in its way, also a quietly political book: Maxwell regards poetry as truth-telling, and these poems – in their intimate, unsparing accounts and clear-eyed reckonings – recoil from the lies and fake news of the age to actually ‘tell it like it is’. How The Hell Are You shows a remarkable imagination and mind working at full tilt, and is the most powerful expression of Maxwell’s talent to date.

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Michael Davis revisits questions of interpretation in Greek tragedy emerging in the thought of the late Seth Benardete. While this is not the book Benardete would have written, it wrestles with problems that bear his indelible mark. In the extant tragedies of Aeschylus, Sophocles, and Euripides, only one story is treated by all three––the tale of Electra. Davis endeavors to develop Benardete's understanding of the story's deeper meaning, as well as the connections that might be drawn between the three authors. He follows a thread that brings Aeschylus, Sophocles, and Euripides closer together according to a powerful and shared theme––namely, that the female is the deeper (even if less easily accessible and articulated) of the pair of fundamental principles constituting human beings. Davis accomplishes much more than an exegetical bridge as he connects us with ancient memory and wisdom. "When we cannot resist the temptation to recoil morally from their terminology, we risk the tragedy of losing their profound thoughts about our humanity––their philosophical anthropology." Davis has remarkably made of a niche study a stunning source material for more universal questions. This is a book that is as timely as it is ageless.

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Three early plays by Sean O'Casey--arguably his three greatest--demonstrate vividly O'Casey's ability to convey the reality of life and the depth of human emotion, specifically in Dublin before and during the Irish civil war of 1922-23, but, truly, throughout the known universe. In mirroring the lives of the Dublin poor, from the tenement dwellers in The Shadow of a Gunman and Juno and the Paycock to the bricklayer, street vendor, and charwoman in The Plough and the Stars, Sean O'Casey conveys with urgency and eloquence the tiny details that create a total character as well as the terrors, large and small, that the constant threat of political violence inevitably brings. As Seamus Heaney has written, "O'Casey's characters are both down to earth and larger than life . . . His democratic genius was at one with his tragic understanding, and his recoil from tyranny and his compassion for the oppressed were an essential--as opposed to a moral and thematic--part of his art."

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"Wiredu's discussion of culturally defined values and concepts, as well as his attention to such timely issues as human rights, makes this book invaluable interdisciplinary reading." —D. A. MasoloGhanaian philosopher Kwasi Wiredu confronts the paradox that while Western cultures recoil from claims of universality, previously colonized peoples, seeking to redefine their identities, insist on cultural particularities. Wiredu asserts that universals, rightly conceived on the basis of our common biological identity, are not incompatible with cultural particularities and, in fact, are what make intercultural communication possible. Drawing on aspects of Akan thought that appear to diverge from Western conceptions in the areas of ethics and metaphysics, Wiredu calls for a just reappraisal of these disparities, free of thought patterns corrupted by a colonial mentality. Wiredu's exposition of the principles of African traditional philosophy is not purely theoretical; he shows how certain aspects of African political thought may be applied to the practical resolution of some of Africa's most pressing problems.

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The German MG (Maschinengewehr) 34, along with the later-war MG 42, was a recoil-operated, air-cooled machine gun and is considered the world’s first general-purpose machine gun. Considered the most advanced machine gun in the world at the time, its ease of mobility and high rate of fire—900 rounds per minute—made it ideal both for infantry and antiaircraft use. First entering service during the Spanish Civil War in 1936, it remained in Wehrmacht service through the end of WWII in 1945, along with its updated model, the MG 42. This illustrated book presents the design, manufacturing, and development both of the MG 34 and MG 42, from its acceptance by the German military through production and combat use from 1936 to 1945. Includes close-up views of markings and other details, as well as a breakdown of the weapon. Accessories such as ammunition and gun mounts are featured throughout the book, as are rarely seen combat-related uniform and equipment items.

