Search results for ""UEA Publishing Project""

Under & Over is the eighth instalment of UEA’s annual Undergraduate Creative Writing Anthology, produced by the university’s own student-run publishing society, Egg Box. Shortlisted from masses of brilliant submissions, this collection of prose, poetry, and script presents the unwavering talent of UEA’s Creative Writing students, despite the ongoing pandemic. In a time where the community of UEA’s Creative Writing course is scattered across the globe, this collective project was made possible by the School for Literature, Drama & Creative Writing and UEA Publishing Project, Ltd. As our peers continue to find a sphere of catharsis and escape in writing, we hope reading our work offers a similar experience.

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The long-awaited third collection from one of the UK’s finest, most virtuosic of modern lyric poets. These poems take the reader on surprising journeys of healing, hard-won amid personal and social vicissitudes – including triumph over addiction, and alcoholism -- and open spaces in which to share in emotional, quasi-spiritual transcendence despite. Who could ask for more?“When poetry is the centre of your life the strength of some poets will get fixed in the orbit of your day, their poems settled into the memory of mind and body. Sophie Robinson is one of my absolute favourites, her lines returning to me, visceral, unsettling, exacting, and stunning! If you read one book of poems this year, let it be this! She’s a gateway drug, keeping you wanting all books of poetry to be as genius to make part of your waking life.” – CA Conrad, author of While Standing in Line for Death.

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Taken from his highly successful collection, these two stories take unconventional positions towards short story archetypes. The Tourist Butcher is an unflinching tale about a serial killer who prepares his victims for a culinary dish, while Memories in Aluminium Foil follows the nightmares and existential crisis of a psychology student who receives a slice of human brain in aluminium foil as a gift from his biologist roommate.In the original Dutch collection, Ouariachi stated that his goal was to ‘bring the short story back to the campfire’, allowing his stories to hold up a mirror to the reader, rather than telling them what to achieve. These two stories, appearing in English for the first time, demonstrate his success: he has created a pair of dark, horrifying underworlds for the reader’s mind to get lost in, whilst maintaining a language that is light and graceful.

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This collection showcases the bold, heartfelt work of the 2024 graduates from both the MA in Literary Translation and MA in Poetry at UEA.

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We invite you to open your mind and engage your imagination, with twenty-two diverse and gripping tales written for the stage and screen. Set across the world, from London to Paris, the backroads of Eastern Europe to the post-apocalyptic highways of the United States, across forests and cliffsides, and even to Heaven itself, these varied pieces tackle subjects from desperate survival, to unrequited love, to exploring new identities. Hiking through Rendlesham Forest, Jay searches for aliens and confronts his childhood trauma in Pareidolia. Jerry struggles with the most important decision of his life... whether or not to shave his moustache, in MoustOUCHe. Two young brothers make the discovery of their lives in Mortars.

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Hecate-like, A True & Just Record invites us to the three-way crossroads of poetry, feminist rhetorics, and early modern studies. Kate Bolton Bonnici weaves together archival materials from the English witch trials, 20th- century poets and philosophers, and her own family. With fury and care, haunted by absences, these poems—all also forms of experimental scholarship—interrogate, disrupt, and play.Here, a multitude of stellar engagements delve spiritedly into what sonic and visual presences may be made of form, utterance, accusation, exchange, and page on the troubled edge of devilish societal inquisition ... . Bring on the prizes, this poetry is delicious! Allison Adelle Hedge Coke, author of Look at This BlueKate Bolton Bonnici’s A True & Just Record movingly demonstrates poetry’s capacity to forge critical and philosophical dialogue across time and space. ... The result is a daring and gorgeous poetic conversation. Melissa E. Sanchez, Donald T. Regan Professor, University of PennsylvaniaWitch as spell, curse, praise, eulogy, recovery, incantation, archival raid and save, library as cathedral and books as catechism — as befits poetry as anarchic art, in Kate Bolton Bonnici’s hands the sacred is barbaric and the profane is holy. ... A wicked and wise achievement. Fred D’Aguiar, author of Letters to America and For the UnnamedBonnici’s collection reveals that, far from being remote and unapproachable, centuries-old writings remain vibrantly relevant to our own historical moment. Kimberly Johnson, author of Fatal

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The world is on fire.We are too young to change a thing.So how else can one express these undulating emotions but to put pen to paper?From the very tops of mountains, running through cities, to our childhood homes and all the way down to seas abroad. Follow UEA's most promising student writers as they burst with powerful prose exploring topics personal, global, and mystical in 2023's Undergraduate Anthology.

