Search results for ""oro editions""

Front cover image Ryue Nishizawa / SANAA Grace Farms; Source Books in Architecture Benjamin Wilke, Ryue Nishizawa Not yet printed due - 07/19 9781943532254 Paperback with flaps ORO Editions/Applied Research & Design Territory: World excluding USA, Canada, Australasia & Asia (except Japan) Size: 228 mm x 203 mm Pages: 144 Illustrations: 100 colour Name of series: Source Books in Architecture No. 13 RRP GBP24.95 Your price GBP19.96 Conversations with Ryue Nishizawa about his work and that of SANAA and documentation that includes Grace Farms in New Canaan, CT Discussions cover topics that range from strategies for developing projects within the studio to issues raised during development and construction of a project Contributions from architecture faculty and critics on the work of SANAA and Ryue Nishizawa Following the example of music publication, Source Books in Architecture offers an alternative to the traditional architectural monograph. If one is interested in hearing music, he or she simply buys the desired recording. If, however, one wishes to study a particular piece in greater depth, it is possible to purchase the score, the written code that more clearly elucidates the structure, organisation, and creative process that brings the work into being. This series is offered in the same spirit. Each Source Book focuses on the work of a particular architect or on a special topic in contemporary architecture and is meant to expose the foundations and details of the work in question. The work is documented through early studies, models, renderings, working drawings, writings, and photographs at a level of detail that allows complete and careful study of a project from conception to completion. The graphic component is accompanied by commentary from the architect and critics that further explore the technical and cultural content of the work. Source Books in Architecture is a product of the Herbert Baumer seminars, a series of interactions between students and seminal practitioners at the Knowlton School of Architecture at The Ohio State University. Following a significant amount of research, students lead discussions that encourage the architects to reveal their architectural motivations and techniques.

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This is a clear, accurate, readable survey of the dramatic transformation of Chinese architecture from 1840 through 2020. It narrates the change from a predominantly timber-frame tradition to construction in twisted steel and ecologically sensitive local materials. The book places the buildings in historical context. Modern Chinese Architecture: 180 Years tells the dramatic story of the transformation of Chinese architecture from a predominantly modular, timber-frame, single-story building system with ceramic tile roofs of anonymous, local craftsmen to skyscrapers designed by internationally acclaimed architects, from temple markets and itinerant peddlers to megamalls, and from open air stages to auditoriums and stadiums with cutting-edge acoustics. The architectural transformation occurs as China transforms from a dynasty ruled by emperors to a republic to a people's republic, from a country in which fewer than half the male population, and perhaps 10

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While sculpture remained central to his artistic practice, Isamu Noguchi's (19041988) interests and production spanned an exceptionally broad terrain that included furniture and lamps, stage sets for dance, plazas, courtyards and gardens. Noguchi made no distinction between design, craft, and the so-called fine arts: in his view all of these could all be considered art should their aesthetic qualities sufficiently transcend those generated by the simple address of need.Although his gardens include several of the twentieth century's most iconic landscape designs and have received almost universal praise, Noguchi nonetheless occupies a place removed from the normal practice of landscape architecture. As an artist he relied more on intuition - bolstered by focused study where required - than on objective analysis, and he shaped his landscapes as sculpture, with space as their primary vehicle. To Noguchi landscape design was a spatial and formal art, and from his earliest enviro

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Periurban Cartographies looks through the prism of the almost urban to consider what a city is or could be. In doing so, the book challenges assumptions and reconsiders design practices.The research reported upon in this study draws on thick description of everyday life and diffuse power in periurban Gangetic West Bengal/Kolkata. It does so in the hope of enriching our understanding of incremental modes of political empowerment and the futures they make. The intention is to not just communicate the transformations at work in creating a particular kind of urban, but also to point to connections that make us rethink the ways in which change happens.The book is a contribution to work being done on urban theory-building from elsewhere than the Global North, specifically from Asia, and periurban Gangetic West Bengal/Kolkata. It is not simply a look at a novel and singular condition in and of itself but uses that singularity to better understand per

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The book will be designed so that it can be used, not only by scholars, but also by tourists and travellers in Rome. Guides readers on a modern-day version of the 18th Century Grand Tour that was originally inspired to a great extent by Piranesi's extraordinary art Publishes photographic views that have previously not been possible. angenbach, who became known for his photographic documentation of the Textile Milltowns of New England, Great Britain and India, under a series of grants and awards from the National Endowment for the Arts, has now turned his attention to the iconic historic landscape of Rome. Inspired by the extraordinary engravings of the ruins of Ancient Rome by Giambattista Piranesi, Langenbach uses modern-day digital photography to document the same views that Piranesi captured over a quarter of a millennium ago, displaying some of the most iconic ruins of an ancient civilisation on the planet.

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John Dixon Hunt introduces PWP Landscape Architecture: Building Ideas with a discussion of how we read landscapes and, hence, how they are designed with the reader/client in mind and the historical implications of such efforts. Peter Walker, Gary Hilderbrand, and Gina Crandell trace the history of Peter Walker's various firms from the 1950s until 2000, and Jane Gillette discusses some recent projects in terms of using consultants to further design ideas. Twelve finished projects, seven works in progress, and three competitions, from roughly 2000 to 2015, demonstrate the firm's goals and achievements with an emphasis on the expansion of landscape architecture from the surrounds of buildings to self-sufficient entities that express the highest accomplishments of both ecological function and design.