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'I defy anyone not to snort, howl and recoil' The Sunday Times'Full of wicked asides, tart observations and sharp remarks that could only have originated in Graham Norton's witty brain.' Terry WoganLooking around the room I saw what life really was. It was made up of my passions. I saw my life reflected back at me. People I liked, people I loved, people I had shared half a century with. All the stories of my life were together in that one room and it made me very happy. Who wouldn't want a friend like Graham Norton? A little bit naughty, full of frank advice, bursting with gossip about the world's biggest stars - but most of all with an emphatic love of life and all its joys, big and small. Join him - glass of wine in hand, faithful doggy friend by your side - and delve in as he shares the loves of his life.

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With the MG 34, the German Wehrmacht introduced an entirely new concept in automatic firepower – the general-purpose machine gun (GPMG). In itself the MG 34 was an excellent weapon: an air-cooled, recoil-operated machine gun that could deliver killing firepower at ranges of more than 1,000m. Yet simply by changing its mount and feed mechanism, the operator could radically transform its function. On its standard bipod it was a light machine gun, ideal for infantry assaults; on a tripod it could serve as a sustained-fire medium machine gun. During World War II, the MG 34 was superseded by a new GPMG – the MG 42. More efficient to manufacture and more robust, it had a blistering 1,200rpm rate of fire. Nicknamed ‘Hitler’s buzzsaw’ by Allied troops, it was arguably the finest all-round GPMG ever produced, and alongside the MG 34 it inflicted heavy casualties. Featuring specially commissioned full-colour artwork and drawing upon numerous technical manuals and first-hand accounts, this study explores the technological development, varied roles and lasting influence of the revolutionary MG 34 and MG 42 machine guns and their postwar successors.

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The Webley .455in service revolver is among the most powerful top-break revolvers ever produced. First adopted in 1887, in various marques it was the standard-issue service pistol for British and Commonwealth armed forces for nearly fifty years; later versions in .38in calibre went on to see further service in World War II and beyond, as well as in a host of law-enforcement roles around the world into the 1970s. Developed to give British service personnel the ability to incapacitate their opponents in 'small wars' around the globe, the Webley used the formidable – and controversial – .455in cartridge, a variant of which was known as the 'manstopper'. Users found it offered good penetration and excellent stopping power with only mild recoil – indeed, it was rated superior to the US .45 Colt in stopping power. Featuring specially commissioned full-colour artwork and close-up photographs, this is the compelling story of the Webley revolver, the powerful pistol that saw service across the British Empire and throughout two world wars.

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Nicolas Roeg's Don't Look Now (1973) has been called "a ghost story for adults." Certainly, in contrast to the more explicitly violent and bloodthirsty horror films of the 1970s, Don't Look Now seems of an entirely different order. Yet this supernaturally inflected tale of a child's accidental drowning, and her parents' desperate simultaneous recoil from her death and pursuit of her ghost, Don't Look Now is horrific at every turn. This book argues for it as a particular kind of horror film, one which depends utterly on the narrative of trauma-on the horror of unknowing, of seeing too late, and of the failures of paternal authority and responsibility. This study works to position Don't Look Now within a discourse of midcentury anxiety narratives primarily existing in literary texts. In this context, it represents a cross over or a hinge between literature and film of the 1970s, and the ways in which the women's ghost story or uncanny story turns the horror film into a cultural commentary on the failures of the modern family.

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SHORTLISTED FOR THE 2017 VICTORIAN PREMIER'S LITERARY AWARD FOR FICTION A schoolgirl catches the eye of the future leader of Nazi Germany. An aspiring playwright writes to a convicted serial killer, seeking inspiration. A pair of childhood sweethearts reunite to commit rape and murder. A devoted Mormon wife follows her husband into the wilderness after he declares himself a prophet. The twelve stories in The Love of a Bad Man imagine the lives of real women, all of whom were the lovers, wives, or mistresses of various ‘bad’ men in history. Beautifully observed, fascinating, and at times horrifying, the stories interrogate power, the nature of obsession, and the lengths some women will go to for the men they love. PRAISE FOR LAURA ELIZABETH WOOLLETT ‘Like Helen Garner, Laura Woollett is impelled to explore the darkest corners of the human heart, the savage cognitive distortions of love; to understand and empathise with the monstrous, rather than to instinctively recoil or judge … Woollett's pitch-perfect command of narrative voice, period, and psychology creates 12 tales to fascinate and unnerve.’ The Age ‘The Love of a Bad Man imagines the inner lives of historical figures who committed crimes all in the name of love … The stories treat death with a gothic inevitability and explore human darkness with a light touch.’ The Guardian