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One of the most audacious modernist novels. A woman, fifty, widowed, rejected by her younger lover, lies dying in a nursing home. As she nears death, her thoughts go back through her life in an attempt to find its meaning. Trevelyan's most important work, a novel that belongs with To the Lighthouse or As I Lay Dying.

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As a young horse, Black Beauty is well-loved and happy. But when his owner is forced to sell him, his life changes drastically. He has many new owners--some of them cruel and some of them kind. All he needs is someone to love him again... Whether pulling an elegant carriage or a ramshackle cab, Black Beauty tries to live as best he can. This is his amazing story, told as only he could tell it.This edition of this beloved novel features an original foreword by favourite children's author Jacqueline Wilson and an afterword by Professor Thomas Ruys Smith (University of East Anglia) which reintroduces readers to this much-loved book, examining the roots of its extraordinary longevity, the timelessness of Sewell’s powerful literary vision, and the ongoing necessity of her message of kindness and care to animals – and humans.Every copy of this edition sold will contribute directly to Redwings’ mission to value every horse and try to see the world from an equine point of view.

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The 2022 collection of creative writing from Durham University

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2022 edition of the UEA MA Scriptwriting creative writing course anthology

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2022 edition of UEA MA Poetry creative writing course anthology

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“Rasma hated her dreams; they made her sick — she rested best when she fell into complete silence and darkness."Rasma is a taxi driver with a mysterious past, a mysterious present, an uncertain future, and a complex relationship with a 'double'. We follow her through a series of encounters personal and professional - some troubling, some comic, some profound - as she struggles with her sense of identity and belonging while trying to make ends meet.

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“That spring, as if by agreement, we got it into our heads that something should finally happen, something should change.”A selection taken from the memoirs of a youth spent growing up in a small town - its fascinations with fads, fashions, slang and bands; its successful/disastrous explorations of personal style and taste; what's cool, what's not cool; all pitched at the question and at times painful process of working out who we are in the world.

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Strained relations. Imposed reconnections. Fragile last missions. A unique collaboration between Creative Writing students at UEA and students of Translation Studies at the University de Alcalá, Unmasked Writings/Historias desconfinadas is a series of five chapbooks mapping the emotional angles of the pandemic and giving voice to the long moments of introspection we all cultivated during the hardest months of this crisis. Each text is presented both in the original English and the translated Spanish.This is volume three, Love From Afar/Amor a distancia.Can I Call You Back by Charlotte Brammer, translated by Silvia Sánchez TudelaIsolation Alone by Milly Barton, translated by Beatriz López Quiroga and Alumdena de Agustín PorrasThings Past Redress by Siobhan Horner, translated by Ángela Muro Arpón and Claudia Medrano González

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"Met her again today. I finally got my hands on her, but still can't believe what she put me through all that time. Attaching her face here. K-Bot.jpg"A story of a young student's tribulations and those of the people around her which says a lot about the process of coming of age in contemporary Korean society more broadly.

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"The bloodstains on the linoleum were impossible to remove completely."A madcap, sci-fi, found-family caper set in a world where a small group of people, known as 'monsters', have developed odd special powers or traits necessitating their voluntary, or less voluntary, incarceration while the state works out what to do with them and which builds to a wonderfully comic set-piece, charmingly told with tenderness and wry humour.

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This Summer issue of Hinterland indulges in all of the delights food-writing has to offer. Headlining this issue we have new writing from Kate Young who anticipates sharing meals once more, and Pragya Agarwal, who uses memories of food to explore the promise and pain of emigration. We also sit down to chat with celebrated cook Anna Jones about how she writes her award-winning cookbooks.Also featuring writing by Noah Birksted-Breen, Amy Cotler, Sally Gander, Hester Van Hensbergen, Sue Hann, Connor Harrison, Andrew Kenrick, Edward Little, Maya Osman-Krinsky, Kimmo Rosenthal and Sarah Young.