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Austere Gardens suggests that being open to other ways of observing and sensing can yield new insights and rewards, and that interest is found in places unassuming and overlooked as well as those complex and assertive. Perceiving is only one half of the story, however. Realising places using simple acts and reduced means is the other half. The history of garden-making reveals continued attempts to create an Eden, to surpass our given environment in abundance and delight, and by selected instruments transcend the constraints of site, topography, and climate. The alternative to this garden of inclusion lies in the landscapes of reduction and compression, for example the dry gardens of Japan. These might be termed austere gardens. The word austere, as used in this essay, does not imply asceticism, but merely modesty and restraint. Austere landscapes may first appear devoid of interest if noticed at all. To those who do not look beyond their surfaces, these sites, and the world outside them, usually appear plain and uninteresting, or even lacking of the very properties by which we define a garden. But there are sensual, aesthetic, and even philosophical, pleasures to be gained from these seemingly dull fields should we attempt to appreciate them. These qualities, normally associated with abundance and complexity, may be found in a different way, and at a different level, in austere terrain. Although the subject of the small book is gardens, or more broadly taken, landscapes that may be read as gardens, many of the examples are nonetheless drawn from art and architecture, from history as well as contemporary times. The images that accompany the text tell their own stories, illustrating what can be accomplished using frugal means or through basic acts like digging, piling, planting, cutting, and clearing. In an era where resources appear to be dwindling and populations growing, attitudes that value simplicity and reduction also gain a moral dimension.

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Source Books in Architecture No. 16: Tatiana Bilbao ESTUDIO focuses on the work of a Tatiana Bilbao ESTUDIO and is meant to expose the foundations and implications of the work in question. The practice is documented through conversations, studies, models, renderings, working drawings, and photographs at a level of detail that allows for a nuanced understanding of the disciplinary agenda from conception to completion. This content is accompanied by contributions from critics and other designers that further explore the significance of the work.

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Artists and designers have recorded places, people, and life in drawings and sketchbooks for centuries. Over the past 50 years, Laurie Olin, one of America’s most distinguished landscape architects, has recorded aspects of life and the environment in Italy: its cities and countryside, streets and cafes, ancient ruins, art, architecture, people, villas, and gardens — civic and domestic, humble to grand, things of interested to his designer’s eye— taking the time to see carefully. Rome in its seasons, agriculture in Umbria and Tuscany, trees, food, and fountains, all are noted over the years in watercolour or pen and ink. Originally made in the personal pleasure of merely being there as well as self-education, this selection from many sketchbooks and drawings is accompanied with introductory notes and remarks for different regions including Rome, Turin, Venice, Tuscany, Umbria, Lazio, Campania, and Sicily.

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Poodling is a vernacular approach to pruning shrubbery: a negotiation between gardener and shrub that pits human aesthetic intention against the genetic forces that guide the plant''s natural development. Topiary shears shrubs into a singular form geometric or figure; poodling, in contrast, treats each branch individually and shapes its leaves or needles into the forms that remain at their ends.In this informed, if light-hearted, telling of the story, noted landscape historian Marc Treib traces the evolution and characteristics of topiary, espalier, and other forms of plant guidance such as poodling, proposing that what began as functional horticultural practices was transformed into a vehicle for artistic expression. Poodling catalogues the forms of pruning we encounter today and their probable origin in Japan during the 18th century. Noting the parallels, he compares the forms of poodling (vegetal) with those of the canine species poodle (animal), and

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Hillier: Selected Works presents the design work of the husband-and-wife team of J. Robert and Barbara A. Hillier during the last 25 years coupled with a brief graphic retrospective of the Hillier practice of architecture over 57 years of operation. Despite taking unconventional paths to architecture, both Hilliers enjoyed exhilarating careers growing the firm to 500 people and executing nearly 4,000 projects in 27 U.S. States and 34 Foreign Countries. The quality of the firm’s work has been honoured by over 350 design awards. The selected projects in this monograph are driven by strictly disciplined programming and then conceived by bringing into balance all the forces at work on a project: culture, climate, site, economics, market, and even politics. The resultant architecture is distinctive of its time, its place, and its client, rather than of a particular language or style. In 2008, Hillier Architecture, then one of the largest firms in the USA, merged with a foreign firm to create the 3rd largest architectural firm worldwide. Studio Hillier, the firm’s current iteration, was formed in 2012. More recently, NJIT’s College of Architecture and Design was renamed the J. Robert and Barbara A. Hillier College of Architecture and Design, celebrating the Hilliers’ commitment to providing more equitable access to design education.

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"... Far from a run-of-the-mill compilation of flashy projects, this reader on the profession’s next generation offers up valuable insight that many young practitioners would be wise to heed." — Architectural Record Building Practice features interviews with architects, designers, educators, curators, fabricators, strategists, critics, and activists who are advancing speculative design through the culture and politics of building, capturing critical and formative moments associated with building a practice. Each interview reveals strategies for linking practical and theoretical forms of knowledge and evidences the active creation of unique approaches to contributing positively to both architectural culture and the built environment. Collectively, an introduction, 12 short texts on topics that are pertinent to architecture today, and thirty-two interviews convey how architects claim conceptual territory regarding form, space, order, materiality, and aesthetics, and push for design to have meaning and value in relation to cultural, environmental, political, and social concerns. The individuals and practices profiled in this book collectively partition themselves from previous generations of experimentally motivated practices while individually exemplifying their own inimitable affinities, techniques, and sensibilities. Building Practice shares the first acts of an emerging generation of practices and identifies the peripheral yet pivotal aspects of building a practice today.

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New Investigations in Collective Form presents a group of design experiments by the design-research office THE OPEN WORKSHOP, that test how architecture can empower the diverse voices that make up the public realm and the environments in which they exist. Today, society continues to face urban challenges — from economic inequality to a progressively fragile natural environment — that, in order to be addressed, require us to come together in a moment when what we collectively value is increasingly difficult to locate. Organised into five themes for producing collectively — Frameworks, Articulated Surfaces, the Living Archive, Re-Wiring States, and Commoning — the projects straddle the fine line between the individual and collective, informal, and formal, choice and control, impermanent and permanent.

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This step-by-step Pocket Guide will teach you how to draw stunningly beautiful perspectives, complete with reflections and shadows. The Pocket Guide to Perspective uses a simple, step-by-step method to help readers understand the basic concepts of perspective construction. Readers will learn to build one-point, two-point, and multi-point perspectives as well as reflections and shadows in perspective. This small pocket guide is compact and focused. Whether you’re at your desk or out and about, it is useful reference to bring along for both students and professionals alike.

