Search results for ""Three Rooms Press""

“This is hard sci-fi done right.” —Publishers Weekly (starred review). “One of the enduring classics of science fiction.” —George R.R. MartinDeep in the future, natives of the planet Hydros, an ocean planet whose inhabitants live on artificial floating islands, force the entire human population of the island of Sorve into exile, leaving the outcasts to ponder their fate, their past, and the true purpose of humanity. After a human offense against the natives of Hydros, the human population of the island of Sorve are ordered to leave. Forbidden on all other islands, in a flotilla of ships they seek the semi-mythical island of the Face of the Waters. During their journey they are forced to learn more about themselves, leading to questions about both religion and the purpose of Man. At the end of the novel Robert Silverberg addresses what it means to be human, and explores what unites and divides humanity. This new edition of THE FACE OF THE WATERS, published with the author's full support, brings Silverberg’s brilliant novel back into the must-read science-fiction canon, after decades of being out of print.

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New York. Winter. 1980. Behind the glitter of the disco era, the city streets run wild. In countless secret spaces, high stakes poker games fuel an underground economy flush with cocaine, champagne, and call girls. Winners are on top of the world. But no one wins forever, and when aspiring novelist and inveterate card player Danny Ferraro goes "all in"--and then some--he winds up owing the mob big money. And when you owe the mob, you pay--or else. With nowhere to run, Danny is forced to commit unspeakable acts just to stay even. Richard Vetere's gritty novel strips the gloss of the "Godfather" era and lays bare the gritty reality of the subversive blackmarket as Ferraro struggles to free himself of its grip. Vetere (The Third Miracle, The Writers Afterlife) delivers his most riveting work to date, with page-turning action and an insider's view of a hidden culture.

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As cofounder of the internationally-known, highly-controversial radical political troupe, The Living Theater, author Judith Malina is one of the leading female countercultural figures of the 50s, 60s, 70s and beyond. in FULL MOON STAGES: PERSONAL NOTES FROM 50 YEARS OF THE LIVING THEATRE, she creates an intimate memoir in a unique format with a collection of personal notes written on every full moon for 50 years from 1964 to 2014. These never-before-published entries reveal Malina's most private thoughts and inform the reader on what The Living Theatre was performing as they wound their way from New York City to Italy, France, Belgium, Germany and Brazil in a nomadic series of notable performances of such underground classics as The Brig, The Connection, and Paradise Now. Malina is relentless in her commitment to the full moon schedule, writing regardless of her current life circumstance. Notes issue forth from hotels, trains--even prison, offering a light on the consequences of holding true to her code of the theatrical expression of her pacifist-anarchist principles. The book's format is well-suited for modern readers interested in history of the counterculture. In addition, the book includes 30+ rare historical photos from Living Theatre archives.

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In Teatrophy: Three More Plays, critically-acclaimed playwright/author/poet Peter Carlaftes offers a trio of brilliant and intense modern plays that inspire on both page and stage. In "Anti," Carlaftes explores a frightening future--in which government surveillance and data mining is the norm--through the eyes of a theater director on the verge of giving up hope. The chilling psycho-sexual drama "Closure" examines the relationship between a woman whose sister was abused a child, and the rapist-murderer that stalks her outside her therapist's office. In the tender and humorous "Inside Straight," characters must confront their lovers' sudden shift in sexual orientation as a gay man and a lesbian woman discover they are attracted to each other. The San Francisco Bay Guardian praised the play: "Inside Straight is a comedy of eros! ...A restive heart knows no logic or permanence." All three plays share a passion for beautifully drawn, full characters and powerful moments that force them to expose the true identity they work so hard to hide. As the SF Weekly raved, "As with Strindberg, Beckett or even Sartre, Carlaftes' message seems to be something we intuit, like music."

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Swing State unveils the generally overlooked decades-long economic downturn in the rural Northeast. With an unflinching eye, novelist Michael T. Founier lays bare the dim dreams and raw existence of the lives of three residents of Armbrister, New Hampshire, who share the same goal: Get out. Faced with grim prospects, the intersection of bullying and terrorism blurs, with disastrous consequences in this deftly woven tale.

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A stunning first collection full of lyrical, heartwarming poems by the remarkable Lisa Panepinto. Her words touch on the suffering of the disenfranchised was well as the beauty and power of nature. As poet and National Book Award Finalist Patricia Smith declares, "Lisa Panepinto's abstract and lyrical vignettes serve as a wonderful introduction to a fresh new voice, bound to rattle the canon." Native American poet and musician Joy Harjo raves, "In these pages Justice falls in love with the blues. There's scuffling and dancing, and it's all coming down to what happens in the dark. There is enough love for everyone. Lisa Panepinto sings. You'll want to be here." Poet and Robert Fitzgerald Prosody Award winner Annie Finch exclaims, "Panepinto's voice is so assured and pure, so confident and directed, that to follow it on its intricate and profound journeys can bring serious joy. Far more ambitious than they might at first appear, influenced by Native American, beat, and experimental poetics alike, these are poems that do not shrink from the poet's oldest task, the mighty healing work of the shaman."

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Taking on the streets. East or Westside. Uptown and Down. The pace quickens through the boroughs from necessity. Every move the most important. Too much competition. Looking at each other for someone to blame. Doing anything just to be part of the magnitude. Everybody lost in the expanse. The City doesn't cheat you. It teaches. You absorb either knowledge or the blows. There are days when you find out you can't cut it anymore. And there are others when you come out at the top. The "Have A NYC" anthology series is an intense annual collection of modern short stories set in New York, edited by Peter Carlaftes and Kat Georges. In Have A NYC 2, authors include acclaimed crime writer Lawrence Block (Eight Million Ways to Die, Hit Me), contemporary surrealist writers Rae Bryant and Janet Hamill, and Evergreen Review editor Ron Kolm. Other authors include Jeb Gleason-Allured, Sion Dayson, Kofi Forson, Resa Alboher, L. Shapley Bassen, Michael Schwartz, Puma Perl, Jackie Sheeler, Peter Marra, Maria Kranidis, Richard Vetere and Eric Stromsvold.

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Unable to afford rent, Mia—a community college student—lives out of her car, cleaning houses of the well-to-do in the LA area to meet her shoestring budget. Then Covid hits, and everything changes. For people living in houses and apartments, with stay-at-home jobs, the pandemic was inconvenient. For Mia—a student and housekeeper whose budget is so tight she lives in her car—the pandemic destroys the very source of her paltry income. Fortunately, gutsy and funny Mia is a determined survivor. After weeks of cutting her limited spending even further, missing meals along the way, her wealthy employers become desperate for her services again. This time, she’s determined not to let them take advantage of her as they have in the past. Her newfound confidence gives her new hope as she works to escape the shackles of poverty on her own terms. Sally Rooney meets Elizabeth Strout in this brilliant fiction debut.