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In 1935 a small boy is found in a mine in what is known as the Belgian Congo. It is a time of ferment; nefarious forces are at play. Against this backdrop, the boy’s discovery draws the attention of men of distinction across the globe – scientists, politicians and army men. Soon enough a race begins, to bring the boy into safe custody. After a tortuous journey by train through the continent of Africa, the boy travels by ship to New York, where he is taken into the care of the United States Army. From here our diminutive hero will become swept up in a narrative not of his own making, a narrative that will lead him into the heart of one of the most devastating events of the twentieth century.Audacious in its conceit, thrillingly readable and profoundly humane, Little Boy is a novel of science and politics, of men and war, of compassion and becoming. In prose of baffled grace, it weaves a path through some of the darkest moments in our collective history. Its ending will leave you, like its protagonist, suspended in mid-air, stunned by the awful things that men have put forth into the world.

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Hinterland is a quarterly, print and digital magazine dedicated to creative non-fiction.Hinterland offers an answer to the question ‘what is creative non-fiction?’ by showcasing the best new writing across the fields of memoir, essay, travel and food writing, reportage, psychoscape, biography, flash non-fiction and more. Their pages bring together work by established, award-winning authors alongside new writers, many of whom we are thrilled to publish for the first time and whose work, we promise, will merit your full attention. Hinterland intends to challenge, move, entertain and, above all, be a fantastic read. Their second issue features brand-new non-fiction by Richard Beard (The Day that went Missing) with accompanying illustrations by Dru Marland and a non-fiction play by Antoinette Moses, as well as a stellar line up of talented new writers who we know you’re going to love. Issue 2 also includes an interview with Bart Van Es (The Cut Out Girl), a photo essay by photographer Martin Eberlen and a look at the life of the Speaker of the House, John Bercow, by Stephen Massil.

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The UEA MA 2019 Scriptwriting Anthology presents a look into the next generation of stage and screenwriters from around the world. These writers investigate current issues while also reimagining story structure in order to create truly original work. Graduates of the MA in Scriptwriting include Bruntwood and BAFTA winners leading the way in TV, film, radio, and theatre. This anthology features a foreword by recent graduate James McDermott, as well as an introduction by renowned playwright and course convenor Steve Waters. Featuring work by: Dimitra Barla • Taylor Beidler • Magdalene Bird • Alice Coulthard • Jack Marcus Fitch • Natalie Froome • Sai Haval • Jessie Lockie • James Pickthall • Fiona Sangster • Katie Stockton

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'A snapshot of what the crime novel is doing now and a glimpse of the directions it might take in the future' - Mick Herron'Crime fiction demands a flexible, sceptical framework for its own increasingly rude health. The eleven writers in this third MA Crime Fiction Anthology understand this. Irrespective of subject, setting, theme or prose style, each uses the multitudes of the crime genre to embrace and reflect who we are and how we live now. Each understands and respects the genre, even as they dismantle its traditions' - Tom Benn'The creative writing workshop is an environment that is built upon freedom, but also support. It's almost too magical a place, too idyllic, too democratic, too truthful. But I don't believe in magic, any more than I believe in the muse. What has happened in this space, which is ever expanding, over the last couple of years, has been an outpouring of talent and determination, by eleven extraordinary writers' - Henry SuttonFeaturing work by: Laura Ashton • Judi Daykin • Antony Dunford • Jayne Farnworth • Natasha Hutcheson • Louise Mangos • Elizabeth Saccente • Matthew Smith • Karen Taylor • Wendy Turbin • Bridget Walsh