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This publication documents the work carried out by 14 Design-Build Studios in Latin America over the past 20 years, compiling a total of 39 projects that place an emphasis on teaching with a social agenda and the impact that the construction experience has on students and communities. In contrast to architecture teaching around the world that places the emphasis on individual work, competition, and representation, these studios stimulate collaborative work and produce small-format buildings with flexible programs that have an immediate impact on their context. While global architecture often feels remote from people, the courses that take this approach manage resources sustainably and build projects with a high intensity of use. In the context of the most unequal region on the planet, this kind of studio enables students to interact positively in response to social, environmental, and architectural constraints. Design Build Studios in Latin America asks questions about what matters in the present-day training and practice of architecture if we want our discipline to play a leading role in the ecological and social challenges of our time.

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"Bookended by a highly personal dialog between the two, we are treated with insights into collaboration, process, the rise of technology, and the joys of teaching." — Fast Company This autobiographical monograph presents a retrospective of the 40-year innovative graphic design practice of husband-and-wife team, Nancy Skolos and Thomas Wedell. The two have seamlessly merged the boundaries between graphic design, photography and typography, fusing two-and three-dimensional space through overlapping type and image. Long-time influential designers and educators, and 2017 AIGA medalists, Skolos-Wedell’s work has been widely exhibited and published in the US and internationally. The book has been written as a series of interviews between Skolos and Wedell, and beautifully designed by the artists themselves. The result is a work of total design that showcases their unique way of thinking and working. Prototypes, iterations, and studio set-ups shed light on the process behind the finished work which unfolds in chronological order, subdivided in decades: '80s, '90s, '00s, '10s, '20s, with each section beginning with a timeline of notable events. While a time-based taxonomy may seem unimaginative, it was critical for presenting the evolving working methods. To provide the most direct view of the studio’s collaborative design process, much of the text unfolds as a series of interviews with each other.

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Climate change poses challenges for human survival and societal development, including frequent urban disasters such as high wave and urban waterlogging, as well as extreme weather events such as sea level rise, floods, tropical storm, wide-range drought, and high temperature in polar regions. Contributed in part by reducing greenhouse gas emission, and also by the means of improving local resilience, the international community have been working on mitigating the uncertain impact of climate change. Against the backdrop of carbon reduction policy such as Carbon Emission Peak and Carbon Neutrality proposed by Chinese government, regional sustainable progress inevitably calls for resilient strategies for human settlements that address local issues upon climate change adaption and resilience theories. Since the impact of climate change on human settlements, risk and resilience assessment methods, and spatial and technological strategies have already broadly studied by international academia, more attention should be taken into research on spatial planning, urban design, landscape design, innovative engineering, emerging technology application, and interdisciplinary perspective to strive to realize the goals of peaking carbon emissions and achieving carbon neutrality. To this end, this issue expects to discuss the resilient strategies adaptive to climate change for improve human settlements at varied scales. Introducing international perspectives, LA Frontiers encourages the bridging the latest research outcome with application and practice.

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Photoscapes and the Egg is an intimate book to be savoured and kept nearby, perhaps on a coffee table because of its sheer beauty. Inside its robin egg blue cloth cover are improvised photos of objects, nature, and art, each matched with a photo of an egg inside a cosmic circle — eggs with personalities from the calm ethereal to the hot aggressive. In full, there are more than 100 stunning colour photos, all taken with an iPhone. The match of phenomena and eggs alludes to the dance of the material world with the invisible “birthing source” represented by the egg. Accompanying text and poems bring stories to the dance. The juxtapositions evoke surprise, insight, emotions, hope, and refreshment. They make wry jokes and touch on realities beyond the obvious. This book contains unabashed gentleness and spiritual toughness without pretence. Photoscapes and the Egg sprang from the mind of Patricia Z. Smith, a 79-year-old photographer and writer with extensive life experience and a pull since childhood to meld the physical with the esoteric. The design by Louis Brody is modern and serene. The book is a gift to the reader and her or his friends. It is a resource for these times and our future.

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Source Books in Architecture No. 15: Johnston Marklee includes conversations with the architects and documentation of a range of built and unbuilt works. As the Baumer Visiting Professors at The Ohio State University, Sharon Johnston and Mark Lee engage with students at the school in conversations that range from developing a critical practice to idea formation with respect to projects to the pragmatics of working in the field or architecture today. Documentation of work includes drawings, diagrams, photos, and models. Source Books in Architecture is a product of the Herbert Baumer seminars, a series of interactions between students and seminal practitioners at the Knowlton School at The Ohio State University. Following a significant amount of research, students lead discussions that encourage the architects to reveal their architectural motivations and techniques.

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History Reinterpreted, the second published work from celebrated architect and Fellow of the American Institute of Architects Patrick Ahearn, explores the renovation and reimagination of the 1871 Myles Standish Hotel in Duxbury, Mass., as a grand single-family residence. Highlighting how new life and modernity can be breathed into an historic structure while still respecting the past, the volume includes the architect’s own hand-drawn elevations, before and after floor plans, and countless full-colour photos from yesteryear and today to delight architecture and history enthusiasts alike.

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The latest edition of the University of Virginia School of Architecture’s design journal, LUNCH 15 turns to the concept of Thickness and considers what possibilities lie in poché, thick description, thin assemblies, and in the many layers of the built environment. The issue considers Thickness in four sections: “Places” navigates the ways we understand the spaces in which we live and work. “Materials” delaminates the building blocks of our world and how we know them. “Representation” traces the many forms and layers of communication through which we see or that might obscure our vision. Finally, “Relations” follows threads that bind. In a world operating between the thick and thin of it, how will your lines be drawn?