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“Most Anticipated Feminist Books of 2024” —Ms. Magazine A chronicle of the divergent journeys of a Vietnamese father, who fled his home country in desperation, and his American-born daughter, who ventured to Vietnam as an adult, capturing the stark contrast between their perspectives as they strive to heal the long-term wounds of war refugees. In this captivating, heartfelt dual memoir, Christina Vo and her father, Nghia M. Vo, delve into themes of their identity, heritage, and the tragic multi-generational ordeals of war, with intertwined stories that present a multifaceted portrayal of Vietnam and its profound influence on shaping both familial bonds and individual identities across time. Nghia M. Vo left Vietnam in April 1975 with only the clothes on his back, following the US withdrawal of troops and the fall of Saigon. After a harrowing two month journey, he found himself in a refugee

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When a war ends provisionally, the agreement is called a ceasefire. But when peace ends, there is only war. War and peace are co-dependent. Perhaps it is now time for a “Peacefire.” In Maintenant 17: A Journal of Contemporary Dada Writing and Art, nearly 250 artists from more than 40 countries explore the concept of the end of both war and peace, exploring provocative outsider ideas as dada has done since its inception. With searing cover art by Uta Kaxniashvili, this issue of the renowned journal elaborates on dada’s original premise as an antiwar movement. The Maintenant series, established in 2008, explores themes of politics, humanity, philosophy, and current concerns from an antiwar, anarchic (and often eye-opening) perspective. Past issues include work by artists Mark Kostabi, Raymond Pettibon, Joel Hubaut, Heide Hatry, Avelino de Araujo, Pawel Kuczynski, Inas Al-Soqi, Giovanni Fontana, Nicole Eisenmann, Syporca Whandal, and Kazunori Murakami; past writers have included Gerard Malanga, Charles Plymell, Andrei Codrescu, Harry E. Northup, Malik Crumpler, Maw Shein Win, and more, with a strong contingent of artist-writers from the world of punk rock, including Thurston Moore, Mike Watt, Bibbe Hanson and more. Critics have praised the series since its inception. Seattle Book Review calls Maintenant, “A smorgasbord for those who are sick and tired of it.” Tribe LA dubs the journal, "A compilation of leading Dada-influenced artists from around the world that is timely and relevant.” Serbia's Madjan Magazine proclaims that the Maintenant series proves "Dada is not dead." The Maintenant series is archived in leading institutions worldwide, including Museum of Modern Art New York. Contributors to Maintenant 17 include: Derek Adams • Mariam Ahmed • Jamika Ajalon • Youssef Alaoui • Linda J. Albertano • Austin Alexis • Joel Allegretti • Daina Almario-Kopp • Hala Alyan • Jim Andrews • Wayne Atherton • Liz Axelrod • Mahnaz Badihian • David Barnes • Amy Barone • Vittore Baroni • Tchello d’ Barros • Gaby Bedetti • Regina Lafay Bellamy • C. Mehrl Bennett • Volodymyr Bilyk • Mark Blickley • Clemente Botelho • Gedley Belchior Braga • Michael Georg Bregel • Kathy A. Bruce • Imanol Buisan • Fork Burke • Billy Cancel • Peter Carlaftes • Wendy Cascade • Nick Cash • Mutes César • Sarah M. Chen • Nguyễn Bá Chung • Hal Citron • Lynette Clennell • Andrei Codrescu • William Cody • Chuck Connelley • Roger Conover • Anothony Cox • Malik Ameer Crumpler • Raf Cruz • Tchello d’Barros • Wer Da • Steve Dalachinsky • Allison A. Davis • Holly Day • Avelino De Araujo • Francesca Dharmakan-Bremner • Natalie DiFusco • Dario Roberto Dioli • Rachel Dixon • Sam Dodson • Carol Dorf • Eric Drooker • Robert Duncan • Salvatore Esposito • Fong Fai • Agenta Falk • Massimo Fantuzzi • Jeff Farr • Becky Fawcett • Rich Ferguson • Maria Filek • Cheryl J. Fish • Kathleen Florence • Robert C. Ford • Dorothy Friedman • Thomas Fucaloro • Ignacio Galilea • Sandra Gea • Kat Georges • Christian Georgescu • Robert Gibbons • Gordon Gilbert • James J. Gleeson • Mark Glista • Ed Go • Gemma Goette • John Goodby • Odeon Grace • S.A. Griffin • Fausto Grossi • Meghan Grupposo • Egon Guenther • Genco Gülan • Ana Maria Guta • Bibbe Hansen • Jesper Hasseltoft • Heide Hatry • Jeffrey Hecker • László 2 Hegedűs • Aimee Herman • Robert Hieger • Karen Hildebrand • Mark Hoefer • Juleigh Howard-Hobson • Matthew Hupert • Frie J. Jacobs • Annaliese Jakimides • Marta Janik • Mathias Jansson • Lisa Marie Jarlborn • Debra Jenks • Dale Jensen • Jerry Johnson • Boni Joi • Milana Juventa • Jerry Kamstra • Suzi Kaplan Olmsted • Christine Karapetian • Adeena Karasick • Uta Kaxniashvili • Marina Kazakova • Oladipo Kehinde • Trần Đăng Khoa • Doug Knott • Kollasch • Daniel Kolm • Gregory Kolm • Ron Kolm • Daina Kopp • Mark Kostabi • Paul Kostabi • Inna Krasnoper • Paweł Kuczyński • Béné Kusendila • Wang Lan • Gary Lawless • Mercedes Lawry • David Lawton • Jane LeCroy • Sarah Legow • Patricia Leonard • Linda Lerner • Martin H. Levinson • Alexander Limarev • Frédéric Lipczynski • Richard Loranger • Mina Loy • Ruggero Maggi • Sara Maino • Gerald Malanga • Jaan Malin • Jessica Manack • Fred Marchant • Marronage • Bronwyn Mauldin • Jesse McCloskey • Pierre Merejkowsky • Ashley Miller • Lois Kagan Mingus • Charles Mingus III • Richard Modiano • Mike M. Mollett • Thurston Moore • Luiz Morgadinho • Karen Neuberg • James B. Nicola • Gerald Nicosia • Lance Nizami • Harry E. Northup • Anna O’Meara • Ruth Oisteanu • Valery Oisteanu • Marc Olmsted • John Olson • Jane Ormerod • Yuko Otomo • Bibiana Padilla Maltos • Csaba Pál • Erzsébet Palásti • Lisa Panepinto • Gay Pasley • John S. Paul • Giorgia Pavlidou • James Penha • Puma Perl • Robert Petrick • Raymond Pettibon • Charles Plymell • Kai Pohl • Leslie Prosterman • Renaat Ramon • Nicca Ray • Mado Reznik • D.M. Rice • Travis Richardson • Wes Rickert • Benjamin Robinson • Bruce Robinson • Edel Rodriguez • Mykyta Ryzhykh • Martina Salisbury • Paulo Sanches • Kellie Scott-Reed • Beatriz Seelaender • Jack Seiei • Silvio Severino • Sheree Shatsky • Susan Shup • Jeff Shutt • Bertholdus Sibum • Denise Silk-Martelli • Zoltán Simon • Angela Sloan • Katherine R. Sloan • Phil Demise Smith • Valerie Sofranko • Paul Sohar • J. R. Solonche • Pere Sousa • Orchid Spangiafora • Dd. Spungin • Marilyn Stablein • Alex Starr • Laurie Steelink • Eva Helene Stern*** • Christine Stoddard • Thomas Stolmar • Rich Stone • W.K. Stratton • Belinda Subraman • Neal Skooter Taylor • Robin Tomens • Zev Torres • John J. Trause • Ann Firestone Ungar • Yrik Max Valentonis • Anoek Van Praag • Nico Vassilakis • Maggs Vibo • Lynnea Villanova • Voxx Voltair • Barbara Vos • Silvia Wagensberg • George Wallace • Scott Wannberg • Mike Watt • Poul R. Weile • Ingrid Wendt • Benjamin B. White • Brenda Whiteway • A. D. Winans • Francine Witte • Yaryan • Gerald Yelle • Andrena Zawinski • Larry Zdeb • Nina Zivancevic • Lorene Zarou-Zouzounis • Joanie HF Zosike

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Finalist, Golden Poppy Award for Best Young Adult Fiction!“A timeless and triumphant story of courage in the face of opposition.” —Foreword Reviews (starred review) It’s 1974. Title IX has passed two years ago, but Louisa’s high school still refuses to fund an all girls’ basketball team. After hearing Gloria Steinem speak, Louisa learns an important lesson: “The truth will set you free, but first it will piss you off.” Now what can she do but stand up and fight back? When Louisa asks her principal to start a girls team, she’s soon viciously targeted by male coaches at her school, lied to by the school board, and dismissed as “out of line” as she fights for a fair chance to be an athlete. No Stopping Us Now is a story about finding one’s own voice through the joys of sports, love, and the power of sisterhood. Based on the author's true story, it is a compelling examination of the courage it takes to stand up for what’s right. Young adult, LGBTQ historical fiction perfect for the 50th anniversary of Title IX.