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This collection features work by the latest international cohort of UEA’s MA and MFA Prose Fiction graduates. These stories and extracts push the boundaries of form and genre. They will immerse you in twenty-eight different worlds, each of which will challenge and delight in a new and interesting way.The UEA is renowned for housing the longest-running MA Creative Writing: Prose Fiction programme in the UK, consistently producing prize-winning and critically-acclaimed work. Its alumni include well-established authors such as Emma Healey, John Boyne, and Naomi Alderman, as well as up-and-coming writers like bestselling novelist Elizabeth Macneal.With a foreword by Henrietta Rose-Innes and an introduction from course convenor Philip Langeskov, this year’s Prose Fiction Anthology demonstrates that UEA students continue to produce imaginative and diverse world-class literature.Featuring work by: Karen Angelico • Sussie Anie • Jekwu Anyaegbuna • Stephen Buoro • Catherine Gaffney • Fearghal Hall • Luisa Hausleithner • Amber Higgins • Khuram Hussain • Matt Jones • Vijay Khurana • Jasmin Kirkbride • Maya Lubinsky • Sylvia Madrigal • Ceci Mazzarella • Shandana Minhas • Carmen Morawski • Madeleine Morgan • Tess O'Hara • Tasha Ong • Troy Onyango • Hale Öztekin-Cuss • James Smart • Amelia Vale • Melissa Wan • Bethany Wright • Rebecca Yolland

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“What could be more timely than the wresting of new ways of saying from the hand-me-down matter of language; what more exploratory and exacting/exciting? Perhaps, in an era of frequently cynical and lazy language-use, an appetite has grown among readers for writing that doesn’t so much hit the nail squarely on the head, as refashion the very concept of the hammer” says Tiffany Atkinson, in her Introduction to this volume; a volume that is the record of a year of hard work, experiment, conversation, revision, and speculative play between the weight of tradition and the desire to find new ways of saying. What is immediately visible in these pages is the sheer variation in style and form, from the fragmentary and epigrammatic to the ranging and discursive, from the intimate to the global, from the playful to the elegiac. What is not visible is the mutual care and camaraderie of a group working together to encourage the emergence of each distinctive voice.Here are the UEA Poets of 2018. Remember, you read them here first.‘It’s so nice to have such a collectively-minded group on the MA this year. People will one day speak of the Norwich School...’– Jeremy Noel-TodGboyega Abayomi • Naomi Afrassiabi • Blythe Zarozinia Aimson • Craig Barker • Max Bowden • Anna Cathenka • Cai Draper • Kat Franceska • Rachel Goodman • Laurence Hardy • Iona May • Keeley Middleton • Bec Miles • Ellen Renton • Jessica O'Brien Rhodes • Alice Willitts

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Originally published in Dutch in 2017, this essay is a critique on the intellectual hold of destructive, non-sustainable capitalism on Western thought. It challenges the way that Soviet and Chinese totalitarianism has been used to discredit the idealism of 19th century communism.Reaching out from the intellectual and historical legacy of Karl Marx and Rosa Luxemburg, Peek investigates what he sees as the inevitable failure of capitalism, and argues for a fairer redistribution of knowledge, power and income.

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Happenstance Press ‘This is the internet generation, and the references in these poems pull with abandon from a huge territory. If the general thrust is to embrace, the poems have in common, the courage to sing out and explore.’ -- Sally Festing, Heppenstance Press‘There’s always talk of ‘saving’ poetry; it’s fine, becomes deeper and wider each year. Don’t believe me? Open up this anthology and read words cajoled into new shapes so they might move or disturb you (and sometimes both) with all their bright surprises.’ -- Martin Figura, Saboteur Best Spoken Word Award winner 2013 ‘Here is a book of poetic tangents, setting words and worlds at a tangent to each other. Words are not to be taken for granted, of course. Nor are they. This is the way the future comes flying at you. At a tangent. And the voices fitting in the space there, like the stones in a fruit.’ -- George Szirtes, T S Eliot Prize winner 2004, 2009‘I view the UEA MA creative writing anthology as a barometer of what’s going on in the poetry world, and this year’s collection does not disappoint. Poems range from the lyrical to the experimental and each voice is exciting and unique. I look forward to hearing more from these poets in the future.’ -- Julia Webb, Forward Prize Shortlist 2017This year's anthology contains work from 12 exciting new voices: Dario Biagini, Fern Broome Richards, Paul Frederik Carlsen, David Charles Gill, Rich Law, Naomi Madlock, S.Z. Mason, Molly Ellen Pearson, Jake Reynolds, Olivia Walwyn, Arron Westbrook, and E.F. Willis, with a foreword by Paul Mills and introduction from Sophie Robinson.