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Volume 60 opens with a chapter on Massbauer spectroscopy, a spectroscopic method based on the Massbauer effect, which can be defined as the nearly recoil-free, resonant absorption and emission of g-rays in solids. Next, the authors the chemical structure of various alkene oligomers, kinetic features of the oligomerization reactions, and applications of oligomer studies for the elucidation of the general mechanism of alkene polymerization reactions. The recent literature concerning self-assembled monolayers containing terminal glycans is reviewed, with a focus on their biomolecular interactions. Following this, the results of a study are presented wherein a reliable xanthine chemical sensor was fabricated with facile wet-chemically prepared ZnO/Al2O3/Cr2O3 nanoparticles in alkaline medium at low temperature. Various piperidine derivatives are reviewed in the context of their applications as antioxidants and anticancer agents. Today, many compounds containing piperidine are used in the treatment of various diseases. The authors also explore green methodology for the synthesis of highly functionalized piperidine under mild reaction conditions with good yields, high diastereoselectivity, operational simplicity and easy work-up procedures. In closing, an outline of applications of the applications of various piperidine derivatives as antipsychotic agents is provided. Antipsychotic drugs have a wide range of pharmacological effects such as promoting sleep.

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The book is the story of an Anglo Indian community in 1960s Calcutta coming to terms with India taking its first few faltering steps towards democracy. Joan is a single parent whose son's accidental discovery of the body of a young woman, gets her embroiled in the sinister activities of a maoist faction. The movement is bent on bringing a violent revolution to overturn the unfairness of caste, class, religion and privilege. The book evokes the rich multicultural but confused five hundred year heritage of the Anglo Indian community who feel abandoned by the British and unsure of their fellow Indians. You smell the sumptuous cuisine, feel the emergence of popular culture, recoil at the racism, despair at the bureaucracy and are aroused by the sexual tensions. Although the characters in the book are purely fictional, the background is based on real historical, national and world events of the day; the Naxalbari uprisings, President's rule and the rise of democratic Marxism in India. The writing is in the genre of a popular political thriller. The author, an Anglo-Indian, is intimately familiar with the period and is keen to give this almost extinct, post-Raj community and authentic voice. The book will appeal to those interested in stories of South Asia, political events of the 1960s, the cross-over of English and Indian. It is the author's intention to include a list of recipes and a glossary of the less familiar Anglo Indian words.

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Monmouthshire may have a reputation as a quaint, idyllic, rural county but scratch the surface and you’ll find a past riddled with scandal, strife and murder most foul. In Monmouthshire Murders and Misdemeanours Tim Butters digs up and throws new light on criminal cases long since buried, but still capable of making our modern minds recoil in horror. Among these tales of terror and woe you’ll find the wretched account of a child who callously murdered other children with the calculated ease of a born psychopath, a penniless and alcoholic prostitute butchered by the hand of a disease-riddled madman, a wandering vagabond with a penchant for opportunistic butchery, and a Spanish sailor who killed an entire family on a whim. This hellish history also contains tragic tales from those condemned to the desolate confines of the workhouse, the delirium of the asylum, the despair of the prison cell, and the unforgiving grasp of the hangman’s noose. So step right this way for a chilling tour of Monmouthshire’s brutal and bloody past. Dare you take a walk on the dark side of this fair county?

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In his late fifties and having one eye on a well-earned retirement Colin Murray, a full-time decorator and Church pastor in North East Scotland received the bombshell news he was suffering from Motor Neurone Disease. From the sheer panic of his first night following his MND diagnosis, Colin confronts the brutal, merciless muscle wasting disease head on with prayer and positivity. Accepting his diagnosis, he continues to fight his prognosis with positivity and prayer. In Life Matters, Colin reminds us that we should never minimise or over spiritualise anyone’s struggle with pain and that secular groups are more compassionate, empathetic, and Christlike than Christians with questionable doctrine. While many question their faith and recoil with fear in the face of a terminal diagnosis Colin remains a persevering, shining light to many during his declining health and an ever-increasing loss of mobility. This book is testimony that hope is real, Spirit life is real and in: “Gods strength is made perfect in weakness”. As a Church pastor Colin realises that his life now, is his greatest sermon. It is clear reading this powerful book that Colin is no whitewashed tomb. He is alive in Christ, already a possessor of the “life of the age to come”. Although outwardly wasting away Colin is being inwardly renewed “daily”. This is a must read for anyone battling a serious illness.