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Every year millions of travellers arrive in Athens eager to catch a glimpse of the ancient city and savour its classical heritage. But what about the late nineteenth century Athens with her neoclassical buildings, wide avenues and literary salons? An Athens where music wafted from King Otto’s palace and the aristocracy waltzed under crystal chandeliers. A city of dignitaries, scholars and architects drawing plans and reworking them, leaving their mark on every dimension of the young capital. An Athens where commoners hovered around dimly lit fires and children played in the mud amidst the ancient ruins. Where criminals settled disputes with drawn knives and prostitutes roamed the ports luring sailors into filthy, smoke-filled taverns. Where Greek refugees lived in wind-swept streets with no sewers or running water, singing about their troubles under the stars. An Athens where intellectuals, writers, poets, and artists converged in local cafés planning the future of the newly founded nation, discussing philosophy, literature, and their shared passion for reclaiming Greece for the Greeks. Athens Unveiled pays homage to the people, streets, and neighbourhoods of late nineteenth century Athens, where some of the finest neoclassical buildings still stand next to abandoned mansions, brothels, and old factories; where people still bargain the prices of clothes and produce on the old streets of commerce and where young artists create powerful murals, bringing everything about the city into sharp focus.

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This book traces the historic evolution of urban form, principles, and design; it serves as a compendium, or reference, of city design; and is a polemic about the necessity for the recovery of the city and a contemporary urban architecture. It begins with the planned cities of Greece and the Roman Empire from about 500 BC, through the late-medieval Bastides, the Ideal Renaissance cities, and Baroque new towns, to the urban planning strategies of the nineteenth and early twentieth centuries. It covers anti-urban modernist architecture and the resulting disintegration of the city. It concludes with late-twentieth-century efforts to recover the city, a contemporary urban architecture, and urbanism’s potential contribution to the contemporary ecological crisis. The book is project oriented and extensively illustrated. It may be read graphically, textually, or both. As such, it falls into the long tradition of illustrated treatises in which theory is embedded in the projects, with only occasional assistance or clarification from the text. Architecture and urban design are physical arts, not verbal arts, and they are best understood from graphic representations.

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20 years after its completion, Civano remains a valuable model to emulate for environmentally appropriate growth accommodation, and creation of resilient communities of lasting value. It combines an aggressive environmental sustainability protocol with the social and design tenants of the new urbanism to create a model alternative to sprawl development. Civano is a retrospective study of a pioneering urban development project in the Sonora Desert that was built in a traditional urban form based on a combined social, and environmental protocol. In this book, the authors examine both the history and evolution of this unique architectural and urbanist experiment, and consider lessons learned that can lead to a new model of growth accommodation and community building that is more politically intelligent, environmentally responsible, and socially resilient.

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The theme of “modernity” was the launching pad for architecture in the 20th century, to the point of completely revolutionising our way of life. By causing in its development absolutisations and misunderstandings, actual motives linked to the profound desire to improve everyone’s life were reconsidered. Against the theory that the 20th century connected the objective of modernity to that of the Modern Movement, this book deals with the theme of a present continuity by revealing those “open visions” that characterised modernity at the end of the 19th century. By critically reviewing the main stages of development over time—as well as the intense debates of architectural historians, architects and contemporary scholars—the thesis of modernity as tradition, research, criticism, place of contradictions is supported. Further echoed by that of “architecture tout court,” enhancing the present environment in its current fragility of views—even more so today with the appearance of a virus capable of undermining our way of living. These are “contemporary modernisms” aimed at recovering the essence of a recent past to project it into the present, restoring to architecture that long-neglected role of critical construction and formation of society in an era, ultimately defined as “of Rembrandt beauty.”

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This is a story of a young girl from a small town with a big dream that took her to Juilliard, Broadway, summer stock, the stage of the Metropolitan Opera and the Santa Fe Opera, and introduced her to her husband William Zeckendorf Jr. Her memoir overflows with the glamour of a life lived among the famous figures of mid-century New York society and the grit necessary to succeed in the professional world of dance. Fascinated by art and architecture, the vivacious ballerina Nancy Zeckendorf became a formidable development partner with her husband and a philanthropic leader in the performing arts – her fundraising ability is an art form unto itself. “I love hardware stores and tools,” she said of her common-sense approach to construction projects. Indeed, Nancy was a guiding force in the expansion of the Santa Fe Opera, the Lensic Performing Arts Center, and the premier community of Los Miradores where she lives now in Santa Fe, New Mexico.

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Slow Wine Guide USA is a new and revolutionary guide to the wines of California, Oregon, New York, and Washington. Thanks to the help of a handful of expert contributors, we’ve selected the best wineries from each state and reviewed their most outstanding bottles. The idea behind Slow Wine is simple: it acknowledges the unique stories of people and vineyards, of grape varieties and landscapes, and of their wines. The awareness that wine is more than just liquid in a glass helps wine lovers make better, more conscious choices and enhances the very enjoyment of this beverage. Since its beginnings in Italy twelve years ago, Slow Wine has combined its tasting sessions with equally important moments of exchange and debate with producers. The direct contact with winegrowers and winemakers allows for a genuine, authentic, and always up-to-date report on what’s happening in America’s vineyards and cellars. Each winery receives a review divided in three sections: the first one is dedicated to the people who live and work at the winery, the second to the vineyards and the way they’re farmed, and the third to the finest wines currently available on the market. The very best wines are awarded the Top Wine accolade. Among these we have the Slow Wines — which beyond their outstanding sensory quality are of particular interest for their sense of place, environmental sustainability or historical value — and the Everyday Wines, representing excellent value at prices within $30. The most interesting wineries on the other hand are awarded the Snail, for the way they interpret Slow Food values (sensory perceptions, territory, environment, identity) while offering good value for money; the Bottle, to wineries whose wines are of outstanding sensory quality throughout the range; the Coin to those estates offering excellent value for money.

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Distillations: Nancy Goldring Drawings and Foto-Projections 1971–2021 surveys 50 years of visual and conceptual explorations by artist and writer Nancy Goldring. Material is arranged according to predominating themes throughout her career: Thresholds, Sites, Sets, Perspectives, Dreams and Visions, and Chiaroscuro. The book reveals her unique process, how she devised her technique of melding graphic and photographic material through projection, and tracks its evolution from the sandwiching of black-and-white graphic and photographic images through to the creation of her "foto-projections" and large installation work. Included are interviews with the artist and an introduction by Jarrett Earnest with essays by writers and curators Paolo Barbaro, David Levi Strauss, Michael Taussig, and Ellen Handy.

