Search results for ""flux""

"YouTube Mastermind" Orion Carloto turns raw emotion into powerful, digestible verse in her debut collection of poetry.Flux is a somber narrative, an ode to change, a collection of poetry and prose written from the many states of grief over a broken heart. With original illustrations by artist Katie Roberts, Orion Carloto creates a dream world for the brokenhearted and paints a whimsical picture around the themes of love, loss, solitude, depression, sex, nostalgia, and unrequited romance. Flux takes readers through a raw and sorrowful journey of each and every bitter moment of heartbreak. Forewarning, Flux is best read with a warm cup of coffee in hand.

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Fusing lyric meditation and narrative perceptions, the poems in Cynthia Hogue's new collection 'Flux' track the natural world and the self in it -- from the Sonoran Desert of the Southwest to the far north of Iceland. In the tradition of the distilled and lyrically abstract poetry of Dickinson and H.D., Flux opens into visionary language and the search for transcendence.

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FLUX: Architecture in a Parametric Landscape focuses on the radical evolution of computational and material technologies that, during the last 25 years, have catalysed one of the most creative and prolific periods in architecture since the early 20th century. The book is organised into eight taxonomiesStacked Aggregates, Modular Assemblages, Pixelated Fields, Cellular Clusters, Serial Iterations, Woven Meshes, Emerging Surfaces and Catenary Systems, and Multi-agent Systemseach of which explores a dominant logic and set of morphological traits transformed through advanced computational and material practices. These themes are theoretically explored and elaborated through the presentation of 140 built works and experimental architectural projects, which are then expanded through analytical and generative diagrams and models that further the design potential of the logics used to create them. Within the book, the architectures presented are considered as a pop

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The second edge-of-your-seat adventure in an urban fantasy series featuring a bureaucracy-obsessed magician, his rebellious daughter—and a spectacularly original magic system Love something enough, and your obsession will punch holes through the laws of physics. That devotion creates unique magics: videogamemancers. Origamimancers. Culinomancers. But when ‘mancers battle, cities tremble… Aliyah Tsabo-Dawson: The world’s most dangerous eight-year-old girl. Burned by a terrorist’s magic, gifted strange powers beyond measure. She’s furious that she has to hide her abilities from her friends, her teachers, even her mother—and her temper tantrums can kill. Paul Tsabo: Bureaucromancer. Magical drug-dealer. Desperate father. He’s gone toe-to-toe with the government’s conscription squads of brain-burned Unimancers, and he’ll lie to anyone to keep Aliyah out of their hands—whether Aliyah likes it or not. The King of New York: The mysterious power player hell-bent on capturing the two of them. A man packing a private army of illegal ‘mancers. Paul’s family is the key to keep the King’s crumbling empire afloat. But offering them paradise is the catalyst that inflames Aliyah’s deadly rebellious streak . . .

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Presents mathematical models for estimating and predicting sediment fluxes. * Models provide sufficient detail and data to enable scientists in the field to reproduce the computations and use the models for understanding their own data. * Provides computations directly applicable to developing modern water quality models. * All models have been calibrated and verified using three large data sets.

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From Edison’s invention of the phonograph through contemporary field recording and sound installation, artists have become attracted to those domains against which music has always defined itself: noise, silence, and environmental sound. Christoph Cox argues that these developments in the sonic arts are not only aesthetically but also philosophically significant, revealing sound to be a continuous material flow to which human expressions contribute but which precedes and exceeds those expressions. Cox shows how, over the course of the twentieth and twenty-first centuries, philosophers and sonic artists have explored this “sonic flux.” Through the philosophical analysis of works by John Cage, Maryanne Amacher, Max Neuhaus, Christian Marclay, and many others, Sonic Flux contributes to the development of a materialist metaphysics and poses a challenge to the prevailing positions in cultural theory, proposing a realist and materialist aesthetics able to account not only for sonic art but for artistic production in general.