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Beginning with an extended riff involving the glorified music search engine Spotify and ending with the ongoing and ignored tragedy of European migration, these prose poems [sic] address a range of historic and contemporary particulars including the entertainer/paedophile Rolf Harris, ripoff payday loan sharks, English football grounds, world shipping, the endangered flora & fauna of the British Isles and singer-(not)songwriter Art Garfunkel.Punctuationless and insistently lower-case, and employing repetition and the list as forms of subterfuge, nothing in LATANOPROST VARIATIONS is quite as it seems. There’s something wrong in every poem which is turned over and over, again and again, so that the whole is effectively a diagnostic report from the back-to-front. The title refers to a topical eye-drop used for the treatment of the chronic eye condition glaucoma which if left untreated leads to loss of sight. This book is a plea not to turn a blind eye.Not being a doctor himself, the author has no advice except never to forget that on 17 May, 2017, the day Rolf Harris was released from Stafford Prison after a brief internment, Donald Trump announced a $110 billion arms deal with Saudi Arabia and a small boatload of migrants awaited rescue off the island of Lampedusa. As one of the poems reminds us: “the men of war are difficult to ignore shaking hands with them does not mean they are not men of war.” Or as another concludes: “thank you art garfunkel thank you after all the eyes are fine.”

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Ten Thousand Things is about motherhood. Also it is about the equipmentality of woman in/to society in general. It is about parenting as labour; poetry as labour; labour as poetry; poetry as thought; thinking as poetry; protest as labour; poetry as protest; and our perennially changing, perennially stuck hereditary lines. It is for warrior-women. It is for girly-men. It is for all persons, animals, plants in between. It is about love. It is about fear. It is about doubt. It is about hope.It is against misogyny, even of the well-meaning kind that tells people how to be in the short term or when to sacrifice themselves for everybody else’s good. It is against the mythopoesis of mother as stand-in for all creation, and also, of course, it carefully recognizes this careless summary. It is against purity and divisive lines. It is against destruction – of any persons or animals or plants on this planet, which also happens to be the home that sustains us. Duh!It wishes that in the future there would be other ways of loving, living, pro-/creating and dying. It hopes humans might find out what these are before it’s too late.

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The University of East Anglia's Creative Writing MA Prose Anthology for the 2016 cohort including Prose Fiction and Creative Non-Fiction.

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When his wife returns to her parents house to have their second child, an unnamed narrator and his son are left to manage by themselves. Instead of absence, what the father and son begin to notice is a strange noise opening up between them, reverberating through their home, their television set, and the books they read at night. The wood outside their home hums with it, too: leaves fall from branches which are already naked, trees wriggle when walked past, and the hills on the horizon rise and fall in a building rhythm.Ono's stories teeter on the edge of something unsayable, exploring repetition and contradiction to sketch compelling, otherworldly characters. The strange sound which hums through the twinned narratives is distilled in Carpenter's translation, which masterfully employs the rhythms and echoes of the English language to convey Ono's sense that something is coughing, laughing, turning under the words on the page.

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under|tow NOUN1. an underlying feeling or influence, especially one that is contrary to the prevailing atmosphere and is not expressed openly;2. a current of water below the surface, moving in a different direction from any surface current.In Undertow, the University of East Anglia’s third annual anthology of work by undergraduate creative writing students, we are proud to present pieces of writing that flow against the surface current and push you into unknown waters. With pieces concerning everything from aliens in Birmingham and the struggle for racial justice to a hotel minibar and children of the sea, this anthology contains some of the best writing that the University of East Anglia has to offer.“The pieces in this anthology are striking in their originality in form and content. I have found them very stimulating and a great read. I hope you do too.”--Peter Liss

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The dark secrets of elephant-keeping; camels, puddings, love and loss; an unlikely heroine of the American Civil War; the enchanting shores of Lake Metigoshe during dragonfly season these are just some of the subjects of this rich collection of eleven new Non-fiction voices, graduates from the University of East Anglia s renowned Creative Writing MA.With a foreword by Ian Thomson & an introduction by Kathryn Hughes

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What is creative non-fiction? It's great factual writing with a strong narrative: biography, memoir, travel, history, sports, reportage, humour, literary journalism, political commentary, cultural criticism and more. Join us and explore this burgeoning genre through the work of students from UEA's acclaimed creative writing programme.