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KRIS YAO ARTECH's new monograph Section assembles 28 of the firm's projects in the dynamic Greater China region, dating back to 2012. It includes a wide range of architectural types, catering for the cultural, commercial, corporate, education, hospitality, and transportation sectors, in addition to a performing arts centre and a spiritual space. The common theme is a desire to create places that allow people to interact with their environment, enhancing connections between nature and the man-made, with the appropriate use of technology for sustainable living comfort.The projects are organised into three categories: modern architecture infused with the essence of Chinese culture, unique places with poetic expression, and the reshaping of the corporate spirit. The book includes numerous sections and details in order to convey the ideas behind the wallsallowing readers to understand the scale and spatial sequence of each projectalongside the buildings'

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Robert Ernest was an architect of rare promise and remarkable early success, whose award-winning career was cut short by cancer at age 28 in 1962. Despite the brevity of Ernest’s life, his education and practice were intertwined with some of the most important figures in architecture, including his interactions with Louis I. Kahn and Paul Rudolph. Ernest’s exceptional architectural designs, though honoured during his lifetime with three Progressive Architecture Awards and one Record Houses Award, have never been documented in a comprehensive manner, and are now almost completely lost to disciplinary history. Yet the materials in the architect’s personal and professional archives — upon which this book is almost entirely based — clearly indicate that Ernest was a remarkably talented and unusually gifted architectural designer, whose future promise and potential were inestimable. Ernest’s two built works, both realised before he had turned 28, his one work built after his death, as well as the remarkably innovative unrealised projects documented in his archives, indicate that had Ernest lived to a normal lifespan, he would have without question been one of the most important architects of his generation, with the potential to design precedent-setting buildings equal to those realised by the most recognised architects in the 60 years after his death.

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A mystery of obsession exploring the heights and depths within the world of architecture: Who would you kill to satisfy your creative ego? On a fog-enshrouded morning, a famous architect plunges to his death off a San Francisco cliff. Architects are being murdered as they compete for developer Magnar Jones’s prized commission: a new art museum at the notorious Alcatraz Island. Magnar’s devious plan? Turn his design competition into a spectator sport, where architects soon find themselves prisoners. Tormented architect, Parker A. Rand, confronts the police as the prime suspect, and Magnar’s alluring girlfriend, Celadonna Kimm, has her sights on this “friendly neighborhood” architect. With Parker’s ambition spiraling into darkness, can this beloved hero win the contest without losing his mind and soul? A tale of intrigue examines arrogance and redemption. Who will succeed—and at what cost?

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Fun Mill. The Architecture of Creative Industry in Contemporary China looks closely on transforming existing real estate by promoting creative clusters, starting with specific architectures that are examined using an open-minded approach. What are the economic, political and design mechanisms used to build and legitimise them? What city concept is designed and built in these spaces? Can we identify recurrent features, general issues, and compositional orders and logic? The book discusses creative clusters as fertile ground for research and action involving the architectural and urban project and outlines several distinctive traits of professional and design practices in China in the last decade. In particular, the book focus on three recurrent methods used by architectural projects to reconfigure space — Collecting icons, Shifting scale, Bounding borders. These intervention methods were identified from a range of design experiences, richly illustrated with detailed drawings and photographs, including before and after views of the renovated spaces. This book looks closely on these spaces, starting with specific architectures and using an open-minded approach. How can we interpret them? What are the economic, political and design mechanisms used to build and legitimise them? What city concept is designed and built in these spaces? Can we identify recurrent features, general issues, and compositional orders and logic? To answer these questions this study directly examines several architectures, considering them not only as documents worthy of an in-depth study due to their importance as an architectural artifact, but also as ‘footprints’ to assist in the comprehension of the broader political ambitions and cultural and socio-economic transformations that are shaping and transforming physical space by imbuing it with new uses and meanings. This viewpoint is an opportunity to narrate places, projects and processes within the framework of change: when creative clusters are scrutinised, they look like physical objects with certain distinctive albeit interesting and complex features; however, when queried regarding their symbolic, economic, social and political role their inertia weakens and the ensuing questions and problems go beyond the objects themselves, their present state, and location.

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Almost everything that landscape architects design is ultimately for a community. Community can be the boon or bane of a project, and oftentimes both. LA+ COMMUNITY aims to explore how, over time, each of us moves in and out of multiple communities, shaping them as they shape us, and in turn shaping our landscapes and cities. We ask how different disciplines construct different ideas of community and how those communities are anchored in space and time, whose interests they serve, and what traces they leave. And we examine how — in this pluralistic, fragmented, and fluid world — designers can meaningfully engage with communities. Contributions from: Anne Whiston Spirn reflects upon her personal and professional journey through her long-term engagement with the Mill Creek community in the West Philadelphia Landscape Project. Architect and cofounder of the DisOrdinary Architecture Project Jocelyn Boys discusses how designers and policy-makers make assumptions about the "ordinary user" of public space and explores ways of understanding and improving how people with disabilities engage with such spaces. Historical geographer Garrett Dash Nelson contemplates the conceptual and practical slippages between understanding community in both its geographical and sociological forms, and what this means for designers seeking to give spatial form to the concept of community. A multi-perspective Q+A with BIPOC designers, educators, and artists Kofi Boone, Julian Agyeman, Hanna Kim, Alma du Solier, Jeffrey Hou, Melissa Guerrero, and Kat Engleman confronts the enduring practices of spatial injustice and the need for new processes, engagement, and outcomes for a racially and culturally inclusive future. Philosopher and author Mark Kingwell considers the literal ins and outs of the question “What is community?” in the midst of a global pandemic. Landscape architect Kate Orff speaks about the ways in which she uses community activism and different practices of engagement to drive better design outcomes. Criminologists James Petty + Alison Young open our eyes to the rise of hostile architecture and criminalisation of homelessness in public space. Designer Chrili Car reflects on lessons learned from working with a self-organised community in a remote village in northern Ghana to masterplan long-term local sustainability and greenbelt projects. Ecologist Jodi Hilty, President and Chief Scientist of the Yellowstone to Yukon Initiative, speaks about the realisation of this visionary wildlife-corridor project spanning 3,200 km, two countries, and hundreds of different communities and interests. Historic preservationist and planner Francesca Russello Ammon teases out the contradictions in the canonical urban renewal success story of Philadelphia’s Society Hill. Landscape architect Jessica Henson gives us the inside story on the intractably complex socio-political and ecological task of master planning a 51-mile swath of the Los Angeles River with a diverse range of user communities. Michael Schwarze-Rodrian recounts the extraordinary achievements of the Emscher Landscape Park in Germany’s Ruhrgebiet, where over the last 30 years a working-class community facing the trauma of transition to a post-industrial economy has been sustained by the medium of landscape, without the forms of displacement or gentrification typically associated with high-end greening. Urban planner and author of Just Sustainabilities Julian Agyeman elucidates what the culturally inclusive design of public space entails. Architect Mario Matamoros delivers a stinging critique of the way in which developers and designers in the Honduran city of Tegucigalpa dupe the public with cynical community consultation so as to anesthetise the possibility of dissent, and Sara Padgett Kjaersgaard interviews the CEO of the Federation of Traditional Owner Corporations, Paul Paton and landscape architect Anne-Marie Pisani about working with Indigenous communities in Australia to help facilitate self-determination and connection to their lands.