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Reveals the contemporary art phenomenon of disrupted realism through the paintings of 43 artists at its core. Profoundly shaped by the events, forces, and overflow of today's disjointed, social-media-heavy life, these artists' paintings are “disrupted” stylistically, thematically, or sometimes both. They allow us to appreciate how art relates to the "super-fast, simultaneous, almost dizzyingly paced scrolling" of our lives. • Foreword by artist Nicholas Wilton, founder of Art2Life • Features a special essay on artist Jenny Saville, who has inspired many contemporary representational artists to disrupt their art • More than half of the artists are from outside the US; includes women and BIPOC artists • Artists' comments presented in an engaging question-and-answer style • Artists include Casey Baugh, Jenny Saville, Joseph Lee, Ruprecht von Kaufmann, Justin Mortimer, and dozens more • Art writer and curator John Seed is the foremost authority on disrupted realism and is the author of Disrupted Realism: Paintings for a Distracted World

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The defining feature of modern society is change - it never rests or provides its members or researchers the comfort and certainty of having attained an adequate understanding of its operations, how it functions, or where it is. Society in Flux: Two Centuries of Social Theory traces how tensions between order, process, structure and agency, and modes of analyzing them have evolved over the last two centuries. Understanding that modern society is perpetually in flux, albeit not across the board, but in different regards at different times, and in different locations or regions, this volume delves into three modes of theorizing: critical theory, classical theory, and systems theory - each representing a different level of reflexivity and a particular way of approaching modern societies. The authors discuss globally known theorists such as August Comte, Herbert Spencer, Karl Marx, Emil Lederer, Max Horkheimer, Theodor W. Adorno, and Niklas Luhmann to present perspectives, analyses, and insights that refer to and are relevant in the social world today.

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Recognized in Japan as a connoisseur, collector, and proprietor of a famous folk art shop in Tokyo, Tawara Yusaku returned to painting late in life and had a single show in London before his death in 2004. Universe Is Flux is the first examination of his accomplishments within the context of Asian and contemporary painting. Tawara's artistic vision was highly influenced by Buddhist concepts of cosmology and space. His philosophy revolved around the idea that the universe is in a constant state of flux - that flux itself is the stuff of the universe. The impermanent bunching together of vibrating energy - wavelike forms that he called hado (wave movement) - comprises individual existence. His works appear at first glance to be the result of bold, powerful strokes with a large brush, but close examination reveals each large stroke is composed of innumerable tiny strokes, dots, and splashes representing hado. Tawara rejected representational art and struggled instead to paint ultimate reality. Drawing on conversations with the artist and notes that he left behind, the essays discuss how Tawara's unique methods expressed his views of art and the universe at large, examine Tawara's works in the context of traditional Japanese and Chinese ink and literati painting, and focus on Tawara's "Thinking of da Vinci" series, drawing analogies between Tawara's investigation of the microcosm and the brushstroke and Leonardo da Vinci's exploration of these ideas in his drawings. The techniques that Tawara utilized to create his art resulted in a body of work that not only expresses his views of the universe but is also aesthetically powerful and beautiful.

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From Edison’s invention of the phonograph through contemporary field recording and sound installation, artists have become attracted to those domains against which music has always defined itself: noise, silence, and environmental sound. Christoph Cox argues that these developments in the sonic arts are not only aesthetically but also philosophically significant, revealing sound to be a continuous material flow to which human expressions contribute but which precedes and exceeds those expressions. Cox shows how, over the course of the twentieth and twenty-first centuries, philosophers and sonic artists have explored this “sonic flux.” Through the philosophical analysis of works by John Cage, Maryanne Amacher, Max Neuhaus, Christian Marclay, and many others, Sonic Flux contributes to the development of a materialist metaphysics and poses a challenge to the prevailing positions in cultural theory, proposing a realist and materialist aesthetics able to account not only for sonic art but for artistic production in general.

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The museum of contemporary art might be the most advanced recording device ever invented. It is a place for the storage of historical grievances and the memory of forgotten artistic experiments, social projects, or errant futures. But in late nineteenth and early twentieth-century Russia, this recording device was undertaken by artists and thinkers as a site for experimentation. Arseny Zhilyaev’s Avant-Garde Museology presents essays documenting the wildly encompassing progressivism of this period by figures such as Nikolai Fedorov, Aleksandr Rodchenko, Kazimir Malevich, Alexander Bogdanov, and others—many which are translated from the Russian for the first time. Here the urgent question is: How might the contents of the museum be reanimated so as to transcend even the social and physical limits imposed on humankind? Contributors: David Arkin; Vladimir Bekhterev; Alexander Bogdanov; Osip Brik; Vasiliy Chekrygin; Leonid Chetyrkin; Nikolai Druzhinin; Nikolai Fedorov; Pavel Florensky; R. N. Frumkina; M. S. Ilkovskiy; V. I. Karmilov; V. Karpov; Valentin Kholtsov; P. N. Khrapov; Yuriy Kogan; Natalya Kovalenskaya; Nadezhda Krupskaya; S. P. Lebedyansky; A. F. Levitsky; Vera Leykina (Leykina-Svirskaya); Ivan Luppol; Kazimir Malevich; Andrey Platonov; Nikolay Punin; Aleksandr Rodchenko; Yuriy Samarin; I. F. Sheremet; Andrey Shestakov; Natan Shneerson; Ivan Skulenko; M. Vorobiev; N. Vorontsovsky; Boris Zavadovsky; I. M. Zykov.