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Ten scripts. Ten writers. One anthology.This year's scriptwriting anthology contains work from a group of writers who all offer something different for both the stage and screen. Each script celebrates the writer's distinct voice and proves that the MA Scriptwriting course is vital in bringing a writer's creativity to life.Spanning a wide range of genres, the anthology is a delightful mix of the weird and the wacky: people queue up to win a can of baked beans, friends encounter ghosts and an awkward teenager gets help with his Christmas shopping from the unlikeliest of people.As we are led through each script by memorable characters, and transported from worlds which are cheerful and light or dark and twisted, there's no doubt that this year's anthology showcases the best of UEA writing talent.

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Other Carnivals is published to coincide with Full Circle's FlipSide festivalof Brazilian and UK Literature, Music and Art at Snape in October 2013. Translated and edited by Ángel Gurría-Quintana this new collection of short stories by some of Brazil's finest authors features work by Milton Hatoum, Bernardo Carvalho, Tatiana Salem Levy, Cristovão Tezza, Andrea del Fuego, Beatriz Bracher, Marcelino Freire, João Anzanello Carrascoza, Ferréz, André Sant'Anna, Adriana Lisboa and Reinaldo Moraes.The twelve stories offer snapshots of Brazilian life, past and present, in all its teeming and vibrant complexity. With contributions by writers from all corners of the country, and ranging from well-established veterans to emerging literary stars, Other Carnivals: New Writing from Brazil is a heady mix of the comic, the tragic, the beautiful, the ugly and the surreal. Subverting the clichés about Brazil even as it finds kernels of truth within them, this is a book that will thrill readers already acquainted with the country's literature, and will make converts of those approaching it for the first time. Other Carnivals is proof, as if any were required, that one of Brazil's greatest natural resources is its wealth of talented storytellers.

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The University of East Anglia is proud to announce its new anthologies of work from the prose (including life writing), poetry and scriptwriting strands from their world-renowned creative writing MA. UEA Scriptwriting Anthology 2012 includes an interview with British playwright Steve Waters and an introduction by course director Val Taylor.Over the decades, the UEA course has produced many successful, well-loved and prize-winning authors, such as Ian McEwan, Tracy Chevalier, Toby Litt, Kazuo Ishiguro, John Boyne, Susan Fletcher, Joe Dunthorne, Anajali Joseph and Sam Byers."Out of such talent the notion of non-fiction might yet be invented anew."– Philip Hoare, author of Leviathan or, The Whale (winner of the Samuel Johnson Prize for Non-Fiction)

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Originally published in 1975, Fenwomen was the first non-fiction book published by Virago. A vivid social and oral history of an isolated village in the Cambridgeshire Fens, it provides a unique portrait, spanning nearly 100 years, via the previously unheard voices of the women who lived there, of a community where there were virtually no professional or middle-class people, where intermarriage was common and a single family owned all the village land. Fenwomen was in a tradition stretching through Ronald Blythe (Akenfield) and 20 years further back to the true pioneer of English oral history, George Ewart Evans, with his publication Ask the Fellows Who Cut the Hay (1956). In an extended new introduction to this Full Circle edition, Mary Chamberlain ecalls her original intent to write a "feminist Akenfield", a "history from the bottom up… not of great country houses and the chatelaines who ran them but of women as labourers and labourers' wives". She describes, too, how she revisited the village and talked to some of the original women about how their lives had changed over 35 years."By any measure, this book is essential reading, but in this handsome new edition, with Justin Partyka's eloquent, unforgettable photographic portraits of Isleham and its people, it is a joy to own" - Stephanie Cross, The Lady