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G. H. Hovagimyan is an absurdist, a strategist, a serial collaborator, and nothing short of a cultural icon in the world of contemporary art, particularly as it relates to how artists have adopted the digital technological tools of our times, adapting them in his work for critique of art, popular culture, and social engagement. Situationist Funhouse is a joyride through this history. The journey Stephen Zacks so meticulously documents and describes is not only an incredibly comprehensive ride through G. H.’s life work to date - Hovagimyan adopted G. H. as an acronym in the 1990s as a kind of gesture of personal rebirth and to ease others’ difficulty with his last name [pronounced ho-va-GIM-yan] - it also serves as a document that tracks a particular view on the alternative contemporary art scene of New York from the 1970s to the present day.

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In the South of France, sited on a hill of olive trees, pinus pinea, and a vineyard, a family retreat was designed with a key mission of maintaining the vitality of the site. A small agricultural plot, the site offered the possibility of amplification. With the introduction of a garden and many outdoor living spaces, the family had the intention of cultivating the landscape as part of their stewardship. In part a response to a programmatic brief, but moreover, a discursive response to architectural predicaments of geometry, typology, and anomaly, the house is also a response to Preston Scott Cohen's pedagogies on architecture.

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Mise-en-Scène is an immersive exploration of the social lives of urban landscapes - the actors and actions that compose the daily theatre of urban life. Conceived as a unique collaboration between an urbanist, Chris Reed, and a photographer, Mike Belleme, the book combines photo essays, original maps and drawings, newly commissioned essays, excerpts from historical writings, and interviews with residents. The result is a rigorous and artful examination of the social, cultural, environmental, and economic challenges of life in American cities today. Richly illustrated and designed to appeal to a broad audience of architects, designers, photographers, and general public interested in the contemporary city, the book is centred around seven visual case studies depicting life in seven American cities: Los Angeles, Galveston, St. Louis, Green Bay, Ann Arbor, Detroit, and Boston. Each case study combines black-and-white photography - taken from street level, often in intimate detail - with annotations and drawings that highlight urban forms. An inherent interconnectedness across geographies, scales, and situations emerges throughout the book. Reed and Belleme demonstrate how a celebratory moment can be felt equally in Green Bay’s compact downtown or amidst the chaos and sprawl of Los Angeles, and how while the tensions present in the redevelopment of previously inundated waterfronts in Boston or Galveston can be understood in parallel with an urgent set of conversations on race and identity in St. Louis. Six essays by a diverse and interdisciplinary group of contributors prompt further reflection on the visual case studies. Chris Reed writes on the social lives of cities, designer Sara Zewde on the image of the city, artist De Nichols about social equity and identity, ecologist Nina-Marie Lister on the climate imperative, curator Mimi Zeiger on cities and culture, and architect Julia Czerniak on design practice. Through this thoughtful exploration of everyday moments and the urbanism that supports them, Reed and Belleme present new opportunities for creating direct interaction between citizens and propose an ecological and social focus for city-building around a concept of common ground.

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GEO - Earth - is a word that simultaneously signifies something vast and elemental. It refers to both the planet on which we live and the soil that sustains us. GEO is the physical and representational bedrock of landscape architecture - the foundation of many disciplines from which we draw our knowledge. Geography, Geology, and Geometry, in particular, are fundamental to our discipline’s intellectual core. And now, we seem ever more entangled in GEO as some scholars across the sciences and humanities argue that humans should be recognised as agents of change at geologic time scales. LA+ GEO includes interviews with the celebrated author of After the Map, William Rankin, author and citizensensing visionary Jennifer Gabrys, and New Zealand based media artist and author Janine Randerson with guest editors Karen M’Closkey and Keith VanDerSys explore site surveying and sensing technologies as part of an expanded toolkit for landscape architects to bring environmental patterns down to earth and into view. Other notable points are from Designer Robert Gerard Pietrusko who reveals the covert militaristic agendas of early aerial land cover interpretation, Geographer Matthew W. Wilson revisits the rise of critical cartography within geography in the 1980s and ‘90s. Media scholar Lisa Parks describes the politics of vertical mediation by recounting the importance of activists’ use of drone-captured video to document both the protests against the construction of an oil pipeline through tribal lands, as well as the aggressive countermeasures taken by law enforcement to squelch the protests. Jeffrey S. Nesbit and David Salomon, rocket launch pads provide a vehicle to unpack the relationship between terrestrial and extra-terrestrial territories. Geographers Douglas Robb and Karen Bakker caution against the voyeuristic tendencies enabled by the satellite gaze. Through illustrated “Geostories,” Rania Ghosn imaginatively engages the “global commons” of outer space and oceans. Designer Matthew Ransom examines the tension between grassroots organisations and fracking industries in Pennsylvania. Author and activist Lucy R. Lippard takes us on an aerial journey across the United States. Historian and geographer B.W. Higman traces our modern predilections towards flatness. Through a remaking of Eugène Violletle Duc’s Mont Blanc studies, landscape architect Aisling O’Carroll exposes the imposition of geometric rationalisation on nature. Noah Heringman revisits the sublime in 18th-century landscape design, offering parallels to today’s Anthropocene discourses about environmental depletion and Shannon Mattern examines how rocks are collected, examined, and displayed as objects of spectacular brilliance – objects that ultimately reflect back on us by illuminating the histories of oppression embedded in their extraction.