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Contrary to popular belief, ‘Fluxie’ did not enter the world on full opposite-lock, nor did he have a cigarette in one hand and a pint in the other. Destined to race, he never got the biggest breaks but he did become one of motorsport’s most colourful and best-loved characters, someone who has always lived life to the full. His autobiography tells it how it was, covering not only the highs — including five championship titles — but also the many setbacks. Along the way we laugh with him about much of it, particularly the pranks, but also learn about some dark times that he has never previously divulged. This is a very different kind of racing driver’s memoir. Key content • Early days: growing up on a farm, first kart aged 6, muddling through in the classroom, lots of laughs — but also sexual abuse from a schoolmaster and an early racing mentor. • The spark ignites: starting to race in 1970 with a Formula 6 kart, then onwards to Formula Vee; brushing shoulders with Formula 1 working for the Token and Graham Hill teams. • Grabbing the chances: a Formula Vee title in 1975 leads to Formula 3 and Formula Atlantic, but still with various jobs to make ends meet, including as mechanic to motorcycle racing legend Giacomo Agostini for his four-wheel efforts. • Diversifying into sports cars: successful adventures in Sports 2000 and Thundersports, winning championships in both, plus Thundersaloons. • A true all-rounder: going into the British Touring Car Championship from 1988 in a wide range of tin-tops; racing a Jaguar XJR-15 in the big-money 1991 series held at Grand Prix races, including Monaco. • Championship double in 1996: the ‘golden year’ in the TVR Tuscan Challenge and the British GT Championship, the latter with a McLaren F1 GTR. • So much else: racing on into recent times, notching up nearly 50 years on track; testing competition cars for Motorsport News; driver tuition and track-day demonstrations

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‘Original and thought provoking’ Gordon Brown ‘Challenging and hopeful: a groundbreaking guide to the future’ Valerie Amos To thrive in the twenty-first century, we all need to understand the challenges coming our way. And start adapting, now. We all know there are major, overlapping, global crises ahead of humanity: climate change, mass migration, new warfare, big tech, further pandemics, authoritarian capitalism. Rather than be daunted, this book charts a way that we can respond. With expertise from his work at the highest levels of international politics, education, activism and business, Tom Fletcher offers a practical manifesto that can help us transform the way we learn, live, and work together. Amongst its key survival skills, this book offers ideas on how we renew education, restore society and reimagine the future. It helps us chart a course to take back control, to find purpose, and to become better ancestors. It helps us to learn the language of technology – without thinking like computers. It offers 39 steps that each of us can start to take today to boost our survivability. Vital, practical and accessible, this is a book about how we can anticipate the threats and opportunities of tomorrow and be ready for them – individually and collectively.

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Pentecostalism—Africa’s fastest growing form of Christianity—is known for displacing that which came before. Yet anthropologist Devaka Premawardhana witnessed neither massive growth nor dramatic rupture in the part of Mozambique where he worked. His research opens a new paradigm for the study of global Christianity, one centered on religious fluidity and existential mobility, and on how indigenous traditions remain vibrant and influential—even in the lives of converts. In Faith in Flux, Premawardhana narrates a range of everyday hardships faced by a rural Makhuwa-speaking people—snakebites and elephant invasions, chronic illnesses and recurring wars, disputes within families and conflicts with the state—to explore how wellbeing sometimes entails not stability but mobility. In their ambivalent response to Pentecostalism, as in their historical resistance to sedentarization and other modernizing projects, the Makhuwa reveal crucial insights about what it is to be human: about changing as a means of enduring, becoming as a mode of being, and converting as a way of life.

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The most salient feature of the postmodern world, believe geographers Jim Norwine and Jonathan M. Smith, is a new set of beliefs, attitudes, and assumptions that are not yet well developed or widely diffused, so that few if any postmodern people are entirely of the new world or the old. People are "perplexed," their values inchoate. Worldview Flux defines and describes the nature of perplexity and documents the shifts and changes of the postmodern world that lead to it, attending especially to the ways changes are experienced in particular places and human communities. In theoretical chapters contributors explain the reasons for our disoriented and disorienting world; empirical chapters describe strategies developed by individuals and communities to preserve, recover, or reinvent lost values, meaning, and identity. This volume is an accessible, engaging, and thought-provoking exploration of cultural geography in our time.