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Set in a time of immense change, Dancing on the Edge tells the story of a black jazz group, the Louis Lester Band, as they rise to fame, entertaining guests at exclusive high society gatherings in 1930s London. While many recoil at the presence of black musicians in polite society, the capital's more progressive socialites, including younger members of the Royal Family, take the band under their wing. In this explosive five-part series, Stephen Poliakoff returns to television with his most ambitious work to date. Dancing on the Edge provides a new angle on an extraordinary time in history, giving us a piercingly original vision of Britain in the 1930s; a time of glamour, hardship, vibrant new music and financial meltdown. Combining the rich characterisation of Shooting The Past with the epic sweep of The Lost Prince and inspired by true stories of the era, Dancing on the Edge was produced by Ruby Film and Television for BBC2. Also included is the innovative epilogue to the whole drama, Interviewing Louis, where music journalist Stanley conducts a combative in-depth interview with Louis Lester. This funny and disturbing drama complements the main story perfectly while leading us towards a shocking and unexpected conclusion.

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Selected as a Doody's Core Title for 2022 and 2023! The long-awaited third edition of Pediatric Chiropractic takes the valuable second edition to a whole new level, offering new chapters, full-color photos, illustrations, and tables to provide the family wellness chiropractor and the student of chiropractic a valuable reference manual covering all aspects of care for the pediatric and prenatal populations. Internationally recognized authorities Claudia Anrig, DC and Gregory Plaugher, DC have invited the leaders in their fields to contribute to this precedent-setting textbook and now offer even more valuable information for the practitioner. Over 50 international experts share their gifts and perspectives on: Sensory Processing Disorders Neurodevelopmental Disorders Subluxation Clinical Neurology The Prenatal and Perinatal Period Nutrition Care of the Adolescent Diagnostic Imaging Defining Wellness And technique integration is more inclusive of the full practice spectrum: Gonstead Logan Basic Thompson Sacro Occipital Instrument Assisted Adjusting Upper Cervical Introducing chapters on: Examination and Specific Adjustments of the Extremities Upper Cervical Care with Toggle-recoil Chiropractic Considerations with Tethered Oral Tissue Patient Safety Culture Biomechanics of the Pediatric Adjustment Enrich Your eBook Reading Experience Read directly on your preferred device(s), such as computer, tablet, or smartphone. Easily convert to audiobook, powering your content with natural language text-to-speech.

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A solid guide for becoming a better shotWing shooting, sporting clays, skeet shootingExpert teacher and coach shares years of experienceSuccessful Shotgunning focuses on wing-shooting and sporting clays techniques. Gain a better understanding of the shooting process as a whole as you sharpen your skills and become a better shot. How to evaluate moving targets in wing-shooting situations in the field, in a competitive environment, on a sporting clays course, or on a skeet field. Choose the correct gun and gun fit for you; learn to diagnose some common eye problems and correct your aim; tame recoil; and deal with the challenges of various sporting clays targets. Quote from the book: "Successful shotgunning isn't an inherent trait, it is a skill and it must be learned like any other skill. It requires systematic study and the ability to accurately calculate the variables of moving targets. My coaching methods involve an intuitive technique that is based on pure logic and a systematic breakdown of all the variables involved. This is how the experts shoot. Over a period of time they build up a personal mental repertoire of sight pictures, which they can then successfully apply to each target, regardless of whether it is a quail, dove, duck or clay target. They then have the ability to see a subtle but consequential target/barrel relationship on every shot and adjust to each different shooting situation."