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New & Noteworthy: The New York Times “Vivid and relatable. The writing is like Vanessa herself; funny, charming and brave.” —Mindy Kaling Through a series of extraordinary, incisive, often-humorous essays, Emmy Award-winning actor Vanessa Baden Kelly examines what the idea of “home” means to a Black millennial woman. How important is race to the idea of community? What are the consequences of gentrification on the life of a young Black woman? What aspects of a community help—or hurt—a family with a young child? In these profound, intimate essays, Baden has found a space where she can work out thoughts and feelings she feels unsafe saying out loud. As she processes the initial ideas more fully, her essays evolve from personal stories to fully-realized communiques of a generation of Black women who are finding a new sense of both belonging and ostracism in private, work, and public life. A single ride on a Los Angeles public bus that begins with the overwhelming odor of a man sleeping across one of the seats travels through a range of ideas and choices: “choosing” to sit in the back of the bus; the interconnectedness of living in a majority-Black community in the Crenshaw district; the segregation and gentrification of Los Angeles; the challenges of raising a child in a modern urban environment. Underlying the theme of each essay are questions of how a Black millennial woman can find “home” anywhere when confronted with its invasion by police, men, and society’s expectations.

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The first English translation of the earliest poetry of brilliant and disruptive Austrian writer Thomas Bernhard, widely considered one of the most innovative and original authors of the twentieth century and often associated with fellow mavericks Beckett, Kafka and Dostoevsky. A master of language, whose body of work was described in a New York Times book review as "the most significant literary achievement since World War II," Bernhard's On Earth and in Hell offers a distilled perspective on the essence of his artistry and his theme of death as the only reality. A remarkable achievement by highly-respected translator Peter Waugh.

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WINNER, BRONZE MEDAL, FOREWORD REVIEWS 2019 INDIE AWARD For Best LGBTQ+ Fiction For Ari Silverman, the past has never really passed. After 20 years, the trauma from a childhood assault resurfaces as he grapples with the fate of his ex-husband, a colleague accused of sexually harassing a student. To gain perspective, Ari arranges to reconnect with his high school crush, Justin Jackson, a bold step which forces him to reflect on their relationship in the segregated suburbs of Detroit during the 1990s and the secrets they still share. An honest story about recovery and coping with both past and present, framed by the meteoric rise and fall of the band Nirvana and the wide-reaching scope of the #metoo movement, Nirvana is Here explores issues of identity, race, sex, and family with both poignancy and unexpected humor. Deftly told intertwining stories with rich, real characters are reminiscent of the sensuality and haunting nostalgia of André Aciman’s Call Me By Your Name blended with the raw emotion of Kurt Cobain’s lyrics. Written by award-winning writer Aaron Hamburger, Nirvana Is Here is “a wonder of a book,” according to acclaimed novelist Lauren Grodstein (Our Short History). “As a Jewish Gen-Xer, the novel reminded me exactly of who I once was—and all that I still want to be. . . . a brilliant accomplishment.”

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Hello Devilfish! is a first-person (or first-fish) account of a giant blue Japanese movie monster stingray's attack on contemporary Tokyo and his tragic morph into human form. Using elements of Japanese shock-pop and the infamous Hello Kitty meme, the story is told in comic narrative from the stingray's point of view as he gleefully creams Tokyo into rubble. The stingray is soon pursued by Squidra, a love-struck giant squid. She demands love; he refuses. In an epic waterfront battle, she traps him in a human-growth hormone bath that changes him into a puny human -- a reverse metamorphosis -- monster to man. Refusing to accept his humanity, the stingray acts like his former giant self while trying to find food, shelter, romance -- and avoid the destructive rampage of his stalker squid love interest. Hello Devilfish! is told in a readable, comic narrative occasionally spiced with Manglish words. Funny and very readable, underneath the outlandish plot is a truly fresh critique of contemporary culture and mainstream literature.

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The Writers Afterlife is the story of Tom Chillo, a 44-year-old writer on the verge of fame, who suddenly dies of a stroke and finds himself transported to a place where all writers are sent after they die. After mingling with “The Eternals” — including Shakespeare, Wilde, Keats, and Tolstoy — he discovers that his true peers in this new world are all haunted by the same regret: they never achieved the fame they felt they deserved during their lifetime. There’s still a chance, though. Every writer has the opportunity to return to earth for exactly one week and convince someone to set the wheels in motion to give their life’s work widespread notoriety. The trick is to come up with the perfect plan the first time. Failure is not an option. The Writers Afterlife is brimming with warm humor, New York street sensibility, and an underlying commentary about the drive for fame in contemporary culture. With a deft hand, Vetere explores the deceptions that people employ to achieve at all costs. A string of eccentric New York characters fly off the page and make for a striking, memorable book that is a delight to read.

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In his impressive third volume, Peter Carlaftes digs into the beauty—and lunacy—of contemporary culture and its tendency to masque and disrupt the sustainability not just of the planet, but human nature itself. The poems in Life in the Past Lane are both daring and discreet, ranging from full frontal assaults on political and religious cults to tender, discerning, intimate studies of the challenges of self-faith, relationships and maintaining quiet equilibrium in the noisy space of modern life. Risk-taking and endlessly innovative, Carlaftes offers poems that dare to ask questions to which there is no answer, and to answer the unasked. It looks at the past clear-eyed, without reverence, and studies the place in the road where we are now, weaving cultural and personal memory with the currency that too-often ignores how we arrived. This extraordinary collection, relentlessly accessible, surprises with the depth of poems and the clarity of the thoughts, concepts, and execution that forged them.

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Most Anticipated LGBTQIA+ Books: Young Adult Literature —LAMBDA Literary Most Anticipated Young Adult Books —LGBTQ Reads Recommended LGBTQ+ YA —Reads Rainbow A roving female gang of fun-loving rebel bikers and street racers, led by Robin, agree to give back to other girls in need of help in this stunning queer mash-up of Robin Hood and Fast and Furious.Robin and her four Misfits—Little John, White Rabbit, Daisy Chain, and Skillet—have run away from their families in order to live off the grid on their own terms. For a while, they’re hidden, safe, and happy as they commit petty crimes that provide enough to get by. All that matters is keeping their small clan alive. Then, one mission proposed by an unfriendly associate from their past reminds them of their former lives and motivates the group to a new purpose. The five Misfits develop into a league of strong individuals united by a fresh goal: do whatever it takes to help queer girls rise above oppressive laws and attitudes.Kelly Ann Jacobson, the author of the award-winning LGBTQ+ young adult novel Tink and Wendy, is back with another diverse twist on a popular legend.

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“Top 25 Mystery Novels of 2022” —The Strand Magazine“Chambers makes the smell and harrowing vibe of the mean streets of the nation’s capital come alive.” —Publishers WeeklyDickie Cornish, Washington, DC street denizen turned unlicensed private investigator, is forced at gunpoint to track down the daughter of an ex-con, setting up a chain of events that unleashes a war within the corrupt police force, exposes shocking conduct in child services, and unearths a secret that threatens to tear the nation’s capital apart. The second book in the Dickie Cornish mystery series, STANDALONE is a must-read for fans of S. A. Cosby, George Pelecanos, and Joe Ide.It’s been over year since that bleak Christmas when a rich man peeled homeless, drug-addled Dickie Cornish from a steam grate, cleaned him up, and convinced him to use his street connections to track down his missing property. Now, as the summer sun bakes those same mean streets, the air is thick with crime, contagion, corruption. Dickie struggles with sobriety, anti-psychotic meds, and counseling at the VA, but manages to make a meager living as a private investigator with his sidekick, “Stripe”—until an ex-con named Al-Mayadeen Thomas sticks a gun to Dickie’s forehead and kidnaps him to a grim flophouse—a motel filled with squatters more desperate than the poor souls in the shelters. Thomas demands that Dickie find his daughter, missing for years from the motel in a notorious cold case. The other squatters plead for him to find their vanished children as well. Thomas takes his own life to seal Dickie’s help, Police Chief Linda Figgis hauls Dickie in, gives him a Faustian choice: she directs him to help her close the Thomas cold case, but only if he forgets about the other vanished and abused children. To his horror, Dickie finds himself in the middle of a war within the police, with either side closing in for the kill to keep the truth hidden.