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This book is Michele Saee's life's work. A collection of projects, built, unbuilt, conceptual, and experimental which expands over more than three decades. There are over 50 projects in different cities and countries, with different programs, scales or sizes all over the world. This book is about an architect's journey of discoveries; a fluid emotional exercise in life, love, work, and architecture, providing a tool for growth. The book is designed by the creative Chinese designer Xingyu Wei (Weestar) and his team in Beijing. There are hand and computer sketches, drawings, and model studies of different stages of their development—from the conception of the projects in their early stages through the process of their creation. The introduction is by the iconic French architect Claude Parent. In addition, there are two essays written by American architect Eric Owen Moss, responsible for some of the most iconic LA architecture, and by architect Nick Gillock, theoretical writer and co-founder of lookinglass studio.

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As the number and distinctiveness of design directions in contemporary architecture expands, an outcome has emerged of a contradictory nature. While many of these directions hold great intrigue, a troubling aspect arises in that in their realisation an 'incompleteness' is often exhibited, one expressing a less developed architectural richness expressed an under utilised nature of the architectural language itself. Internal addresses this issue with a focus on topics underlying the creation of architectural languages. Concentrating on strategies and concepts that inform the creation of cohering architectural languages versus 'external' issues affecting design, such as those necessary to accommodate site or program, Internal focuses on design considerations with the authority grounded in 'internal' language-based architectural issues. Identifying underlying themes and strategies necessary to create coherent and informed architectural languages constitutes the effort underlying this book.

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In Shaping Place, founding principals Turan Duda, FAIA and Jeffrey Paine, FAIA, are joined by the firm’s four studio leaders to discuss the evolution of their work and thematic underpinnings since publication of their previous volume, Individual to Collective, in 2013. This compilation of buildings spans diverse typologies to illustrate how the firm’s ideas on public space, outdoor environments, evolving working and learning models, and contextual sensitivity are universal to creating meaningful architecture. With chapters focusing on design for wellness, academia, the workplace and urban development, the volume presents the realisation of the thematic roots discussed in Individual to Collective across a diverse range of scales, material qualities, structural systems and architectural palettes. Steve Dumez, FAIA, of Eskew Dumez Ripple, provides perspective on the firm’s work within the larger lens of architectural practice.

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Transect Urbanism: Readings in Human Ecology is the definitive reference on the Rural-to-Urban Transect, a compilation of the most important essays, diagrams, and images on the subject. It provides historical, practical, and theoretical insights into one of the most effective urban planning methodologies developed in the 20th Century. The Transect is a unifying theory, serving as a framework for the various fields of urban design. The editors selected the most important previously published essays and commissioned preeminent academics and professionals to write on the use of the Transect in their areas of expertise, including retail, zoning, thoroughfare design, environmental sustainability, and philosophy. As diagrams and drawings are essential to the understanding and use of the Transect, this book also contains the most complete collection of Transect images ever published. Transect Urbanism will serve as a primary reference source for academics, students, and practitioners interested in creating great places.

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This book examines the social, political, and cultural factors that have and continue to influence the evolution of the urban waterfront as seen through production created from art and design practices. Reaching beyond the disciplines of architecture and urban design, Occupation:Boundary distills the dual roles art and culture have played in relation to the urban waterfront, as mediums that have recorded and instigated change at the threshold between the city and the sea. At the moment in time that demands innovative approaches to the transformation of urban waterfronts, and strategies to foster resilient boundaries, architect Cathy Simon recounts her career building at and around the water’s edge and in service of the public realm. In so doing, the work of contemporary architects is presented, while the origins and principles of a guiding design philosophy are located in meditations on art and observations on coastal cities around the world. The port cities of New York and San Francisco emerge as case studies that structure the reflections and mediate a narrative that is at once a professional and personal memoir, richly illustrated with images and drawings. Comprising three parts, the first two corresponding parts of Occupation:Boundary draw connections between the past and present by tracing the rise and fall of urban, industrial ports and providing context—in the forms of textual and visual media—for their recent transformations. Such reinterpretations, achieved via design, often serve the public through environmentally conscious strategies realized through inventive approaches to cultural and recreational programs. The work of visual artists, both historical and contemporary, appears alongside architecture, poetry, and literary references that illustrate and draw connections between each of these sections. The third section features select architectural work by the author, framed by critic John King and the architect and urbanist Justine Shapiro-Kline. Introduced with a foreword by the prominent landscape architect Laurie Olin, Occupation:Boundary draws on artistic and cultural intuitions and the experience of an architect whose practice negotiates the boundary between urban contexts and the bodies of water that sustain them. Together, the instincts, reflections, and architectural production collected here evidence the role of art and design in the creation of an equitable and inviting public realm.

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There are three standard methods to visually represent a building: the plan, elevation, and section. The section drawing is a vertical slice of a building, depicting the relationships between interior and exterior as well as any level changes. While the section can serve as merely a functional drawing for construction, it can also be an exciting, revelatory drawing that can artfully depict a building, landscape, or object. Throughout history, many individuals have used the cross section as a tool to create, explore, or investigate. Visual Discoveries: A Collection of Sections is an image-forward book that is devoted to showcasing notable section drawings throughout history and demonstrating that the section drawing, while having roots in architecture, has spread to many other professions and disciplines. These professions include medicine, transportation, product design, geology, and landscape architecture. Some of the greatest thinkers and inventors in history like Leonardo da Vinci, Charles Darwin, and Robert Fulton, have created remarkable section drawings for their investigations, research, and work.