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In the 1960s and 1970s, a generation of young Americans rejected the promise of prosperity and the suburban dream embraced by their parents. Furious about the war in Vietnam, fighting for civil rights at home, and eagerly exploring the effects of psychedelic drugs, the delights of free love, and the mystical teachings of eastern religions, thousands followed the advice to "turn on, tune in, drop out," bringing about a counterculture in the process. For many American jewellers, these events and values found their way into the studio, as well as affecting how they lived, worked, and loved. Jewellers, like other studio craftspeople, rode the wave of popularity for the hand-made and authentic that was at the heart of the counterculture. In Flux is the story of how their jewellery contributed to the raucous, contradictory, and enthusiastic clamour for a new kind of society that made the 1960s and 1970s so extraordinary.

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A Field in Flux chronicles the extraordinary journey of industrial and labor relations expert Robert McKersie. One of the most important industrial relations scholars and leaders of our time, McKersie pioneered the study of labor negotiations, helping to formulate the concepts of distributive and integrative bargaining that have served as analytical tools for understanding the bargaining process more generally. The book provides a window into McKersie's life and work and its impact on the evolution of labor and industrial relations. Spanning six decades, the reader learns about the intersection of labor and the Civil Rights movement, the watershed moment of the Air Traffic Controller's Strike, his relationship with George Schultz, the shift from labor relations to human resource management, and McKersie's role in the seminal cases (Motorola, GM, Toyota) of the labor movement. A Field in Flux serves two important functions: it demonstrates how people have influenced past employment policies and practices when called to action in critical situations, and it seeks to instill confidence in those who will be called on to address the big challenges facing the future of work today and in the years to come. During a time when the basic values of industrial relations are being challenged and violated, McKersie argues that the profession must adapt to the changing world of work and not forget about the value placed on efficiency, equity, and inclusive employment policies and practices.

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The past decade has seen a number of developments that threaten the very fabric of how marketing activities have traditionally been conducted. On one hand, consumers are increasingly socially networked and value-conscious, with heightened expectations of how companies will react to their demands. Along with the challenges, however, come new opportunities: the growth of behavioural economics and the emergence of new data collection techniques, for instance, give marketers unprecedented access to previously hidden aspects of consumer behavior. Clearly, 'business as usual' is not an option for marketing managers who want their firms to stay in the game. To help managers adapt to the rapidly changing business environment, Flux offers a collection of the very best thinking on key areas of marketing activity and decision-making. Each chapter is written by a leading expert in a specific 'new' marketing subject area, from managing brands to dealing with new media, and addresses substantive challenges in that area while providing steps for taking action. The book's integrated approach makes it an excellent resource not only for marketing managers but any managers dealing with customers.

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No chapter in Egypt's contemporary history has been more turbulent and unpredictable than the past three years. In a very short period of time, the Arab world's most populous country has seen a transition from rule by an iron-fisted dictatorship to a populist uprising to military omnipotence to Islamist electoral victory to constitutional turmoil to societal polarization. Egypt's iconic revolution has been neither victorious nor defeated. Egypt in Flux is a collection of essays on the political, social, economic, and cultural dimensions of change in the country's ongoing revolutionary current. While written over a span of several years, the essays are timeless in the historical context they provide and their ability to chart the country's trajectory in the period ahead. From the conditions that precipitated the uprising and the eruption of national dissent to the derailing of the revolution, the author reflects on the pressing topics of the day while being mindful of the counterrevolutionary movements and the continuation of the unending uprising. From discussions about the illusion of fair and free elections, social inequities, and labor disparities to examinations of religion, sports, literature, and sexuality, the essays in this valuable and intellectually stimulating volume chart both the broad lines and the nuances of an unfinished revolution.

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Russia in Flux offers an incisive and penetrating analysis of social and political change within the Soviet Union from Gorbachev's accession to the formation of the Commonwealth of Independent States.The book is divided into three main parts. The first section focuses on the changing of the structure of leadership, the historical development of elites, the changes that occurred in the Soviet leadership under Gorbachev and the rise of the new political parties. The second section analyses social groups and discusses the changing composition and role of the major social groups in post-perestroika Russia. The final section highlights the new inequalities and analyses the new forms of wealth and poverty found under the reform leadership.This fascinating book presents in an accessible form some of the most up-to-date and interesting research work on the former Soviet Union. It will be essential reading for all students of contemporary Russia.