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HONORABLE MENTION, Foreword INDIES Book of the Year Award, Autobiography & Memoir!Lifelong activist Judy Gumbo, an original member of The Yippies, a 1960s anti-war satirical protest group, offers an insider feminist memoir of her involvement with the Yippies, Black Panthers, women's rights, environmental actions, and a life of activism. In 1968, a 24-year-old woman moved to Berkeley, California and immediately became enmeshed in the Youth International Party, aka The Yippies, an anti-war satirical protest group. In the next few years, Judy Gumbo (a nickname given her by Eldridge Cleaver), was soon at the center of counter-cultural activity—from protests in People’s Park, to meetings at Black Panther headquarters, to running a pig for President at the raucous Democratic National Convention in Chicago, a protest that devolved into violent attacks by the police and arrests that led to the notorious Chicago Conspiracy Trial. In this historical account, Gumbo reveals intimate details of—and struggles with—her fellow radicals Jerry Rubin, Anita & Abbie Hoffman, Eldridge Cleaver, Paul Krassner, Stew Albert, and more, detailing their experiences in radical protests. This deep dive into her activism includes details of her organization of a national women's rights group, her visit to North Vietnam during the war, her travels around the globe to promote women's liberation and anti-war protest, and her environmental activism. It also includes extensive excerpts from illegal wiretaps and surveillance by the FBI.“A welcome addition to the literature of radical activism.” —Kirkus Reviews “A fun read and a valuable political document, long overdue.” —Counterpunch Yippie Girl explores Gumbo’s life as a protester to show that, while circumstances always change, protesters can stay loyal to the causes they believe in and remain true to themselves. She also reveals how dogmatism, authoritarianism, and interpersonal conflict can damage those same just causes, offering a timeless and strategic guide for activists today protesting against injustice in all its forms.

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***LAMBDA LITERARY AWARD FINALIST*** A compelling memoir of social life in the queer underground of San Francisco, New York, and Los Angeles at a time when the manic frivolity of gay rights and bohemian creativity collided with the deadly reality of plague.DISASTERAMA: Adventures in the Queer Underground 1977 to 1997, is the true story of Alvin Orloff who, as a shy kid from the suburbs of San Francisco, stumbled into the wild, eclectic crowd of Crazy Club Kids, Punk Rock Nutters, Goofy Goofballs, Fashion Victims, Disco Dollies, Happy Hustlers, and Dizzy Twinks of post-Stonewall American queer culture of the late 1970s, only to see the “subterranean lavender twilit shadow world of the gay ghetto” ravished by AIDS in the 1980s. Includes an introduction by Alexander Chee (How to Write an Autobiographical Novel. In Disasterama, Orloff recalls the delirious adventures of his youth—from San Francisco to Los Angeles to New York—where insane nights, deep friendships with the creatives of the underground, and thrilling bi-coastal living led to a free-spirited life of art, manic performance, high camp antics, and exotic sexual encounters, until AIDS threatened to destroy everything he lived for. In his introduction, award-winning essayist and novelist Alexander Chee notes, "There’s a strange love I have for these times that can be hard to explain. How can I love what I lived through from a time that was as ‘bad’ as that? But as I read this, and those days came into view again, what I think of that love now is that there was a beauty to the beauty you found then that was made the more fierce by the horror of what was happening. If you could still find the worth of your life, still find sex, love, friendship, your own self-worth amid these attempts by the state at erasure and the ravages of the AIDS epidemic, then it had the strength of something forged in fire." Orloff looks past the politics of AIDS to the people on the ground, friends of his who did not survive AIDS’ wrath—the boys in black leather jackets and cackling queens in tacky frocks—remembering them not as victims, but as people who loved life, loved fun, and who were a part of the insane jigsaw of Orloff’s friends. Disasterama showcases Orloff's wit and poignancy as he relays the true tale of how a bunch of pathologically flippant kids floundered through a deadly disaster, and, struggled to keep the spirit of camp and radicalism alive, even as their friends lost their lives to the plague.

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MAINTENANT 12: A Journal of Contemporary Dada Writing and Art serves up the controversial theme, “WE ARE ALL A ‘LIKE’.” With the rise in social media use—and abuse—the concept of “like” has reached whole new levels. There’s the idea of an individual’s reaction to events, people, images, etc. as a reduction to “Like” or “Dislike” without need for deeper consideration. Then there is the status factor: that something which is “Liked” by the largest number of people is of value. In fact, in the social media orbit, it is seemingly beneficial to offer strong, sharp, simplistic opinions—instead of nuanced, deeper, shaded considerations—simply because they provoke the greatest likelihood of widespread attention. How will this reduction of thought shape the future of interpersonal relations, intellectual advancement, and politics? As we teeter on the brink of nuclear war, the concepts of Dada brilliantly encompass the urgency of present times with both clarity and purposeful confusion. The MAINTENANT series, established in 2005, gathers the work of renowned and emerging dada artists and writers from around the world. The series has been archived in leading international institutions including the Museum of Contemporary Art–New York, the BelVUE Museum–Brussels, and more. Renowned contributors have included artists Mark Kostabi, Raymond Pettibon, Giovanni Fontana, Jean-Jacques Lebel, and Kazunori Murakami. Writers have included Allen Ginsberg, Gerard Malanga, Charles Plymell, Jerome Rothenberg, and more, with a strong contingent of punk musician-artist-writers including Grant Hart, Mike Watt, and Exene Cervenka.

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Aliens in all shapes and sizes—some fearsome, some outlandish, and some just plain fun—fill the pages of these hand-picked classic stories by sci-fi grand master Robert Silverberg, each featuring a new introduction by the acclaimed author. Every day we are discovering new worlds in far-reaching galaxies which may or may not sustain life as we know it. In Alien Archives: Eighteen Stories of Extraterrestrial Encounters, sci-fi Grand Master Robert Silverberg collects his finest short stories and novellas about one of the genre’s most enduring themes. Spanning fifty years of writing from the Science Fiction Grand Master, this collection of alien encounters features new introductions to all fifteen stories, including the Hugo Award-nominated “Schwartz Between the Galaxies” and HBO adapted “Amanda and the Alien.” In these pages lie tales of a young man venturing into the occupied territory of an alien conquered United States to rescue his brother, three visitors from a very strange alien world arriving on Earth and meeting a tragic fate, and a dangerous life-form from a far-off world finding that suburban California holds some beings that are even more dangerous than it is. With Alien Archives, Silverberg puts us in contact with extraterrestrial beings of all shapes, sizes, and personalities—some fearsome, some outlandish, and some just plain fun. The Associated Press says, "Done Silverberg's way, science fiction is a fine art." With sheer force of imagination and incredible storytelling skills, Alien Archives confirms that Silverberg's classic work continues to resonate for readers today.

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Set in rural Tennessee, QUIVER, a YA novel by Julia Watts, focuses on the unlikely friendship between two teens from opposite sides of the culture wars. Libby is the oldest child of six, going on seven, in a family that adheres to the "quiverfull" lifestyle: strict evangelical Christians who believe that they should have as many children as God allows because children are like arrows in the quiver of "God's righteous warriors." Meanwhile, her new neighbor, Zo is a gender fluid teen whose feminist, socialist, vegetarian family recently relocated from the city in search of a less stressful life. Zo and hir family are as far to the left ideologically as Libby's family is to the right, and yet Libby and Zo, who are the same age, feel a connection that leads them to friendship—a friendship that seems doomed from the start because of their families' differences. Through deft storytelling, built upon extraordinary character development, author Watts offers a close examination of the contemporary compartmentalization of social interactions. The tensions that spring from their families’ cultural differences reflect the pointed conflicts found in today’s society, and illuminate a path for broader consideration.