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The world-renowned UEA Creative Writing MA presents new work from the three prose strands of the course: fiction, life writing, and scriptwriting. Past course tutors and students have included Kazuo Ishiguro, Ian McEwan, Toby Litt, John Boyne, Trezza Azzopardi, Rose Tremain, Malcolm Bradbury, Anne Enright, Angela Carter, Ali Smith, Tracey Chevalier, Joe Dunthorne, Adam Foulds and Tash Aw, among many others. Buy this collection if you want an exciting glimpse into the future of new prose writing in Britain and around the world."UEA has a knack of discovering writers with a distinctive voice – in this case 40 distinctive voices – and this latest anthology proves that standards remain high. Thoughtful prose, provocative stories that stay in the mind, extracts from novels that make one long for the finished book. Read it and sample the future."John Boyne"To all of you with Blurb-fatigue: We always say that this group of writers is exceptionally gifted, promising, and startlingly original.. I won't lie: they actually are all of that, and more... Established writers will wish we'd strangled this lot at birth."Trezza Azzopardi

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The world-renowned UEA Creative Writing MA presents new work from the three prose strands of the course: fiction, life writing, and scriptwriting. Past course tutors and students have included Kazuo Ishiguro, Ian McEwan, Toby Litt, John Boyne, Trezza Azzopardi, Rose Tremain, Malcolm Bradbury, Anne Enright, Angela Carter, Ali Smith,Tracy Chevalier, Joe Dunthorne, Adam Foulds and Tash Aw. Buy this if you want an exciting glimpse the future of new prose writing in Britain and further afield."To all of you with Blurb-fatigue: We always say that this group of writers is exceptionally gifted, promising, and startlingly original.. I won't lie: they actually are all of that, and more. Sorry to have got your hopes up. Established writers will wish we'd strangled this lot at birth." - Trezza Azzopardi

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New poetry from the world-renowned UEA Creative Writing MA: Poetry 2016 student cohort.

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“He asks what she thinks. She says it's hard to imagine the same thing he imagines. No matter how close you are, it is impossible to get into someone else's head.”Another wonderfully varied selection of shorter stories this time featuring the tribulations of a successful filmmaker, a young couple who visit a nudist beach while on holiday and gain a new perspective, a woman who has lost her husband and an insurance salesman who finds himself obsessed with the voice of a client on the phone.

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A family prepares for Assessment. Two brothers haggle over the legacy of their parents. A computer game designer aches with curious longings. Amidst it all, sisters, heroines, rebels, lunar moths and a not insignificant number of rabbits play out their lives under the strange grips of technology, governments, corporations and the capricious planets on which we all, in our different ways, just about manage to live.This Paradise is a rare and beautiful collection of stories about people fleeing towards places or times or situations they hope might be better – trying to outrun their nature, to deny the undeniable. Written with an arresting eye for detail, a rich sense of compassion and a darkly comic understanding of the human psyche, the stories in this volume propose a series of haphazard questions, not least of which is: where do we run to when there’s nowhere left to run?

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The Bitter Roots is a novel full of evocative details of a time and place, a frank, unvarnished portrait of an America struggling with racism, class prejudice, conflicts between labor and capital, and sexual stereotypes. The Bitter Roots will appeal to fans of Norman Maclean's A River Runs Through It.

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A masterpiece of humanism, Time Stood Still recounts Paul Cohen-Portheim's years of internment in England as an enemy alien during World War One. A passionate but balanced argument against internment and its inherently dehumanizing effects.

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Hinterland is a quarterly magazine showcasing the best in creative non-fiction writing. Each issue features a stellar line-up of writing talent from around the globe: stories by established, best-selling authors as well as a host of exciting new writers making their publishing debut. Much of the writing in our latest issue relates to the body. Whether it’s addiction, illness or a coming-of-age awareness of desire, the authors featured explore how bodies can be afflicted and affected in many different ways. And in light of the recent Covid pandemic, reflections around life and mortality are inevitable, from parental time-travel through a child’s life by Jarred McGinnis (The Coward), to grief as experienced via our online lives by Joe Moran (If You Should Fail, First You Write a Sentence).Also featuring writing by Munizha Ahmad-Cooke, Laura Dobson, Edvige Giunta, Candice Kelsey, Elizabeth Norton, Ali Seegar, Richard Skelton, Michelle Spinei, Adrian Tissier, Dave Wakely and Sam Gordon Webb.

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