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The book is the story of an Anglo Indian community in 1960s Calcutta coming to terms with India taking its first few faltering steps towards democracy. Joan is a single parent whose son's accidental discovery of the body of a young woman, gets her embroiled in the sinister activities of a maoist faction. The movement is bent on bringing a violent revolution to overturn the unfairness of caste, class, religion and privilege. The book evokes the rich multicultural but confused five hundred year heritage of the Anglo Indian community who feel abandoned by the British and unsure of their fellow Indians. You smell the sumptuous cuisine, feel the emergence of popular culture, recoil at the racism, despair at the bureaucracy and are aroused by the sexual tensions. Although the characters in the book are purely fictional, the background is based on real historical, national and world events of the day; the Naxalbari uprisings, President's rule and the rise of democratic Marxism in India. The writing is in the genre of a popular political thriller. The author, an Anglo-Indian, is intimately familiar with the period and is keen to give this almost extinct, post-Raj community and authentic voice. The book will appeal to those interested in stories of South Asia, political events of the 1960s, the cross-over of English and Indian. It is the author's intention to include a list of recipes and a glossary of the less familiar Anglo Indian words.

Read more less

A solid guide for becoming a better shotWing shooting, sporting clays, skeet shootingExpert teacher and coach shares years of experienceSuccessful Shotgunning focuses on wing-shooting and sporting clays techniques. Gain a better understanding of the shooting process as a whole as you sharpen your skills and become a better shot. How to evaluate moving targets in wing-shooting situations in the field, in a competitive environment, on a sporting clays course, or on a skeet field. Choose the correct gun and gun fit for you; learn to diagnose some common eye problems and correct your aim; tame recoil; and deal with the challenges of various sporting clays targets. Quote from the book: "Successful shotgunning isn't an inherent trait, it is a skill and it must be learned like any other skill. It requires systematic study and the ability to accurately calculate the variables of moving targets. My coaching methods involve an intuitive technique that is based on pure logic and a systematic breakdown of all the variables involved. This is how the experts shoot. Over a period of time they build up a personal mental repertoire of sight pictures, which they can then successfully apply to each target, regardless of whether it is a quail, dove, duck or clay target. They then have the ability to see a subtle but consequential target/barrel relationship on every shot and adjust to each different shooting situation."

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`Well, I’ve helped to wind up the clock – I might as well hear it strike.’ Michael Joseph O’Rahilly. The Easter Rising of 1916 was a seminal moment in Ireland’s turbulent history. For the combatants it was a no-holds-barred clash: the professional army of an empire against a highly motivated, well-drilled force of volunteers. What did the men and women who fought on the streets of Dublin endure during those brutal days after the clock struck on 24 April 1916? For them, the conflict was a mix of bloody fighting and energy-sapping waiting, with meagre supplies of food and water, little chance to rest and the terror of imminent attacks. The experiences recounted here include those of: 20-year-old Sean McLoughlin who went from Volunteer to Captain to Commandant-General in five days: his cool head under fire saved many of his comrades; Volunteer Robert Holland, a sharpshooter who continued to fire despite punishing rifle recoil; Volunteer Thomas Young’s mother, who acted as a scout, leading a section through enemy-infested streets; the 2/7th Sherwood Foresters NCO who died when the grenade he threw at Clanwilliam House bounced off the wall and exploded next to his head; 2nd Lieutenant Guy Vickery Pinfield of the 8th Royal Hussars, who led the charge on the main gate of Dublin Castle and became the first British officer to die in the Rising. This account of the major engagements of Easter Week 1916 takes us onto the shelled and bullet-ridden streets of Dublin with the foot soldiers on both sides of the conflict, into the collapsing buildings and through the gunsmoke.

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Catalyst will transform your approach to networking, making it fun and infinitely more effective. A good business developer, prospector and networker knows how to create a positive connection with the people they meet. They are the catalyst that creates a chemical reaction between strangers, and they know how to convert these opportunities into new business.Louisa Clarke and David Kean have spent their careers catalysing strangers into contacts and converting contacts into clients - and even into friends. They have built successful businesses together using the proven techniques in this book, and they have helped hundreds of companies around the world win billions in new business by applying the same methods. Catalyst is full of illustrative anecdotes, hard-won wisdom and a step-by-step methodology. Whatever industry you work in, if you need more clients to buy your services and you're not sure how to find them, convince them or win them, this is the book for you. Follow this approach and new business will come. You might even make some friends along the way. For many people, networking, prospecting and selling are scary. If the word 'networking' makes you recoil, if the word 'prospecting' conjures up terrifying spectres of endless cold calls, and if you run for the hills at the mention of 'sales', this book will be balm for you. Because, whilst it doesn't make it effortless, it does make it easy. 'Catalyst is a manual for winning business in today's economy, recommended to anyone who wants to grow their client base. Catalyst is brimming with great advice and inspiration' - Annette King, CEO Publicis Groupe UK