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First-Person Singularities, stories by science fiction Grand Master Robert Silverberg, features eighteen tales written over the course of his forty-year career, all told in the first-person singular. Inspired by W. Somerset Maugham’s Six Stories Written in the First Person Singular, a fiercely realist collection from the 1930s, Silverberg takes on the challenge, offering up his own unique sci-fi twist and “running the gambit of singularity.” Every story in First-Person Singularities offers a one-of-a-kind narrator: a dolphin feeling the pangs of love for a human being; a computer eager to convince us of its sanity; a Greek god who has surreptitiously survived into modern times; an alien visitor living in disguise in a New York City hotel. Even a pudgy, timid Henry James gets the Silverberg treatment as the witness/narrator of H.G. Wells’s The War of the Worlds! Each story features a special introduction by Silverberg himself, providing the inside scoop on his experience writing for and publishing with the greatest science fiction magazines of the past and present. First-Person Singularities includes an introduction by Hugo-award winning sci-fi author John Scalzi (Redshirts). Robert Silverberg is one of the giants of the sci-fi genre, with four Hugo Awards and six Nebula Awards to his name. He was inducted into the Science Fiction and Fantasy Hall of Fame in 1999 and named a Grand Master by the Science Fiction and Fantasy Writers of America in 2005.

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For the 100th anniversary of the renowned art movement known as Dada, Three Rooms Press presents the 10th edition of its stunning annual collection of provocative and disruptive Dada-inspired art and writing culled from a plethora of top international contributors, in full color. MAINTENANT 10: A JOURNAL OF CONTEMPORARY DADA WRITING AND ART is the latest edition of our acclaimed annual collection. This year's theme, "WARM/HUNGER," features work encompassing artists' and writers' reaction to climate change, global poverty and hunger, ongoing world war and the nationalism, rationalism and greed that has made all of this seem endless and infinite. It features work by a wide range in internationally-renowned Dada artist and writers including punk rock legends Grant Hart, Mike Watt, and Alice Bag, poet and Zapp comix founder Charles Plymell, world-renowned contemporary artists Raymond Pettibon and Mark Kostabi, provocative outsider artists Claude Pelieu and Mary Beach, literary provocateurs Anne Waldman and Andrei Codrescu, and many more.

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A strong dose of Bukowski, Breaking Bad, and brilliance. Intense and gripping, with splashes of outlandish humor, it is a full frontal assault on the challenges of modern life for outsiders. As award-winning poet Mark Bibbins raves, "Thomas Fucaloro is here and he is showing you his big messy heart. (Actually, if you’re looking for other body parts, you’ll find most of them in this book.). Poet Corrina Bain (louderARTS project) applauds the work: "It Starts from the Belly and Blooms dives facefirst into the glory and wildness of life, combining fearless authenticity, humor, and a gut-punching ear for images. All the reader can do is hope that Fucaloro be accorded what he deserves: a lasting mark on the face of American poetics." Thomas Fucaloro is an NYC poet and editor for Great Weather for Media. His first book, Inheriting Craziness is Like a Soft Halo of Light was released on Three Rooms Press in 2010 to rave reviews. He has been on two National Slam Teams and is currently an MFA student in creative writing at the New School.

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Day or night. Rain, heat or snow. The city streets are full of people seeking the path to a better life. Everybody learns the hard way. Some not soon enough. And even dreams must pay their dues. That's just the nature of The City. That's New York. Welcome to Have a NYC, the first of a New York short stories series, edited by Peter Carlaftes and Kat Georges. Authors include: Claus Ankersen, Larissa Shmailo, Adam R. Burnett, Darlene Cah, David R. Lincoln, Lawrence Block, Kofi Fosu Forson, Pedro Ponce, Ronald H. Bass, Jane Ormerod, Peter D. Marra, Puma Perl, Lisa Ferber, Keven Dupzyk and Janet Hamill. In Have a NYC, Three Rooms Press aims to acknowledge that the energy that drives New York is still there, and not just in "hipster" neighborhoods or well-trodden streets. The stories are forming and reforming moment by moment. Drifters pass through and lend their ideas; natives look to cling to the things they see are ebbing away; the underbelly still writhes and reels to an urban beat; and the familiar landmarks take on new looks and menace as technology slowly grips the throngs of people walking the New York City streets.

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The spirit of Dada continues to thrive in this stunning annual collection of provocative and disruptive Dada-inspired art and writing culled from a plethora of top international contributors, with 50+ color images. MAINTENANT 11: A JOURNAL OF CONTEMPORARY DADA WRITING AND ART is the latest edition of an annual collection of contemporary Dada work inspired by Dada instigator and Three Rooms Press spiritual advisor Arthur Cravan. This year’s theme, “An Eye for a Lie,” offers artists’ responses to the increasing madness of the world, punctuated by creative anti-war art and writing. The journal is a full journey into the most imaginative minds in the world, showcasing work of artists and writers from more thirty countries on six of the seven continents. The journal is archived in museums worldwide.

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Winner, 2018 Anthony Award for Best Anthology and Winner, Bronze Medal, 2017 Indie Book Awards for Anthologies, Foreword Reviews. Noir meets diverse voices and transforms the genre into an over-the-top, transcendental psychedelic thriller ride of pulpy goodness in THE OBAMA INHERITANCE, a collection of fifteen stories of conspiracy noir curated by editor and award-winning African-American crime novelist Gary Phillips.

In the tradition of satirical works of Swift and Twain, with nods to the likes of William Burroughs, Asimov and Philip K. Dick, these tales contain vigilante First Ladies, Supreme Court judges who can clone themselves, gear-popping robots of doom, and races of ancient lizard people revealing their true master plan … and these are just the tame ones mashed up in the blender of fake news bots, climate change is but a hoax by the Chinese and humans roamed with dinosaurs.In an era where the outlandish and fantastic has permeated our media 24/7, where mind-bending conspiracy theories shape our views, THE OBAMA INHERITANCE writers riff on the numerous fictions spun about the 44th president of the U.S. Although Obama himself does not appear in most of these stories, contributors spin deliberately outlandish and fantastic twists on many of the dozens of screwball, bizarro conspiracy theories floated about the president during his years in office and turn them on their heads.THE OBAMA INHERITANCE editor Gary Phillips is a critically acclaimed author of mystery and graphic novels (Peepland, Violent Spring, and Warlord of Willow Ridge). Raised in South Central Los Angeles, Phillips draws on his experiences from anti-police abuse community organizing and anti-apartheid activism. He was the chair of the Eleanor Taylor Bland Crime Fiction Writers of Color committee, and is president of the Private Eye Writers of America.Contributors include famed crime-detective author and essayist Walter Mosley, professor and former Department of Justice attorney Christopher Chambers (Sympathy for the Devil), noir raconteur Andrew Nette, actor and novelist Danny Gardner (A Negro and an Ofay), former Maine assistant attorney general Kate Flora (Death in Paradise), award-winning playwright and novelist Désirée Zamorano, and the Science Fiction Writers of America Grand Master Robert Silverberg.

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Two seminal figures of the Beat movement, Allen Ginsberg and William S. Burroughs, discuss literary influences and personal history in a never-before-published three-day conversation following the release of the David Cronenberg film of Burroughs’ classic novel Naked Lunch. The visit coincided with the shamanic exorcism of the demon that Burroughs believed had caused him to fatally shoot his common law wife, Joan Vollmer Burroughs, in 1951—the event that Burroughs believed had driven his work as a writer. The conversation is interspersed with photographs by Ginsberg revealing Burroughs’s daily activities from his painting studio to the shooting range. DON'T HIDE THE MADNESS presents an important, hitherto unpublished primary document of the Beat Generation.