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Where should they go? 70 million displaced refugees and asylum seekers with no passport, no money, and no worldly goods. In 380 BCE Plato wrote about the 'Ideal City,' but it wasn't until 1516 CE that Sir Thomas More invented the word, 'Utopia,' translated from Greek as 'good place,' that is in need of a new, contemporary interpretation. It is within the framework of utopia that the City of Refugees represents a place that transcends the fate of the refugee and the reason they were torn from their homeland and not given safe haven fleeing their country. It is a concept for a new city that welcomes these optimistic people looking for a place to be free from oppression. The University of Houston College of Architecture + Design with 135 students is proposing 4 cities on 4 continents as prototypes that represent a real utopia for housing the unprecedented migration of people moving across borders. This UN-sponsored, free economic zone for the 4 cities can be funded by small fractions of the defense budgets appropriated by the UN. The innovative cities create a platform for a new, multi-ethnic society based upon justice, tolerance, and economically viable with a net zero energy consumption within a sustainable environment. The new three-dimensional cities redefine the concept of streets by no longer needing cars creating a real utopia for those with no voice. The City of Refugees is a soft place to land that believes in the future.

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The New York City School Construction Authority's (SCA) mission is to design and construct safe, attractive, and environmentally sound public schools for children throughout the communities of the City's five boroughs. Since its creation in 1988, the SCA has kept moving forward, constantly innovating to ensure that it designs and builds schools that meet the current needs of the City's students and teachers. In addition to building and modernising educational facilities, the SCA is invested in developing much-needed resources and capacity building mechanisms for engaging diverse communities in the construction process. The SCA maintains one of the most successful small business development programs in the country and recently established a workforce development and small business initiative for college students. As the SCA celebrates its 30-year anniversary, its primary goal remains the same as on the day of its creation: to ensure that all children in the country's largest public school system have the facilities necessary to prepare them for the twenty-first century and beyond. Includes photographs of over 150 schools in New York City and features the design work of leading architectural firms including Pei Cobb Freed & Partners Architects, Dattner Architects, John Ciardullo, and MDSzerbaty +Associates Architecture and many others

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This is the stunning story of how Divine Intervention quietly stepped in and shattered the classic boundaries of watercolours. It happened to one artist in one magnificent flash, in one inconsequential basement studio, in one precise magical stroke. Without looking, Christy reached for a brush and, instead, a deity plunked a clumsy old palette knife in her right hand. Without thinking, and because she was exasperated with the easel work staring back at her, she x'd out the still-wet painting, turning it into trash. Frustration quickly turned to awe. Quivering squiggles of watercolours played among themselves, creating mesmerising shapes and scapes of their own making. One thundering thought suddenly grabbed her imagination: What if I took control of the knife and painted a whole watercolour with palette knives and a puddle? A decade of trials and errors, of failures and successes, has catapulted her distinctive watercolours to a new, original, contemporary 21st-century style called "Knifed Watercolors®."

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For centuries artists and designers have recorded places, people, and life in travel sketchbooks. Over a period of fifty years, Laurie Olin, one of America's most distinguished landscape architects, has recorded aspects of France: its cities and countryside, streets and cafés, ancient ruins, vineyards, and parks - from humble to grand, things that interested his designer's eye - taking the time to see things carefully. Paris in its seasons, agriculture in Provence and Bordeaux, trees, dogs, and fountains, all are noted over the years in watercolour or pen and ink. Originally intended for the pleasure of merely being there as well as self-education, this personal selection from his many sketchbooks is accompanied by transcriptions of notes and observations, along with introductory remarks for the different regions included: Paris, Haute Loire, Provence, Haute Provence, Normandy, Aquitaine, and Entre des Meures.

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From the stone blade and the fire stick to the latest algorithms of genetic code, we shape our world through the act of design. With its roots in the Renaissance notion disegno, design is the ability not only to make something, but also to conceive of its invention and reflect on its meaning. Whether we valorise it as the democratisation of design or critique it as the perversion of the commodity fetish, designed things are now ubiquitous. Not only things but entire systems must now be designed and objects reconceived and redesigned as mere moments in unfathomably complex ecological flows. The planet itself, and even space beyond, is now presented as a design problem. What does landscape architecture bring to the broader culture of design? What lessons can be learned from other disciplines at the cutting edge of design? What role does design play in a time of transformative technological change? In LA+ Design we move beyond the designed outcome to explore the myths, methods, meanings, and futures of design. Engineer and physicist Adrian Bejan outlines his constructal theory, which predicts natural design and its evolution in engineering, scientific, and social systems. Design researchers Craig Bremner + Paul Rodgers take us through an A Z of design ecology. Architects Lizzie Yarina + Claudia Bode open our eyes to new ways of seeing things through subject-object relations. Jenni Zell explores life as a woman landscape architect through a Kafkaesque lens. Daniel Pittman interviews MoMA's curator of architecture and design, Paola Antonelli. Architect David Salomon explores methods of using data as both fact and fiction. Christopher Marcinkoski interviews Anthony Dunne + Fiona Raby (Dunne + Raby) to discuss how their practice continuously redefines the role of design in society. Thomas Oles challenges stereotypes of landscape architecture s professional identity. Richard Weller discusses the terrarium as the ultimate design experiment. Dane Carlson goes deep into the culture of Nepal s hinterlands to explore new modes and geographies for landscape architecture beyond the first world. Through LA's signage, anthropologist Keith Murphy shows how different groups of people interact with and give meaning to the landscapes they inhabit. Interviewed by Colin Curley, architect Andrés Jaque (Office for Political Innovation) discusses the role of technology and agency of architecture in society today. Game designer Colleen Macklin shows how public space can be redefined and subverted through the agency of play. Javier Arpa interviews urban design guru Winy Maas (MVRDV, The Why Factory) to discuss his views on the future of design and design education. Experimental psychologist Thomas Jacobsen describes current neurological research into the subjectivity of beauty. Landscape architect James Corner talks about the evolution of the profession of landscape architecture in a wide-ranging interview.

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