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The rural is not what it used to be. No longer simply a site for agricultural production for the city, the relationship between the rural and urban has become much more complex. Established categories such as rural /urban and village/city no longer hold true. Rural and urban conditions have become increasingly blurred, so how can we identify and distinguish their specific characteristics? Where is the rural, and what role does it play in an urbanised world? In developing countries the countryside is a volatile and contradictory landscape: legally designated rural areas look like dense slums; factories intersect fields and farmers no longer farm. In contrast, in developed regions, the rural has become a highly controlled landscape of production and consumption: industrialised agriculture coexists with leisure landscapes for tourism, retirement and recreation. This issue of AD investigates how architects and researchers are critically engaging with the rural as an experimental field of exploration. Contributors: Neil Brenner, Christiane Lange, Charlotte Malterre-Barthes, Sandra Parvu, Cole Roskam, Grahame Shane, Deane Simpson, and Milica Topalovic and Bas Princen Architects: Anders Abraham, Joshua Bolchover and John Lin (Rural Urban Framework), Ambra Fabi and Giovanni Piovene (Piovenefabi), Rainer Hehl, Stephan Petermann (OMA), Huang Sheng Yuan (FieldOffice), and Sandeep Virmani (Hunnarshala)

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Stephen Baxter's epic sequence of Xeelee novels was introduced to a new generation of readers with his highly successful quartet, Destiny's Children, published by Gollancz between 2003 and 2006. But the sequence of novels began with RAFT in 1991.From there it built into perhaps the most ambitious fictitious universe ever created. Beginning with the rise and fall of sub-quantum civilisations in the first nano-seconds after the Big Bang and ending with the heat death of the universe billions of years from now the series charts the story of mankinds epic war against the ancient and unknowable alien race the Xeelee.Along the way it examines questions of physics, the nature of reality, the evolution of mankind and its possible future. It looks not just at the morality of war but at the morality of survival and our place in the universe.This is a landmark in SF.

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‘Original and thought provoking’ Gordon Brown ‘Challenging and hopeful: a groundbreaking guide to the future’ Valerie Amos To thrive in the twenty-first century, we all need to understand the challenges coming our way. And start adapting, now. We all know there are major, overlapping, global crises ahead of humanity: climate change, mass migration, new warfare, big tech, further pandemics, authoritarian capitalism. Rather than be daunted, this book charts a way that we can respond. With expertise from his work at the highest levels of international politics, education, activism and business, Tom Fletcher offers a practical manifesto that can help us transform the way we learn, live, and work together. Amongst its key survival skills, this book offers ideas on how we renew education, restore society and reimagine the future. It helps us chart a course to take back control, to find purpose, and to become better ancestors. It helps us to learn the language of technology – without thinking like computers. It offers 39 steps that each of us can start to take today to boost our survivability. Vital, practical and accessible, this is a book about how we can anticipate the threats and opportunities of tomorrow and be ready for them – individually and collectively.

Read more less

Reality exists independently of human observers, but does the same apply to its structure? Realist ontologies usually assume so: according to them, the world consists of objects, these have properties and enter into relations with each other, more or less as we are accustomed to think of them. Against this view, Rein Raud develops a radical process ontology that does not credit any vantage point, any scale or speed of being, any range of cognitive faculties with the privilege to judge how the world ‘really’ is. In his view, what we think of as objects are recast as fields of constitutive tensions, cross-sections of processes, never in complete balance but always striving for it and always reconfiguring themselves accordingly. The human self is also understood as a fluctuating field, not limited to the mind but distributed all over the body and reaching out into its environment, with different constituents of the process constantly vying for control. The need for such a process philosophy has often been voiced, but rarely has there been an effort to develop it in a systematic and rigourous manner that leads to original accounts of identity, continuity, time, change, causality, agency and other topics. Throughout his new book, Raud engages with an unusually broad range of philosophical schools and debates, from New Materialism and Object-Oriented Ontology to both phenomenological and analytical philosophy of mind, from feminist philosophy of science to neurophilosophy and social ontology. Being in Flux will be of interest to students and scholars in philosophy and the humanities generally and to anyone interested in current debates about realism, materialism and ontology.

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European migration policies are undergoing significant changes. After three decades of highly restrictive approaches, demographic changes and gaps in labour supply are prompting many European governments to liberalize their migration policies. Timely book examining the nature and impact of the changing migration policies in France, Germany and the UK. Analyses the content of new legislation, as well as the policy debate and party political treatment of migration issues in each country. Considers the implications of the new policies on other categories of migrants: asylum seekers, refugees and resident ethnic minorities.

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