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Simon, New York’s top organic grocery store owner has a secret: his dad is the head of one of New York’s biggest mob families. When his dad dies, Simon agrees to head the Family, provided that instead of murder, numbers and other rackets, the mob uses its muscle to enforce green regulations and promote healthy eating habits. At first the mob’s hit men and extortionists resent being pressed into green service, but they soon become Simon’s biggest supporters. Seemingly overnight, the city becomes literally cleaned up. Simon, who had planned on succeeding his dad temporarily, now finds he likes his new position as the head of the Family. However, the green world doesn’t accept him because he’s running a crime family, and the crime world doesn’t trust him because he’s run afoul of the Feds. Simon takes his wife, Marla, to his ancestral homeland in Italy, for a much-needed sabbatical – and gets even further into trouble.Loosely based on Mario Puzo's runaway hit The Godfather, THE GREENFATHER showcases Marshall’s comic dialogue, honed year after year in late night television, in the grand tradition of classic mob comedy, like Analyze This and Analyze That. Packed with larger than life goons, right-hand men, Feds and green fanatics, THE GREENFATHER satirizes the environmental movement, crime, families, and crime families.THE GREENFATHER is sharp, hilarious, and takes no prisoners, except the ones who are supposed to go there. It goes well with a light salad of radicchio and cherry plum tomatoes.

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A trio of compelling, cutting edge plays on notorious rebels including radical feminist and Warhol attacker Valerie Solanas ("SCUM: The Valerie Solanas Story"), Dada instigator Arthur Cravan ("Art Was Here"), and a twisting tale of Jack the Ripper and T.S. Eliot ("Jack the Rapper"). Playwright Kat Georges paints each of these plays with bold, innovative strokes that expand the boundaries of the theatrical milieu. As compelling to read off the page as to perform, these three plays offer sharp dialogue and prismatic views of their rebellious subjects, casting aside stereotypical bullet-pointed personalities to establish new perspectives on the subjects of each play. In THREE SOMEBODIES: Plays About Notorious Dissidents, poet-playwright Kat Georges offers a trio of fascinating, cutting edge plays about notorious dissidents—people who shook up the world— for better or worse, including “SCUM: The Valerie Solanas Story,” “Art Was Here,” inspired by poet-pugilist and Dada precursor Arthur Cravan, and “Jack the Rapper,” a mash-up of Jack the Ripper and T. S. Eliot. Shakespeare had his kings and princes. Georges chose royalty of the infamous variety: Valerie Solanas, author of The SCUM Manifesto, who famously shot Andy Warhol. Arthur Cravan—nephew of Oscar Wilde, wild child pugilist and poet—whose legendary antics preceded and influenced the Dada movement. Jack the Ripper as sculpted through the words of Eliot’s poem “Rhapsody on a Windy Night.” All three plays received their world premieres at San Francisco’s notorious Marilyn Monroe Memorial Theater, known for its focus on “demolished texts, deconstructed classics, and new works.” As such, the plays in THREE SOMEBODIES are not representative of standard “bio-dramas.” rather these are stripped down, twisted, juxtaposed, hard-bent works intensity designed to bring each subjects life three-dimensional portraits, examine particular personas from inside out. They refused be handcuffed by linear drama so they roar in twists shouts, psychedelic tremors, whirlwind ebullience. Playwright Georges paints each of these plays with bold, innovative strokes that expand the boundaries of the theatrical milieu. As compelling to read off the page as to perform, these three plays offer sharp dialogue and prismatic views of their rebellious subjects, casting aside stereotypical, bullet-pointed personalities to establish new perspectives on their subjects.

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A provocative collection of personal and political essays by an American writer, Raising Girls in Bohemia chronicles the life of a father raising three perfectly bilingual, culturally bifurcated, Czech-American daughters. While tracing what fatherhood has taught him about the world, Katrovas delves into a range of intricately related yet far-flung subjects including fine dining, sexual epithets, gender identity, racism, poetry, and education, tracing the contours of his ignorance about all things. Through the course of these fine essays, Katrovas unveils what it means to be an American and to be a man, and especially what it means to be a father of three daughters, born in Prague, in what we can only hope is the twilight of patriarchy.

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In photos, drawings and words, Sign Language pays homage to the lost art of urban outdoor sign painting. In a working environment both novel and ambitious, author John S. Paul found success, noting, "No other job gave me such a direct impact on the urban landscape, or such physical engagement. Painting signs over Broadway in 1984 was a rare look down from the elevated height of a heroic messenger." Few books have ever provided such an insider perspective into this unique livelihood of days past. In 40 photos and 30 poems and stories, the author creates an immersion into a rarefied world on danger and beauty, raising the sense of the importance of moments and blurring the boundary between public and private space.

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Playwright Peter Carlaftes presents three compelling, funny, and biting dramas in Triumph for Rent: Three Plays. The plays include Spin-Dry: An hilarious wild ride through a 90s rehab center for celebrities; Hunger: a heartfelt drama-inspired by the Knut Hamsun novel-about a starving writer struggling to keep his integrity alive as the borders blur between fantasy and reality worlds of rocker chicks, hookers and convicts; and Frontier A-Go-Go, a tragi-comedy in which a man living on a man living on the Nebraska plains circa 1872 uses a time machine to summon a hippie drifter and a budding feminist who have just conceived a daughter at a rock concert in 1972, and then summons the daughter, aged 25, from her 1997 date with a cybergeek.

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In her second poetry collection, Kat Georges consciously searches for joy in a world of growing darkness. Georges (Our Lady of the Hunger) has an adamant insistence on seeking light in the darkest of places, setting her work apart in a media-driven world bent on promoting grief and devastation for the sake of clicks. Georges provides both solace and inspiration for the reader. These new poems combine humor and deep insight into human nature to capture moments of much-needed wonder and enchantment. Kat Georges is an internationally-acclaimed poet, playwright, editor, and designer, whose work has been widely published in journals and anthologies, including The Outlaw Bible of American Poetry (Thunder’s Mouth Press), Arriving at a Shoreline (Great Weather for Media), From The Inside: NYC Through the Eyes of Poets Who Live Here (Blue Light Press), The Verdict Is In (also editor; Manic D Press), Love, Love Magazine (Paris), and Ladyland: Anthologie de Littérature Féminine Américaine (13E Note Editions), and many other publications. She lives in New York City.

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Award-winning author, screenwriter, and editor Gary Phillips gathers his most thrilling, outlandish, and madcap pulp fiction in an 17-story collection that straddles the line between bizarro, science fiction, noir, and superhero classics. Aztec vampires, astral projecting killers, oxygen stealing bombs, undercover space rangers, aliens occupying Los Angeles, right wing specters haunting the ’hood, masked vigilantes, and mad scientists in their underground lairs plotting world domination populate the stories in this rip-snorting collection. In these pages grindhouse melds with blaxploitation along with strong doses of B movie hardcore drive-in fare. Phillips, editor of the Anthony Award-winning The Obama Inheritance: Fifteen Stories of Conspiracy Noir, and author of One-Shot Harry and Matthew Henson and the Ice Temple of Harlem, said this about pulp. “The most common definition of pulp is it’s fast-paced, a story containing out there characters and a wild plot. There is that. But certainly, as we’ve now arrived at the era of retro-pulp, these stories have elements of characterization: not just action, but a glimpse behind the steely eyes of these doers of incredible deeds.” As an added bonus, Phillips resurrects Phantasmo, a Golden Age comics character created by Black artist-writer E.C. Stoner in an all-new outing of ethereal doings (includes 4 original illustrations by cover artist Adam Shaw).