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Designed in 1942, Britain’s innovative Projector, Infantry, Anti-Tank (PIAT) provided British and Commonwealth troops with a much-needed means of taking on Germany’s formidable Panzers. Replacing the inadequate Boys anti-tank rifle, it was conceived in the top-secret World War II research and development organization known colloquially as ‘Churchill’s Toyshop’, alongside other ingenious weapons such as the sticky bomb, the limpet mine and the time-pencil fuse. Unlike the more famous US bazooka, the PIAT had its roots in something simpler than rocket science. Operated from the shoulder, the PIAT was a spigot mortar which fired a heavy high-explosive bomb, with its main spring soaking up the recoil. The PIAT had a limited effective range. Troops required nerves of steel to get close enough to an enemy tank to ensure a direct hit, often approaching to within 50ft of the target, and no fewer than six Victoria Crosses were won during World War II by soldiers operating PIATs. A front-line weapon in every theatre of the conflict in which Commonwealth troops fought, from Europe to the Far East, the PIAT remained in service after 1945, seeing action during the Greek Civil War, the Arab–Israeli conflict and the Korean War. This illustrated study combines detailed research with expert analysis to reveal the full story of the design, development and deployment of this revolutionary weapon.

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In this elegantly written and beautifully illustrated book, Nico Israel reveals how spirals are at the heart of the most significant literature and visual art of the twentieth century. Juxtaposing the work of writers and artists-including W. B. Yeats and Vladimir Tatlin, James Joyce and Marcel Duchamp, and Samuel Beckett and Robert Smithson-he argues that spirals provide a crucial frame for understanding the mutual involvement of modernity, history, and geopolitics, complicating the spatio-temporal logic of literary and artistic genres and of scholarly disciplines. The book takes the spiral not only as its topic but as its method. Drawing on the writings of Walter Benjamin and Alain Badiou, Israel theorizes a way of reading spirals, responding to their dual-directionality as well as their affective power. The sensations associated with spirals--flying, falling, drowning, being smothered-reflect the anxieties of limits tested or breached, and Israel charts these limits as they widen from the local to the global and recoil back. Chapters mix literary and art history to explore 'pataphysics, Futurism, Vorticism, Dada and Surrealism, "Concentrisme," minimalism, and entropic earth art; a coda considers the work of novelist W. G. Sebald and contemporary artist William Kentridge. In Spirals, Israel offers a refreshingly original approach to the history of modernism and its aftermaths, one that gives modernist studies, comparative literature, and art criticism an important new spin.

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Drawing on fifteen years of work in the antislavery movement, Austin Choi-Fitzpatrick examines the systematic oppression of men, women, and children in rural India and asks: How do contemporary slaveholders rationalize the subjugation of other human beings, and how do they respond when their power is threatened? More than a billion dollars have been spent on antislavery efforts, yet the practice persists. Why? Unpacking what slaveholders think about emancipation is critical for scholars and policy makers who want to understand the broader context, especially as seen by the powerful. Insight into those moments when the powerful either double down or back off provides a sobering counterbalance to scholarship on popular struggle. Through frank and unprecedented conversations with slaveholders, Choi-Fitzpatrick reveals the condescending and paternalistic thought processes that blind them. While they understand they are exploiting workers' vulnerabilities, slaveholders also feel they are doing workers a favor, often taking pride in this relationship. And when the victims share this perspective, their emancipation is harder to secure, driving some in the antislavery movement to ask why slaves fear freedom. The answer, Choi-Fitzpatrick convincingly argues, lies in the power relationship. Whether slaveholders recoil at their past behavior or plot a return to power, Choi-Fitzpatrick zeroes in on the relational dynamics of their self-assessment, unpacking what happens next. Incorporating the experiences of such pivotal actors into antislavery research is an immensely important step toward crafting effective antislavery policies and intervention. It also contributes to scholarship on social change, social movements, and the realization of human rights.