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A whirlwind tour of San Francisco’s fabled queer bohemia in the waning days of the 20th century, as the city’s budget bon vivants work to save their eccentric lifestyles in the face of tech gentrification by LAMBDA award finalist Alvin Orloff. Harris, San Francisco’s most annoying gay barfly, doesn’t mean to be bitchy, passive aggressive, or insulting. But he’s so bedazzled by his own critical brilliance he feels morally obliged to share his scathing opinions with the world at any and every opportunity. This irritates no one more than his roommate, Maxine, an avant-garde transsexual cabaret singer. When she overhears him badmouthing her on the phone she flies into a rage and expels him from their apartment. This crisis couldn’t come at a worse time. The year is 1999 and the “dot com” boom has rendered cheap housing nonexistent, and Harris, who works as a part-time telemarketer, is—as usual—low on funds. Will he be able to convince one of his eccentric, semi-dysfunctional friends with a rent-controlled apartment to let him move in? Vulgarian Rhapsody immerses readers in a fading bohemia of queer dive bars, drag clubs, and countercultural cafes. The book’s narrator (a longtime frenemy of Harris who’s every bit as snarky and annoying as he is) tells the story with sadistic relish and an ironist’s eye for the absurd. Anyone feeling sickly from too many uplifting stories of personal empowerment, precious coming-of-age tales, or sugarcoated romances will find the perfect antidote in this hilariously acidic comedy of manners. A must-read for fans of Brontez Purnell, Phillippe Besson, and Ryan O’Connell.

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Most Anticipated LGBTQIA+ Books: Young Adult Literature —LAMBDA LiteraryMust-Have 2023 Queer Book Releases —The Nerd DailyMost Anticipated Young Adult Books —LGBTQ ReadsRecommended LGBTQ+ YA —Reads Rainbow Acclaimed musician Jessamyn Violet’s debut LGBTQA+ novel sizzles with a coming-of-age story set in an industry of ambition, secrets, lies, and utter joy. Eighteen-year-old Kyla Bell dreams of one day being a professional musician... but gets little to no support from her parents. Still, she practices every day and performs locally, harboring her own secret hopes. One night, her dreams are answered in the form of sultry rocker Ruby Sky, the magnetic frontwoman of her favorite band, Glitter Tears. Ruby hears Kyla perform and asks her to join the band on keys for their upcoming tour. In order to accept, Kyla must drop out of her Western Massachusetts high school and move to Los Angeles immediately to live with a renowned yet highly volatile producer who has agreed to put her through "rock star boot camp" in a matter of weeks. Blindsided by her emerging feelings for Ruby Sky, Kyla tumbles through the lights and shadows of the 90s music scene in Los Angeles.

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"A smorgasbord for those who are sick and tired of it." —Seattle Book Review The 2021 edition of the premiere journal of contemporary dada writing and art considers humankind past and present with a collection of contemporary dada art and writing driven by the theme “HUMANITY: THE REBOOT.” More than 242 creators from 31 countries establish that social protest can be creatively achieved via risk-taking art. The premier journal gathering the work of internationally-renowned contemporary Dada artists and writers, MAINTENANT 15 offers compelling proof that Dada continue to serve as a catalyst to creators more than a century later. The annual MAINTENANT series, established in 2008, gathers work of contemporary Dada artists and writers from around the world. The new issue features cover art by renowned Cuban American artist Edel Rodriguez, whose provocative work has been featured on the covers of TIME, The New Yorker, Der Spiegel, and more. Past issues of MAINTENANT include work by artists Mark Kostabi, Walter Robinson, Raymond Pettibon, Nicole Eisenmann, Jean-Jacques Lebel, and Kazunori Murakami; writers include Gerard Malanga, Charles Plymell, Andrei Codrescu, and more, with a strong contingent of artist-writers from the world of punk rock. MAINTENANT 15 contributors include: Derek Adams • Alexey Adonin • Jamika Ajalon • Youssef Alaoui • Linda J. Albertano • Austin Alexis • Joel Allegretti • Santiago Amaya • Elizabeth Ashe • Gaëlle Audic • Liz Axelrod • Mahnaz Badihian • Amy Barone • Vittore Baroni • Amy Bassin • Regina Lafay Bellamy • John M. Bennett • C. Mehrl Bennett • Volodymyr Bilyk • József Bíró • Mark Blickley • Karen Boissonneault-Gauthier • Clemente Botelho • John Bowman • Jeff Boynton • Gedley Belchior Braga • Bob Branaman • philipkevinbrehse • Kathy Bruce • Imanol Buisan • Fork Burke • Irene Caesar • Billy Cancel • Peter Carlaftes • Virginia Carroll • Mona Jean Cedar • Robert Cenedella • Mutes César • Leanne Chabalko • Sarah M. Chen • Ross Cisneros • Lynette Clennell • Andrei Codrescu • Chuck Connelly • Roger Conover • Anthony Cox • Lars Crosby • Tchello d’Barros • Steve Dalachinsky • Zoë Darling • Allison Davis • Holly Day • Avelino de Araujo • Quỳnh Iris de Prelle • Laylah DeLautréamont • Bart Dewolf • Peter Dizozza • Sam Dodson • Bruce Louis Dodson • Carol Dorf • Robert Duncan • Jeff Farr • Amoye Favour • Rich Ferguson • Kathleen Florence • Gioivanni Fontana • Texas Fontanella • Robert C. Ford • Kofi Fosu Forson • Abigail A. Frankfurt • Barbara Friedman • Thomas Fucaloro • Joanna Fuhrman • Ignacio Galilea • Sandra Gea • Kat Georges • Christian Georgescu • Robert Gibbons • Gordon Gilbert • Mark Glista • Benjamin Goluboff • S. A. Griffin • Fausto Grossi • Meghan Grupposo • Egon Guenther • Genco Gulan • Elancharan Gunasekaran • John S. Hall • Janet Hamill • Bibbe Hansen • David Hargreaves • Nour Hassan • Heide Hatry • Aimee Herman • Karen Hildebrand • Jack Hirschman • Mark Hoefer • Lawrence Holzworth • Mane Hovhannisyan • Joël Hubaut • Heikki Huotari • Matthew Hupert • Ayushi Jain • Annaliese Jakimides • Marta Janik • Ruud Janssen • Mathias Jansson • Debra Jenks • Jerry Johnson • Boni Joi • Milana Juventa • Jerry Kamstra • Allan Kausch • Marina Kazakova • Donna Joy Kerness • Rose Knapp • Doug Knott • Ron Kolm • Mark Kostabi • Eleni Kourti • Paweł Kuczyński • Anatoly Kudryavitsky • Béné Kusendila • David Lawton • Serge Lecomte • Jane LeCroy • Patricia Leonard • Linda Lerner • Adam Li • Alexander Limarev • Laurinda Lind • Goran Lišnjić • Yvonne Litschel • Richard Loranger • Sarah Maino • Jaan Malin • Sophie Malleret • Bibiana Padilla Maltos • Giovanni Mangiante • Mary Manspeaker • Phil Marcade • Fred Marchant • Eliette Markhbein • Sara Cahill Marron • Malak Mattar • Bronwyn Mauldin • Ellyn Maybe • John Mazzei • Jesse McCloskey • Philip Meersman • R. S. Mengert • Lawrence Miles • Lois Kagan Mingus • Charles Mingus III • Richard Modiano • Mike M. Mollett • Thurston Moore • Tim Murphy • Alexander Nderitu • Gerald Nicosia • Anna O’Meara • Valery Oisteanu • Ruth Oisteanu • Marc Olmsted • Suzi Kaplan Olmsted • Jane Ormerod • Yuko Otomo • Csaba Pál • Lisa Panepinto • Gay Pasley • John S. Paul • Paulo • Giorgia Pavlidou • Ernst Perdriel • Puma Perl • Raymond Pettibon • Alex Andy Phuong • Charles Plymell • Leslie Prosterman • Lauren Purje • Renaat Ramon • Nicca Ray • C. R. Resetarits • Mado Reznik • Wes Rickert • Benjamin Robinson • Bruce Robinson • Aliah Rosenthal • Alison Ross • Bradley Rubenstein • Mashaal Sajid • Ralph Salisbury • Martina Salisbury • Aram Saroyan • Phil Scalia • Jack Seiei • Silvio Severino • Craig Shannon • Susan Shup • Bertholdus Sibum • Denise Silk-Martelli • Angela Sloan • Valerie Sofranko • Orchid Spangiafora • Dd. Spungin • Laurie Steelink • Samantha Steiner • J. J. Steinfeld • Christine Sloan Stoddard • Rich Stone • W. K. Stratton • Lucien Suel • Neal Skooter Taylor • Michael Thompson • Fred Tomaselli • Zev Torres • John J. Trause • Ann Firestone Ungar • Yrik-Max Valentonis • Luca Vallino • Anoek van Praag • Lynnea Villanova • Barbara Vos • Silvia Wagensberg • Tom Walker • George Wallace • Scott Wannberg • Mike Watt • Jennifer Weigel • Poul R. Weile • Ingrid Wendt • Syporca Whandal • A Whittenberg • Maw Shein Win • Yaryan • Gerald Yelle • Logan K. Young • Lorene Zarou-Zouzounis • Larry Zdeb • Leonard Zinovyev • Nina Zivancevic • Joanie HF Zosike