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This book provides a comprehensive introduction to photoelectron angular distributions and their use in the laboratory to study light-matter interactions. Photoelectron angular distribution measurements are useful because they can shed light on atomic and molecular electronic configurations and system dynamics, as well as provide information about quantum transition amplitudes and relative phases that are not obtainable from other types of measurements. For example, recent measurements of molecular-frame photoelectron angular distributions have been used to extract photoelectron emission delays in the attosecond range which can provide ultra-sensitive maps of molecular potentials. Additionally, photoelectron angular distribution measurements are an essential tool for studying negative ions. Here, the author presents a detailed, yet easily accessible, theoretical background necessary for experimentalists performing photoelectron angular distribution measurements to better understand their results. The various physical influences on photoelectron angular distributions are revealed through analytical models with the use of angular momentum coupling algebra and spherical tensor operators. The classical and quantum treatments of photoelectron angular distributions are covered clearly and systematically, and the book includes, as well, a chapter on relativistic interactions. Furthermore, the primary methods used to measure photoelectron angular distributions in the laboratory, such as photodetachment electron spectroscopy, velocity-map imaging, and cold target recoil ion momentum spectroscopy, are described. This book features introductory material as well as new insights on the topic, such as the use of angular momentum transfer theory to understand the process of photoelectron detachment in atoms and molecules. Including key derivations, worked examples, and additional exercises for readers to try on their own, this book serves as both a critical guide for young researchers entering the field and as a useful reference for experienced practitioners.

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The ‘Soixante­quinze’, France’s legendary 75mm Modele 1897, was the first modern field gun, pioneering several critical innovations in field artillery designs, including a fast action breech and a soft recoil system. Although some of these features had been incorporated into earlier guns, the 75mm M1897 integrated them into a superior, lightweight field gun. The 75mm M1897 earned its reputation in the Great War, forming the backbone of French field artillery. It was widely distributed to Allied armies, including the American Expeditionary Forces and was also widely exported after World War I around the globe. It was manufactured under licence in numerous countries, including the United States, which used the gun in its initial Pacific campaigns. Due to its modernity and sound design, the 75mm remained in service well into World War II. It was used by the French, Polish and other armies in the Blitzkrieg campaigns of 1939–1940 and thousands were captured by the German Army in 1940 and used for coastal defence. Surprisingly, many were also converted into a very effective anti-tank gun, the PaK 97/38. These weapons lingered in service after World War II, though by this time, they were largely obsolete. This fascinating book explores the history of the 75mm Modele 1897 in detail, from its design and development to its deployment around the world. The text is supported by stunning, specially commissioned artwork including three-dimensional views of the gun and its variants.

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In our wired world, visual images of military conflict and political strife are ubiquitous. Far less obvious, far more elusive, is how we see such images, how witnessing military violence and suffering affects us. Distant Wars Visible brings a new perspective to such enduring questions about conflict photography and other forms of visual advocacy, whether in support of U.S. military objectives or in critique of the nation at war. At the book’s center is what author Wendy Kozol calls an analytic of ambivalence—a critical approach to the tensions between spectacle and empathy provoked by gazing at military atrocities and trauma. Through this approach, Distant Wars Visible uses key concepts such as the politics of recoil, the notion of looking elsewhere, skeptical documents, and ethical spectatorship to examine multiple visual cultural practices depicting war, on and off the battlefield, from the 1999 NATO bombings in Kosovo to the present.Kozol’s analysis draws from collections of family photographs, human rights photography, independent film production, photojournalism, and other examples of war’s visual culture, as well as extensive visual evidence of the ways in which U.S. militarism operates to maintain geopolitical dominance—from Fallujah and Abu Ghraib to the most recent drone strikes in Pakistan. Throughout, Kozol reveals how factors such as gender, race, and sexuality construct competing visualizations of identity in a range of media from graphic narrative and film to conflict photography and battlefield souvenirs—and how contingencies and contradictions in visual culture shape the politics and ethics of witnessing.