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In a medieval French courtroom, animals are put on trial for "crimes" against mankind and must rely on preposterous legal diatribes by a court-appointed lawyer to defend them—great for fans of Umberto Eco, Edward Carey, and Amor Towles. Historical fiction has never been more uproarious as master storyteller Stephen Spotte unleashes this wild tale of opposing attorneys battling to defend or prosecute accused animals—including a rat and a pig—facing penalties of being hanged or burned alive at the stake: Think Willard meets The Name of the Rose. Based on actual court records, Spotte captures the wit and bluster of the era, where courtrooms were packed with cheering and heckling spectators in ever-more opaque, convoluted, and dilatory trials. By the end of this novel, Spotte uses his critically-acclaimed storytelling skills to explore still-relevant theories on legal precedent, the church vs. the state, mankind’s place in nature, and animal rights. Hilarious insights into pride, greed, and some of the most bizarre court trials in the history of the world. "Spotte is a master storyteller,” says Library Journal and in ANIMAL WRONGS, this acclaimed author is at his peak.

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“Read this book immediately if you like truth, drugs, generation gaps, guitars, and lifelong quests for freedom and kicks.” --Craig Finn, The Hold Steady Thomas Ransom, born to a severely dysfunctional southern family transplanted to New York City, is left to his own devices by neglectful parents, and spends his childhood shadowing his criminally-inclined half-brother and roaming the city with hard-drinking teenage pals. He eventually finds an outlet as the flamboyant singer of a downtown rock band, and later as the young editor of the Detroit-based magazine that invented punk, only to return to New York, at the height of the 1970s bacchanal, and crash. But it isn’t music that saves him. It’s a soft-spoken painter, who turns out to be the most outrageous character of all. With echoes of Almost Famous and Just Kids, LOUDMOUTH tracks an impassioned musician and writer out among the punks, hippies, and wild geniuses of rock when music was the center of the world. Author Robert Duncan was barely out of his teens when he started writing for the influential music magazine Creem, becoming its managing editor at 22. He went on to write for Rolling Stone, Circus, Life, and dozens of other publications, interviewing hundreds of rock stars at the top of their game. In the process, Duncan became a rock Zelig: he shares tales of his time with a young, scrawny Bruce Springsteen while driving him around Detroit; he introduces The Clash‘s Mick Jones and Joe Strummer to a broken-down piano player of dubious ability, leading to a hilariously disastrous recording session with the band; he works alongside legendary rock critic Lester Bangs, witnesses his tragic spiral, and finally discovers him dead of an OD in the apartment next door. These experiences, and many others, provide the fuel for his debut novel, LOUDMOUTH, making it what Brian Jonestown Massacre's Joel Gion calls, “A sonic wail of a tale about the youthful beginnings of one of the Mount Rushmore ‘heads’ of rock ’n’ roll journalism.”

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Today’s war is for the survival of the planet. In Maintenant 14: A Journal of Contemporary Dada Writing and Art, the weapon of choice is Dada. Today, everyone in the world is affected by the growing impact of climate change, pollution, plastics, and lack of sustainability. The 2020 edition of the premiere journal of contemporary dada writing and art confronts the situation with a bold and rebellious collection of work that shows the absurdity of continuing the practices that have taken earth to the precipice of extinction. Using the theme “UN-SUSTAIN-A-BULL-SH*T” Maintenant 14 creators turn poetry and art into weapons that expose, confront, and lambast policies that have taken the planet to tipping points in the climate system, biodiversity loss, and the risk of social and ecological collapse. The premier journal gathering the work of internationally-renowned contemporary Dada artists and writers, Maintenant 14 offers compelling proof that Dada continue to serve as a catalyst to creators more than a century later. The annual MAINTENANT series, established in 2008, gathers work of contemporary Dada artists and writers from around the world. The new issue features cover art by neo-pop artist/provocateur Walter Robinson. Past issues include art by Mark Kostabi, Raymond Pettibon, Nicole Eisenmann, Jean-Jacques Lebel, Charles Mingus III, and Kazunori Murakami; writing by Gerard Malanga, Charles Plymell, Andrei Codrescu, Anne Waldman, and more, with a strong contingent of artist-writers from the world of punk rock.

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Tales from the Eternal Cafe, author Janet Hamill's debut short story collection, offers a thrilling, unwinding trail of tales that excite and mystify; drift then deliver a powerful punch that readers will devour. Like Karen Russell, George Saunders, Jose Luis Borges and Isabel Allende, Janet Hamill's writing lures readers willingly into a labyrinth of surprise and suspense, with humor lurking just on the other side of pathos; a tear just moments away from bright, well-deserved laughter. The seventeen crisp stories included in Tales from the Eternal Cafe offer a plethora of fascinating characters and scenarios: a brief memoir from Baudelaire's publisher; a letter from a writer who knows he is going mad; an exasperated Italian film director unable to inspire Europe's most famous actor during the shooting of a brothel scene. The book includes an introduction by the author's lifelong friend, singer-songwriter-poet-author Patti Smith, whose book Just Kids, received the National Book Award for Nonfiction in 2010.

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Narrated by an Archaeon, a 3.8 billion year old species, the oldest on earth, Downdrift is a work of speculative eco-fiction that describes the impact of ecological pressures on animals that are adopting human behaviors, with droll and sometimes alarming, results. The book follows a year of changes and the travels of a housecat and a lion who are inexplicably driven towards a rendezvous. At first, a few isolated harbingers of change appear, but they quickly escalate. Squirrels take up manic knitting, wild hares steal earth-moving equipment, rats go in for disco music and form-fitting metallic leisure-ware. Data-sorting abilities appear among urban populations of birds, and frenzied domestic pets seek celebrity careers. Droll, melancholic, and poetic, the tale is crammed with witty vignettes and poignant reflections on the ways the pressures on the once-natural world are accelerating mutations in behaviors among the animals. Genetic material alters. The differences between animals blur. Odd mutant forms appear–goat-chicks and dog-flies, fish-birds and flying lizards–as if some mad rush is propelling genetic code to propagate across every form of flesh and living matter. As large-scale infrastructure projects make their appearance, each of the animals takes the role appropriate to its disposition—or not. Melancholic rather than apocalyptic, the book is a celebration of species as well as a mourning of the damage done in our time. Throughout, the emergent voice and character of the Archaeon extremophile records events as well as a slow coming to consciousness about its own identity as a hyper-organism.

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