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Drawing on fifteen years of work in the antislavery movement, Austin Choi-Fitzpatrick examines the systematic oppression of men, women, and children in rural India and asks: How do contemporary slaveholders rationalize the subjugation of other human beings, and how do they respond when their power is threatened? More than a billion dollars have been spent on antislavery efforts, yet the practice persists. Why? Unpacking what slaveholders think about emancipation is critical for scholars and policy makers who want to understand the broader context, especially as seen by the powerful. Insight into those moments when the powerful either double down or back off provides a sobering counterbalance to scholarship on popular struggle. Through frank and unprecedented conversations with slaveholders, Choi-Fitzpatrick reveals the condescending and paternalistic thought processes that blind them. While they understand they are exploiting workers' vulnerabilities, slaveholders also feel they are doing workers a favor, often taking pride in this relationship. And when the victims share this perspective, their emancipation is harder to secure, driving some in the antislavery movement to ask why slaves fear freedom. The answer, Choi-Fitzpatrick convincingly argues, lies in the power relationship. Whether slaveholders recoil at their past behavior or plot a return to power, Choi-Fitzpatrick zeroes in on the relational dynamics of their self-assessment, unpacking what happens next. Incorporating the experiences of such pivotal actors into antislavery research is an immensely important step toward crafting effective antislavery policies and intervention. It also contributes to scholarship on social change, social movements, and the realization of human rights.

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While ion-beam techniques have been used to create thin films in the semiconductor industry for several decades, these methods have been too costly for other surface treatment applications. However, as manufacturing devices become increasingly smaller, the use of a directed-energy ion beam is finding novel industrial applications that require the custom tailoring of new materials and devices, including magnetic storage devices, photonics, opto-electronics, and molecular transport. Engineering Thin Films and Nanostructures with Ion Beams offers a thorough narrative of the recent advances that make this technology relevant to current and future applications.Featuring internationally recognized researchers, the book compiles their expertise in a multidimensional source that:Highlights the mechanisms and visual evidence of the effects of single-ion impacts on metallic surfaces Considers how ion-beam techniques can help achieve higher disk-drive densities Introduces gas-cluster ion-beam technology and reviews its precedents Explains how ion beams are used to aggregate metals and semiconductors into nanoclusters with nonlinear optical properties Addresses current challenges in building equipment needed to produce nanostructures in an industrial setting Examines the combination of ion-beam techniques, particularly with physical vapor deposition Delineates the fabrication of nanopillars, nanoflowers, and interconnected nanochannels in three dimensions by using atomic shadowing techniques Illustrates the production of nanopores of varying dimensions in polymer films, alloys, and superconductors using ion-beam irradiation Shows how fingerprints can be made more reliable as forensic evidence by recoil-mixing them into the substrate using ion beamsFrom the basics of the ion-beam modification of materials to state-of-the-art applications, Engineering Th

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Updated to reflect the most recent species classifications, a second edition of the beautifully illustrated and beloved guide to 600 members of the suborder Serpentes. For millennia, humans have regarded snakes with an exceptional combination of fascination and revulsion. Some people recoil in fear at the very suggestion of these creatures, while others happily keep them as pets. Snakes can convey both beauty and menace in a single tongue flick, and so these creatures have held a special place in our cultures. Yet, for as many meanings as we attribute to snakes—from fertility and birth to sin and death—the real-life species represent an even wider array of wonders. Now in a new edition, reflecting the most recent species classifications, The Book of Snakes presents 600 species of snakes from around the world, covering roughly one in seven of all snake species. It will bring greater understanding of a group of reptiles that have existed for more than 160 million years and that now inhabit every continent except Antarctica, as well as two of the great oceans. This volume pairs spectacular photos with easy-to-digest text. It is the first book on these creatures that combines a broad, worldwide sample with full-color, life-size accounts. Entries include close-ups of the snake’s head and a section of the snake at actual size. The detailed images allow readers to examine the intricate scale patterns and rainbow of colors as well as special features like a cobra’s hood or a rattlesnake’s rattle. The text is written for laypeople and includes a glossary of frequently used terms. Herpetologists and herpetoculturists alike will delight in this collection, and even those with a more cautious stance on snakes will find themselves drawn in by the wild diversity of the suborder Serpentes.

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